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World Suite 2 Manual

This End-User License Agreement outlines the terms and conditions for using UVI software. Key points include: - The license is non-exclusive and allows use on up to 3 computers or iLok devices owned by the licensee. Renting or lending the software is prohibited. - Ownership of the sounds and samples remains with UVI. Copies are provided to enable license rights but distribution or sale of the content is forbidden. - Resale of individual products obtained in a bundle is not allowed. Products labeled "NFR" are only for testing and cannot be used commercially. - UVI is not obligated to provide support but will make best efforts to assist with technical difficulties.

Uploaded by

Migou
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
243 views393 pages

World Suite 2 Manual

This End-User License Agreement outlines the terms and conditions for using UVI software. Key points include: - The license is non-exclusive and allows use on up to 3 computers or iLok devices owned by the licensee. Renting or lending the software is prohibited. - Ownership of the sounds and samples remains with UVI. Copies are provided to enable license rights but distribution or sale of the content is forbidden. - Resale of individual products obtained in a bundle is not allowed. Products labeled "NFR" are only for testing and cannot be used commercially. - UVI is not obligated to provide support but will make best efforts to assist with technical difficulties.

Uploaded by

Migou
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 393

Soundbank Manual

Software Version 1.0


EN 200810
End-User License Agreement (EULA)

Do not use this product until the following license agreement is understood and accepted.
By using this product, or allowing anyone else to do so, you are accepting this agreement.

This End-User License Agreement (EULA) represents the contractual conditions C- Protection of Software
between you, the Licensee, and UVI, located 159 rue Amelot, 75011 Paris - France You agree to take all reasonable steps to protect the Product and any accompanying
for the use of software, documentation and other materials created by UVI. documentation from unauthorized copying or use. You agree not to modify the
Product to circumvent any method or means adopted or implemented by UVI to
You should not register, install or use UVI Products until the protect against or discourage the unlicensed use or copying of the Product.
following license agreement is understood and accepted.

By using UVI Products, or allowing anyone else to do D- Ownership


so, you are accepting this agreement. Ownership of, and title to, the enclosed digitally recorded
sounds (including any copies) are held by UVI.
A- License Grant Copies are provided to you only to enable you to exercise your rights under the license.
1. UVI grants to you, subject to the following terms and conditions, the
non-exclusive right to use each authorized copy of the Product.
E- Term
2. UVI Product license are granted only to a single user. You This agreement is effective from the date you open this package, and will remain in
may use this product on up to three separate computers or iLok full force until termination. This agreement will terminate if you break any of the terms
Dongles, which shall be owned and used by you exclusively. or conditions of this agreement. Upon termination you agree to return to UVI all copies
of this product and accompanying documentation and destroy any other copies made.
3. Renting or lending the licensed Software to a third party is expressly forbidden.

4. Except if otherwise stated within this EULA, Licensee may resell the software F- Restrictions
to a third party or transfer the software permanently. Request may be done using Except as expressly authorized in this agreement, you may not
the ‘Transfer License’ feature in your iLok account, subject to a $25 fee per-license rent, lease, sub-license, distribute, copy, reproduce, display, modify
($50 maximum) by Pace. The serial number of the Product will be transferred to or timeshare the enclosed Product or documentation.
the third party by UVI, and Licensee’s original registration will be deleted.

5. Resale or ownership transfer of individual products obtained in a bundle, or G- NFR Serials and Free Products
those used to upgrade or cross-grade to other products are not allowed. UVI Products serial numbers labeled as “NFR” (Not For Resale) shall only be
used for demonstration, testing and evaluation purposes. NFR Products may
6. UVI allows you to use any of the sounds and samples in the products not be used for commercial purposes, and may not be resold or transferred.
you’ve purchased for commercial recordings without paying any They are not eligible for license recovery and are exempt from update,
additional license fees or providing source attribution to UVI. upgrade or crossgrade offers, and cannot be purchased with or exchanged for
vouchers. Furthermore, as an owner of an NFR Product, you are not entitled
7. This license expressly forbids resale or other distribution of the sounds and to promotions available for the commercial version of the Product.
software included in the Product or their derivatives, either as they exist on disc,
reformatted for use in another digital sampler, or mixed, combined, filtered,
resynthesized or otherwise edited, for use as sounds, multi-sounds, samples, H- No Support Obligation
multi-samples, wavetables, programs or patches in a sampler, microchip or any UVI will make its best effort to support you in the event of technical difficulty with a
hardware or software sample playback device. You cannot sell the Product content UVI Product. However, UVI is not obligated to furnish or make available to you any
or give it away for use by others in their sampling or sample playback devices. additional information, software, technical information, know-how, or support.

8. In the event UVI terminates this agreement due to your breach, you agree to
return the original and all other copies of the software and documentation to UVI. I- Specifications and System Requirements
All technical specifications of UVI Products provided are intended to be estimates
9. UVI reserves all rights not expressly granted to herein. or approximations. Due to numerous variables no guarantees of compatibility
or performance can be made. All such specifications shall be in writing.
End-User is solely responsible for, prior to purchase, ensuring that End-User’s
B- License Activation devices are compatible and meet the system requirements for UVI Products,
1. In order to use UVI Products it is required that you authorize them by and that the applicable UVI Products meet End-User’s requirements.
registering your Serial Number on uvi.net/register, have a free iLok account
(not necessarily a dongle) and install the free iLok License Manager (done
automatically by UVI Workstation and Falcon installers). It is impossible This EULA is governed by the laws of France.
to use UVI Products if they are not registered and authorized.

2. During authorization you will need to enter your name, email address and
postal address which will be stored in the UVI database. UVI uses a secure SSL
connection with 128-bit-encryption that meets current security standards
to transmit your data over the web. For further information about UVI’s
handling of personal data please see: https://www.uvi.net/privacy-policy

3. The UVI Product license allows up to 3 simultaneous activations on any


combination of iLok dongles and computers. Activations can be moved
between devices at anytime through the iLok License Manager. ©2020 UVI. All rights reserved.
All trademarks are the property of their respective owners.

2
Table of Contents
Introduction......................................................................................................................................................................................... 4
Global Guide........................................................................................................................................................................................ 5
Solo Instruments
Africa.............................................................................................................................................................................................. 6
Asia................................................................................................................................................................................................. 32
Australia........................................................................................................................................................................................ 59
Celtic.............................................................................................................................................................................................. 71
Eastern Europe........................................................................................................................................................................... 90
India................................................................................................................................................................................................ 122
Indonesia...................................................................................................................................................................................... 166
Middle East.................................................................................................................................................................................. 177
Occidental.................................................................................................................................................................................... 225
South America........................................................................................................................................................................... 277
Spanish Gypsy............................................................................................................................................................................ 308
West Indies.................................................................................................................................................................................. 316
Traveler Instruments
African Traveler......................................................................................................................................................................... 337
Brazilian Traveler...................................................................................................................................................................... 339
Cuban Traveler........................................................................................................................................................................... 341
Georgian Traveler..................................................................................................................................................................... 343
Indian Traveler........................................................................................................................................................................... 345
Latin Perc Traveler................................................................................................................................................................... 347
Middle Eastern Traveler......................................................................................................................................................... 349
West Indies Traveler................................................................................................................................................................ 351
Vocal Traveler............................................................................................................................................................................ 353
Vocal Ambience Traveler...................................................................................................................................................... 355
Samples - Loops and Phrases & Vocals
Overview....................................................................................................................................................................................... 357
Browser......................................................................................................................................................................................... 358
Sample Editor............................................................................................................................................................................. 359
Loops and Phrases................................................................................................................................................................... 360
Vocals............................................................................................................................................................................................ 388
Links........................................................................................................................................................................................................ 392
Credits and Thanks........................................................................................................................................................................... 393

3
Introduction

World Suite 2
Instruments from Around the Globe Instruments
World Suite 2 is divided into 12 groups by geography and ethnography
- Epic collection of traditional and ethnic sounds  including Africa, Asia, Australia, Celtic, Eastern Europe, India, Indonesia,
- 65,000+ samples, 369 instruments, 10,000+ loops and phrases Middle East, Occidental, South America, Spanish Gypsy and West
- Intuitive UIs with instrument-specific controls Indies. Browse instruments by region or type, so regardless of whether
you need sounds from a certain geographical location or a specific
OVERVIEW instrument category you can find what you need quickly and efficiently. 

With 369 instruments at your fingertips World Suite 2 delivers Loops and Phrases
thousands of years of musical culture from every major Choir recordings organized by gender, age, pitch and region, including:
continent and ethnic tradition. Explore the sounds of our global Africa, Asia, Eastern Europe, India, Middle East, South America,
heritage and traverse the most secluded corners of the world Spanish Gypsy, and Georgian. Also including a wordless section of
for inspiration with hundreds of playable instruments and Ambience Vocals, in categories: Arabic, Balkanish, Persian, and Misc.
thousands of authentically performed loops and phrases.
Travelers
World Suite 2’s scope is truly massive, it’s one our largest libraries Loops and phrases can be individually browsed and loaded into your
yet including well over 65,000 samples and representing years of DAW or played through the unique multi-track Traveler instruments.
planning, recording, editing, coding and design to realize. The vision World Suite’s Traveler allows you to easily mix, transpose and
was simple, we wanted to create a single library that would allow perform up to 6 loops simultaneously, all perfectly tempo-synced to
anyone to quickly and easily navigate to any region of the world, your DAW. World Suite 2 includes 9 Traveler instruments (African,
browse local instruments and begin playing. That’s exactly what you Brazilian, Cuban, Indian, Latin Percussions, Middle Eastern, Vocal,
get with World Suite. Journey to Africa and feel the primal drive of Vocal Ambience and West Indies) to provide you with convenient
tribal drums and the hypnotizing resonances of the mbira, to Asia instrument groupings for a fast and intuitive experience.
and Indonesia for the delicate strings of the koto, mystical shakuhachi
flutes and the cerebral gamelan, or to Australia for the didgeridoo and
ancient percussive instruments of the aborigine… Wherever you want Minimum System Requirements
to go World Suite can be your musical guide with the largest and most • UVI Workstation 3.0.14+ or Falcon 2.0.9+
complete collection of traditional instruments ever in software form. • 40GB of disk space
For more information on the installation process, please refer to the
document: Soundbank Installation Guide

4
Global Guide

Summary

World Suite 2 is a deep and nuanced collection with many unique features, here are a few:

• Solo Wind Instruments have a natural legato mode and portamento that you can trigger from the pedal
• African Balafon, Mbira and Sanza have discrete body and transient samples to help shape the sound
• African Karimba allows mixing of discrete noise and body samples
• Laotian Zither, as well as some other stringed instruments, use a modeled tremolo with speed selection and modwheel control
• Gong instruments are provided and were designed with their root notes in order so that they can be played melodically
• Dan Moi allows rhythms to be played with the left hand and melody with the right
• Taiko drums were recorded with 4 mics that can be independently dialed-in
• Australian Didgeridoo and Flutes are special instruments built with key-switchable, tempo-mapped phrases
• Celtic Concertina provides a beautiful sound with adjustable key noise
• Flamenco Rhythm instrument includes over 1,000 samples of flamenco guitar rhythms implemented with a chord recognition
script and can be played at any tempo and in any key
• Traveler instruments are fantastic tools for quickly creating musical layers and sketches
• Vocal Traveler instruments provide the same fast workflow but with human voices
• Loops and Phrases can be drag-and-dropped from UVI Workstation’s or Falcon’s browser

Categories
World Suite represents a massive collection of instruments and samples. In order to make finding what you’re looking for easier the
content has been carefully organized by both region and instrument type.

By REGION By TYPE LOOPS & PHRASES TRAVELERS VOCALS

Divided into 12 groups Divided into 6 groups Divided into 11 groups 10 Traveler instruments Two voice Travelers
by geography and by instrument category by geography and including African, Brazilian, provide spoken phrases
ethnography including including Bell, Metal and ethnography including Cuban, Georian, Indian, and ambient textures.
Africa, Asia, Australia, Gong, Fretted String, Africa, Asia, Australia, Latin Percussion, Middle Samples are organized
Celtic, Eastern Europe, Key, Percussion, Stringed Celtic, Eastern Europe, Eastern, South America, into 7 groups: African,
India, Indonesia, Middle and Woodwind. India, Middle East, and West Indies. Arabic, Balkanish, Eastern
East, Occidental, South Occidental, Spanish European, Flamenco,
America, Spanish Gypsy Gypsy and West Indies. Indian and Persian.
and West Indies.

5
6
UI - Solo Instrument - African Flutes

Note: Some presets have


been custom tuned to provide
optimum dynamics depending
on play style. If you’ll be using
a modwheel choose the Wheel
version, otherwise choose Vel.

1 Keyswitch Menu

Expression 3

4 Equalizer
Performance 2

5 Reverb

1 Keyswitch Menu 3 Expression 4 Equalizer


Change the active layer » [Mode] Velocity » Power
Note velocity determines note volume » ƒ [Mid Frequency]
2 Performance » [Mode] Wheel Sweepable mid-band frequency
» [Mode] Polyphonic Use your MIDI controllers Mod Wheel to 120Hz — 1600Hz — 6kHz
Allow the voicing of multiple notes determine note volume » Bass / Mid / Treble
simultaneously » Volume Curve Adjust band gain/attenuation (+/-20dB)
» [Mode] Legato Modify the Velocity/Wheel volume curve
Only one note can be voiced at a time, » Vibrato Power 5 Convolution Reverb
previous notes are cut off as new notes » Vibrato Amount » Power
are struck Adjust the vibrato depth » Impulse Response Menu [IR]
» Legato Fade » Vibrato Speed Select the reverb room shape
Adjust the fade time between samples to Adjust the vibrato rate » Size
simulate legato » Vibrato Delay Adjust the room size
» [Mode] Portamento Adjust the time to reach vibrato depth » Dry
Only one note can be voiced at a time, from note press Adjust the amount of Dry signal
previous notes are cut off as new notes » Tremolo Power » Wet
are struck, new notes bend into pitch » Tremolo Amount Adjust the amount of Wet signal
from the direction of last note struck Adjust the tremolo depth
» Portamento Glide » Tremolo Speed
Adjust the duration of pitch bend Adjust the tremolo rate
» On Pedal (Legato and Portamento only) » Tremolo Delay
Use a Sustain pedal to switch between Adjust the time to reach tremolo depth
legato and portamento modes from note press

7
Layers & Keyswitches

African Flutes Vel


Majingu Flute Hit. . . . . . . . . C2
Majingu Flute Short. . . . . . . C#2
Majingu Flute Sustain. . . . . D2
Djafe Flute Hit. . . . . . . . . . . . D#2
Djafe Flute Short. . . . . . . . . . E2
Djafe Sustain. . . . . . . . . . . . . F2
Goat Flute Hit . . . . . . . . . . . . F#2
Goat Flute Short. . . . . . . . . . G2
Goat Flute Sustain. . . . . . . . G#2

African Flutes Wheel


Majingu Flute Hit. . . . . . . . . C2
Majingu Flute Short. . . . . . . C#2
Majingu Flute Sustain. . . . . D2
Djafe Flute Hit. . . . . . . . . . . . D#2
Djafe Flute Short. . . . . . . . . . E2
Djafe Sustain. . . . . . . . . . . . . F2
Goat Flute Hit . . . . . . . . . . . . F#2
Goat Flute Short. . . . . . . . . . G2
Goat Flute Sustain. . . . . . . . G#2

Dream Aflo Flutes


Majingu Flute Hit. . . . . . . . . C2
Majingu Flute Short. . . . . . . C#2
Majingu Flute Sustain. . . . . D2
Djafe Flute Hit. . . . . . . . . . . . D#2
Djafe Flute Short. . . . . . . . . . E2
Djafe Sustain. . . . . . . . . . . . . F2
Goat Flute Hit . . . . . . . . . . . . F#2
Goat Flute Short. . . . . . . . . . G2
Goat Flute Sustain. . . . . . . . G#2

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

8
UI - Solo Instrument - African Guitars

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Sound note volume is reached Select the reverb room shape
» Fret Noise » D [Decay] » Size
Activates a discrete layer that emphasizes After the Attack time has passed, the time Adjust the room size
the fret noise, adjust level it takes to reach the Sustain level » Dry
» Release » S [Sustain] Adjust the amount of Dry signal
Activates a discrete layer that emphasizes The note level while sustained » Wet
the release phase, adjust level » R [Release] Adjust the amount of Wet signal
» Timbre After a note is released, the time it takes
Adjust the timbre/pitch to fade to 0

3 Expression 5 Equalizer
Use your MIDI controllers modwheel to » Power
interactively control the tremolo effect » ƒ [Mid Frequency]
» Tremolo Depth Sweepable mid-band frequency
Adjust the tremolo depth 120Hz — 1600Hz — 6kHz
» Tremolo Rate » Bass / Mid / Treble
Adjust the tremolo rate Adjust band gain/attenuation (+/-20dB)
» Velocity Curve
Adjust the velocity curve between hard,
soft, and linear response

9
Layers & Keyswitches

African Guitars
Afro Steel Guitar. . . . . . . . . . C1
Roots African Guitar . . . . . . D1
Tchad Nylon Guitar. . . . . . . C#1

African Roots Guitar


Afro Steel Guitar. . . . . . . . . . C1
Roots African Guitar . . . . . . D1
Tchad Nylon Guitar. . . . . . . C#1

African Guitars Short


Afro Steel Guitar. . . . . . . . . . C1
Roots African Guitar . . . . . . D1
Tchad Nylon Guitar. . . . . . . C#1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

10
UI - Solo Instrument - African Large Drums

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Doubling 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Doubling note volume is reached Select the reverb room shape
Add a secondary hit with variable volume, » D [Decay] » Size
pitch and filtering for more impact After the Attack time has passed, the time Adjust the room size
» Solo it takes to reach the Sustain level » Dry
Activate to use only the secondary voice » S [Sustain] Adjust the amount of Dry signal
» Power The note level while sustained » Wet
Activates a secondary voice (doubling) » R [Release] Adjust the amount of Wet signal
» Level After a note is released, the time it takes
Set the volume for the second voice to fade to 0
» Pitch
Set the pitch of the second voice 5 Equalizer
(+/-12 semi) » Power
» ƒ (LP/HP Filter) » ƒ [Mid Frequency]
Unified low-pass/high-pass filter Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
3 Expression » Bass / Mid / Treble
» Velocity Curve Adjust band gain/attenuation (+/-20dB)
Adjust the velocity curve between hard,
soft, and linear response

11
Layers & Keyswitches

Large Drums Natural


Beninese Drum. . . . . . . . . . . C1
Guinean Baga Drum . . . . . . C#1
Guinean Baga Kobo. . . . . . . D1
Guinean Toma Drum. . . . . . D#1
Malian Drum. . . . . . . . . . . . . E1
Ouagadougou Drum. . . . . . F1
Tanzanian Drum. . . . . . . . . . F#1
Togolese Drum. . . . . . . . . . . G1
Zairian Drum. . . . . . . . . . . . . G#1

Large Drums Processed


Beninese Drum. . . . . . . . . . . C1
Guinean Baga Drum . . . . . . C#1
Guinean Baga Kobo. . . . . . . D1
Guinean Toma Drum. . . . . . D#1
Malian Drum. . . . . . . . . . . . . E1
Ouagadougou Drum. . . . . . F1
Tanzanian Drum. . . . . . . . . . F#1
Togolese Drum. . . . . . . . . . . G1
Zairian Drum. . . . . . . . . . . . . G#1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

12
UI - Solo Instrument - African Percussions

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Doubling 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Doubling note volume is reached Select the reverb room shape
Add a secondary hit with variable volume, » D [Decay] » Size
pitch and filtering for more impact After the Attack time has passed, the time Adjust the room size
» Solo it takes to reach the Sustain level » Dry
Activate to use only the secondary voice » S [Sustain] Adjust the amount of Dry signal
» Power The note level while sustained » Wet
Activates a secondary voice (doubling) » R [Release] Adjust the amount of Wet signal
» Level After a note is released, the time it takes
Set the volume for the second voice to fade to 0
» Pitch
Set the pitch of the second voice 5 Equalizer
(+/-12 semi) » Power
» ƒ (LP/HP Filter) » ƒ [Mid Frequency]
Unified low-pass/high-pass filter Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
3 Expression » Bass / Mid / Treble
» Velocity Curve Adjust band gain/attenuation (+/-20dB)
Adjust the velocity curve between hard,
soft, and linear response

13
Layers & Keyswitches

African Djembe
Roots Wood. . . . . . . . . . . . . . C2
Modern Skin. . . . . . . . . . . . . . C#2
Djembe Mozambique. . . . . D2

African Misc Percssions


Mix Menu. . . . . . . . . . . . . . . . C1 Plastic Rain Stick. . . . . . . . . . A1
Cruche. . . . . . . . . . . . . . . . . . . C#1
Talking Drums. . . . . . . . . . . . D1
Fedounoum. . . . . . . . . . . . . . D#1
Tchangoche. . . . . . . . . . . . . . E1
Rattle. . . . . . . . . . . . . . . . . . . . F1
Shekere. . . . . . . . . . . . . . . . . . F#1
Body Bells. . . . . . . . . . . . . . . . G1
Wood Rain Stick. . . . . . . . . . G#1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

14
UI - Solo Instrument - Balafon

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

» Power
1 Instrument Menu 4 Envelope
» Impulse Response Menu [IR]
Change the active layer » A [Attack]
Select the reverb room shape
After triggering a note, the time until full
» Size
2 Sound note volume is reached
Adjust the room size
» Transient » D [Decay]
» Dry
Activates a discrete layer that emphasizes After the Attack time has passed, the time
Adjust the amount of Dry signal
the attack phase, adjust level and pitch it takes to reach the Sustain level
» Wet
» Body » S [Sustain]
Adjust the amount of Wet signal
Activates a discrete layer that emphasizes The note level while sustained
the sustain phase, adjust level and pitch » R [Release]
» Timbre After a note is released, the time it takes
Adjust the timbre/pitch to fade to 0

3 Expression 5 Equalizer
» Alternate » Power
Adjust the depth of stereo pan alternation » ƒ [Mid Frequency]
» Velocity Curve Sweepable mid-band frequency
Adjust the velocity curve between hard, 120Hz — 1600Hz — 6kHz
soft, and linear response » Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

6 Convolution Reverb

15
Layers & Keyswitches

Balafon
Balafon 1. . . . . . . . . . . . . . . . . C1
Balafon 2. . . . . . . . . . . . . . . . . C#1
Balafon 3. . . . . . . . . . . . . . . . . D1
Guinean 1. . . . . . . . . . . . . . . . D#1
Modern Balafon Oct . . . . . . E1
Modern Balafon . . . . . . . . . . F1
Mozambic Balafon. . . . . . . . F#1
Small Balafon 1. . . . . . . . . . . G1
Small Balafon 2. . . . . . . . . . . G#1

Natural Balafon
Balafon 1. . . . . . . . . . . . . . . . . C1
Balafon 2. . . . . . . . . . . . . . . . . C#1
Balafon 3. . . . . . . . . . . . . . . . . D1
Guinean 1. . . . . . . . . . . . . . . . D#1
Modern Balafon Oct . . . . . . E1
Modern Balafon . . . . . . . . . . F1
Mozambic Balafon. . . . . . . . F#1
Small Balafon 1. . . . . . . . . . . G1
Small Balafon 2. . . . . . . . . . . G#1

Vari Balafon 1
Balafon 1. . . . . . . . . . . . . . . . . C1
Balafon 2. . . . . . . . . . . . . . . . . C#1
Balafon 3. . . . . . . . . . . . . . . . . D1
Guinean 1. . . . . . . . . . . . . . . . D#1
Modern Balafon Oct . . . . . . E1
Modern Balafon . . . . . . . . . . F1
Mozambic Balafon. . . . . . . . F#1
Small Balafon 1. . . . . . . . . . . G1
Small Balafon 2. . . . . . . . . . . G#1

Vari Balafon 2
Balafon 1. . . . . . . . . . . . . . . . . C1
Balafon 2. . . . . . . . . . . . . . . . . C#1
Balafon 3. . . . . . . . . . . . . . . . . D1
Guinean 1. . . . . . . . . . . . . . . . D#1
Modern Balafon Oct . . . . . . E1
Modern Balafon . . . . . . . . . . F1
Mozambic Balafon. . . . . . . . F#1
Small Balafon 1. . . . . . . . . . . G1
Small Balafon 2. . . . . . . . . . . G#1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

16
UI - Solo Instrument - Bamboo Saxophone

Note: Some presets have


been custom tuned to provide
optimum dynamics depending
on play style. If you’ll be using
a modwheel choose the Wheel
version, otherwise choose Vel.

1 Keyswitch Menu

Expression 3

4 Equalizer
Performance 2

5 Reverb

1 Keyswitch Menu 3 Expression 4 Equalizer


Change the active layer » [Mode] Velocity » Power
Note velocity determines note volume » ƒ [Mid Frequency]
2 Performance » [Mode] Wheel Sweepable mid-band frequency
» [Mode] Polyphonic Use your MIDI controllers Mod Wheel to 120Hz — 1600Hz — 6kHz
Allow the voicing of multiple notes determine note volume » Bass / Mid / Treble
simultaneously » Volume Curve Adjust band gain/attenuation (+/-20dB)
» [Mode] Legato Modify the Velocity/Wheel volume curve
Only one note can be voiced at a time, » Vibrato Power 5 Convolution Reverb
previous notes are cut off as new notes » Vibrato Amount » Power
are struck Adjust the vibrato depth » Impulse Response Menu [IR]
» Legato Fade » Vibrato Speed Select the reverb room shape
Adjust the fade time between samples to Adjust the vibrato rate » Size
simulate legato » Vibrato Delay Adjust the room size
» [Mode] Portamento Adjust the time to reach vibrato depth » Dry
Only one note can be voiced at a time, from note press Adjust the amount of Dry signal
previous notes are cut off as new notes » Tremolo Power » Wet
are struck, new notes bend into pitch » Tremolo Amount Adjust the amount of Wet signal
from the direction of last note struck Adjust the tremolo depth
» Portamento Glide » Tremolo Speed
Adjust the duration of pitch bend Adjust the tremolo rate
» On Pedal (Legato and Portamento only) » Tremolo Delay
Use a Sustain pedal to switch between Adjust the time to reach tremolo depth
legato and portamento modes from note press

17
Layers & Keyswitches

Bamboo Sax Poly


Bamboo Sax Sustain. . . . . . C1 Bamboo Sax F Sustain . . . . A1
Bamboo Sax Hit . . . . . . . . . . C#1 Bamboo Sax F Hit. . . . . . . . . A#1
Bamboo Sax Short. . . . . . . . D1 Bamboo Sax F Short. . . . . . B1
Bamboo Sax A# Sustain. . . D#1
Bamboo Sax A# Hit. . . . . . . E1
Bamboo Sax A# Short. . . . . F1
Bamboo Sax C Sustain . . . . F#1
Bamboo Sax C Hit . . . . . . . . G1
Bamboo Sax C Short. . . . . . G#1

Bamboo Sax Vel


Bamboo Sax Sustain. . . . . . C1 Bamboo Sax F Sustain . . . . A1
Bamboo Sax Hit . . . . . . . . . . C#1 Bamboo Sax F Hit. . . . . . . . A#1
Bamboo Sax Short. . . . . . . . D1 Bamboo Sax F Short. . . . . . B1
Bamboo Sax A# Sustain. . . D#1
Bamboo Sax A# Hit. . . . . . . E1
Bamboo Sax A# Short. . . . . F1
Bamboo Sax C Sustain . . . . F#1
Bamboo Sax C Hit . . . . . . . . G1
Bamboo Sax C Short. . . . . . G#1

Bamboo Sax Wheel


Bamboo Sax Sustain. . . . . . C1 Bamboo Sax F Sustain . . . . A1
Bamboo Sax Hit . . . . . . . . . . C#1 Bamboo Sax F Hit. . . . . . . . A#1
Bamboo Sax Short. . . . . . . . D1 Bamboo Sax F Short. . . . . . B1
Bamboo Sax A# Sustain. . . D#1
Bamboo Sax A# Hit. . . . . . . E1
Bamboo Sax A# Short. . . . . F1
Bamboo Sax C Sustain . . . . F#1
Bamboo Sax C Hit . . . . . . . . G1
Bamboo Sax C Short. . . . . . G#1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

18
UI - Solo Instrument - Karimba

Body 2

4 Equalizer
Transient 1

5 Reverb

Layer Controls 3

1 Transient 3 Layer Controls 4 Equalizer


Click to select the noise layer for adjust » Level » Power
Adjust the selected layer level » ƒ [Mid Frequency]
2 Body » Timbre Sweepable mid-band frequency
Click to select the body layer for adjust Adjust the timbre/pitch of the layer 120Hz — 1600Hz — 6kHz
selected » Bass / Mid / Treble
» Velocity Curve Adjust band gain/attenuation (+/-20dB)
Adjust the velocity curve between hard,
soft, and linear response 5 Convolution Reverb
» A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
note volume is reached Select the reverb room shape
» D [Decay] » Size
After the Attack time has passed, the time Adjust the room size
it takes to reach the Sustain level » Dry
» S [Sustain] Adjust the amount of Dry signal
The note level while sustained » Wet
» R [Release] Adjust the amount of Wet signal
After a note is released, the time it takes
to fade to 0

19
Layers & Keyswitches

BasiKalimba
Kalimba. . . . . . . . . . . . . . . . . . C1
Chords. . . . . . . . . . . . . . . . . . . C#1

Chords Verb
Kalimba. . . . . . . . . . . . . . . . . . C1
Chords. . . . . . . . . . . . . . . . . . . C#1

Free Kalimba
Kalimba. . . . . . . . . . . . . . . . . . C1
Chords. . . . . . . . . . . . . . . . . . . C#1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

20
Layers & Keyswitches

Kalimba
N/A

Karimba
N/A

Padimba
N/A

Padimbell
N/A

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

21
UI - Solo Instrument - Kora

Envelope 4 1 Keyswitch Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Keyswitch Menu 4 Envelope 5 Equalizer


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » ƒ [Mid Frequency]
2 Sound note volume is reached Sweepable mid-band frequency
» Timbre » D [Decay] 120Hz — 1600Hz — 6kHz
Adjust the timbre/pitch After the Attack time has passed, the time » Bass / Mid / Treble
it takes to reach the Sustain level Adjust band gain/attenuation (+/-20dB)
3 Expression » S [Sustain]
» Velocity Curve The note level while sustained 6 Convolution Reverb
Adjust the velocity curve between hard, » R [Release] » Power
soft, and linear response After a note is released, the time it takes » Impulse Response Menu [IR]
to fade to 0 Select the reverb room shape
» Size
Adjust the room size
» Dry
Adjust the amount of Dry signal
» Wet
Adjust the amount of Wet signal

22
Layers & Keyswitches

Kora
Kora 1. . . . . . . . . . . . . . . . . . . . C1
Kora 2 . . . . . . . . . . . . . . . . . . . C#1
Valiha. . . . . . . . . . . . . . . . . . . . D1

Valiha
Kora 1. . . . . . . . . . . . . . . . . . . . C1
Kora 2 . . . . . . . . . . . . . . . . . . . C#1
Valiha. . . . . . . . . . . . . . . . . . . . D1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

23
UI - Solo Instrument - Mbira

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Sound note volume is reached Select the reverb room shape
» Buzz » D [Decay] » Size
Activates a discrete layer that emphasizes After the Attack time has passed, the time Adjust the room size
the distinct noise, adjust level it takes to reach the Sustain level » Dry
» Release » S [Sustain] Adjust the amount of Dry signal
Activates a discrete layer that emphasizes The note level while sustained » Wet
the release phase, adjust level » R [Release] Adjust the amount of Wet signal
» Stereo After a note is released, the time it takes
Adjust the depth of stereo pan alternation to fade to 0
» Timbre
Adjust the timbre/pitch 5 Equalizer
» Power
3 Expression » ƒ [Mid Frequency]
Use your MIDI controllers modwheel to Sweepable mid-band frequency
interactively control the tremolo effect 120Hz — 1600Hz — 6kHz
» Tremolo Depth » Bass / Mid / Treble
Adjust the tremolo depth Adjust band gain/attenuation (+/-20dB)
» Tremolo Rate
Adjust the tremolo rate
» Velocity Curve
Adjust the velocity curve between hard,
soft, and linear response

24
Layers & Keyswitches

Mbira
Mbira Dzavadzimu. . . . . . . . C1
Mbira Nyunga. . . . . . . . . . . . C#1
Mbira Zimbabwe . . . . . . . . . D1

Mbuzzra
Mbira Dzavadzimu. . . . . . . . C1
Mbira Nyunga. . . . . . . . . . . . C#1
Mbira Zimbabwe . . . . . . . . . D1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

25
UI - Solo Instrument - Ngoni Donso

Envelope 4 1 Keyswitch Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Keyswitch Menu 4 Envelope 5 Equalizer


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » ƒ [Mid Frequency]
2 Sound note volume is reached Sweepable mid-band frequency
» Timbre » D [Decay] 120Hz — 1600Hz — 6kHz
Adjust the timbre/pitch After the Attack time has passed, the time » Bass / Mid / Treble
it takes to reach the Sustain level Adjust band gain/attenuation (+/-20dB)
3 Expression » S [Sustain]
» Velocity Curve The note level while sustained 6 Convolution Reverb
Adjust the velocity curve between hard, » R [Release] » Power
soft, and linear response After a note is released, the time it takes » Impulse Response Menu [IR]
to fade to 0 Select the reverb room shape
» Size
Adjust the room size
» Dry
Adjust the amount of Dry signal
» Wet
Adjust the amount of Wet signal

26
Layers & Keyswitches

Ngoni Donso
4 Ngonis. . . . . . . . . . . . . . . . . C1
4 Ngonis Short . . . . . . . . . . . C#1

Ngoni Roots Harp


4 Ngonis. . . . . . . . . . . . . . . . . C1
4 Ngonis Short . . . . . . . . . . . C#1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

27
UI - Solo Instrument - Sanzas

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Sound note volume is reached Select the reverb room shape
» Buzz » D [Decay] » Size
Activates a discrete layer that emphasizes After the Attack time has passed, the time Adjust the room size
the distinct noise, adjust level it takes to reach the Sustain level » Dry
» Release » S [Sustain] Adjust the amount of Dry signal
Activates a discrete layer that emphasizes The note level while sustained » Wet
the release phase, adjust level » R [Release] Adjust the amount of Wet signal
» Stereo After a note is released, the time it takes
Adjust the depth of stereo pan alternation to fade to 0
» Timbre
Adjust the timbre/pitch 5 Equalizer
» Power
3 Expression » ƒ [Mid Frequency]
Use your MIDI controllers modwheel to Sweepable mid-band frequency
interactively control the tremolo effect 120Hz — 1600Hz — 6kHz
» Tremolo Depth » Bass / Mid / Treble
Adjust the tremolo depth Adjust band gain/attenuation (+/-20dB)
» Tremolo Rate
Adjust the tremolo rate
» Velocity Curve
Adjust the velocity curve between hard,
soft, and linear response

28
Layers & Keyswitches

Sanzas Basic
Congolese Sanza . . . . . . . . . C1
Congolese 5 Plates. . . . . . . . C#1
Congolese 10 Plates. . . . . . . D1
Lydean Sanza. . . . . . . . . . . . D#1
Modern Sanza. . . . . . . . . . . . E1
Old Bass Sanza. . . . . . . . . . . F1
Luba Sanza. . . . . . . . . . . . . . . F#1

Sanzas Buzz
Congolese Sanza . . . . . . . . . C1
Congolese 5 Plates. . . . . . . . C#1
Congolese 10 Plates. . . . . . . D1
Lydean Sanza. . . . . . . . . . . . D#1
Modern Sanza. . . . . . . . . . . . E1
Old Bass Sanza. . . . . . . . . . . F1
Luba Sanza. . . . . . . . . . . . . . . F#1

Sanzas Processed
Congolese Sanza . . . . . . . . . C1
Congolese 5 Plates. . . . . . . . C#1
Congolese 10 Plates. . . . . . . D1
Lydean Sanza. . . . . . . . . . . . D#1
Modern Sanza. . . . . . . . . . . . E1
Old Bass Sanza. . . . . . . . . . . F1
Luba Sanza. . . . . . . . . . . . . . . F#1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

29
UI - Solo Instrument - Udu

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Doubling 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Doubling note volume is reached Select the reverb room shape
Add a secondary hit with variable volume, » D [Decay] » Size
pitch and filtering for more impact After the Attack time has passed, the time Adjust the room size
» Solo it takes to reach the Sustain level » Dry
Activate to use only the secondary voice » S [Sustain] Adjust the amount of Dry signal
» Power The note level while sustained » Wet
Activates a secondary voice (doubling) » R [Release] Adjust the amount of Wet signal
» Level After a note is released, the time it takes
Set the volume for the second voice to fade to 0
» Pitch
Set the pitch of the second voice 5 Equalizer
(+/-12 semi) » Power
» ƒ (LP/HP Filter) » ƒ [Mid Frequency]
Unified low-pass/high-pass filter Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
3 Expression » Bass / Mid / Treble
» Velocity Curve Adjust band gain/attenuation (+/-20dB)
Adjust the velocity curve between hard,
soft, and linear response

30
Layers & Keyswitches

Udu
Large Udu. . . . . . . . . . . . . . . . C1
Small Udu. . . . . . . . . . . . . . . . C#1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

31
32
UI - Solo Instrument - Bian Zhong/Bian Qing

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Doubling 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Doubling note volume is reached Select the reverb room shape
Add a secondary hit with variable volume, » D [Decay] » Size
pitch and filtering for more impact After the Attack time has passed, the time Adjust the room size
» Solo it takes to reach the Sustain level » Dry
Activate to use only the secondary voice » S [Sustain] Adjust the amount of Dry signal
» Power The note level while sustained » Wet
Activates a secondary voice (doubling) » R [Release] Adjust the amount of Wet signal
» Level After a note is released, the time it takes
Set the volume for the second voice to fade to 0
» Pitch
Set the pitch of the second voice 5 Equalizer
(+/-12 semi) » Power
» ƒ (LP/HP Filter) » ƒ [Mid Frequency]
Unified low-pass/high-pass filter Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
3 Expression » Bass / Mid / Treble
» Velocity Curve Adjust band gain/attenuation (+/-20dB)
Adjust the velocity curve between hard,
soft, and linear response

33
Layers & Keyswitches

Bian Qing
Bian Qing . . . . . . . . . . . . . . . . C1
Bian Zhong Menu 1. . . . . . . C#1
Bian Zhong Menu 2. . . . . . . D1
Bian Zhong Single 1. . . . . . . D#1
Bian Zhong Single 2. . . . . . . E1
Bian Zhong Single 3. . . . . . . F1
Bian Zhong Single 4. . . . . . . F#1
Bian Zhong Single 5. . . . . . . G1
Bian Zhong Single 6. . . . . . . G#1

Bian Zhong
Bian Qing . . . . . . . . . . . . . . . . C1
Bian Zhong Menu 1. . . . . . . C#1
Bian Zhong Menu 2. . . . . . . D1
Bian Zhong Single 1. . . . . . . D#1
Bian Zhong Single 2. . . . . . . E1
Bian Zhong Single 3. . . . . . . F1
Bian Zhong Single 4. . . . . . . F#1
Bian Zhong Single 5. . . . . . . G1
Bian Zhong Single 6. . . . . . . G#1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

34
UI - Solo Instrument - Dan Moi Jaw Harp

Envelope 4 1 Keyswitch Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Keyswitch Menu 4 Envelope 5 Equalizer


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » ƒ [Mid Frequency]
2 Sound note volume is reached Sweepable mid-band frequency
» Timbre » D [Decay] 120Hz — 1600Hz — 6kHz
Adjust the timbre/pitch After the Attack time has passed, the time » Bass / Mid / Treble
it takes to reach the Sustain level Adjust band gain/attenuation (+/-20dB)
3 Expression » S [Sustain]
» Velocity Curve The note level while sustained 6 Convolution Reverb
Adjust the velocity curve between hard, » R [Release] » Power
soft, and linear response After a note is released, the time it takes » Impulse Response Menu [IR]
to fade to 0 Select the reverb room shape
» Size
Adjust the room size
» Dry
Adjust the amount of Dry signal
» Wet
Adjust the amount of Wet signal

35
Layers & Keyswitches

Dan Moi Long


Dan Moi C o. . . . . . . . . . . . . . C5 Dan Moi A o. . . . . . . . . . . . . A5
Dan Moi C sharp. . . . . . . . . . C#5 Dan Moi A Sharp . . . . . . . . . A#5
Dan Moi D o. . . . . . . . . . . . . D5 Dan Moi B. . . . . . . . . . . . . . . . B5
Dan Moi D Sharp o. . . . . . . D#5
Dan Moi E. . . . . . . . . . . . . . . . E5
Dan Moi F. . . . . . . . . . . . . . . . F5
Dan Moi F Sharp. . . . . . . . . . F#5
Dan Moi G o. . . . . . . . . . . . . . G5
Dan Moi G Sharp o. . . . . . . . G#5

Dan Moi Short


Dan Moi C o. . . . . . . . . . . . . . C5 Dan Moi A o. . . . . . . . . . . . . A5
Dan Moi C sharp. . . . . . . . . . C#5 Dan Moi A Sharp . . . . . . . . . A#5
Dan Moi D o. . . . . . . . . . . . . D5 Dan Moi B. . . . . . . . . . . . . . . . B5
Dan Moi D Sharp o. . . . . . . D#5
Dan Moi E. . . . . . . . . . . . . . . . E5
Dan Moi F. . . . . . . . . . . . . . . . F5
Dan Moi F Sharp. . . . . . . . . . F#5
Dan Moi G o. . . . . . . . . . . . . . G5
Dan Moi G Sharp o. . . . . . . . G#5

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

36
UI - Solo Instrument - Er Hu

Note: Some presets have


been custom tuned to provide
optimum dynamics depending
on play style. If you’ll be using
a modwheel choose the Wheel
version, otherwise choose Vel.

1 Keyswitch Menu

Expression 3

4 Equalizer
Performance 2

5 Reverb

1 Keyswitch Menu 3 Expression 4 Equalizer


Change the active layer » [Mode] Velocity » Power
Note velocity determines note volume » ƒ [Mid Frequency]
2 Performance » [Mode] Wheel Sweepable mid-band frequency
» [Mode] Polyphonic Use your MIDI controllers Mod Wheel to 120Hz — 1600Hz — 6kHz
Allow the voicing of multiple notes determine note volume » Bass / Mid / Treble
simultaneously » Volume Curve Adjust band gain/attenuation (+/-20dB)
» [Mode] Legato Modify the Velocity/Wheel volume curve
Only one note can be voiced at a time, » Vibrato Power 5 Convolution Reverb
previous notes are cut off as new notes » Vibrato Amount » Power
are struck Adjust the vibrato depth » Impulse Response Menu [IR]
» Legato Fade » Vibrato Speed Select the reverb room shape
Adjust the fade time between samples to Adjust the vibrato rate » Size
simulate legato » Vibrato Delay Adjust the room size
» [Mode] Portamento Adjust the time to reach vibrato depth » Dry
Only one note can be voiced at a time, from note press Adjust the amount of Dry signal
previous notes are cut off as new notes » Tremolo Power » Wet
are struck, new notes bend into pitch » Tremolo Amount Adjust the amount of Wet signal
from the direction of last note struck Adjust the tremolo depth
» Portamento Glide » Tremolo Speed
Adjust the duration of pitch bend Adjust the tremolo rate
» On Pedal (Legato and Portamento only) » Tremolo Delay
Use a Sustain pedal to switch between Adjust the time to reach tremolo depth
legato and portamento modes from note press

37
Layers & Keyswitches

Er Hu Vel
Er Hu Sustain. . . . . . . . . . . . . C1
Er Hu Horse. . . . . . . . . . . . . . C#1
Er Hu Noisy vib. . . . . . . . . . . D1
Er Hu Stress. . . . . . . . . . . . . . D#1
Er Hu Mute. . . . . . . . . . . . . . . E1
Er Hu FX. . . . . . . . . . . . . . . . . F1

Er Hu Wheel
Er Hu Sustain. . . . . . . . . . . . . C1
Er Hu Horse. . . . . . . . . . . . . . C#1
Er Hu Noisy vib. . . . . . . . . . . D1
Er Hu Stress. . . . . . . . . . . . . . D#1
Er Hu Mute. . . . . . . . . . . . . . . E1
Er Hu FX. . . . . . . . . . . . . . . . . F1

Er Hu 2 Vel
Er Hu Normal. . . . . . . . . . . . . C1
Er Hu Vibrato. . . . . . . . . . . . . C#1
Er Hu Spiccato. . . . . . . . . . . . D1
Er Hu Pizzicatp. . . . . . . . . . . D#1
Er Hu Trill. . . . . . . . . . . . . . . . E1

Er Hu 2 Wheel
Er Hu Normal. . . . . . . . . . . . . C1
Er Hu Vibrato. . . . . . . . . . . . . C#1
Er Hu Spiccato. . . . . . . . . . . . D1
Er Hu Pizzicatp. . . . . . . . . . . D#1
Er Hu Trill. . . . . . . . . . . . . . . . E1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

38
UI - Solo Instrument - Gongs

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Doubling 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Doubling note volume is reached Select the reverb room shape
Add a secondary hit with variable volume, » D [Decay] » Size
pitch and filtering for more impact After the Attack time has passed, the time Adjust the room size
» Solo it takes to reach the Sustain level » Dry
Activate to use only the secondary voice » S [Sustain] Adjust the amount of Dry signal
» Power The note level while sustained » Wet
Activates a secondary voice (doubling) » R [Release] Adjust the amount of Wet signal
» Level After a note is released, the time it takes
Set the volume for the second voice to fade to 0
» Pitch
Set the pitch of the second voice 5 Equalizer
(+/-12 semi) » Power
» ƒ (LP/HP Filter) » ƒ [Mid Frequency]
Unified low-pass/high-pass filter Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
3 Expression » Bass / Mid / Treble
» Velocity Curve Adjust band gain/attenuation (+/-20dB)
Adjust the velocity curve between hard,
soft, and linear response

39
Layers & Keyswitches

Bumese Gongs
Burmese Gong 7. . . . . . . . . . C1 Xtra World Gongs 9. . . . . . . C#2
Burmese Gong 26a . . . . . . . C#1 Xtra World Gongs 10. . . . . . D2
Burmese Gong 26b . . . . . . . D1 Xtra World Gongs 11. . . . . . D#2
Burmese Gong A 21a. . . . . . D#1 Xtra World Gongs 12. . . . . . E2
Burmese Gong A 21b. . . . . . E1 Xtra World Gongs 13. . . . . . F2
Xtra World Gongs 1. . . . . . . F1 Xtra World Gongs 14. . . . . . F#2
Xtra World Gongs 2. . . . . . . F#1 Xtra World Gongs 15. . . . . . G2
Xtra World Gongs 3. . . . . . . G1 Xtra World Gongs 16. . . . . . G#2
Xtra World Gongs 4. . . . . . . G#1 Xtra World Gongs 17. . . . . . A2
Xtra World Gongs 5. . . . . . . A1 Xtra World Gongs 18. . . . . . A#2
Xtra World Gongs 6. . . . . . . A#1 Xtra World Gongs Menu. . . B2
Xtra World Gongs 7. . . . . . . B1
Xtra World Gongs 8. . . . . . . C2

Cambodian Gongs
Cambodian Gong 8a. . . . . . C1 Cambodian Gong 17.7b. . . . C#2
Cambodian Gong 8b. . . . . . C#1 Cambodian Gong 18a. . . . . D2
Cambodian Gong 8c. . . . . . D1 Cambodian Gong 18b. . . . . D#2
Cambodian Gong 8d. . . . . . D#1 Cambodian Gong 18c . . . . . E2
Cambodian Gong 12 . . . . . . E1 Cambodian Gong 25a. . . . . F2
Cambodian Gong 13a . . . . . F1 Cambodian Gong 25b. . . . . F#2
Cambodian Gong 13b . . . . . F#1 Cambodian Gong 25c. . . . . G2
Cambodian Gong 13.3. . . . . G1
Cambodian Gong 14 . . . . . . G#1
Cambodian Gong 15.5a. . . . A1
Cambodian Gong 15.5b. . . . A#1
Cambodian Gong 15.5c. . . . B1
Cambodian Gong 17.7a. . . . C2

Chinese Gongs
Chinese Gong 7. . . . . . . . . . . C1 Chinese Gong 14.5. . . . . . . . D2
Chinese Gong 8a. . . . . . . . . . C#1 Chinese Gong Mid1a. . . . . . D#2
Chinese Gong 8b . . . . . . . . . D1 Chinese Gong Mid1b. . . . . . E2
Chinese Gong 10a. . . . . . . . . D#1 Chinese Gong Mid2a. . . . . . F#2
Chinese Gong 10b . . . . . . . . E1 Chinese Gong Mid2b. . . . . . G2
Chinese Gong 11a. . . . . . . . . F1 Chinese Gong Shaking . . . . F2
Chinese Gong 11b. . . . . . . . . F#1
Chinese Gong 11c. . . . . . . . . G1
Chinese Gong 11d. . . . . . . . . G#1
Chinese Gong 12a. . . . . . . . . A#1
Chinese Gong 12b. . . . . . . . . B1
Chinese Gong 12c. . . . . . . . . C2
Chinese Gong 12d. . . . . . . . . C#2

Indochinese Gongs
Indochinese Gong 6. . . . . . . C1 Indochinese Gong 18c. . . . . A#1
Indochinese Gong 11a. . . . . C#1 Indochinese Gong 20a . . . . B1
Indochinese Gong 11b. . . . . D1 Indochinese Gong 20b. . . . C2
Indochinese Gong 13a. . . . . D#1 Indochinese Gong 20c . . . . C#2
Indochinese Gong 13b. . . . . E1
Indochinese Gong 13c. . . . . F1
Indochinese Gong 14a. . . . . G1
Indochinese Gong A 17a. . . D2
Indochinese Gong A 17b. . . D#2
Indochinese Gong B 17a. . . E2
Indochinese Gong B 17b. . . F2
Indochinese Gong 18a. . . . . G#1
Indochinese Gong 18b. . . . . A1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

40
Layers & Keyswitches

Japanese Gongs
Japanese Gong 5. . . . . . . . . C1 Japanese Gong Open 2. . . . C#2
Japanese Gong 8. . . . . . . . . C#1 Japanese Gong Open 3. . . . D2
Japanese Gong 10a. . . . . . . D1 Japanese Gong Open 4. . . D#2
Japanese Gong 10b. . . . . . . D#1 Japanese Gong Open 5. . . . E2
Japanese Gong 10c. . . . . . . E1 Japanese Gong Open 6. . . . F2
Japanese Gong 10d. . . . . . . F1 Japanese Gong Shake. . . . . F#2
Japanese Gong 13 . . . . . . . . F#1
Gong Energy 1. . . . . . . . . . . . G1
Gong Energy 2. . . . . . . . . . . . G#1
Japanese Gong Mid 1. . . . . A1
Japanese Gong Mid 2. . . . . A#1
Japanese Gong Mid 3. . . . . B1
Japanese Gong Open 1- C2

Malaysian Gongs
Kelatan Gong 18a. . . . . . . . . C1
Kelatan Gong 18b. . . . . . . . . C#1
Kelatan Gong 18c. . . . . . . . . D1
Kelatan Gong 18d. . . . . . . . . D#1
Kelatan Gong A 10a. . . . . . . E1
Kelatan Gong A 10b. . . . . . . F1
Kelatan Gong B 10a. . . . . . . F#1
Kelatan Gong B 10b. . . . . . . G1
Kelatan Gong B 10c. . . . . . . G#1

Vietnamese Gongs
NhaTrang Gong 12. . . . . . . . C1
NhaTrang Gong 13a. . . . . . . C#1
NhaTrang Gong 13b. . . . . . . D1
NhaTrang Gong 14. . . . . . . . D#1
NhaTrang Gong 15. . . . . . . . E1
NhaTrang GongA 16a. . . . . F1
NhaTrang GongA 16b. . . . . G1
NhaTrang GongB 16a . . . . . G#1
NhaTrang GongB 16b. . . . . A1
Vietnamese Gong 15a. . . . . A#1
Vietnamese Gong 15b. . . . . B1
Vietnamese Gong 15c. . . . . C2

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

41
UI - Solo Instrument - Koto

Envelope 4 1 Keyswitch Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Keyswitch Menu 4 Envelope 5 Equalizer


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » ƒ [Mid Frequency]
2 Sound note volume is reached Sweepable mid-band frequency
» Timbre » D [Decay] 120Hz — 1600Hz — 6kHz
Adjust the timbre/pitch After the Attack time has passed, the time » Bass / Mid / Treble
it takes to reach the Sustain level Adjust band gain/attenuation (+/-20dB)
3 Expression » S [Sustain]
» Velocity Curve The note level while sustained 6 Convolution Reverb
Adjust the velocity curve between hard, » R [Release] » Power
soft, and linear response After a note is released, the time it takes » Impulse Response Menu [IR]
to fade to 0 Select the reverb room shape
» Size
Adjust the room size
» Dry
Adjust the amount of Dry signal
» Wet
Adjust the amount of Wet signal

42
Layers & Keyswitches

Koto Large
Koto 1 Finger. . . . . . . . . . . . . C1
Koto 1 Pick. . . . . . . . . . . . . . . C#1
Koto 1 Sweep. . . . . . . . . . . . . D1
Koto 1 Trem. . . . . . . . . . . . . . D#1
Koto 2 Finger. . . . . . . . . . . . . E1
Koto 2 Picked. . . . . . . . . . . . . F1
Roots Koto Picked. . . . . . . . F#1
Roots koto Sweep. . . . . . . . . G1
Roots Koto Trem . . . . . . . . . G#1

Koto Small
Koto 1 Finger. . . . . . . . . . . . . C1
Koto 1 Pick. . . . . . . . . . . . . . . C#1
Koto 1 Sweep. . . . . . . . . . . . . D1
Koto 1 Trem. . . . . . . . . . . . . . D#1
Koto 2 Finger. . . . . . . . . . . . . E1
Koto 2 Picked. . . . . . . . . . . . . F1
Roots Koto Picked. . . . . . . . F#1
Roots koto Sweep. . . . . . . . . G1
Roots Koto Trem . . . . . . . . . G#1

Koto Sweep
Koto 1 Finger. . . . . . . . . . . . . C1
Koto 1 Pick. . . . . . . . . . . . . . . C#1
Koto 1 Sweep. . . . . . . . . . . . . D1
Koto 1 Trem. . . . . . . . . . . . . . D#1
Koto 2 Finger. . . . . . . . . . . . . E1
Koto 2 Picked. . . . . . . . . . . . . F1
Roots Koto Picked. . . . . . . . F#1
Roots koto Sweep. . . . . . . . . G1
Roots Koto Trem . . . . . . . . . G#1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

43
UI - Solo Instrument - GuQin

Envelope 3

Expression 2

4 Equalizer
Sound 1

5 Reverb

1 Sound 3 Envelope 4 Equalizer


» Stereo » A [Attack] » Power
Enables stereo samples After triggering a note, the time until full » ƒ [Mid Frequency]
» Timbre note volume is reached Sweepable mid-band frequency
Adjust the timbre/pitch » D [Decay] 120Hz — 1600Hz — 6kHz
After the Attack time has passed, the time » Bass / Mid / Treble
2 Expression it takes to reach the Sustain level Adjust band gain/attenuation (+/-20dB)
» Velocity Curve » S [Sustain]
Adjust the velocity curve between hard, The note level while sustained 5 Convolution Reverb
soft, and linear response » R [Release] » Power
After a note is released, the time it takes » Impulse Response Menu [IR]
to fade to 0 Select the reverb room shape
» Size
Adjust the room size
» Dry
Adjust the amount of Dry signal
» Wet
Adjust the amount of Wet signal

44
Layers & Keyswitches

GuQin
N/A

KloroQin
N/A

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

45
UI - Solo Instrument - Laotian Zither

Envelope 4 1 Keyswitch Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Keyswitch Menu 6 Convolution Reverb


4 Envelope
Change the active layer » Power
» A [Attack]
» Impulse Response Menu [IR]
After triggering a note, the time until full
2 Sound Select the reverb room shape
note volume is reached
» Tremolo On/Off » Size
» D [Decay]
Activates the tremolo play Adjust the room size
After the Attack time has passed, the time
» Rate » Dry
it takes to reach the Sustain level
Adjust the tremolo speed Adjust the amount of Dry signal
» S [Sustain]
» Timing » Wet
The note level while sustained
Adjust the tremolo groove Adjust the amount of Wet signal
» R [Release]
» Velocity
After a note is released, the time it takes
Adjust the velocity randomness of
to fade to 0
tremolo
» Timbre
5 Equalizer
Adjust the timbre/pitch
» Power
» ƒ [Mid Frequency]
3 Expression
Sweepable mid-band frequency
» Velocity Curve
120Hz — 1600Hz — 6kHz
Adjust the velocity curve between hard,
» Bass / Mid / Treble
soft, and linear response
Adjust band gain/attenuation (+/-20dB)

46
Layers & Keyswitches

Laotian Zither Basic


Laotian Zither Open. . . . . . . C1
Laotian Zither Damped. . . . D1

Laotian Zither Damped


Laotian Zither Open. . . . . . . C1
Laotian Zither Damped. . . . D1

Laotian Zither Tremolo


Laotian Zither Open. . . . . . . C1
Laotian Zither Damped. . . . D1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

47
UI - Solo Instrument - Misc Percussions

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Doubling 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Doubling note volume is reached Select the reverb room shape
Add a secondary hit with variable volume, » D [Decay] » Size
pitch and filtering for more impact After the Attack time has passed, the time Adjust the room size
» Solo it takes to reach the Sustain level » Dry
Activate to use only the secondary voice » S [Sustain] Adjust the amount of Dry signal
» Power The note level while sustained » Wet
Activates a secondary voice (doubling) » R [Release] Adjust the amount of Wet signal
» Level After a note is released, the time it takes
Set the volume for the second voice to fade to 0
» Pitch
Set the pitch of the second voice 5 Equalizer
(+/-12 semi) » Power
» ƒ (LP/HP Filter) » ƒ [Mid Frequency]
Unified low-pass/high-pass filter Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
3 Expression » Bass / Mid / Treble
» Velocity Curve Adjust band gain/attenuation (+/-20dB)
Adjust the velocity curve between hard,
soft, and linear response

48
Layers & Keyswitches

Misc Percs Dry


Ban Gu. . . . . . . . . . . . . . . . . . . C1 Mapping of Misc Percussions
Chuan Ling-Hard . . . . . . . . . . . . C2
Cha. . . . . . . . . . . . . . . . . . . . . . D1 Chuan Ling-Roll . . . . . . . . . . . . . D2
Kua Ban-Hard. . . . . . . . . . . . . . . E2
Gu 1 Bass . . . . . . . . . . . . . . . . E1 Kua Ban-Soft. . . . . . . . . . . . . . . . F2
Kuai Ban-Hard. . . . . . . . . . . . . . . G2
Gu 2 Bass. . . . . . . . . . . . . . . . F1 Kuai Ban1-Roll. . . . . . . . . . . . . . . A2
Kuai Ban1-Sift . . . . . . . . . . . . . . . B2
Luo Gong. . . . . . . . . . . . . . . . G1 Kuai Ban2-Hard. . . . . . . . . . . . . . C3
Kuai Ban2-Roll. . . . . . . . . . . . . . . D3
Misc Percussions . . . . . . . . . A1 Kuai Ban2-Soft 1. . . . . . . . . . . . . E3
Kuai Ban2-Soft 2. . . . . . . . . . . . . F3
Nan Ban2-Hard. . . . . . . . . . . . . . G3
Nan Ban2-Roll. . . . . . . . . . . . . . . A3
Nan Ban2-Soft. . . . . . . . . . . . . . . B3
Pen Zhong-Hard. . . . . . . . . . . . . C4
Pen Zhong-Soft. . . . . . . . . . . . . . D4

Misc Percs Large


Ban Gu. . . . . . . . . . . . . . . . . . . C1 Mapping of Misc Percussions
Chuan Ling-Hard . . . . . . . . . . . . C2
Cha. . . . . . . . . . . . . . . . . . . . . . D1 Chuan Ling-Roll . . . . . . . . . . . . . D2
Kua Ban-Hard. . . . . . . . . . . . . . . E2
Gu 1 Bass . . . . . . . . . . . . . . . . E1 Kua Ban-Soft. . . . . . . . . . . . . . . . F2
Kuai Ban-Hard. . . . . . . . . . . . . . . G2
Gu 2 Bass. . . . . . . . . . . . . . . . F1 Kuai Ban1-Roll. . . . . . . . . . . . . . . A2
Kuai Ban1-Sift . . . . . . . . . . . . . . . B2
Luo Gong. . . . . . . . . . . . . . . . G1 Kuai Ban2-Hard. . . . . . . . . . . . . . C3
Kuai Ban2-Roll. . . . . . . . . . . . . . . D3
Misc Percussions . . . . . . . . . A1 Kuai Ban2-Soft 1. . . . . . . . . . . . . E3
Kuai Ban2-Soft 2. . . . . . . . . . . . . F3
Nan Ban2-Hard. . . . . . . . . . . . . . G3
Nan Ban2-Roll. . . . . . . . . . . . . . . A3
Nan Ban2-Soft. . . . . . . . . . . . . . . B3
Pen Zhong-Hard. . . . . . . . . . . . . C4
Pen Zhong-Soft. . . . . . . . . . . . . . D4

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

49
UI - Solo Instrument - Pipa

Envelope 4 1 Keyswitch Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Keyswitch Menu 4 Envelope 5 Equalizer


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » ƒ [Mid Frequency]
2 Sound note volume is reached Sweepable mid-band frequency
» Timbre » D [Decay] 120Hz — 1600Hz — 6kHz
Adjust the timbre /pitch After the Attack time has passed, the time » Bass / Mid / Treble
Note: Timbre shifting is not recommended it takes to reach the Sustain level Adjust band gain/attenuation (+/-20dB)
for layers with a fixed pitch, such as ‘Pipa » S [Sustain]
FX’; keep value at 0 to prevent layer from The note level while sustained 6 Convolution Reverb
sounding » R [Release] » Power
After a note is released, the time it takes » Impulse Response Menu [IR]
3 Expression to fade to 0 Select the reverb room shape
» Velocity Curve » Size
Adjust the velocity curve between hard, Adjust the room size
soft, and linear response » Dry
Adjust the amount of Dry signal
» Wet
Adjust the amount of Wet signal

50
Layers & Keyswitches

Pipa
Pipa Arpeggio. . . . . . . . . . . . C0 LiuQin Harmonics. . . . . . . . . A0
Pipa Bend. . . . . . . . . . . . . . . . C#0 LiuQin Trem. . . . . . . . . . . . . . A#0
Pipa FX . . . . . . . . . . . . . . . . . . D0 LiuQin Sustain. . . . . . . . . . . . B0
Pipa Hammer. . . . . . . . . . . . . D#0 LiuQin Sustain Hard. . . . . . . C1
Pipa Trem. . . . . . . . . . . . . . . . E0
Pipa Strum. . . . . . . . . . . . . . . F0
Pipa Strum Triplet. . . . . . . . F#0
Pipa Sustain. . . . . . . . . . . . . . G0
Pipa Sustain Triplet. . . . . . . G#0

Space LiuQin
Pipa Arpeggio. . . . . . . . . . . . C0 LiuQin Harmonics. . . . . . . . . A0
Pipa Bend. . . . . . . . . . . . . . . . C#0 LiuQin Trem. . . . . . . . . . . . . . A#0
Pipa FX . . . . . . . . . . . . . . . . . . D0 LiuQin Sustain. . . . . . . . . . . . B0
Pipa Hammer. . . . . . . . . . . . . D#0 LiuQin Sustain Hard. . . . . . . C1
Pipa Trem. . . . . . . . . . . . . . . . E0
Pipa Strum. . . . . . . . . . . . . . . F0
Pipa Strum Triplet. . . . . . . . F#0
Pipa Sustain. . . . . . . . . . . . . . G0
Pipa Sustain Triplet. . . . . . . G#0

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

51
UI - Solo Instrument - Shakuhachi

Note: Presets have been


custom tuned to provide
optimum dynamics depending
on play style. If you’ll be using
a modwheel choose the Wheel
version, otherwise choose Vel.

1 Keyswitch Menu

Expression 3

4 Equalizer
Performance 2

5 Reverb

1 Keyswitch Menu 3 Expression 4 Equalizer


Change the active layer » [Mode] Velocity » Power
Note velocity determines note volume » ƒ [Mid Frequency]
2 Performance » [Mode] Wheel Sweepable mid-band frequency
» [Mode] Polyphonic Use your MIDI controllers Mod Wheel to 120Hz — 1600Hz — 6kHz
Allow the voicing of multiple notes determine note volume » Bass / Mid / Treble
simultaneously » Volume Curve Adjust band gain/attenuation (+/-20dB)
» [Mode] Legato Modify the Velocity/Wheel volume curve
Only one note can be voiced at a time, » Vibrato Power 5 Convolution Reverb
previous notes are cut off as new notes » Vibrato Amount » Power
are struck Adjust the vibrato depth » Impulse Response Menu [IR]
» Legato Fade » Vibrato Speed Select the reverb room shape
Adjust the fade time between samples to Adjust the vibrato rate » Size
simulate legato » Vibrato Delay Adjust the room size
» [Mode] Portamento Adjust the time to reach vibrato depth » Dry
Only one note can be voiced at a time, from note press Adjust the amount of Dry signal
previous notes are cut off as new notes » Tremolo Power » Wet
are struck, new notes bend into pitch » Tremolo Amount Adjust the amount of Wet signal
from the direction of last note struck Adjust the tremolo depth
» Portamento Glide » Tremolo Speed
Adjust the duration of pitch bend Adjust the tremolo rate
» On Pedal (Legato and Portamento only) » Tremolo Delay
Use a Sustain pedal to switch between Adjust the time to reach tremolo depth
legato and portamento modes from note press

52
Layers & Keyswitches

Shakuhachi Vel
Shakuashi Blow. . . . . . . . . . . C1 Isshakausansun Hit . . . . . . . A1
Shakuashi Hit. . . . . . . . . . . . . C#1 Isshakausansun Mod. . . . . . A#1
Shakuashi Mod. . . . . . . . . . . D1 Isshakausansun Sustain. . . B1
Shakuashi Sustain . . . . . . . . D#1
Nishakuyonsun Blow. . . . . . E1
Nishakuyonsun Hit. . . . . . . . F1
Nishakuyonsun Mode. . . . . F#1
Nishakuyonsun Sustain. . . . G1
Isshakausansun Blow . . . . . G#1

Shakuhachi Wheel
Shakuashi Blow. . . . . . . . . . . C1 Isshakausansun Hit . . . . . . . A1
Shakuashi Hit. . . . . . . . . . . . . C#1 Isshakausansun Mod. . . . . . A#1
Shakuashi Mod. . . . . . . . . . . D1 Isshakausansun Sustain. . . B1
Shakuashi Sustain . . . . . . . . D#1
Nishakuyonsun Blow. . . . . . E1
Nishakuyonsun Hit. . . . . . . . F1
Nishakuyonsun Mode. . . . . F#1
Nishakuyonsun Sustain. . . . G1
Isshakausansun Blow . . . . . G#1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

53
UI - Solo Instrument - Shamisen

Envelope 4 1 Keyswitch Menu

Expression 3

5 Equalizer
Performance 2

6 Reverb

1 Keyswitch Menu 4 Envelope 5 Equalizer


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » ƒ [Mid Frequency]
2 Sound note volume is reached Sweepable mid-band frequency
» Timbre » D [Decay] 120Hz — 1600Hz — 6kHz
Adjust the timbre/pitch After the Attack time has passed, the time » Bass / Mid / Treble
it takes to reach the Sustain level Adjust band gain/attenuation (+/-20dB)
3 Expression » S [Sustain]
» Velocity Curve The note level while sustained 6 Convolution Reverb
Adjust the velocity curve between hard, » R [Release] » Power
soft, and linear response After a note is released, the time it takes » Impulse Response Menu [IR]
to fade to 0 Select the reverb room shape
» Size
Adjust the room size
» Dry
Adjust the amount of Dry signal
» Wet
Adjust the amount of Wet signal

54
Layers & Keyswitches

Shamisen
Shamisen Finger. . . . . . . . . . C1
Shamisen Pick. . . . . . . . . . . . D1
Shamisen Pick Hard. . . . . . . E1
Shamisen Pick Vib. . . . . . . . F1
Shamisen Pick Vib Hard. . . G1
Shamisen Slide. . . . . . . . . . . A1

ShamiZen
Shamisen Finger. . . . . . . . . . C1
Shamisen Pick. . . . . . . . . . . . D1
Shamisen Pick Hard. . . . . . . E1
Shamisen Pick Vib. . . . . . . . F1
Shamisen Pick Vib Hard. . . G1
Shamisen Slide. . . . . . . . . . . A1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

55
UI - Solo Instrument - Taiko

Envelope 3

Expression 2

4 Equalizer
Sound 1

5 Reverb

1 Sound 3 Envelope 5 Convolution Reverb


» BK (Stereo) » A [Attack] » Power
Activates the stereo mic layer, adjust level After triggering a note, the time until full » Impulse Response Menu [IR]
» U67 (Far) note volume is reached Select the reverb room shape
Activates the far mic layer, adjust level » D [Decay] » Size
» Ruban (Close) After the Attack time has passed, the time Adjust the room size
Activates the close mic layer, adjust level it takes to reach the Sustain level » Dry
» SM7 (Top) » S [Sustain] Adjust the amount of Dry signal
Activates the top mic layer, adjust level The note level while sustained » Wet
» Timbre » R [Release] Adjust the amount of Wet signal
Adjust the timbre/pitch After a note is released, the time it takes
to fade to 0
2 Expression
» Velocity Curve 4 Equalizer
Adjust the velocity curve between hard, » Power
soft, and linear response » ƒ [Mid Frequency]
Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
» Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

56
Layers & Keyswitches

Nagado Daiko 1
N/A

Nagado Daiko 2
N/A

Nagado Daiko 3
N/A

Shime Daiko 1
N/A

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

57
Layers & Keyswitches

Shime Daiko 2
N/A

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

58
59
UI - Solo Instrument - Aboriginal Drums

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Doubling 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Doubling note volume is reached Select the reverb room shape
Add a secondary hit with variable volume, » D [Decay] » Size
pitch and filtering for more impact After the Attack time has passed, the time Adjust the room size
» Solo it takes to reach the Sustain level » Dry
Activate to use only the secondary voice » S [Sustain] Adjust the amount of Dry signal
» Power The note level while sustained » Wet
Activates a secondary voice (doubling) » R [Release] Adjust the amount of Wet signal
» Level After a note is released, the time it takes
Set the volume for the second voice to fade to 0
» Pitch
Set the pitch of the second voice 5 Equalizer
(+/-12 semi) » Power
» ƒ (LP/HP Filter) » ƒ [Mid Frequency]
Unified low-pass/high-pass filter Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
3 Expression » Bass / Mid / Treble
» Velocity Curve Adjust band gain/attenuation (+/-20dB)
Adjust the velocity curve between hard,
soft, and linear response

60
Layers & Keyswitches

Aboriginal Drums
Kanak Drum. . . . . . . . . . . . . . C1
New Guinean Drum. . . . . . . C#1
Oceanian Drum 1. . . . . . . . . D1
Oceanian Drum 2. . . . . . . . . D#1
Oceanian Drum 3. . . . . . . . . E1
Polynesian Drum . . . . . . . . . F1

Aboriginal Drums Processed


Kanak Drum. . . . . . . . . . . . . . C1
New Guinean Drum. . . . . . . C#1
Oceanian Drum 1. . . . . . . . . D1
Oceanian Drum 2. . . . . . . . . D#1
Oceanian Drum 3. . . . . . . . . E1
Polynesian Drum . . . . . . . . . F1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

61
UI - Solo Instrument - Aboriginal Flute

Note: Some presets have


been custom tuned to provide
optimum dynamics depending
on play style. If you’ll be using
a modwheel choose the Wheel
version, otherwise choose Vel.

1 Keyswitch Menu

Expression 3

4 Equalizer
Performance 2

5 Reverb

1 Keyswitch Menu 3 Expression 4 Equalizer


Change the active layer » [Mode] Velocity » Power
Note velocity determines note volume » ƒ [Mid Frequency]
2 Performance » [Mode] Wheel Sweepable mid-band frequency
» [Mode] Polyphonic Use your MIDI controllers Mod Wheel to 120Hz — 1600Hz — 6kHz
Allow the voicing of multiple notes determine note volume » Bass / Mid / Treble
simultaneously » Volume Curve Adjust band gain/attenuation (+/-20dB)
» [Mode] Legato Modify the Velocity/Wheel volume curve
Only one note can be voiced at a time, » Vibrato Power 5 Convolution Reverb
previous notes are cut off as new notes » Vibrato Amount » Power
are struck Adjust the vibrato depth » Impulse Response Menu [IR]
» Legato Fade » Vibrato Speed Select the reverb room shape
Adjust the fade time between samples to Adjust the vibrato rate » Size
simulate legato » Vibrato Delay Adjust the room size
» [Mode] Portamento Adjust the time to reach vibrato depth » Dry
Only one note can be voiced at a time, from note press Adjust the amount of Dry signal
previous notes are cut off as new notes » Tremolo Power » Wet
are struck, new notes bend into pitch » Tremolo Amount Adjust the amount of Wet signal
from the direction of last note struck Adjust the tremolo depth
» Portamento Glide » Tremolo Speed
Adjust the duration of pitch bend Adjust the tremolo rate
» On Pedal (Legato and Portamento only) » Tremolo Delay
Use a Sustain pedal to switch between Adjust the time to reach tremolo depth
legato and portamento modes from note press

62
UI - Solo Instrument - Aboriginal Flute (alt)

Envelope 4 1 Keyswitch Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Keyswitch Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Sound note volume is reached Select the reverb room shape
» Tempo » D [Decay] » Size
Coarse adjust speed in relation to Tempo After the Attack time has passed, the time Adjust the room size
and Sync settings, Double-click to reset, it takes to reach the Sustain level » Dry
Half/Double: Slow to 1/2 or 1/4; Speed » S [Sustain] Adjust the amount of Dry signal
to 2x or 4x of the assigned tempo, Fine The note level while sustained » Wet
works similarly, but with any rate value » R [Release] Adjust the amount of Wet signal
» Transpose After a note is released, the time it takes
Adjust tuning in semitones to fade to 0

3 Expression 5 Equalizer
» Velocity Curve » Power
Adjust the velocity curve between hard, » ƒ [Mid Frequency]
soft, and linear response Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
» Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

63
Layers & Keyswitches

Aboriginal Flute Phrases


Aboriginal Flute C. . . . . . . . . C1 Aboriginal Flute A . . . . . . . . A1
Aboriginal Flute C Sharp . . C#1 Aboriginal Flute A Sharp. . A#1
Aboriginal Flute D . . . . . . . . D1 Aboriginal Flute B. . . . . . . . . B1
Aboriginal Flute D Sharp. . D#1
Aboriginal Flute E. . . . . . . . E1
Aboriginal Flute F. . . . . . . . F1
Aboriginal Flute F Sharp. . . F#1
Aboriginal Flute G . . . . . . . . G1
Aboriginal Flute G Sharp . . G#1

Aboriginal Flute Vel


Native Flute 1 . . . . . . . . . . . . C1
Native Flute 2 . . . . . . . . . . . . C#1

Aboriginal Flute Wheel


Native Flute 1 . . . . . . . . . . . . C1
Native Flute 2 . . . . . . . . . . . . C#1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

64
UI - Solo Instrument - Aboriginal Percussions

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Performance 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Doubling note volume is reached Select the reverb room shape
Add a secondary hit with variable volume, » D [Decay] » Size
pitch and filtering for more impact After the Attack time has passed, the time Adjust the room size
» Solo it takes to reach the Sustain level » Dry
Activate to use only the secondary voice » S [Sustain] Adjust the amount of Dry signal
» Power The note level while sustained » Wet
Activates a secondary voice (doubling) » R [Release] Adjust the amount of Wet signal
» Level After a note is released, the time it takes
Set the volume for the second voice to fade to 0
» Pitch
Set the pitch of the second voice 5 Equalizer
(+/-12 semi) » Power
» ƒ (LP/HP Filter) » ƒ [Mid Frequency]
Unified low-pass/high-pass filter Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
3 Expression » Bass / Mid / Treble
» Velocity Curve Adjust band gain/attenuation (+/-20dB)
Adjust the velocity curve between hard,
soft, and linear response

65
Layers & Keyswitches

Aboriginal Percussions
Bass. . . . . . . . . . . . . . . . . . . . . C1
Frame . . . . . . . . . . . . . . . . . . . C#1
Log. . . . . . . . . . . . . . . . . . . . . . D1
Rattle. . . . . . . . . . . . . . . . . . . . D#1
Shaker. . . . . . . . . . . . . . . . . . . E1

Processed A Percussions
Bass. . . . . . . . . . . . . . . . . . . . . C1
Frame . . . . . . . . . . . . . . . . . . . C#1
Log. . . . . . . . . . . . . . . . . . . . . . D1
Rattle. . . . . . . . . . . . . . . . . . . . D#1
Shaker. . . . . . . . . . . . . . . . . . . E1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

66
UI - Solo Instrument - Didgeridoo

Envelope 4 1 Keyswitch Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Keyswitch Menu 4 Envelope 5 Equalizer


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » ƒ [Mid Frequency]
2 Sound note volume is reached Sweepable mid-band frequency
» Tempo Coarse » D [Decay] 120Hz — 1600Hz — 6kHz
Adjust the tempo from half to double After the Attack time has passed, the time » Bass / Mid / Treble
» Tempo Fine it takes to reach the Sustain level Adjust band gain/attenuation (+/-20dB)
Finetune the tempo » S [Sustain]
» Timbre The note level while sustained 6 Convolution Reverb
Adjust the timbre/pitch » R [Release] » Power
After a note is released, the time it takes » Impulse Response Menu [IR]
3 Expression to fade to 0 Select the reverb room shape
» Velocity Curve » Size
Adjust the velocity curve between hard, Adjust the room size
soft, and linear response » Dry
Adjust the amount of Dry signal
» Wet
Adjust the amount of Wet signal

67
Layers & Keyswitches

Didgeridoo
Didgeridoo C. . . . . . . . . . . . . C1 Didgeridoo A. . . . . . . . . . . . . A1
Didgeridoo C Sharp. . . . . . . C#1 Didgeridoo A Sharp. . . . . . . A#1
Didgeridoo D. . . . . . . . . . . . . D1 Didgeridoo B. . . . . . . . . . . . . B1
Didgeridoo D Sharp. . . . . . . D#1
Didgeridoo E . . . . . . . . . . . . . E1
Didgeridoo F . . . . . . . . . . . . . F1
Didgeridoo F Sharp. . . . . . . F#1
Didgeridoo G. . . . . . . . . . . . . G1
Didgeridoo G Sharp. . . . . . . G#1

Didgeridur
Didgeridoo C. . . . . . . . . . . . . C1 Didgeridoo A. . . . . . . . . . . . . A1
Didgeridoo C Sharp. . . . . . . C#1 Didgeridoo A Sharp. . . . . . . A#1
Didgeridoo D. . . . . . . . . . . . . D1 Didgeridoo B. . . . . . . . . . . . . B1
Didgeridoo D Sharp. . . . . . . D#1
Didgeridoo E . . . . . . . . . . . . . E1
Didgeridoo F . . . . . . . . . . . . . F1
Didgeridoo F Sharp. . . . . . . F#1
Didgeridoo G. . . . . . . . . . . . . G1
Didgeridoo G Sharp. . . . . . . G#1

Didgeridoo 2
Didgeridoo C. . . . . . . . . . . . . C1 Didgeridoo A. . . . . . . . . . . . . A1
Didgeridoo C Sharp. . . . . . . C#1 Didgeridoo A Sharp. . . . . . . A#1
Didgeridoo D. . . . . . . . . . . . . D1 Didgeridoo B. . . . . . . . . . . . . B1
Didgeridoo D Sharp. . . . . . . D#1
Didgeridoo E . . . . . . . . . . . . . E1
Didgeridoo F . . . . . . . . . . . . . F1
Didgeridoo F Sharp. . . . . . . F#1
Didgeridoo G. . . . . . . . . . . . . G1
Didgeridoo G Sharp. . . . . . . G#1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

68
UI - Solo Instrument - Jaw Harp

Envelope 4 1 Keyswitch Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Keyswitch Menu 4 Envelope 5 Equalizer


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » ƒ [Mid Frequency]
2 Sound note volume is reached Sweepable mid-band frequency
» Timbre » D [Decay] 120Hz — 1600Hz — 6kHz
Adjust the timbre/pitch After the Attack time has passed, the time » Bass / Mid / Treble
it takes to reach the Sustain level Adjust band gain/attenuation (+/-20dB)
3 Expression » S [Sustain]
» Velocity Curve The note level while sustained 6 Convolution Reverb
Adjust the velocity curve between hard, » R [Release] » Power
soft, and linear response After a note is released, the time it takes » Impulse Response Menu [IR]
to fade to 0 Select the reverb room shape
» Size
Adjust the room size
» Dry
Adjust the amount of Dry signal
» Wet
Adjust the amount of Wet signal

69
Layers & Keyswitches

Jaw Harp Dry


Jaw Harp C. . . . . . . . . . . . . . . C4 Jaw Harp A. . . . . . . . . . . . . . A4
Jaw Harp C Sharp. . . . . . . . . C#4 Jaw Harp A Sharp. . . . . . . . A#4
Jaw Harp D. . . . . . . . . . . . . . . D4 Jaw Harp FX . . . . . . . . . . . . . C5
Jaw Harp D Sharp . . . . . . . . D#4
Jaw Harp E. . . . . . . . . . . . . . E4
Jaw Harp F. . . . . . . . . . . . . . F4
Jaw Harp F Sharp. . . . . . . . F#4
Jaw Harp G. . . . . . . . . . . . . . G4
Jaw Harp G Sharp. . . . . . . . G#4

Jaw Harp Wet


Jaw Harp C. . . . . . . . . . . . . . . C4 Jaw Harp A. . . . . . . . . . . . . . A4
Jaw Harp C Sharp. . . . . . . . . C#4 Jaw Harp A Sharp. . . . . . . . A#4
Jaw Harp D. . . . . . . . . . . . . . . D4 Jaw Harp FX . . . . . . . . . . . . . C5
Jaw Harp D Sharp . . . . . . . . D#4
Jaw Harp E. . . . . . . . . . . . . . E4
Jaw Harp F. . . . . . . . . . . . . . F4
Jaw Harp F Sharp. . . . . . . . F#4
Jaw Harp G. . . . . . . . . . . . . . G4
Jaw Harp G Sharp. . . . . . . . G#4

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

70
71
UI - Solo Instrument - Bagpipes

Envelope 4 1 Keyswitch Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Keyswitch Menu 4 Envelope 5 Equalizer


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » ƒ [Mid Frequency]
2 Sound note volume is reached Sweepable mid-band frequency
» Timbre » D [Decay] 120Hz — 1600Hz — 6kHz
Adjust the timbre/pitch After the Attack time has passed, the time » Bass / Mid / Treble
it takes to reach the Sustain level Adjust band gain/attenuation (+/-20dB)
3 Expression » S [Sustain]
» Velocity Curve The note level while sustained 6 Convolution Reverb
Adjust the velocity curve between hard, » R [Release] » Power
soft, and linear response After a note is released, the time it takes » Impulse Response Menu [IR]
to fade to 0 Select the reverb room shape
» Size
Adjust the room size
» Dry
Adjust the amount of Dry signal
» Wet
Adjust the amount of Wet signal

72
Layers & Keyswitches

Bag Pipes
Bag Pipes Mid. . . . . . . . . . . . C1
GH Pipes Grace Down. . . . . C#1
GH Pipes Grace Up. . . . . . . . D1
GH Pipes Wild. . . . . . . . . . . . E1
noth Umbrian Pipes. . . . . . . F1
Scottish Pipes Grace. . . . . . F#1
Scottish Pipes Sustain. . . . . G1
Small Bombarde. . . . . . . . . . G#1
Uillean Pipes . . . . . . . . . . . . . A1

Uillean Pipes
Bag Pipes Mid. . . . . . . . . . . . C1
GH Pipes Grace Down. . . . . C#1
GH Pipes Grace Up. . . . . . . . D1
GH Pipes Wild. . . . . . . . . . . . E1
noth Umbrian Pipes. . . . . . . F1
Scottish Pipes Grace. . . . . . F#1
Scottish Pipes Sustain. . . . . G1
Small Bombarde. . . . . . . . . . G#1
Uillean Pipes . . . . . . . . . . . . . A1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

73
UI - Solo Instrument - Celtic Guitars

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Performance 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Sound note volume is reached Select the reverb room shape
» Fret Noise » D [Decay] » Size
Activates a discrete layer that emphasizes After the Attack time has passed, the time Adjust the room size
the fret noise, adjust level it takes to reach the Sustain level » Dry
» Release » S [Sustain] Adjust the amount of Dry signal
Activates a discrete layer that emphasizes The note level while sustained » Wet
the release phase, adjust level » R [Release] Adjust the amount of Wet signal
» Timbre After a note is released, the time it takes
Adjust the timbre/pitch to fade to 0

3 Expression 5 Equalizer
» Velocity Curve » Power
Adjust the velocity curve between hard, » ƒ [Mid Frequency]
soft, and linear response Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
» Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

74
Layers & Keyswitches

Celtic Guitars
Guitar in D . . . . . . . . . . . . . . . C0
Guitar in E. . . . . . . . . . . . . . . . C#0
Guitar in E Soft . . . . . . . . . . . D0
Guitar in E Hard . . . . . . . . . . D#0
Twelve Strings. . . . . . . . . . . . E0

Celtic Twelve Strings


Guitar in D . . . . . . . . . . . . . . . C0
Guitar in E. . . . . . . . . . . . . . . . C#0
Guitar in E Soft . . . . . . . . . . . D0
Guitar in E Hard . . . . . . . . . . D#
Twelve Strings. . . . . . . . . . . . E0

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

75
UI - Solo Instrument - Celtic Percussions

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Doubling 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Doubling note volume is reached Select the reverb room shape
Add a secondary hit with variable volume, » D [Decay] » Size
pitch and filtering for more impact After the Attack time has passed, the time Adjust the room size
» Solo it takes to reach the Sustain level » Dry
Activate to use only the secondary voice » S [Sustain] Adjust the amount of Dry signal
» Power The note level while sustained » Wet
Activates a secondary voice (doubling) » R [Release] Adjust the amount of Wet signal
» Level After a note is released, the time it takes
Set the volume for the second voice to fade to 0
» Pitch
Set the pitch of the second voice 5 Equalizer
(+/-12 semi) » Power
» ƒ (LP/HP Filter) » ƒ [Mid Frequency]
Unified low-pass/high-pass filter Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
3 Expression » Bass / Mid / Treble
» Velocity Curve Adjust band gain/attenuation (+/-20dB)
Adjust the velocity curve between hard,
soft, and linear response

76
Layers & Keyswitches

Celtic Percussions
Bodhran Hits. . . . . . . . . . . . . C1
Bodhran Licks. . . . . . . . . . . . C#1
Bones. . . . . . . . . . . . . . . . . . . . D1
Clogs . . . . . . . . . . . . . . . . . . . . D#1
Pipe Snare Drum . . . . . . . . . D#1
Spoons. . . . . . . . . . . . . . . . . . . E1
Tenor Drum. . . . . . . . . . . . . . F1

Huge Room Percs


Bodhran Hits. . . . . . . . . . . . . C1
Bodhran Licks. . . . . . . . . . . . C#1
Bones. . . . . . . . . . . . . . . . . . . . D1
Clogs . . . . . . . . . . . . . . . . . . . . D#1
Pipe Snare Drum . . . . . . . . . D#1
Spoons. . . . . . . . . . . . . . . . . . . E1
Tenor Drum. . . . . . . . . . . . . . F1

Spoon Light
Bodhran Hits. . . . . . . . . . . . . C1
Bodhran Licks. . . . . . . . . . . . C#1
Bones. . . . . . . . . . . . . . . . . . . . D1
Clogs . . . . . . . . . . . . . . . . . . . . D#1
Pipe Snare Drum . . . . . . . . . D#1
Spoons. . . . . . . . . . . . . . . . . . . E1
Tenor Drum. . . . . . . . . . . . . . F1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

77
UI - Solo Instrument - Celtic Whistle

Note: Some presets have


been custom tuned to provide
optimum dynamics depending
on play style. If you’ll be using
a modwheel choose the Wheel
version, otherwise choose Vel.

1 Keyswitch Menu

Expression 3

4 Equalizer
Performance 2

5 Reverb

1 Keyswitch Menu 3 Expression 4 Equalizer


Change the active layer » [Mode] Velocity » Power
Note velocity determines note volume » ƒ [Mid Frequency]
2 Performance » [Mode] Wheel Sweepable mid-band frequency
» [Mode] Polyphonic Use your MIDI controllers Mod Wheel to 120Hz — 1600Hz — 6kHz
Allow the voicing of multiple notes determine note volume » Bass / Mid / Treble
simultaneously » Volume Curve Adjust band gain/attenuation (+/-20dB)
» [Mode] Legato Modify the Velocity/Wheel volume curve
Only one note can be voiced at a time, » Vibrato Power 5 Convolution Reverb
previous notes are cut off as new notes » Vibrato Amount » Power
are struck Adjust the vibrato depth » Impulse Response Menu [IR]
» Legato Fade » Vibrato Speed Select the reverb room shape
Adjust the fade time between samples to Adjust the vibrato rate » Size
simulate legato » Vibrato Delay Adjust the room size
» [Mode] Portamento Adjust the time to reach vibrato depth » Dry
Only one note can be voiced at a time, from note press Adjust the amount of Dry signal
previous notes are cut off as new notes » Tremolo Power » Wet
are struck, new notes bend into pitch » Tremolo Amount Adjust the amount of Wet signal
from the direction of last note struck Adjust the tremolo depth
» Portamento Glide » Tremolo Speed
Adjust the duration of pitch bend Adjust the tremolo rate
» On Pedal (Legato and Portamento only) » Tremolo Delay
Use a Sustain pedal to switch between Adjust the time to reach tremolo depth
legato and portamento modes from note press

78
Layers & Keyswitches

Celtic Whistle Vel


Penny Whistle Grace. . . . . . C1 Tin D Saccato. . . . . . . . . . . . . A1
Penny Whistle Rolls. . . . . . . C#1 Tin D Glissando. . . . . . . . . . . A#1
Penny Whistle Sustain . . . . D1 Tin BFlat Sustain. . . . . . . . . . B1
Old Low Whistle. . . . . . . . . . D#1 Tin BFlat Staccato . . . . . . . . A1
Celtic Low Sustain. . . . . . . . E1 Tin BFlat Glissando. . . . . . . . A#1
Celtic Low Staccato1. . . . . . F1
Celtic Low Staccato 2. . . . . F#1
Celtic Low Glissando. . . . . . G1
Tin D Sustain. . . . . . . . . . . . . G#1

Celtic Whistle Wheel


Penny Whistle Grace. . . . . . C1 Tin D Saccato. . . . . . . . . . . . . A1
Penny Whistle Rolls. . . . . . . C#1 Tin D Glissando. . . . . . . . . . . A#1
Penny Whistle Sustain . . . . D1 Tin BFlat Sustain. . . . . . . . . . B1
Old Low Whistle. . . . . . . . . . D#1 Tin BFlat Staccato . . . . . . . . A1
Celtic Low Sustain. . . . . . . . E1 Tin BFlat Glissando. . . . . . . . A#1
Celtic Low Staccato1. . . . . . F1
Celtic Low Staccato 2. . . . . F#1
Celtic Low Glissando. . . . . . G1
Tin D Sustain. . . . . . . . . . . . . G#1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

79
UI - Solo Instrument - Concertina

Envelope 4 1 Keyswitch Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Sound note volume is reached Select the reverb room shape
» Keyclick » D [Decay] » Size
Activates a discrete layer that emphasizes After the Attack time has passed, the time Adjust the room size
the keyclick noise, adjust level it takes to reach the Sustain level » Dry
» Release » S [Sustain] Adjust the amount of Dry signal
Activates a discrete layer that emphasizes The note level while sustained » Wet
the release phase, adjust level » R [Release] Adjust the amount of Wet signal
» Timbre After a note is released, the time it takes
Adjust the timbre/pitch to fade to 0

3 Expression 5 Equalizer
» Velocity Curve » Power
Adjust the velocity curve between hard, » ƒ [Mid Frequency]
soft, and linear response Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
» Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

80
Layers & Keyswitches

Concertina
Concertina Sustain. . . . . . . . C1
Concertina Sforzando. . . . . D1
Concertina Staccato . . . . . . C#1

Concertoni
Concertina Sustain. . . . . . . . C1
Concertina Sforzando. . . . . D1
Concertina Staccato . . . . . . C#1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

81
UI - Solo Instrument - Fiddle

Note: Some presets have


been custom tuned to provide
optimum dynamics depending
on play style. If you’ll be using
a modwheel choose the Wheel
version, otherwise choose Vel.

1 Keyswitch Menu

Expression 3

4 Equalizer
Performance 2

5 Reverb

1 Keyswitch Menu 3 Expression 4 Equalizer


Change the active layer » [Mode] Velocity » Power
Note velocity determines note volume » ƒ [Mid Frequency]
2 Performance » [Mode] Wheel Sweepable mid-band frequency
» [Mode] Polyphonic Use your MIDI controllers Mod Wheel to 120Hz — 1600Hz — 6kHz
Allow the voicing of multiple notes determine note volume » Bass / Mid / Treble
simultaneously » Volume Curve Adjust band gain/attenuation (+/-20dB)
» [Mode] Legato Modify the Velocity/Wheel volume curve
Only one note can be voiced at a time, » Vibrato Power 5 Convolution Reverb
previous notes are cut off as new notes » Vibrato Amount » Power
are struck Adjust the vibrato depth » Impulse Response Menu [IR]
» Legato Fade » Vibrato Speed Select the reverb room shape
Adjust the fade time between samples to Adjust the vibrato rate » Size
simulate legato » Vibrato Delay Adjust the room size
» [Mode] Portamento Adjust the time to reach vibrato depth » Dry
Only one note can be voiced at a time, from note press Adjust the amount of Dry signal
previous notes are cut off as new notes » Tremolo Power » Wet
are struck, new notes bend into pitch » Tremolo Amount Adjust the amount of Wet signal
from the direction of last note struck Adjust the tremolo depth
» Portamento Glide » Tremolo Speed
Adjust the duration of pitch bend Adjust the tremolo rate
» On Pedal (Legato and Portamento only) » Tremolo Delay
Use a Sustain pedal to switch between Adjust the time to reach tremolo depth
legato and portamento modes from note press

82
Layers & Keyswitches

Fiddle Vel
Marcato Long. . . . . . . . . . . . C2
Marcato Short. . . . . . . . . . . . C#2
Marcato Vibrato. . . . . . . . . . D2
Slides. . . . . . . . . . . . . . . . . . . . D#2
Sustain. . . . . . . . . . . . . . . . . . . E2
Turns. . . . . . . . . . . . . . . . . . . . F2

Fiddle Wheel
Marcato Long. . . . . . . . . . . . C2
Marcato Short. . . . . . . . . . . . C#2
Marcato Vibrato. . . . . . . . . . D2
Slides. . . . . . . . . . . . . . . . . . . . D#2
Sustain. . . . . . . . . . . . . . . . . . . E2
Turns. . . . . . . . . . . . . . . . . . . . F2

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

83
UI - Solo Instrument - Harmonica

Envelope 4 1 Keyswitch Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Keyswitch Menu 4 Envelope 5 Equalizer


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » ƒ [Mid Frequency]
2 Sound note volume is reached Sweepable mid-band frequency
» Timbre » D [Decay] 120Hz — 1600Hz — 6kHz
Adjust the timbre/pitch After the Attack time has passed, the time » Bass / Mid / Treble
it takes to reach the Sustain level Adjust band gain/attenuation (+/-20dB)
3 Expression » S [Sustain]
» Velocity Curve The note level while sustained 6 Convolution Reverb
Adjust the velocity curve between hard, » R [Release] » Power
soft, and linear response After a note is released, the time it takes » Impulse Response Menu [IR]
to fade to 0 Select the reverb room shape
» Size
Adjust the room size
» Dry
Adjust the amount of Dry signal
» Wet
Adjust the amount of Wet signal

84
Layers & Keyswitches

Harmonicas
Harmonica 1. . . . . . . . . . . . . . C2
Harmonica 2 . . . . . . . . . . . . . C#2

HarmoniPad
Harmonica 1. . . . . . . . . . . . . . C2
Harmonica 2 . . . . . . . . . . . . . C#2

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

85
UI - Solo Instrument - Harp

Envelope 4 1 Keyswitch Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Keyswitch Menu 4 Envelope 5 Equalizer


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » ƒ [Mid Frequency]
2 Sound note volume is reached Sweepable mid-band frequency
» Timbre » D [Decay] 120Hz — 1600Hz — 6kHz
Adjust the timbre/pitch After the Attack time has passed, the time » Bass / Mid / Treble
it takes to reach the Sustain level Adjust band gain/attenuation (+/-20dB)
3 Expression » S [Sustain]
» Velocity Curve The note level while sustained 6 Convolution Reverb
Adjust the velocity curve between hard, » R [Release] » Power
soft, and linear response After a note is released, the time it takes » Impulse Response Menu [IR]
to fade to 0 Select the reverb room shape
» Size
Adjust the room size
» Dry
Adjust the amount of Dry signal
» Wet
Adjust the amount of Wet signal

86
Layers & Keyswitches

Celtic Harps
Celtic Harp 1. . . . . . . . . . . . . . C0
Celtic Harp 2 . . . . . . . . . . . . . C#0
Celtic Harp 2 Hard. . . . . . . . D0
Meghan Harp Sustain. . . . . D#0
Meghan Harp Strum. . . . . . E0
Meghan Harp PenPicked. . F0
Megan Harp FX. . . . . . . . . . . F#0

Lute Harp
Lute Harp Sustain . . . . . . . . C1
Lute Harp FX. . . . . . . . . . . . . D1

Meghan Harp
Celtic Harp 1. . . . . . . . . . . . . . C0
Celtic Harp 2 . . . . . . . . . . . . . C#0
Celtic Harp 2 Hard. . . . . . . . D0
Meghan Harp Sustain. . . . . D#0
Meghan Harp Strum. . . . . . E0
Meghan Harp PenPicked. . F0
Megan Harp FX. . . . . . . . . . . F#0

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

87
UI - Solo Instrument - Irish Bouzouki

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Performance 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Sound note volume is reached Select the reverb room shape
» Fret Noise » D [Decay] » Size
Activates a discrete layer that emphasizes After the Attack time has passed, the time Adjust the room size
the fret noise, adjust level it takes to reach the Sustain level » Dry
» Release » S [Sustain] Adjust the amount of Dry signal
Activates a discrete layer that emphasizes The note level while sustained » Wet
the release phase, adjust level » R [Release] Adjust the amount of Wet signal
» Timbre After a note is released, the time it takes
Adjust the timbre/pitch to fade to 0

3 Expression 5 Equalizer
» Velocity Curve » Power
Adjust the velocity curve between hard, » ƒ [Mid Frequency]
soft, and linear response Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
» Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

88
Layers & Keyswitches

Irish Bouzouki
Irish Bouzouki Sustain. . . . . C1
Irish Bouzouki Staccato . . . C#1
Irish Bouzouki Mute. . . . . . . D1
Irish Bouzouki Ghost. . . . . . D#1

Irish CymBouzouki
Irish Bouzouki Sustain. . . . . C1
Irish Bouzouki Staccato . . . C#1
Irish Bouzouki Mute. . . . . . . D1
Irish Bouzouki Ghost. . . . . . D#1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

89
90
UI - Solo Instrument - Balkanish Double Bass

Envelope 3

Expression 2

4 Equalizer
Sound 1

5 Reverb

1 Sound 4 Equalizer
» Release » Power
Activates a discrete layer that emphasizes » ƒ [Mid Frequency]
the release phase, adjust level Sweepable mid-band frequency
» Timbre 120Hz — 1600Hz — 6kHz
Adjust the timbre/pitch » Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)
2 Expression
» Velocity Curve 5 Convolution Reverb
Adjust the velocity curve between hard, » Power
soft, and linear response » Impulse Response Menu [IR]
Select the reverb room shape
3 Envelope » Size
» A [Attack] Adjust the room size
After triggering a note, the time until full » Dry
note volume is reached Adjust the amount of Dry signal
» D [Decay] » Wet
After the Attack time has passed, the time Adjust the amount of Wet signal
it takes to reach the Sustain level
» S [Sustain]
The note level while sustained
» R [Release]
After a note is released, the time it takes
to fade to 0

91
Layers & Keyswitches

Balkanish Double Bass 1


N/A

Balkanish Double Bass 2


N/A

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

92
UI - Solo Instrument - Balkanish Violin

Note: Some presets have


been custom tuned to provide
optimum dynamics depending
on play style. If you’ll be using
a modwheel choose the Wheel
version, otherwise choose Vel.

Expression 2

3 Equalizer
Performance 1

4 Reverb

1 Performance 2 Expression 3 Equalizer


» [Mode] Polyphonic » [Mode] Velocity » Power
Allow the voicing of multiple notes Note velocity determines note volume » ƒ [Mid Frequency]
simultaneously » [Mode] Wheel Sweepable mid-band frequency
» [Mode] Legato Use your MIDI controllers Mod Wheel to 120Hz — 1600Hz — 6kHz
Only one note can be voiced at a time, determine note volume » Bass / Mid / Treble
previous notes are cut off as new notes » Volume Curve Adjust band gain/attenuation (+/-20dB)
are struck Modify the Velocity/Wheel volume curve
» Legato Fade » Vibrato Power 4 Convolution Reverb
Adjust the fade time between samples to » Vibrato Amount » Power
simulate legato Adjust the vibrato depth » Impulse Response Menu [IR]
» [Mode] Portamento » Vibrato Speed Select the reverb room shape
Only one note can be voiced at a time, Adjust the vibrato rate » Size
previous notes are cut off as new notes » Vibrato Delay Adjust the room size
are struck, new notes bend into pitch Adjust the time to reach vibrato depth » Dry
from the direction of last note struck from note press Adjust the amount of Dry signal
» Portamento Glide » Tremolo Power » Wet
Adjust the duration of pitch bend » Tremolo Amount Adjust the amount of Wet signal
» On Pedal (Legato and Portamento only) Adjust the tremolo depth
Use a Sustain pedal to switch between » Tremolo Speed
legato and portamento modes Adjust the tremolo rate
» Tremolo Delay
Adjust the time to reach tremolo depth
from note press

93
Layers & Keyswitches

Balkanish Violin Vel


N/A

Balkanish Violin Wheel


N/A

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

94
UI - Solo Instrument - Bulgarian Tupan

Envelope 3

Expression 2

4 Equalizer
Doubling 1

5 Reverb

1 Doubling 3 Envelope 5 Convolution Reverb


Add a secondary hit with variable volume, » A [Attack] » Power
pitch and filtering for more impact After triggering a note, the time until full » Impulse Response Menu [IR]
» Solo note volume is reached Select the reverb room shape
Activate to use only the secondary voice » D [Decay] » Size
» Power After the Attack time has passed, the time Adjust the room size
Activates a secondary voice (doubling) it takes to reach the Sustain level » Dry
» Level » S [Sustain] Adjust the amount of Dry signal
Set the volume for the second voice The note level while sustained » Wet
» Pitch » R [Release] Adjust the amount of Wet signal
Set the pitch of the second voice After a note is released, the time it takes
(+/-12 semi) to fade to 0
» ƒ (LP/HP Filter)
Unified low-pass/high-pass filter 4 Equalizer
» Power
2 Expression » ƒ [Mid Frequency]
» Velocity Curve Sweepable mid-band frequency
Adjust the velocity curve between hard, 120Hz — 1600Hz — 6kHz
soft, and linear response » Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

95
Layers & Keyswitches

Bulgarian Tupan
N/A

Tupan of Bronx
N/A

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

96
UI - Solo Instrument - Chonguri

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Performance 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Sound note volume is reached Select the reverb room shape
» Fret Noise » D [Decay] » Size
Activates a discrete layer that emphasizes After the Attack time has passed, the time Adjust the room size
the fret noise, adjust level it takes to reach the Sustain level » Dry
» Release » S [Sustain] Adjust the amount of Dry signal
Activates a discrete layer that emphasizes The note level while sustained » Wet
the release phase, adjust level » R [Release] Adjust the amount of Wet signal
» Timbre After a note is released, the time it takes
Adjust the timbre/pitch to fade to 0

3 Expression 5 Equalizer
» Velocity Curve » Power
Adjust the velocity curve between hard, » ƒ [Mid Frequency]
soft, and linear response Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
» Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

97
Layers & Keyswitches

Chonguri Basic
Plucked. . . . . . . . . . . . . . . . . . C1 Fourth Intervals . . . . . . . . . . A1
Trill Maj. . . . . . . . . . . . . . . . . . C#1 Fifth Intervals . . . . . . . . . . . . A#1
Trill min. . . . . . . . . . . . . . . . . . D1 Chords B1. . . . . . . . . . . . . . . . A1
Mordent Dn Maj. . . . . . . . . . D#1
Mordent Dn min. . . . . . . . . . E1
Mordent Up Maj. . . . . . . . . . F1
Mordent Up min. . . . . . . . . . F#1
Glissando Dn. . . . . . . . . . . . . G1
Glissando Up. . . . . . . . . . . . . G#1

Chonguri Chords
Plucked. . . . . . . . . . . . . . . . . . C1 Fourth Intervals . . . . . . . . . . A1
Trill Maj. . . . . . . . . . . . . . . . . . C#1 Fifth Intervals . . . . . . . . . . . . A#1
Trill min. . . . . . . . . . . . . . . . . . D1 Chords B1. . . . . . . . . . . . . . . . A1
Mordent Dn Maj. . . . . . . . . . D#1
Mordent Dn min. . . . . . . . . . E1
Mordent Up Maj. . . . . . . . . . F1
Mordent Up min. . . . . . . . . . F#1
Glissando Dn. . . . . . . . . . . . . G1
Glissando Up. . . . . . . . . . . . . G#1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

98
UI - Solo Instrument - Eastern Accordion

Register 2

Controls 1

3 Reverb

1 Controls 2 Register
» Release Select between 5 accordion sounds
Adjust the volume of release sample
» Velocity 3 Convolution Reverb
Adjust the velocity sensitivity » Power
» Timbre » Impulse Response Menu [IR]
Adjust the timbre/pitch Select the reverb room shape
Envelope » Size
» A [Attack] Adjust the room size
After triggering a note, the time until full » Dry
note volume is reached Adjust the amount of Dry signal
» D [Decay] » Wet
After the Attack time has passed, the time Adjust the amount of Wet signal
it takes to reach the Sustain level
» S [Sustain]
The note level while sustained
» R [Release]
After a note is released, the time it takes
to fade to 0

99
Layers & Keyswitches

Eastern Accordion
N/A

Melancolic Accordion
N/A

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

100
UI - Solo Instrument - Eastern Lyra

Envelope 3

Expression 2

4 Equalizer
Sound 1

5 Reverb

1 Sound 3 Envelope 5 Convolution Reverb


» Release » A [Attack] » Power
Activates a discrete layer that emphasizes After triggering a note, the time until full » Impulse Response Menu [IR]
the release phase, adjust level note volume is reached Select the reverb room shape
» Timbre » D [Decay] » Size
Adjust the timbre/pitch After the Attack time has passed, the time Adjust the room size
it takes to reach the Sustain level » Dry
2 Expression » S [Sustain] Adjust the amount of Dry signal
Use your MIDI controllers modwheel to The note level while sustained » Wet
interactively control the tremolo effect » R [Release] Adjust the amount of Wet signal
» Tremolo Depth After a note is released, the time it takes
Adjust the tremolo depth to fade to 0
» Tremolo Rate
Adjust the tremolo rate 4 Equalizer
» Velocity Curve » Power
Adjust the velocity curve between hard, » ƒ [Mid Frequency]
soft, and linear response Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
» Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

101
Layers & Keyswitches

Eastern Lyra
N/A

New Age Lyra


N/A

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

102
UI - Solo Instrument - Georgian Duduk

Expression 2

3 Equalizer
Sound 1

4 Reverb

1 Sound 2 Expression 3 Equalizer


» Release » Volume Curve » Power
Activates a discrete layer that emphasizes Modify the Velocity/Wheel volume curve » ƒ [Mid Frequency]
the release phase, adjust level » Vibrato Power Sweepable mid-band frequency
» Timbre » Vibrato Amount 120Hz — 1600Hz — 6kHz
Adjust the timbre/pitch Adjust the vibrato depth » Bass / Mid / Treble
» Vibrato Speed Adjust band gain/attenuation (+/-20dB)
Adjust the vibrato rate
» Vibrato Delay 4 Convolution Reverb
Adjust the time to reach vibrato depth » Power
from note press » Impulse Response Menu [IR]
» Tremolo Power Select the reverb room shape
» Tremolo Amount » Size
Adjust the tremolo depth Adjust the room size
» Tremolo Speed » Dry
Adjust the tremolo rate Adjust the amount of Dry signal
» Tremolo Delay » Wet
Adjust the time to reach tremolo depth Adjust the amount of Wet signal
from note press

103
Layers & Keyswitches

Georgian Duduk Vel


Sustain. . . . . . . . . . . . . . . . . . . C1
Vibrato. . . . . . . . . . . . . . . . . . . C#1

Georgian Duduk Wheel


Sustain. . . . . . . . . . . . . . . . . . . C1
Vibrato. . . . . . . . . . . . . . . . . . . C#1

Georgian Duduk True Legato


N/A

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

104
UI - Solo Instrument - Hungarian Cymbalum

Envelope 4 1 Keyswitch Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Keyswitch Menu 4 Envelope 5 Equalizer


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » ƒ [Mid Frequency]
2 Sound note volume is reached Sweepable mid-band frequency
» Timbre » D [Decay] 120Hz — 1600Hz — 6kHz
Adjust the timbre/pitch After the Attack time has passed, the time » Bass / Mid / Treble
it takes to reach the Sustain level Adjust band gain/attenuation (+/-20dB)
3 Expression » S [Sustain]
» Velocity Curve The note level while sustained 6 Convolution Reverb
Adjust the velocity curve between hard, » R [Release] » Power
soft, and linear response After a note is released, the time it takes » Impulse Response Menu [IR]
to fade to 0 Select the reverb room shape
» Size
Adjust the room size
» Dry
Adjust the amount of Dry signal
» Wet
Adjust the amount of Wet signal

105
Layers & Keyswitches

Hungarian Cymbalum
Sustain. . . . . . . . . . . . . . . . . . . B5
Mute. . . . . . . . . . . . . . . . . . . . . C6
Trem . . . . . . . . . . . . . . . . . . . . C#6

Hungarian Koto
Sustain. . . . . . . . . . . . . . . . . . . B5
Mute. . . . . . . . . . . . . . . . . . . . . C6
Trem . . . . . . . . . . . . . . . . . . . . C#6

Processed Cymbalum
Sustain. . . . . . . . . . . . . . . . . . . B5
Mute. . . . . . . . . . . . . . . . . . . . . C6
Trem . . . . . . . . . . . . . . . . . . . . C#6

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

106
UI - Solo Instrument - Moldovian Cymbalum

Main 2

Sound 1

3 Reverb

1 Sound 2 Main
» Attack Select the sound to be play
Adjust the attack time
» Release 3 Convolution Reverb
Adjust the release time » Power
» Timbre » Impulse Response Menu [IR]
Adjust the timbre/pitch Select the reverb room shape
» Alternate » Size
Adjust the depth of stereo pan alternation Adjust the room size
» Dry
Adjust the amount of Dry signal
» Wet
Adjust the amount of Wet signal

107
Layers & Keyswitches

Moldovian Cymbalum
N/A

Space Cymbalum
N/A

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

108
UI - Solo Instrument - Panduri

Envelope 4 1 Keyswitch Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Keyswitch Menu 3 Expression 5 Equalizer


Change the active layer » Velocity Curve » Power
Adjust the velocity curve between hard, » ƒ [Mid Frequency]
2 Sound soft, and linear response Sweepable mid-band frequency
» Group 120Hz — 1600Hz — 6kHz
Activates multiple voice play to increasing 4 Envelope » Bass / Mid / Treble
sence of space » A [Attack] Adjust band gain/attenuation (+/-20dB)
» Tremolo After triggering a note, the time until full
Activates tremolo playing effect note volume is reached 6 Convolution Reverb
» Tremolo Speed » D [Decay] » Power
Choose the speed of tremolo play from After the Attack time has passed, the time » Impulse Response Menu [IR]
the menu it takes to reach the Sustain level Select the reverb room shape
» Tremolo Timing » S [Sustain] » Size
Adjust the timing of tremolo play The note level while sustained Adjust the room size
» Tremolo Velocity » R [Release] » Dry
Adjust the velocity of tremolo play After a note is released, the time it takes Adjust the amount of Dry signal
» Timbre to fade to 0 » Wet
Adjust the timbre/pitch Adjust the amount of Wet signal

109
UI - Solo Instrument - Panduri Rhythm

Expression 3 1 Instrument Menu

4 Equalizer
Sound 2

5 Reverb

1 Instrument Menu 4 Equalizer 5 Convolution Reverb


The active rhythm (select with trigger key » Power » Power
or menu) » ƒ [Mid Frequency] » Impulse Response Menu [IR]
Sweepable mid-band frequency Select the reverb room shape
2 Configuration 120Hz — 1600Hz — 6kHz » Size
Select the instrument configuration » Bass / Mid / Treble Adjust the room size
Adjust band gain/attenuation (+/-20dB) » Dry
3 Expression Adjust the amount of Dry signal
» Velocity Curve » Wet
Adjust the velocity curve between hard, Adjust the amount of Wet signal
soft, and linear response
Chord Recognition and Key Switches

» Chord Recognition (Yellow Keys) C1 - G2


Play your chords in the yellow section of the keyboard, and the instrument will perform for you, synced to
the tempo! In this case, play the root note and the 3rd note to trigger the dedicated chord - a minor 3rd
interval will trigger a minor chord and a major 3rd interval will trigger a major chord rhythm

» Key Switches (White and Black Keys) C3 - D3


Switch the rhythm sequence of the preset. For details of the key switches, please check the key
switch section in next page

110
Layers & Keyswitches

Panduri Basic
Plucked. . . . . . . . . . . . . . . . . . C1
Mordent Dn Maj 2nd. . . . . . C#1
Mordent Dn min 2nd. . . . . . D1
Mordent Up Maj 2nd. . . . . . D#1
Mordent Up min 2nd. . . . . . E1
Trill Maj 2nd. . . . . . . . . . . . . . F1
Trill min 2nd. . . . . . . . . . . . . . F#1

Panduri Harp
Plucked. . . . . . . . . . . . . . . . . . C1
Mordent Dn Maj 2nd. . . . . . C#1
Mordent Dn min 2nd. . . . . . D1
Mordent Up Maj 2nd. . . . . . D#1
Mordent Up min 2nd. . . . . . E1
Trill Maj 2nd. . . . . . . . . . . . . . F1
Trill min 2nd. . . . . . . . . . . . . . F#1

Panduri Rhythm
Ballada. . . . . . . . . . . . . . . . . . . C3
Basic. . . . . . . . . . . . . . . . . . . . . C#3
Doubleto. . . . . . . . . . . . . . . . . D3

Panduri Trem
Plucked. . . . . . . . . . . . . . . . . . C1
Mordent Dn Maj 2nd. . . . . . C#1
Mordent Dn min 2nd. . . . . . D1
Mordent Up Maj 2nd. . . . . . D#1
Mordent Up min 2nd. . . . . . E1
Trill Maj 2nd. . . . . . . . . . . . . . F1
Trill min 2nd. . . . . . . . . . . . . . F#1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

111
UI - Solo Instrument - Roots Balalaika

Envelope 4 1 Keyswitch Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Keyswitch Menu 4 Envelope 5 Equalizer


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » ƒ [Mid Frequency]
2 Sound note volume is reached Sweepable mid-band frequency
» Group » D [Decay] 120Hz — 1600Hz — 6kHz
Activates multiple voice play to increasing After the Attack time has passed, the time » Bass / Mid / Treble
sence of space it takes to reach the Sustain level Adjust band gain/attenuation (+/-20dB)
» Tremolo Speed » S [Sustain]
Adjust the speed of tremolo play The note level while sustained 6 Convolution Reverb
» Timbre » R [Release] » Power
Adjust the timbre/pitch After a note is released, the time it takes » Impulse Response Menu [IR]
to fade to 0 Select the reverb room shape
3 Expression » Size
» Velocity Curve Adjust the room size
Adjust the velocity curve between hard, » Dry
soft, and linear response Adjust the amount of Dry signal
» Wet
Adjust the amount of Wet signal

112
Layers & Keyswitches

Roots Balalaika
Sustain Metal. . . . . . . . . . . . . C2 Trem Chds Picked . . . . . . . . A2
Sustain 1 Nylon. . . . . . . . . . . C#2
Sustain 2 Nylon. . . . . . . . . . . D2
Mute Metal . . . . . . . . . . . . . . D#2
Mute Nylon . . . . . . . . . . . . . . E2
Trem Metal . . . . . . . . . . . . . . F2
Trem Nylon . . . . . . . . . . . . . . F#2
Chords Major Minor. . . . . . . G2
Trem Chds Fingered. . . . . . G#2

Space Balalaika
Sustain Metal. . . . . . . . . . . . . C2 Trem Chds Picked . . . . . . . . A2
Sustain 1 Nylon. . . . . . . . . . . C#2
Sustain 2 Nylon. . . . . . . . . . . D2
Mute Metal . . . . . . . . . . . . . . D#2
Mute Nylon . . . . . . . . . . . . . . E2
Trem Metal . . . . . . . . . . . . . . F2
Trem Nylon . . . . . . . . . . . . . . F#2
Chords Major Minor. . . . . . . G2
Trem Chds Fingered. . . . . . G#2

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

113
UI - Solo Instrument - Russian Balalaika

Envelope 4 1 Keyswitch Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

» Power
1 Keyswitch Menu 4 Envelope
» Impulse Response Menu [IR]
Change the active layer » A [Attack]
Select the reverb room shape
After triggering a note, the time until full
» Size
2 Sound note volume is reached
Adjust the room size
» Group » D [Decay]
» Dry
Activates multiple voice play to increasing After the Attack time has passed, the time
Adjust the amount of Dry signal
sence of space it takes to reach the Sustain level
» Wet
» Tremolo Speed » S [Sustain]
Adjust the amount of Wet signal
Adjust the speed of tremolo play The note level while sustained
» Timbre » R [Release]
Adjust the timbre/pitch After a note is released, the time it takes
to fade to 0
3 Expression
» Velocity Curve 5 Equalizer
Adjust the velocity curve between hard, » Power
soft, and linear response » ƒ [Mid Frequency]
Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
» Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

6 Convolution Reverb

114
Layers & Keyswitches

Russian Balalaika
AString Sustain. . . . . . . . . . . C2 EString Tremolo. . . . . . . . . . A2
AString Thumb. . . . . . . . . . . C#2 EString Mute. . . . . . . . . . . . . A#2
AString Flam. . . . . . . . . . . . . D2 EString Harmonics. . . . . . . . B2
AString Tremolo. . . . . . . . . . D#2 EA Unison. . . . . . . . . . . . . . . . C3
AString Mute. . . . . . . . . . . . . E2 EE Unison. . . . . . . . . . . . . . . . C#3
AString Harmonics. . . . . . . . F2 FXs. . . . . . . . . . . . . . . . . . . . . . D3
EString Sustain. . . . . . . . . . . F#2
EString Thumb . . . . . . . . . . . G2
EString Flam . . . . . . . . . . . . . G#2

Russian Tremolo
AString Sustain. . . . . . . . . . . C2 EString Tremolo. . . . . . . . . . A2
AString Thumb. . . . . . . . . . . C#2 EString Mute. . . . . . . . . . . . . A#2
AString Flam. . . . . . . . . . . . . D2 EString Harmonics. . . . . . . . B2
AString Tremolo. . . . . . . . . . D#2 EA Unison. . . . . . . . . . . . . . . . C3
AString Mute. . . . . . . . . . . . . E2 EE Unison. . . . . . . . . . . . . . . . C#3
AString Harmonics. . . . . . . . F2 FXs. . . . . . . . . . . . . . . . . . . . . . D3
EString Sustain. . . . . . . . . . . F#2
EString Thumb . . . . . . . . . . . G2
EString Flam . . . . . . . . . . . . . G#2

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

115
UI - Solo Instrument - Salamuri

Note: Some presets have


been custom tuned to provide
optimum dynamics depending
on play style. If you’ll be using
a modwheel choose the Wheel
version, otherwise choose Vel.

1 Keyswitch Menu

Expression 3

4 Equalizer
Performance 2

5 Reverb

1 Keyswitch Menu 3 Expression 4 Equalizer


Change the active layer » [Mode] Velocity » Power
Note velocity determines note volume » ƒ [Mid Frequency]
2 Performance » [Mode] Wheel Sweepable mid-band frequency
» [Mode] Polyphonic Use your MIDI controllers Mod Wheel to 120Hz — 1600Hz — 6kHz
Allow the voicing of multiple notes determine note volume » Bass / Mid / Treble
simultaneously » Volume Curve Adjust band gain/attenuation (+/-20dB)
» [Mode] Legato Modify the Velocity/Wheel volume curve
Only one note can be voiced at a time, » Vibrato Power 5 Convolution Reverb
previous notes are cut off as new notes » Vibrato Amount » Power
are struck Adjust the vibrato depth » Impulse Response Menu [IR]
» Legato Fade » Vibrato Speed Select the reverb room shape
Adjust the fade time between samples to Adjust the vibrato rate » Size
simulate legato » Vibrato Delay Adjust the room size
» [Mode] Portamento Adjust the time to reach vibrato depth » Dry
Only one note can be voiced at a time, from note press Adjust the amount of Dry signal
previous notes are cut off as new notes » Tremolo Power » Wet
are struck, new notes bend into pitch » Tremolo Amount Adjust the amount of Wet signal
from the direction of last note struck Adjust the tremolo depth
» Portamento Glide » Tremolo Speed
Adjust the duration of pitch bend Adjust the tremolo rate
» On Pedal (Legato and Portamento only) » Tremolo Delay
Use a Sustain pedal to switch between Adjust the time to reach tremolo depth
legato and portamento modes from note press

116
Layers & Keyswitches

Salamuri Vel
Sustain. . . . . . . . . . . . . . . . . . . C3
Sustain no vib. . . . . . . . . . . . C#3
Staccato. . . . . . . . . . . . . . . . . D3
Major Trills. . . . . . . . . . . . . . . D#3
Minor Trills. . . . . . . . . . . . . . . E3

Salamuri Wheel
Sustain. . . . . . . . . . . . . . . . . . . C3
Sustain no vib. . . . . . . . . . . . C#3
Staccato. . . . . . . . . . . . . . . . . D3
Major Trills. . . . . . . . . . . . . . . D#3
Minor Trills. . . . . . . . . . . . . . . E3

Salamuri True Legato


N/A

Salamuri Vibrato True Legato


N/A

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

117
UI - Solo Instrument - Ukrainian Bandura

Envelope 4 1 Keyswitch Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Keyswitch Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Sound note volume is reached Select the reverb room shape
» Tremolo Power » D [Decay] » Size
Activates the tremolo play After the Attack time has passed, the time Adjust the room size
» Rate it takes to reach the Sustain level » Dry
Adjust the tremolo speed » S [Sustain] Adjust the amount of Dry signal
» Timing The note level while sustained » Wet
Adjust the tremolo groove » R [Release] Adjust the amount of Wet signal
» Velocity After a note is released, the time it takes
Adjust the velocity randomness of to fade to 0
tremolo
» Timbre 5 Equalizer
Adjust the timbre/pitch » Power
» ƒ [Mid Frequency]
3 Expression Sweepable mid-band frequency
» Velocity Curve 120Hz — 1600Hz — 6kHz
Adjust the velocity curve between hard, » Bass / Mid / Treble
soft, and linear response Adjust band gain/attenuation (+/-20dB)

118
Layers & Keyswitches

Ukrainian Bandura
Sustain. . . . . . . . . . . . . . . . . . . C0
FX 1 . . . . . . . . . . . . . . . . . . . . . C#0
FX 2. . . . . . . . . . . . . . . . . . . . . D0
FX 3 . . . . . . . . . . . . . . . . . . . . . D#0

Ukrainian Dark Trem


Sustain. . . . . . . . . . . . . . . . . . . C0
FX 1 . . . . . . . . . . . . . . . . . . . . . C#0
FX 2. . . . . . . . . . . . . . . . . . . . . D0
FX 3 . . . . . . . . . . . . . . . . . . . . . D#0

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

119
UI - Solo Instrument - Weltmeister Accordion

Register 2

Sound 1

3 Reverb

1 Controls 2 Register
» Release Select between 4 accordion sounds
Adjust the volume of release sample
» Velocity 3 Convolution Reverb
Adjust the velocity sensitivity » Power
» Timbre » Impulse Response Menu [IR]
Adjust the timbre/pitch Select the reverb room shape
Envelope » Size
» A [Attack] Adjust the room size
After triggering a note, the time until full » Dry
note volume is reached Adjust the amount of Dry signal
» D [Decay] » Wet
After the Attack time has passed, the time Adjust the amount of Wet signal
it takes to reach the Sustain level
» S [Sustain]
The note level while sustained
» R [Release]
After a note is released, the time it takes
to fade to 0

120
Layers & Keyswitches

Weltmeister Accordion
N/A

Weltmeister Pad
N/A

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

121
122
UI - Solo Instrument - Dhol

Envelope 3

Expression 2

4 Equalizer
Sound 1

5 Reverb

1 Sound 3 Envelope 5 Convolution Reverb


» Front » A [Attack] » Power
Activates the front mic layer, adjust level After triggering a note, the time until full » Impulse Response Menu [IR]
» Side note volume is reached Select the reverb room shape
Activates the side mic layer, adjust level » D [Decay] » Size
» Rear After the Attack time has passed, the time Adjust the room size
Activates the rear mic layer, adjust level it takes to reach the Sustain level » Dry
» Pitch » S [Sustain] Adjust the amount of Dry signal
Adjust the timbre/pitch The note level while sustained » Wet
» R [Release] Adjust the amount of Wet signal
2 Expression After a note is released, the time it takes
» Velocity Curve to fade to 0
Adjust the velocity curve between hard,
soft, and linear response 4 Equalizer
» Power
» ƒ [Mid Frequency]
Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
» Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

123
Layers & Keyswitches

Dhol Basic
N/A

Dhol Large
N/A

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

124
UI - Solo Instrument Dilruba

Note: Some presets have


been custom tuned to provide
optimum dynamics depending
on play style. If you’ll be using
a modwheel choose the Wheel
version, otherwise choose Vel.

1 Keyswitch Menu

Expression 3

4 Equalizer
Performance 2

5 Reverb

1 Keyswitch Menu 3 Expression 4 Equalizer


Change the active layer » [Mode] Velocity » Power
Note velocity determines note volume » ƒ [Mid Frequency]
2 Performance » [Mode] Wheel Sweepable mid-band frequency
» [Mode] Polyphonic Use your MIDI controllers Mod Wheel to 120Hz — 1600Hz — 6kHz
Allow the voicing of multiple notes determine note volume » Bass / Mid / Treble
simultaneously » Volume Curve Adjust band gain/attenuation (+/-20dB)
» [Mode] Legato Modify the Velocity/Wheel volume curve
Only one note can be voiced at a time, » Vibrato Power 5 Convolution Reverb
previous notes are cut off as new notes » Vibrato Amount » Power
are struck Adjust the vibrato depth » Impulse Response Menu [IR]
» Legato Fade » Vibrato Speed Select the reverb room shape
Adjust the fade time between samples to Adjust the vibrato rate » Size
simulate legato » Vibrato Delay Adjust the room size
» [Mode] Portamento Adjust the time to reach vibrato depth » Dry
Only one note can be voiced at a time, from note press Adjust the amount of Dry signal
previous notes are cut off as new notes » Tremolo Power » Wet
are struck, new notes bend into pitch » Tremolo Amount Adjust the amount of Wet signal
from the direction of last note struck Adjust the tremolo depth
» Portamento Glide » Tremolo Speed
Adjust the duration of pitch bend Adjust the tremolo rate
» On Pedal (Legato and Portamento only) » Tremolo Delay
Use a Sustain pedal to switch between Adjust the time to reach tremolo depth
legato and portamento modes from note press

125
Layers & Keyswitches

Dilruba Vel
Sustain. . . . . . . . . . . . . . . . . . . C2
Vibrato. . . . . . . . . . . . . . . . . . . C#2

Dilruba Wheel
Sustain. . . . . . . . . . . . . . . . . . . C2
Vibrato. . . . . . . . . . . . . . . . . . . C#2

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

126
UI - Solo Instrument - Harmonium

Register 2

Performance 1

3 Reverb

1 Controls 2 Register
» Release Select between 6 harmonium sounds
Adjust the volume of release sample
» Velocity 3 Convolution Reverb
Adjust the velocity sensitivity » Power
» Timbre » Impulse Response Menu [IR]
Adjust the timbre/pitch Select the reverb room shape
Envelope » Size
» A [Attack] Adjust the room size
After triggering a note, the time until full » Dry
note volume is reached Adjust the amount of Dry signal
» D [Decay] » Wet
After the Attack time has passed, the time Adjust the amount of Wet signal
it takes to reach the Sustain level
» S [Sustain]
The note level while sustained
» R [Release]
After a note is released, the time it takes
to fade to 0

127
Layers & Keyswitches

Harmonium
N/A

Harmorganium
N/A

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

128
UI - Solo Instrument - Indian Flutes

Note: Some presets have


been custom tuned to provide
optimum dynamics depending
on play style. If you’ll be using
a modwheel choose the Wheel
version, otherwise choose Vel.

1 Keyswitch Menu

Expression 3

4 Equalizer
Performance 2

5 Reverb

1 Keyswitch Menu 3 Expression 4 Equalizer


Change the active layer » [Mode] Velocity » Power
Note velocity determines note volume » ƒ [Mid Frequency]
2 Performance » [Mode] Wheel Sweepable mid-band frequency
» [Mode] Polyphonic Use your MIDI controllers Mod Wheel to 120Hz — 1600Hz — 6kHz
Allow the voicing of multiple notes determine note volume » Bass / Mid / Treble
simultaneously » Volume Curve Adjust band gain/attenuation (+/-20dB)
» [Mode] Legato Modify the Velocity/Wheel volume curve
Only one note can be voiced at a time, » Vibrato Power 5 Convolution Reverb
previous notes are cut off as new notes » Vibrato Amount » Power
are struck Adjust the vibrato depth » Impulse Response Menu [IR]
» Legato Fade » Vibrato Speed Select the reverb room shape
Adjust the fade time between samples to Adjust the vibrato rate » Size
simulate legato » Vibrato Delay Adjust the room size
» [Mode] Portamento Adjust the time to reach vibrato depth » Dry
Only one note can be voiced at a time, from note press Adjust the amount of Dry signal
previous notes are cut off as new notes » Tremolo Power » Wet
are struck, new notes bend into pitch » Tremolo Amount Adjust the amount of Wet signal
from the direction of last note struck Adjust the tremolo depth
» Portamento Glide » Tremolo Speed
Adjust the duration of pitch bend Adjust the tremolo rate
» On Pedal (Legato and Portamento only) » Tremolo Delay
Use a Sustain pedal to switch between Adjust the time to reach tremolo depth
legato and portamento modes from note press

129
UI - Solo Instrument - Indian Flutes (alt)

Expression 2

3 Equalizer
Sound 1

4 Reverb

1 Sound 3 Equalizer
» Timbre » Power
Adjust the timbre/pitch » ƒ [Mid Frequency]
Sweepable mid-band frequency
2 Expression 120Hz — 1600Hz — 6kHz
» Volume Curve » Bass / Mid / Treble
Modify the Velocity/Wheel volume curve Adjust band gain/attenuation (+/-20dB)
» Vibrato Power
» Vibrato Amount 4 Convolution Reverb
Adjust the vibrato depth » Power
» Vibrato Speed » Impulse Response Menu [IR]
Adjust the vibrato rate Select the reverb room shape
» Vibrato Delay » Size
Adjust the time to reach vibrato depth Adjust the room size
from note press » Dry
» Tremolo Power Adjust the amount of Dry signal
» Tremolo Amount » Wet
Adjust the tremolo depth Adjust the amount of Wet signal
» Tremolo Speed
Adjust the tremolo rate
» Tremolo Delay
Adjust the time to reach tremolo depth
from note press

130
Layers & Keyswitches

Indian Flute True Legato


N/A

Indian Flutes Vel


Flute Indouh Blow . . . . . . . . C2
Flute Indouh Sustain. . . . . . C#2
Indian Flute Blow. . . . . . . . . D2
Indian Flute Sustain. . . . . . . D#2
Indian Flute Vibrato. . . . . . . E2
Pondichery Flute Blow. . . . F2
Pondichery Flute Sustain. . F#2

Indian Flutes Wheel


Flute Indouh Blow . . . . . . . . C2
Flute Indouh Sustain. . . . . . C#2
Indian Flute Blow. . . . . . . . . D2
Indian Flute Sustain. . . . . . . D#2
Indian Flute Vibrato. . . . . . . E2
Pondichery Flute Blow. . . . F2
Pondichery Flute Sustain. . F#2

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

131
UI - Solo Instrument - Indian Percussions

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Doubling 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Doubling note volume is reached Select the reverb room shape
Add a secondary hit with variable volume, » D [Decay] » Size
pitch and filtering for more impact After the Attack time has passed, the time Adjust the room size
» Solo it takes to reach the Sustain level » Dry
Activate to use only the secondary voice » S [Sustain] Adjust the amount of Dry signal
» Power The note level while sustained » Wet
Activates a secondary voice (doubling) » R [Release] Adjust the amount of Wet signal
» Level After a note is released, the time it takes
Set the volume for the second voice to fade to 0
» Pitch
Set the pitch of the second voice 5 Equalizer
(+/-12 semi) » Power
» ƒ (LP/HP Filter) » ƒ [Mid Frequency]
Unified low-pass/high-pass filter Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
3 Expression » Bass / Mid / Treble
» Velocity Curve Adjust band gain/attenuation (+/-20dB)
Adjust the velocity curve between hard,
soft, and linear response

132
Layers & Keyswitches

Indian Percussions
Angklungs . . . . . . . . . . . . . . . C0 Yeddakai. . . . . . . . . . . . . . . . . C#1
Baya. . . . . . . . . . . . . . . . . . . . . C#0 Urumi. . . . . . . . . . . . . . . . . . . . D1
Ghatam. . . . . . . . . . . . . . . . . . D0 Udukkai. . . . . . . . . . . . . . . . . . D#1
Idakka . . . . . . . . . . . . . . . . . . . D#0 Salangai. . . . . . . . . . . . . . . . . . E1
Indian Jaw. . . . . . . . . . . . . . . E0 Pumbai . . . . . . . . . . . . . . . . . . F1
Mridangam. . . . . . . . . . . . . . . F0 Parai Top. . . . . . . . . . . . . . . . . F#1
Thavil. . . . . . . . . . . . . . . . . . . . F#0 Parai Bass. . . . . . . . . . . . . . . . G1
Dholak Bass. . . . . . . . . . . . . . G0 Pakavaj. . . . . . . . . . . . . . . . . . G#1
Bass Udukkai. . . . . . . . . . . . . G#0 Nagra. . . . . . . . . . . . . . . . . . . . A1
Chanda . . . . . . . . . . . . . . . . . . A0 Khanjeera. . . . . . . . . . . . . . . . A#1
Dholak. . . . . . . . . . . . . . . . . . . A#0
Dholki. . . . . . . . . . . . . . . . . . . . B0
Ela Thalam. . . . . . . . . . . . . . . C1

Indian Percussive
Angklungs . . . . . . . . . . . . . . . C0 Yeddakai. . . . . . . . . . . . . . . . . C#1
Baya. . . . . . . . . . . . . . . . . . . . . C#0 Urumi. . . . . . . . . . . . . . . . . . . . D1
Ghatam. . . . . . . . . . . . . . . . . . D0 Udukkai. . . . . . . . . . . . . . . . . . D#1
Idakka . . . . . . . . . . . . . . . . . . . D#0 Salangai. . . . . . . . . . . . . . . . . . E1
Indian Jaw. . . . . . . . . . . . . . . E0 Pumbai . . . . . . . . . . . . . . . . . . F1
Mridangam. . . . . . . . . . . . . . . F0 Parai Top. . . . . . . . . . . . . . . . . F#1
Thavil. . . . . . . . . . . . . . . . . . . . F#0 Parai Bass. . . . . . . . . . . . . . . . G1
Dholak Bass. . . . . . . . . . . . . . G0 Pakavaj. . . . . . . . . . . . . . . . . . G#1
Bass Udukkai. . . . . . . . . . . . . G#0 Nagra. . . . . . . . . . . . . . . . . . . . A1
Chanda . . . . . . . . . . . . . . . . . . A0 Khanjeera. . . . . . . . . . . . . . . . A#1
Dholak. . . . . . . . . . . . . . . . . . . A#0
Dholki. . . . . . . . . . . . . . . . . . . . B0
Ela Thalam. . . . . . . . . . . . . . . C1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

133
UI - Solo Instrument - Indian Swarmandal

Envelope 4 1 Keyswitch Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Keyswitch Menu 4 Envelope 5 Equalizer


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » ƒ [Mid Frequency]
2 Sound note volume is reached Sweepable mid-band frequency
» Timbre » D [Decay] 120Hz — 1600Hz — 6kHz
Adjust the timbre/pitch After the Attack time has passed, the time » Bass / Mid / Treble
it takes to reach the Sustain level Adjust band gain/attenuation (+/-20dB)
3 Expression » S [Sustain]
» Velocity Curve The note level while sustained 6 Convolution Reverb
Adjust the velocity curve between hard, » R [Release] » Power
soft, and linear response After a note is released, the time it takes » Impulse Response Menu [IR]
to fade to 0 Select the reverb room shape
» Size
Adjust the room size
» Dry
Adjust the amount of Dry signal
» Wet
Adjust the amount of Wet signal

134
Layers & Keyswitches

Indian Swarmandal
Sustain. . . . . . . . . . . . . . . . . . . C0 Purvi. . . . . . . . . . . . . . . . . . . . . A0
Asavari. . . . . . . . . . . . . . . . . . . C#0 Todi . . . . . . . . . . . . . . . . . . . . . A#0
Bhairav . . . . . . . . . . . . . . . . . . D0
Bhairavi. . . . . . . . . . . . . . . . . . D#0
Bilaval . . . . . . . . . . . . . . . . . . . E0
Kafi. . . . . . . . . . . . . . . . . . . . . . F0
Kalyan. . . . . . . . . . . . . . . . . . . F#0
Khamaj . . . . . . . . . . . . . . . . . . G0
Marwa. . . . . . . . . . . . . . . . . . . G#0

Swarmandalear
Sustain. . . . . . . . . . . . . . . . . . . C0 Purvi. . . . . . . . . . . . . . . . . . . . . A0
Asavari. . . . . . . . . . . . . . . . . . . C#0 Todi . . . . . . . . . . . . . . . . . . . . . A#0
Bhairav . . . . . . . . . . . . . . . . . . D0
Bhairavi. . . . . . . . . . . . . . . . . . D#0
Bilaval . . . . . . . . . . . . . . . . . . . E0
Kafi. . . . . . . . . . . . . . . . . . . . . . F0
Kalyan. . . . . . . . . . . . . . . . . . . F#0
Khamaj . . . . . . . . . . . . . . . . . . G0
Marwa. . . . . . . . . . . . . . . . . . . G#0

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

135
UI - Solo Instrument - Indian Violins

Note: Some presets have


been custom tuned to provide
optimum dynamics depending
on play style. If you’ll be using
a modwheel choose the Wheel
version, otherwise choose Vel.

1 Keyswitch Menu

Expression 3

4 Equalizer
Performance 2

5 Reverb

1 Keyswitch Menu 3 Expression 4 Equalizer


Change the active layer » [Mode] Velocity » Power
Note velocity determines note volume » ƒ [Mid Frequency]
2 Performance » [Mode] Wheel Sweepable mid-band frequency
» [Mode] Polyphonic Use your MIDI controllers Mod Wheel to 120Hz — 1600Hz — 6kHz
Allow the voicing of multiple notes determine note volume » Bass / Mid / Treble
simultaneously » Volume Curve Adjust band gain/attenuation (+/-20dB)
» [Mode] Legato Modify the Velocity/Wheel volume curve
Only one note can be voiced at a time, » Vibrato Power 5 Convolution Reverb
previous notes are cut off as new notes » Vibrato Amount » Power
are struck Adjust the vibrato depth » Impulse Response Menu [IR]
» Legato Fade » Vibrato Speed Select the reverb room shape
Adjust the fade time between samples to Adjust the vibrato rate » Size
simulate legato » Vibrato Delay Adjust the room size
» [Mode] Portamento Adjust the time to reach vibrato depth » Dry
Only one note can be voiced at a time, from note press Adjust the amount of Dry signal
previous notes are cut off as new notes » Tremolo Power » Wet
are struck, new notes bend into pitch » Tremolo Amount Adjust the amount of Wet signal
from the direction of last note struck Adjust the tremolo depth
» Portamento Glide » Tremolo Speed
Adjust the duration of pitch bend Adjust the tremolo rate
» On Pedal (Legato and Portamento only) » Tremolo Delay
Use a Sustain pedal to switch between Adjust the time to reach tremolo depth
legato and portamento modes from note press

136
UI - Solo Instrument - Indian Violins (alt)

Expression 2

3 Equalizer
Sound 1

4 Reverb

1 Sound 3 Equalizer
» Timbre » Power
Adjust the timbre/pitch » ƒ [Mid Frequency]
Sweepable mid-band frequency
2 Expression 120Hz — 1600Hz — 6kHz
» Volume Curve » Bass / Mid / Treble
Modify the Velocity/Wheel volume curve Adjust band gain/attenuation (+/-20dB)
» Vibrato Power
» Vibrato Amount 4 Convolution Reverb
Adjust the vibrato depth » Power
» Vibrato Speed » Impulse Response Menu [IR]
Adjust the vibrato rate Select the reverb room shape
» Vibrato Delay » Size
Adjust the time to reach vibrato depth Adjust the room size
from note press » Dry
» Tremolo Power Adjust the amount of Dry signal
» Tremolo Amount » Wet
Adjust the tremolo depth Adjust the amount of Wet signal
» Tremolo Speed
Adjust the tremolo rate
» Tremolo Delay
Adjust the time to reach tremolo depth
from note press

137
Layers & Keyswitches

Indian Violin True Legato


N/A

Indian Violins Vel


Pizzicato. . . . . . . . . . . . . . . . . C2
Sustain. . . . . . . . . . . . . . . . . . . C#2
Vibrato. . . . . . . . . . . . . . . . . . . D2

Indian Violins Wheel


Pizzicato. . . . . . . . . . . . . . . . . C2
Sustain. . . . . . . . . . . . . . . . . . . C#2
Vibrato. . . . . . . . . . . . . . . . . . . D2

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

138
UI - Solo Instrument - Jaladarangam

Envelope 4 1 Keyswitch Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Keyswitch Menu 4 Envelope 5 Equalizer


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » ƒ [Mid Frequency]
2 Sound note volume is reached Sweepable mid-band frequency
» Timbre » D [Decay] 120Hz — 1600Hz — 6kHz
Adjust the timbre/pitch After the Attack time has passed, the time » Bass / Mid / Treble
it takes to reach the Sustain level Adjust band gain/attenuation (+/-20dB)
3 Expression » S [Sustain]
» Velocity Curve The note level while sustained 6 Convolution Reverb
Adjust the velocity curve between hard, » R [Release] » Power
soft, and linear response After a note is released, the time it takes » Impulse Response Menu [IR]
to fade to 0 Select the reverb room shape
» Size
Adjust the room size
» Dry
Adjust the amount of Dry signal
» Wet
Adjust the amount of Wet signal

139
Layers & Keyswitches

Jaladarangam
Sustain. . . . . . . . . . . . . . . . . . . C2
Mute. . . . . . . . . . . . . . . . . . . . . C#2

Mbolarangam
Sustain. . . . . . . . . . . . . . . . . . . C2
Mute. . . . . . . . . . . . . . . . . . . . . C#2

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

140
UI - Solo Instrument - Morsing

Envelope 3

Expression 2

4 Equalizer
Performance 1

5 Reverb

1 Sound 4 Equalizer
» Timbre » Power
Adjust the timbre/pitch » ƒ [Mid Frequency]
Sweepable mid-band frequency
2 Expression 120Hz — 1600Hz — 6kHz
» Velocity Curve » Bass / Mid / Treble
Adjust the velocity curve between hard, Adjust band gain/attenuation (+/-20dB)
soft, and linear response
5 Convolution Reverb
3 Envelope » Power
» A [Attack] » Impulse Response Menu [IR]
After triggering a note, the time until full Select the reverb room shape
note volume is reached » Size
» D [Decay] Adjust the room size
After the Attack time has passed, the time » Dry
it takes to reach the Sustain level Adjust the amount of Dry signal
» S [Sustain] » Wet
The note level while sustained Adjust the amount of Wet signal
» R [Release]
After a note is released, the time it takes
to fade to 0

141
Layers & Keyswitches

Morsing
N/A

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

142
UI - Solo Instrument - Nadhaswaram

Note: Some presets have


been custom tuned to provide
optimum dynamics depending
on play style. If you’ll be using
a modwheel choose the Wheel
version, otherwise choose Vel.

1 Keyswitch Menu

Expression 3

4 Equalizer
Performance 2

5 Reverb

1 Keyswitch Menu 3 Expression 4 Equalizer


Change the active layer » [Mode] Velocity » Power
Note velocity determines note volume » ƒ [Mid Frequency]
2 Performance » [Mode] Wheel Sweepable mid-band frequency
» [Mode] Polyphonic Use your MIDI controllers Mod Wheel to 120Hz — 1600Hz — 6kHz
Allow the voicing of multiple notes determine note volume » Bass / Mid / Treble
simultaneously » Volume Curve Adjust band gain/attenuation (+/-20dB)
» [Mode] Legato Modify the Velocity/Wheel volume curve
Only one note can be voiced at a time, » Vibrato Power 5 Convolution Reverb
previous notes are cut off as new notes » Vibrato Amount » Power
are struck Adjust the vibrato depth » Impulse Response Menu [IR]
» Legato Fade » Vibrato Speed Select the reverb room shape
Adjust the fade time between samples to Adjust the vibrato rate » Size
simulate legato » Vibrato Delay Adjust the room size
» [Mode] Portamento Adjust the time to reach vibrato depth » Dry
Only one note can be voiced at a time, from note press Adjust the amount of Dry signal
previous notes are cut off as new notes » Tremolo Power » Wet
are struck, new notes bend into pitch » Tremolo Amount Adjust the amount of Wet signal
from the direction of last note struck Adjust the tremolo depth
» Portamento Glide » Tremolo Speed
Adjust the duration of pitch bend Adjust the tremolo rate
» On Pedal (Legato and Portamento only) » Tremolo Delay
Use a Sustain pedal to switch between Adjust the time to reach tremolo depth
legato and portamento modes from note press

143
UI - Solo Instrument - Nadhaswaram (alt)

Expression 2

3 Equalizer
Performance 1

4 Reverb

1 Sound 3 Equalizer
» Timbre » Power
Adjust the timbre/pitch » ƒ [Mid Frequency]
Sweepable mid-band frequency
2 Expression 120Hz — 1600Hz — 6kHz
» Volume Curve » Bass / Mid / Treble
Modify the Velocity/Wheel volume curve Adjust band gain/attenuation (+/-20dB)
» Vibrato Power
» Vibrato Amount 4 Convolution Reverb
Adjust the vibrato depth » Power
» Vibrato Speed » Impulse Response Menu [IR]
Adjust the vibrato rate Select the reverb room shape
» Vibrato Delay » Size
Adjust the time to reach vibrato depth Adjust the room size
from note press » Dry
» Tremolo Power Adjust the amount of Dry signal
» Tremolo Amount » Wet
Adjust the tremolo depth Adjust the amount of Wet signal
» Tremolo Speed
Adjust the tremolo rate
» Tremolo Delay
Adjust the time to reach tremolo depth
from note press

144
Layers & Keyswitches

Nadhaswaram True Legato


N/A

Nadhaswaram Vel
Sustain. . . . . . . . . . . . . . . . . . . C2
Vibrato. . . . . . . . . . . . . . . . . . . C#2
Mute. . . . . . . . . . . . . . . . . . . . . D2

Nadhaswaram Wheel
Sustain. . . . . . . . . . . . . . . . . . . C2
Vibrato. . . . . . . . . . . . . . . . . . . C#2
Mute. . . . . . . . . . . . . . . . . . . . . D2

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

145
UI - Solo Instrument - Pungi

Note: Some presets have


been custom tuned to provide
optimum dynamics depending
on play style. If you’ll be using
a modwheel choose the Wheel
version, otherwise choose Vel.

1 Keyswitch Menu

Expression 3

4 Equalizer
Performance 2

5 Reverb

1 Keyswitch Menu 3 Expression 4 Equalizer


Change the active layer » [Mode] Velocity » Power
Note velocity determines note volume » ƒ [Mid Frequency]
2 Performance » [Mode] Wheel Sweepable mid-band frequency
» [Mode] Polyphonic Use your MIDI controllers Mod Wheel to 120Hz — 1600Hz — 6kHz
Allow the voicing of multiple notes determine note volume » Bass / Mid / Treble
simultaneously » Volume Curve Adjust band gain/attenuation (+/-20dB)
» [Mode] Legato Modify the Velocity/Wheel volume curve
Only one note can be voiced at a time, » Vibrato Power 5 Convolution Reverb
previous notes are cut off as new notes » Vibrato Amount » Power
are struck Adjust the vibrato depth » Impulse Response Menu [IR]
» Legato Fade » Vibrato Speed Select the reverb room shape
Adjust the fade time between samples to Adjust the vibrato rate » Size
simulate legato » Vibrato Delay Adjust the room size
» [Mode] Portamento Adjust the time to reach vibrato depth » Dry
Only one note can be voiced at a time, from note press Adjust the amount of Dry signal
previous notes are cut off as new notes » Tremolo Power » Wet
are struck, new notes bend into pitch » Tremolo Amount Adjust the amount of Wet signal
from the direction of last note struck Adjust the tremolo depth
» Portamento Glide » Tremolo Speed
Adjust the duration of pitch bend Adjust the tremolo rate
» On Pedal (Legato and Portamento only) » Tremolo Delay
Use a Sustain pedal to switch between Adjust the time to reach tremolo depth
legato and portamento modes from note press

146
Layers & Keyswitches

Pungi Vel
Sustain. . . . . . . . . . . . . . . . . . . C1
Vbrato. . . . . . . . . . . . . . . . . . . C#1
Mute. . . . . . . . . . . . . . . . . . . . . D1
FX. . . . . . . . . . . . . . . . . . . . . . . D#1

Pungi Wheel
Sustain. . . . . . . . . . . . . . . . . . . C1
Vbrato. . . . . . . . . . . . . . . . . . . C#1
Mute. . . . . . . . . . . . . . . . . . . . . D1
FX. . . . . . . . . . . . . . . . . . . . . . . D#1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

147
UI - Solo Instrument - Santoor

Envelope 4 1 Keyswitch Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Keyswitch Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Sound note volume is reached Select the reverb room shape
» Tremolo On/Off » D [Decay] » Size
Activates the tremolo play After the Attack time has passed, the time Adjust the room size
» Rate it takes to reach the Sustain level » Dry
Adjust the tremolo speed » S [Sustain] Adjust the amount of Dry signal
» Timing The note level while sustained » Wet
Adjust the tremolo groove » R [Release] Adjust the amount of Wet signal
» Velocity After a note is released, the time it takes
Adjust the velocity randomness of to fade to 0
tremolo
» Timbre 5 Equalizer
Adjust the timbre/pitch » Power
» ƒ [Mid Frequency]
3 Expression Sweepable mid-band frequency
» Velocity Curve 120Hz — 1600Hz — 6kHz
Adjust the velocity curve between hard, » Bass / Mid / Treble
soft, and linear response Adjust band gain/attenuation (+/-20dB)

148
Layers & Keyswitches

Santoor
Antic Sustain. . . . . . . . . . . . . C1
Antic Vibrato. . . . . . . . . . . . . C#1
Modern Sustain. . . . . . . . . . . D1
Modern Knocks. . . . . . . . . . . D#1
Modern FX. . . . . . . . . . . . . . . E1
Modern Clusters. . . . . . . . . . F1

Santremoolo
Antic Sustain. . . . . . . . . . . . . C1
Antic Vibrato. . . . . . . . . . . . . C#1
Modern Sustain. . . . . . . . . . . D1
Modern Knocks. . . . . . . . . . . D#1
Modern FX. . . . . . . . . . . . . . . E1
Modern Clusters. . . . . . . . . . F1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

149
UI - Solo Instrument - Sarod

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Sound note volume is reached Select the reverb room shape
» Fret Noise » D [Decay] » Size
Activates a discrete layer that emphasizes After the Attack time has passed, the time Adjust the room size
the fret noise, adjust level it takes to reach the Sustain level » Dry
» Release » S [Sustain] Adjust the amount of Dry signal
Activates a discrete layer that emphasizes The note level while sustained » Wet
the release phase, adjust level » R [Release] Adjust the amount of Wet signal
» Timbre After a note is released, the time it takes
Adjust the timbre/pitch to fade to 0

3 Expression 5 Equalizer
Use your MIDI controllers modwheel to » Power
interactively control the tremolo effect » ƒ [Mid Frequency]
» Tremolo Depth Sweepable mid-band frequency
Adjust the tremolo depth 120Hz — 1600Hz — 6kHz
» Tremolo Rate » Bass / Mid / Treble
Adjust the tremolo rate Adjust band gain/attenuation (+/-20dB)
» Velocity Curve
Adjust the velocity curve between hard,
soft, and linear response

150
UI - Solo Instrument - Sarod (alt)

Expression 2

3 Equalizer
Sound 1

4 Reverb

1 Sound 3 Equalizer
» Timbre » Power
Adjust the timbre/pitch » ƒ [Mid Frequency]
Sweepable mid-band frequency
2 Expression 120Hz — 1600Hz — 6kHz
» Volume Curve » Bass / Mid / Treble
Modify the Velocity/Wheel volume curve Adjust band gain/attenuation (+/-20dB)
» Vibrato Power
» Vibrato Amount 4 Convolution Reverb
Adjust the vibrato depth » Power
» Vibrato Speed » Impulse Response Menu [IR]
Adjust the vibrato rate Select the reverb room shape
» Vibrato Delay » Size
Adjust the time to reach vibrato depth Adjust the room size
from note press » Dry
» Tremolo Power Adjust the amount of Dry signal
» Tremolo Amount » Wet
Adjust the tremolo depth Adjust the amount of Wet signal
» Tremolo Speed
Adjust the tremolo rate
» Tremolo Delay
Adjust the time to reach tremolo depth
from note press

151
Layers & Keyswitches

Sarod True Legato


N/A

Sarod Poly
Sarod Sustain. . . . . . . . . . . . . C1
Sarod Vibrato . . . . . . . . . . . . C#1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

152
UI - Solo Instrument - Shahi Baaja

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Sound note volume is reached Select the reverb room shape
» Fret Noise » D [Decay] » Size
Activates a discrete layer that emphasizes After the Attack time has passed, the time Adjust the room size
the fret noise, adjust level it takes to reach the Sustain level » Dry
» Release » S [Sustain] Adjust the amount of Dry signal
Activates a discrete layer that emphasizes The note level while sustained » Wet
the release phase, adjust level » R [Release] Adjust the amount of Wet signal
» Timbre After a note is released, the time it takes
Adjust the timbre/pitch to fade to 0

3 Expression 5 Equalizer
Use your MIDI controllers modwheel to » Power
interactively control the tremolo effect » ƒ [Mid Frequency]
» Tremolo Depth Sweepable mid-band frequency
Adjust the tremolo depth 120Hz — 1600Hz — 6kHz
» Tremolo Rate » Bass / Mid / Treble
Adjust the tremolo rate Adjust band gain/attenuation (+/-20dB)
» Velocity Curve
Adjust the velocity curve between hard,
soft, and linear response

153
Layers & Keyswitches

Shahi Baaja Basic


Shahi Baaja Sustain. . . . . . . C1
Shahi Baaja Muted. . . . . . . . C#1
Shahi Baaja Chords . . . . . . . D1

Shahi Baaja Bourdon


Shahi Baaja Sustain. . . . . . . C1
Shahi Baaja Muted. . . . . . . . C#1
Shahi Baaja Chords . . . . . . . D1

Shahi Baaja Muted


Shahi Baaja Sustain. . . . . . . C1
Shahi Baaja Muted. . . . . . . . C#1
Shahi Baaja Chords . . . . . . . D1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

154
UI - Solo Instrument - Shenai

Note: Some presets have


been custom tuned to provide
optimum dynamics depending
on play style. If you’ll be using
a modwheel choose the Wheel
version, otherwise choose Vel.

1 Keyswitch Menu

Expression 3

4 Equalizer
Performance 2

5 Reverb

1 Keyswitch Menu 3 Expression 4 Equalizer


Change the active layer » [Mode] Velocity » Power
Note velocity determines note volume » ƒ [Mid Frequency]
2 Performance » [Mode] Wheel Sweepable mid-band frequency
» [Mode] Polyphonic Use your MIDI controllers Mod Wheel to 120Hz — 1600Hz — 6kHz
Allow the voicing of multiple notes determine note volume » Bass / Mid / Treble
simultaneously » Volume Curve Adjust band gain/attenuation (+/-20dB)
» [Mode] Legato Modify the Velocity/Wheel volume curve
Only one note can be voiced at a time, » Vibrato Power 5 Convolution Reverb
previous notes are cut off as new notes » Vibrato Amount » Power
are struck Adjust the vibrato depth » Impulse Response Menu [IR]
» Legato Fade » Vibrato Speed Select the reverb room shape
Adjust the fade time between samples to Adjust the vibrato rate » Size
simulate legato » Vibrato Delay Adjust the room size
» [Mode] Portamento Adjust the time to reach vibrato depth » Dry
Only one note can be voiced at a time, from note press Adjust the amount of Dry signal
previous notes are cut off as new notes » Tremolo Power » Wet
are struck, new notes bend into pitch » Tremolo Amount Adjust the amount of Wet signal
from the direction of last note struck Adjust the tremolo depth
» Portamento Glide » Tremolo Speed
Adjust the duration of pitch bend Adjust the tremolo rate
» On Pedal (Legato and Portamento only) » Tremolo Delay
Use a Sustain pedal to switch between Adjust the time to reach tremolo depth
legato and portamento modes from note press

155
Layers & Keyswitches

Shenai Vel
Sustain. . . . . . . . . . . . . . . . . . . C2
Vibrato. . . . . . . . . . . . . . . . . . . C#2
Staccato. . . . . . . . . . . . . . . . . D2

Shenai Wheel
Sustain. . . . . . . . . . . . . . . . . . . C2
Vibrato. . . . . . . . . . . . . . . . . . . C#2
Staccato. . . . . . . . . . . . . . . . . D2

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

156
UI - Solo Instrument - Sitar

Envelope 4 1 Keyswitch Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Keyswitch Menu 4 Envelope 5 Equalizer


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » ƒ [Mid Frequency]
2 Sound note volume is reached Sweepable mid-band frequency
» Timbre » D [Decay] 120Hz — 1600Hz — 6kHz
Adjust the timbre/pitch After the Attack time has passed, the time » Bass / Mid / Treble
it takes to reach the Sustain level Adjust band gain/attenuation (+/-20dB)
3 Expression » S [Sustain]
» Velocity Curve The note level while sustained 6 Convolution Reverb
Adjust the velocity curve between hard, » R [Release] » Power
soft, and linear response After a note is released, the time it takes » Impulse Response Menu [IR]
to fade to 0 Select the reverb room shape
» Size
Adjust the room size
» Dry
Adjust the amount of Dry signal
» Wet
Adjust the amount of Wet signal

157
Layers & Keyswitches

Sitar Classic
Sitar DA Sustain. . . . . . . . . . C1 Sitar Sympathic String. . . . A1
Sitar RA Sustain . . . . . . . . . . C#1 Sitar Bass 5Th String. . . . . . A#1
Sitar Slide. . . . . . . . . . . . . . . . D1 Sitar 2 FX . . . . . . . . . . . . . . . . B1
Sitar 2 Sustain. . . . . . . . . . . . D#1
Sitar 2 Vibrato. . . . . . . . . . . . E1
Sitar 2 Staccato. . . . . . . . . . . F1
VeeHoc Sitar. . . . . . . . . . . . . F#1
Sitar Rythm . . . . . . . . . . . . . . G1
Sitar Tonic Notes . . . . . . . . . G#1

Sitar Low
Sitar DA Sustain. . . . . . . . . . C1 Sitar Sympathic String. . . . A1
Sitar RA Sustain . . . . . . . . . . C#1 Sitar Bass 5Th String. . . . . . A#1
Sitar Slide. . . . . . . . . . . . . . . . D1 Sitar 2 FX . . . . . . . . . . . . . . . . B1
Sitar 2 Sustain. . . . . . . . . . . . D#1
Sitar 2 Vibrato. . . . . . . . . . . . E1
Sitar 2 Staccato. . . . . . . . . . . F1
VeeHoc Sitar. . . . . . . . . . . . . F#1
Sitar Rythm . . . . . . . . . . . . . . G1
Sitar Tonic Notes . . . . . . . . . G#1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

158
UI - Solo Instrument - Tabla

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Doubling 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Doubling note volume is reached Select the reverb room shape
Add a secondary hit with variable volume, » D [Decay] » Size
pitch and filtering for more impact After the Attack time has passed, the time Adjust the room size
» Solo it takes to reach the Sustain level » Dry
Activate to use only the secondary voice » S [Sustain] Adjust the amount of Dry signal
» Power The note level while sustained » Wet
Activates a secondary voice (doubling) » R [Release] Adjust the amount of Wet signal
» Level After a note is released, the time it takes
Set the volume for the second voice to fade to 0
» Pitch
Set the pitch of the second voice 5 Equalizer
(+/-12 semi) » Power
» ƒ (LP/HP Filter) » ƒ [Mid Frequency]
Unified low-pass/high-pass filter Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
3 Expression » Bass / Mid / Treble
» Velocity Curve Adjust band gain/attenuation (+/-20dB)
Adjust the velocity curve between hard,
soft, and linear response

159
Layers & Keyswitches

Tabla 1
Bass Tabla . . . . . . . . . . . . . . . C1
Special Tabla. . . . . . . . . . . . . C#1
Modern Tabla. . . . . . . . . . . . D1
Tuned Tabla. . . . . . . . . . . . . . D#1
Antic Tabla. . . . . . . . . . . . . . . E1

Tabla 2
Bass Tabla . . . . . . . . . . . . . . . C1
Special Tabla. . . . . . . . . . . . . C#1
Modern Tabla. . . . . . . . . . . . D1
Tuned Tabla. . . . . . . . . . . . . . D#1
Antic Tabla. . . . . . . . . . . . . . . E1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

160
UI - Solo Instrument - Tambura

Envelope 3

Expression 2

4 Equalizer
Performance 1

5 Reverb

1 Sound 4 Equalizer
» Timbre » Power
Adjust the timbre/pitch » ƒ [Mid Frequency]
Sweepable mid-band frequency
2 Expression 120Hz — 1600Hz — 6kHz
» Velocity Curve » Bass / Mid / Treble
Adjust the velocity curve between hard, Adjust band gain/attenuation (+/-20dB)
soft, and linear response
5 Convolution Reverb
3 Envelope » Power
» A [Attack] » Impulse Response Menu [IR]
After triggering a note, the time until full Select the reverb room shape
note volume is reached » Size
» D [Decay] Adjust the room size
After the Attack time has passed, the time » Dry
it takes to reach the Sustain level Adjust the amount of Dry signal
» S [Sustain] » Wet
The note level while sustained Adjust the amount of Wet signal
» R [Release]
After a note is released, the time it takes
to fade to 0

161
Layers & Keyswitches

Tambura 1
N/A

Tambura 2
N/A

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

162
UI - Solo Instrument - Veena

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Sound note volume is reached Select the reverb room shape
» Fret Noise » D [Decay] » Size
Activates a discrete layer that emphasizes After the Attack time has passed, the time Adjust the room size
the fret noise, adjust level it takes to reach the Sustain level » Dry
» Release » S [Sustain] Adjust the amount of Dry signal
Activates a discrete layer that emphasizes The note level while sustained » Wet
the release phase, adjust level » R [Release] Adjust the amount of Wet signal
» Timbre After a note is released, the time it takes
Adjust the timbre/pitch to fade to 0

3 Expression 5 Equalizer
Use your MIDI controllers modwheel to » Power
interactively control the tremolo effect » ƒ [Mid Frequency]
» Tremolo Depth Sweepable mid-band frequency
Adjust the tremolo depth 120Hz — 1600Hz — 6kHz
» Tremolo Rate » Bass / Mid / Treble
Adjust the tremolo rate Adjust band gain/attenuation (+/-20dB)
» Velocity Curve
Adjust the velocity curve between hard,
soft, and linear response

163
UI - Solo Instrument - Veena (alt)

Expression 2

3 Equalizer
Sound 1

4 Reverb

1 Sound 3 Equalizer
» Timbre » Power
Adjust the timbre/pitch » ƒ [Mid Frequency]
Sweepable mid-band frequency
2 Expression 120Hz — 1600Hz — 6kHz
» Volume Curve » Bass / Mid / Treble
Modify the Velocity/Wheel volume curve Adjust band gain/attenuation (+/-20dB)
» Vibrato Power
» Vibrato Amount 4 Convolution Reverb
Adjust the vibrato depth » Power
» Vibrato Speed » Impulse Response Menu [IR]
Adjust the vibrato rate Select the reverb room shape
» Vibrato Delay » Size
Adjust the time to reach vibrato depth Adjust the room size
from note press » Dry
» Tremolo Power Adjust the amount of Dry signal
» Tremolo Amount » Wet
Adjust the tremolo depth Adjust the amount of Wet signal
» Tremolo Speed
Adjust the tremolo rate
» Tremolo Delay
Adjust the time to reach tremolo depth
from note press

164
Layers & Keyswitches

Veena Mono True Legato


N/A

Veena Poly
Veena Sustain. . . . . . . . . . . . C1
Veena Vibrato. . . . . . . . . . . . C#1
Veena Staccato. . . . . . . . . . . D1
Veena FX . . . . . . . . . . . . . . . . D#1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

165
166
UI - Solo Instrument - Gamelan Bonang

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Doubling 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Doubling note volume is reached Select the reverb room shape
Add a secondary hit with variable volume, » D [Decay] » Size
pitch and filtering for more impact After the Attack time has passed, the time Adjust the room size
» Solo it takes to reach the Sustain level » Dry
Activate to use only the secondary voice » S [Sustain] Adjust the amount of Dry signal
» Power The note level while sustained » Wet
Activates a secondary voice (doubling) » R [Release] Adjust the amount of Wet signal
» Level After a note is released, the time it takes
Set the volume for the second voice to fade to 0
» Pitch
Set the pitch of the second voice 5 Equalizer
(+/-12 semi) » Power
» ƒ (LP/HP Filter) » ƒ [Mid Frequency]
Unified low-pass/high-pass filter Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
3 Expression » Bass / Mid / Treble
» Velocity Curve Adjust band gain/attenuation (+/-20dB)
Adjust the velocity curve between hard,
soft, and linear response

167
Layers & Keyswitches

Gamelan Bonang
Bonang Barung 1. . . . . . . . . C1
Bonang Barung 2. . . . . . . . . C#1
Bonang Barung Simple. . . . D1
Bonang Parenus 1 . . . . . . . . D#1
Bonang Parenus 2. . . . . . . . E1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

168
UI - Solo Instrument - Gamelan Drums

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Doubling 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Doubling note volume is reached Select the reverb room shape
Add a secondary hit with variable volume, » D [Decay] » Size
pitch and filtering for more impact After the Attack time has passed, the time Adjust the room size
» Solo it takes to reach the Sustain level » Dry
Activate to use only the secondary voice » S [Sustain] Adjust the amount of Dry signal
» Power The note level while sustained » Wet
Activates a secondary voice (doubling) » R [Release] Adjust the amount of Wet signal
» Level After a note is released, the time it takes
Set the volume for the second voice to fade to 0
» Pitch
Set the pitch of the second voice 5 Equalizer
(+/-12 semi) » Power
» ƒ (LP/HP Filter) » ƒ [Mid Frequency]
Unified low-pass/high-pass filter Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
3 Expression » Bass / Mid / Treble
» Velocity Curve Adjust band gain/attenuation (+/-20dB)
Adjust the velocity curve between hard,
soft, and linear response

169
Layers & Keyswitches

Gamelan Drums Classic


Kendhang Ageng Big . . . . . C1
Kendhang Ciblon Small. . . . C#1

Gamelan Drums Large


Kendhang Ageng Big . . . . . C1
Kendhang Ciblon Small. . . . C#1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

170
UI - Solo Instrument - Gamelan Gambang

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Doubling 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Doubling note volume is reached Select the reverb room shape
Add a secondary hit with variable volume, » D [Decay] » Size
pitch and filtering for more impact After the Attack time has passed, the time Adjust the room size
» Solo it takes to reach the Sustain level » Dry
Activate to use only the secondary voice » S [Sustain] Adjust the amount of Dry signal
» Power The note level while sustained » Wet
Activates a secondary voice (doubling) » R [Release] Adjust the amount of Wet signal
» Level After a note is released, the time it takes
Set the volume for the second voice to fade to 0
» Pitch
Set the pitch of the second voice 5 Equalizer
(+/-12 semi) » Power
» ƒ (LP/HP Filter) » ƒ [Mid Frequency]
Unified low-pass/high-pass filter Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
3 Expression » Bass / Mid / Treble
» Velocity Curve Adjust band gain/attenuation (+/-20dB)
Adjust the velocity curve between hard,
soft, and linear response

171
Layers & Keyswitches

Gamelan Gambang
Gambang . . . . . . . . . . . . . . . . C1
Gender. . . . . . . . . . . . . . . . . . . C#1
Saron. . . . . . . . . . . . . . . . . . . . D1

Gamelan Gender
Gambang . . . . . . . . . . . . . . . . C1
Gender. . . . . . . . . . . . . . . . . . . C#1
Saron. . . . . . . . . . . . . . . . . . . . D1

Gamelan Saron
Gambang . . . . . . . . . . . . . . . . C1
Gender. . . . . . . . . . . . . . . . . . . C#1
Saron. . . . . . . . . . . . . . . . . . . . D1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

172
UI - Solo Instrument - Gamelan Gong

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Doubling 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Doubling note volume is reached Select the reverb room shape
Add a secondary hit with variable volume, » D [Decay] » Size
pitch and filtering for more impact After the Attack time has passed, the time Adjust the room size
» Solo it takes to reach the Sustain level » Dry
Activate to use only the secondary voice » S [Sustain] Adjust the amount of Dry signal
» Power The note level while sustained » Wet
Activates a secondary voice (doubling) » R [Release] Adjust the amount of Wet signal
» Level After a note is released, the time it takes
Set the volume for the second voice to fade to 0
» Pitch
Set the pitch of the second voice 5 Equalizer
(+/-12 semi) » Power
» ƒ (LP/HP Filter) » ƒ [Mid Frequency]
Unified low-pass/high-pass filter Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
3 Expression » Bass / Mid / Treble
» Velocity Curve Adjust band gain/attenuation (+/-20dB)
Adjust the velocity curve between hard,
soft, and linear response

173
Layers & Keyswitches

Gamelan Gong
Gong. . . . . . . . . . . . . . . . . . . . . C1
Large Gong . . . . . . . . . . . . . . C#1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

174
UI - Solo Instrument - Gamelan Kenong

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Doubling 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Doubling note volume is reached Select the reverb room shape
Add a secondary hit with variable volume, » D [Decay] » Size
pitch and filtering for more impact After the Attack time has passed, the time Adjust the room size
» Solo it takes to reach the Sustain level » Dry
Activate to use only the secondary voice » S [Sustain] Adjust the amount of Dry signal
» Power The note level while sustained » Wet
Activates a secondary voice (doubling) » R [Release] Adjust the amount of Wet signal
» Level After a note is released, the time it takes
Set the volume for the second voice to fade to 0
» Pitch
Set the pitch of the second voice 5 Equalizer
(+/-12 semi) » Power
» ƒ (LP/HP Filter) » ƒ [Mid Frequency]
Unified low-pass/high-pass filter Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
3 Expression » Bass / Mid / Treble
» Velocity Curve Adjust band gain/attenuation (+/-20dB)
Adjust the velocity curve between hard,
soft, and linear response

175
Layers & Keyswitches

Gamelan Kenong
Kenong 1 Tuned. . . . . . . . . . C1
Kenong 2 Tuned. . . . . . . . . . C#1
Kenong 3. . . . . . . . . . . . . . . . . D1
Kenong 4 . . . . . . . . . . . . . . . . D#1
Kenong Small . . . . . . . . . . . . E1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

176
177
UI - Solo Instrument - Baglamas

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Sound note volume is reached Select the reverb room shape
» Fret Noise » D [Decay] » Size
Activates a discrete layer that emphasizes After the Attack time has passed, the time Adjust the room size
the fret noise, adjust level it takes to reach the Sustain level » Dry
» Release » S [Sustain] Adjust the amount of Dry signal
Activates a discrete layer that emphasizes The note level while sustained » Wet
the release phase, adjust level » R [Release] Adjust the amount of Wet signal
» Timbre After a note is released, the time it takes
Adjust the timbre/pitch to fade to 0

3 Expression 5 Equalizer
» Velocity Curve » Power
Adjust the velocity curve between hard, » ƒ [Mid Frequency]
soft, and linear response Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
» Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

178
Layers & Keyswitches

Baglamas
Baglamas 1 Sustain. . . . . . . C2
Baglamas 2 Pizzicato. . . . . . C#2
Baglamas 1 Tremolo. . . . . . D2
Baglamas 1 Chords. . . . . . . . D#2
Baglamas 2 Sustain. . . . . . . E2
Baglamas 2 Sus Hard . . . . . F2
Baglamas 2 Chords . . . . . . . F#2

Doggy Baglamas
Baglamas 1 Sustain. . . . . . . C2
Baglamas 2 Pizzicato. . . . . . C#2
Baglamas 1 Tremolo. . . . . . D2
Baglamas 1 Chords. . . . . . . . D#2
Baglamas 2 Sustain. . . . . . . E2
Baglamas 2 Sus Hard . . . . . F2
Baglamas 2 Chords . . . . . . . F#2

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

179
UI - Solo Instrument - Bouzouki

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Sound note volume is reached Select the reverb room shape
» Fret Noise » D [Decay] » Size
Activates a discrete layer that emphasizes After the Attack time has passed, the time Adjust the room size
the fret noise, adjust level it takes to reach the Sustain level » Dry
» Release » S [Sustain] Adjust the amount of Dry signal
Activates a discrete layer that emphasizes The note level while sustained » Wet
the release phase, adjust level » R [Release] Adjust the amount of Wet signal
» Timbre After a note is released, the time it takes
Adjust the timbre/pitch to fade to 0

3 Expression 5 Equalizer
» Velocity Curve » Power
Adjust the velocity curve between hard, » ƒ [Mid Frequency]
soft, and linear response Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
» Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

180
Layers & Keyswitches

Bouzouki
Bouzouki 1 Sustain. . . . . . . . C1 Bouzouki 2 Trem Chords. . A1
Bouzouki 1 Sus Hard. . . . . . C#1
Bouzouki 1 Tremolo. . . . . . . D1
Bouzouki 1 Pizzicato. . . . . . D#1
Bouzouki 2 Sustain. . . . . . . . E1
Bouzouki 2 Sus Hard. . . . . . F1
Bouzouki 2 Tremolo. . . . . . . F#1
Bouzouki 2 Chords. . . . . . . . G1
Bouzouki 2 Dim Chords . . . G#1

Marabouzouki
Bouzouki 1 Sustain. . . . . . . . C1 Bouzouki 2 Trem Chords. . A1
Bouzouki 1 Sus Hard. . . . . . C#1
Bouzouki 1 Tremolo. . . . . . . D1
Bouzouki 1 Pizzicato. . . . . . D#1
Bouzouki 2 Sustain. . . . . . . . E1
Bouzouki 2 Sus Hard. . . . . . F1
Bouzouki 2 Tremolo. . . . . . . F#1
Bouzouki 2 Chords. . . . . . . . G1
Bouzouki 2 Dim Chords . . . G#1

Tremouzouki
Bouzouki 1 Sustain. . . . . . . . C1 Bouzouki 2 Trem Chords. . A1
Bouzouki 1 Sus Hard. . . . . . C#1
Bouzouki 1 Tremolo. . . . . . . D1
Bouzouki 1 Pizzicato. . . . . . D#1
Bouzouki 2 Sustain. . . . . . . . E1
Bouzouki 2 Sus Hard. . . . . . F1
Bouzouki 2 Tremolo. . . . . . . F#1
Bouzouki 2 Chords. . . . . . . . G1
Bouzouki 2 Dim Chords . . . G#1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

181
UI - Solo Instrument - Duduk

Note: Some presets have


been custom tuned to provide
optimum dynamics depending
on play style. If you’ll be using
a modwheel choose the Wheel
version, otherwise choose Vel.

1 Instrument Menu

Expression 3

4 Equalizer
Sound 2

5 Reverb

1 Keyswitch Menu 3 Expression 4 Equalizer


Change the active layer » [Mode] Velocity » Power
Note velocity determines note volume » ƒ [Mid Frequency]
2 Performance » [Mode] Wheel Sweepable mid-band frequency
» [Mode] Polyphonic Use your MIDI controllers Mod Wheel to 120Hz — 1600Hz — 6kHz
Allow the voicing of multiple notes determine note volume » Bass / Mid / Treble
simultaneously » Volume Curve Adjust band gain/attenuation (+/-20dB)
» [Mode] Legato Modify the Velocity/Wheel volume curve
Only one note can be voiced at a time, » Vibrato Power 5 Convolution Reverb
previous notes are cut off as new notes » Vibrato Amount » Power
are struck Adjust the vibrato depth » Impulse Response Menu [IR]
» Legato Fade » Vibrato Speed Select the reverb room shape
Adjust the fade time between samples to Adjust the vibrato rate » Size
simulate legato » Vibrato Delay Adjust the room size
» [Mode] Portamento Adjust the time to reach vibrato depth » Dry
Only one note can be voiced at a time, from note press Adjust the amount of Dry signal
previous notes are cut off as new notes » Tremolo Power » Wet
are struck, new notes bend into pitch » Tremolo Amount Adjust the amount of Wet signal
from the direction of last note struck Adjust the tremolo depth
» Portamento Glide » Tremolo Speed
Adjust the duration of pitch bend Adjust the tremolo rate
» On Pedal (Legato and Portamento only) » Tremolo Delay
Use a Sustain pedal to switch between Adjust the time to reach tremolo depth
legato and portamento modes from note press

182
Layers & Keyswitches

Duduk Vel
Duduk Sustain. . . . . . . . . . . . C1
Duduk Vibratp. . . . . . . . . . . . C#1
Duduk Crescendo. . . . . . . . . D#1
Duduk Staccato. . . . . . . . . . . D1
Duduk Trills. . . . . . . . . . . . . . D#1

Duduk Wheel
Duduk Sustain. . . . . . . . . . . . C1
Duduk Vibratp. . . . . . . . . . . . C#1
Duduk Crescendo. . . . . . . . . D#1
Duduk Staccato. . . . . . . . . . . D1
Duduk Trills. . . . . . . . . . . . . . D#1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

183
UI - Solo Instrument - Electric Bouzouki

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Sound note volume is reached Select the reverb room shape
» Fret Noise » D [Decay] » Size
Activates a discrete layer that emphasizes After the Attack time has passed, the time Adjust the room size
the fret noise, adjust level it takes to reach the Sustain level » Dry
» Release » S [Sustain] Adjust the amount of Dry signal
Activates a discrete layer that emphasizes The note level while sustained » Wet
the release phase, adjust level » R [Release] Adjust the amount of Wet signal
» Timbre After a note is released, the time it takes
Adjust the timbre/pitch to fade to 0

3 Expression 5 Equalizer
» Velocity Curve » Power
Adjust the velocity curve between hard, » ƒ [Mid Frequency]
soft, and linear response Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
» Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

184
Layers & Keyswitches

Electric Bouzouki
El Bouzouki Sustain. . . . . . . C1
EL Bouzouki Tremolo. . . . . C#1
El Bouzouki Glissando. . . . . D1

TremElectro Bouzou
El Bouzouki Sustain. . . . . . . C1
EL Bouzouki Tremolo. . . . . C#1
El Bouzouki Glissando. . . . . D1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

185
UI - Solo Instrument - Electric Saz

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Sound note volume is reached Select the reverb room shape
» Fret Noise » D [Decay] » Size
Activates a discrete layer that emphasizes After the Attack time has passed, the time Adjust the room size
the fret noise, adjust level it takes to reach the Sustain level » Dry
» Release » S [Sustain] Adjust the amount of Dry signal
Activates a discrete layer that emphasizes The note level while sustained » Wet
the release phase, adjust level » R [Release] Adjust the amount of Wet signal
» Timbre After a note is released, the time it takes
Adjust the timbre/pitch to fade to 0

3 Expression 5 Equalizer
» Velocity Curve » Power
Adjust the velocity curve between hard, » ƒ [Mid Frequency]
soft, and linear response Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
» Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

186
Layers & Keyswitches

Electric Saz Basic


Electric Saz Clean. . . . . . . . . C1
Electric Saz Low. . . . . . . . . . C#1
Electric Saz Chorus . . . . . . . D1
Electric Saz Disto. . . . . . . . . D#1
Electric Saz Crisp . . . . . . . . . E1
Electric Saz Wha. . . . . . . . . . F1
Electric Saz Whawha. . . . . . F#1

Electric Saz Dist


Electric Saz Clean. . . . . . . . . C1
Electric Saz Low. . . . . . . . . . C#1
Electric Saz Chorus . . . . . . . D1
Electric Saz Disto. . . . . . . . . D#1
Electric Saz Crisp . . . . . . . . . E1
Electric Saz Wha. . . . . . . . . . F1
Electric Saz Whawha. . . . . . F#1

Electric Saz Road


Electric Saz Clean. . . . . . . . . C1
Electric Saz Low. . . . . . . . . . C#1
Electric Saz Chorus . . . . . . . D1
Electric Saz Disto. . . . . . . . . D#1
Electric Saz Crisp . . . . . . . . . E1
Electric Saz Wha. . . . . . . . . . F1
Electric Saz Whawha. . . . . . F#1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

187
UI - Solo Instrument - Kemence

Note: Some presets have


been custom tuned to provide
optimum dynamics depending
on play style. If you’ll be using
a modwheel choose the Wheel
version, otherwise choose Vel.

1 Keyswitch Menu

Expression 3

4 Equalizer
Sound 2

5 Reverb

1 Keyswitch Menu 3 Expression 4 Equalizer


Change the active layer » [Mode] Velocity » Power
Note velocity determines note volume » ƒ [Mid Frequency]
2 Performance » [Mode] Wheel Sweepable mid-band frequency
» [Mode] Polyphonic Use your MIDI controllers Mod Wheel to 120Hz — 1600Hz — 6kHz
Allow the voicing of multiple notes determine note volume » Bass / Mid / Treble
simultaneously » Volume Curve Adjust band gain/attenuation (+/-20dB)
» [Mode] Legato Modify the Velocity/Wheel volume curve
Only one note can be voiced at a time, » Vibrato Power 5 Convolution Reverb
previous notes are cut off as new notes » Vibrato Amount » Power
are struck Adjust the vibrato depth » Impulse Response Menu [IR]
» Legato Fade » Vibrato Speed Select the reverb room shape
Adjust the fade time between samples to Adjust the vibrato rate » Size
simulate legato » Vibrato Delay Adjust the room size
» [Mode] Portamento Adjust the time to reach vibrato depth » Dry
Only one note can be voiced at a time, from note press Adjust the amount of Dry signal
previous notes are cut off as new notes » Tremolo Power » Wet
are struck, new notes bend into pitch » Tremolo Amount Adjust the amount of Wet signal
from the direction of last note struck Adjust the tremolo depth
» Portamento Glide » Tremolo Speed
Adjust the duration of pitch bend Adjust the tremolo rate
» On Pedal (Legato and Portamento only) » Tremolo Delay
Use a Sustain pedal to switch between Adjust the time to reach tremolo depth
legato and portamento modes from note press

188
Layers & Keyswitches

Kemence Vel
Sustain. . . . . . . . . . . . . . . . . . . C1
Tremolo. . . . . . . . . . . . . . . . . . C#1

Kemence Wheel
Sustain. . . . . . . . . . . . . . . . . . . C1
Tremolo. . . . . . . . . . . . . . . . . . C#1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

189
UI - Solo Instrument - Kloo Mandolin

Envelope 4 1 Keyswitch Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Keyswitch Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Sound note volume is reached Select the reverb room shape
» Group » D [Decay] » Size
Activates multiple voice play to increasing After the Attack time has passed, the time Adjust the room size
sence of space it takes to reach the Sustain level » Dry
» Tremolo Speed » S [Sustain] Adjust the amount of Dry signal
Adjust the speed of tremolo play The note level while sustained » Wet
» Timbre » R [Release] Adjust the amount of Wet signal
Adjust the timbre/pitch After a note is released, the time it takes
to fade to 0
3 Expression
» Velocity Curve 5 Equalizer
Adjust the velocity curve between hard, » Power
soft, and linear response » ƒ [Mid Frequency]
Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
» Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

190
Layers & Keyswitches

Kloo Mandolin Basic


Sustain. . . . . . . . . . . . . . . . . . . C1
Pick Flam . . . . . . . . . . . . . . . . C#1
Tremolo. . . . . . . . . . . . . . . . . . D1
Flageolet. . . . . . . . . . . . . . . . . D#1

Kloo Mandolin Harp


Sustain. . . . . . . . . . . . . . . . . . . C1
Pick Flam . . . . . . . . . . . . . . . . C#1
Tremolo. . . . . . . . . . . . . . . . . . D1
Flageolet. . . . . . . . . . . . . . . . . D#1

Kloo Mandolin Trem


Sustain. . . . . . . . . . . . . . . . . . . C1
Pick Flam . . . . . . . . . . . . . . . . C#1
Tremolo. . . . . . . . . . . . . . . . . . D1
Flageolet. . . . . . . . . . . . . . . . . D#1

Xtra Flageolet
Sustain. . . . . . . . . . . . . . . . . . . C1
Pick Flam . . . . . . . . . . . . . . . . C#1
Tremolo. . . . . . . . . . . . . . . . . . D1
Flageolet. . . . . . . . . . . . . . . . . D#1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

191
UI - Solo Instrument - Lute

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Sound note volume is reached Select the reverb room shape
» Fret Noise » D [Decay] » Size
Activates a discrete layer that emphasizes After the Attack time has passed, the time Adjust the room size
the fret noise, adjust level it takes to reach the Sustain level » Dry
» Release » S [Sustain] Adjust the amount of Dry signal
Activates a discrete layer that emphasizes The note level while sustained » Wet
the release phase, adjust level » R [Release] Adjust the amount of Wet signal
» Timbre After a note is released, the time it takes
Adjust the timbre/pitch to fade to 0

3 Expression 5 Equalizer
» Velocity Curve » Power
Adjust the velocity curve between hard, » ƒ [Mid Frequency]
soft, and linear response Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
» Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

192
Layers & Keyswitches

Lute
Jubut Lute Sustain. . . . . . . . C1
Tunisian Lute Sustain. . . . . C#1
Tunisian Lute Tremolo. . . . D1

TremoLute
Jubut Lute Sustain. . . . . . . . C1
Tunisian Lute Sustain. . . . . C#1
Tunisian Lute Tremolo. . . . D1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

193
UI - Solo Instrument - Maghreb Violin

Note: Some presets have


been custom tuned to provide
optimum dynamics depending
on play style. If you’ll be using
a modwheel choose the Wheel
version, otherwise choose Vel.

1 Keyswitch Menu

Expression 3

5 Equalizer
Performance 2

6 Reverb

1 Keyswitch Menu 3 Expression 4 Equalizer


Change the active layer » [Mode] Velocity » Power
Note velocity determines note volume » ƒ [Mid Frequency]
2 Performance » [Mode] Wheel Sweepable mid-band frequency
» [Mode] Polyphonic Use your MIDI controllers Mod Wheel to 120Hz — 1600Hz — 6kHz
Allow the voicing of multiple notes determine note volume » Bass / Mid / Treble
simultaneously » Volume Curve Adjust band gain/attenuation (+/-20dB)
» [Mode] Legato Modify the Velocity/Wheel volume curve
Only one note can be voiced at a time, » Vibrato Power 5 Convolution Reverb
previous notes are cut off as new notes » Vibrato Amount » Power
are struck Adjust the vibrato depth » Impulse Response Menu [IR]
» Legato Fade » Vibrato Speed Select the reverb room shape
Adjust the fade time between samples to Adjust the vibrato rate » Size
simulate legato » Vibrato Delay Adjust the room size
» [Mode] Portamento Adjust the time to reach vibrato depth » Dry
Only one note can be voiced at a time, from note press Adjust the amount of Dry signal
previous notes are cut off as new notes » Tremolo Power » Wet
are struck, new notes bend into pitch » Tremolo Amount Adjust the amount of Wet signal
from the direction of last note struck Adjust the tremolo depth
» Portamento Glide » Tremolo Speed
Adjust the duration of pitch bend Adjust the tremolo rate
» On Pedal (Legato and Portamento only) » Tremolo Delay
Use a Sustain pedal to switch between Adjust the time to reach tremolo depth
legato and portamento modes from note press

194
Layers & Keyswitches

Maghreb Violins Vel


Vln+Str1 . . . . . . . . . . . . . . . . . C1
Vln+Str2. . . . . . . . . . . . . . . . . C#1
Vln+Str3. . . . . . . . . . . . . . . . . D1
Vln Lick. . . . . . . . . . . . . . . . . . D#1
Vln Short. . . . . . . . . . . . . . . . . E1
Vln Sustain Vibrato. . . . . . . F1

Maghreb Violins Wheel


Vln+Str1 . . . . . . . . . . . . . . . . . C1
Vln+Str2. . . . . . . . . . . . . . . . . C#1
Vln+Str3. . . . . . . . . . . . . . . . . D1
Vln Lick. . . . . . . . . . . . . . . . . . D#1
Vln Short. . . . . . . . . . . . . . . . . E1
Vln Sustain Vibrato. . . . . . . F1

Maghreb Violins Poly


Vln+Str1 . . . . . . . . . . . . . . . . . C1
Vln+Str2. . . . . . . . . . . . . . . . . C#1
Vln+Str3. . . . . . . . . . . . . . . . . D1
Vln Lick. . . . . . . . . . . . . . . . . . D#1
Vln Short. . . . . . . . . . . . . . . . . E1
Vln Sustain Vibrato. . . . . . . F1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

195
UI - Solo Instrument - Mandolin

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Sound note volume is reached Select the reverb room shape
» Group » D [Decay] » Size
Activates multiple voice play to increasing After the Attack time has passed, the time Adjust the room size
sence of space it takes to reach the Sustain level » Dry
» Tremolo Speed » S [Sustain] Adjust the amount of Dry signal
Adjust the speed of tremolo play The note level while sustained » Wet
» Timbre » R [Release] Adjust the amount of Wet signal
Adjust the timbre/pitch After a note is released, the time it takes
to fade to 0
3 Expression
» Velocity Curve 5 Equalizer
Adjust the velocity curve between hard, » Power
soft, and linear response » ƒ [Mid Frequency]
Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
» Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

196
Layers & Keyswitches

Mandolin
Pick Slow Attack. . . . . . . . . . C1
Pick Fast Attack . . . . . . . . . . C#1
Pick Flam . . . . . . . . . . . . . . . . D1
Pick Tremolo. . . . . . . . . . . . . D#1
Mandolin Glass. . . . . . . . . . . E1
Mandolin Flageolet. . . . . . . F1
Fret Noises. . . . . . . . . . . . . . . F#1
Mandolin noises. . . . . . . . . . G1
Mandolin FX. . . . . . . . . . . . . . G#1

Mandolo
Pick Slow Attack. . . . . . . . . . C1
Pick Fast Attack . . . . . . . . . . C#1
Pick Flam . . . . . . . . . . . . . . . . D1
Pick Tremolo. . . . . . . . . . . . . D#1
Mandolin Glass. . . . . . . . . . . E1
Mandolin Flageolet. . . . . . . F1
Fret Noises. . . . . . . . . . . . . . . F#1
Mandolin noises. . . . . . . . . . G1
Mandolin FX. . . . . . . . . . . . . . G#1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

197
UI - Solo Instrument - Middle East Flutes

1 Keyswitch Menu

Expression 3

4 Equalizer
Performance 2

5 Reverb

1 Keyswitch Menu 3 Expression 4 Equalizer


Change the active layer » [Mode] Velocity » Power
Note velocity determines note volume » ƒ [Mid Frequency]
2 Performance » [Mode] Wheel Sweepable mid-band frequency
» [Mode] Polyphonic Use your MIDI controllers Mod Wheel to 120Hz — 1600Hz — 6kHz
Allow the voicing of multiple notes determine note volume » Bass / Mid / Treble
simultaneously » Volume Curve Adjust band gain/attenuation (+/-20dB)
» [Mode] Legato Modify the Velocity/Wheel volume curve
Only one note can be voiced at a time, » Vibrato Power 5 Convolution Reverb
previous notes are cut off as new notes » Vibrato Amount » Power
are struck Adjust the vibrato depth » Impulse Response Menu [IR]
» Legato Fade » Vibrato Speed Select the reverb room shape
Adjust the fade time between samples to Adjust the vibrato rate » Size
simulate legato » Vibrato Delay Adjust the room size
» [Mode] Portamento Adjust the time to reach vibrato depth » Dry
Only one note can be voiced at a time, from note press Adjust the amount of Dry signal
previous notes are cut off as new notes » Tremolo Power » Wet
are struck, new notes bend into pitch » Tremolo Amount Adjust the amount of Wet signal
from the direction of last note struck Adjust the tremolo depth
» Portamento Glide » Tremolo Speed
Adjust the duration of pitch bend Adjust the tremolo rate
» On Pedal (Legato and Portamento only) » Tremolo Delay
Use a Sustain pedal to switch between Adjust the time to reach tremolo depth
legato and portamento modes from note press

198
Layers & Keyswitches

Middle East Flutes


Arabic Flute Sustain. . . . . . . C2 Sheperd Flute Flutter . . . . . A2
Arabic Flute Blow. . . . . . . . . C#2 Sheperd Flute Glissando. . . A#2
Cheap Recorder Sustain. . . D2
Cheap Recorder Blow. . . . . D#2
Egyptian Flute Sustain . . . . E2
Egyptian Flute Blow. . . . . . . F2
Sheperd Flute Sustain. . . . . F#2
Sheperd Flute Staccato1 . . G2
Sheperd Flute Staccato2 . . G#2

Sheperd Wheel
Arabic Flute Sustain. . . . . . . C2 Sheperd Flute Flutter . . . . . A2
Arabic Flute Blow. . . . . . . . . C#2 Sheperd Flute Glissando. . . A#2
Cheap Recorder Sustain. . . D2
Cheap Recorder Blow. . . . . D#2
Egyptian Flute Sustain . . . . E2
Egyptian Flute Blow. . . . . . . F2
Sheperd Flute Sustain. . . . . F#2
Sheperd Flute Staccato1 . . G2
Sheperd Flute Staccato2 . . G#2

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

199
UI - Solo Instrument - Middle East Percussions

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Doubling 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Doubling note volume is reached Select the reverb room shape
Add a secondary hit with variable volume, » D [Decay] » Size
pitch and filtering for more impact After the Attack time has passed, the time Adjust the room size
» Solo it takes to reach the Sustain level » Dry
Activate to use only the secondary voice » S [Sustain] Adjust the amount of Dry signal
» Power The note level while sustained » Wet
Activates a secondary voice (doubling) » R [Release] Adjust the amount of Wet signal
» Level After a note is released, the time it takes
Set the volume for the second voice to fade to 0
» Pitch
Set the pitch of the second voice 5 Equalizer
(+/-12 semi) » Power
» ƒ (LP/HP Filter) » ƒ [Mid Frequency]
Unified low-pass/high-pass filter Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
3 Expression » Bass / Mid / Treble
» Velocity Curve Adjust band gain/attenuation (+/-20dB)
Adjust the velocity curve between hard,
soft, and linear response

200
Layers & Keyswitches

Middle East Percussions


Bendir 1. . . . . . . . . . . . . . . . . . C1
Bendir 2. . . . . . . . . . . . . . . . . . C#1
Daires. . . . . . . . . . . . . . . . . . . . D1
Darbuka. . . . . . . . . . . . . . . . . . D#1
Oriental Tambourin. . . . . . . E1
Sistres. . . . . . . . . . . . . . . . . . . F1

Middle East Phatness


Bendir 1. . . . . . . . . . . . . . . . . . C1
Bendir 2. . . . . . . . . . . . . . . . . . C#1
Daires. . . . . . . . . . . . . . . . . . . . D1
Darbuka. . . . . . . . . . . . . . . . . . D#1
Oriental Tambourin. . . . . . . E1
Sistres. . . . . . . . . . . . . . . . . . . F1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

201
UI - Solo Instrument - Middle East Santur

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Sound note volume is reached Select the reverb room shape
» Timbre » D [Decay] » Size
Adjust the timbre/pitch After the Attack time has passed, the time Adjust the room size
it takes to reach the Sustain level » Dry
3 Expression » S [Sustain] Adjust the amount of Dry signal
» Velocity Curve The note level while sustained » Wet
Adjust the velocity curve between hard, » R [Release] Adjust the amount of Wet signal
soft, and linear response After a note is released, the time it takes
to fade to 0

5 Equalizer
» Power
» ƒ [Mid Frequency]
Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
» Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

202
Layers & Keyswitches

Santur 1
Santur 1. . . . . . . . . . . . . . . . . . C1
Santur 2. . . . . . . . . . . . . . . . . . C#1
Santur Clusters. . . . . . . . . . . D1
Santur Hits. . . . . . . . . . . . . . . D#1
Santur Keyrolls. . . . . . . . . . . E1
Santur Plectrum Glisses 1. . F1
Santur Plectrum Glisses 2 . F#1
Santur Sticks Glisses. . . . . . G1

Santur 2
Santur 1. . . . . . . . . . . . . . . . . . C1
Santur 2. . . . . . . . . . . . . . . . . . C#1
Santur Clusters. . . . . . . . . . . D1
Santur Hits. . . . . . . . . . . . . . . D#1
Santur Keyrolls. . . . . . . . . . . E1
Santur Plectrum Glisses 1. . F1
Santur Plectrum Glisses 2 . F#1
Santur Sticks Glisses. . . . . . G1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

203
UI - Solo Instrument - Oriental Ensemble

Envelope 4 1 Keyswitch Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Keyswitch Menu 4 Envelope 5 Equalizer


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » ƒ [Mid Frequency]
2 Sound note volume is reached Sweepable mid-band frequency
» Tempo Coarse » D [Decay] 120Hz — 1600Hz — 6kHz
Adjust the tempo from half to double After the Attack time has passed, the time » Bass / Mid / Treble
» Tempo Fine it takes to reach the Sustain level Adjust band gain/attenuation (+/-20dB)
Finetune the tempo » S [Sustain]
» Percussion The note level while sustained 6 Convolution Reverb
Add and adjust the percussions » R [Release] » Power
After a note is released, the time it takes » Impulse Response Menu [IR]
3 Expression to fade to 0 Select the reverb room shape
» Velocity Curve » Size
Adjust the velocity curve between hard, Adjust the room size
soft, and linear response » Dry
Adjust the amount of Dry signal
» Wet
Adjust the amount of Wet signal

204
Layers & Keyswitches

Arabic 075 BPM


Strings 1 to 5. . . . . . . . . . . . . G0
Strings 6 to 10. . . . . . . . . . . . G#0

Persian 090 BPM


Strings 1 to 5. . . . . . . . . . . . . G0
Strings 6 to 10. . . . . . . . . . . . G#0

Persian 140 BPM


Strings 1 to 5. . . . . . . . . . . . . G0
Strings 6 to 10. . . . . . . . . . . . G#0

Turkish 075 BPM


Strings 1 to 5. . . . . . . . . . . . . G0
Strings 6 to 10. . . . . . . . . . . . G#0

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

205
Layers & Keyswitches

Turkish 120 BPM


Strings 1 to 5. . . . . . . . . . . . . G0
Strings 6 to 10. . . . . . . . . . . . G#0

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

206
UI - Solo Instrument - Oud

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Sound note volume is reached Select the reverb room shape
» Fret Noise » D [Decay] » Size
Activates a discrete layer that emphasizes After the Attack time has passed, the time Adjust the room size
the fret noise, adjust level it takes to reach the Sustain level » Dry
» Release » S [Sustain] Adjust the amount of Dry signal
Activates a discrete layer that emphasizes The note level while sustained » Wet
the release phase, adjust level » R [Release] Adjust the amount of Wet signal
» Timbre After a note is released, the time it takes
Adjust the timbre/pitch to fade to 0

3 Expression 5 Equalizer
» Velocity Curve » Power
Adjust the velocity curve between hard, » ƒ [Mid Frequency]
soft, and linear response Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
» Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

207
Layers & Keyswitches

Oud 1
Oud 1 Sustain. . . . . . . . . . . . . C1
Oud 1 Tremolo. . . . . . . . . . . . C#1
Oud 2 Sustain . . . . . . . . . . . . D1
Oud 2 Tremolo . . . . . . . . . . . D#1

Oud 2
Oud 1 Sustain. . . . . . . . . . . . . C1
Oud 1 Tremolo. . . . . . . . . . . . C#1
Oud 2 Sustain . . . . . . . . . . . . D1
Oud 2 Tremolo . . . . . . . . . . . D#1

TremolOud
Oud 1 Sustain. . . . . . . . . . . . . C1
Oud 1 Tremolo. . . . . . . . . . . . C#1
Oud 2 Sustain . . . . . . . . . . . . D1
Oud 2 Tremolo . . . . . . . . . . . D#1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

208
UI - Solo Instrument - Persian Daf

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Doubling 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Doubling note volume is reached Select the reverb room shape
Add a secondary hit with variable volume, » D [Decay] » Size
pitch and filtering for more impact After the Attack time has passed, the time Adjust the room size
» Solo it takes to reach the Sustain level » Dry
Activate to use only the secondary voice » S [Sustain] Adjust the amount of Dry signal
» Power The note level while sustained » Wet
Activates a secondary voice (doubling) » R [Release] Adjust the amount of Wet signal
» Level After a note is released, the time it takes
Set the volume for the second voice to fade to 0
» Pitch
Set the pitch of the second voice 5 Equalizer
(+/-12 semi) » Power
» ƒ (LP/HP Filter) » ƒ [Mid Frequency]
Unified low-pass/high-pass filter Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
3 Expression » Bass / Mid / Treble
» Velocity Curve Adjust band gain/attenuation (+/-20dB)
Adjust the velocity curve between hard,
soft, and linear response

209
Layers & Keyswitches

Persian Daf
Drums. . . . . . . . . . . . . . . . . . . C1
Rolls. . . . . . . . . . . . . . . . . . . . . C#1
Chains. . . . . . . . . . . . . . . . . . . D1
Chains Hit. . . . . . . . . . . . . . . . E1
Chains Rolls. . . . . . . . . . . . . . F1
Circular. . . . . . . . . . . . . . . . . . F#1
Snap. . . . . . . . . . . . . . . . . . . . . G1

Persian FX
Drums. . . . . . . . . . . . . . . . . . . C1
Rolls. . . . . . . . . . . . . . . . . . . . . C#1
Chains. . . . . . . . . . . . . . . . . . . D1
Chains Hit. . . . . . . . . . . . . . . . E1
Chains Rolls. . . . . . . . . . . . . . F1
Circular. . . . . . . . . . . . . . . . . . F#1
Snap. . . . . . . . . . . . . . . . . . . . . G1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

210
UI - Solo Instrument - Pku

Note: Some presets have


been custom tuned to provide
optimum dynamics depending
on play style. If you’ll be using
a modwheel choose the Wheel
version, otherwise choose Vel.

1 Instrument Menu

Expression 3

5 Equalizer
Performance 2

6 Reverb

1 Keyswitch Menu 3 Expression 4 Equalizer


Change the active layer » [Mode] Velocity » Power
Note velocity determines note volume » ƒ [Mid Frequency]
2 Performance » [Mode] Wheel Sweepable mid-band frequency
» [Mode] Polyphonic Use your MIDI controllers Mod Wheel to 120Hz — 1600Hz — 6kHz
Allow the voicing of multiple notes determine note volume » Bass / Mid / Treble
simultaneously » Volume Curve Adjust band gain/attenuation (+/-20dB)
» [Mode] Legato Modify the Velocity/Wheel volume curve
Only one note can be voiced at a time, » Vibrato Power 5 Convolution Reverb
previous notes are cut off as new notes » Vibrato Amount » Power
are struck Adjust the vibrato depth » Impulse Response Menu [IR]
» Legato Fade » Vibrato Speed Select the reverb room shape
Adjust the fade time between samples to Adjust the vibrato rate » Size
simulate legato » Vibrato Delay Adjust the room size
» [Mode] Portamento Adjust the time to reach vibrato depth » Dry
Only one note can be voiced at a time, from note press Adjust the amount of Dry signal
previous notes are cut off as new notes » Tremolo Power » Wet
are struck, new notes bend into pitch » Tremolo Amount Adjust the amount of Wet signal
from the direction of last note struck Adjust the tremolo depth
» Portamento Glide » Tremolo Speed
Adjust the duration of pitch bend Adjust the tremolo rate
» On Pedal (Legato and Portamento only) » Tremolo Delay
Use a Sustain pedal to switch between Adjust the time to reach tremolo depth
legato and portamento modes from note press

211
UI - Solo Instrument - Pku (alt)

Envelope 3

Expression 2

4 Equalizer
Sound 1

5 Reverb

1 Sound 3 Envelope 5 Convolution Reverb


» Timbre » A [Attack] » Power
Adjust the timbre/pitch After triggering a note, the time until full » Impulse Response Menu [IR]
note volume is reached Select the reverb room shape
2 Expression » D [Decay] » Size
» Velocity Curve After the Attack time has passed, the time Adjust the room size
Adjust the velocity curve between hard, it takes to reach the Sustain level » Dry
soft, and linear response » S [Sustain] Adjust the amount of Dry signal
The note level while sustained » Wet
» R [Release] Adjust the amount of Wet signal
After a note is released, the time it takes
to fade to 0

4 Equalizer
» Power
» ƒ [Mid Frequency]
Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
» Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

212
Layers & Keyswitches

Pku Basic
Sustain. . . . . . . . . . . . . . . . . . . C1
Vibrato. . . . . . . . . . . . . . . . . . . C#1
Staccato. . . . . . . . . . . . . . . . . D1
Trill. . . . . . . . . . . . . . . . . . . . . . D#1

Pku True Legato


N/A

Pku True Legato


N/A

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

213
UI - Solo Instrument - Qanun

Envelope 3

Expression 2

4 Equalizer
Sound 1

5 Reverb

1 Sound 3 Envelope 5 Convolution Reverb


» Timbre » A [Attack] » Power
Adjust the timbre/pitch After triggering a note, the time until full » Impulse Response Menu [IR]
note volume is reached Select the reverb room shape
2 Expression » D [Decay] » Size
» Velocity Curve After the Attack time has passed, the time Adjust the room size
Adjust the velocity curve between hard, it takes to reach the Sustain level » Dry
soft, and linear response » S [Sustain] Adjust the amount of Dry signal
The note level while sustained » Wet
» R [Release] Adjust the amount of Wet signal
After a note is released, the time it takes
to fade to 0

4 Equalizer
» Power
» ƒ [Mid Frequency]
Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
» Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

214
Layers & Keyswitches

Qanun Basic
Sustain. . . . . . . . . . . . . . . . . . . C1
Glissando 90 . . . . . . . . . . . . . C#1
Glissando 110. . . . . . . . . . . . . D1

Qanun FX
Sustain. . . . . . . . . . . . . . . . . . . C1
Glissando 90 . . . . . . . . . . . . . C#1
Glissando 110. . . . . . . . . . . . . D1

Pku True Legato


N/A

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

215
UI - Solo Instrument - Saz

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Sound note volume is reached Select the reverb room shape
» Fret Noise » D [Decay] » Size
Activates a discrete layer that emphasizes After the Attack time has passed, the time Adjust the room size
the fret noise, adjust level it takes to reach the Sustain level » Dry
» Release » S [Sustain] Adjust the amount of Dry signal
Activates a discrete layer that emphasizes The note level while sustained » Wet
the release phase, adjust level » R [Release] Adjust the amount of Wet signal
» Timbre After a note is released, the time it takes
Adjust the timbre/pitch to fade to 0

3 Expression 5 Equalizer
» Velocity Curve » Power
Adjust the velocity curve between hard, » ƒ [Mid Frequency]
soft, and linear response Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
» Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

216
UI - Solo Instrument - Saz 2

Envelope 3

Expression 2

4 Equalizer
Sound 1

5 Reverb

1 Sound 3 Envelope 5 Convolution Reverb


» Fret Noise » A [Attack] » Power
Activates a discrete layer that emphasizes After triggering a note, the time until full » Impulse Response Menu [IR]
the fret noise, adjust level note volume is reached Select the reverb room shape
» Release » D [Decay] » Size
Activates a discrete layer that emphasizes After the Attack time has passed, the time Adjust the room size
the release phase, adjust level it takes to reach the Sustain level » Dry
» Timbre » S [Sustain] Adjust the amount of Dry signal
Adjust the timbre/pitch The note level while sustained » Wet
» R [Release] Adjust the amount of Wet signal
2 Expression After a note is released, the time it takes
» Velocity Curve to fade to 0
Adjust the velocity curve between hard,
soft, and linear response 4 Equalizer
» Power
» ƒ [Mid Frequency]
Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
» Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

217
Layers & Keyswitches

Saz
Saz Sustain. . . . . . . . . . . . . . . C1
Saz Tremolo. . . . . . . . . . . . . . C#1

Vintage Saz
Saz Sustain. . . . . . . . . . . . . . . C1
Saz Tremolo. . . . . . . . . . . . . . C#1

Saz 2 Basic
N/A

Saz 2 Sitar
N/A

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

218
UI - Solo Instrument - Trukish Lyra

Note: Some presets have


been custom tuned to provide
optimum dynamics depending
on play style. If you’ll be using
a modwheel choose the Wheel
version, otherwise choose Vel.

1 Instrument Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Keyswitch Menu 3 Expression 4 Equalizer


Change the active layer » [Mode] Velocity » Power
Note velocity determines note volume » ƒ [Mid Frequency]
2 Performance » [Mode] Wheel Sweepable mid-band frequency
» [Mode] Polyphonic Use your MIDI controllers Mod Wheel to 120Hz — 1600Hz — 6kHz
Allow the voicing of multiple notes determine note volume » Bass / Mid / Treble
simultaneously » Volume Curve Adjust band gain/attenuation (+/-20dB)
» [Mode] Legato Modify the Velocity/Wheel volume curve
Only one note can be voiced at a time, » Vibrato Power 5 Convolution Reverb
previous notes are cut off as new notes » Vibrato Amount » Power
are struck Adjust the vibrato depth » Impulse Response Menu [IR]
» Legato Fade » Vibrato Speed Select the reverb room shape
Adjust the fade time between samples to Adjust the vibrato rate » Size
simulate legato » Vibrato Delay Adjust the room size
» [Mode] Portamento Adjust the time to reach vibrato depth » Dry
Only one note can be voiced at a time, from note press Adjust the amount of Dry signal
previous notes are cut off as new notes » Tremolo Power » Wet
are struck, new notes bend into pitch » Tremolo Amount Adjust the amount of Wet signal
from the direction of last note struck Adjust the tremolo depth
» Portamento Glide » Tremolo Speed
Adjust the duration of pitch bend Adjust the tremolo rate
» On Pedal (Legato and Portamento only) » Tremolo Delay
Use a Sustain pedal to switch between Adjust the time to reach tremolo depth
legato and portamento modes from note press

219
Layers & Keyswitches

Turkish Lyra Vel


Lira 1 Sustain. . . . . . . . . . . . . C1 Lira 2 Plucked. . . . . . . . . . . . A1
Lira 1 Tremolo. . . . . . . . . . . . C#1 Lira FX. . . . . . . . . . . . . . . . . . . A#1
Lira 1 Staccato. . . . . . . . . . . . D1 Lira Glides. . . . . . . . . . . . . . . . B1
Lira 1 Marcato. . . . . . . . . . . . D#1
Lira 1 Plucked. . . . . . . . . . . . E1
Lira 2 Sustain. . . . . . . . . . . . . F1
Lira 2 Tremolo. . . . . . . . . . . . F#1
Lira 2 Staccato . . . . . . . . . . . G1
Lira 2 Marcato. . . . . . . . . . . . G#1

Turkish Lyra Wheel


Lira 1 Sustain. . . . . . . . . . . . . C1 Lira 2 Plucked. . . . . . . . . . . . A1
Lira 1 Tremolo. . . . . . . . . . . . C#1 Lira FX. . . . . . . . . . . . . . . . . . . A#1
Lira 1 Staccato. . . . . . . . . . . . D1 Lira Glides. . . . . . . . . . . . . . . . B1
Lira 1 Marcato. . . . . . . . . . . . D#1
Lira 1 Plucked. . . . . . . . . . . . E1
Lira 2 Sustain. . . . . . . . . . . . . F1
Lira 2 Tremolo. . . . . . . . . . . . F#1
Lira 2 Staccato . . . . . . . . . . . G1
Lira 2 Marcato. . . . . . . . . . . . G#1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

220
UI - Solo Instrument - Turkish Percussions

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Doubling 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Doubling note volume is reached Select the reverb room shape
Add a secondary hit with variable volume, » D [Decay] » Size
pitch and filtering for more impact After the Attack time has passed, the time Adjust the room size
» Solo it takes to reach the Sustain level » Dry
Activate to use only the secondary voice » S [Sustain] Adjust the amount of Dry signal
» Power The note level while sustained » Wet
Activates a secondary voice (doubling) » R [Release] Adjust the amount of Wet signal
» Level After a note is released, the time it takes
Set the volume for the second voice to fade to 0
» Pitch
Set the pitch of the second voice 5 Equalizer
(+/-12 semi) » Power
» ƒ (LP/HP Filter) » ƒ [Mid Frequency]
Unified low-pass/high-pass filter Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
3 Expression » Bass / Mid / Treble
» Velocity Curve Adjust band gain/attenuation (+/-20dB)
Adjust the velocity curve between hard,
soft, and linear response

221
Layers & Keyswitches

Turkish Percussions
Bongo . . . . . . . . . . . . . . . . . . . C1
Darbuka Sastain. . . . . . . . . . C#1
Darbuka Mute. . . . . . . . . . . . D1
Eggs. . . . . . . . . . . . . . . . . . . . . D#1
Small Hand Drum. . . . . . . . . E1
Wooden Spoons. . . . . . . . . . F1

Turkish Taiko Fake


Bongo . . . . . . . . . . . . . . . . . . . C1
Darbuka Sastain. . . . . . . . . . C#1
Darbuka Mute. . . . . . . . . . . . D1
Eggs. . . . . . . . . . . . . . . . . . . . . D#1
Small Hand Drum. . . . . . . . . E1
Wooden Spoons. . . . . . . . . . F1

Turkish Tiny Percs


Bongo . . . . . . . . . . . . . . . . . . . C1
Darbuka Sastain. . . . . . . . . . C#1
Darbuka Mute. . . . . . . . . . . . D1
Eggs. . . . . . . . . . . . . . . . . . . . . D#1
Small Hand Drum. . . . . . . . . E1
Wooden Spoons. . . . . . . . . . F1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

222
UI - Solo Instrument - Tzouras

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Sound note volume is reached Select the reverb room shape
» Fret Noise » D [Decay] » Size
Activates a discrete layer that emphasizes After the Attack time has passed, the time Adjust the room size
the fret noise, adjust level it takes to reach the Sustain level » Dry
» Release » S [Sustain] Adjust the amount of Dry signal
Activates a discrete layer that emphasizes The note level while sustained » Wet
the release phase, adjust level » R [Release] Adjust the amount of Wet signal
» Timbre After a note is released, the time it takes
Adjust the timbre/pitch to fade to 0

3 Expression 5 Equalizer
» Velocity Curve » Power
Adjust the velocity curve between hard, » ƒ [Mid Frequency]
soft, and linear response Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
» Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

223
Layers & Keyswitches

Tzouras Sustain
Tzouras 1 Sustain. . . . . . . . . C1
Tzouras 1 Tremolo. . . . . . . . C#1
Tzouras 1 Pizzicato . . . . . . . D1
Tzouras 2 Sustain. . . . . . . . . D#1
Tzouras 2 Tremolo. . . . . . . . E1
Tzouras 2 Chords. . . . . . . . . F1
Tzouras 2 Strums. . . . . . . . . F#1

Tzouras Tremolo
Tzouras 1 Sustain. . . . . . . . . C1
Tzouras 1 Tremolo. . . . . . . . C#1
Tzouras 1 Pizzicato . . . . . . . D1
Tzouras 2 Sustain. . . . . . . . . D#1
Tzouras 2 Tremolo. . . . . . . . E1
Tzouras 2 Chords. . . . . . . . . F1
Tzouras 2 Strums. . . . . . . . . F#1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

224
225
UI - Solo Instrument - Alphorn

Envelope 4 1 Keyswitch Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Keyswitch Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Sound note volume is reached Select the reverb room shape
» Timbre » D [Decay] » Size
Adjust the timbre/pitch After the Attack time has passed, the time Adjust the room size
it takes to reach the Sustain level » Dry
3 Expression » S [Sustain] Adjust the amount of Dry signal
» Velocity Curve The note level while sustained » Wet
Adjust the velocity curve between hard, » R [Release] Adjust the amount of Wet signal
soft, and linear response After a note is released, the time it takes
to fade to 0

5 Equalizer
» Power
» ƒ [Mid Frequency]
Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
» Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

226
Layers & Keyswitches

Alphorn Basic
Sustain Long. . . . . . . . . . . . . C5
Sustain Short. . . . . . . . . . . . . C#5
Staccato. . . . . . . . . . . . . . . . . D5
Vibrato. . . . . . . . . . . . . . . . . . . D#5

Alphorn Pad
Sustain Long. . . . . . . . . . . . . C5
Sustain Short. . . . . . . . . . . . . C#5
Staccato. . . . . . . . . . . . . . . . . D5
Vibrato. . . . . . . . . . . . . . . . . . . D#5

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

227
UI - Solo Instrument - Alpine Concert Zither

Envelope 4 1 Keyswitch Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Keyswitch Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Sound note volume is reached Select the reverb room shape
» Timbre » D [Decay] » Size
Adjust the timbre/pitch After the Attack time has passed, the time Adjust the room size
it takes to reach the Sustain level » Dry
3 Expression » S [Sustain] Adjust the amount of Dry signal
» Velocity Curve The note level while sustained » Wet
Adjust the velocity curve between hard, » R [Release] Adjust the amount of Wet signal
soft, and linear response After a note is released, the time it takes
to fade to 0

5 Equalizer
» Power
» ƒ [Mid Frequency]
Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
» Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

228
Layers & Keyswitches

Alpine Concert Zither


Strings Open . . . . . . . . . . . . . C1
Fretboard. . . . . . . . . . . . . . . . C#1
Fx . . . . . . . . . . . . . . . . . . . . . . . D1

Concert Zitherapy
Strings Open . . . . . . . . . . . . . C1
Fretboard. . . . . . . . . . . . . . . . C#1
Fx . . . . . . . . . . . . . . . . . . . . . . . D1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

229
UI - Solo Instrument - Banjo

Envelope 3

Expression 2

4 Equalizer
Sound 1

5 Reverb

1 Sound 3 Envelope 5 Convolution Reverb


» Fret Noise » A [Attack] » Power
Activates a discrete layer that emphasizes After triggering a note, the time until full » Impulse Response Menu [IR]
the fret noise, adjust level note volume is reached Select the reverb room shape
» Release » D [Decay] » Size
Activates a discrete layer that emphasizes After the Attack time has passed, the time Adjust the room size
the release phase, adjust level it takes to reach the Sustain level » Dry
» Timbre » S [Sustain] Adjust the amount of Dry signal
Adjust the timbre/pitch The note level while sustained » Wet
» R [Release] Adjust the amount of Wet signal
2 Expression After a note is released, the time it takes
» Velocity Curve to fade to 0
Adjust the velocity curve between hard,
soft, and linear response 4 Equalizer
» Power
» ƒ [Mid Frequency]
Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
» Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

230
Layers & Keyswitches

Banjo
N/A

Bankoto
N/A

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

231
UI - Solo Instrument - Cabinet Organ

Register 2

Controls 1

3 Reverb

1 Controls 2 Register
» Release Select between cabinet open and close
Adjust the volume of release sample sounds
» Velocity
Adjust the velocity sensitivity 3 Convolution Reverb
» Timbre » Power
Adjust the timbre/pitch » Impulse Response Menu [IR]
Envelope Select the reverb room shape
» A [Attack] » Size
After triggering a note, the time until full Adjust the room size
note volume is reached » Dry
» D [Decay] Adjust the amount of Dry signal
After the Attack time has passed, the time » Wet
it takes to reach the Sustain level Adjust the amount of Wet signal
» S [Sustain]
The note level while sustained
» R [Release]
After a note is released, the time it takes
to fade to 0

232
Layers & Keyswitches

Cabinet Organ Close


N/A

Cabinet Organ Open


N/A

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

233
UI - Solo Instrument - Carina Accordion

Register 2

Controls 1

3 Reverb

1 Controls 2 Register
» Release Select between 7 accordion sounds
Adjust the volume of release sample
» Velocity 3 Convolution Reverb
Adjust the velocity sensitivity » Power
» Timbre » Impulse Response Menu [IR]
Adjust the timbre/pitch Select the reverb room shape
Envelope » Size
» A [Attack] Adjust the room size
After triggering a note, the time until full » Dry
note volume is reached Adjust the amount of Dry signal
» D [Decay] » Wet
After the Attack time has passed, the time Adjust the amount of Wet signal
it takes to reach the Sustain level
» S [Sustain]
The note level while sustained
» R [Release]
After a note is released, the time it takes
to fade to 0

234
Layers & Keyswitches

Carina Accordion
N/A

Carina Pad
N/A

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

235
UI - Solo Instrument - Cavaco

Envelope 3

Expression 2

4 Equalizer
Sound 1

5 Reverb

1 Sound 2 Expression 4 Equalizer


» Group » Velocity Curve » Power
Activates multiple voice play to increasing Adjust the velocity curve between hard, » ƒ [Mid Frequency]
sence of space soft, and linear response Sweepable mid-band frequency
» Tremolo 120Hz — 1600Hz — 6kHz
Activates tremolo playing effect 3 Envelope » Bass / Mid / Treble
» Tremolo Speed » A [Attack] Adjust band gain/attenuation (+/-20dB)
Choose the speed of tremolo play from After triggering a note, the time until full
the menu note volume is reached 5 Convolution Reverb
» Tremolo Timing » D [Decay] » Power
Adjust the timing of tremolo play After the Attack time has passed, the time » Impulse Response Menu [IR]
» Tremolo Velocity it takes to reach the Sustain level Select the reverb room shape
Adjust the velocity of tremolo play » S [Sustain] » Size
» Timbre The note level while sustained Adjust the room size
Adjust the timbre/pitch » R [Release] » Dry
After a note is released, the time it takes Adjust the amount of Dry signal
to fade to 0 » Wet
Adjust the amount of Wet signal

236
UI - Solo Instrument - Cavaco Phrases

Expression 3 1 Instrument Menu

4 Equalizer
Sound 2

5 Reverb

1 Instrument Menu 4 Equalizer 5 Convolution Reverb


The active rhythm (select with trigger key » Power » Power
or menu) » ƒ [Mid Frequency] » Impulse Response Menu [IR]
Sweepable mid-band frequency Select the reverb room shape
2 Configuration 120Hz — 1600Hz — 6kHz » Size
Select the instrument configuration » Bass / Mid / Treble Adjust the room size
Adjust band gain/attenuation (+/-20dB) » Dry
3 Expression Adjust the amount of Dry signal
» Velocity Curve » Wet
Adjust the velocity curve between hard, Adjust the amount of Wet signal
soft, and linear response
Chord Recognition and Key Switches

» Chord Recognition (Yellow Keys) C1 - G2


Play your chords in the yellow section of the keyboard, and the instrumen will perform for you, synced to
the tempo! In this case, play the root note and the 3rd note to trigger the dedicated chord - a minor 3rd
interval will trigger a minor chord and a major 3rd interval will trigger a major chord rhythm

» Key Switches (White and Black Keys) C3 - G3


Switch the rhythm sequence of the preset. For details of the key switches, please check the key
switch section in next page

237
Layers & Keyswitches

Cavaco Basic
N/A

Cavaco Harp
N/A

Cavaco Rhythm
Rhythm 1 . . . . . . . . . . . . . . . . C3
Rhythm 1 Ghost . . . . . . . . . . C#3
Rhythm 2. . . . . . . . . . . . . . . . D3
Rhythm 2 Ghost. . . . . . . . . . D#3
Rhythm 3 . . . . . . . . . . . . . . . . E3
Rhythm 3 Ghost . . . . . . . . . . F3
Rhythm 4. . . . . . . . . . . . . . . . F#3
Rhythm 4 Ghost. . . . . . . . . . G3

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

238
UI - Solo Instrument - Dobro

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Sound note volume is reached Select the reverb room shape
» Fret Noise » D [Decay] » Size
Activates a discrete layer that emphasizes After the Attack time has passed, the time Adjust the room size
the fret noise, adjust level it takes to reach the Sustain level » Dry
» Release » S [Sustain] Adjust the amount of Dry signal
Activates a discrete layer that emphasizes The note level while sustained » Wet
the release phase, adjust level » R [Release] Adjust the amount of Wet signal
» Timbre After a note is released, the time it takes
Adjust the timbre/pitch to fade to 0

3 Expression 5 Equalizer
» Velocity Curve » Power
Adjust the velocity curve between hard, » ƒ [Mid Frequency]
soft, and linear response Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
» Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

239
Layers & Keyswitches

Dobro
Dobro Main . . . . . . . . . . . . . . C1
Dobro Sustain. . . . . . . . . . . . C#1
Dobro Slides. . . . . . . . . . . . . . D1

Dreambro
Dobro Main . . . . . . . . . . . . . . C1
Dobro Sustain. . . . . . . . . . . . C#1
Dobro Slides. . . . . . . . . . . . . . D1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

240
UI - Solo Instrument - Dulcimer

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Sound note volume is reached Select the reverb room shape
» Timbre » D [Decay] » Size
Adjust the timbre/pitch After the Attack time has passed, the time Adjust the room size
it takes to reach the Sustain level » Dry
3 Expression » S [Sustain] Adjust the amount of Dry signal
» Velocity Curve The note level while sustained » Wet
Adjust the velocity curve between hard, » R [Release] Adjust the amount of Wet signal
soft, and linear response After a note is released, the time it takes
to fade to 0

5 Equalizer
» Power
» ƒ [Mid Frequency]
Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
» Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

241
Layers & Keyswitches

Dulcimer Bright
Sutain. . . . . . . . . . . . . . . . . . . . G0
Triple. . . . . . . . . . . . . . . . . . . . G#0
Arpeggio. . . . . . . . . . . . . . . . . A0

Dulcimer Dark
Sutain. . . . . . . . . . . . . . . . . . . . G0
Triple. . . . . . . . . . . . . . . . . . . . G#0
Arpeggio. . . . . . . . . . . . . . . . . A0

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

242
UI - Solo Instrument - Finnish Concert Kantele

Envelope 4 1 Keyswitch Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Keyswitch Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Sound note volume is reached Select the reverb room shape
» Tremolo On/Off » D [Decay] » Size
Activates the tremolo play After the Attack time has passed, the time Adjust the room size
» Rate it takes to reach the Sustain level » Dry
Adjust the tremolo speed » S [Sustain] Adjust the amount of Dry signal
» Timing The note level while sustained » Wet
Adjust the tremolo groove » R [Release] Adjust the amount of Wet signal
» Velocity After a note is released, the time it takes
Adjust the velocity randomness of to fade to 0
tremolo
» Timbre 5 Equalizer
Adjust the timbre/pitch » Power
» ƒ [Mid Frequency]
3 Expression Sweepable mid-band frequency
» Velocity Curve 120Hz — 1600Hz — 6kHz
Adjust the velocity curve between hard, » Bass / Mid / Treble
soft, and linear response Adjust band gain/attenuation (+/-20dB)

243
Layers & Keyswitches

Finnish Concert Kantele


Sustain. . . . . . . . . . . . . . . . . . . C0
Damped. . . . . . . . . . . . . . . . . . C#0
Sticks. . . . . . . . . . . . . . . . . . . . D0

Kantele Space
Sustain. . . . . . . . . . . . . . . . . . . C0
Damped. . . . . . . . . . . . . . . . . . C#0
Sticks. . . . . . . . . . . . . . . . . . . . D0

Kantremolo
Sustain. . . . . . . . . . . . . . . . . . . C0
Damped. . . . . . . . . . . . . . . . . . C#0
Sticks. . . . . . . . . . . . . . . . . . . . D0

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

244
UI - Solo Instrument - Folk Recorder

Note: Some presets have


been custom tuned to provide
optimum dynamics depending
on play style. If you’ll be using
a modwheel choose the Wheel
version, otherwise choose Vel.

1 Keyswitch Menu

Expression 3

4 Equalizer
Performance 2

5 Reverb

1 Keyswitch Menu 3 Expression 4 Equalizer


Change the active layer » [Mode] Velocity » Power
Note velocity determines note volume » ƒ [Mid Frequency]
2 Performance » [Mode] Wheel Sweepable mid-band frequency
» [Mode] Polyphonic Use your MIDI controllers Mod Wheel to 120Hz — 1600Hz — 6kHz
Allow the voicing of multiple notes determine note volume » Bass / Mid / Treble
simultaneously » Volume Curve Adjust band gain/attenuation (+/-20dB)
» [Mode] Legato Modify the Velocity/Wheel volume curve
Only one note can be voiced at a time, » Vibrato Power 5 Convolution Reverb
previous notes are cut off as new notes » Vibrato Amount » Power
are struck Adjust the vibrato depth » Impulse Response Menu [IR]
» Legato Fade » Vibrato Speed Select the reverb room shape
Adjust the fade time between samples to Adjust the vibrato rate » Size
simulate legato » Vibrato Delay Adjust the room size
» [Mode] Portamento Adjust the time to reach vibrato depth » Dry
Only one note can be voiced at a time, from note press Adjust the amount of Dry signal
previous notes are cut off as new notes » Tremolo Power » Wet
are struck, new notes bend into pitch » Tremolo Amount Adjust the amount of Wet signal
from the direction of last note struck Adjust the tremolo depth
» Portamento Glide » Tremolo Speed
Adjust the duration of pitch bend Adjust the tremolo rate
» On Pedal (Legato and Portamento only) » Tremolo Delay
Use a Sustain pedal to switch between Adjust the time to reach tremolo depth
legato and portamento modes from note press

245
Layers & Keyswitches

Folk Recorder Vel


Bass. . . . . . . . . . . . . . . . . . . . . C1 Sopranino Gliss. . . . . . . . . . . A1
Bass Gliss . . . . . . . . . . . . . . . . C#1
Tenor. . . . . . . . . . . . . . . . . . . . D1
Tenor Gliss. . . . . . . . . . . . . . . D#1
Alto. . . . . . . . . . . . . . . . . . . . . . E1
Alto Gliss. . . . . . . . . . . . . . . . . F1
Soprano. . . . . . . . . . . . . . . . . . F#1
Soprano Gliss. . . . . . . . . . . . . G1
Sopranino. . . . . . . . . . . . . . . . G#1

Folk Recorder Wheel


Bass. . . . . . . . . . . . . . . . . . . . . C1 Sopranino Gliss. . . . . . . . . . . A1
Bass Gliss . . . . . . . . . . . . . . . . C#1
Tenor. . . . . . . . . . . . . . . . . . . . D1
Tenor Gliss. . . . . . . . . . . . . . . D#1
Alto. . . . . . . . . . . . . . . . . . . . . . E1
Alto Gliss. . . . . . . . . . . . . . . . . F1
Soprano. . . . . . . . . . . . . . . . . . F#1
Soprano Gliss. . . . . . . . . . . . . G1
Sopranino. . . . . . . . . . . . . . . . G#1

Poly Caroussel
Bass. . . . . . . . . . . . . . . . . . . . . C1 Sopranino Gliss. . . . . . . . . . . A1
Bass Gliss . . . . . . . . . . . . . . . . C#1
Tenor. . . . . . . . . . . . . . . . . . . . D1
Tenor Gliss. . . . . . . . . . . . . . . D#1
Alto. . . . . . . . . . . . . . . . . . . . . . E1
Alto Gliss. . . . . . . . . . . . . . . . . F1
Soprano. . . . . . . . . . . . . . . . . . F#1
Soprano Gliss. . . . . . . . . . . . . G1
Sopranino. . . . . . . . . . . . . . . . G#1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

246
UI - Solo Instrument - German Accordions

Register 2

Controls 1

3 Reverb

1 Controls 2 Register
» Release Select between 8 accordion sounds
Adjust the volume of release sample
» Velocity 3 Convolution Reverb
Adjust the velocity sensitivity » Power
» Timbre » Impulse Response Menu [IR]
Adjust the timbre/pitch Select the reverb room shape
Envelope » Size
» A [Attack] Adjust the room size
After triggering a note, the time until full » Dry
note volume is reached Adjust the amount of Dry signal
» D [Decay] » Wet
After the Attack time has passed, the time Adjust the amount of Wet signal
it takes to reach the Sustain level
» S [Sustain]
The note level while sustained
» R [Release]
After a note is released, the time it takes
to fade to 0

247
Layers & Keyswitches

German Accordions Full


N/A

German Accordions Piccolo


N/A

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

248
UI - Solo Instrument - German Psalter

Note: Some presets have


been custom tuned to provide
optimum dynamics depending
on play style. If you’ll be using
a modwheel choose the Wheel
version, otherwise choose Vel.

1 Keyswitch Menu

Expression 3

4 Equalizer
Performance 2

5 Reverb

1 Keyswitch Menu 3 Expression 4 Equalizer


Change the active layer » [Mode] Velocity » Power
Note velocity determines note volume » ƒ [Mid Frequency]
2 Performance » [Mode] Wheel Sweepable mid-band frequency
» [Mode] Polyphonic Use your MIDI controllers Mod Wheel to 120Hz — 1600Hz — 6kHz
Allow the voicing of multiple notes determine note volume » Bass / Mid / Treble
simultaneously » Volume Curve Adjust band gain/attenuation (+/-20dB)
» [Mode] Legato Modify the Velocity/Wheel volume curve
Only one note can be voiced at a time, » Vibrato Power 5 Convolution Reverb
previous notes are cut off as new notes » Vibrato Amount » Power
are struck Adjust the vibrato depth » Impulse Response Menu [IR]
» Legato Fade » Vibrato Speed Select the reverb room shape
Adjust the fade time between samples to Adjust the vibrato rate » Size
simulate legato » Vibrato Delay Adjust the room size
» [Mode] Portamento Adjust the time to reach vibrato depth » Dry
Only one note can be voiced at a time, from note press Adjust the amount of Dry signal
previous notes are cut off as new notes » Tremolo Power » Wet
are struck, new notes bend into pitch » Tremolo Amount Adjust the amount of Wet signal
from the direction of last note struck Adjust the tremolo depth
» Portamento Glide » Tremolo Speed
Adjust the duration of pitch bend Adjust the tremolo rate
» On Pedal (Legato and Portamento only) » Tremolo Delay
Use a Sustain pedal to switch between Adjust the time to reach tremolo depth
legato and portamento modes from note press

249
Layers & Keyswitches

German Psalter Vel


Long. . . . . . . . . . . . . . . . . . . . . C1
Short . . . . . . . . . . . . . . . . . . . . C#1
Pizzicato. . . . . . . . . . . . . . . . . D1

German Psalter Wheel


Long. . . . . . . . . . . . . . . . . . . . . C1
Short . . . . . . . . . . . . . . . . . . . . C#1
Pizzicato. . . . . . . . . . . . . . . . . D1

Pizzi Psalter
Long. . . . . . . . . . . . . . . . . . . . . C1
Short . . . . . . . . . . . . . . . . . . . . C#1
Pizzicato. . . . . . . . . . . . . . . . . D1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

250
UI - Solo Instrument - Gothenburg Organ

Register 2

Controls 1

3 Reverb

1 Controls 2 Register
» Release Select between 7 accordion sounds
Adjust the volume of release sample
» Velocity 3 Convolution Reverb
Adjust the velocity sensitivity » Power
» Timbre » Impulse Response Menu [IR]
Adjust the timbre/pitch Select the reverb room shape
Envelope » Size
» A [Attack] Adjust the room size
After triggering a note, the time until full » Dry
note volume is reached Adjust the amount of Dry signal
» D [Decay] » Wet
After the Attack time has passed, the time Adjust the amount of Wet signal
it takes to reach the Sustain level
» S [Sustain]
The note level while sustained
» R [Release]
After a note is released, the time it takes
to fade to 0

251
Layers & Keyswitches

Gothenburg Organ Basic


N/A

Gothenburg Organ Pad


N/A

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

252
UI - Solo Instrument - Naeshult Table Piano

Envelope 4 1 Keyswitch Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Keyswitch Menu 4 Envelope 5 Equalizer


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » ƒ [Mid Frequency]
2 Sound note volume is reached Sweepable mid-band frequency
» Keyclick » D [Decay] 120Hz — 1600Hz — 6kHz
Activates a discrete layer that emphasizes After the Attack time has passed, the time » Bass / Mid / Treble
the keyclick noise, adjust level it takes to reach the Sustain level Adjust band gain/attenuation (+/-20dB)
» Timbre » S [Sustain]
Adjust the timbre/pitch The note level while sustained 6 Convolution Reverb
» R [Release] » Power
3 Expression After a note is released, the time it takes » Impulse Response Menu [IR]
» Velocity Curve to fade to 0 Select the reverb room shape
Adjust the velocity curve between hard, » Size
soft, and linear response Adjust the room size
» Dry
Adjust the amount of Dry signal
» Wet
Adjust the amount of Wet signal

253
Layers & Keyswitches

Naeshult Table Piano


String 1 Front. . . . . . . . . . . . . C1
String 1 Back. . . . . . . . . . . . . C#1
String 2 Front . . . . . . . . . . . . D1
String 2 Back. . . . . . . . . . . . . D#1

Naeshult Table Release


String 1 Front. . . . . . . . . . . . . C1
String 1 Back. . . . . . . . . . . . . C#1
String 2 Front . . . . . . . . . . . . D1
String 2 Back. . . . . . . . . . . . . D#1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

254
UI - Solo Instrument - Nordic Low Whistle

Note: Some presets have


been custom tuned to provide
optimum dynamics depending
on play style. If you’ll be using
a modwheel choose the Wheel
version, otherwise choose Vel.

1 Keyswitch Menu

Expression 3

4 Equalizer
Performance 2

5 Reverb

1 Keyswitch Menu 3 Expression 4 Equalizer


Change the active layer » [Mode] Velocity » Power
Note velocity determines note volume » ƒ [Mid Frequency]
2 Performance » [Mode] Wheel Sweepable mid-band frequency
» [Mode] Polyphonic Use your MIDI controllers Mod Wheel to 120Hz — 1600Hz — 6kHz
Allow the voicing of multiple notes determine note volume » Bass / Mid / Treble
simultaneously » Volume Curve Adjust band gain/attenuation (+/-20dB)
» [Mode] Legato Modify the Velocity/Wheel volume curve
Only one note can be voiced at a time, » Vibrato Power 5 Convolution Reverb
previous notes are cut off as new notes » Vibrato Amount » Power
are struck Adjust the vibrato depth » Impulse Response Menu [IR]
» Legato Fade » Vibrato Speed Select the reverb room shape
Adjust the fade time between samples to Adjust the vibrato rate » Size
simulate legato » Vibrato Delay Adjust the room size
» [Mode] Portamento Adjust the time to reach vibrato depth » Dry
Only one note can be voiced at a time, from note press Adjust the amount of Dry signal
previous notes are cut off as new notes » Tremolo Power » Wet
are struck, new notes bend into pitch » Tremolo Amount Adjust the amount of Wet signal
from the direction of last note struck Adjust the tremolo depth
» Portamento Glide » Tremolo Speed
Adjust the duration of pitch bend Adjust the tremolo rate
» On Pedal (Legato and Portamento only) » Tremolo Delay
Use a Sustain pedal to switch between Adjust the time to reach tremolo depth
legato and portamento modes from note press

255
Layers & Keyswitches

Nordic Low Whistle Vel


Natural. . . . . . . . . . . . . . . . . . . C2
Legato. . . . . . . . . . . . . . . . . . . C#2
Tremolo. . . . . . . . . . . . . . . . . . D2
Staccato 1. . . . . . . . . . . . . . . . D#2
Staccato 2. . . . . . . . . . . . . . . . E2
Glissando . . . . . . . . . . . . . . . . F2

Nordic Low Whistle Wheel


Natural. . . . . . . . . . . . . . . . . . . C2
Legato. . . . . . . . . . . . . . . . . . . C#2
Tremolo. . . . . . . . . . . . . . . . . . D2
Staccato 1. . . . . . . . . . . . . . . . D#2
Staccato 2. . . . . . . . . . . . . . . . E2
Glissando . . . . . . . . . . . . . . . . F2

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

256
UI - Solo Instrument - Nordic Psalmodikon

Note: Some presets have


been custom tuned to provide
optimum dynamics depending
on play style. If you’ll be using
a modwheel choose the Wheel
version, otherwise choose Vel.

1 Keyswitch Menu

Expression 3

4 Equalizer
Performance 2

5 Reverb

1 Keyswitch Menu 3 Expression 4 Equalizer


Change the active layer » [Mode] Velocity » Power
Note velocity determines note volume » ƒ [Mid Frequency]
2 Performance » [Mode] Wheel Sweepable mid-band frequency
» [Mode] Polyphonic Use your MIDI controllers Mod Wheel to 120Hz — 1600Hz — 6kHz
Allow the voicing of multiple notes determine note volume » Bass / Mid / Treble
simultaneously » Volume Curve Adjust band gain/attenuation (+/-20dB)
» [Mode] Legato Modify the Velocity/Wheel volume curve
Only one note can be voiced at a time, » Vibrato Power 5 Convolution Reverb
previous notes are cut off as new notes » Vibrato Amount » Power
are struck Adjust the vibrato depth » Impulse Response Menu [IR]
» Legato Fade » Vibrato Speed Select the reverb room shape
Adjust the fade time between samples to Adjust the vibrato rate » Size
simulate legato » Vibrato Delay Adjust the room size
» [Mode] Portamento Adjust the time to reach vibrato depth » Dry
Only one note can be voiced at a time, from note press Adjust the amount of Dry signal
previous notes are cut off as new notes » Tremolo Power » Wet
are struck, new notes bend into pitch » Tremolo Amount Adjust the amount of Wet signal
from the direction of last note struck Adjust the tremolo depth
» Portamento Glide » Tremolo Speed
Adjust the duration of pitch bend Adjust the tremolo rate
» On Pedal (Legato and Portamento only) » Tremolo Delay
Use a Sustain pedal to switch between Adjust the time to reach tremolo depth
legato and portamento modes from note press

257
Layers & Keyswitches

Psalmodikon Vel
Bowed 1. . . . . . . . . . . . . . . . . . C#1
Bowed 2 . . . . . . . . . . . . . . . . . D1
Marcato 1. . . . . . . . . . . . . . . . D#1
Marcato 2. . . . . . . . . . . . . . . . E1
Staccato 1. . . . . . . . . . . . . . . . F1
Staccato 2. . . . . . . . . . . . . . . . F#1
Picked. . . . . . . . . . . . . . . . . . . C1

Psalmodikon Wheel
Bowed 1. . . . . . . . . . . . . . . . . . C#1
Bowed 2 . . . . . . . . . . . . . . . . . D1
Marcato 1. . . . . . . . . . . . . . . . D#1
Marcato 2. . . . . . . . . . . . . . . . E1
Staccato 1. . . . . . . . . . . . . . . . F1
Staccato 2. . . . . . . . . . . . . . . . F#1
Picked. . . . . . . . . . . . . . . . . . . C1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

258
UI - Solo Instrument - Nordic Upright Piano

Envelope 3

Expression 2

4 Equalizer
Sound 1

5 Reverb

1 Sound 4 Equalizer
» Timbre » Power
Adjust the timbre/pitch » ƒ [Mid Frequency]
Sweepable mid-band frequency
2 Expression 120Hz — 1600Hz — 6kHz
» Velocity Curve » Bass / Mid / Treble
Adjust the velocity curve between hard, Adjust band gain/attenuation (+/-20dB)
soft, and linear response
5 Convolution Reverb
3 Envelope » Power
» A [Attack] » Impulse Response Menu [IR]
After triggering a note, the time until full Select the reverb room shape
note volume is reached » Size
» D [Decay] Adjust the room size
After the Attack time has passed, the time » Dry
it takes to reach the Sustain level Adjust the amount of Dry signal
» S [Sustain] » Wet
The note level while sustained Adjust the amount of Wet signal
» R [Release]
After a note is released, the time it takes
to fade to 0

259
Layers & Keyswitches

Nordic Upright Piano


N/A

Space Upright Piano


N/A

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

260
UI - Solo Instrument - Orfeo Accordion

Register 2

Controls 1

3 Reverb

1 Controls 2 Register
» Release Select between 5 accordion sounds
Adjust the volume of release sample
» Velocity 3 Convolution Reverb
Adjust the velocity sensitivity » Power
» Timbre » Impulse Response Menu [IR]
Adjust the timbre/pitch Select the reverb room shape
Envelope » Size
» A [Attack] Adjust the room size
After triggering a note, the time until full » Dry
note volume is reached Adjust the amount of Dry signal
» D [Decay] » Wet
After the Attack time has passed, the time Adjust the amount of Wet signal
it takes to reach the Sustain level
» S [Sustain]
The note level while sustained
» R [Release]
After a note is released, the time it takes
to fade to 0

261
Layers & Keyswitches

Orfeo Accordion
N/A

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

262
UI - Solo Instrument - Parisian Accordions

Register 2

Controls 1

3 Reverb

1 Controls 2 Register
» Release Select between 10 accordion sounds
Adjust the volume of release sample
» Velocity 3 Convolution Reverb
Adjust the velocity sensitivity » Power
» Timbre » Impulse Response Menu [IR]
Adjust the timbre/pitch Select the reverb room shape
Envelope » Size
» A [Attack] Adjust the room size
After triggering a note, the time until full » Dry
note volume is reached Adjust the amount of Dry signal
» D [Decay] » Wet
After the Attack time has passed, the time Adjust the amount of Wet signal
it takes to reach the Sustain level
» S [Sustain]
The note level while sustained
» R [Release]
After a note is released, the time it takes
to fade to 0

263
Layers & Keyswitches

Parisian Accordions
N/A

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

264
UI - Solo Instrument - Piano Bastringue

Envelope 4

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Sound 4 Equalizer
» Timbre » Power
Adjust the timbre/pitch » ƒ [Mid Frequency]
Sweepable mid-band frequency
2 Expression 120Hz — 1600Hz — 6kHz
» Velocity Curve » Bass / Mid / Treble
Adjust the velocity curve between hard, Adjust band gain/attenuation (+/-20dB)
soft, and linear response
5 Convolution Reverb
3 Envelope » Power
» A [Attack] » Impulse Response Menu [IR]
After triggering a note, the time until full Select the reverb room shape
note volume is reached » Size
» D [Decay] Adjust the room size
After the Attack time has passed, the time » Dry
it takes to reach the Sustain level Adjust the amount of Dry signal
» S [Sustain] » Wet
The note level while sustained Adjust the amount of Wet signal
» R [Release]
After a note is released, the time it takes
to fade to 0

265
Layers & Keyswitches

Piano Bastringue
N/A

Piano Old
N/A

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

266
UI - Solo Instrument - Portuguese Fado Guitar

Envelope 3

Expression 2

4 Equalizer
Sound 1

5 Reverb

1 Sound 3 Envelope 5 Convolution Reverb


» Alt Mic » A [Attack] » Power
Activates a alternative mic layer After triggering a note, the time until full » Impulse Response Menu [IR]
» Fret Noise note volume is reached Select the reverb room shape
Activates a discrete layer that emphasizes » D [Decay] » Size
the fret noise, adjust level After the Attack time has passed, the time Adjust the room size
» Release it takes to reach the Sustain level » Dry
Activates a discrete layer that emphasizes » S [Sustain] Adjust the amount of Dry signal
the release phase, adjust level The note level while sustained » Wet
» Timbre » R [Release] Adjust the amount of Wet signal
Adjust the timbre/pitch After a note is released, the time it takes
to fade to 0
2 Expression
» Velocity Curve 4 Equalizer
Adjust the velocity curve between hard, » Power
soft, and linear response » ƒ [Mid Frequency]
Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
» Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

267
Layers & Keyswitches

Portuguese Fado Guitar


N/A

Portuguese Fado Sitar


N/A

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

268
UI - Solo Instrument - Recorders

Note: Some presets have


been custom tuned to provide
optimum dynamics depending
on play style. If you’ll be using
a modwheel choose the Wheel
version, otherwise choose Vel.

1 Keyswitch Menu

Expression 3

4 Equalizer
Performance 2

5 Reverb

1 Keyswitch Menu 3 Expression 4 Equalizer


Change the active layer » [Mode] Velocity » Power
Note velocity determines note volume » ƒ [Mid Frequency]
2 Performance » [Mode] Wheel Sweepable mid-band frequency
» [Mode] Polyphonic Use your MIDI controllers Mod Wheel to 120Hz — 1600Hz — 6kHz
Allow the voicing of multiple notes determine note volume » Bass / Mid / Treble
simultaneously » Volume Curve Adjust band gain/attenuation (+/-20dB)
» [Mode] Legato Modify the Velocity/Wheel volume curve
Only one note can be voiced at a time, » Vibrato Power 5 Convolution Reverb
previous notes are cut off as new notes » Vibrato Amount » Power
are struck Adjust the vibrato depth » Impulse Response Menu [IR]
» Legato Fade » Vibrato Speed Select the reverb room shape
Adjust the fade time between samples to Adjust the vibrato rate » Size
simulate legato » Vibrato Delay Adjust the room size
» [Mode] Portamento Adjust the time to reach vibrato depth » Dry
Only one note can be voiced at a time, from note press Adjust the amount of Dry signal
previous notes are cut off as new notes » Tremolo Power » Wet
are struck, new notes bend into pitch » Tremolo Amount Adjust the amount of Wet signal
from the direction of last note struck Adjust the tremolo depth
» Portamento Glide » Tremolo Speed
Adjust the duration of pitch bend Adjust the tremolo rate
» On Pedal (Legato and Portamento only) » Tremolo Delay
Use a Sustain pedal to switch between Adjust the time to reach tremolo depth
legato and portamento modes from note press

269
Layers & Keyswitches

Recorders Vel
Bass. . . . . . . . . . . . . . . . . . . . . C1
Tenor. . . . . . . . . . . . . . . . . . . . C#1
Alto. . . . . . . . . . . . . . . . . . . . . . D1
Soprano. . . . . . . . . . . . . . . . . . D#1
Soprano Vibrato. . . . . . . . . . E1
Soprano Trill Up. . . . . . . . . . F1
Sopranino. . . . . . . . . . . . . . . . F#1
Sopranino Trill Up . . . . . . . . G1

Recorders Wheel
Bass. . . . . . . . . . . . . . . . . . . . . C1
Tenor. . . . . . . . . . . . . . . . . . . . C#1
Alto. . . . . . . . . . . . . . . . . . . . . . D1
Soprano. . . . . . . . . . . . . . . . . . D#1
Soprano Vibrato. . . . . . . . . . E1
Soprano Trill Up. . . . . . . . . . F1
Sopranino. . . . . . . . . . . . . . . . F#1
Sopranino Trill Up . . . . . . . . G1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

270
UI - Solo Instrument - Triple String Zither

Envelope 4 1 Keyswitch Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Keyswitch Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Sound note volume is reached Select the reverb room shape
» Timbre » D [Decay] » Size
Adjust the timbre/pitch After the Attack time has passed, the time Adjust the room size
it takes to reach the Sustain level » Dry
3 Expression » S [Sustain] Adjust the amount of Dry signal
» Velocity Curve The note level while sustained » Wet
Adjust the velocity curve between hard, » R [Release] Adjust the amount of Wet signal
soft, and linear response After a note is released, the time it takes
to fade to 0

5 Equalizer
» Power
» ƒ [Mid Frequency]
Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
» Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

271
Layers & Keyswitches

Triple String Zither Basic


Single. . . . . . . . . . . . . . . . . . . . C1
3Strings. . . . . . . . . . . . . . . . . . C#1
Mallet. . . . . . . . . . . . . . . . . . . . D1
Ebow . . . . . . . . . . . . . . . . . . . . D#1
Harmonic. . . . . . . . . . . . . . . . E1

Triple String Zither Mallet


Single. . . . . . . . . . . . . . . . . . . . C1
3Strings. . . . . . . . . . . . . . . . . . C#1
Mallet. . . . . . . . . . . . . . . . . . . . D1
Ebow . . . . . . . . . . . . . . . . . . . . D#1
Harmonic. . . . . . . . . . . . . . . . E1

Triple String Zither Pad


Single. . . . . . . . . . . . . . . . . . . . C1
3Strings. . . . . . . . . . . . . . . . . . C#1
Mallet. . . . . . . . . . . . . . . . . . . . D1
Ebow . . . . . . . . . . . . . . . . . . . . D#1
Harmonic. . . . . . . . . . . . . . . . E1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

272
UI - Solo Instrument - Victorini Accordion

Register 2

3 Equalizer
Controls 1

4 Reverb

1 Controls 3 Equalizer 4 Convolution Reverb


» Release » Power » Power
Adjust the volume of release sample » ƒ [Mid Frequency] » Impulse Response Menu [IR]
» Velocity Sweepable mid-band frequency Select the reverb room shape
Adjust the velocity sensitivity 120Hz — 1600Hz — 6kHz » Size
» Timbre » Bass / Mid / Treble Adjust the room size
Adjust the timbre/pitch Adjust band gain/attenuation (+/-20dB) » Dry
Envelope Adjust the amount of Dry signal
» A [Attack] » Wet
After triggering a note, the time until full Adjust the amount of Wet signal
note volume is reached
» D [Decay]
Keyboard Zones
After the Attack time has passed, the time
it takes to reach the Sustain level
» S [Sustain]
The note level while sustained
» R [Release]
After a note is released, the time it takes
» Bass Section (Dark Green Keys) C1 - B2
to fade to 0

» Chord Section (Green Keys) C2 - F3


2 Register
A chord recognition algorithm recognizes chords played on these keys and plays back chord samples.
Select between 2 accordion sounds

» Solo Bandoneon / Clarinet section (Blue Keys) F#3 - C6

273
Layers & Keyswitches

Victorini Accordion High


N/A

Victorini Accordion Low


N/A

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

274
UI - Solo Instrument - Viola Da Gamba

Note: Some presets have


been custom tuned to provide
optimum dynamics depending
on play style. If you’ll be using
a modwheel choose the Wheel
version, otherwise choose Vel.

1 Keyswitch Menu

Expression 3

4 Equalizer
Performance 2

5 Reverb

1 Keyswitch Menu 3 Expression 4 Equalizer


Change the active layer » [Mode] Velocity » Power
Note velocity determines note volume » ƒ [Mid Frequency]
2 Performance » [Mode] Wheel Sweepable mid-band frequency
» [Mode] Polyphonic Use your MIDI controllers Mod Wheel to 120Hz — 1600Hz — 6kHz
Allow the voicing of multiple notes determine note volume » Bass / Mid / Treble
simultaneously » Volume Curve Adjust band gain/attenuation (+/-20dB)
» [Mode] Legato Modify the Velocity/Wheel volume curve
Only one note can be voiced at a time, » Vibrato Power 5 Convolution Reverb
previous notes are cut off as new notes » Vibrato Amount » Power
are struck Adjust the vibrato depth » Impulse Response Menu [IR]
» Legato Fade » Vibrato Speed Select the reverb room shape
Adjust the fade time between samples to Adjust the vibrato rate » Size
simulate legato » Vibrato Delay Adjust the room size
» [Mode] Portamento Adjust the time to reach vibrato depth » Dry
Only one note can be voiced at a time, from note press Adjust the amount of Dry signal
previous notes are cut off as new notes » Tremolo Power » Wet
are struck, new notes bend into pitch » Tremolo Amount Adjust the amount of Wet signal
from the direction of last note struck Adjust the tremolo depth
» Portamento Glide » Tremolo Speed
Adjust the duration of pitch bend Adjust the tremolo rate
» On Pedal (Legato and Portamento only) » Tremolo Delay
Use a Sustain pedal to switch between Adjust the time to reach tremolo depth
legato and portamento modes from note press

275
Layers & Keyswitches

Viola Da Gamba Staccato Poly


Sustain. . . . . . . . . . . . . . . . . . . C0 Pizzicato Corto. . . . . . . . . . . A0
Short Spiccato. . . . . . . . . . . . C#0 Picked. . . . . . . . . . . . . . . . . . . A#0
Spiccato . . . . . . . . . . . . . . . . . D0 Finger Kuppen. . . . . . . . . . . . B0
Flatment. . . . . . . . . . . . . . . . . D#0 Armonici Pizzicati. . . . . . . . . C1
Flautato. . . . . . . . . . . . . . . . . . E0 Trill One Note . . . . . . . . . . . . C#1
Col Legano Battuto. . . . . . . F0 Trill Semi Tone . . . . . . . . . . . D1
Col Legano Tratto . . . . . . . . F#0 Tremolo. . . . . . . . . . . . . . . . . . D#1
Bartok. . . . . . . . . . . . . . . . . . . G0 Al Ponte . . . . . . . . . . . . . . . . . E1
Pizzicato. . . . . . . . . . . . . . . . . G#0 Armonici. . . . . . . . . . . . . . . . . F1

Viola Da Gamba Vel


Sustain. . . . . . . . . . . . . . . . . . . C0 Pizzicato Corto. . . . . . . . . . . A0
Short Spiccato. . . . . . . . . . . . C#0 Picked. . . . . . . . . . . . . . . . . . . A#0
Spiccato . . . . . . . . . . . . . . . . . D0 Finger Kuppen. . . . . . . . . . . . B0
Flatment. . . . . . . . . . . . . . . . . D#0 Armonici Pizzicati. . . . . . . . . C1
Flautato. . . . . . . . . . . . . . . . . . E0 Trill One Note . . . . . . . . . . . . C#1
Col Legano Battuto. . . . . . . F0 Trill Semi Tone . . . . . . . . . . . D1
Col Legano Tratto . . . . . . . . F#0 Tremolo. . . . . . . . . . . . . . . . . . D#1
Bartok. . . . . . . . . . . . . . . . . . . G0 Al Ponte . . . . . . . . . . . . . . . . . E1
Pizzicato. . . . . . . . . . . . . . . . . G#0 Armonici. . . . . . . . . . . . . . . . . F1

Viola Da Gamba Wheel


Sustain. . . . . . . . . . . . . . . . . . . C0 Pizzicato Corto. . . . . . . . . . . A0
Short Spiccato. . . . . . . . . . . . C#0 Picked. . . . . . . . . . . . . . . . . . . A#0
Spiccato . . . . . . . . . . . . . . . . . D0 Finger Kuppen. . . . . . . . . . . . B0
Flatment. . . . . . . . . . . . . . . . . D#0 Armonici Pizzicati. . . . . . . . . C1
Flautato. . . . . . . . . . . . . . . . . . E0 Trill One Note . . . . . . . . . . . . C#1
Col Legano Battuto. . . . . . . F0 Trill Semi Tone . . . . . . . . . . . D1
Col Legano Tratto . . . . . . . . F#0 Tremolo. . . . . . . . . . . . . . . . . . D#1
Bartok. . . . . . . . . . . . . . . . . . . G0 Al Ponte . . . . . . . . . . . . . . . . . E1
Pizzicato. . . . . . . . . . . . . . . . . G#0 Armonici. . . . . . . . . . . . . . . . . F1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

276
277
UI - Solo Instrument - Ande Flute

Note: Some presets have


been custom tuned to provide
optimum dynamics depending
on play style. If you’ll be using
a modwheel choose the Wheel
version, otherwise choose Vel.

1 Keyswitch Menu

Expression 3

4 Equalizer
Performance 2

5 Reverb

1 Keyswitch Menu 3 Expression 4 Equalizer


Change the active layer » [Mode] Velocity » Power
Note velocity determines note volume » ƒ [Mid Frequency]
2 Performance » [Mode] Wheel Sweepable mid-band frequency
» [Mode] Polyphonic Use your MIDI controllers Mod Wheel to 120Hz — 1600Hz — 6kHz
Allow the voicing of multiple notes determine note volume » Bass / Mid / Treble
simultaneously » Volume Curve Adjust band gain/attenuation (+/-20dB)
» [Mode] Legato Modify the Velocity/Wheel volume curve
Only one note can be voiced at a time, » Vibrato Power 5 Convolution Reverb
previous notes are cut off as new notes » Vibrato Amount » Power
are struck Adjust the vibrato depth » Impulse Response Menu [IR]
» Legato Fade » Vibrato Speed Select the reverb room shape
Adjust the fade time between samples to Adjust the vibrato rate » Size
simulate legato » Vibrato Delay Adjust the room size
» [Mode] Portamento Adjust the time to reach vibrato depth » Dry
Only one note can be voiced at a time, from note press Adjust the amount of Dry signal
previous notes are cut off as new notes » Tremolo Power » Wet
are struck, new notes bend into pitch » Tremolo Amount Adjust the amount of Wet signal
from the direction of last note struck Adjust the tremolo depth
» Portamento Glide » Tremolo Speed
Adjust the duration of pitch bend Adjust the tremolo rate
» On Pedal (Legato and Portamento only) » Tremolo Delay
Use a Sustain pedal to switch between Adjust the time to reach tremolo depth
legato and portamento modes from note press

278
Layers & Keyswitches

Ande Flute Vel


Sustain. . . . . . . . . . . . . . . . . . . C1
Blow. . . . . . . . . . . . . . . . . . . . . C#1

Ande Flute Wheel


Sustain. . . . . . . . . . . . . . . . . . . C1
Blow. . . . . . . . . . . . . . . . . . . . . C#1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

279
UI - Solo Instrument - Bajo Quinto

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Sound note volume is reached Select the reverb room shape
» Stereo » D [Decay] » Size
Activates stereo samples After the Attack time has passed, the time Adjust the room size
» Fret Noise it takes to reach the Sustain level » Dry
Activates a discrete layer that emphasizes » S [Sustain] Adjust the amount of Dry signal
the fret noise, adjust level The note level while sustained » Wet
» Release » R [Release] Adjust the amount of Wet signal
Activates a discrete layer that emphasizes After a note is released, the time it takes
the release phase, adjust level to fade to 0
» Timbre
Adjust the timbre/pitch 5 Equalizer
» Power
3 Expression » ƒ [Mid Frequency]
» Velocity Curve Sweepable mid-band frequency
Adjust the velocity curve between hard, 120Hz — 1600Hz — 6kHz
soft, and linear response » Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

280
Layers & Keyswitches

Bajo Quinto Basic


Bajo Quinto Sustain. . . . . . . C1
Bajo Quinto Chords Up. . . . C#1
Bajo Quinto Chords Dn. . . . D1

Bajo Quinto Harp


Bajo Quinto Sustain. . . . . . . C1
Bajo Quinto Chords Up. . . . C#1
Bajo Quinto Chords Dn. . . . D1

Bajo Quinto Xtra Chords


Bajo Quinto Sustain. . . . . . . C1
Bajo Quinto Chords Up. . . . C#1
Bajo Quinto Chords Dn. . . . D1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

281
UI - Solo Instrument - Charango

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Sound note volume is reached Select the reverb room shape
» Fret Noise » D [Decay] » Size
Activates a discrete layer that emphasizes After the Attack time has passed, the time Adjust the room size
the fret noise, adjust level it takes to reach the Sustain level » Dry
» Release » S [Sustain] Adjust the amount of Dry signal
Activates a discrete layer that emphasizes The note level while sustained » Wet
the release phase, adjust level » R [Release] Adjust the amount of Wet signal
» Timbre After a note is released, the time it takes
Adjust the timbre/pitch to fade to 0

3 Expression 5 Equalizer
» Velocity Curve » Power
Adjust the velocity curve between hard, » ƒ [Mid Frequency]
soft, and linear response Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
» Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

282
Layers & Keyswitches

Charango Basic
Charango Sustain. . . . . . . . . C1
Charango Chords. . . . . . . . . C#1

Charango Chords
Charango Sustain. . . . . . . . . C1
Charango Chords. . . . . . . . . C#1

Charango Kora
Charango Sustain. . . . . . . . . C1
Charango Chords. . . . . . . . . C#1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

283
UI - Solo Instrument - Cuatro

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Sound note volume is reached Select the reverb room shape
» Fret Noise » D [Decay] » Size
Activates a discrete layer that emphasizes After the Attack time has passed, the time Adjust the room size
the fret noise, adjust level it takes to reach the Sustain level » Dry
» Release » S [Sustain] Adjust the amount of Dry signal
Activates a discrete layer that emphasizes The note level while sustained » Wet
the release phase, adjust level » R [Release] Adjust the amount of Wet signal
» Timbre After a note is released, the time it takes
Adjust the timbre/pitch to fade to 0

3 Expression 5 Equalizer
» Velocity Curve » Power
Adjust the velocity curve between hard, » ƒ [Mid Frequency]
soft, and linear response Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
» Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

284
Layers & Keyswitches

Cuatro
Cuatro Sustain. . . . . . . . . . . . C2
Cuatro Hard. . . . . . . . . . . . . . C#2
Cuatro Soft. . . . . . . . . . . . . . . D2

Kuatro
Cuatro Sustain. . . . . . . . . . . . C2
Cuatro Hard. . . . . . . . . . . . . . C#2
Cuatro Soft. . . . . . . . . . . . . . . D2

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

285
UI - Solo Instrument - Guitarron

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Sound note volume is reached Select the reverb room shape
» Alt Mic » D [Decay] » Size
Activates a second mic After the Attack time has passed, the time Adjust the room size
» Fret Noise it takes to reach the Sustain level » Dry
Activates a discrete layer that emphasizes » S [Sustain] Adjust the amount of Dry signal
the fret noise, adjust level The note level while sustained » Wet
» Release » R [Release] Adjust the amount of Wet signal
Activates a discrete layer that emphasizes After a note is released, the time it takes
the release phase, adjust level to fade to 0
» Timbre
Adjust the timbre/pitch 5 Equalizer
» Power
3 Expression » ƒ [Mid Frequency]
» Velocity Curve Sweepable mid-band frequency
Adjust the velocity curve between hard, 120Hz — 1600Hz — 6kHz
soft, and linear response » Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

286
Layers & Keyswitches

Guitarron Basic
Guitarron Sustain. . . . . . . . . C1
Guitarron Doubled. . . . . . . . C#1

Guitarron Doubled
Guitarron Sustain. . . . . . . . . C1
Guitarron Doubled. . . . . . . . C#1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

287
UI - Solo Instrument - Keyboard Recorder

Envelope 3

Expression 2

4 Equalizer
Sound 1

5 Reverb

1 Sound 3 Envelope 5 Convolution Reverb


» Keyclick » A [Attack] » Power
Activates a discrete layer that emphasizes After triggering a note, the time until full » Impulse Response Menu [IR]
the key click, adjust level note volume is reached Select the reverb room shape
» Timbre » D [Decay] » Size
Adjust the timbre/pitch After the Attack time has passed, the time Adjust the room size
it takes to reach the Sustain level » Dry
2 Expression » S [Sustain] Adjust the amount of Dry signal
» Velocity Curve The note level while sustained » Wet
Adjust the velocity curve between hard, » R [Release] Adjust the amount of Wet signal
soft, and linear response After a note is released, the time it takes
to fade to 0

4 Equalizer
» Power
» ƒ [Mid Frequency]
Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
» Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

288
Layers & Keyswitches

Keyboard Recorder Basic


N/A

Keyboard Recorder Space


N/A

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

289
UI - Solo Instrument - Latin Panpipe

Note: Some presets have


been custom tuned to provide
optimum dynamics depending
on play style. If you’ll be using
a modwheel choose the Wheel
version, otherwise choose Vel.

1 Keyswitch Menu

Expression 3

4 Equalizer
Performance 2

5 Reverb

1 Keyswitch Menu 3 Expression 4 Equalizer


Change the active layer » [Mode] Velocity » Power
Note velocity determines note volume » ƒ [Mid Frequency]
2 Performance » [Mode] Wheel Sweepable mid-band frequency
» [Mode] Polyphonic Use your MIDI controllers Mod Wheel to 120Hz — 1600Hz — 6kHz
Allow the voicing of multiple notes determine note volume » Bass / Mid / Treble
simultaneously » Volume Curve Adjust band gain/attenuation (+/-20dB)
» [Mode] Legato Modify the Velocity/Wheel volume curve
Only one note can be voiced at a time, » Vibrato Power 5 Convolution Reverb
previous notes are cut off as new notes » Vibrato Amount » Power
are struck Adjust the vibrato depth » Impulse Response Menu [IR]
» Legato Fade » Vibrato Speed Select the reverb room shape
Adjust the fade time between samples to Adjust the vibrato rate » Size
simulate legato » Vibrato Delay Adjust the room size
» [Mode] Portamento Adjust the time to reach vibrato depth » Dry
Only one note can be voiced at a time, from note press Adjust the amount of Dry signal
previous notes are cut off as new notes » Tremolo Power » Wet
are struck, new notes bend into pitch » Tremolo Amount Adjust the amount of Wet signal
from the direction of last note struck Adjust the tremolo depth
» Portamento Glide » Tremolo Speed
Adjust the duration of pitch bend Adjust the tremolo rate
» On Pedal (Legato and Portamento only) » Tremolo Delay
Use a Sustain pedal to switch between Adjust the time to reach tremolo depth
legato and portamento modes from note press

290
Layers & Keyswitches

Latin Panpipe Vel


Sustain. . . . . . . . . . . . . . . . . . . C1
Sustain Soft. . . . . . . . . . . . . . C#1
Sustain Hard . . . . . . . . . . . . . D1

Latin Panpipe Wheel


Sustain. . . . . . . . . . . . . . . . . . . C1
Sustain Soft. . . . . . . . . . . . . . C#1
Sustain Hard . . . . . . . . . . . . . D1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

291
UI - Solo Instrument - Latin Percussions

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Doubling 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Doubling note volume is reached Select the reverb room shape
Add a secondary hit with variable volume, » D [Decay] » Size
pitch and filtering for more impact After the Attack time has passed, the time Adjust the room size
» Solo it takes to reach the Sustain level » Dry
Activate to use only the secondary voice » S [Sustain] Adjust the amount of Dry signal
» Power The note level while sustained » Wet
Activates a secondary voice (doubling) » R [Release] Adjust the amount of Wet signal
» Level After a note is released, the time it takes
Set the volume for the second voice to fade to 0
» Pitch
Set the pitch of the second voice 5 Equalizer
(+/-12 semi) » Power
» ƒ (LP/HP Filter) » ƒ [Mid Frequency]
Unified low-pass/high-pass filter Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
3 Expression » Bass / Mid / Treble
» Velocity Curve Adjust band gain/attenuation (+/-20dB)
Adjust the velocity curve between hard,
soft, and linear response

292
Layers & Keyswitches

Latin Percussions
Agogos . . . . . . . . . . . . . . . . . . C#0 Guiros . . . . . . . . . . . . . . . . . . . F1
Berimbau . . . . . . . . . . . . . . . . A0 Maracas . . . . . . . . . . . . . . . . . F#1
Bongos . . . . . . . . . . . . . . . . . . A#0 Pandiero. . . . . . . . . . . . . . . . . G1
Cabassa. . . . . . . . . . . . . . . . . . B0 Shakers. . . . . . . . . . . . . . . . . . G#1
Chekere. . . . . . . . . . . . . . . . . . C1 Surdo. . . . . . . . . . . . . . . . . . . . A1
Claves . . . . . . . . . . . . . . . . . . . C#1 Timbales. . . . . . . . . . . . . . . . . A#1
Congas. . . . . . . . . . . . . . . . . . . D1 Timbalitos. . . . . . . . . . . . . . . . B1
Cowbells. . . . . . . . . . . . . . . . . D#1
Cuicas . . . . . . . . . . . . . . . . . . . E1

Percussions Large
Agogos . . . . . . . . . . . . . . . . . . C#0 Guiros . . . . . . . . . . . . . . . . . . . F1
Berimbau . . . . . . . . . . . . . . . . A0 Maracas . . . . . . . . . . . . . . . . . F#1
Bongos . . . . . . . . . . . . . . . . . . A#0 Pandiero. . . . . . . . . . . . . . . . . G1
Cabassa. . . . . . . . . . . . . . . . . . B0 Shakers. . . . . . . . . . . . . . . . . . G#1
Chekere. . . . . . . . . . . . . . . . . . C1 Surdo. . . . . . . . . . . . . . . . . . . . A1
Claves . . . . . . . . . . . . . . . . . . . C#1 Timbales. . . . . . . . . . . . . . . . . A#1
Congas. . . . . . . . . . . . . . . . . . . D1 Timbalitos. . . . . . . . . . . . . . . . B1
Cowbells. . . . . . . . . . . . . . . . . D#1
Cuicas . . . . . . . . . . . . . . . . . . . E1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

293
UI - Solo Instrument - Mexican Vihuela

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Sound note volume is reached Select the reverb room shape
» Fret Noise » D [Decay] » Size
Activates a discrete layer that emphasizes After the Attack time has passed, the time Adjust the room size
the fret noise, adjust level it takes to reach the Sustain level » Dry
» Release » S [Sustain] Adjust the amount of Dry signal
Activates a discrete layer that emphasizes The note level while sustained » Wet
the release phase, adjust level » R [Release] Adjust the amount of Wet signal
» Timbre After a note is released, the time it takes
Adjust the timbre/pitch to fade to 0

3 Expression 5 Equalizer
» Velocity Curve » Power
Adjust the velocity curve between hard, » ƒ [Mid Frequency]
soft, and linear response Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
» Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

294
Layers & Keyswitches

Mexican Vihuela Basic


Vihuela Sustain. . . . . . . . . . . C2
Vihuela Chords Dn. . . . . . . . C#2
Vihuela Chords Up. . . . . . . . D2

Mexican Vihuela Chords


Vihuela Sustain. . . . . . . . . . . C2
Vihuela Chords Dn. . . . . . . . C#2
Vihuela Chords Up. . . . . . . . D2

Mexican Vihuela Harp


Vihuela Sustain. . . . . . . . . . . C2
Vihuela Chords Dn. . . . . . . . C#2
Vihuela Chords Up. . . . . . . . D2

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

295
UI - Solo Instrument - Peru Flute

Note: Some presets have


been custom tuned to provide
optimum dynamics depending
on play style. If you’ll be using
a modwheel choose the Wheel
version, otherwise choose Vel.

1 Keyswitch Menu

Expression 3

4 Equalizer
Performance 2

5 Reverb

1 Keyswitch Menu 3 Expression 4 Equalizer


Change the active layer » [Mode] Velocity » Power
Note velocity determines note volume » ƒ [Mid Frequency]
2 Performance » [Mode] Wheel Sweepable mid-band frequency
» [Mode] Polyphonic Use your MIDI controllers Mod Wheel to 120Hz — 1600Hz — 6kHz
Allow the voicing of multiple notes determine note volume » Bass / Mid / Treble
simultaneously » Volume Curve Adjust band gain/attenuation (+/-20dB)
» [Mode] Legato Modify the Velocity/Wheel volume curve
Only one note can be voiced at a time, » Vibrato Power 5 Convolution Reverb
previous notes are cut off as new notes » Vibrato Amount » Power
are struck Adjust the vibrato depth » Impulse Response Menu [IR]
» Legato Fade » Vibrato Speed Select the reverb room shape
Adjust the fade time between samples to Adjust the vibrato rate » Size
simulate legato » Vibrato Delay Adjust the room size
» [Mode] Portamento Adjust the time to reach vibrato depth » Dry
Only one note can be voiced at a time, from note press Adjust the amount of Dry signal
previous notes are cut off as new notes » Tremolo Power » Wet
are struck, new notes bend into pitch » Tremolo Amount Adjust the amount of Wet signal
from the direction of last note struck Adjust the tremolo depth
» Portamento Glide » Tremolo Speed
Adjust the duration of pitch bend Adjust the tremolo rate
» On Pedal (Legato and Portamento only) » Tremolo Delay
Use a Sustain pedal to switch between Adjust the time to reach tremolo depth
legato and portamento modes from note press

296
Layers & Keyswitches

Peru Flute Vel


Sustain. . . . . . . . . . . . . . . . . . . C0
Vibrato. . . . . . . . . . . . . . . . . . . C#0
Staccato. . . . . . . . . . . . . . . . . D0

Peru Flute Wheel


Sustain. . . . . . . . . . . . . . . . . . . C0
Vibrato. . . . . . . . . . . . . . . . . . . C#0
Staccato. . . . . . . . . . . . . . . . . D0

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

297
UI - Solo Instrument - Peruvian Ocarina

Note: Some presets have


been custom tuned to provide
optimum dynamics depending
on play style. If you’ll be using
a modwheel choose the Wheel
version, otherwise choose Vel.

1 Keyswitch Menu

Expression 3

4 Equalizer
Performance 2

5 Reverb

1 Keyswitch Menu 3 Expression 4 Equalizer


Change the active layer » [Mode] Velocity » Power
Note velocity determines note volume » ƒ [Mid Frequency]
2 Performance » [Mode] Wheel Sweepable mid-band frequency
» [Mode] Polyphonic Use your MIDI controllers Mod Wheel to 120Hz — 1600Hz — 6kHz
Allow the voicing of multiple notes determine note volume » Bass / Mid / Treble
simultaneously » Volume Curve Adjust band gain/attenuation (+/-20dB)
» [Mode] Legato Modify the Velocity/Wheel volume curve
Only one note can be voiced at a time, » Vibrato Power 5 Convolution Reverb
previous notes are cut off as new notes » Vibrato Amount » Power
are struck Adjust the vibrato depth » Impulse Response Menu [IR]
» Legato Fade » Vibrato Speed Select the reverb room shape
Adjust the fade time between samples to Adjust the vibrato rate » Size
simulate legato » Vibrato Delay Adjust the room size
» [Mode] Portamento Adjust the time to reach vibrato depth » Dry
Only one note can be voiced at a time, from note press Adjust the amount of Dry signal
previous notes are cut off as new notes » Tremolo Power » Wet
are struck, new notes bend into pitch » Tremolo Amount Adjust the amount of Wet signal
from the direction of last note struck Adjust the tremolo depth
» Portamento Glide » Tremolo Speed
Adjust the duration of pitch bend Adjust the tremolo rate
» On Pedal (Legato and Portamento only) » Tremolo Delay
Use a Sustain pedal to switch between Adjust the time to reach tremolo depth
legato and portamento modes from note press

298
Layers & Keyswitches

Peruvian Ocarina Vel


Sustain. . . . . . . . . . . . . . . . . . . C2
Legato. . . . . . . . . . . . . . . . . . . C#2
Staccato. . . . . . . . . . . . . . . . . D2
Glissando . . . . . . . . . . . . . . . . D#2

Peruvian Ocarina Wheel


Sustain. . . . . . . . . . . . . . . . . . . C2
Legato. . . . . . . . . . . . . . . . . . . C#2
Staccato. . . . . . . . . . . . . . . . . D2
Glissando . . . . . . . . . . . . . . . . D#2

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

299
UI - Solo Instrument - Ronroco

Envelope 4 1 Keyswitch Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Keyswitch Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Sound note volume is reached Select the reverb room shape
» Fret Noise » D [Decay] » Size
Activates a discrete layer that emphasizes After the Attack time has passed, the time Adjust the room size
the fret noise, adjust level it takes to reach the Sustain level » Dry
» Release » S [Sustain] Adjust the amount of Dry signal
Activates a discrete layer that emphasizes The note level while sustained » Wet
the release phase, adjust level » R [Release] Adjust the amount of Wet signal
» Timbre After a note is released, the time it takes
Adjust the timbre/pitch to fade to 0

3 Expression 5 Equalizer
» Velocity Curve » Power
Adjust the velocity curve between hard, » ƒ [Mid Frequency]
soft, and linear response Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
» Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

300
Layers & Keyswitches

Ronrochords
Ronoco Sustain. . . . . . . . . . . A4
Ronoco Chords Long. . . . . . A#4
Ronoco Chords Short . . . . . B4

Ronroco
Ronoco Sustain. . . . . . . . . . . A4
Ronoco Chords Long. . . . . . A#4
Ronoco Chords Short . . . . . B4

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

301
UI - Solo Instrument - South American Electric Bass

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Instrument Menu 5 Equalizer


Change the active layer » Power
» ƒ [Mid Frequency]
2 Sound Sweepable mid-band frequency
» Timbre 120Hz — 1600Hz — 6kHz
Adjust the timbre/pitch » Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)
3 Expression
» Velocity Curve 6 Convolution Reverb
Adjust the velocity curve between hard, » Power
soft, and linear response » Impulse Response Menu [IR]
Select the reverb room shape
4 Envelope » Size
» A [Attack] Adjust the room size
After triggering a note, the time until full » Dry
note volume is reached Adjust the amount of Dry signal
» D [Decay] » Wet
After the Attack time has passed, the time Adjust the amount of Wet signal
it takes to reach the Sustain level
» S [Sustain]
The note level while sustained
» R [Release]
After a note is released, the time it takes
to fade to 0

302
Layers & Keyswitches

Brazil Electric Bass


Cuba Bass. . . . . . . . . . . . . . . . C0
Brazil Bass . . . . . . . . . . . . . . . C#0

Cuba Electric Bass


Cuba Bass. . . . . . . . . . . . . . . . C0
Brazil Bass . . . . . . . . . . . . . . . C#0

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

303
UI - Solo Instrument - Tango Accordion

Register 2

Controls 1

3 Reverb

1 Controls 2 Register
» Release Select accordion sounds
Adjust the volume of release sample
» Velocity 3 Convolution Reverb
Adjust the velocity sensitivity » Power
» Timbre » Impulse Response Menu [IR]
Adjust the timbre/pitch Select the reverb room shape
Envelope » Size
» A [Attack] Adjust the room size
After triggering a note, the time until full » Dry
note volume is reached Adjust the amount of Dry signal
» D [Decay] » Wet
After the Attack time has passed, the time Adjust the amount of Wet signal
it takes to reach the Sustain level
» S [Sustain]
The note level while sustained
» R [Release]
After a note is released, the time it takes
to fade to 0

304
Layers & Keyswitches

Tango Accordion
N/A

Tango TAM
N/A

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

305
UI - Solo Instrument - UBass

Envelope 3

Expression 2

4 Equalizer
Sound 1

5 Reverb

1 Sound 4 Equalizer
» Timbre » Power
Adjust the timbre/pitch » ƒ [Mid Frequency]
Sweepable mid-band frequency
2 Expression 120Hz — 1600Hz — 6kHz
» Velocity Curve » Bass / Mid / Treble
Adjust the velocity curve between hard, Adjust band gain/attenuation (+/-20dB)
soft, and linear response
5 Convolution Reverb
3 Envelope » Power
» A [Attack] » Impulse Response Menu [IR]
After triggering a note, the time until full Select the reverb room shape
note volume is reached » Size
» D [Decay] Adjust the room size
After the Attack time has passed, the time » Dry
it takes to reach the Sustain level Adjust the amount of Dry signal
» S [Sustain] » Wet
The note level while sustained Adjust the amount of Wet signal
» R [Release]
After a note is released, the time it takes
to fade to 0

306
Layers & Keyswitches

UBass Bright
N/A

UBass Dark
N/A

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

307
308
UI - Solo Instrument - Flamenco Guitar

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Sound note volume is reached Select the reverb room shape
» Fret Noise » D [Decay] » Size
Activates a discrete layer that emphasizes After the Attack time has passed, the time Adjust the room size
the fret noise, adjust level it takes to reach the Sustain level » Dry
» Release » S [Sustain] Adjust the amount of Dry signal
Activates a discrete layer that emphasizes The note level while sustained » Wet
the release phase, adjust level » R [Release] Adjust the amount of Wet signal
» Timbre After a note is released, the time it takes
Adjust the timbre/pitch to fade to 0

3 Expression 5 Equalizer
» Velocity Curve » Power
Adjust the velocity curve between hard, » ƒ [Mid Frequency]
soft, and linear response Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
» Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

309
UI - Solo Instrument - Flamenco Guitar Rhythm

Expression 3 1 Instrument Menu

4 Equalizer
Sound 2

5 Reverb

1 Instrument Menu 4 Equalizer 5 Convolution Reverb


The active rhythm (select with trigger key » Power » Power
or menu) » ƒ [Mid Frequency] » Impulse Response Menu [IR]
Sweepable mid-band frequency Select the reverb room shape
2 Configuration 120Hz — 1600Hz — 6kHz » Size
Select the guitar configuration » Bass / Mid / Treble Adjust the room size
Adjust band gain/attenuation (+/-20dB) » Dry
3 Expression Adjust the amount of Dry signal
» Velocity Curve » Wet
Adjust the velocity curve between hard, Adjust the amount of Wet signal
soft, and linear response
Chord Recognition and Key Switches

» Chord Recognition (Yellow Keys) C1 - G2


Play your chords in the yellow section of the keyboard, and the guitar will perform for you, synced to
the tempo! In this case, play the root note and the 3rd note to trigger the dedicated chord - a minor
3rd interval will trigger a minor chord and a major 3rd interval will trigger a major chord rhythm

» Key Switches (White and Black Keys) C3 - D4


Switch the rhythm sequence of the preset. For details of the key switches, please check the key
switch section in next page

310
Layers & Keyswitches

Flamenco Guitar 1
Spanish Guitar. . . . . . . . . . . . C1
Spanish Guitar Finger. . . . . C#1
Spanish Guitar Picked. . . . . D1
Spanish Nylon Guitar. . . . . . D#1

Flamenco Guitar 2
Spanish Guitar. . . . . . . . . . . . C1
Spanish Guitar Finger. . . . . C#1
Spanish Guitar Picked. . . . . D1
Spanish Nylon Guitar. . . . . . D#1

Flamenco Guitar Rhythm


Classic. . . . . . . . . . . . . . . . . . . C3 Ventilator Ghost. . . . . . . . . . A3
Clsssic Ghost. . . . . . . . . . . . . C#3 Clerre. . . . . . . . . . . . . . . . . . . . A#3
Galope. . . . . . . . . . . . . . . . . . . D3 Short Chords Soft. . . . . . . . . B3
Remolino. . . . . . . . . . . . . . . . . D#3 Short Chords Hard. . . . . . . . C4
Remolino Solo. . . . . . . . . . . . E3 Slow Chords Down. . . . . . . . C#4
Remolino Ghost . . . . . . . . . . F3 Slow Chords Up. . . . . . . . . . . D4
Combinados. . . . . . . . . . . . . . F#3
Combinados Gohst. . . . . . . . G3
Ventilator. . . . . . . . . . . . . . . . G#3

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

311
UI - Solo Instrument - Flamenco Percussion

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Doubling 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Doubling note volume is reached Select the reverb room shape
Add a secondary hit with variable volume, » D [Decay] » Size
pitch and filtering for more impact After the Attack time has passed, the time Adjust the room size
» Solo it takes to reach the Sustain level » Dry
Activate to use only the secondary voice » S [Sustain] Adjust the amount of Dry signal
» Power The note level while sustained » Wet
Activates a secondary voice (doubling) » R [Release] Adjust the amount of Wet signal
» Level After a note is released, the time it takes
Set the volume for the second voice to fade to 0
» Pitch
Set the pitch of the second voice 5 Equalizer
(+/-12 semi) » Power
» ƒ (LP/HP Filter) » ƒ [Mid Frequency]
Unified low-pass/high-pass filter Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
3 Expression » Bass / Mid / Treble
» Velocity Curve Adjust band gain/attenuation (+/-20dB)
Adjust the velocity curve between hard,
soft, and linear response

312
Layers & Keyswitches

Flamenco Percussion
Cajon 1. . . . . . . . . . . . . . . . . . . C1
Cajon 2 . . . . . . . . . . . . . . . . . . C#1
Cajon 3. . . . . . . . . . . . . . . . . . . D1
Castanets. . . . . . . . . . . . . . . . D#1
Flamenco Steps . . . . . . . . . . E1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

313
UI - Solo Instrument - Gypsy Jazz Guitar

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Sound note volume is reached Select the reverb room shape
» Fret Noise » D [Decay] » Size
Activates a discrete layer that emphasizes After the Attack time has passed, the time Adjust the room size
the fret noise, adjust level it takes to reach the Sustain level » Dry
» Release » S [Sustain] Adjust the amount of Dry signal
Activates a discrete layer that emphasizes The note level while sustained » Wet
the release phase, adjust level » R [Release] Adjust the amount of Wet signal
» Timbre After a note is released, the time it takes
Adjust the timbre/pitch to fade to 0

3 Expression 5 Equalizer
» Velocity Curve » Power
Adjust the velocity curve between hard, » ƒ [Mid Frequency]
soft, and linear response Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
» Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

314
Layers & Keyswitches

Gerome Django
Gerome ArchTop. . . . . . . . . C1
Gerome Harmonics. . . . . . . C#1
Maruha Sustain. . . . . . . . . . . D1
Maruha Slap. . . . . . . . . . . . . . D#1

Maruha Madelenas
Gerome ArchTop. . . . . . . . . C1
Gerome Harmonics. . . . . . . C#1
Maruha Sustain. . . . . . . . . . . D1
Maruha Slap. . . . . . . . . . . . . . D#1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

315
316
UI - Solo Instrument - Garrahand

Envelope 3

Expression 2

4 Equalizer
Doubling 1

5 Reverb

1 Doubling 3 Envelope 5 Convolution Reverb


Add a secondary hit with variable volume, » A [Attack] » Power
pitch and filtering for more impact After triggering a note, the time until full » Impulse Response Menu [IR]
» Solo note volume is reached Select the reverb room shape
Activate to use only the secondary voice » D [Decay] » Size
» Power After the Attack time has passed, the time Adjust the room size
Activates a secondary voice (doubling) it takes to reach the Sustain level » Dry
» Level » S [Sustain] Adjust the amount of Dry signal
Set the volume for the second voice The note level while sustained » Wet
» Pitch » R [Release] Adjust the amount of Wet signal
Set the pitch of the second voice After a note is released, the time it takes
(+/-12 semi) to fade to 0
» ƒ (LP/HP Filter)
Unified low-pass/high-pass filter 4 Equalizer
» Power
2 Expression » ƒ [Mid Frequency]
» Velocity Curve Sweepable mid-band frequency
Adjust the velocity curve between hard, 120Hz — 1600Hz — 6kHz
soft, and linear response » Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

317
Layers & Keyswitches

Garrahand Delay
N/A

Garrahand Octave
N/A

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

318
UI - Solo Instrument - Handpan

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Doubling 2

6 Reverb

1 Instrument Menu 3 Expression 5 Equalizer


Change the active layer » Velocity Curve » Power
Adjust the velocity curve between hard, » ƒ [Mid Frequency]
2 Doubling soft, and linear response Sweepable mid-band frequency
Add a secondary hit with variable volume, 120Hz — 1600Hz — 6kHz
pitch and filtering for more impact 4 Envelope » Bass / Mid / Treble
» Solo » A [Attack] Adjust band gain/attenuation (+/-20dB)
Activate to use only the secondary voice After triggering a note, the time until full
» Power note volume is reached 6 Convolution Reverb
Activates a secondary voice (doubling) » D [Decay] » Power
» Level After the Attack time has passed, the time » Impulse Response Menu [IR]
Set the volume for the second voice it takes to reach the Sustain level Select the reverb room shape
» Pitch » S [Sustain] » Size
Set the pitch of the second voice The note level while sustained Adjust the room size
(+/-12 semi) » R [Release] » Dry
» ƒ (LP/HP Filter) After a note is released, the time it takes Adjust the amount of Dry signal
Unified low-pass/high-pass filter to fade to 0 » Wet
Adjust the amount of Wet signal

319
Layers & Keyswitches

Ayasa
Ayasa Sustain. . . . . . . . . . . . C0
Bell 1 Sustain. . . . . . . . . . . . . D0
Bell 1 Double. . . . . . . . . . . . . D#0
Bell 2 Sustain. . . . . . . . . . . . . F0
Bell 2 Double. . . . . . . . . . . . . F#0
BPSH Sustain. . . . . . . . . . . . . G0
BPSH Double. . . . . . . . . . . . . G#0

Handpan Bell 1
Ayasa Sustain. . . . . . . . . . . . C0
Bell 1 Sustain. . . . . . . . . . . . . D0
Bell 1 Double. . . . . . . . . . . . . D#0
Bell 2 Sustain. . . . . . . . . . . . . F0
Bell 2 Double. . . . . . . . . . . . . F#0
BPSH Sustain. . . . . . . . . . . . . G0
BPSH Double. . . . . . . . . . . . . G#0

Handpan Bell 2 Double


Ayasa Sustain. . . . . . . . . . . . C0
Bell 1 Sustain. . . . . . . . . . . . . D0
Bell 1 Double. . . . . . . . . . . . . D#0
Bell 2 Sustain. . . . . . . . . . . . . F0
Bell 2 Double. . . . . . . . . . . . . F#0
BPSH Sustain. . . . . . . . . . . . . G0
BPSH Double. . . . . . . . . . . . . G#0

Octave Pan
Ayasa Sustain. . . . . . . . . . . . C0
Bell 1 Sustain. . . . . . . . . . . . . D0
Bell 1 Double. . . . . . . . . . . . . D#0
Bell 2 Sustain. . . . . . . . . . . . . F0
Bell 2 Double. . . . . . . . . . . . . F#0
BPSH Sustain. . . . . . . . . . . . . G0
BPSH Double. . . . . . . . . . . . . G#0

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

320
UI - Solo Instrument - Opsilon

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Doubling 2

6 Reverb

1 Instrument Menu 3 Expression 5 Equalizer


Change the active layer » Velocity Curve » Power
Adjust the velocity curve between hard, » ƒ [Mid Frequency]
2 Doubling soft, and linear response Sweepable mid-band frequency
Add a secondary hit with variable volume, 120Hz — 1600Hz — 6kHz
pitch and filtering for more impact 4 Envelope » Bass / Mid / Treble
» Solo » A [Attack] Adjust band gain/attenuation (+/-20dB)
Activate to use only the secondary voice After triggering a note, the time until full
» Power note volume is reached 6 Convolution Reverb
Activates a secondary voice (doubling) » D [Decay] » Power
» Level After the Attack time has passed, the time » Impulse Response Menu [IR]
Set the volume for the second voice it takes to reach the Sustain level Select the reverb room shape
» Pitch » S [Sustain] » Size
Set the pitch of the second voice The note level while sustained Adjust the room size
(+/-12 semi) » R [Release] » Dry
» ƒ (LP/HP Filter) After a note is released, the time it takes Adjust the amount of Dry signal
Unified low-pass/high-pass filter to fade to 0 » Wet
Adjust the amount of Wet signal

321
Layers & Keyswitches

Opsilon Bright
Sustain. . . . . . . . . . . . . . . . . . . C1
Double. . . . . . . . . . . . . . . . . . . C#1

Opsilon Dark
Sustain. . . . . . . . . . . . . . . . . . . C1
Double. . . . . . . . . . . . . . . . . . . C#1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

322
UI - Solo Instrument - Requinto

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Sound note volume is reached Select the reverb room shape
» Fret Noise » D [Decay] » Size
Activates a discrete layer that emphasizes After the Attack time has passed, the time Adjust the room size
the fret noise, adjust level it takes to reach the Sustain level » Dry
» Release » S [Sustain] Adjust the amount of Dry signal
Activates a discrete layer that emphasizes The note level while sustained » Wet
the release phase, adjust level » R [Release] Adjust the amount of Wet signal
» Timbre After a note is released, the time it takes
Adjust the timbre/pitch to fade to 0

3 Expression 5 Equalizer
» Velocity Curve » Power
Adjust the velocity curve between hard, » ƒ [Mid Frequency]
soft, and linear response Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
» Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

323
Layers & Keyswitches

Requinto Live
Requinto Fingered. . . . . . . . C1
Requinto Short. . . . . . . . . . . C#1
Requiton Picked. . . . . . . . . . D1
Requiton Picked Hard. . . . . D#1

Requinto Lounge
Requinto Fingered. . . . . . . . C1
Requinto Short. . . . . . . . . . . C#1
Requiton Picked. . . . . . . . . . D1
Requiton Picked Hard. . . . . D#1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

324
UI - Solo Instrument - Steel Drums

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Sound note volume is reached Select the reverb room shape
» Transient » D [Decay] » Size
Activates a discrete layer that emphasizes After the Attack time has passed, the time Adjust the room size
the attack phase, adjust level and pitch it takes to reach the Sustain level » Dry
» Body » S [Sustain] Adjust the amount of Dry signal
Activates a discrete layer that emphasizes The note level while sustained » Wet
the sustain phase, adjust level and pitch » R [Release] Adjust the amount of Wet signal
» Timbre After a note is released, the time it takes
Adjust the timbre/pitch to fade to 0

3 Expression 5 Equalizer
» Alternate » Power
Adjust the depth of stereo pan alternation » ƒ [Mid Frequency]
» Velocity Curve Sweepable mid-band frequency
Adjust the velocity curve between hard, 120Hz — 1600Hz — 6kHz
soft, and linear response » Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

325
Layers & Keyswitches

Steel Drums 1
Steel Drums. . . . . . . . . . . . . . C2
Steel Drums Hard. . . . . . . . . C#2
Steel Drums Medium . . . . . D2
Steel Drums Soft. . . . . . . . . . D#2

Steel Drums 2
Steel Drums. . . . . . . . . . . . . . C2
Steel Drums Hard. . . . . . . . . C#2
Steel Drums Medium . . . . . D2
Steel Drums Soft. . . . . . . . . . D#2

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

326
UI - Solo Instrument - Steel Pan

Envelope 3

Expression 2

4 Equalizer
Doubling 1

5 Reverb

1 Doubling 3 Envelope 5 Convolution Reverb


Add a secondary hit with variable volume, » A [Attack] » Power
pitch and filtering for more impact After triggering a note, the time until full » Impulse Response Menu [IR]
» Solo note volume is reached Select the reverb room shape
Activate to use only the secondary voice » D [Decay] » Size
» Power After the Attack time has passed, the time Adjust the room size
Activates a secondary voice (doubling) it takes to reach the Sustain level » Dry
» Level » S [Sustain] Adjust the amount of Dry signal
Set the volume for the second voice The note level while sustained » Wet
» Pitch » R [Release] Adjust the amount of Wet signal
Set the pitch of the second voice After a note is released, the time it takes
(+/-12 semi) to fade to 0
» ƒ (LP/HP Filter)
Unified low-pass/high-pass filter 4 Equalizer
» Power
2 Expression » ƒ [Mid Frequency]
» Velocity Curve Sweepable mid-band frequency
Adjust the velocity curve between hard, 120Hz — 1600Hz — 6kHz
soft, and linear response » Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

327
Layers & Keyswitches

Steel Pan Basic


N/A

Steel Pan Large


N/A

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

328
UI - Solo Instrument - Tongue Drum

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Sound note volume is reached Select the reverb room shape
» Transient » D [Decay] » Size
Activates a discrete layer that emphasizes After the Attack time has passed, the time Adjust the room size
the attack phase, adjust level and pitch it takes to reach the Sustain level » Dry
» Body » S [Sustain] Adjust the amount of Dry signal
Activates a discrete layer that emphasizes The note level while sustained » Wet
the sustain phase, adjust level and pitch » R [Release] Adjust the amount of Wet signal
» Timbre After a note is released, the time it takes
Adjust the timbre/pitch to fade to 0

3 Expression 5 Equalizer
» Alternate » Power
Adjust the depth of stereo pan alternation » ƒ [Mid Frequency]
» Velocity Curve Sweepable mid-band frequency
Adjust the velocity curve between hard, 120Hz — 1600Hz — 6kHz
soft, and linear response » Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

329
Layers & Keyswitches

Tongue Drum
Mallet. . . . . . . . . . . . . . . . . . . . C2
Finger. . . . . . . . . . . . . . . . . . . . C#2
Rear. . . . . . . . . . . . . . . . . . . . . D2
Side. . . . . . . . . . . . . . . . . . . . . . D#2

Tongue Variation
Mallet. . . . . . . . . . . . . . . . . . . . C2
Finger. . . . . . . . . . . . . . . . . . . . C#2
Rear. . . . . . . . . . . . . . . . . . . . . D2
Side. . . . . . . . . . . . . . . . . . . . . . D#2

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

330
UI - Solo Instrument - Sun Drum

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Sound note volume is reached Select the reverb room shape
» Transient » D [Decay] » Size
Activates a discrete layer that emphasizes After the Attack time has passed, the time Adjust the room size
the attack phase, adjust level and pitch it takes to reach the Sustain level » Dry
» Body » S [Sustain] Adjust the amount of Dry signal
Activates a discrete layer that emphasizes The note level while sustained » Wet
the sustain phase, adjust level and pitch » R [Release] Adjust the amount of Wet signal
» Timbre After a note is released, the time it takes
Adjust the timbre/pitch to fade to 0

3 Expression 5 Equalizer
» Alternate » Power
Adjust the depth of stereo pan alternation » ƒ [Mid Frequency]
» Velocity Curve Sweepable mid-band frequency
Adjust the velocity curve between hard, 120Hz — 1600Hz — 6kHz
soft, and linear response » Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

331
Layers & Keyswitches

Sun Drum
Open . . . . . . . . . . . . . . . . . . . . C1
Mute. . . . . . . . . . . . . . . . . . . . . C#1

Sun Variation
Open . . . . . . . . . . . . . . . . . . . . C1
Mute. . . . . . . . . . . . . . . . . . . . . C#1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

332
UI - Solo Instrument - Ukulele

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Sound note volume is reached Select the reverb room shape
» Fret Noise » D [Decay] » Size
Activates a discrete layer that emphasizes After the Attack time has passed, the time Adjust the room size
the fret noise, adjust level it takes to reach the Sustain level » Dry
» Release » S [Sustain] Adjust the amount of Dry signal
Activates a discrete layer that emphasizes The note level while sustained » Wet
the release phase, adjust level » R [Release] Adjust the amount of Wet signal
» Timbre After a note is released, the time it takes
Adjust the timbre/pitch to fade to 0

3 Expression 5 Equalizer
» Velocity Curve » Power
Adjust the velocity curve between hard, » ƒ [Mid Frequency]
soft, and linear response Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
» Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

333
Layers & Keyswitches

Ukulele
Ukelele Sustain. . . . . . . . . . . C1
Chord Up Maj min. . . . . . . . C#1
Chord Dn Maj min. . . . . . . . D1

Ukulele Harp
Ukelele Sustain. . . . . . . . . . . C1
Chord Up Maj min. . . . . . . . C#1
Chord Dn Maj min. . . . . . . . D1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

334
UI - Solo Instrument - West Indies Bass

Envelope 4 1 Instrument Menu

Expression 3

5 Equalizer
Sound 2

6 Reverb

1 Instrument Menu 4 Envelope 6 Convolution Reverb


Change the active layer » A [Attack] » Power
After triggering a note, the time until full » Impulse Response Menu [IR]
2 Sound note volume is reached Select the reverb room shape
» Fret Noise » D [Decay] » Size
Activates a discrete layer that emphasizes After the Attack time has passed, the time Adjust the room size
the fret noise, adjust level it takes to reach the Sustain level » Dry
» Release » S [Sustain] Adjust the amount of Dry signal
Activates a discrete layer that emphasizes The note level while sustained » Wet
the release phase, adjust level » R [Release] Adjust the amount of Wet signal
» Timbre After a note is released, the time it takes
Adjust the timbre/pitch to fade to 0

3 Expression 5 Equalizer
» Velocity Curve » Power
Adjust the velocity curve between hard, » ƒ [Mid Frequency]
soft, and linear response Sweepable mid-band frequency
120Hz — 1600Hz — 6kHz
» Bass / Mid / Treble
Adjust band gain/attenuation (+/-20dB)

335
Layers & Keyswitches

West Indies Bass 1


West Indies Bass Long. . . . C-1
West Indies Bass Short. . . . C#-1

West Indies Bass 2


West Indies Bass Long. . . . C-1
West Indies Bass Short. . . . C#-1

RED KEYS = Keyswitches WHITE/COLORED KEYS = playable GREY KEYS = unused

336
337
UI - Traveler

Master 1

Tracks 2

1 Master 2 Tracks
Contains preset navigation, play/ » Instrument » LP
stop, global tune and a randomize Click to access the instrument menu Low-pass filters cutoff frequency
button for quickly creating new sound » Preset Previous/Next (If moved to the far left = bypass)
configurations. Play/stop and pitch » Track On/Off » HP
controls can be played from a MIDI » Mute / Solo High-pass filters cutoff frequency
keyboard with keys C1-B2. » Volume (If moved to the far right = bypass/20kHz)
» Pan » Tune (-12 to +12 semi)
» Preset Screen » Reverb Adjust the Reverb Dry/Wet
Click to access the preset menu
MIDI Mapping
» Preset Previous/Next
Click to navigate through factory presets
» Note
Select the key for global tune
» Play
» Play/Stop C1-B2 (keys control global tune, allowing chromatic playback)
Play/Stop the enabled tracks
» Randomize
Multiple Stereo Audio Outputs
Randomly changes the samples loaded on
all 6 tracks UVI Workstation / Falcon
1 2 3 4 5 6 7
Stereo Mix

Track 1

Track 2

Track 3

Track 4

Track 5

Track 6

338
339
UI - Traveler

Master 1

Tracks 2

1 Master 2 Tracks
Contains preset navigation, play/ » Instrument » LP
stop, global tune and a randomize Click to access the instrument menu Low-pass filters cutoff frequency
button for quickly creating new sound » Preset Previous/Next (If moved to the far left = bypass)
configurations. Play/stop and pitch » Track On/Off » HP
controls can be played from a MIDI » Mute / Solo High-pass filters cutoff frequency
keyboard with keys C1-B2. » Volume (If moved to the far right = bypass/20kHz)
» Pan » Tune (-12 to +12 semi)
» Preset Screen » Reverb Adjust the Reverb Dry/Wet
Click to access the preset menu
MIDI Mapping
» Preset Previous/Next
Click to navigate through factory presets
» Note
Select the key for global tune
» Play
» Play/Stop C1-B2 (keys control global tune, allowing chromatic playback)
Play/Stop the enabled tracks
» Randomize
Multiple Stereo Audio Outputs
Randomly changes the samples loaded on
all 6 tracks UVI Workstation / Falcon
1 2 3 4 5 6 7
Stereo Mix

Track 1

Track 2

Track 3

Track 4

Track 5

Track 6

340
341
UI - Traveler

Master 1

Tracks 2

1 Master 2 Tracks
Contains preset navigation, play/ » Instrument » LP
stop, global tune and a randomize Click to access the instrument menu Low-pass filters cutoff frequency
button for quickly creating new sound » Preset Previous/Next (If moved to the far left = bypass)
configurations. Play/stop and pitch » Track On/Off » HP
controls can be played from a MIDI » Mute / Solo High-pass filters cutoff frequency
keyboard with keys C1-B2. » Volume (If moved to the far right = bypass/20kHz)
» Pan » Tune (-12 to +12 semi)
» Preset Screen » Reverb Adjust the Reverb Dry/Wet
Click to access the preset menu
MIDI Mapping
» Preset Previous/Next
Click to navigate through factory presets
» Note
Select the key for global tune
» Play
» Play/Stop C1-B2 (keys control global tune, allowing chromatic playback)
Play/Stop the enabled tracks
» Randomize
Multiple Stereo Audio Outputs
Randomly changes the samples loaded on
all 6 tracks UVI Workstation / Falcon
1 2 3 4 5 6 7
Stereo Mix

Track 1

Track 2

Track 3

Track 4

Track 5

Track 6

342
343
UI - Traveler

Master 1

Tracks 2

1 Master 2 Tracks
Contains preset navigation, play/ » Instrument » LP
stop, global tune and a randomize Click to access the instrument menu Low-pass filters cutoff frequency
button for quickly creating new sound » Preset Previous/Next (If moved to the far left = bypass)
configurations. Play/stop and pitch » Track On/Off » HP
controls can be played from a MIDI » Mute / Solo High-pass filters cutoff frequency
keyboard with keys C1-B2. » Volume (If moved to the far right = bypass/20kHz)
» Pan » Tune (-12 to +12 semi)
» Preset Screen » Reverb Adjust the Reverb Dry/Wet
Click to access the preset menu
MIDI Mapping
» Preset Previous/Next
Click to navigate through factory presets
» Note
Select the key for global tune
» Play
» Play/Stop C1-B2 (keys control global tune, allowing chromatic playback)
Play/Stop the enabled tracks
» Randomize
Multiple Stereo Audio Outputs
Randomly changes the samples loaded on
all 6 tracks UVI Workstation / Falcon
1 2 3 4 5 6 7
Stereo Mix

Track 1

Track 2

Track 3

Track 4

Track 5

Track 6

344
345
UI - Traveler

Master 1

Tracks 2

1 Master 2 Tracks
Contains preset navigation, play/ » Instrument » LP
stop, global tune and a randomize Click to access the instrument menu Low-pass filters cutoff frequency
button for quickly creating new sound » Preset Previous/Next (If moved to the far left = bypass)
configurations. Play/stop and pitch » Track On/Off » HP
controls can be played from a MIDI » Mute / Solo High-pass filters cutoff frequency
keyboard with keys C1-B2. » Volume (If moved to the far right = bypass/20kHz)
» Pan » Tune (-12 to +12 semi)
» Preset Screen » Reverb Adjust the Reverb Dry/Wet
Click to access the preset menu
MIDI Mapping
» Preset Previous/Next
Click to navigate through factory presets
» Note
Select the key for global tune
» Play
» Play/Stop C1-B2 (keys control global tune, allowing chromatic playback)
Play/Stop the enabled tracks
» Randomize
Multiple Stereo Audio Outputs
Randomly changes the samples loaded on
all 6 tracks UVI Workstation / Falcon
1 2 3 4 5 6 7
Stereo Mix

Track 1

Track 2

Track 3

Track 4

Track 5

Track 6

346
347
UI - Traveler

Master 1

Tracks 2

1 Master 2 Tracks
Contains preset navigation, play/ » Percussions » LP
stop, global tune and a randomize Click to access the Percussion menu Low-pass filters cutoff frequency
button for quickly creating new sound » Preset Previous/Next (If moved to the far left = bypass)
configurations. Play/stop can be played » Track On/Off » HP
from a MIDI keyboard with keys C1 » Mute / Solo High-pass filters cutoff frequency
» Volume (If moved to the far right = bypass/20kHz)
» Preset Screen » Pan » Tune (-12 to +12 semi)
Click to access the preset menu » Reverb Adjust the Reverb Dry/Wet
» Preset Previous/Next
MIDI Mapping
Click to navigate through factory presets
» Note
Select the key for global tune
» Play
Play/Stop the enabled tracks
» Play/Stop C1
» Randomize
Randomly changes the samples loaded on
Multiple Stereo Audio Outputs
all 6 tracks
UVI Workstation / Falcon
1 2 3 4 5 6 7
Stereo Mix

Track 1

Track 2

Track 3

Track 4

Track 5

Track 6

348
349
UI - Traveler

Master 1

Tracks 2

1 Master 2 Tracks
Contains preset navigation, play/ » Instrument » LP
stop, global tune and a randomize Click to access the instrument menu Low-pass filters cutoff frequency
button for quickly creating new sound » Preset Previous/Next (If moved to the far left = bypass)
configurations. Play/stop and pitch » Track On/Off » HP
controls can be played from a MIDI » Mute / Solo High-pass filters cutoff frequency
keyboard with keys C1-B2. » Volume (If moved to the far right = bypass/20kHz)
» Pan » Tune (-12 to +12 semi)
» Preset Screen » Reverb Adjust the Reverb Dry/Wet
Click to access the preset menu
MIDI Mapping
» Preset Previous/Next
Click to navigate through factory presets
» Note
Select the key for global tune
» Play
» Play/Stop C1-B2 (keys control global tune, allowing chromatic playback)
Play/Stop the enabled tracks
» Randomize
Multiple Stereo Audio Outputs
Randomly changes the samples loaded on
all 6 tracks UVI Workstation / Falcon
1 2 3 4 5 6 7
Stereo Mix

Track 1

Track 2

Track 3

Track 4

Track 5

Track 6

350
351
UI - Traveler

Master 1

Tracks 2

1 Master 2 Tracks
Contains preset navigation, play/ » Instrument » LP
stop, global tune and a randomize Click to access the instrument menu Low-pass filters cutoff frequency
button for quickly creating new sound » Preset Previous/Next (If moved to the far left = bypass)
configurations. Play/stop and pitch » Track On/Off » HP
controls can be played from a MIDI » Mute / Solo High-pass filters cutoff frequency
keyboard with keys C1-B2. » Volume (If moved to the far right = bypass/20kHz)
» Pan » Tune (-12 to +12 semi)
» Preset Screen » Reverb Adjust the Reverb Dry/Wet
Click to access the preset menu
MIDI Mapping
» Preset Previous/Next
Click to navigate through factory presets
» Note
Select the key for global tune
» Play
» Play/Stop C1-B2 (keys control global tune, allowing chromatic playback)
Play/Stop the enabled tracks
» Randomize
Multiple Stereo Audio Outputs
Randomly changes the samples loaded on
all 6 tracks UVI Workstation / Falcon
1 2 3 4 5 6 7
Stereo Mix

Track 1

Track 2

Track 3

Track 4

Track 5

Track 6

352
353
UI - Traveler

Master 1

Drone Track 2 3 Reverb

Voice Tracks 4

1 Master 4 Voice Tracks


Contains preset navigation and a » Instrument » Sample
randomize button for quickly creating Click to access the instrument menu Set the sample start point and the
new sound configurations. » Preset Up/Down playback speed
» Preset Screen » Track On/Off » Filter (HP/LP)
Click to access the preset menu » Mute / Solo A combination LP/HP filter; full LP on the
» Preset Up/Down » Volume left, full HP on the right, center is no effect
Click to navigate through factory presets » Pan » Reverb Send Adjust send level
» Randomize » Attack / Release
Randomly changes the samples loaded on » Velocity
all 5 tracks » Trigger Mode
Mono: plays monophonically Multiple Stereo Audio Outputs
2 Drone Track
Poly: allows polyphonic playback
» Instrument
Voice Play: enables legato, subsequent UVI Workstation / Falcon
Click to access the instrument menu
polyphonic triggers will start the sample 1 2 3 4 5 6
» Preset Up/Down
where other running voices are, useful for
Main Stereo Mix

Drone Track

Vocal A

Vocal B

Vocal C

Vocal D

» Track On/Off / Mute / Solo


polyphonic vocal harmonies
» Volume / Pan / Attack / Release
» Octave
» Filter (HP/LP)
» Reverb Send MIDI Mapping
3 Reverb
» Room Size
» High / Low pass filter

» Key Ranges The Colors are reflect each track and voice ranges. The brightest key is the root pitch

354
355
UI - Traveler

Master 1

Drone Track 2 3 Reverb

Voice Tracks 4

1 Master 4 Voice Tracks


Contains preset navigation and a » Instrument » Sample
randomize button for quickly creating Click to access the instrument menu Set the sample start point and the
new sound configurations. » Preset Up/Down playback speed
» Preset Screen » Track On/Off » Filter (HP/LP)
Click to access the preset menu » Mute / Solo A combination LP/HP filter; full LP on the
» Preset Up/Down » Volume left, full HP on the right, center is no effect
Click to navigate through factory presets » Pan » Reverb Send Adjust send level
» Randomize » Attack / Release
Randomly changes the samples loaded on » Velocity
all 5 tracks » Trigger Mode
Mono: plays monophonically Multiple Stereo Audio Outputs
2 Drone Track
Poly: allows polyphonic playback
» Instrument
Voice Play: enables legato, subsequent UVI Workstation / Falcon
Click to access the instrument menu
polyphonic triggers will start the sample 1 2 3 4 5 6
» Preset Up/Down
where other running voices are, useful for
Main Stereo Mix

Drone Track

Vocal A

Vocal B

Vocal C

Vocal D

» Track On/Off / Mute / Solo


polyphonic vocal harmonies
» Volume / Pan / Attack / Release
» Octave
» Filter (HP/LP)
» Reverb Send MIDI Mapping
3 Reverb
» Room Size
» High / Low pass filter

» Key Ranges The Colors are reflect each track and voice ranges. The brightest key is the root pitch

356
Samples
Loops and Phrases & Vocals

357
Samples - Loops and Phrases & Vocals

Overview Using Loops and Samples


World Suite 2 comes with over 10,000 loops and melodic loops, phrases Load a loop or sample through the browser, just like you would a
and vocals. All samples are tempo synced and loopable (.wav files) for regular UVI instrument.
use in your DAW or other plugins. Files are divided into two categories
and organized by groups. Sample files can be drag-and-dropped
directly from the browser or single part window into your DAW or onto Drag-and-drop to
DAW, Desktop, etc.
your desktop, or loaded as parts and played directly in UVI Workstation
or Falcon.

For more information on using sample parts in UVI Workstation or Falcon


please consult the respective user guide. WAV files can be double-clicked and loaded as playable parts within
UVI Workstation, or drag-and-dropped directly from the browser

Drag-and-drop to
DAW, Desktop, etc.
Additionally you can drag-and-drop samples or loops to your
DAW or desktop with the D&D button in a single part

358
Browser
View Toggle 1

Category 2

Group 3

Samples 4

Details 5

1 View Toggle 3 Groups


» Browser View Groups are indicated with an arrow ‘>’,
View and load instruments click to view their contents in the adjacent
» Main View column
Selected instrument’s UI/parameters
» Multi-Part View 4 Samples
Add and select various instrument layers Samples are typically named as follows:
» Virtual Keyboards Tempo > Set > Description/Pitch
Show virtual keyboards at the bottom of
the UI 5 Details
Meta-data for the instrument and file are
2 Category Column displayed here
Categories are available to choose from

359
Sample Editor

3 Transport

Playback Behaviors 1

Controls 2

» Coarse, Fine » Trigger


1 Playback Behaviors
Adjust tuning in semitones or cents Immediate: instantly triggers
» Sample
» Sync Next Beat: triggers on beat
Loop/phrase plays like a regular sampler
Off: Loop/phrase does not sync to tempo Next Bar: triggers at measure
NOTE: Half/Double speed does not work
Tempo: Follow Tempo, but not position » Slice Start
in Sample mode
Position: Tempo and position are followed Sample/Stretch: define where the sample
» Stretch
NOTE: Not available on phrases will begin within the sound file
Sample length is not pitch-dependent.
» Speed Slice: provides a range from the first slice
Loop/phrase starts at the beginning of
Adjust speed in relation to Tempo and of the sample to the last slice
the loop/phrase
Sync settings, Double-click to reset, » Drag & Drop
» Slice
Half/Double: Slow to 1/2 or 1/4; Speed Export raw wave, when Slice/Map is
Default mode
to 2x or 4x of the assigned tempo, Fine enabled exports MIDI map of sliced
NOTE: Sliced sound files can be switched
works similarly, but with any rate value sample notes
to Stretch or Sample, but non-Sliced
» Latch
sound files cannot be switched
The loop/phrase will play even after you 3 Transport
release a controller key Tempo editable via tap, click-drag, or
2 Controls
Stretch/Slice: it will repeat indefinitely manually entry via double-click, stop,
» Key, Tempo
Sample: it will play once, then stop sync-to-host, play
Key displays the root key for the loop/
NOTE: hit the same controller key again to
phrase, Tempo controls the loop’s rate
silence the loop/phrase

360
Loops and Phrases

Africa Conga 130-Djembe Regular-12.wav 097-Djembe Unusual-02.wav


Balafon 090-Sabar-Congas.wav Djembe Modern 130-Djembe Regular-13.wav 097-Djembe Unusual-03.wav
064-Gm-Balafon-01.wav 110-Hi Life-Congas.wav 088-Djembe Modern-01.wav 130-Djembe Regular-14.wav 097-Djembe Unusual-04.wav
074-Gm-Balafon Delay-02.wav 120-Bikutsi 1-Congas.wav 089-Djembe Modern-02.wav 131-Djembe Regular-15.wav 098-Djembe Unusual-05.wav
074-Gm-Balafon-02.wav 130-Bikutsi 2-Congas.wav 089-Djembe Modern-03.wav 131-Djembe Regular-16.wav 100-Djembe Unusual-06.wav
080-Gm-Balafon-03.wav 130-Bikutsi 3-Congas.wav 089-Djembe Modern-04.wav 131-Djembe Regular-17.wav 100-Djembe Unusual-07.wav
093-Gm-Balafon ST.wav 130-Muju Ba-Congas.wav 089-Djembe Modern-05.wav 132-Djembe Regular-18.wav 103-Djembe Unusual-08.wav
093-Gm-Balafon-04.wav 140-Soukouss-Congas.wav 089-Djembe Modern-06.wav 132-Djembe Regular-19.wav 103-Djembe Unusual-09.wav
094-Gm-Balafon Delay-05.wav 089-Djembe Modern-07.wav 133-Djembe Regular-20.wav 104-Djembe Unusual-10.wav
094-Gm-Balafon-05.wav Cowbell 089-Djembe Modern-08.wav 133-Djembe Regular-21.wav 104-Djembe Unusual-11.wav
096-Gm-Balafon-06.wav 090-Sabar-Cowbell.wav 089-Djembe Modern-09.wav 133-Djembe Regular-22.wav 105-Djembe Unusual-12.wav
098-Gm-Balafon Delay-07.wav 100-Juju-Cowbell.wav 089-Djembe Modern-10.wav 134-Djembe Regular-23.wav 105-Djembe Unusual-13.wav
098-Gm-Balafon-07.wav 110-Hi Life-Cowbell.wav 089-Djembe Modern-11.wav 134-Djembe Regular-24.wav 106-Djembe Unusual-14.wav
104-Gm-Balafon-08.wav 120-Bikutsi 1-Cowbell.wav 089-Djembe Modern-12.wav 135-Djembe Regular-25.wav 107-Djembe Unusual-15.wav
105-Gm-Balafon-09.wav 130-Bikutsi 2-Cowbell.wav 090-Djembe Modern-13.wav 135-Djembe Regular-26.wav 107-Djembe Unusual-16.wav
106-Gm-Balafon-10.wav 140-Raggae Ska-Cowbell.wav 090-Djembe Modern-14.wav 135-Djembe Regular-27.wav 109-Djembe Unusual-17.wav
120-Gm-Balafon Verb.wav 140-Soukouss-Cowbell.wav 090-Djembe Modern-15.wav 136-Djembe Regular-28.wav 110-Djembe Unusual-18.wav
095-Djembe Modern-16.wav 137-Djembe Regular-29.wav 110-Djembe Unusual-19.wav
Bara Drum Cruche 098-Djembe Modern-17.wav 138-Djembe Regular-30.wav 111-Djembe Unusual-20.wav
075-Bara Drum-01.wav 114-Cruche-01.wav 099-Djembe Modern Hi-01.wav 139-Djembe Regular-31.wav 112-Djembe Unusual-21.wav
076-Bara Noisy Drum-01.wav 116-Cruche-02.wav 099-Djembe Modern Hi-02.wav 140-Djembe Regular-32.wav 112-Djembe Unusual-22.wav
095-Bara Drum-02.wav 117-Cruche-03.wav 100-Djembe Modern Hi-03.wav 146-Djembe Regular-33.wav 114-Djembe Unusual-23.wav
096-Bara Drum-03.wav 117-Cruche-04.wav 100-Djembe Modern Hi-04.wav 165-Djembe Regular-34.wav 114-Djembe Unusual-24.wav
096-Bara Drum-04.wav 118-Cruche-05.wav 100-Djembe Modern Hi-05.wav 118-Djembe Unusual-25.wav
096-Bara Drum-05.wav 118-Cruche-06.wav 100-Djembe Modern Hi-06.wav Djembe Regular Medium 123-Djembe Unusual-26.wav
096-Bara Drum-06.wav 118-Cruche-07.wav 100-Djembe Modern Hi-07.wav 093-Djembe Regular-01.wav 137-Djembe Unusual-27.wav
096-Bara Drum-07.wav 118-Cruche-08.wav 100-Djembe Modern-18.wav 093-Djembe Regular-02.wav
096-Bara Drum-08.wav 118-Cruche-09.wav 100-Djembe Modern-19.wav 093-Djembe Regular-03.wav Drums
118-Bara Drum-09.wav 118-Cruche-10.wav 100-Djembe Modern-20.wav 094-Djembe Regular-04.wav 090-Sabar-Drums.wav
120-Bara Drum-10.wav 135-Cruche-11.wav 100-Djembe Modern-21.wav 094-Djembe Regular-05.wav 100-Juju-Drums.wav
120-Bara Drum-11.wav 135-Cruche-12.wav 100-Djembe Modern-22.wav 094-Djembe Regular-06.wav 110-Hi Life-Drums.wav
120-Bara Drum-12.wav 135-Cruche-13.wav 100-Djembe Modern-23.wav 094-Djembe Regular-07.wav 120-Bikutsi 1-Drums.wav
120-Bara Drum-13.wav 135-Cruche-14.wav 100-Djembe Modern-24.wav 094-Djembe Regular-08.wav 130-Bikutsi 2-Drums.wav
149-Bara Drum-14.wav 138-Cruche-15.wav 100-Djembe Modern-25.wav 094-Djembe Regular-09.wav 130-Bikutsi 3-Drums.wav
149-Bara Drum-15.wav 140-Cruche-16.wav 100-Djembe Modern-Fill 01.wav 095-Djembe Regular-10.wav 130-Muju Ba-Drums.wav
149-Bara Drum-16.wav 140-Cruche-17.wav 101-Djembe Modern Hi-08.wav 095-Djembe Regular-11.wav 140-Raggae Ska-Drums.wav
149-Bara Drum-17.wav 140-Cruche-18.wav 101-Djembe Modern-26.wav 095-Djembe Regular-12.wav 140-Soukouss-Drums.wav
150-Bara Drum-18.wav 141-Cruche-19.wav 117-Djembe Modern-27.wav 095-Djembe Regular-13.wav
150-Bara Drum-19.wav 142-Cruche-20.wav 118-Djembe Modern Hi-09.wav 095-Djembe Regular-14.wav Drums and Percs
150-Bara Drum-20.wav 145-Cruche-21.wav 118-Djembe Modern Hi-10.wav 096-Djembe Regular-15.wav 090-Sabar-Drums and Percs.wav
150-Bara Drum-21.wav 151-Cruche-22.wav 118-Djembe Modern Hi-11.wav 097-Djembe Regular-16.wav 100-Juju-Drums and Percs.wav
150-Bara Drum-22.wav 163-Cruche-23.wav 118-Djembe Modern-28.wav 097-Djembe Regular-17.wav 110-Hi Life-Drums and Percs.wav
150-Bara Drum-23.wav 165-Cruche-24.wav 119-Djembe Modern Hi-12.wav 097-Djembe Regular-18.wav 120-Bikutsi 1-Drums and Percs.wav
150-Bara Noisy Drum-02.wav 119-Djembe Modern Hi-13.wav 097-Djembe Regular-19.wav 130-Bikutsi 2-Drums and Percs.wav
151-Bara Drum-24.wav Djembe 119-Djembe Modern Hi-14.wav 097-Djembe Regular-20.wav 130-Bikutsi 3-Drums and Percs.wav
151-Bara Noisy Drum-03.wav Djembe and Shaker 119-Djembe Modern-29.wav 097-Djembe Regular-21.wav 130-Muju Ba-Drums and Percs.wav
152-Bara Drum-25.wav 097-Djembe and Shaker-01.wav 119-Djembe Modern-30.wav 097-Djembe Regular-22.wav 140-Raggae Ska-Drums and Percs.wav
152-Bara Noisy Drum-04.wav 097-Djembe and Shaker-02.wav 119-Djembe Modern-31.wav 097-Djembe Regular-23.wav 140-Soukouss-Drums and Percs.wav
098-Djembe and Shaker-03.wav 119-Djembe Modern-32.wav 098-Djembe Regular-24.wav
Bass 099-Djembe and Shaker-04.wav 119-Djembe Modern-33.wav 099-Djembe Regular-25.wav Electric Guitar
090-Dm-Sabar-Bass-01.wav 099-Djembe and Shaker-05.wav 120-Djembe Modern Hi-15.wav 100-Djembe Regular-26.wav Chords
090-Dm-Sabar-Bass-02.wav 099-Djembe and Shaker-06.wav 120-Djembe Modern-34.wav 100-Djembe Regular-27.wav 112-G#-Africalain-GT Rhythm-01.wav
090-Dm-Sabar-Bass-03.wav 100-Djembe and Shaker-07.wav 120-Djembe Modern-35.wav 100-Djembe Regular-28.wav 112-G#-Africalain-GT Rhythm-02.wav
100-Am-Juju-Bass-01.wav 101-Djembe and Shaker-08.wav 120-Djembe Modern-36.wav 101-Djembe Regular-29.wav 130-Em-Bikutsi 3-GT Rhythm.wav
100-Am-Juju-Bass-02.wav 101-Djembe and Shaker-09.wav 120-Djembe Modern-37.wav 101-Djembe Regular-30.wav 140-D-Raggae Ska-GT Rhythm.wav
100-Am-Juju-Bass-03.wav 101-Djembe and Shaker-10.wav 120-Djembe Modern-38.wav 102-Djembe Regular-31.wav 140-G-Soukouss-GT Chords.wav
110-C-Hi Life-Bass-01.wav 102-Djembe and Shaker-11.wav 120-Djembe Modern-39.wav 102-Djembe Regular-32.wav 140-G-Soukouss-GT Rhythm.wav
110-C-Hi Life-Bass-02.wav 102-Djembe and Shaker-12.wav 122-Djembe Modern-40.wav 102-Djembe Regular-33.wav
110-C-Hi Life-Bass-03.wav 102-Djembe and Shaker-13.wav 131-Djembe Modern-Fill 02.wav 102-Djembe Regular-34.wav Drive
120-A#-Bikutsi 1-Bass-01.wav 102-Djembe and Shaker-14.wav 132-Djembe Modern Hi-16.wav 102-Djembe Regular-35.wav 112-G#-Africalain-GT Drive-01.wav
120-A#-Bikutsi 1-Bass-02.wav 102-Djembe and Shaker-15.wav 132-Djembe Modern Hi-17.wav 103-Djembe Regular-36.wav 112-G#-Africalain-GT Drive-02.wav
120-A#-Bikutsi 1-Bass-03.wav 102-Djembe and Shaker-16.wav 132-Djembe Modern Hi-18.wav 103-Djembe Regular-37.wav 112-G#-Africalain-GT Drive-03.wav
130-A#-Muju Ba-Bass-01.wav 103-Djembe and Shaker-17.wav 132-Djembe Modern Hi-19.wav 103-Djembe Regular-38.wav 112-G#-Africalain-GT Drive-04.wav
130-A#-Muju Ba-Bass-02.wav 103-Djembe and Shaker-18.wav 132-Djembe Modern-Fill 03.wav 103-Djembe Regular-39.wav 112-G#-Africalain-GT Drive-05.wav
130-A#-Muju Ba-Bass-03.wav 103-Djembe and Shaker-19.wav 133-Djembe Modern Hi-20.wav 103-Djembe Regular-40.wav 130-A#m-Muju Ba-GT Drive-01.wav
130-E-Bikutsi 3-Bass-01.wav 103-Djembe and Shaker-20.wav 133-Djembe Modern Hi-21.wav 103-Djembe Regular-41.wav 130-A#m-Muju Ba-GT Drive-02.wav
130-E-Bikutsi 3-Bass-02.wav 104-Djembe and Shaker-21.wav 134-Djembe Modern Hi-22.wav 103-Djembe Regular-42.wav 140-G-Soukouss-GT drive-01.wav
130-E-Bikutsi 3-Bass-03.wav 107-Djembe and Shaker-22.wav 104-Djembe Regular-43.wav 140-G-Soukouss-GT drive-02.wav
130-Em-Bikutsi 2-Bass-01.wav 154-Djembe and Shaker-23.wav Djembe Regular Fast 104-Djembe Regular-44.wav 140-G-Soukouss-GT drive-03.wav
130-Em-Bikutsi 2-Bass-02.wav 157-Djembe and Shaker-24.wav 118-Djembe Regular-01.wav 104-Djembe Regular-45.wav
130-Em-Bikutsi 2-Bass-03.wav 119-Djembe Regular-02.wav 104-Djembe Regular-46.wav Gimmick
140-D-Raggae Ska-Bass-01.wav Djembe CK 119-Djembe Regular-03.wav 105-Djembe Regular-47.wav 090-Dm-Sabar-GT Gimmick 1-01.wav
140-D-Raggae Ska-Bass-02.wav 090-Sabar-Djembe.wav 119-Djembe Regular-04.wav 106-Djembe Regular-48.wav 090-Dm-Sabar-GT Gimmick 1-02.wav
140-D-Raggae Ska-Bass-03.wav 100-Juju-Djembe.wav 120-Djembe Regular-05.wav 106-Djembe Regular-49.wav 090-Dm-Sabar-GT Gimmick 2-01.wav
140-G-Soukouss-Bass-01.wav 120-Bikutsi 1-Djembe.wav 123-Djembe Regular-06.wav 107-Djembe Regular-50.wav 090-Dm-Sabar-GT Gimmick 2-02.wav
140-G-Soukouss-Bass-02.wav 130-Bikutsi 2-Djembe.wav 124-Djembe Regular-07.wav 107-Djembe Regular-51.wav 090-Dm-Sabar-GT Gimmick 2-03.wav
140-G-Soukouss-Bass-03.wav 130-Bikutsi 3-Djembe.wav 125-Djembe Regular-08.wav 107-Djembe Regular-52.wav 100-Am-Juju-GT Gimmick-01.wav
130-Muju Ba-Djembe.wav 125-Djembe Regular-09.wav 100-Am-Juju-GT Gimmick-02.wav
140-Raggae Ska-Djembe.wav 128-Djembe Regular-10.wav Djembe Unusual 110-C-Hi Life-GT Gimmick 1-01.wav
140-Soukouss-Djembe.wav 128-Djembe Regular-11.wav 080-Djembe Unusual-01.wav 110-C-Hi Life-GT Gimmick 1-02.wav

361
Loops and Phrases

110-C-Hi Life-GT Gimmick 2-01.wav 130-Em-Bikutsi 3-GT Soli Stereo-02.wav 098-G-Kora-Solo-10.wav 095-Tchangot Tche-03.wav Asia
110-C-Hi Life-GT Gimmick 2-02.wav 130-Em-Bikutsi 3-GT Soli Stereo-03.wav 100-G-Kora-Rhythm Verb-02.wav 105-Tchangot Tche-04.wav Chinese Flute (p)
110-C-Hi Life-GT Gimmick 2-03.wav 140-D-Raggae Ska-GT Stereo.wav 100-G-Kora-Solo Stereo Verb-01.wav 105-Tchangot Tche-05.wav 084-E-Chinese Flute-01.wav
110-C-Hi Life-GT Gimmick 2-04.wav 140-G-Soukouss-GT Stereo-01.wav 100-G-Kora-Solo Stereo-01.wav 105-Tchangot Tche-06.wav 090-E-Chinese Flute-02.wav
112-G#-Africalain-GT Gimmick.wav 140-G-Soukouss-GT Stereo-02.wav 100-G-Kora-Solo Stereo-02.wav 110-Tchangot Tche-07.wav 094-Bm-Chinese Flute-03.wav
120-A#-Bikutsi 1-GT Gimmick 1.wav 100-G-Kora-Stereo Rhythm-02.wav 112-Tchangot Tche-08.wav 096-D#m-Chinese Flute-04.wav
120-A#-Bikutsi 1-GT Gimmick 2.wav Guinean Tambourine 100-G-Kora-Stereo Rhythm-03.wav 119-Tchangot Tche-09.wav 096-E-Chinese Flute-05.wav
130-A#m-Muju Ba-GT Gimmick 1-01.wav 056 3’4-Guinean Tambourine-01.wav 116-G-Kora-Rhythm-11.wav 122-Tchangot Tche-10.wav 097-Bm-Chinese Flute-06.wav
130-A#m-Muju Ba-GT Gimmick 1-02.wav 089-Guinean Tambourine-01.wav 116-G-Kora-Rhythm-12.wav 124-Tchangot Tche-11.wav 099-C-Chinese Flute-07.wav
130-A#m-Muju Ba-GT Gimmick 2-01.wav 092 2’4-Guinean Tambourine-02.wav 117-G-Kora-Stereo Rhythm-04.wav 124-Tchangot Tche-12.wav 106-E-Chinese Flute-08.wav
130-A#m-Muju Ba-GT Gimmick 2-02.wav 092 2’4-Guinean Tambourine-03.wav 120-G-Kora-Solo-11.wav 124-Tchangot Tche-13.wav 107-E-Chinese Flute-09.wav
130-Em-Bikutsi 2-GT Gimmick 1-01.wav 092-Guinean Tambourine-02.wav 121-G-Kora-Solo Stereo-03.wav 124-Tchangot Tche-14.wav 132-A-Chinese Flute-10.wav
130-Em-Bikutsi 2-GT Gimmick 1-02.wav 092-Guinean Tambourine-03.wav 121-G-Kora-Solo Stereo-04.wav 125-Tchangot Tche-15.wav
130-Em-Bikutsi 2-GT Gimmick 2.wav 092-Guinean Tambourine-04.wav 121-G-Kora-Solo Stereo-05.wav 125-Tchangot Tche-16.wav Er Hu (p)
130-Em-Bikutsi 2-GT Gimmick 3.wav 092-Guinean Tambourine-05.wav 121-G-Kora-Solo Stereo-06.wav 126-Tchangot Tche-17.wav 071-Em-Er Hu-01.wav
140-D-Raggae Ska-GT Gimmick.wav 092-Guinean Tambourine-06.wav 135-G-Kora-Solo Stereo-07.wav 127-Tchangot Tche-18.wav 074-D-Er Hu-02.wav
140-G-Soukouss-GT Gimmick-01.wav 092-Guinean Tambourine-07.wav 127-Tchangot Tche-19.wav 074-D-Er Hu-03.wav
140-G-Soukouss-GT Gimmick-02.wav 101-Guinean Tambourine-08.wav Misc Mix 128-Tchangot Tche-20.wav 076-Em-Er Hu-04.wav
110 2’4-Guinean Tambourine-04.wav 064-G-Toumbol Mix.wav 129-Tchangot Tche-21.wav 080-Em-Er Hu-05.wav
Solo 110-Guinean Tambourine-09.wav 093-African Perc 1.wav 131-Tchangot Tche-22.wav 081-D-Er Hu-06.wav
090-Dm-Sabar-GT Solo-01.wav 110-Guinean Tambourine-10.wav 094-African Perc 2.wav 134-Tchangot Tche-23.wav 086-D-Er Hu-07.wav
090-Dm-Sabar-GT Solo-02.wav 110-Guinean Tambourine-11.wav 095-G-Malissa Mix.wav 134-Tchangot Tche-24.wav 091-D-Er Hu-08.wav
090-Dm-Sabar-GT Solo-03.wav 110-Guinean Tambourine-12.wav 104-G-Belafonvox Mix.wav 135-Tchangot Tche-25.wav 094-D-Er Hu-09.wav
090-Dm-Sabar-GT Solo-04.wav 110-Guinean Tambourine-13.wav 107-G-Sembe Delay.wav 135-Tchangot Tche-26.wav 098-D-Er Hu-10.wav
090-Dm-Sabar-GT Solo-05.wav 120-Guinean Tambourine-14.wav 120-G-Belafretted.wav 135-Tchangot Tche-27.wav 099-D-Er Hu-11.wav
090-Dm-Sabar-GT Solo-06.wav 120-Guinean Tambourine-15.wav 135-Tchangot Tche-28.wav 100-D-Er Hu-12.wav
100-Am-Juju-GT Solo-01.wav 120-Guinean Tambourine-16.wav Misc Perc 135-Tchangot Tche-29.wav 100-D-Er Hu-13.wav
100-Am-Juju-GT Solo-02.wav 120-Guinean Tambourine-17.wav 090-Sabar-Tambourine.wav 154-Tchangot Tche-30.wav 101-D-Er Hu-14.wav
100-Am-Juju-GT Solo-03.wav 120-Guinean Tambourine-18.wav 100-Juju-Claves.wav 155-Tchangot Tche-31.wav 101-Em-Er Hu-15.wav
100-Am-Juju-GT Solo-04.wav 120-Guinean Tambourine-19.wav 100-Juju-Wood.wav 116-D-Er Hu-16.wav
100-Am-Juju-GT Solo-05.wav 120-Guinean Tambourine-20.wav 110-Hi Life-Claves.wav Water Drum
100-Am-Juju-GT Solo-06.wav 122-Guinean Tambourine-21.wav 084-Water Drum-01.wav Isshakausansun-Flute (p)
100-Am-Juju-GT Solo-07.wav 123-Guinean Tambourine-22.wav Percs Mix 089-Water Drum-02.wav 060-Cm-Isshakausansun-01.wav
100-Am-Juju-GT Solo-08.wav 124 3’4-Guinean Tambourine-05.wav 090-Sabar-Perc.wav 089-Water Drum-03.wav 060-Cm-Isshakausansun-02.wav
100-Am-Juju-GT Solo-09.wav 135-Guinean Tambourine-23.wav 100-Juju-Perc.wav 093-Water Drum-04.wav 061-Bm-Isshakausansun-03.wav
110-C-Hi Life-GT Solo-01.wav 135-Guinean Tambourine-24.wav 110-Hi Life-Perc.wav 094-Water Drum-05.wav 061-C#-Isshakausansun-04.wav
110-C-Hi Life-GT Solo-02.wav 135-Guinean Tambourine-25.wav 120-Bikutsi 1-Perc.wav 094-Water Drum-06.wav 061-F-Isshakausansun-05.wav
110-C-Hi Life-GT Solo-03.wav 130-Bikutsi 2-Perc.wav 094-Water Drum-07.wav 063-A#-Isshakausansun-06.wav
110-C-Hi Life-GT Solo-04.wav Kalimba bass 130-Bikutsi 3-Perc.wav 123-Water Drum-08.wav 064-Cm-Isshakausansun-07.wav
110-C-Hi Life-GT Solo-05.wav 068-Fdim-Kalimba Bass-01.wav 140-Raggae Ska-Perc.wav 125-Water Drum-09.wav 065-F-Isshakausansun-08.wav
110-C-Hi Life-GT Solo-06.wav 068-Fdim-Kalimba Bass-02.wav 140-Soukouss-Perc.wav 140-Water Drum-10.wav 065-F-Isshakausansun-09.wav
110-C-Hi Life-GT Solo-07.wav 068-Fdim-Kalimba Bass-03.wav 142-Water Drum-11.wav 066-Cm-Isshakausansun-10.wav
110-C-Hi Life-GT Solo-08.wav 078-F-Kalimba Bass-04.wav Shaker 166-Water Drum-12.wav 066-Cm-Isshakausansun-11.wav
112-G#-Africalain-GT Solo-01.wav 082-F-Kalimba Bass-05.wav 101-Shaker 1-01.wav 173-Water Drum-13.wav 066-E-Isshakausansun-12.wav
112-G#-Africalain-GT Solo-02.wav 083-F-Kalimba Bass-06.wav 102-Shaker 2.wav 175-Water Drum-14.wav 067-C-Isshakausansun-13.wav
112-G#-Africalain-GT Solo-03.wav 085-Dm-Kalimba Bass-10.wav 103-Shaker 1-02.wav 178-Water Drum-15.wav 067-C-Isshakausansun-14.wav
112-G#-Africalain-GT Solo-04.wav 085-Dm-Kalimba Bass-11.wav 110-Hi Life-Shaker.wav 178-Water Drum-16.wav 067-F-Isshakausansun-15.wav
112-G#-Africalain-GT Solo-05.wav 085-F-Kalimba Bass-07.wav 120-Bikutsi 1-Shaker.wav 067-G-Isshakausansun-16.wav
120-A#-Bikutsi 1-GT Solo-01.wav 085-F-Kalimba Bass-08.wav 130-Bikutsi 3-Shaker.wav 068-D#-Isshakausansun-17.wav
120-A#-Bikutsi 1-GT Solo-02.wav 085-F-Kalimba Bass-09.wav 140-Raggae Ska-Shaker.wav 068-G-Isshakausansun-18.wav
120-A#-Bikutsi 1-GT Solo-03.wav 093-F-Kalimba Bass-13.wav 140-Soukouss-Shaker.wav 069-C-Isshakausansun-19.wav
130-Em-Bikutsi 2-GT Solo-01.wav 093-Fdim-Kalimba Bass-12.wav 070-Bm-Isshakausansun-20.wav
130-Em-Bikutsi 2-GT Solo-02.wav 098-F-Kalimba Bass-14.wav Talking Drums 072-G-Isshakausansun-21.wav
130-Em-Bikutsi 2-GT Solo-03.wav 114-C-Kalimba Bass-16.wav 092-Talking Drums-01.wav 073-C-Isshakausansun-22.wav
130-Em-Bikutsi 2-GT Solo-04.wav 135-C-Kalimba Bass-17.wav 097-Talking Drums-02.wav 073-G-Isshakausansun-23.wav
130-Em-Bikutsi 2-GT Solo-05.wav 137-F-Kalimba Bass-15.wav 100-Talking Drums-03.wav 074-F-Isshakausansun-24.wav
130-Em-Bikutsi 2-GT Solo-06.wav 161-C-Kalimba Bass-18.wav 101-Talking Drums-04.wav 076-A#-Isshakausansun-25.wav
130-Em-Bikutsi 3-GT Solo 1-01.wav 117-Talking Drums-05.wav 076-G#-Isshakausansun-26.wav
130-Em-Bikutsi 3-GT Solo 1-02.wav Kora 119-Talking Drums-06.wav 076-Gm-Isshakausansun-27.wav
130-Em-Bikutsi 3-GT Solo 1-03.wav 064-G-Kora-Rhythm-01.wav 119-Talking Drums-07.wav 077-A#-Isshakausansun-28.wav
130-Em-Bikutsi 3-GT Solo 2-01.wav 064-G-Kora-Rhythm-02.wav 120-Talking Drums-08.wav 078-A#-Isshakausansun-29.wav
130-Em-Bikutsi 3-GT Solo 2-02.wav 070-G-Kora-Rhythm-03.wav 120-Talking Drums-09.wav 078-Cm-Isshakausansun-30.wav
130-Em-Bikutsi 3-GT Solo 2-03.wav 074-G-Kora-Rhythm-04.wav 120-Talking Drums-10.wav 079-F-Isshakausansun-31.wav
140-D-Raggae Ska-GT Solo-01.wav 074-G-Kora-Rhythm-05.wav 130-Talking Drums-11.wav 079-Gm-Isshakausansun-32.wav
140-D-Raggae Ska-GT Solo-02.wav 074-G-Kora-Stereo Rhythm-01.wav 130-Talking Drums-12.wav 080-C-Isshakausansun-33.wav
140-D-Raggae Ska-GT Solo-03.wav 080-G-Kora-Rhythm-06.wav 141-Talking Drums-13.wav 080-F-Isshakausansun-34.wav
140-D-Raggae Ska-GT Solo-04.wav 092-D7-Kora-Rhythm Verb-01.wav 144-Talking Drums-14.wav 080-G#-Isshakausansun-35.wav
140-D-Raggae Ska-GT Solo-05.wav 092-D7-Kora-Rhythm-07.wav 146-Talking Drums-15.wav 081-G-Isshakausansun-36.wav
140-G-Soukouss-GT delay-01.wav 094-G-Kora-Rhythm-08.wav 148-Talking Drums-16.wav 081-G#-Isshakausansun-37.wav
140-G-Soukouss-GT delay-02.wav 094-G-Kora-Rhythm-09.wav 148-Talking Drums-17.wav 082-Cm-Isshakausansun-38.wav
140-G-Soukouss-GT delay-03.wav 094-G-Kora-Rhythm-10.wav 149-Talking Drums-18.wav 083-A#-Isshakausansun-39.wav
140-G-Soukouss-GT delay-04.wav 094-G-Kora-Solo-01.wav 150-Talking Drums-19.wav 083-C-Isshakausansun-40.wav
094-G-Kora-Solo-02.wav 150-Talking Drums-20.wav 083-Cm-Isshakausansun-41.wav
Stereo 094-G-Kora-Solo-03.wav 151-Talking Drums-21.wav 083-Cm-Isshakausansun-42.wav
110-C-Hi Life-GT Gimmick Stereo-01.wav 094-G-Kora-Solo-04.wav 156-Talking Drums-22.wav 085-A#-Isshakausansun-43.wav
110-C-Hi Life-GT Gimmick Stereo-02.wav 095-G-Kora-Solo-05.wav 156-Talking Drums-23.wav 086-Cm-Isshakausansun-44.wav
130-A#m-Muju Ba-GT Gimmicks Stereo-01.wav 095-G-Kora-Solo-06.wav 088-C-Isshakausansun-45.wav
130-A#m-Muju Ba-GT Gimmicks Stereo-02.wav 095-G-Kora-Solo-07.wav Tchangot Tche 089-Gm-Isshakausansun-46.wav
130-Em-Bikutsi 2-GT Gimmicks Stereo.wav 095-G-Kora-Solo-08.wav 094-Tchangot Tche-01.wav 090-G#-Isshakausansun-47.wav
130-Em-Bikutsi 3-GT Soli Stereo-01.wav 098-G-Kora-Solo-09.wav 094-Tchangot Tche-02.wav 092-G-Isshakausansun-48.wav

362
Loops and Phrases

093-Gm-Isshakausansun-49.wav 094-Bm-Mongol Topshur-21.wav 063-Gm-Shaku Cicada-04.wav Australia 108-G-AFlute-1.wav


095-A#-Isshakausansun-50.wav 094-Bm-Mongol Topshur-22.wav 064-Cm-Shaku Hifumi-02.wav Aboriginal Flute 108-G-AFlute-2.wav
097-G-Isshakausansun-51.wav 064-Cm-Shaku Hon Shairabe-03.wav A 108-G-AFlute-3.wav
098-C-Isshakausansun-52.wav Nishakuyonsun-Flute (p) 065-Cm-Shaku Hifumi-03.wav 093-A-AFlute-01.wav 108-G-AFlute-4.wav
099-A#-Isshakausansun-53.wav 060-G#-Nishaku Wind-01.wav 065-Cm-Shaku Hon Shairabe-04.wav 093-A-AFlute-02.wav 108-G-AFlute-5.wav
099-C#-Isshakausansun-54.wav 061-C#m-Nishaku Piece Da-01.wav 067-Gm-Shaku Cicada-05.wav 093-A-AFlute-03.wav 108-G-AFlute-6.wav
099-F-Isshakausansun-55.wav 061-G#-Nishaku Wind-02.wav 068-Cm-Shakuhachi Rrrr-01.wav 093-A-AFlute-04.wav 108-G-AFlute-7.wav
100-A#-Isshakausansun-56.wav 062-D-Nishaku Various-01.wav 069-Cm-Shaku Hifumi-04.wav 093-A-AFlute-05.wav 120-G-AFlute-01.wav
100-F-Isshakausansun-57.wav 062-D-Nishaku Various-02.wav 069-Cm-Shaku Hon Shairabe-05.wav 093-A-AFlute-06.wav 120-G-AFlute-02.wav
100-F-Isshakausansun-58.wav 063-Am-Nishaku Piece Da-02.wav 069-Gm-Shaku Cicada-06.wav 093-A-AFlute-07.wav 120-G-AFlute-03.wav
101-Bm-Isshakausansun-59.wav 064-C#m-Nishaku Piece Da-03.wav 072-Dm-Shaku Cicada-07.wav 093-A-AFlute-08.wav 120-G-AFlute-04.wav
101-C-Isshakausansun-60.wav 065-Am-Nishaku Piece Da-04.wav 073-G-Shakuhachi Trill-01.wav 100-A-AFlute-1.wav 120-G-AFlute-05.wav
103-Bm-Isshakausansun-61.wav 065-D#-Nishaku Various-03.wav 074-Dm-Shaku Cicada-08.wav 100-A-AFlute-2.wav 120-G-AFlute-06.wav
103-Bm-Isshakausansun-62.wav 066-A#-Nishaku Phrase-01.wav 074-Gm-Shaku Cicada-09.wav 100-A-AFlute-3.wav 120-G-AFlute-07.wav
103-C#-Isshakausansun-63.wav 066-C#m-Nishaku Phrase-02.wav 077-Gm-Shaku Cicada-10.wav 100-A-AFlute-4.wav 120-G-AFlute-08.wav
104-F-Isshakausansun-64.wav 067-G#-Nishaku Trill-01.wav 078-Cm-Shakuhachi Rrrr-02.wav 100-A-AFlute-5.wav 120-G-AFlute-09.wav
107-C-Isshakausansun-65.wav 068-A-Nishaku Train-01.wav 080-Am-Shakuhachi Trill-02.wav 100-A-AFlute-6.wav 120-G-AFlute-10.wav
107-F-Isshakausansun-66.wav 068-C#-Nishaku Trill-02.wav 081-Cm-Shaku Hifumi-05.wav 100-A-AFlute-7.wav 120-G-AFlute-11.wav
107-G-Isshakausansun-67.wav 068-C#m-Nishaku Phrase-03.wav 081-D#m-Shakuhachi Trill-03.wav 100-A-AFlute-8.wav 130-G-AFlute-1.wav
110-Cm-Isshakausansun-68.wav 069-A-Nishaku Trill-03.wav 082-Gm-Shaku Cicada-11.wav 130-A-AFlute-01.wav 130-G-AFlute-2.wav
110-F-Isshakausansun-69.wav 069-C#m-Nishaku Acc.wav 083-D-Shakuhachi Rrrr-03.wav 130-A-AFlute-02.wav 130-G-AFlute-3.wav
111-G#-Isshakausansun-70.wav 072-C-Nishaku Rrrrr-01.wav 084-G-Shakuhachi Trill-04.wav 130-A-AFlute-03.wav 130-G-AFlute-4.wav
114-A#-Isshakausansun-71.wav 072-D-Nishaku Train-02.wav 084-G-Shakuhachi Trill-05.wav 130-A-AFlute-04.wav 130-G-AFlute-5.wav
114-G#-Isshakausansun-72.wav 074-D-Nishaku Rrrrr-02.wav 084-Gm-Shaku Cicada-12.wav 130-A-AFlute-05.wav 130-G-AFlute-6.wav
115-Cm-Isshakausansun-73.wav 075-C#m-Nishaku Piece Da-05.wav 085-Dm-Shaku Cicada-13.wav 130-A-AFlute-06.wav 130-G-AFlute-7.wav
115-F-Isshakausansun-74.wav 075-G-Nishaku Acc in A-01.wav 086-Cm-Shakuhachi Various-02.wav 130-A-AFlute-07.wav 130-G-AFlute-8.wav
115-F-Isshakausansun-75.wav 076-C#-Nishaku Trill-04.wav 086-G-Shakuhachi Trill-06.wav 130-A-AFlute-08.wav
115-G-Isshakausansun-76.wav 076-C#m-Nishaku Phrase-04.wav 087-Am-Shaku Cicada-14.wav 130-A-AFlute-09.wav Licks
116-G-Isshakausansun-77.wav 078-A#-Nishaku Rrrrr-03.wav 087-Cm-Shaku Hon Shairabe-06.wav 130-A-AFlute-10.wav AFlute-Licks-01.wav
119-Gm-Isshakausansun-78.wav 078-A#-Nishaku Trill-05.wav 087-Gm-Shaku Cicada-15.wav 130-A-AFlute-11.wav AFlute-Licks-02.wav
120-G-Isshakausansun-79.wav 079-F#-Nishaku Various-04.wav 088-Am-Shaku Cicada-16.wav 130-A-AFlute-12.wav AFlute-Licks-03.wav
134-Gm-Isshakausansun-80.wav 080-Am-Nishaku Piece Da-06.wav 088-Cm-Shaku Hifumi-06.wav AFlute-Licks-04.wav
150-G-Isshakausansun-81.wav 080-C#m-Nishaku Phrase-05.wav 088-Cm-Shakuhachi Rrrr-04.wav D AFlute-Licks-05.wav
080-C#m-Nishaku Phrase-06.wav 089-Cm-Shaku Hifumi-07.wav 108-D-AFlute-01.wav AFlute-Licks-06.wav
Mongol Khomus 080-D#m-Nishaku Trill-06.wav 091-Cm-Shakuhachi Various-03.wav 108-D-AFlute-02.wav AFlute-Licks-07.wav
091-G-Mongol Khomus-01.wav 081-A-Nishaku Various-05.wav 091-Dm-Shaku Cicada-17.wav 108-D-AFlute-03.wav AFlute-Licks-08.wav
092-G-Mongol Khomus-02.wav 081-C#m-Nishaku Train-03.wav 092-F-Shakuhachi Trill-07.wav 108-D-AFlute-04.wav AFlute-Licks-09.wav
092-G-Mongol Khomus-03.wav 082-A#-Nishaku Trill-07.wav 093-Cm-Shaku Hon Shairabe-07.wav 108-D-AFlute-05.wav AFlute-Licks-10.wav
093-G-Mongol Khomus-04.wav 084-C#m-Nishaku Piece Da-07.wav 096-C-Shakuhachi Trill-08.wav 108-D-AFlute-06.wav
093-G-Mongol Khomus-05.wav 085-B-Nishaku Trill-08.wav 097-Gm-Shaku Cicada-18.wav 108-D-AFlute-07.wav Didgeridoo Loops and Phrases
093-G-Mongol Khomus-06.wav 087-G-Nishaku Train-04.wav 098-Cm-Shaku Hon Shairabe-08.wav 108-D-AFlute-08.wav A
093-G-Mongol Khomus-07.wav 088-G#-Nishaku Wind-03.wav 100-Cm-Shaku Hifumi-08.wav 108-D-AFlute-09.wav 100-A-Didgeridoo 1.wav
093-G-Mongol Khomus-08.wav 089-A-Nishaku Various-06.wav 100-Cm-Shaku Hifumi-09.wav 108-D-AFlute-10.wav 100-A-Didgeridoo 2.wav
093-G-Mongol Khomus-09.wav 089-Am-Nishaku Trill-09.wav 100-Gm-Shaku Cicada-19.wav 108-D-AFlute-11.wav 100-A-Didgeridoo 3.wav
093-G-Mongol Khomus-10.wav 089-F#-Nishaku Trill-10.wav 101-Cm-Shaku Hifumi-10.wav 108-D-AFlute-12.wav 100-A-Didgeridoo 4.wav
093-G-Mongol Khomus-11.wav 090-C#-Nishaku Trill-11.wav 101-Dm-Shaku Cicada-20.wav 108-D-AFlute-13.wav 100-A-Didgeridoo 5.wav
094-G-Mongol Khomus-12.wav 091-F#-Nishaku Trill-12.wav 101-Dm-Shakuhachi Trill-09.wav 100-A-Didgeridoo 6.wav
094-G-Mongol Khomus-13.wav 092-C-Nishaku Rrrrr-04.wav 102-Cm-Shaku Hon Shairabe-09.wav F 100-A-Didgeridoo 7.wav
094-G-Mongol Khomus-14.wav 095-C#m-Nishaku Piece Da-08.wav 103-Cm-Shakuhachi Acc-03.wav 100-F-AFlute-1.wav 100-A-Didgeridoo 8.wav
094-G-Mongol Khomus-15.wav 095-C#m-Nishaku Trill-13.wav 103-Dm-Shaku Cicada-21.wav 100-F-AFlute-2.wav 100-A-Didgeridoo Loop 1.wav
094-G-Mongol Khomus-16.wav 095-D-Nishaku Trill-14.wav 105-Cm-Shaku Hon Shairabe-10.wav 100-F-AFlute-3.wav 100-A-Didgeridoo Loop 2.wav
094-G-Mongol Khomus-17.wav 096-Am-Nishaku Trill-15.wav 105-D-Shakuhachi Trill-10.wav 100-F-AFlute-4.wav 100-A-Didgeridoo Loop 3.wav
094-G-Mongol Khomus-18.wav 096-F#-Nishaku Trill-16.wav 105-G-Shakuhachi Trill-11.wav 100-F-AFlute-5.wav 120-A-Didgeridoo 01.wav
094-G-Mongol Khomus-19.wav 098-G#-Nishaku Acc in A-02.wav 108-Dm-Shakuhachi Trill-12.wav 100-F-AFlute-6.wav 120-A-Didgeridoo 02.wav
095-G-Mongol Khomus-20.wav 099-A#-Nishaku Train-05.wav 108-Gm-Shaku Cicada-22.wav 100-F-AFlute-7.wav 120-A-Didgeridoo 03.wav
095-G-Mongol Khomus-21.wav 099-A#-Nishaku Trill-17.wav 109-Cm-Shaku Hon Shairabe-11.wav 120-F-AFlute-1.wav 120-A-Didgeridoo 04.wav
095-G-Mongol Khomus-22.wav 104-Am-Nishaku Piece Da-09.wav 110-Am-Shaku Cicada-23.wav 120-F-AFlute-2.wav 120-A-Didgeridoo 05.wav
096-G-Mongol Khomus-23.wav 105-Am-Nishaku Piece Da-10.wav 110-D-Shakuhachi Trill-13.wav 120-F-AFlute-3.wav 120-A-Didgeridoo 06.wav
105-F-Nishaku Train-06.wav 112-G-Shakuhachi Trill-14.wav 120-F-AFlute-4.wav 120-A-Didgeridoo 07.wav
Mongol Topshur (p) 105-G-Nishaku Acc in A-03.wav 116-Cm-Shaku Hon Shairabe-12.wav 120-F-AFlute-5.wav 120-A-Didgeridoo 08.wav
092-Bm-Mongol Topshur-01.wav 106-C-Nishaku Trill-18.wav 118-Dm-Shakuhachi Trill-15.wav 120-F-AFlute-6.wav 120-A-Didgeridoo 09.wav
092-Bm-Mongol Topshur-02.wav 110-D#m-Nishaku Trill-19.wav 120-C-Shaku Hifumi-11.wav 120-A-Didgeridoo 10.wav
093-Bm-Mongol Topshur-03.wav 110-F#-Nishaku Wind-04.wav 120-Cm-Shaku Hon Shairabe-13.wav G 120-A-Didgeridoo 11.wav
093-Bm-Mongol Topshur-04.wav 112-A-Nishaku Various-07.wav 158-Cm-Shakuhachi Various-04.wav 093-G-AFlute-01.wav 120-A-Didgeridoo 12.wav
093-Bm-Mongol Topshur-05.wav 112-Am-Nishaku Piece Da-11.wav 188-Cm-Shakuhachi Various-05.wav 093-G-AFlute-02.wav 120-A-Didgeridoo 13.wav
093-Bm-Mongol Topshur-06.wav 113-Am-Nishaku Various-08.wav 093-G-AFlute-03.wav 120-A-Didgeridoo 14.wav
093-Bm-Mongol Topshur-07.wav 114-G#-Nishaku Wind-05.wav 093-G-AFlute-04.wav
093-Bm-Mongol Topshur-08.wav 119-Am-Nishaku Piece Da-12.wav 093-G-AFlute-05.wav A#
093-Bm-Mongol Topshur-09.wav 120-G-Nishaku Train-07.wav 093-G-AFlute-06.wav 108-A#-Didgeridoo 01.wav
093-Bm-Mongol Topshur-10.wav 093-G-AFlute-07.wav 108-A#-Didgeridoo 02.wav
093-Bm-Mongol Topshur-11.wav Shakuhachi (p) 093-G-AFlute-08.wav 108-A#-Didgeridoo 03.wav
093-Bm-Mongol Topshur-12.wav 060-Cm-Shakuhachi Various-01.wav 093-G-AFlute-09.wav 108-A#-Didgeridoo 04.wav
093-Bm-Mongol Topshur-13.wav 061-Am-Shaku Cicada-01.wav 093-G-AFlute-10.wav 108-A#-Didgeridoo 05.wav
094-Bm-Mongol Topshur-14.wav 061-Cm-Shaku Hon Shairabe-01.wav 100-G-AFlute-1.wav 108-A#-Didgeridoo 06.wav
094-Bm-Mongol Topshur-15.wav 061-Cm-Shakuhachi Acc-01.wav 100-G-AFlute-2.wav 108-A#-Didgeridoo 07.wav
094-Bm-Mongol Topshur-16.wav 061-Dm-Shaku Cicada-02.wav 100-G-AFlute-3.wav 108-A#-Didgeridoo 08.wav
094-Bm-Mongol Topshur-17.wav 062-Cm-Shaku Hon Shairabe-02.wav 100-G-AFlute-4.wav 108-A#-Didgeridoo 09.wav
094-Bm-Mongol Topshur-18.wav 062-Cm-Shakuhachi Acc-02.wav 100-G-AFlute-5.wav 108-A#-Didgeridoo 10.wav
094-Bm-Mongol Topshur-19.wav 062-Gm-Shaku Cicada-03.wav 100-G-AFlute-6.wav 108-A#-Didgeridoo Loop.wav
094-Bm-Mongol Topshur-20.wav 063-Cm-Shaku Hifumi-01.wav 100-G-AFlute-7.wav

363
Loops and Phrases

B 140-D#-Didgeridoo 06.wav F 130-G#-Didgeridoo 12.wav Celtic


120-B-Didgeridoo 01.wav 140-D#-Didgeridoo 07.wav 120-F-Didgeridoo 01.wav 130-G#-Didgeridoo 13.wav Bagpipe (p)
120-B-Didgeridoo 02.wav 140-D#-Didgeridoo 08.wav 120-F-Didgeridoo 02.wav 130-G#-Didgeridoo 14.wav 060-Am-Bagpipe-01.wav
120-B-Didgeridoo 03.wav 140-D#-Didgeridoo 09.wav 120-F-Didgeridoo 03.wav 130-G#-Didgeridoo 15.wav 060-Em-Bagpipe-02.wav
120-B-Didgeridoo 04.wav 140-D#-Didgeridoo 10.wav 120-F-Didgeridoo 04.wav 130-G#-Didgeridoo 16.wav 061-Am-Bagpipe-03.wav
120-B-Didgeridoo 05.wav 140-D#-Didgeridoo 11.wav 120-F-Didgeridoo 05.wav 130-G#-Didgeridoo 17.wav 061-Am-Bagpipe-04.wav
120-B-Didgeridoo 06.wav 140-D#-Didgeridoo 12.wav 120-F-Didgeridoo 06.wav 130-G#-Didgeridoo 18.wav 061-Em-Bagpipe-05.wav
120-B-Didgeridoo 07.wav 140-D#-Didgeridoo 13.wav 120-F-Didgeridoo 07.wav 130-G#-Didgeridoo 19.wav 062-Am-Bagpipe-06.wav
120-B-Didgeridoo 08.wav 140-D#-Didgeridoo 14.wav 120-F-Didgeridoo 08.wav 069-Am-Bagpipe-07.wav
120-B-Didgeridoo 09.wav 140-D#-Didgeridoo 15.wav 120-F-Didgeridoo 09.wav Jaw Harp 070-G-Bagpipe-08.wav
120-B-Didgeridoo 10.wav 140-D#-Didgeridoo 16.wav 120-F-Didgeridoo 10.wav 093-D-Jaw Harp-01.wav 080-Am-Bagpipe-09.wav
120-B-Didgeridoo 11.wav 140-D#-Didgeridoo 17.wav 120-F-Didgeridoo 11.wav 093-D-Jaw Harp-02.wav 080-Am-Bagpipe-10.wav
120-B-Didgeridoo Loop 1.wav 140-D#-Didgeridoo 18.wav 120-F-Didgeridoo 12.wav 093-D-Jaw Harp-03.wav 081-Am-Bagpipe-11.wav
120-B-Didgeridoo Loop 2.wav 140-D#-Didgeridoo 19.wav 120-F-Didgeridoo 13.wav 093-D-Jaw Harp-04.wav 082-Am-Bagpipe-12.wav
140-D#-Didgeridoo 20.wav 120-F-Didgeridoo 14.wav 093-D-Jaw Harp-05.wav 083-G-Bagpipe-13.wav
C 140-D#-Didgeridoo Loop.wav 120-F-Didgeridoo Loop.wav 093-D-Jaw Harp-06.wav 084-Am-Bagpipe-14.wav
108-C-Didgeridoo 01.wav 140-F-Didgeridoo 01.wav 093-D-Jaw Harp-07.wav 085-Am-Bagpipe-15.wav
108-C-Didgeridoo 02.wav E 140-F-Didgeridoo 02.wav 093-D-Jaw Harp-08.wav 096-Am-Bagpipe-16.wav
108-C-Didgeridoo 03.wav 093-E-Didgeridoo 01.wav 140-F-Didgeridoo 03.wav 093-D-Jaw Harp-09.wav 097-Am-Bagpipe-17.wav
108-C-Didgeridoo 04.wav 093-E-Didgeridoo 02.wav 140-F-Didgeridoo 04.wav 093-D-Jaw Harp-10.wav 100-Am-Bagpipe-18.wav
108-C-Didgeridoo 05.wav 093-E-Didgeridoo 03.wav 140-F-Didgeridoo 05.wav 093-D-Jaw Harp-11.wav 105-G-Bagpipe-19.wav
108-C-Didgeridoo 06.wav 093-E-Didgeridoo 04.wav 140-F-Didgeridoo 06.wav 093-D-Jaw Harp-12.wav 106-Am-Bagpipe-20.wav
108-C-Didgeridoo 07.wav 093-E-Didgeridoo 05.wav 140-F-Didgeridoo 07.wav 093-D-Jaw Harp-13.wav 106-Em-Bagpipe-21.wav
108-C-Didgeridoo 08.wav 093-E-Didgeridoo 06.wav 140-F-Didgeridoo 08.wav 094-D-Jaw Harp-14.wav 107-G-Bagpipe-22.wav
108-C-Didgeridoo 09.wav 093-E-Didgeridoo 07.wav 140-F-Didgeridoo 09.wav 100-D#-Jaw Harp-15.wav 107-G-Bagpipe-23.wav
108-C-Didgeridoo 10.wav 093-E-Didgeridoo 08.wav 140-F-Didgeridoo 10.wav 100-D#-Jaw Harp-16.wav 107-G-Bagpipe-24.wav
108-C-Didgeridoo 11.wav 093-E-Didgeridoo 09.wav 140-F-Didgeridoo 11.wav 100-D#-Jaw Harp-17.wav 108-Em-Bagpipe-25.wav
108-C-Didgeridoo 12.wav 093-E-Didgeridoo 10.wav 140-F-Didgeridoo 12.wav 100-D#-Jaw Harp-18.wav 108-G-Bagpipe-26.wav
108-C-Didgeridoo 13.wav 093-E-Didgeridoo 11.wav 140-F-Didgeridoo 13.wav 100-D#-Jaw Harp-19.wav 120-Am-Bagpipe-27.wav
108-C-Didgeridoo 14.wav 093-E-Didgeridoo 12.wav 140-F-Didgeridoo 14.wav 100-D#-Jaw Harp-20.wav 120-Em-Bagpipe-28.wav
108-C-Didgeridoo 15.wav 093-E-Didgeridoo 13.wav 140-F-Didgeridoo 15.wav 100-D#-Jaw Harp-21.wav
093-E-Didgeridoo 14.wav 140-F-Didgeridoo 16.wav 100-D#-Jaw Harp-22.wav Bodhran
D 093-E-Didgeridoo Loop 1.wav 140-F-Didgeridoo 17.wav 100-D#-Jaw Harp-23.wav 060-Bodhran-01.wav
093-D-Didgeridoo 01.wav 093-E-Didgeridoo Loop 2.wav 140-F-Didgeridoo 18.wav 100-D#-Jaw Harp-24.wav 060-Bodhran-02.wav
093-D-Didgeridoo 02.wav 093-E-Didgeridoo Loop 3.wav 140-F-Didgeridoo Loop 1.wav 100-D#-Jaw Harp-25.wav 061-Bodhran-03.wav
093-D-Didgeridoo 03.wav 130-E-Didgeridoo 01.wav 140-F-Didgeridoo Loop 2.wav 100-F-Jaw Harp-26.wav 062-Bodhran-04.wav
093-D-Didgeridoo 04.wav 130-E-Didgeridoo 02.wav 100-F-Jaw Harp-27.wav 062-Bodhran-05.wav
093-D-Didgeridoo 05.wav 130-E-Didgeridoo 03.wav G 100-F-Jaw Harp-28.wav 062-Bodhran-06.wav
093-D-Didgeridoo 06.wav 130-E-Didgeridoo 04.wav 080-G-Didgeridoo 01.wav 100-F-Jaw Harp-29.wav 063-Bodhran-07.wav
093-D-Didgeridoo 07.wav 130-E-Didgeridoo 05.wav 080-G-Didgeridoo 02.wav 100-F-Jaw Harp-30.wav 063-Bodhran-08.wav
093-D-Didgeridoo 08.wav 130-E-Didgeridoo 06.wav 080-G-Didgeridoo 03.wav 100-F-Jaw Harp-31.wav 063-Bodhran-09.wav
093-D-Didgeridoo 09.wav 130-E-Didgeridoo 07.wav 080-G-Didgeridoo 04.wav 100-F-Jaw Harp-32.wav 063-Bodhran-10.wav
093-D-Didgeridoo 10.wav 130-E-Didgeridoo 08.wav 080-G-Didgeridoo 05.wav 100-F-Jaw Harp-33.wav 064-Bodhran-11.wav
093-D-Didgeridoo 11.wav 130-E-Didgeridoo 09.wav 080-G-Didgeridoo 06.wav 101-D#-Jaw Harp-34.wav 064-Bodhran-12.wav
093-D-Didgeridoo 12.wav 130-E-Didgeridoo 10.wav 080-G-Didgeridoo 07.wav 101-D#-Jaw Harp-35.wav 064-Bodhran-13.wav
093-D-Didgeridoo 13.wav 130-E-Didgeridoo 11.wav 080-G-Didgeridoo 08.wav 101-D#-Jaw Harp-36.wav 065-Bodhran-14.wav
108-D-Didgeridoo 01.wav 130-E-Didgeridoo 12.wav 080-G-Didgeridoo 09.wav 101-D#-Jaw Harp-37.wav 065-Bodhran-15.wav
108-D-Didgeridoo 02.wav 130-E-Didgeridoo 13.wav 080-G-Didgeridoo 10.wav 101-F-Jaw Harp-38.wav 065-Bodhran-16.wav
108-D-Didgeridoo 03.wav 130-E-Didgeridoo 14.wav 080-G-Didgeridoo 11.wav 101-F-Jaw Harp-39.wav 065-Bodhran-17.wav
108-D-Didgeridoo 04.wav 130-E-Didgeridoo 15.wav 080-G-Didgeridoo 12.wav 102-D#-Jaw Harp-40.wav 066-Bodhran-18.wav
108-D-Didgeridoo 05.wav 130-E-Didgeridoo 16.wav 080-G-Didgeridoo 13.wav 102-F-Jaw Harp-41.wav 066-Bodhran-19.wav
108-D-Didgeridoo 06.wav 130-E-Didgeridoo 17.wav 080-G-Didgeridoo Loop.wav 108-E-Jaw Harp-42.wav 066-Bodhran-20.wav
108-D-Didgeridoo 07.wav 130-E-Didgeridoo 18.wav 100-G-Didgeridoo 01.wav 108-E-Jaw Harp-43.wav 067-Bodhran-21.wav
108-D-Didgeridoo 08.wav 130-E-Didgeridoo 19.wav 100-G-Didgeridoo 02.wav 108-E-Jaw Harp-44.wav 068-Bodhran-22.wav
108-D-Didgeridoo 09.wav 130-E-Didgeridoo 20.wav 100-G-Didgeridoo 03.wav 108-E-Jaw Harp-45.wav 068-Bodhran-23.wav
108-D-Didgeridoo 10.wav 130-E-Didgeridoo Loop 1.wav 100-G-Didgeridoo 04.wav 108-E-Jaw Harp-46.wav 069-Bodhran-24.wav
108-D-Didgeridoo 11.wav 130-E-Didgeridoo Loop 2.wav 100-G-Didgeridoo 05.wav 108-E-Jaw Harp-47.wav 075-Bodhran-25.wav
108-D-Didgeridoo 12.wav 150-E-Didgeridoo 01.wav 100-G-Didgeridoo 06.wav 108-E-Jaw Harp-48.wav 096-Bodhran-26.wav
108-D-Didgeridoo 13.wav 150-E-Didgeridoo 02.wav 100-G-Didgeridoo 07.wav 108-E-Jaw Harp-49.wav 096-Bodhran-27.wav
108-D-Didgeridoo 14.wav 150-E-Didgeridoo 03.wav 100-G-Didgeridoo 08.wav 108-E-Jaw Harp-50.wav 099-Bodhran-28.wav
108-D-Didgeridoo Loop.wav 150-E-Didgeridoo 04.wav 100-G-Didgeridoo 09.wav 108-E-Jaw Harp-51.wav 099-Bodhran-29.wav
150-E-Didgeridoo 05.wav 100-G-Didgeridoo 10.wav 108-E-Jaw Harp-52.wav 100-Bodhran-30.wav
D# 150-E-Didgeridoo 06.wav 100-G-Didgeridoo 11.wav 109-E-Jaw Harp-53.wav 102-Bodhran-31.wav
080-D#-Didgeridoo 01.wav 150-E-Didgeridoo 07.wav 100-G-Didgeridoo 12.wav 110-E-Jaw Harp-54.wav 102-Bodhran-32.wav
080-D#-Didgeridoo 02.wav 150-E-Didgeridoo 08.wav 100-G-Didgeridoo 13.wav 102-Bodhran-33.wav
080-D#-Didgeridoo 03.wav 150-E-Didgeridoo 09.wav 100-G-Didgeridoo 14.wav 103-Bodhran-34.wav
080-D#-Didgeridoo 04.wav 150-E-Didgeridoo 10.wav 100-G-Didgeridoo Loop.wav 103-Bodhran-35.wav
080-D#-Didgeridoo 05.wav 150-E-Didgeridoo 11.wav 104-Bodhran-36.wav
080-D#-Didgeridoo 06.wav 150-E-Didgeridoo 12.wav G# 104-Bodhran-37.wav
080-D#-Didgeridoo 07.wav 150-E-Didgeridoo 13.wav 130-G#-Didgeridoo 01.wav 105-Bodhran-38.wav
080-D#-Didgeridoo 08.wav 150-E-Didgeridoo 14.wav 130-G#-Didgeridoo 02.wav 108-Bodhran-39.wav
080-D#-Didgeridoo 09.wav 150-E-Didgeridoo 15.wav 130-G#-Didgeridoo 03.wav 110-Bodhran-40.wav
080-D#-Didgeridoo 10.wav 150-E-Didgeridoo 16.wav 130-G#-Didgeridoo 04.wav 111-Bodhran-41.wav
080-D#-Didgeridoo 11.wav 150-E-Didgeridoo 17.wav 130-G#-Didgeridoo 05.wav 111-Bodhran-42.wav
080-D#-Didgeridoo 12.wav 150-E-Didgeridoo 18.wav 130-G#-Didgeridoo 06.wav 112-Bodhran-43.wav
140-D#-Didgeridoo 01.wav 150-E-Didgeridoo 19.wav 130-G#-Didgeridoo 07.wav 113-Bodhran-44.wav
140-D#-Didgeridoo 02.wav 150-E-Didgeridoo 20.wav 130-G#-Didgeridoo 08.wav 113-Bodhran-45.wav
140-D#-Didgeridoo 03.wav 150-E-Didgeridoo 21.wav 130-G#-Didgeridoo 09.wav 114-Bodhran-46.wav
140-D#-Didgeridoo 04.wav 150-E-Didgeridoo 22.wav 130-G#-Didgeridoo 10.wav 114-Bodhran-47.wav
140-D#-Didgeridoo 05.wav 150-E-Didgeridoo 23.wav 130-G#-Didgeridoo 11.wav 116-Bodhran-48.wav

364
Loops and Phrases

116-Bodhran-49.wav 080-D-Celtic Guitar-31.wav 061-G-Concertina-10.wav 120-Em-Concertina-90.wav Irish Flute (p)


117-Bodhran-50.wav 080-Em-Celtic Guitar-32.wav 062-Am-Concertina-11.wav 155-Dm-Concertina-91.wav 061-Em-Irish Flute-01.wav
117-Bodhran-51.wav 080-Em-Celtic Guitar-33.wav 062-Am-Concertina-12.wav 193-Dm-Concertina-92.wav 063-Em-Irish Flute-02.wav
119-Bodhran-52.wav 080-G-Celtic Guitar-34.wav 062-Am-Concertina-13.wav 079-Am-Irish Flute-03.wav
119-Bodhran-53.wav 080-G-Celtic Guitar-35.wav 062-D-Concertina-14.wav Guitar 6 Strings (p) 079-D-Irish Flute-04.wav
119-Bodhran-54.wav 080-G-Celtic Guitar-36.wav 062-Em-Concertina-15.wav 060-Am-Guitar 6str-01.wav 081-Am-Irish Flute-05.wav
129-Bodhran-55.wav 080-G-Celtic Guitar-37.wav 062-Em-Concertina-16.wav 060-D-Guitar 6str-02.wav 082-D-Irish Flute-06.wav
130-Bodhran-56.wav 081-G-Celtic Guitar-38.wav 063-D-Concertina-17.wav 060-Em-Guitar 6str-03.wav 084-D-Irish Flute-07.wav
133-Bodhran-57.wav 081-G-Celtic Guitar-39.wav 063-D-Concertina-18.wav 060-Em-Guitar 6str-04.wav 085-Am-Irish Flute-08.wav
135-Bodhran-58.wav 081-G-Celtic Guitar-40.wav 063-Em-Concertina-19.wav 060-G-Guitar 6str-05.wav 086-Dm-Irish Flute-09.wav
137-Bodhran-59.wav 082-Dm-Celtic Guitar-41.wav 063-G-Concertina-20.wav 060-G-Guitar 6str-06.wav 087-Am-Irish Flute-10.wav
145-Bodhran-60.wav 082-G-Celtic Guitar-42.wav 064-Am-Concertina-21.wav 061-Am-Guitar 6str-07.wav 087-D-Irish Flute-11.wav
084-Em-Celtic Guitar-43.wav 064-G-Concertina-22.wav 061-Am-Guitar 6str-08.wav 088-Dm-Irish Flute-12.wav
Bombarde (p) 084-Em-Celtic Guitar-44.wav 065-Em-Concertina-23.wav 061-D-Guitar 6str-09.wav 088-Em-Irish Flute-13.wav
060-Em-Bombarde-01.wav 085-Am-Celtic Guitar-45.wav 065-G-Concertina-24.wav 061-D-Guitar 6str-10.wav 090-Em-Irish Flute-14.wav
061-Am-Bombarde-02.wav 085-Am-Celtic Guitar-46.wav 065-G-Concertina-25.wav 061-Em-Guitar 6str-11.wav 090-Em-Irish Flute-15.wav
061-Em-Bombarde-03.wav 085-Em-Celtic Guitar-47.wav 066-Am-Concertina-26.wav 061-G-Guitar 6str-12.wav 091-Em-Irish Flute-16.wav
062-Am-Bombarde-04.wav 086-Am-Celtic Guitar-48.wav 068-Em-Concertina-27.wav 061-G-Guitar 6str-13.wav 092-Dm-Irish Flute-17.wav
063-Am-Bombarde-05.wav 086-Em-Celtic Guitar-49.wav 069-Am-Concertina-28.wav 063-Am-Guitar 6str-14.wav 092-Em-Irish Flute-18.wav
063-Am-Bombarde-06.wav 086-Em-Celtic Guitar-50.wav 070-Am-Concertina-29.wav 064-Am-Guitar 6str-15.wav 093-Am-Irish Flute-19.wav
064-Am-Bombarde-07.wav 089-Em-Celtic Guitar-51.wav 072-Am-Concertina-30.wav 069-Am-Guitar 6str-16.wav 094-Am-Irish Flute-20.wav
080-Am-Bombarde-08.wav 089-Em-Celtic Guitar-52.wav 072-Em-Concertina-31.wav 069-Am-Guitar 6str-17.wav 094-Em-Irish Flute-21.wav
081-Am-Bombarde-09.wav 090-Dm-Celtic Guitar-53.wav 076-Am-Concertina-32.wav 070-Am-Guitar 6str-18.wav 097-Am-Irish Flute-22.wav
081-Dm-Bombarde-10.wav 090-Em-Celtic Guitar-54.wav 079-Am-Concertina-33.wav 079-Am-Guitar 6str-19.wav 111-Em-Irish Flute-23.wav
081-G-Bombarde-11.wav 090-Em-Celtic Guitar-55.wav 079-D-Concertina-34.wav 079-G-Guitar 6str-20.wav 113-Em-Irish Flute-24.wav
082-Am-Bombarde-12.wav 090-Em-Celtic Guitar-56.wav 079-G-Concertina-35.wav 079-G-Guitar 6str-21.wav 113-Em-Irish Flute-25.wav
083-Am-Bombarde-13.wav 090-Em-Celtic Guitar-57.wav 080-Am-Concertina-36.wav 080-Am-Guitar 6str-22.wav 115-Am-Irish Flute-26.wav
086-Am-Bombarde-14.wav 090-Em-Celtic Guitar-58.wav 080-Am-Concertina-37.wav 080-Am-Guitar 6str-23.wav
086-Dm-Bombarde-15.wav 090-Em-Celtic Guitar-59.wav 080-D-Concertina-38.wav 080-Am-Guitar 6str-24.wav Mandolin (p)
087-Am-Bombarde-16.wav 091-Em-Celtic Guitar-60.wav 080-Dm-Concertina-39.wav 080-Am-Guitar 6str-25.wav 060-Em-Mandolin-01.wav
087-Dm-Bombarde-17.wav 091-Em-Celtic Guitar-61.wav 080-Em-Concertina-40.wav 080-Am-Guitar 6str-26.wav 061-D-Mandolin-02.wav
087-Dm-Bombarde-18.wav 091-Em-Celtic Guitar-62.wav 080-Em-Concertina-41.wav 080-Am-Guitar 6str-27.wav 061-G-Mandolin-03.wav
089-Am-Bombarde-19.wav 091-Em-Celtic Guitar-63.wav 080-G-Concertina-42.wav 080-Dm-Guitar 6str-28.wav 061-G-Mandolin-04.wav
090-Am-Bombarde-20.wav 092-D-Celtic Guitar-64.wav 081-D-Concertina-43.wav 080-Dm-Guitar 6str-29.wav 061-G-Mandolin-05.wav
090-G-Bombarde-21.wav 092-Em-Celtic Guitar-65.wav 081-Em-Concertina-44.wav 080-Em-Guitar 6str-30.wav 062-Em-Mandolin-06.wav
092-Am-Bombarde-22.wav 092-Em-Celtic Guitar-66.wav 081-G-Concertina-45.wav 080-Em-Guitar 6str-31.wav 063-D-Mandolin-07.wav
097-Am-Bombarde-23.wav 092-Em-Celtic Guitar-67.wav 081-G-Concertina-46.wav 080-Em-Guitar 6str-32.wav 063-D-Mandolin-08.wav
098-Am-Bombarde-24.wav 093-Em-Celtic Guitar-68.wav 081-G-Concertina-47.wav 080-G-Guitar 6str-33.wav 065-G-Mandolin-09.wav
099-Am-Bombarde-25.wav 095-Em-Celtic Guitar-69.wav 082-Am-Concertina-48.wav 080-G-Guitar 6str-34.wav 081-G-Mandolin-10.wav
107-Am-Bombarde-26.wav 096-Am-Celtic Guitar-70.wav 082-D-Concertina-49.wav 080-G-Guitar 6str-35.wav 081-G-Mandolin-11.wav
107-G-Bombarde-27.wav 106-Em-Celtic Guitar-71.wav 082-Em-Concertina-50.wav 081-Am-Guitar 6str-36.wav 082-G-Mandolin-12.wav
108-Em-Bombarde-28.wav 106-Em-Celtic Guitar-72.wav 082-G-Concertina-51.wav 081-Em-Guitar 6str-37.wav 083-Em-Mandolin-13.wav
109-Em-Bombarde-29.wav 107-Am-Celtic Guitar-73.wav 083-Em-Concertina-52.wav 081-Em-Guitar 6str-38.wav 090-G-Mandolin-14.wav
111-Am-Bombarde-30.wav 107-Em-Celtic Guitar-74.wav 083-G-Concertina-53.wav 081-Em-Guitar 6str-39.wav 093-Am-Mandolin-15.wav
114-G-Bombarde-31.wav 107-Em-Celtic Guitar-75.wav 084-G-Concertina-54.wav 081-G-Guitar 6str-40.wav 098-Am-Mandolin-16.wav
115-Am-Bombarde-32.wav 107-Em-Celtic Guitar-76.wav 085-Am-Concertina-55.wav 081-G-Guitar 6str-41.wav 109-Am-Mandolin-17.wav
118-Am-Bombarde-33.wav 108-Am-Celtic Guitar-77.wav 085-Am-Concertina-56.wav 081-G-Guitar 6str-42.wav 124-Am-Mandolin-18.wav
118-Em-Bombarde-34.wav 108-Am-Celtic Guitar-78.wav 085-Dm-Concertina-57.wav 082-Am-Guitar 6str-43.wav
108-Em-Celtic Guitar-79.wav 085-G-Concertina-58.wav 082-Am-Guitar 6str-44.wav Violin (p)
Celtic Guitar (p) 109-Am-Celtic Guitar-80.wav 086-Am-Concertina-59.wav 082-G-Guitar 6str-45.wav 060-D-Violon-01.wav
060-Am-Celtic Guitar-01.wav 110-Am-Celtic Guitar-81.wav 086-Am-Concertina-60.wav 084-Em-Guitar 6str-46.wav 060-D-Violon-02.wav
060-Am-Celtic Guitar-02.wav 117-Am-Celtic Guitar-82.wav 086-D-Concertina-61.wav 085-Dm-Guitar 6str-47.wav 062-Em-Violon-03.wav
060-D-Celtic Guitar-03.wav 119-G-Celtic Guitar-83.wav 086-D-Concertina-62.wav 107-Am-Guitar 6str-48.wav 063-D-Violon-04.wav
060-D-Celtic Guitar-04.wav 120-Am-Celtic Guitar-84.wav 086-Dm-Concertina-63.wav 107-Am-Guitar 6str-49.wav 064-D-Violon-05.wav
060-D-Celtic Guitar-05.wav 120-D-Celtic Guitar-85.wav 086-Em-Concertina-64.wav 107-Am-Guitar 6str-50.wav 069-Am-Violon-06.wav
060-Em-Celtic Guitar-06.wav 120-Em-Celtic Guitar-86.wav 086-G-Concertina-65.wav 108-Em-Guitar 6str-51.wav 070-Em-Violon-07.wav
060-Em-Celtic Guitar-07.wav 164-Em-Celtic Guitar-87.wav 086-G-Concertina-66.wav 108-Em-Guitar 6str-52.wav 070-Em-Violon-08.wav
060-G-Celtic Guitar-08.wav 087-Am-Concertina-67.wav 108-Em-Guitar 6str-53.wav 071-Am-Violon-09.wav
060-G-Celtic Guitar-09.wav Celtic Harp Glisses (p) 087-Am-Concertina-68.wav 118-G-Guitar 6str-54.wav 071-Em-Violon-10.wav
060-G-Celtic Guitar-10.wav 068-D-Celtic Harp Gliss-01.wav 088-Em-Concertina-69.wav 119-D-Guitar 6str-55.wav 079-Am-Violon-11.wav
061-Am-Celtic Guitar-11.wav 073-G-Celtic Harp Gliss-02.wav 088-Em-Concertina-70.wav 119-G-Guitar 6str-56.wav 080-D-Violon-12.wav
061-Am-Celtic Guitar-12.wav 079-D-Celtic Harp Gliss-03.wav 089-Em-Concertina-71.wav 120-D-Guitar 6str-57.wav 080-Em-Violon-13.wav
061-D-Celtic Guitar-13.wav 080-G-Celtic Harp Gliss-04.wav 091-Em-Concertina-72.wav 120-D-Guitar 6str-58.wav 081-Em-Violon-14.wav
061-D-Celtic Guitar-14.wav 080-G-Celtic Harp Gliss-05.wav 091-Em-Concertina-73.wav Guitar 12 Strings (p) 082-Em-Violon-15.wav
061-Em-Celtic Guitar-15.wav 088-G-Celtic Harp Gliss-06.wav 097-Am-Concertina-74.wav 060-G-Guitar 12str-01.wav 082-G-Violon-16.wav
061-G-Celtic Guitar-16.wav 089-D-Celtic Harp Gliss-07.wav 097-Am-Concertina-75.wav 060-G-Guitar 12str-02.wav 082-G-Violon-17.wav
061-G-Celtic Guitar-17.wav 090-Am-Celtic Harp Gliss-08.wav 098-Am-Concertina-76.wav 062-G-Guitar 12str-03.wav 084-G-Violon-18.wav
061-G-Celtic Guitar-18.wav 094-D-Celtic Harp Gliss-09.wav 107-Am-Concertina-77.wav 062-G-Guitar 12str-04.wav 085-Em-Violon-19.wav
062-Am-Celtic Guitar-19.wav 095-D-Celtic Harp Gliss-10.wav 107-Em-Concertina-78.wav 069-Am-Guitar 12str-05.wav 090-Em-Violon-20.wav
062-Am-Celtic Guitar-20.wav 107-G-Concertina-79.wav 070-Am-Guitar 12str-06.wav 091-Em-Violon-21.wav
063-G-Celtic Guitar-21.wav Concertina (p) 110-Am-Concertina-80.wav 070-Am-Guitar 12str-07.wav 096-G-Violon-22.wav
064-G-Celtic Guitar-22.wav 060-D-Concertina-01.wav 110-Em-Concertina-81.wav 070-Em-Guitar 12str-08.wav 097-Em-Violon-23.wav
066-Am-Celtic Guitar-23.wav 060-Em-Concertina-02.wav 110-Em-Concertina-82.wav 070-Em-Guitar 12str-09.wav 111-Am-Violon-24.wav
066-G-Celtic Guitar-24.wav 060-Em-Concertina-03.wav 111-Am-Concertina-83.wav 070-Em-Guitar 12str-10.wav 112-Em-Violon-25.wav
067-Am-Celtic Guitar-25.wav 060-Em-Concertina-04.wav 112-G-Concertina-84.wav 071-Am-Guitar 12str-11.wav 117-Am-Violon-26.wav
070-Em-Celtic Guitar-26.wav 061-Am-Concertina-05.wav 114-Em-Concertina-85.wav 071-Em-Guitar 12str-12.wav 120-D-Violon-27.wav
070-Em-Celtic Guitar-27.wav 061-Am-Concertina-06.wav 115-G-Concertina-86.wav 071-Em-Guitar 12str-13.wav
071-Em-Celtic Guitar-28.wav 061-Am-Concertina-07.wav 116-Am-Concertina-87.wav 080-D-Guitar 12str-14.wav
079-D-Celtic Guitar-29.wav 061-Em-Concertina-08.wav 118-Am-Concertina-88.wav 098-Em-Guitar 12str-15.wav
079-Em-Celtic Guitar-30.wav 061-Em-Concertina-09.wav 118-G-Concertina-89.wav

365
Loops and Phrases

Eastern Europe 100-F#-Vlaque-Bass-02.wav 100-F-Chonguri-Phrase-02.wav 080-F-m-Panduri-Ballada.wav 080-F-Panduri-Basic.wav


Accordion (p) 100-F#-Vlaque-Bass-03.wav 100-F-Chonguri-Phrase-03.wav 080-F-Panduri-Ballada.wav 080-F#-m-Panduri-Basic.wav
064-A-Opa Tsupa-Accordion-01.wav 101-D-Mehmeda-Bass-04.wav 100-F#m-Chonguri-Phrase.wav 080-F#-m-Panduri-Ballada.wav 080-F#-Panduri-Basic.wav
065-C-Paidouchko-Accordion-02.wav 101-D-Mehmeda-Bass-05.wav 100-G-Chonguri-Phrase-01.wav 080-F#-Panduri-Ballada.wav 080-G-m-Panduri-Basic.wav
066-A-Opa Tsupa-Accordion-03.wav 101-D-Mehmeda-Bass-06.wav 100-G-Chonguri-Phrase-02.wav 080-G-m-Panduri-Ballada.wav 080-G-Panduri-Basic.wav
066-C-Paidouchko-Accordion-04.wav 101-F#-Vlaque-Bass-07.wav 100-G-Chonguri-Phrase-03.wav 080-G-Panduri-Ballada.wav 080-G#-m-Panduri-Basic.wav
066-C-Paidouchko-Accordion-05.wav 101-F#-Vlaque-Bass-08.wav 100-G-Chonguri-Phrase-04.wav 080-G#-m-Panduri-Ballada.wav 080-G#-Panduri-Basic.wav
066-C-Paidouchko-Accordion-06.wav 102-D-Mehmeda-Bass-09.wav 100-Gm-Chonguri-Phrase-01.wav 080-G#-Panduri-Ballada.wav
067-A-Opa Tsupa-Accordion-07.wav 102-D-Mehmeda-Bass-10.wav 100-Gm-Chonguri-Phrase-02.wav 100
067-A-Opa Tsupa-Accordion-08.wav 102-D-Mehmeda-Bass-11.wav 120-A-Chonguri-Phrase-01.wav 100 100-A-m-Panduri-Basic.wav
068-A-Dzumbus-Accordion-09.wav 103-D-Mehmeda-Bass-12.wav 120-A-Chonguri-Phrase-02.wav 100-A-m-Panduri-Ballada.wav 100-A-Panduri-Basic.wav
069-D-Mehmeda2-Accordion-10.wav 130-A-Opa Tsupa-Bass-13.wav 120-Am-Chonguri-Phrase-01.wav 100-A-Panduri-Ballada.wav 100-A#-m-Panduri-Basic.wav
070-A-Dzumbus-Accordion-11.wav 130-A-Opa Tsupa-Bass-14.wav 120-Am-Chonguri-Phrase-02.wav 100-A#-m-Panduri-Ballada.wav 100-A#-Panduri-Basic.wav
071-A-Dzumbus-Accordion-12.wav 131-A-Opa Tsupa-Bass-15.wav 120-Am-Chonguri-Phrase-03.wav 100-A#-Panduri-Ballada.wav 100-B-m-Panduri-Basic.wav
071-A-Dzumbus-Accordion-13.wav 132-C-Paidouchko-Bass-16.wav 120-B-Chonguri-Phrase.wav 100-B-m-Panduri-Ballada.wav 100-B-Panduri-Basic.wav
075-A-Dzumbus-Accordion-14.wav 132-C-Paidouchko-Bass-17.wav 120-Bb-Chonguri-Phrase.wav 100-B-Panduri-Ballada.wav 100-C-m-Panduri-Basic.wav
075-A-Dzumbus-Accordion-15.wav 132-C-Paidouchko-Bass-18.wav 120-Bm-Chonguri-Phrase-01.wav 100-C-m-Panduri-Ballada.wav 100-C-Panduri-Basic.wav
076-A-Dzumbus-Accordion-16.wav 132-C-Paidouchko-Bass-19.wav 120-Bm-Chonguri-Phrase-02.wav 100-C-Panduri-Ballada.wav 100-C#-m-Panduri-Basic.wav
077-A-Dzumbus-Accordion-17.wav 133-A-Opa Tsupa-Bass-20.wav 120-C#-Chonguri-Phrase.wav 100-C#-m-Panduri-Ballada.wav 100-C#-Panduri-Basic.wav
077-A-Dzumbus-Accordion-18.wav 133-C-Paidouchko-Bass-21.wav 120-Cm-Chonguri-Phrase.wav 100-C#-Panduri-Ballada.wav 100-D-m-Panduri-Basic.wav
078-A-Dzumbus-Accordion-19.wav 179-E-Freilakh-Bass-22.wav 120-Dm-Chonguri-Phrase.wav 100-D-m-Panduri-Ballada.wav 100-D-Panduri-Basic.wav
078-A-Dzumbus-Accordion-20.wav 180-E-Freilakh-Bass-23.wav 120-F-Chonguri-Phrase-01.wav 100-D-Panduri-Ballada.wav 100-D#-m-Panduri-Basic.wav
078-A-Dzumbus-Accordion-21.wav 181-A-Freilakh-Bass-24.wav 120-F-Chonguri-Phrase-02.wav 100-D#-m-Panduri-Ballada.wav 100-D#-Panduri-Basic.wav
079-D-Jovano-Accordion-22.wav 181-A-Sirba-Bass-25.wav 120-F-Chonguri-Phrase-03.wav 100-D#-Panduri-Ballada.wav 100-E-m-Panduri-Basic.wav
079-D-Jovano-Accordion-23.wav 181-A-Sirba-Bass-26.wav 120-F#m-Chonguri-Phrase.wav 100-E-m-Panduri-Ballada.wav 100-E-Panduri-Basic.wav
080-D-Jovano-Accordion-24.wav 181-A-Sirba-Bass-27.wav 120-G-Chonguri-Phrase-01.wav 100-E-Panduri-Ballada.wav 100-F-m-Panduri-Basic.wav
081-D-Jovano-Accordion-25.wav 181-A-Sirba-Bass-28.wav 120-G-Chonguri-Phrase-02.wav 100-F-m-Panduri-Ballada.wav 100-F-Panduri-Basic.wav
081-D-Jovano-Accordion-26.wav 181-E-Freilakh-Bass-29.wav 120-G-Chonguri-Phrase-03.wav 100-F-Panduri-Ballada.wav 100-F#-m-Panduri-Basic.wav
081-D-Mehmeda2-Accordion-27.wav 181-E-Freilakh-Bass-30.wav 120-Gm-Chonguri-Phrase-01.wav 100-F#-m-Panduri-Ballada.wav 100-F#-Panduri-Basic.wav
082-D-Jovano-Accordion-28.wav 181-E-Freilakh-Bass-31.wav 120-Gm-Chonguri-Phrase-02.wav 100-F#-Panduri-Ballada.wav 100-G-m-Panduri-Basic.wav
086-D-Jovano-Accordion-29.wav 181-E-Freilakh-Bass-32.wav 100-G-m-Panduri-Ballada.wav 100-G-Panduri-Basic.wav
086-D-Jovano-Accordion-30.wav 182-A-Freilakh-Bass-33.wav Guitar 100-G-Panduri-Ballada.wav 100-G#-m-Panduri-Basic.wav
087-D-Jovano-Accordion-31.wav 182-A-Freilakh-Bass-34.wav 096-F#-Thas Paso-Guitar-01.wav 100-G#-m-Panduri-Ballada.wav 100-G#-Panduri-Basic.wav
087-D-Jovano-Accordion-32.wav 182-A-Sirba-Bass-35.wav 096-F#-Thas Paso-Guitar-02.wav 100-G#-Panduri-Ballada.wav
087-D-Jovano-Accordion-33.wav 182-E-Freilakh-Bass-36.wav 096-F#-Thas Paso-Guitar-03.wav 120
087-D-Jovano-Accordion-34.wav 183-A-Freilakh-Bass-37.wav 096-F#-Thas Paso-Guitar-04.wav 120 120-A-m-Panduri-Basic.wav
090-A-Sirba 1-Accordion-35.wav 183-A-Freilakh-Bass-38.wav 096-F#-Thas Paso-Guitar-05.wav 120-A-m-Panduri-Ballada.wav 120-A-Panduri-Basic.wav
090-A-Sirba 2-Accordion-36.wav 183-A-Sirba-Bass-39.wav 097-F#-Thas Paso-Guitar-06.wav 120-A-Panduri-Ballada.wav 120-A#-m-Panduri-Basic.wav
090-A-Sirba 2-Accordion-37.wav 183-A-Sirba-Bass-40.wav 097-F#-Thas Paso-Guitar-07.wav 120-A#-m-Panduri-Ballada.wav 120-A#-Panduri-Basic.wav
090-A-Sirba 2-Accordion-38.wav 183-A-Sirba-Bass-41.wav 099-F#-Vlaque-Guitar-08.wav 120-A#-Panduri-Ballada.wav 120-B-m-Panduri-Basic.wav
090-E-Freilakh-Accordion-39.wav 183-E-Freilakh-Bass-42.wav 101-F#-Vlaque-Guitar-09.wav 120-B-m-Panduri-Ballada.wav 120-B-Panduri-Basic.wav
090-E-Freilakh-Accordion-40.wav 183-E-Freilakh-Bass-43.wav 101-F#-Vlaque-Guitar-10.wav 120-B-Panduri-Ballada.wav 120-C-m-Panduri-Basic.wav
091-A-Freilakh-Accordion-41.wav 183-E-Freilakh-Bass-44.wav 130-A-Opa Tsupa-Guitar-11.wav 120-C-m-Panduri-Ballada.wav 120-C-Panduri-Basic.wav
091-A-Sirba 1-Accordion-42.wav 131-A-Opa Tsupa-Guitar-12.wav 120-C-Panduri-Ballada.wav 120-C#-m-Panduri-Basic.wav
091-A-Sirba 1-Accordion-43.wav Chonguri 132-A-Opa Tsupa-Guitar-13.wav 120-C#-m-Panduri-Ballada.wav 120-C#-Panduri-Basic.wav
091-A-Sirba 1-Accordion-44.wav 080-A-Chonguri-Phrase-01.wav 133-A-Opa Tsupa-Guitar-14.wav 120-C#-Panduri-Ballada.wav 120-D-m-Panduri-Basic.wav
091-A-Sirba 2-Accordion-45.wav 080-A-Chonguri-Phrase-02.wav 180-A-Freilakh-Guitar-15.wav 120-D-m-Panduri-Ballada.wav 120-D-Panduri-Basic.wav
091-A-Sirba 2-Accordion-46.wav 080-A-Chonguri-Phrase-03.wav 180-A-Freilakh-Guitar-16.wav 120-D-Panduri-Ballada.wav 120-D#-m-Panduri-Basic.wav
091-E-Freilakh-Accordion-47.wav 080-A-Chonguri-Phrase-04.wav 180-E-Freilakh-Guitar-17.wav 120-D#-m-Panduri-Ballada.wav 120-D#-Panduri-Basic.wav
091-E-Freilakh-Accordion-48.wav 080-Am-Chonguri-Phrase-01.wav 181-A-Freilakh-Guitar-18.wav 120-D#-Panduri-Ballada.wav 120-E-m-Panduri-Basic.wav
092-A-Freilakh-Accordion-49.wav 080-Am-Chonguri-Phrase-02.wav 181-E-Freilakh-Guitar-19.wav 120-E-m-Panduri-Ballada.wav 120-E-Panduri-Basic.wav
092-A-Sirba 1-Accordion-50.wav 080-B-Chonguri-Phrase-01.wav 181-E-Freilakh-Guitar-20.wav 120-E-Panduri-Ballada.wav 120-F-m-Panduri-Basic.wav
092-E-Freilakh-Accordion-51.wav 080-B-Chonguri-Phrase-02.wav 182-A-Freilakh-Guitar-21.wav 120-F-m-Panduri-Ballada.wav 120-F-Panduri-Basic.wav
094-E-Freilakh-Accordion-52.wav 080-Bb-Chonguri-Phrase.wav 182-E-Freilakh-Guitar-22.wav 120-F-Panduri-Ballada.wav 120-F#-m-Panduri-Basic.wav
095-A-Sirba 1-Accordion-53.wav 080-C-Chonguri-Phrase.wav 182-E-Freilakh-Guitar-23.wav 120-F#-m-Panduri-Ballada.wav 120-F#-Panduri-Basic.wav
095-F#-Thas Paso-Accordion-54.wav 080-D-Chonguri-Phrase.wav 182-E-Freilakh-Guitar-24.wav 120-F#-Panduri-Ballada.wav 120-G-m-Panduri-Basic.wav
095-F#-Thas Paso-Accordion-55.wav 080-F-Chonguri-Phrase-01.wav 183-E-Freilakh-Guitar-25.wav 120-G-m-Panduri-Ballada.wav 120-G-Panduri-Basic.wav
095-F#-Thas Paso-Accordion-56.wav 080-F-Chonguri-Phrase-02.wav 183-E-Freilakh-Guitar-26.wav 120-G-Panduri-Ballada.wav 120-G#-m-Panduri-Basic.wav
096-F#-Thas Paso-Accordion-57.wav 080-F-Chonguri-Phrase-03.wav 185-A-Freilakh-Guitar-27.wav 120-G#-m-Panduri-Ballada.wav 120-G#-Panduri-Basic.wav
096-F#-Thas Paso-Accordion-58.wav 080-F#m-Chonguri-Phrase.wav 185-E-Freilakh-Guitar-28.wav 120-G#-Panduri-Ballada.wav
097-F#-Thas Paso-Accordion-59.wav 080-G-Chonguri-Phrase-01.wav Doubleto
097-F#-Thas Paso-Accordion-60.wav 080-G-Chonguri-Phrase-02.wav Panduri Basic 080
099-F#-Vlaque-Accordion-61.wav 080-G-Chonguri-Phrase-03.wav Ballada 080 080-A-m-Panduri-Doubleto.wav
099-F#-Vlaque-Accordion-62.wav 080-Gm-Chonguri-Phrase.wav 080 080-A-m-Panduri-Basic.wav 080-A-Panduri-Doubleto.wav
100-D-Mehmeda1-Accordion-63.wav 100-A-Chonguri-Phrase-01.wav 080-A-m-Panduri-Ballada.wav 080-A-Panduri-Basic.wav 080-A#-m-Panduri-Doubleto.wav
100-F#-Vlaque-Accordion-64.wav 100-A-Chonguri-Phrase-02.wav 080-A-Panduri-Ballada.wav 080-A#-m-Panduri-Basic.wav 080-A#-Panduri-Doubleto.wav
101-D-Mehmeda1-Accordion-65.wav 100-A-Chonguri-Phrase-03.wav 080-A#-m-Panduri-Ballada.wav 080-A#-Panduri-Basic.wav 080-B-m-Panduri-Doubleto.wav
101-D-Mehmeda1-Accordion-66.wav 100-A-Chonguri-Phrase-04.wav 080-A#-Panduri-Ballada.wav 080-B-m-Panduri-Basic.wav 080-B-Panduri-Doubleto.wav
101-D-Mehmeda2-Accordion-67.wav 100-Am-Chonguri-Phrase-01.wav 080-B-m-Panduri-Ballada.wav 080-B-Panduri-Basic.wav 080-C-m-Panduri-Doubleto.wav
101-F#-Vlaque-Accordion-68.wav 100-Am-Chonguri-Phrase-02.wav 080-B-Panduri-Ballada.wav 080-C-m-Panduri-Basic.wav 080-C-Panduri-Doubleto.wav
102-D-Mehmeda1-Accordion-69.wav 100-Am-Chonguri-Phrase-03.wav 080-C-m-Panduri-Ballada.wav 080-C-Panduri-Basic.wav 080-C#-m-Panduri-Doubleto.wav
102-D-Mehmeda1-Accordion-70.wav 100-B-Chonguri-Phrase-01.wav 080-C-Panduri-Ballada.wav 080-C#-m-Panduri-Basic.wav 080-C#-Panduri-Doubleto.wav
102-D-Mehmeda1-Accordion-71.wav 100-B-Chonguri-Phrase-02.wav 080-C#-m-Panduri-Ballada.wav 080-C#-Panduri-Basic.wav 080-D-m-Panduri-Doubleto.wav
102-D-Mehmeda2-Accordion-72.wav 100-Bm-Chonguri-Phrase-01.wav 080-C#-Panduri-Ballada.wav 080-D-m-Panduri-Basic.wav 080-D-Panduri-Doubleto.wav
102-D-Mehmeda2-Accordion-73.wav 100-Bm-Chonguri-Phrase-02.wav 080-D-m-Panduri-Ballada.wav 080-D-Panduri-Basic.wav 080-D#-m-Panduri-Doubleto.wav
103-D-Mehmeda1-Accordion-74.wav 100-C-Chonguri-Phrase.wav 080-D-Panduri-Ballada.wav 080-D#-m-Panduri-Basic.wav 080-D#-Panduri-Doubleto.wav
103-D-Mehmeda2-Accordion-75.wav 100-Cm-Chonguri-Phrase.wav 080-D#-m-Panduri-Ballada.wav 080-D#-Panduri-Basic.wav 080-E-m-Panduri-Doubleto.wav
100-D-Chonguri-Phrase.wav 080-D#-Panduri-Ballada.wav 080-E-m-Panduri-Basic.wav 080-E-Panduri-Doubleto.wav
Bass 100-Dm-Chonguri-Phrase.wav 080-E-m-Panduri-Ballada.wav 080-E-Panduri-Basic.wav 080-F-m-Panduri-Doubleto.wav
097-F#-Thas Paso-Bass-01.wav 100-F-Chonguri-Phrase-01.wav 080-E-Panduri-Ballada.wav 080-F-m-Panduri-Basic.wav 080-F-Panduri-Doubleto.wav

366
Loops and Phrases

080-F#-m-Panduri-Doubleto.wav 080-C-Panduri-Xtra 03.wav 090-A-Freilakh-Sax-06.wav Strings (p) 162-D-Jovano-Violin-65.wav


080-F#-Panduri-Doubleto.wav 080-C#-Panduri-Xtra 01.wav 090-A-Freilakh-Sax-07.wav 065-C-Paidouchko-Strings-01.wav 163-D-Jovano-Violin-66.wav
080-G-m-Panduri-Doubleto.wav 080-C#-Panduri-Xtra 02.wav 090-E-Freilakh-Sax-08.wav 066-C-Paidouchko-Strings-02.wav 164-D-Jovano-Violin-67.wav
080-G-Panduri-Doubleto.wav 080-D-m-Panduri-Xtra 01.wav 090-E-Freilakh-Sax-09.wav 075-A-Dzumbus-Strings-03.wav
080-G#-m-Panduri-Doubleto.wav 080-D-m-Panduri-Xtra 02.wav 090-E-Freilakh-Sax-10.wav 090-A-Sirba-Strings-04.wav
080-G#-Panduri-Doubleto.wav 080-D-m-Panduri-Xtra 03.wav 090-E-Freilakh-Sax-11.wav 093-A-Sirba-Strings-05.wav
080-D-Panduri-Xtra 01.wav 091-E-Freilakh-Sax-12.wav 094-A-Sirba-Strings-06.wav
100 080-D-Panduri-Xtra 02.wav 091-E-Freilakh-Sax-13.wav 094-A-Sirba-Strings-07.wav
100-A-m-Panduri-Doubleto.wav 080-D-Panduri-Xtra 03.wav 091-E-Freilakh-Sax-14.wav 095-A-Sirba-Strings-08.wav
100-A-Panduri-Doubleto.wav 080-D#-m-Panduri-Xtra 01.wav 092-A-Sirba-Sax-15.wav 095-A-Sirba-Strings-09.wav
100-A#-m-Panduri-Doubleto.wav 080-D#-m-Panduri-Xtra 02.wav 092-A-Sirba-Sax-16.wav 095-A-Sirba-Strings-10.wav
100-A#-Panduri-Doubleto.wav 080-D#-Panduri-Xtra 01.wav 092-A-Sirba-Sax-17.wav 095-A-Sirba-Strings-11.wav
100-B-m-Panduri-Doubleto.wav 080-D#-Panduri-Xtra 02.wav 093-A-Sirba-Sax-18.wav 097-A-Sirba-Strings-12.wav
100-B-Panduri-Doubleto.wav 080-D#-Panduri-Xtra 03.wav 093-D-Jovano-Sax-19.wav 098-A-Sirba-Strings-13.wav
100-C-m-Panduri-Doubleto.wav 080-E-m-Panduri-Xtra.wav 094-A-Freilakh-Sax-20.wav
100-C-Panduri-Doubleto.wav 080-E-Panduri-Xtra 01.wav 094-A-Sirba-Sax-21.wav Violin (p)
100-C#-m-Panduri-Doubleto.wav 080-E-Panduri-Xtra 02.wav 094-E-Freilakh-Sax-22.wav 062-D-Mehmeda-Violin-01.wav
100-C#-Panduri-Doubleto.wav 080-F-m-Panduri-Xtra.wav 095-A-Sirba-Sax-23.wav 072-D-Mehmeda-Violin-02.wav
100-D-m-Panduri-Doubleto.wav 080-F-Panduri-Xtra 01.wav 095-F#-Thas Paso-Sax-24.wav 078-D-Mehmeda-Violin-03.wav
100-D-Panduri-Doubleto.wav 080-F-Panduri-Xtra 02.wav 096-A-Freilakh-Sax-25.wav 079-D-Mehmeda-Violin-04.wav
100-D#-m-Panduri-Doubleto.wav 080-F#-Panduri-Xtra 01.wav 097-A-Sirba-Sax-26.wav 086-D-Jovano-Violin-05.wav
100-D#-Panduri-Doubleto.wav 080-F#-Panduri-Xtra 02.wav 097-F#-Thas Paso-Sax-27.wav 086-D-Mehmeda-Violin-06.wav
100-E-m-Panduri-Doubleto.wav 080-G-Panduri-Xtra 01.wav 098-A-Sirba-Sax-28.wav 087-D-Jovano-Violin-07.wav
100-E-Panduri-Doubleto.wav 080-G-Panduri-Xtra 02.wav 099-D-Mehmeda-Sax-29.wav 090-A-Freilakh-Violin-08.wav
100-F-m-Panduri-Doubleto.wav 080-G#-Panduri-Xtra 01.wav 099-F#-Vlaque-Sax-30.wav 090-A-Freilakh-Violin-09.wav
100-F-Panduri-Doubleto.wav 080-G#-Panduri-Xtra 02.wav 101-D-Mehmeda-Sax-31.wav 090-A-Freilakh-Violin-10.wav
100-F#-m-Panduri-Doubleto.wav 080-G#-Panduri-Xtra.wav 101-F#-Thas Paso-Sax-32.wav 090-E-Freilakh-Violin-11.wav
100-F#-Panduri-Doubleto.wav 101-F#-Vlaque-Sax-33.wav 090-E-Freilakh-Violin-12.wav
100-G-m-Panduri-Doubleto.wav 100 103-D-Mehmeda-Sax-34.wav 090-E-Freilakh-Violin-13.wav
100-G-Panduri-Doubleto.wav 100-A-Panduri-Xtra 01.wav 103-D-Mehmeda-Sax-35.wav 091-A-Freilakh-Violin-14.wav
100-G#-m-Panduri-Doubleto.wav 100-A-Panduri-Xtra 02.wav 104-D-Mehmeda-Sax-36.wav 091-A-Sirba-Violin-15.wav
100-G#-Panduri-Doubleto.wav 100-A-Panduri-Xtra 03.wav 105-E-Freilakh-Sax-37.wav 091-A-Sirba-Violin-16.wav
100-A#-Panduri-Xtra 01.wav 106-E-Freilakh-Sax-38.wav 091-A-Sirba-Violin-17.wav
120 100-A#-Panduri-Xtra 02.wav 107-D-Mehmeda-Sax-39.wav 091-E-Freilakh-Violin-18.wav
120-A-m-Panduri-Doubleto.wav 100-A#-Panduri-Xtra 03.wav 108-D-Mehmeda-Sax-40.wav 091-E-Freilakh-Violin-19.wav
120-A-Panduri-Doubleto.wav 100-B-Panduri-Xtra.wav 109-D-Mehmeda-Sax-41.wav 091-E-Freilakh-Violin-20.wav
120-A#-m-Panduri-Doubleto.wav 100-C-Panduri-Xtra.wav 109-D-Mehmeda-Sax-42.wav 092-A-Freilakh-Violin-21.wav
120-A#-Panduri-Doubleto.wav 100-C#-Panduri-Xtra.wav 111-D-Mehmeda-Sax-43.wav 092-A-Sirba-Violin-22.wav
120-B-m-Panduri-Doubleto.wav 100-D-Panduri-Xtra.wav 112-D-Mehmeda-Sax-44.wav 092-A-Sirba-Violin-23.wav
120-B-Panduri-Doubleto.wav 100-D#-Panduri-Xtra.wav 113-D-Jovano-Sax-45.wav 092-A-Sirba-Violin-24.wav
120-C-m-Panduri-Doubleto.wav 100-E-Panduri-Xtra.wav 113-D-Jovano-Sax-46.wav 092-E-Freilakh-Violin-25.wav
120-C-Panduri-Doubleto.wav 100-E#-m-Panduri-Xtra.wav 113-D-Mehmeda-Sax-47.wav 093-A-Sirba-Violin-26.wav
120-C#-m-Panduri-Doubleto.wav 100-F-Panduri-Xtra.wav 113-D-Mehmeda-Sax-48.wav 093-E-Freilakh-Violin-27.wav
120-C#-Panduri-Doubleto.wav 100-F#-m-Panduri-Xtra.wav 114-D-Mehmeda-Sax-49.wav 094-A-Sirba-Violin-28.wav
120-D-m-Panduri-Doubleto.wav 100-F#-Panduri-Xtra.wav 115-D-Jovano-Sax-50.wav 095-A-Sirba-Violin-29.wav
120-D-Panduri-Doubleto.wav 100-G-m-Panduri-Xtra.wav 115-D-Jovano-Sax-51.wav 096-A-Sirba-Violin-30.wav
120-D#-m-Panduri-Doubleto.wav 100-G-Panduri-Xtra.wav 115-D-Jovano-Sax-52.wav 096-F#-Thas Paso-Violin-31.wav
120-D#-Panduri-Doubleto.wav 100-G#-m-Panduri-Xtra.wav 117-D-Jovano-Sax-53.wav 096-F#-Thas Paso-Violin-32.wav
120-E-m-Panduri-Doubleto.wav 100-G#-Panduri-Xtra.wav 117-D-Mehmeda-Sax-54.wav 096-F#-Thas Paso-Violin-33.wav
120-E-Panduri-Doubleto.wav 117-F#-Vlaque-Sax-55.wav 097-F#-Thas Paso-Violin-34.wav
120-F-m-Panduri-Doubleto.wav 120 118-D-Jovano-Sax-56.wav 097-F#-Thas Paso-Violin-35.wav
120-F-Panduri-Doubleto.wav 120-A-Panduri-Xtra.wav 118-F#-Vlaque-Sax-57.wav 097-F#-Vlaque-Violin-36.wav
120-F#-m-Panduri-Doubleto.wav 120-A#-Panduri-Xtra 01.wav 122-D-Jovano-Sax-58.wav 098-A-Sirba-Violin-37.wav
120-F#-Panduri-Doubleto.wav 120-A#-Panduri-Xtra 02.wav 125-D-Jovano-Sax-59.wav 099-F#-Thas Paso-Violin-38.wav
120-G-m-Panduri-Doubleto.wav 120-D-m-Panduri-Xtra 01.wav 128-D-Mehmeda-Sax-60.wav 099-F#-Vlaque-Violin-39.wav
120-G-Panduri-Doubleto.wav 120-D-m-Panduri-Xtra 02.wav 129-A-Opa Tsupa-Sax-61.wav 102-D-Mehmeda-Violin-40.wav
120-G#-m-Panduri-Doubleto.wav 120-G-m-Panduri-Xtra 01.wav 130-A-Opa Tsupa-Sax-62.wav 102-D-Mehmeda-Violin-41.wav
120-G#-Panduri-Doubleto.wav 120-G-m-Panduri-Xtra 02.wav 131-A-Dzumbus-Sax-63.wav 102-D-Mehmeda-Violin-42.wav
131-C-Paidouchko-Sax-64.wav 102-D-Mehmeda-Violin-43.wav
Xtra Percussion 132-C-Paidouchko-Sax-65.wav 102-E-Freilakh-Violin-44.wav
080 101-Mehmeda-Percussion-01.wav 133-A-Opa Tsupa-Sax-66.wav 103-F#-Thas Paso-Violin-45.wav
080-A-Panduri-Xtra 01.wav 101-Mehmeda-Percussion-02.wav 133-A-Opa Tsupa-Sax-67.wav 108-F#-Vlaque-Violin-46.wav
080-A-Panduri-Xtra 02.wav 102-Mehmeda-Percussion-03.wav 133-C-Paidouchko-Sax-68.wav 113-F#-Vlaque-Violin-47.wav
080-A-Panduri-Xtra 03.wav 102-Mehmeda-Percussion-04.wav 136-A-Dzumbus-Sax-69.wav 115-D-Mehmeda-Violin-48.wav
080-A-Panduri-Xtra 04.wav 102-Mehmeda-Percussion-05.wav 141-A-Dzumbus-Sax-70.wav 129-A-Opa Tsupa-Violin-49.wav
080-A-Panduri-Xtra 05.wav 102-Mehmeda-Percussion-06.wav 142-D-Mehmeda-Sax-71.wav 130-A-Opa Tsupa-Violin-50.wav
080-A-Panduri-Xtra 06.wav 102-Mehmeda-Percussion-07.wav 145-A-Dzumbus-Sax-72.wav 131-A-Opa Tsupa-Violin-51.wav
080-A-Panduri-Xtra 07.wav 103-Mehmeda-Percussion-08.wav 149-A-Dzumbus-Sax-73.wav 132-A-Opa Tsupa-Violin-52.wav
080-A#-m-Panduri-Xtra 01.wav 119-Dzumbus Derbuka-01.wav 155-A-Dzumbus-Sax-74.wav 133-C-Paidouchko-Violin-53.wav
080-A#-m-Panduri-Xtra 02.wav 120-Dzumbus Derbuka-02.wav 155-A-Dzumbus-Sax-75.wav 133-C-Paidouchko-Violin-54.wav
080-A#-m-Panduri-Xtra 03.wav 128-Opa Tsupa-Percussion-09.wav 156-A-Dzumbus-Sax-76.wav 137-A-Dzumbus-Violin-55.wav
080-A#-m-Panduri-Xtra 04.wav 130-Dzumbus Derbuka-03.wav 158-A-Dzumbus-Sax-77.wav 138-D-Jovano-Violin-56.wav
080-A#-Panduri-Xtra 01.wav 131-Opa Tsupa-Percussion-10.wav 158-D-Jovano-Sax-78.wav 139-A-Dzumbus-Violin-57.wav
080-A#-Panduri-Xtra 02.wav 166-A-Dzumbus-Sax-79.wav 146-A-Dzumbus-Violin-58.wav
080-A#-Panduri-Xtra 03.wav Sax (p) 168-A-Dzumbus-Sax-80.wav 147-A-Dzumbus-Violin-59.wav
080-A#-Panduri-Xtra 04.wav 071-F#-Thas Paso-Sax-01.wav 173-A-Dzumbus-Sax-81.wav 156-A-Dzumbus-Violin-60.wav
080-A#-Panduri-Xtra 05.wav 083-D-Mehmeda-Sax-02.wav 174-A-Dzumbus-Sax-82.wav 158-D-Jovano-Violin-61.wav
080-B-Panduri-Xtra.wav 084-D-Jovano-Sax-03.wav 159-A-Dzumbus-Violin-62.wav
080-C-Panduri-Xtra 01.wav 086-D-Jovano-Sax-04.wav 159-D-Jovano-Violin-63.wav
080-C-Panduri-Xtra 02.wav 087-D-Jovano-Sax-05.wav 160-A-Dzumbus-Violin-64.wav

367
Loops and Phrases

India 100-C-Do Tara-Pattern 01.wav 120-G-Flute 1-61.wav 100-F#-Mandolin-Loop 10.wav 080-D-Santoor-Bhupali-01.wav


FX 100-C-Do Tara-Pattern 02.wav 120-Gm-Flute 1-62.wav 100-F#m-Mandolin-Hala 01.wav 080-D-Santoor-Bhupali-02.wav
Benares 1.wav 100-C-Do Tara-Pattern 03.wav 120-Gm-Flute 1-63.wav 100-F#m-Mandolin-Hala 02.wav 080-Em-Santoor-Lick 01.wav
Benares 2.wav 100-C-Do Tara-Pattern 04.wav 120-Gm-Flute 1-64.wav 100-F#m-Mandolin-Hala 03.wav 080-Em-Santoor-Lick 02.wav
Bombay Market.wav 101-Cm-Do Tara-Alap 08.wav 120-Gm-Flute 1-65.wav 100-G#m-Mandolin-Lick 04.wav 080-Gm-Santoor-Lick 03.wav
Bombay Streets 1.wav 114-Cm-Do Tara-Alap 09.wav 120-Gm-Flute 1-66.wav 120-F#-Mandolin-Loop 11.wav 080-Gm-Santoor-Lick 04.wav
Bombay Streets 2.wav 119-C-Do Tara-Melody 04.wav 120-Gm-Flute 1-67.wav 120-G#m-Mandolin-Lick 05.wav 080-Gm-Santoor-Lick 05.wav
Doorbell.wav 120-C-Do Tara-Melody 05.wav 120-Gm-Flute 1-68.wav 140-F#-Mandolin-Hala 04.wav 081-Dm-Santoor-Shivaranjani-02.wav
New Deli Market.wav 120-C-Do Tara-Pattern 05.wav 120-Gm-Flute 1-69.wav 140-G#m-Mandolin-Lick 06.wav 082-Dm-Santoor-Bhupali-03.wav
Sea 1.wav 120-Cm-Do Tara-02.wav 120-Gm-Flute 1-70.wav 087-G-Santoor-Alap 07.wav
Sea 2.wav 120-Cm-Do Tara-03.wav 120-Gm-Flute 1-71.wav Nadhaswaram (p) 094-Em-Santoor-Alap 08.wav
Sea 3.wav 120-Cm-Do Tara-04.wav 120-Gm-Flute 1-72.wav 062-D-Nadhaswaram-01.wav 095-Dm-Santoor-Bhairavi-01.wav
Whistling.wav 120-Cm-Do Tara-05.wav 120-Gm-Flute 1-73.wav 064-D-Nadhaswaram-02.wav 096-D-Santoor-Bhupali-04.wav
120-Cm-Do Tara-Pattern 06.wav 120-Gm-Flute 1-74.wav 067-D-Nadhaswaram-03.wav 100-Dm-Santoor-Bhairavi-02.wav
Melodic 125-C-Do Tara-Melody 06.wav 120-Gm-Flute 1-75.wav 068-D-Nadhaswaram-04.wav 100-Dm-Santoor-Bhairavi-03.wav
Bulbul Tarang 125-C-Do Tara-Melody 07.wav 120-Gm-Flute 1-76.wav 068-D-Nadhaswaram-05.wav 100-Dm-Santoor-Bhairavi-04.wav
065-D-Bulbul Tarang-Loop 01.wav 127-G-Do Tara-Melody 08.wav 120-Gm-Flute 1-77.wav 070-D-Nadhaswaram-06.wav 100-Dm-Santoor-Shivaranjani-03.wav
073-C#-Bulbul Tarang-01.wav 120-Gm-Flute 1-78.wav 071-A-Nadhaswaram-07.wav 100-Dm-Santoor-Shivaranjani-04.wav
082-Dm-Bulbul Tarang-02.wav Flute (p) 120-Gm-Flute 1-79.wav 071-D-Nadhaswaram-08.wav 100-Em-Santoor-Lick 06.wav
085-Am-Bulbul Tarang-03.wav Flute 1 120-Gm-Flute 1-80.wav 073-D-Nadhaswaram-09.wav 100-Em-Santoor-Lick 07.wav
096-Am-Bulbul Tarang-04.wav 080-B-Flute 1-01.wav 120-Gm-Flute 1-81.wav 077-D-Nadhaswaram-10.wav 100-Gm-Santoor-Lick 08.wav
099-A-Bulbul Tarang-Loop 02.wav 080-B-Flute 1-02.wav 120-Gm-Flute 1-82.wav 079-C-Nadhaswaram-11.wav 100-Gm-Santoor-Lick 09.wav
100-A-Bulbul Tarang-Loop 03.wav 080-B-Flute 1-03.wav 080-D-Nadhaswaram-12.wav 100-Gm-Santoor-Lick 10.wav
101-Am-Bulbul Tarang-05.wav 080-B-Flute 1-04.wav Flute 2 090-D-Nadhaswaram-13.wav 100-Gm-Santoor-Lick 11.wav
104-A-Bulbul Tarang-Loop 04.wav 080-B-Flute 1-05.wav 063-A#m-Flute 2-01.wav 091-D-Nadhaswaram-14.wav 102-D-Santoor-Bhupali-05.wav
120-A-Bulbul Tarang-Loop 05.wav 080-Bm-Flute 1-06.wav 068-A#m-Flute 2-02.wav 095-D-Nadhaswaram-15.wav 115-Gm-Santoor-Alap 09.wav
120-A-Bulbul Tarang-Loop 06.wav 080-Em-Flute 1-07.wav 069-A#m-Flute 2-03.wav 100-E-Nadhaswaram-16.wav 118-Dm-Santoor-Shivaranjani-05.wav
142-A-Bulbul Tarang-Loop 07.wav 080-Em-Flute 1-08.wav 069-C#-Flute 2-04.wav 105-D-Nadhaswaram-17.wav 120-D-Santoor-Kirwani-Loop 03.wav
142-Am-Bulbul Tarang-06.wav 080-Em-Flute 1-09.wav 070-C#-Flute 2-05.wav 108-C-Nadhaswaram-18.wav 120-D-Santoor-Kirwani-Loop 04.wav
080-Em-Flute 1-10.wav 070-C#-Flute 2-06.wav 111-D-Nadhaswaram-19.wav 120-Dm-Santoor-Shivaranjani-06.wav
Dilruba (p) 080-Em-Flute 1-11.wav 073-C#-Flute 2-07.wav 135-B-Nadhaswaram-20.wav 120-G-Santoor-Lick 12.wav
060-A-Dilruba.wav 080-Em-Flute 1-12.wav 073-C#-Flute 2-08.wav 120-G-Santoor-Lick 13.wav
061-C#-Dilruba-01.wav 080-Em-Flute 1-13.wav 074-A#m-Flute 2-09.wav Pungi (p) 120-G-Santoor-Lick 14.wav
061-D#-Dilruba-02.wav 080-Em-Flute 1-14.wav 074-A#m-Flute 2-10.wav 063-E-Pungi-01.wav
062-A-Dilruba.wav 080-Em-Flute 1-15.wav 076-A#m-Flute 2-11.wav 063-E-Pungi-02.wav Shenai (p)
065-C#-Dilruba.wav 080-Em-Flute 1-16.wav 082-A#m-Flute 2-12.wav 064-E-Pungi-03.wav 060-Dm-Shenai-01.wav
066-D#-Dilruba.wav 080-Em-Flute 1-17.wav 091-A#m-Flute 2-13.wav 064-E-Pungi-04.wav 061-Gm-Shenai-02.wav
067-D#-Dilruba-01.wav 080-Em-Flute 1-18.wav 092-A#m-Flute 2-14.wav 072-E-Pungi-05.wav 063-Dm-Shenai-03.wav
067-Dm-Dilruba-02.wav 080-Em-Flute 1-19.wav 094-A#m-Flute 2-15.wav 073-E-Pungi-06.wav 065-C-Shenai-04.wav
068-Dm-Dilruba.wav 080-Em-Flute 1-20.wav 096-A#m-Flute 2-16.wav 077-E-Pungi-07.wav 065-C-Shenai-05.wav
069-G-Dilruba.wav 080-Em-Flute 1-21.wav 096-C#-Flute 2-17.wav 078-E-Pungi-08.wav 067-G-Shenai-06.wav
070-D#-Dilruba.wav 080-G#-Flute 1-22.wav 101-C#-Flute 2-18.wav 078-E-Pungi-09.wav 070-Dm-Shenai-07.wav
071-A-Dilruba-01.wav 090-A-Flute 1-23.wav 101-C#-Flute 2-19.wav 080-E-Pungi-10.wav 071-F-Shenai-08.wav
071-D#-Dilruba-02.wav 090-A#m-Flute 1-24.wav 102-A#m-Flute 2-20.wav 086-E-Pungi-11.wav 074-C-Shenai-09.wav
072-D-Dilruba.wav 090-D-Flute 1-25.wav 102-A#m-Flute 2-21.wav 088-E-Pungi-12.wav 075-Dm-Shenai-10.wav
075-D-Dilruba-01.wav 090-Dm-Flute 1-26.wav 103-A#m-Flute 2-22.wav 089-E-Pungi-13.wav 077-C-Shenai-11.wav
075-D-Dilruba-02.wav 090-Dm-Flute 1-27.wav 104-C#-Flute 2-23.wav 099-E-Pungi-14.wav 083-Bm-Shenai-12.wav
075-Dm-Dilruba-03.wav 090-F-Flute 1-28.wav 108-A#m-Flute 2-24.wav 102-E-Pungi-15.wav 083-G-Shenai-13.wav
079-D-Dilruba-01.wav 090-F-Flute 1-29.wav 108-C#-Flute 2-25.wav 117-E-Pungi-16.wav 085-C-Shenai-14.wav
079-Dm-Dilruba-02.wav 094-F-Flute 1-30.wav 108-C#-Flute 2-26.wav 119-E-Pungi-17.wav 087-C-Shenai-15.wav
081-Dm-Dilruba.wav 094-F-Flute 1-31.wav 109-A#m-Flute 2-27.wav 130-E-Pungi-18.wav 098-F-Shenai-16.wav
082-A-Dilruba-01.wav 110-G-Flute 1-32.wav 110-C#-Flute 2-28.wav 159-E-Pungi-19.wav 099-F-Shenai-17.wav
082-E-Dilruba-02.wav 110-G-Flute 1-33.wav 142-A#m-Flute 2-29.wav 169-E-Pungi-20.wav 100-G-Shenai-18.wav
083-D-Dilruba.wav 110-G-Flute 1-34.wav 106-G-Shenai-19.wav
084-Dm-Dilruba.wav 110-G-Flute 1-35.wav Magudi (p) Rawanhattha (p) 108-Gm-Shenai-20.wav
087-D#-Dilruba-01.wav 110-G-Flute 1-36.wav 071-D#-Magudi-01.wav 095-F#-Rawanhattha-01.wav
087-E-Dilruba-02.wav 110-G-Flute 1-37.wav 074-D#-Magudi-02.wav 110-C#-Rawanhattha-02.wav Sitar
098-Cm-Dilruba.wav 110-G-Flute 1-38.wav 075-D#-Magudi-03.wav 110-F#-Rawanhattha-03.wav Sitar 1
102-D-Dilruba-01.wav 110-G-Flute 1-39.wav 077-D#-Magudi-04.wav 110-F#-Rawanhattha-04.wav 060-C#m-Sitar 1-Taraf 01.wav
102-D-Dilruba-02.wav 110-G-Flute 1-40.wav 077-D#-Magudi-05.wav 110-F#-Rawanhattha-05.wav 064-C#-Sitar 1-Kirtan-01.wav
103-F-Dilruba.wav 110-G-Flute 1-41.wav 078-D#-Magudi-06.wav 110-F#-Rawanhattha-06.wav 064-C#-Sitar 1-Taraf 02.wav
106-D-Dilruba.wav 110-G-Flute 1-42.wav 079-D#-Magudi-07.wav 110-F#-Rawanhattha-07.wav 072-C#m-Sitar 1-Alap 01.wav
112-E-Dilruba.wav 110-G-Flute 1-43.wav 079-D#-Magudi-08.wav 110-F#-Rawanhattha-08.wav 080-C#m-Sitar 1-Bhairavi-01.wav
114-A-Dilruba.wav 110-G-Flute 1-44.wav 146-D#-Magudi-09.wav 110-F#-Rawanhattha-09.wav 080-C#m-Sitar 1-Lick 01.wav
116-G#-Dilruba.wav 110-G-Flute 1-45.wav 150-D#-Magudi-10.wav 110-F#-Rawanhattha-10.wav 080-C#m-Sitar 1-Lick 02.wav
117-C#-Dilruba.wav 110-G-Flute 1-46.wav 153-D#-Magudi-11.wav 115-F#-Rawanhattha-11.wav 080-C#m-Sitar 1-Lick 03.wav
119-C#-Dilruba.wav 110-G-Flute 1-47.wav 120-F#-Rawanhattha-12.wav 080-C#m-Sitar 1-Lick 04.wav
120-A-Flute 1-48.wav Mandolin 135-F#-Rawanhattha-13.wav 080-C#m-Sitar 1-Lick 05.wav
Do Tara 120-A-Flute 1-49.wav 080-F#-Mandolin-Loop 06.wav 165-F#-Rawanhattha-14.wav 080-C#m-Sitar 1-Lick 06.wav
060-C-Do Tara-Melody 01.wav 120-A-Flute 1-50.wav 080-F#-Mandolin-Loop 07.wav 084-C#m-Sitar 1-Bhairavi-02.wav
060-D#-Do Tara-01.wav 120-A-Flute 1-51.wav 080-F#m-Mandolin-Lick 01.wav Santoor 086-C#m-Sitar 1-Bhairavi-03.wav
063-C-Do Tara-Melody 02.wav 120-A-Flute 1-52.wav 080-F#m-Mandolin-Lick 02.wav 065-Gm-Santoor-Alap 01.wav 087-C#-Sitar 1-Kirtan-02.wav
068-Cm-Do Tara-Alap 01.wav 120-A-Flute 1-53.wav 080-F#m-Mandolin-Loop 01.wav 067-G-Santoor-Alap 02.wav 088-C#-Sitar 1-Taraf 02.wav
070-Cm-Do Tara-Alap 02.wav 120-A-Flute 1-54.wav 080-F#m-Mandolin-Loop 02.wav 073-Em-Santoor-Alap 04.wav 089-C#m-Sitar 1-Alap 02.wav
071-Cm-Do Tara-Alap 03.wav 120-A-Flute 1-55.wav 080-F#m-Mandolin-Loop 03.wav 073-Gm-Santoor-Alap 05.wav 091-C#m-Sitar 1-Alap 03.wav
081-D-Do Tara-Melody 03.wav 120-A-Flute 1-56.wav 080-F#m-Mandolin-Loop 04.wav 074-D-Santoor-Kirwani-Loop 01.wav 100-C#-Sitar 1-Baul-Loop 01.wav
086-Cm-Do Tara-Alap 04.wav 120-A-Flute 1-57.wav 080-F#m-Mandolin-Loop 05.wav 075-Dm-Santoor-Kirwani.wav 100-C#-Sitar 1-Baul-Loop 02.wav
088-Cm-Do Tara-Alap 05.wav 120-A-Flute 1-58.wav 100-C#m-Mandolin-Lick 03.wav 075-Gm-Santoor-Alap 06.wav 100-C#-Sitar 1-Baul-Loop 03.wav
095-Cm-Do Tara-Alap 06.wav 120-A-Flute 1-59.wav 100-F#-Mandolin-Loop 08.wav 076-D-Santoor-Kirwani-Loop 02.wav 100-C#-Sitar 1-Baul-Loop 04.wav
099-Cm-Do Tara-Alap 07.wav 120-A-Flute 1-60.wav 100-F#-Mandolin-Loop 09.wav 076-Dm-Santoor-Shivaranjani-01.wav 103-C#-Sitar 1-Kirtan-03.wav

368
Loops and Phrases

104-G#m-Sitar 1-Alap 04.wav 080-C-Veena 1-Hansadhwani-Loop.wav 120-D-Violin-10.wav 095-D#-Dhol-Rolls-02.wav 135-C-Dhol-Rolls-12.wav


105-C#m-Sitar 1-Bhairavi-04.wav 080-C-Veena 1-Lick 01.wav 120-D-Violin-11.wav 095-D#-Dhol-Rolls-03.wav 135-C-Dhol-Rolls-13.wav
106-D#m-Sitar 1-Alap 05.wav 080-Cm-Veena 1-Bairagi-01.wav 095-D#-Dhol-Rolls-04.wav 135-C-Dhol-Rolls-14.wav
109-C#-Sitar 1-Kirtan-04.wav 080-Cm-Veena 1-Bairagi-02.wav Percussions 095-D#-Dhol-Rolls-05.wav 135-C-Dhol-Rolls-15.wav
113-C#m-Sitar 1-Taraf 03.wav 080-Cm-Veena 1-Shivaranjani-05.wav Bass Udukkai 095-D#-Dhol-Rolls-06.wav 135-C-Dhol-Rolls-16.wav
115-F#m-Sitar 1-Alap 06.wav 080-F#m-Veena 1-Sohni-01.wav 088-Bass Udukkai-01.wav 095-D#-Dhol-Rolls-07.wav 135-C-Dhol-Rolls-17.wav
135-C#-Sitar 1-Hala 01.wav 084-Cm-Veena 1-Shivaranjani-06.wav 089-Bass Udukkai-02.wav 095-D#-Dhol-Rolls-08.wav 135-C-Dhol-Rolls-18.wav
140-C#m-Sitar 1-Hala 02.wav 085-Cm-Veena 1-Bairagi-Alap 03.wav 100-Bass Udukkai-03.wav 135-C-Dhol-Rolls-19.wav
140-C#m-Sitar 1-Hala 03.wav 087-Cm-Veena 1-Bairagi-Alap 04.wav 110-Bass Udukkai-04.wav 115 Bpm 135-C-Dhol-Rolls-20.wav
140-C#m-Sitar 1-Hala 04.wav 089-C-Veena 1-Alap 02.wav 140-Bass Udukkai-05.wav 115-C-Dhol-Rolls-01.wav 135-C-Dhol-Rolls-21.wav
090-C-Veena 1-Alap 03.wav 142-Bass Udukkai-06.wav 115-C-Dhol-Rolls-02.wav 135-C-Dhol-Rolls-22.wav
Sitar 2 094-C-Veena 1-Alap 04.wav 143-Bass Udukkai-07.wav 115-C-Dhol-Rolls-03.wav 135-C-Dhol-Rolls-23.wav
080-C-Sitar 2-01.wav 098-Cm-Veena 1-Bairagi-Alap 05.wav 144-Bass Udukkai-08.wav 115-C-Dhol-Rolls-04.wav 135-C-Dhol-Rolls-24.wav
080-C-Sitar 2-Loop 01.wav 100-C-Veena 1-Hansadhwani-03.wav 152-Bass Udukkai-09.wav 115-C-Dhol-Rolls-05.wav 135-C-Dhol-Rolls-25.wav
080-C-Sitar 2-Loop 02.wav 100-C-Veena 1-Hansadhwani-04.wav 152-Bass Udukkai-10.wav 115-C-Dhol-Rolls-06.wav 135-C-Dhol-Rolls-26.wav
085-C-Sitar 2-02.wav 100-C-Veena 1-Jhala 01.wav 162-Bass Udukkai-11.wav 115-C-Dhol-Rolls-07.wav 135-C-Dhol-Rolls-27.wav
085-C-Sitar 2-03.wav 100-C-Veena 1-Jhala 02.wav 164-Bass Udukkai-12.wav 115-C-Dhol-Rolls-08.wav 135-C-Dhol-Rolls-28.wav
085-C-Sitar 2-Loop 03.wav 100-Cm-Veena 1-Bairagi-03.wav 164-Bass Udukkai-13.wav 115-C-Dhol-Rolls-09.wav 135-C-Dhol-Rolls-29.wav
085-E-Sitar 2-Loop 04.wav 100-Cm-Veena 1-Bairagi-04.wav 170-Bass Udukkai-14.wav 115-C#-Dhol-Rolls-01.wav 135-C#-Dhol-Rolls-01.wav
090-C-Sitar 2-04.wav 100-Cm-Veena 1-Shivaranjani-07.wav 170-Bass Udukkai-15.wav 115-C#-Dhol-Rolls-02.wav 135-C#-Dhol-Rolls-02.wav
095-C-Sitar 2-Loop 05.wav 100-Cm-Veena 1-Shivaranjani-08.wav 115-C#-Dhol-Rolls-03.wav 135-C#-Dhol-Rolls-03.wav
100-C-Sitar 2-05.wav 100-F#m-Veena 1-Sohni-02.wav Chenda 115-C#-Dhol-Rolls-04.wav 135-C#-Dhol-Rolls-04.wav
100-C-Sitar 2-Loop 06.wav 100-Fm-Veena 1-Lick 02.wav 086-Chenda-Stereo 01.wav 115-C#-Dhol-Rolls-05.wav 135-C#-Dhol-Rolls-05.wav
100-C-Sitar 2-Loop 07.wav 100-Fm-Veena 1-Lick 03.wav 086-Chenda-Stereo 02.wav 115-C#-Dhol-Rolls-06.wav 135-C#-Dhol-Rolls-06.wav
100-C-Sitar 2-Loop 08.wav 104-Cm-Veena 1-Shivaranjani-09.wav 088-Chenda-Stereo 03.wav 115-C#-Dhol-Rolls-07.wav 135-C#-Dhol-Rolls-07.wav
100-C-Sitar 2-Loop 09.wav 105-Cm-Veena 1-Shivaranjani-10.wav 096-Chenda-Stereo 04.wav 115-C#-Dhol-Rolls-08.wav 135-C#-Dhol-Rolls-08.wav
100-C-Sitar 2-Loop 10.wav 120-C-Veena 1-Hansadhwani-05.wav 112-Chenda-Mono 01.wav 115-C#-Dhol-Rolls-09.wav 135-C#-Dhol-Rolls-09.wav
105-D-Sitar 2-Loop 11.wav 120-C-Veena 1-Hansadhwani-06.wav 114-Chenda-Mono 02.wav 115-D-Dhol-Rolls-01.wav 135-C#-Dhol-Rolls-10.wav
105-D-Sitar 2-Loop 12.wav 120-C-Veena 1-Jhala 03.wav 125-Chenda-Mono 03.wav 115-D-Dhol-Rolls-02.wav 135-C#-Dhol-Rolls-11.wav
105-D-Sitar 2-Loop 13.wav 120-C-Veena 1-Jhala 04.wav 129-Chenda-Mono 04.wav 115-D-Dhol-Rolls-03.wav 135-C#-Dhol-Rolls-12.wav
105-D#-Sitar 2-Loop 14.wav 120-C-Veena 1-Sohni-03.wav 159-Chenda-Stereo 05.wav 115-D-Dhol-Rolls-04.wav 135-C#-Dhol-Rolls-13.wav
105-E-Sitar 2-Loop 15.wav 120-Cm-Veena 1-Bairagi-Jhala.wav 165-Chenda-Mono 05.wav 115-D-Dhol-Rolls-05.wav 135-C#-Dhol-Rolls-14.wav
110-C-Sitar 2-06.wav 120-Cm-Veena 1-Jhala 05.wav 172-Chenda-Stereo 06.wav 115-D-Dhol-Rolls-06.wav 135-C#-Dhol-Rolls-15.wav
110-C-Sitar 2-07.wav 120-Cm-Veena 1-Shivaranjani-11.wav 115-D-Dhol-Rolls-07.wav 135-C#-Dhol-Rolls-16.wav
110-C-Sitar 2-Loop 16.wav 120-Cm-Veena 1-Shivaranjani-12.wav Dhol 115-D-Dhol-Rolls-08.wav 135-C#-Dhol-Rolls-17.wav
110-E-Sitar 2-08.wav 095 Bpm 115-D#-Dhol-Rolls-01.wav 135-C#-Dhol-Rolls-18.wav
110-E-Sitar 2-Loop 17.wav Veena 2 095-C-Dhol-Rolls-01.wav 115-D#-Dhol-Rolls-02.wav 135-C#-Dhol-Rolls-19.wav
115-D-Sitar 2-09.wav 062-B-Veena 2-01.wav 095-C-Dhol-Rolls-02.wav 115-D#-Dhol-Rolls-03.wav 135-C#-Dhol-Rolls-20.wav
115-D-Sitar 2-Loop 18.wav 062-E-Veena 2-02.wav 095-C-Dhol-Rolls-03.wav 115-D#-Dhol-Rolls-04.wav 135-C#-Dhol-Rolls-21.wav
115-E-Sitar 2-Loop 19.wav 064-E-Veena 2-03.wav 095-C-Dhol-Rolls-04.wav 115-D#-Dhol-Rolls-05.wav 135-C#-Dhol-Rolls-22.wav
115-E-Sitar 2-Loop 20.wav 067-E-Veena 2-04.wav 095-C-Dhol-Rolls-05.wav 115-D#-Dhol-Rolls-06.wav 135-C#-Dhol-Rolls-23.wav
125-C-Sitar 2-10.wav 067-E-Veena 2-05.wav 095-C-Dhol-Rolls-06.wav 115-D#-Dhol-Rolls-07.wav 135-D-Dhol-Rolls-01.wav
130-C-Sitar 2-Loop 21.wav 070-E-Veena 2-06.wav 095-C-Dhol-Rolls-07.wav 115-D#-Dhol-Rolls-08.wav 135-D-Dhol-Rolls-02.wav
130-E-Sitar 2-11.wav 072-E-Veena 2-07.wav 095-C-Dhol-Rolls-08.wav 115-D#-Dhol-Rolls-09.wav 135-D-Dhol-Rolls-03.wav
135-C-Sitar 2-12.wav 076-E-Veena 2-08.wav 095-C-Dhol-Rolls-09.wav 115-D#-Dhol-Rolls-10.wav 135-D-Dhol-Rolls-04.wav
140-C-Sitar 2-Loop 22.wav 076-E-Veena 2-09.wav 095-C-Dhol-Rolls-10.wav 115-D#-Dhol-Rolls-11.wav 135-D-Dhol-Rolls-05.wav
145-C-Sitar 2-13.wav 077-E-Veena 2-10.wav 095-C-Dhol-Rolls-11.wav 115-D#-Dhol-Rolls-12.wav 135-D-Dhol-Rolls-06.wav
145-C-Sitar 2-Loop 23.wav 082-E-Veena 2-11.wav 095-C-Dhol-Rolls-12.wav 115-D#-Dhol-Rolls-13.wav 135-D-Dhol-Rolls-07.wav
145-E-Sitar 2-14.wav 084-E-Veena 2-12.wav 095-C-Dhol-Rolls-13.wav 115-D#-Dhol-Rolls-14.wav 135-D-Dhol-Rolls-08.wav
150-C-Sitar 2-Loop 24.wav 088-B-Veena 2-13.wav 095-C-Dhol-Rolls-14.wav 115-D#-Dhol-Rolls-15.wav 135-D-Dhol-Rolls-09.wav
088-C-Veena 2-14.wav 095-C-Dhol-Rolls-15.wav 115-D#-Dhol-Rolls-16.wav 135-D-Dhol-Rolls-10.wav
Sitar 3 088-E-Veena 2-15.wav 095-C#-Dhol-Rolls-01.wav 115-E-Dhol-Rolls-01.wav 135-D-Dhol-Rolls-11.wav
064-D-Sitar 3-01.wav 089-B-Veena 2-16.wav 095-C#-Dhol-Rolls-02.wav 115-E-Dhol-Rolls-02.wav 135-D-Dhol-Rolls-12.wav
064-D-Sitar 3-02.wav 089-F#-Veena 2-17.wav 095-C#-Dhol-Rolls-03.wav 115-E-Dhol-Rolls-03.wav 135-D-Dhol-Rolls-13.wav
066-D-Sitar 3-03.wav 090-E-Veena 2-18.wav 095-C#-Dhol-Rolls-04.wav 115-E-Dhol-Rolls-04.wav 135-D-Dhol-Rolls-14.wav
068-D-Sitar 3-04.wav 092-E-Veena 2-19.wav 095-C#-Dhol-Rolls-05.wav 115-E-Dhol-Rolls-05.wav 135-D-Dhol-Rolls-15.wav
069-D-Sitar 3-05.wav 093-G-Veena 2-20.wav 095-C#-Dhol-Rolls-06.wav 115-E-Dhol-Rolls-06.wav 135-D#-Dhol-Rolls-01.wav
072-D-Sitar 3-06.wav 094-E-Veena 2-21.wav 095-C#-Dhol-Rolls-07.wav 115-E-Dhol-Rolls-07.wav 135-D#-Dhol-Rolls-02.wav
073-D-Sitar 3-07.wav 095-D-Veena 2-22.wav 095-C#-Dhol-Rolls-08.wav 115-E-Dhol-Rolls-08.wav 135-D#-Dhol-Rolls-03.wav
074-D-Sitar 3-08.wav 100-F#-Veena 2-23.wav 095-C#-Dhol-Rolls-09.wav 115-E-Dhol-Rolls-09.wav 135-D#-Dhol-Rolls-04.wav
077-D-Sitar 3-09.wav 101-C-Veena 2-24.wav 095-C#-Dhol-Rolls-10.wav 115-E-Dhol-Rolls-10.wav 135-E-Dhol-Rolls-01.wav
079-D-Sitar 3-10.wav 101-E-Veena 2-25.wav 095-C#-Dhol-Rolls-11.wav 115-E-Dhol-Rolls-11.wav 135-E-Dhol-Rolls-02.wav
082-D-Sitar 3-Loop.wav 111-F#-Veena 2-26.wav 095-C#-Dhol-Rolls-12.wav 115-E-Dhol-Rolls-12.wav 135-E-Dhol-Rolls-03.wav
097-D-Sitar 3-11.wav 112-B-Veena 2-27.wav 095-C#-Dhol-Rolls-13.wav 115-E-Dhol-Rolls-13.wav 135-E-Dhol-Rolls-04.wav
103-D-Sitar 3-12.wav 112-E-Veena 2-28.wav 095-C#-Dhol-Rolls-14.wav 115-E-Dhol-Rolls-14.wav 135-E-Dhol-Rolls-05.wav
105-D-Sitar 3-13.wav 119-E-Veena 2-29.wav 095-C#-Dhol-Rolls-15.wav 115-E-Dhol-Rolls-15.wav 135-E-Dhol-Rolls-06.wav
107-D-Sitar 3-14.wav 144-D-Veena 2-30.wav 095-C#-Dhol-Rolls-16.wav 115-E-Dhol-Rolls-16.wav 135-E-Dhol-Rolls-07.wav
213-E-Veena 2-31.wav 095-C#-Dhol-Rolls-17.wav
Veena 095-C#-Dhol-Rolls-18.wav 135 Bpm Dholak
Veena 1 Violin 095-D-Dhol-Rolls-01.wav 135-C-Dhol-Rolls-01.wav 092-Dholak 3-01.wav
060-Cm-Veena 1-Shivaranjani-01.wav 080-A-Violin-01.wav 095-D-Dhol-Rolls-02.wav 135-C-Dhol-Rolls-02.wav 100-Dholak 2-02.wav
060-Cm-Veena 1-Shivaranjani-02.wav 080-A-Violin-02.wav 095-D-Dhol-Rolls-03.wav 135-C-Dhol-Rolls-03.wav 102-Dholak 3-02.wav
066-Cm-Veena 1-Shivaranjani-03.wav 080-A-Violin-03.wav 095-D-Dhol-Rolls-04.wav 135-C-Dhol-Rolls-04.wav 110-Dholak 1-01.wav
071-Cm-Veena 1-Bairagi-Alap 01.wav 080-A-Violin-Loop.wav 095-D-Dhol-Rolls-05.wav 135-C-Dhol-Rolls-05.wav 110-Dholak 2-03.wav
071-Cm-Veena 1-Bairagi-Alap 02.wav 090-D-Violin-04.wav 095-D-Dhol-Rolls-06.wav 135-C-Dhol-Rolls-06.wav 110-Dholak 2-04.wav
076-Cm-Veena 1-Shivaranjani-04.wav 090-D-Violin-05.wav 095-D-Dhol-Rolls-07.wav 135-C-Dhol-Rolls-07.wav 110-Dholak 3-03.wav
078-C-Veena 1-Alap 01.wav 090-D-Violin-06.wav 095-D-Dhol-Rolls-08.wav 135-C-Dhol-Rolls-08.wav 111-Dholak 2-05.wav
080-A-Veena 1-Shivaranjani-Loop.wav 110-D-Violin-07.wav 095-D-Dhol-Rolls-09.wav 135-C-Dhol-Rolls-09.wav 111-Dholak 3-04.wav
080-C-Veena 1-Hansadhwani-01.wav 110-D-Violin-08.wav 095-D-Dhol-Rolls-10.wav 135-C-Dhol-Rolls-10.wav 113-Dholak 2-06.wav
080-C-Veena 1-Hansadhwani-02.wav 110-D-Violin-09.wav 095-D#-Dhol-Rolls-01.wav 135-C-Dhol-Rolls-11.wav 115-Dholak 2-07.wav

369
Loops and Phrases

133-Dholak 1-02.wav 163-Ghatam 2-21.wav 110-Salangai.wav Parai 110-Tabla 2-14.wav


145-Dholak 2-08.wav 163-Ghatam 2-22.wav 110-Water Drum-02.wav 130-Parai B-01.wav 110-Tabla 2-15.wav
148-Dholak 3-05.wav 163-Ghatam 2-23.wav 120-Longp-01.wav 134-Parai B-02.wav 110-Tabla 2-Fill 02.wav
149-Dholak 3-06.wav 167-Ghatam 2-24.wav 120-Longp-02.wav 136-Parai B-03.wav 110-Tabla 2-Fill 03.wav
149-Dholak 3-07.wav 171-Ghatam 2-25.wav 120-Water Drum-03.wav 137-Parai B-04.wav 110-Tabla 2-Triplet 03.wav
150-Dholak 2-09.wav 173-Ghatam 2-26.wav 121-Longp-03.wav 139-Parai B-05.wav 110-Tabla 2-Triplet 04.wav
150-Dholak 2-10.wav 174-Ghatam 2-27.wav 121-Timbal 2-01.wav 142-Parai B-06.wav 110-Tabla 3-16.wav
151-Dholak 1-03.wav 174-Ghatam 2-28.wav 125-Timbal 2-02.wav 187-Parai B-07.wav 110-Tabla 3-17.wav
152-Dholak 3-08.wav 177-Ghatam 2-29.wav 125-Timbal 2-03.wav 110-Tabla 3-18.wav
153-Dholak 3-09.wav 179-Ghatam 2-30.wav 126-Timbal 2-04.wav Perc Mix 110-Tabla 3-19.wav
154-Dholak 1-04.wav 182-Ghatam 2-31.wav 130-Timbal 2-05.wav 085-Kathak Perc-01.wav 110-Tabla 3-Fill 08.wav
155-Dholak 1-05.wav 183-Ghatam 2-32.wav 135-Cymbal 3-02.wav 085-Kathak Perc-02.wav 110-Tabla 3-Fill 09.wav
165-Dholak 1-06.wav 184-Ghatam 2-33.wav 136-Elathalam-01.wav 085-Kathak Perc-03.wav 110-Tabla 3-Fill 10.wav
167-Dholak 3-10.wav 185-Ghatam 2-34.wav 140-Maracas-01.wav 090-Dholak and Castanets-01.wav 110-Tabla 3-Triplet 05.wav
170-Dholak 3-11.wav 187-Ghatam 2-35.wav 140-Timbal 2-06.wav 090-Kathak Perc-04.wav 110-Tabla 3-Triplet 06.wav
189-Ghatam 2-36.wav 143-Thali.wav 115-Khartal Perc Mix-01.wav 110-Tabla 3-Triplet 07.wav
Dholki 198-Ghatam 2-37.wav 150-Cymbal 1-02.wav 118-Khartal Perc Mix-02.wav 110-Tabla 3-Triplet 08.wav
100-Dholki-01.wav 150-Maracas-02.wav 125-Kathak Perc-05.wav 115-Tabla 1-05.wav
128-Dholki-02.wav Idakka 152-Elathalam-02.wav 125-Khartal Perc Mix-03.wav 115-Tabla 1-06.wav
130-Dholki-03.wav 080-Idakka 1-01.wav 160-Timbal 2-07.wav 130-Kathak Perc-06.wav 115-Tabla 1-07.wav
174-Dholki-04.wav 080-Idakka 1-02.wav 160-Water Drum-04.wav 140-Kathak Perc-07.wav 120-Tabla 1-08.wav
175-Dholki-05.wav 080-Idakka 1-03.wav 146-Khartal Perc Mix-04.wav 120-Tabla 2-16.wav
188-Dholki-06.wav 080-Idakka 1-04.wav Mridangam 150-Dholak and Castanets-02.wav 120-Tabla 2-17.wav
189-Dholki-07.wav 080-Idakka 1-05.wav 065-Mridangam 2-01.wav 150-Khartal Perc Mix-05.wav 120-Tabla 2-18.wav
190-Dholki-08.wav 090-Idakka 1-06.wav 066-Mridangam 2-02.wav 155-Dholak and Castanets-03.wav 120-Tabla 2-19.wav
200-Dholki-09.wav 090-Idakka 1-07.wav 067-Mridangam 2-03.wav 155-Kathak Perc-08.wav 120-Tabla 2-Fill 04.wav
204-Dholki-10.wav 090-Idakka 1-08.wav 068-Mridangam 2-04.wav 160-Kathak Perc-09.wav 120-Tabla 2-Fill 05.wav
090-Idakka 1-Triplet 01.wav 070-Mridangam 2-05.wav 160-Kathak Perc-10.wav 120-Tabla 2-Fill 06.wav
Ghatam 090-Idakka 1-Triplet 02.wav 070-Mridangam 2-06.wav 165-Dholak and Castanets-04.wav 120-Tabla 2-Fill 07.wav
080-Ghatam 1-01.wav 090-Idakka 1-Triplet 03.wav 074-Mridangam 2-07.wav 165-Kathak Perc-11.wav 120-Tabla 2-Triplet 05.wav
080-Ghatam 1-02.wav 090-Idakka 2-01.wav 074-Mridangam 2-08.wav 167-Khartal Perc Mix-06.wav 120-Tabla 2-Triplet 06.wav
080-Ghatam 1-03.wav 100-Idakka 1-10.wav 080-Mridangam 1 Triplet-01.wav 120-Tabla 3-21.wav
080-Ghatam 1-04.wav 100-Idakka 1-11.wav 080-Mridangam 1-01.wav Tabla 120-Tabla 3-22.wav
086-Ghatam 2-01.wav 100-Idakka 1-12.wav 080-Mridangam 1-02.wav Acoustic 120-Tabla 3-23.wav
090-Ghatam 1-05.wav 100-Idakka 1-13.wav 080-Mridangam 1-03.wav 080-Tabla 2-01.wav 120-Tabla 3-24.wav
090-Ghatam 1-06.wav 100-Idakka 1-14.wav 080-Mridangam 1-Fill 01.wav 080-Tabla 2-02.wav 120-Tabla 3-Fill 11.wav
090-Ghatam 1-07.wav 100-Idakka 1-Triplet 04.wav 080-Mridangam 1-Fill 02.wav 080-Tabla 2-03.wav 120-Tabla 3-Fill 12.wav
090-Ghatam 1-08.wav 100-Idakka 1-Triplet 05.wav 081-Mridangam 2-09.wav 080-Tabla 2-04.wav 120-Tabla 3-Fill 13.wav
090-Ghatam 1-Fill 01.wav 102-Idakka 2-02.wav 090-Mridangam 1-04.wav 080-Tabla 3-01.wav 120-Tabla 3-Fill 14.wav
092-Ghatam 2-02.wav 110-Idakka 1-15.wav 090-Mridangam 1-05.wav 080-Tabla 3-02.wav 120-Tabla 3-Triplet 09.wav
094-Ghatam 2-03.wav 110-Idakka 1-16.wav 090-Mridangam 1-06.wav 080-Tabla 3-03.wav 120-Tabla 3-Triplet 10.wav
097-Ghatam 2-04.wav 110-Idakka 1-17.wav 090-Mridangam 1-07.wav 080-Tabla 3-04.wav 120-Tabla 3-Triplet 11.wav
100-Ghatam 1-09.wav 110-Idakka 1-18.wav 090-Mridangam 1-08.wav 080-Tabla 3-05.wav 120-Tabla 3-Triplet 12.wav
100-Ghatam 1-10.wav 110-Idakka 1-Fill 01.wav 090-Mridangam 3-01.wav 080-Tabla 3-06.wav 125-Tabla 1-09.wav
100-Ghatam 1-11.wav 110-Idakka 1-Triplet 06.wav 090-Mridangam 3-02.wav 080-Tabla 3-07.wav 125-Tabla 1-10.wav
100-Ghatam 1-Fill 02.wav 110-Idakka 1-Triplet 07.wav 100-Mridangam 1 Triplet-02.wav 080-Tabla 3-Fill 01.wav 130-Tabla 1-11.wav
100-Ghatam 1-Fill 03.wav 110-Idakka 1-Triplet 08.wav 100-Mridangam 1-09.wav 090-Tabla 2-05.wav 131-Tabla 1-12.wav
100-Ghatam 1-Triplet 01.wav 113-Idakka 2-03.wav 100-Mridangam 1-10.wav 090-Tabla 2-06.wav 135-Tabla 1-13.wav
100-Ghatam 2-05.wav 120-Idakka 1-19.wav 100-Mridangam 1-11.wav 090-Tabla 2-07.wav 140-Tabla 1-14.wav
102-Ghatam 2-06.wav 120-Idakka 1-20.wav 100-Mridangam 1-12.wav 090-Tabla 2-08.wav 145-Tabla 1-15.wav
102-Ghatam 2-07.wav 120-Idakka 1-21.wav 100-Mridangam 1-Fill 03.wav 090-Tabla 2-Fill 01.wav 150-Tabla 1-16.wav
102-Ghatam 2-08.wav 120-Idakka 1-22.wav 100-Mridangam 1-Fill 04.wav 090-Tabla 3-08.wav 160-Tabla 1-17.wav
103-Ghatam 2-09.wav 120-Idakka 1-Fill 02.wav 110-Mridangam 1-13.wav 090-Tabla 3-09.wav
104-Ghatam 2-10.wav 120-Idakka 1-Fill 03.wav 110-Mridangam 1-14.wav 090-Tabla 3-10.wav Electronic
106-Ghatam 2-11.wav 120-Idakka 1-Fill 04.wav 110-Mridangam 1-15.wav 090-Tabla 3-Fill 02.wav 4’4
110-Ghatam 1-12.wav 120-Idakka 1-Triplet 09.wav 110-Mridangam 1-16.wav 090-Tabla 3-Fill 03.wav Bayan
110-Ghatam 1-13.wav 120-Idakka 1-Triplet 10.wav 120-Mridangam 1 Triplet-03.wav 096-Tabla 1-01.wav 050-Addha-Tabla Bayan.wav
110-Ghatam 1-14.wav 120-Idakka 1-Triplet 11.wav 120-Mridangam 1-17.wav 100-Tabla 1-02.wav 050-Bhajan-Tabla Bayan.wav
110-Ghatam 1-Fill 04.wav 123-Idakka 2-04.wav 120-Mridangam 1-18.wav 100-Tabla 1-03.wav 050-Chachar-Tabla Bayan.wav
110-Ghatam 1-Fill 05.wav 124-Idakka 2-05.wav 120-Mridangam 1-19.wav 100-Tabla 2-09.wav 050-Deepch-Tabla Bayan-02.wav
110-Ghatam 1-Triplet 02.wav 152-Idakka 2-06.wav 120-Mridangam 1-20.wav 100-Tabla 2-10.wav 050-Dhumali-Tabla Bayan.wav
110-Ghatam 1-Triplet 03.wav 160-Idakka 2-07.wav 120-Mridangam 1-Fill 05.wav 100-Tabla 2-11.wav 050-Garba-Tabla Bayan.wav
110-Matka Ghatam-01.wav 166-Idakka 2-08.wav 120-Mridangam 1-Fill 06.wav 100-Tabla 2-Triplet 01.wav 050-Jat-Tabla Bayan-01.wav
110-Matka Ghatam-02.wav 171-Idakka 2-09.wav 100-Tabla 2-Triplet 02.wav 050-Jat-Tabla Bayan-02.wav
120-Ghatam 1-15.wav 177-Idakka 2-10.wav Nagara 100-Tabla 3-11.wav 050-Jhampak-Tabla Bayan.wav
120-Ghatam 1-16.wav 076-Nagara-01.wav 100-Tabla 3-12.wav 050-Jhap-Tabla Bayan-04.wav
120-Ghatam 1-17.wav Khanjira 078-Nagara-02.wav 100-Tabla 3-13.wav 050-Kehrwa-Tabla Bayan-01.wav
120-Ghatam 1-Fill 06.wav 069-Khanjira-01.wav 081-Nagara-03.wav 100-Tabla 3-14.wav 050-Kehrwa-Tabla Bayan-02.wav
120-Ghatam 1-Fill 07.wav 097-Khanjira-02.wav 081-Nagara-04.wav 100-Tabla 3-15.wav 050-Kehrwa-Tabla Bayan-03.wav
120-Ghatam 1-Triplet 04.wav 119-Khanjira-03.wav 104-Nagara-05.wav 100-Tabla 3-Fill 04.wav 050-Kehrwa-Tabla Bayan-04.wav
120-Ghatam 1-Triplet 05.wav 132-Khanjira-04.wav 109-Nagara-06.wav 100-Tabla 3-Fill 05.wav 050-Lok-Tabla Bayan-01.wav
124-Ghatam 2-12.wav 170-Khanjira-05.wav 100-Tabla 3-Fill 06.wav 050-Lok-Tabla Bayan-02.wav
130-Ghatam 2-13.wav 177-Khanjira-06.wav Pambai 100-Tabla 3-Fill 07.wav 050-Lok-Tabla Bayan-03.wav
132-Ghatam 2-14.wav 135-Pambai-01.wav 100-Tabla 3-Triplet 01.wav 050-Matta-Tabla Bayan-01.wav
132-Ghatam 2-15.wav Misc Perc 145-Pambai-02.wav 100-Tabla 3-Triplet 02.wav 050-Matta-Tabla Bayan-02.wav
134-Ghatam 2-16.wav 090-Water Drum-01.wav 145-Pambai-03.wav 100-Tabla 3-Triplet 03.wav 050-Pashto-Tabla Bayan.wav
134-Ghatam 2-17.wav 095-Timbal 1.wav 146-Pambai-04.wav 100-Tabla 3-Triplet 04.wav 050-Psavari-Tabla Bayan-01.wav
137-Ghatam 2-18.wav 105-Cymbal 1-01.wav 147-Pambai-05.wav 105-Tabla 1-04.wav 050-Psavari-Tabla Bayan-02.wav
143-Ghatam 2-19.wav 105-Cymbal 2-01.wav 170-Pambai-06.wav 110-Tabla 2-12.wav 050-Punjabi-Tabla Bayan.wav
162-Ghatam 2-20.wav 110-Cymbal 3-01.wav 110-Tabla 2-13.wav 050-Rupak-Tabla Bayan-01.wav

370
Loops and Phrases

050-Rupak-Tabla Bayan-02.wav 050-Dadra-Tabla Dayan-03 3’4.wav 074-Road-01.wav 151-Road-15.wav Middle East


050-Rupak-Tabla Bayan-04.wav 050-Deepch-Tabla Dayan-01 7’8.wav 074-Road-02.wav 151-Road-16.wav Baglamas
050-Rupak-Tabla Bayan-05.wav 050-Dhamar-Tabla Dayan 7’8.wav 074-Run-01.wav 156-Night-15.wav 060-B-Baglamas 1-Stereo.wav
050-Teen-Tabla Bayan-01.wav 050-Ek-Tabla Dayan-01 6’4.wav 074-Run-02.wav 156-Night-16.wav 060-Bm-Baglamas 1-Stereo.wav
050-Teen-Tabla Bayan-02.wav 050-Ek-Tabla Dayan-02 5’4.wav 074-Run-03.wav 156-Run-15.wav 060-F-Baglamas 1-Stereo.wav
050-Teen-Tabla Bayan-03.wav 050-Jai-Tabla Dayan-01 6’8.wav 074-Run-04.wav 156-Run-16.wav 060-Fm-Baglamas 1-Stereo.wav
050-Teen-Tabla Bayan-04.wav 050-Jai-Tabla Dayan-02 6’8.wav 083-Night-01.wav 068-B-Baglamas Rhythm.wav
050-Teen-Tabla Bayan-05.wav 050-Jai-Tabla Dayan-03 7’8.wav 083-Night-02.wav Urumi 068-Bm-Baglamas Rhythm.wav
050-Tevra-Tabla Bayan.wav 050-Jhap-Tabla Dayan-01 5’4.wav 083-Night-03.wav 130-Urumi-01.wav 068-F-Baglamas Rhythm.wav
050-Tilwada-Tabla Bayan.wav 050-Jhap-Tabla Dayan-02 5’4.wav 083-Night-04.wav 135-Urumi-02.wav 068-Fm-Baglamas Rhythm.wav
050-Jhap-Tabla Dayan-03 5’4.wav 085-HipHop-03.wav 145-Urumi-03.wav 074-Dm-Baglamas Solo-03.wav
Dayan 050-Jhoomra-Tabla Dayan-01 7’8.wav 085-HipHop-04.wav 160-Urumi-04.wav 081-Dm-Baglamas Solo-01.wav
050-Addha-Tabla Dayan.wav 050-Jhoomra-Tabla Dayan-02 7’8.wav 085-Night-05.wav 163-Urumi-05.wav 088-A-Baglamas 2-Stereo.wav
050-Bhajan-Tabla Dayan.wav 050-Rudra-Tabla Dayan-01 6’8.wav 085-Night-06.wav 089-E-Baglamas 2-Stereo.wav
050-Chachar-Tabla Dayan.wav 050-Rudra-Tabla Dayan-02 3’4.wav 085-Space-01.wav 090-Am-Baglamas 2-Stereo.wav
050-Deepch-Tabla Dayan-02.wav 050-Sadra-Tabla Dayan 5’4.wav 085-Space-02.wav 090-Em-Baglamas 2-Stereo.wav
050-Dhumali-Tabla Dayan.wav 050-Sool-Tabla Dayan-01 5’4.wav 085-Space-03.wav 125-Dm-Baglamas Solo-02.wav
050-Garba-Tabla Dayan.wav 050-Sool-Tabla Dayan-02 5’4.wav 085-Space-04.wav 128-D-Baglamas Gimmick-01.wav
050-Jat-Tabla Dayan-01.wav 050-Surfakta-Tabla Dayan 5’4.wav 085-Space-05.wav 128-D-Baglamas Gimmick-02.wav
050-Jat-Tabla Dayan-02.wav 085-Space-06.wav 128-D-Baglamas Gimmick-03.wav
050-Jhampak-Tabla Dayan.wav Tabla and Vox 085-Space-07.wav 128-Dm-Baglamas Gimmick-04.wav
050-Jhap-Tabla Dayan-04.wav 110-Tabla and Vox-01.wav 085-Space-08.wav 128-Dm-Baglamas Gimmick-05.wav
050-Kehrwa-Tabla Dayan-01.wav 110-Tabla and Vox-02.wav 085-Space-09.wav 128-Dm-Baglamas Gimmick-06.wav
050-Kehrwa-Tabla Dayan-02.wav 111-Tabla and Vox-03.wav 085-Space-10.wav 128-Dm-Baglamas Gimmick-07.wav
050-Kehrwa-Tabla Dayan-03.wav 085-Space-11.wav 128-Dm-Baglamas Gimmick-08.wav
050-Kehrwa-Tabla Dayan-04.wav Thavil 085-Space-12.wav 128-Dm-Baglamas Gimmick-09.wav
050-Lok-Tabla Dayan-01.wav 079-Thavil-Mono 01.wav 086-Forest-09.wav
050-Lok-Tabla Dayan-02.wav 080-Thavil-01.wav 086-Forest-10.wav Bouzouki Rumba
050-Lok-Tabla Dayan-03.wav 080-Thavil-02.wav 086-Forest-11.wav 084-A-Bouzouki Rumba-Stereo.wav
050-Matta-Tabla Dayan-01.wav 080-Thavil-03.wav 086-Forest-12.wav 084-A#-Bouzouki Rumba-Stereo.wav
050-Matta-Tabla Dayan-02.wav 080-Thavil-Triplet 01.wav 086-HipHop-05.wav 084-A#m-Bouzouki Rumba-Stereo.wav
050-Pashto-Tabla Dayan.wav 080-Thavil-Triplet 02.wav 086-HipHop-06.wav 084-Am-Bouzouki Rumba-Stereo.wav
050-Psavari-Tabla Dayan-01.wav 083-Thavil-04.wav 090-Forest-13.wav 084-B-Bouzouki Rumba-Stereo.wav
050-Psavari-Tabla Dayan-02.wav 089-Thavil-Mono 02.wav 090-Forest-14.wav 084-Bm-Bouzouki Rumba-Stereo.wav
050-Punjabi-Tabla Dayan.wav 090-Thavil-05.wav 090-Forest-15.wav 084-C-Bouzouki Rumba-Stereo.wav
050-Rupak-Tabla Dayan-01.wav 090-Thavil-06.wav 090-Forest-16.wav 084-C#-Bouzouki Rumba-Stereo.wav
050-Rupak-Tabla Dayan-02.wav 090-Thavil-07.wav 090-HipHop-07.wav 084-C#m-Bouzouki Rumba-Stereo.wav
050-Rupak-Tabla Dayan-04.wav 090-Thavil-08.wav 090-HipHop-08.wav 084-Cm-Bouzouki Rumba-Stereo.wav
050-Rupak-Tabla Dayan-05.wav 090-Thavil-09.wav 090-HipHop-09.wav 084-D-Bouzouki Rumba-Stereo.wav
050-Teen-Tabla Dayan-01.wav 090-Thavil-10.wav 090-HipHop-10.wav 084-D#-Bouzouki Rumba-Stereo.wav
050-Teen-Tabla Dayan-02.wav 096-Thavil-Mono 03.wav 090-Night-07.wav 084-D#m-Bouzouki Rumba-Stereo.wav
050-Teen-Tabla Dayan-03.wav 096-Thavil-Mono 04.wav 090-Night-08.wav 084-Dm-Bouzouki Rumba-Stereo.wav
050-Teen-Tabla Dayan-04.wav 097-Thavil-Mono 05.wav 090-Night-09.wav 084-E-Bouzouki Rumba-Stereo.wav
050-Teen-Tabla Dayan-05.wav 099-Thavil-11.wav 090-Night-10.wav 084-Em-Bouzouki Rumba-Stereo.wav
050-Tevra-Tabla Dayan.wav 100-Thavil-12.wav 090-Road-03.wav 084-F-Bouzouki Rumba-Stereo.wav
050-Tilwada-Tabla Dayan.wav 100-Thavil-13.wav 090-Road-04.wav 084-F#-Bouzouki Rumba-Stereo.wav
100-Thavil-Triplet 03.wav 090-Run-05.wav 084-F#m-Bouzouki Rumba-Stereo.wav
Non 4’4 100-Thavil-Triplet 04.wav 090-Run-06.wav 084-Fm-Bouzouki Rumba-Stereo.wav
Bayan 110-Thavil-14.wav 090-Run-07.wav 084-G-Bouzouki Rumba-Stereo.wav
050-Adachau-Tabla Bayan-01 7’8.wav 110-Thavil-15.wav 090-Run-08.wav 084-G#-Bouzouki Rumba-Stereo.wav
050-Adachau-Tabla Bayan-02 7’8.wav 110-Thavil-16.wav 090-Space-13.wav 084-G#m-Bouzouki Rumba-Stereo.wav
050-Chau-Tabla Bayan 6’8.wav 110-Thavil-17.wav 090-Space-14.wav
050-Dadra-Tabla Bayan-01 3’4.wav 110-Thavil-Triplet 05.wav 090-Space-15.wav Bouzouki Solo (p)
050-Dadra-Tabla Bayan-02 3’4.wav 110-Thavil-Triplet 06.wav 090-Space-16.wav 110-C-Bouzouki Solo-01.wav
050-Dadra-Tabla Bayan-03 3’4.wav 114-Thavil-18.wav 100-HipHop-11.wav 110-C-Bouzouki Solo-02.wav
050-Deepch-Tabla Bayan-01 7’8.wav 120-Thavil-19.wav 100-HipHop-12.wav 110-F-Bouzouki Solo-01.wav
050-Dhamar-Tabla Bayan 7’8.wav 120-Thavil-20.wav 100-HipHop-13.wav 110-F-Bouzouki Solo-02.wav
050-Ek-Tabla Bayan-01 6’4.wav 120-Thavil-21.wav 100-HipHop-14.wav 120-C-Bouzouki Solo-03.wav
050-Ek-Tabla Bayan-02 5’4.wav 120-Thavil-Fill 01.wav 100-Road-05.wav 120-Cm-Bouzouki Solo-01.wav
050-Jai-Tabla Bayan-01 6’8.wav 120-Thavil-Fill 02.wav 100-Road-06.wav 120-Cm-Bouzouki Solo-02.wav
050-Jai-Tabla Bayan-02 6’8.wav 120-Thavil-Mono 06.wav 100-Road-07.wav 120-Cm-Bouzouki Solo-03.wav
050-Jai-Tabla Bayan-03 7’8.wav 120-Thavil-Triplet 07.wav 100-Road-08.wav 120-Cm-Bouzouki Solo-04.wav
050-Jhap-Tabla Bayan-01 5’4.wav 120-Thavil-Triplet 08.wav 100-Road-09.wav 120-F-Bouzouki Solo-03.wav
050-Jhap-Tabla Bayan-02 5’4.wav 143-Thavil-Mono 07.wav 100-Road-10.wav 120-F-Bouzouki Solo-04.wav
050-Jhap-Tabla Bayan-03 5’4.wav 158-Thavil-22.wav 143-Road-11.wav 120-F-Bouzouki Solo-05.wav
050-Jhoomra-Tabla Bayan-01 7’8.wav 167-Thavil-23.wav 143-Road-12.wav 120-F-Bouzouki Solo-06.wav
050-Jhoomra-Tabla Bayan-02 7’8.wav 185-Thavil-24.wav 143-Road-13.wav 120-F-Bouzouki Solo-07.wav
050-Rudra-Tabla Bayan-01 6’8.wav 186-Thavil-25.wav 143-Road-14.wav 130-C-Bouzouki Solo-04.wav
050-Rudra-Tabla Bayan-02 3’4.wav 147-HipHop-15.wav 130-C-Bouzouki Solo-05.wav
050-Sadra-Tabla Bayan 5’4.wav Urban Loop 147-HipHop-16.wav 130-Cm-Bouzouki Solo-05.wav
050-Sool-Tabla Bayan-01 5’4.wav 070-HipHop-01.wav 147-Night-11.wav 130-F-Bouzouki Solo-08.wav
050-Sool-Tabla Bayan-02 5’4.wav 070-HipHop-02.wav 147-Night-12.wav 130-F-Bouzouki Solo-09.wav
050-Surfakta-Tabla Bayan 5’4.wav 074-Forest-01.wav 147-Night-13.wav 130-F-Bouzouki Solo-10.wav
074-Forest-02.wav 147-Night-14.wav 130-F-Bouzouki Solo-11.wav
Dayan 074-Forest-03.wav 147-Run-09.wav 130-F-Bouzouki Solo-12.wav
050-Adachau-Tabla Dayan-01 7’8.wav 074-Forest-04.wav 147-Run-10.wav 140-C-Bouzouki Solo-06.wav
050-Adachau-Tabla Dayan-02 7’8.wav 074-Forest-05.wav 147-Run-11.wav 140-F-Bouzouki Solo-13.wav
050-Chau-Tabla Dayan 6’8.wav 074-Forest-06.wav 147-Run-12.wav 140-F-Bouzouki Solo-14.wav
050-Dadra-Tabla Dayan-01 3’4.wav 074-Forest-07.wav 147-Run-13.wav
050-Dadra-Tabla Dayan-02 3’4.wav 074-Forest-08.wav 148-Run-14.wav

371
Loops and Phrases

Bouzouki Traditional 126-F-Clarinet-56.wav 178-Mediteranean Darbuka-18.wav 080-Hajir-02.wav 090-C-Persian Kemence-02.wav


083-A#m-Bouzouki Traditional-Stereo 07.wav 126-Fm-Clarinet-57.wav 182-Mediteranean Darbuka-19.wav 090-C-Persian Kemence-03.wav
083-E-Bouzouki Traditional-Stereo 07.wav 126-Fm-Clarinet-58.wav 185-Mediteranean Darbuka-20.wav Lyre (p) 090-C-Persian Kemence-04.wav
088-A#-Bouzouki Traditional-Stereo 08.wav 126-Fm-Clarinet-59.wav 192-Mediteranean Darbuka-21.wav 068-Dm-Lyre-01.wav 090-C-Persian Kemence-05.wav
088-F#-Bouzouki Traditional-Stereo 08.wav 126-Fm-Clarinet-60.wav 068-Gm-Lyre-02.wav 090-C-Persian Kemence-06.wav
090-A#m-Bouzouki Traditional-Stereo 09.wav 130-A#-Clarinet-61.wav Drums 090-D-Lyre-03.wav 090-C-Persian Kemence-07.wav
090-D#m-Bouzouki Traditional-Stereo 10.wav 130-Gm-Clarinet-62.wav 083-Mediteranean Drums-01.wav 090-D-Lyre-04.wav 090-C-Persian Kemence-08.wav
090-G#m-Bouzouki Traditional-Stereo 10.wav 130-Gm-Clarinet-63.wav 088-Mediteranean Drums-02.wav 090-D-Lyre-05.wav 090-C-Persian Kemence-09.wav
093-Em-Bouzouki Traditional-Stereo 09.wav 134-F-Clarinet-64.wav 089-Mediteranean Drums-03.wav 090-D-Lyre-06.wav 090-C-Persian Kemence-10.wav
093-Gm-Bouzouki Traditional-Stereo 09.wav 140-A#-Clarinet-65.wav 090-Mediteranean Drums-04.wav 090-D-Lyre-07.wav 090-D-Persian Kemence-01.wav
100-G#m-Bouzouki Traditional-Stereo 01.wav 140-A#-Clarinet-66.wav 093-Mediteranean Drums-05.wav 105-Gm-Lyre-08.wav 090-D-Persian Kemence-02.wav
130-D#-Bouzouki Traditional-Stereo 02.wav 140-D-Clarinet-67.wav 100-Mediteranean Drums-06.wav 108-Gm-Lyre-09.wav 090-D-Persian Kemence-03.wav
130-G#-Bouzouki Traditional-Stereo 02.wav 140-F-Clarinet-68.wav 100-Mediteranean Drums-07.wav 112-Gm-Lyre-10.wav 090-D-Persian Kemence-04.wav
135-A#-Bouzouki Traditional-Stereo 03.wav 140-F-Clarinet-69.wav 101-Mediteranean Drums-08.wav 120-Dm-Lyre-11.wav 090-D-Persian Kemence-05.wav
135-A#-Bouzouki Traditional-Stereo 04.wav 140-F-Clarinet-70.wav 107-Mediteranean Drums-09.wav 120-Gm-Lyre-12.wav 090-D-Persian Kemence-06.wav
135-C-Bouzouki Traditional-Stereo 05.wav 140-F-Clarinet-71.wav 112 3’4-Mediteranean Drums-10.wav 120-Gm-Lyre-13.wav 090-D-Persian Kemence-07.wav
135-Cm-Bouzouki Traditional-Stereo 06.wav 144-Am-Clarinet-72.wav 113 3’4-Mediteranean Drums-11.wav 120-Gm-Lyre-14.wav 090-D-Persian Kemence-08.wav
135-F#-Bouzouki Traditional-Stereo 03.wav 144-Cm-Clarinet-73.wav 115-Mediteranean Drums-12.wav 130-D-Lyre-15.wav 090-D-Persian Kemence-09.wav
135-G-Bouzouki Traditional-Stereo 05.wav 144-Cm-Clarinet-74.wav 115-Mediteranean Drums-13.wav 130-D-Lyre-16.wav 090-D-Persian Kemence-10.wav
135-G-Bouzouki Traditional-Stereo 06.wav 144-F-Clarinet-75.wav 120-Mediteranean Drums-14.wav 130-Dm-Lyre-17.wav 090-E-Persian Kemence-01.wav
135-Gm-Bouzouki Traditional-Stereo 04.wav 144-F-Clarinet-76.wav 121-Mediteranean Drums-15.wav 130-Dm-Lyre-18.wav 090-E-Persian Kemence-02.wav
135-Gm-Bouzouki Traditional-Stereo 05.wav 144-F-Clarinet-77.wav 125-Mediteranean Drums-16.wav 130-G#m-Lyre-19.wav 090-E-Persian Kemence-03.wav
135-Gm-Bouzouki Traditional-Stereo 06.wav 144-F-Clarinet-78.wav 133-Mediteranean Drums-17.wav 150-Gm-Lyre-20.wav 090-E-Persian Kemence-04.wav
144-Fm-Clarinet-79.wav 134-Mediteranean Drums-18.wav 150-Gm-Lyre-21.wav 090-E-Persian Kemence-05.wav
Clarinet (p) 156-Gm-Clarinet-80.wav 134-Mediteranean Drums-19.wav 170-D-Lyre-22.wav 090-E-Persian Kemence-06.wav
074-Am-Clarinet-01.wav 160-Gm-Clarinet-81.wav 134-Mediteranean Drums-20.wav 170-Dm-Lyre-23.wav 090-E-Persian Kemence-07.wav
074-C-Clarinet-02.wav 135-Mediteranean Drums-21.wav 170-Dm-Lyre-24.wav 090-E-Persian Kemence-08.wav
074-F-Clarinet-03.wav Cumbus 137-Mediteranean Drums-22.wav 170-Dm-Lyre-25.wav 090-E-Persian Kemence-09.wav
080-Am-Clarinet-04.wav 088-Cm-Cumbus Stereo-05.wav 138-Mediteranean Drums-23.wav 170-Gm-Lyre-26.wav 090-E-Persian Kemence-10.wav
080-Am-Clarinet-05.wav 088-Cm-Cumbus Stereo-06.wav 170-Gm-Lyre-27.wav 090-F-Persian Kemence-01.wav
080-Cm-Clarinet-06.wav 088-Cm-Cumbus Stereo-07.wav Duduk (p) 170-Gm-Lyre-28.wav 090-F-Persian Kemence-02.wav
080-Cm-Clarinet-07.wav 088-Cm-Cumbus Stereo-08.wav A-Duduk-01.wav 170-Gm-Lyre-29.wav 090-F-Persian Kemence-03.wav
080-D#-Clarinet-08.wav 125-Cm-Cumbus Stereo-01.wav A-Duduk-02.wav 170-Gm-Lyre-30.wav 090-F-Persian Kemence-04.wav
080-F-Clarinet-09.wav 125-Cm-Cumbus Stereo-02.wav A-Duduk-03.wav 170-Gm-Lyre-31.wav 090-F-Persian Kemence-05.wav
080-Gm-Clarinet-10.wav 125-Cm-Cumbus Stereo-03.wav A-Duduk-04.wav 180-D-Lyre-32.wav 090-F-Persian Kemence-06.wav
088-C-Clarinet-11.wav 125-Cm-Cumbus Stereo-04.wav B-Duduk-05.wav 180-D-Lyre-33.wav 090-F-Persian Kemence-07.wav
088-C-Clarinet-12.wav Em-Cumbus-01.wav B-Duduk-06.wav 180-Dm-Lyre-34.wav 090-F-Persian Kemence-08.wav
088-Cm-Clarinet-13.wav Em-Cumbus-02.wav B-Duduk-07.wav 180-Dm-Lyre-35.wav 090-F-Persian Kemence-09.wav
088-Cm-Clarinet-14.wav Em-Cumbus-03.wav C-Duduk-08.wav 180-G-Lyre-36.wav 090-F-Persian Kemence-10.wav
088-Cm-Clarinet-15.wav Em-Cumbus-04.wav C-Duduk-09.wav 180-G-Lyre-37.wav 090-G-Persian Kemence-01.wav
088-Cm-Clarinet-16.wav Em-Cumbus-05.wav C-Duduk-10.wav 180-Gm-Lyre-38.wav 090-G-Persian Kemence-02.wav
088-Fm-Clarinet-17.wav Em-Cumbus-06.wav C-Duduk-11.wav 190-Dm-Lyre-39.wav 090-G-Persian Kemence-03.wav
088-Fm-Clarinet-18.wav Em-Cumbus-07.wav D-Duduk-12.wav 190-Dm-Lyre-40.wav 090-G-Persian Kemence-04.wav
090-F-Clarinet-19.wav Em-Cumbus-08.wav D-Duduk-13.wav 202-Dm-Lyre-41.wav 090-G-Persian Kemence-05.wav
100-A#-Clarinet-20.wav Em-Cumbus-09.wav G-Duduk-14.wav 203-Dm-Lyre-42.wav 090-G-Persian Kemence-06.wav
100-Cm-Clarinet-21.wav Em-Cumbus-10.wav G-Duduk-15.wav 210-Dm-Lyre-43.wav 090-G-Persian Kemence-07.wav
100-Dm-Clarinet-22.wav Em-Cumbus-11.wav G-Duduk-16.wav 210-Dm-Lyre-44.wav 090-G-Persian Kemence-08.wav
100-F-Clarinet-23.wav Em-Cumbus-12.wav 090-G-Persian Kemence-09.wav
100-F-Clarinet-24.wav Electric Bouzouki Oriental Ensemble 090-G-Persian Kemence-10.wav
100-F-Clarinet-25.wav Darbuka 100-F#-Electric Bouzouki-01.wav Kemence
100-F-Clarinet-26.wav 070-Roots Darbuka Mono-01.wav 100-F#-Electric Bouzouki-02.wav Arabic 075 BPM Persian 140 BPM
100-F-Clarinet-27.wav 070-Roots Darbuka-01.wav 100-F#-Electric Bouzouki-03.wav 075-D#-Arabic Kemence-01.wav 140-C#-Persian Kemence-01.wav
100-F-Clarinet-28.wav 080-Roots Darbuka Mono-02.wav 100-F#-Electric Bouzouki-04.wav 075-D#-Arabic Kemence-02.wav 140-C#-Persian Kemence-02.wav
100-F-Clarinet-29.wav 080-Roots Darbuka-02.wav 100-F#-Electric Bouzouki-05.wav 075-D#-Arabic Kemence-03.wav 140-C#-Persian Kemence-03.wav
104-F-Clarinet-30.wav 090-Roots Darbuka Mono-03.wav 110-Am-Electric Bouzouki-06.wav 075-D#-Arabic Kemence-04.wav 140-C#-Persian Kemence-04.wav
110-A#m-Clarinet-31.wav 090-Roots Darbuka-03.wav 110-Am-Electric Bouzouki-07.wav 075-D#-Arabic Kemence-05.wav 140-C#-Persian Kemence-05.wav
110-A#m-Clarinet-32.wav 090-Roots Darbuka-04.wav 110-Am-Electric Bouzouki-08.wav 075-D#-Arabic Kemence-07.wav 140-C#-Persian Kemence-06.wav
110-C-Clarinet-33.wav 100-Mediteranean Darbuka-01.wav 110-Am-Electric Bouzouki-09.wav 140-C#-Persian Kemence-07.wav
110-C-Clarinet-34.wav 100-Roots Darbuka-05.wav 110-Am-Electric Bouzouki-10.wav Persian 090 BPM 140-C#-Persian Kemence-08.wav
110-F-Clarinet-35.wav 110-Roots Darbuka-06.wav 110-Am-Electric Bouzouki-11.wav 090-A-Persian Kemence-01.wav 140-C#-Persian Kemence-09.wav
110-F-Clarinet-36.wav 110-Roots Darbuka-07.wav 120-Cm-Electric Bouzouki-12.wav 090-A-Persian Kemence-02.wav 140-C#-Persian Kemence-10.wav
110-F-Clarinet-37.wav 110-Roots Darbuka-08.wav 120-Cm-Electric Bouzouki-13.wav 090-A-Persian Kemence-03.wav
110-F-Clarinet-38.wav 120-Roots Darbuka-09.wav 120-Cm-Electric Bouzouki-14.wav 090-A-Persian Kemence-04.wav Turkish 075 BPM
110-Fm-Clarinet-39.wav 120-Roots Darbuka-10.wav 120-Cm-Electric Bouzouki-15.wav 090-A-Persian Kemence-05.wav 075-E-Turkish Kemence-01.wav
110-Fm-Clarinet-40.wav 126-Mediteranean Darbuka-02.wav 120-Cm-Electric Bouzouki-16.wav 090-A-Persian Kemence-06.wav 075-E-Turkish Kemence-02.wav
110-G#-Clarinet-41.wav 127-Mediteranean Darbuka-03.wav 120-Cm-Electric Bouzouki-17.wav 090-A-Persian Kemence-07.wav 075-E-Turkish Kemence-03.wav
120-Am-Clarinet-42.wav 128-Mediteranean Darbuka-04.wav 120-Cm-Electric Bouzouki-18.wav 090-A-Persian Kemence-08.wav 075-E-Turkish Kemence-04.wav
120-Am-Clarinet-43.wav 128-Mediteranean Darbuka-05.wav 120-Cm-Electric Bouzouki-19.wav 090-A-Persian Kemence-09.wav 075-E-Turkish Kemence-05.wav
120-Am-Clarinet-44.wav 132-Mediteranean Darbuka-06.wav 090-A-Persian Kemence-10.wav 075-E-Turkish Kemence-06.wav
120-Am-Clarinet-45.wav 133-Mediteranean Darbuka-07.wav Fills (p) 090-B-Persian Kemence-01.wav 075-E-Turkish Kemence-07.wav
120-Cm-Clarinet-46.wav 134-Mediteranean Darbuka-08.wav 102-Mediteranean Drums-Fill 01.wav 090-B-Persian Kemence-02.wav 075-E-Turkish Kemence-08.wav
120-Cm-Clarinet-47.wav 134-Mediteranean Darbuka-09.wav 105-Mediteranean Drums-Fill 02.wav 090-B-Persian Kemence-03.wav 075-E-Turkish Kemence-09.wav
120-Cm-Clarinet-48.wav 134-Mediteranean Darbuka-10.wav 122-Mediteranean Drums-Fill 03.wav 090-B-Persian Kemence-04.wav 075-E-Turkish Kemence-10.wav
120-Fm-Clarinet-49.wav 135-Mediteranean Darbuka-11.wav 128-Mediteranean Darbouka-Fill 01.wav 090-B-Persian Kemence-05.wav
120-Fm-Clarinet-50.wav 137-Mediteranean Darbuka-12.wav 129-Mediteranean Darbouka-Fill 02.wav 090-B-Persian Kemence-06.wav Xtra Arabic 070 BPM
120-Fm-Clarinet-51.wav 167-Mediteranean Darbuka-13.wav 135-Mediteranean Drums-Fill 04.wav 090-B-Persian Kemence-07.wav 070-D-Xtra Arabic Kemence-01.wav
120-Fm-Clarinet-52.wav 168-Mediteranean Darbuka-14.wav 142-Mediteranean Drums-Fill 05.wav 090-B-Persian Kemence-08.wav 070-D-Xtra Arabic Kemence-02.wav
120-Fm-Clarinet-53.wav 176-Mediteranean Darbuka-15.wav 090-B-Persian Kemence-09.wav 070-D-Xtra Arabic Kemence-03.wav
126-C-Clarinet-54.wav 176-Mediteranean Darbuka-16.wav Hajir 090-B-Persian Kemence-10.wav 070-D-Xtra Arabic Kemence-04.wav
126-C-Clarinet-55.wav 178-Mediteranean Darbuka-17.wav 080-Hajir-01.wav 090-C-Persian Kemence-01.wav 070-D-Xtra Arabic Kemence-05.wav

372
Loops and Phrases

070-D-Xtra Arabic Kemence-06.wav 120-Turkish Percussions-05c.wav 075-D-Arabic Strings-01.wav 090-A-Persian Strings-09.wav 090-F-Persian Strings-09.wav
070-D-Xtra Arabic Kemence-07.wav 120-Turkish Percussions-06.wav 075-D-Arabic Strings-02.wav 090-A-Persian Strings-10.wav 090-F-Persian Strings-10.wav
070-D-Xtra Arabic Kemence-08.wav 120-Turkish Percussions-07a.wav 075-D-Arabic Strings-03.wav 090-A#-Persian Strings-01.wav 090-F#-Persian Strings-01.wav
120-Turkish Percussions-07b.wav 075-D-Arabic Strings-04.wav 090-A#-Persian Strings-02.wav 090-F#-Persian Strings-02.wav
Percussions 120-Turkish Percussions-07c.wav 075-D-Arabic Strings-05.wav 090-A#-Persian Strings-03.wav 090-F#-Persian Strings-03.wav
Arabic 075 BPM 120-Turkish Percussions-08.wav 075-D-Arabic Strings-06.wav 090-A#-Persian Strings-04.wav 090-F#-Persian Strings-04.wav
075-Arabic Percussions-01.wav 120-Turkish Percussions-09.wav 075-D-Arabic Strings-07.wav 090-A#-Persian Strings-05.wav 090-F#-Persian Strings-05.wav
075-Arabic Percussions-02.wav 120-Turkish Percussions-10.wav 075-D-Arabic Strings-08.wav 090-A#-Persian Strings-06.wav 090-F#-Persian Strings-06.wav
075-Arabic Percussions-03a.wav 075-D-Arabic Strings-09.wav 090-A#-Persian Strings-07.wav 090-F#-Persian Strings-07.wav
075-Arabic Percussions-03b.wav Xtra Arabic 070 BPM 075-D-Arabic Strings-10.wav 090-A#-Persian Strings-08.wav 090-F#-Persian Strings-08.wav
075-Arabic Percussions-04.wav 070-Xtra Arabic Percussions-01.wav 075-D#-Arabic Strings-01.wav 090-A#-Persian Strings-09.wav 090-F#-Persian Strings-09.wav
075-Arabic Percussions-05a.wav 070-Xtra Arabic Percussions-02.wav 075-D#-Arabic Strings-02.wav 090-A#-Persian Strings-10.wav 090-F#-Persian Strings-10.wav
075-Arabic Percussions-05b.wav 070-Xtra Arabic Percussions-03a.wav 075-D#-Arabic Strings-03.wav 090-B-Persian Strings-01.wav 090-G-Persian Strings-01.wav
075-Arabic Percussions-06.wav 070-Xtra Arabic Percussions-03b.wav 075-D#-Arabic Strings-04.wav 090-B-Persian Strings-02.wav 090-G-Persian Strings-02.wav
075-Arabic Percussions-07.wav 070-Xtra Arabic Percussions-04a.wav 075-D#-Arabic Strings-05.wav 090-B-Persian Strings-03.wav 090-G-Persian Strings-03.wav
075-Arabic Percussions-08.wav 070-Xtra Arabic Percussions-04b.wav 075-D#-Arabic Strings-06.wav 090-B-Persian Strings-04.wav 090-G-Persian Strings-04.wav
075-Arabic Percussions-09.wav 070-Xtra Arabic Percussions-05a.wav 075-D#-Arabic Strings-07.wav 090-B-Persian Strings-05.wav 090-G-Persian Strings-05.wav
075-Arabic Percussions-10a.wav 070-Xtra Arabic Percussions-05b.wav 075-D#-Arabic Strings-08.wav 090-B-Persian Strings-06.wav 090-G-Persian Strings-06.wav
075-Arabic Percussions-10b.wav 070-Xtra Arabic Percussions-06a.wav 075-D#-Arabic Strings-09.wav 090-B-Persian Strings-07.wav 090-G-Persian Strings-07.wav
070-Xtra Arabic Percussions-06b.wav 075-D#-Arabic Strings-10.wav 090-B-Persian Strings-08.wav 090-G-Persian Strings-08.wav
Persian 090 BPM 070-Xtra Arabic Percussions-07a.wav 075-E-Arabic Strings-01.wav 090-B-Persian Strings-09.wav 090-G-Persian Strings-09.wav
090-Persian Percussions-01.wav 070-Xtra Arabic Percussions-07b.wav 075-E-Arabic Strings-02.wav 090-B-Persian Strings-10.wav 090-G-Persian Strings-10.wav
090-Persian Percussions-02.wav 070-Xtra Arabic Percussions-08.wav 075-E-Arabic Strings-03.wav 090-C-Persian Strings-01.wav 090-G#-Persian Strings-01.wav
090-Persian Percussions-03.wav 070-Xtra Arabic Percussions-09a.wav 075-E-Arabic Strings-04.wav 090-C-Persian Strings-02.wav 090-G#-Persian Strings-02.wav
090-Persian Percussions-04.wav 070-Xtra Arabic Percussions-09b.wav 075-E-Arabic Strings-05.wav 090-C-Persian Strings-03.wav 090-G#-Persian Strings-03.wav
090-Persian Percussions-05.wav 070-Xtra Arabic Percussions-10a.wav 075-E-Arabic Strings-06.wav 090-C-Persian Strings-04.wav 090-G#-Persian Strings-04.wav
090-Persian Percussions-06a.wav 070-Xtra Arabic Percussions-10b.wav 075-E-Arabic Strings-07.wav 090-C-Persian Strings-05.wav 090-G#-Persian Strings-05.wav
090-Persian Percussions-06b.wav 075-E-Arabic Strings-08.wav 090-C-Persian Strings-06.wav 090-G#-Persian Strings-06.wav
090-Persian Percussions-07.wav Strings 075-E-Arabic Strings-09.wav 090-C-Persian Strings-07.wav 090-G#-Persian Strings-07.wav
090-Persian Percussions-08.wav Arabic 075 BPM 075-E-Arabic Strings-10.wav 090-C-Persian Strings-08.wav 090-G#-Persian Strings-08.wav
090-Persian Percussions-09.wav 075-A-Arabic Strings-01.wav 075-F-Arabic Strings-01.wav 090-C-Persian Strings-09.wav 090-G#-Persian Strings-09.wav
090-Persian Percussions-10.wav 075-A-Arabic Strings-02.wav 075-F-Arabic Strings-02.wav 090-C-Persian Strings-10.wav 090-G#-Persian Strings-10.wav
075-A-Arabic Strings-03.wav 075-F-Arabic Strings-03.wav 090-C#-Persian Strings-01.wav
Persian 140 BPM 075-A-Arabic Strings-04.wav 075-F-Arabic Strings-04.wav 090-C#-Persian Strings-02.wav Persian 140 BPM
140-Persian Percussions-01.wav 075-A-Arabic Strings-05.wav 075-F-Arabic Strings-05.wav 090-C#-Persian Strings-03.wav 140-A-Persian Strings-01.wav
140-Persian Percussions-02.wav 075-A-Arabic Strings-06.wav 075-F-Arabic Strings-06.wav 090-C#-Persian Strings-04.wav 140-A-Persian Strings-02.wav
140-Persian Percussions-03.wav 075-A-Arabic Strings-07.wav 075-F-Arabic Strings-07.wav 090-C#-Persian Strings-05.wav 140-A-Persian Strings-03.wav
140-Persian Percussions-04a.wav 075-A-Arabic Strings-08.wav 075-F-Arabic Strings-08.wav 090-C#-Persian Strings-06.wav 140-A-Persian Strings-04.wav
140-Persian Percussions-04b.wav 075-A-Arabic Strings-09.wav 075-F-Arabic Strings-09.wav 090-C#-Persian Strings-07.wav 140-A-Persian Strings-05.wav
140-Persian Percussions-04c.wav 075-A-Arabic Strings-10.wav 075-F-Arabic Strings-10.wav 090-C#-Persian Strings-08.wav 140-A-Persian Strings-06.wav
140-Persian Percussions-05.wav 075-A#-Arabic Strings-01.wav 075-F#-Arabic Strings-01.wav 090-C#-Persian Strings-09.wav 140-A-Persian Strings-07.wav
140-Persian Percussions-06.wav 075-A#-Arabic Strings-02.wav 075-F#-Arabic Strings-02.wav 090-C#-Persian Strings-10.wav 140-A-Persian Strings-08.wav
140-Persian Percussions-07.wav 075-A#-Arabic Strings-03.wav 075-F#-Arabic Strings-03.wav 090-D-Persian Strings-01.wav 140-A-Persian Strings-09.wav
140-Persian Percussions-08.wav 075-A#-Arabic Strings-04.wav 075-F#-Arabic Strings-04.wav 090-D-Persian Strings-02.wav 140-A-Persian Strings-10.wav
140-Persian Percussions-09a.wav 075-A#-Arabic Strings-05.wav 075-F#-Arabic Strings-05.wav 090-D-Persian Strings-03.wav 140-A#-Persian Strings-01.wav
140-Persian Percussions-09b.wav 075-A#-Arabic Strings-06.wav 075-F#-Arabic Strings-06.wav 090-D-Persian Strings-04.wav 140-A#-Persian Strings-02.wav
140-Persian Percussions-10a.wav 075-A#-Arabic Strings-07.wav 075-F#-Arabic Strings-07.wav 090-D-Persian Strings-05.wav 140-A#-Persian Strings-03.wav
140-Persian Percussions-10b.wav 075-A#-Arabic Strings-08.wav 075-F#-Arabic Strings-08.wav 090-D-Persian Strings-06.wav 140-A#-Persian Strings-04.wav
075-A#-Arabic Strings-09.wav 075-F#-Arabic Strings-09.wav 090-D-Persian Strings-07.wav 140-A#-Persian Strings-05.wav
Turkish 075 BPM 075-A#-Arabic Strings-10.wav 075-F#-Arabic Strings-10.wav 090-D-Persian Strings-08.wav 140-A#-Persian Strings-06.wav
075-Turkish Percussions-01a.wav 075-B-Arabic Strings-01.wav 075-G-Arabic Strings-01.wav 090-D-Persian Strings-09.wav 140-A#-Persian Strings-07.wav
075-Turkish Percussions-01b.wav 075-B-Arabic Strings-02.wav 075-G-Arabic Strings-02.wav 090-D-Persian Strings-10.wav 140-A#-Persian Strings-08.wav
075-Turkish Percussions-02a.wav 075-B-Arabic Strings-03.wav 075-G-Arabic Strings-03.wav 090-D#-Persian Strings-01.wav 140-A#-Persian Strings-09.wav
075-Turkish Percussions-02b.wav 075-B-Arabic Strings-04.wav 075-G-Arabic Strings-04.wav 090-D#-Persian Strings-02.wav 140-A#-Persian Strings-10.wav
075-Turkish Percussions-03a.wav 075-B-Arabic Strings-05.wav 075-G-Arabic Strings-05.wav 090-D#-Persian Strings-03.wav 140-B-Persian Strings-01.wav
075-Turkish Percussions-03b.wav 075-B-Arabic Strings-06.wav 075-G-Arabic Strings-06.wav 090-D#-Persian Strings-04.wav 140-B-Persian Strings-02.wav
075-Turkish Percussions-03c.wav 075-B-Arabic Strings-07.wav 075-G-Arabic Strings-07.wav 090-D#-Persian Strings-05.wav 140-B-Persian Strings-03.wav
075-Turkish Percussions-04.wav 075-B-Arabic Strings-08.wav 075-G-Arabic Strings-08.wav 090-D#-Persian Strings-06.wav 140-B-Persian Strings-04.wav
075-Turkish Percussions-05.wav 075-B-Arabic Strings-09.wav 075-G-Arabic Strings-09.wav 090-D#-Persian Strings-07.wav 140-B-Persian Strings-05.wav
075-Turkish Percussions-06a.wav 075-B-Arabic Strings-10.wav 075-G-Arabic Strings-10.wav 090-D#-Persian Strings-08.wav 140-B-Persian Strings-06.wav
075-Turkish Percussions-06b.wav 075-C-Arabic Strings-01.wav 075-G#-Arabic Strings-01.wav 090-D#-Persian Strings-09.wav 140-B-Persian Strings-07.wav
075-Turkish Percussions-06c.wav 075-C-Arabic Strings-02.wav 075-G#-Arabic Strings-02.wav 090-D#-Persian Strings-10.wav 140-B-Persian Strings-08.wav
075-Turkish Percussions-07.wav 075-C-Arabic Strings-03.wav 075-G#-Arabic Strings-03.wav 090-E-Persian Strings-01.wav 140-B-Persian Strings-09.wav
075-Turkish Percussions-08a.wav 075-C-Arabic Strings-04.wav 075-G#-Arabic Strings-04.wav 090-E-Persian Strings-02.wav 140-B-Persian Strings-10.wav
075-Turkish Percussions-08b.wav 075-C-Arabic Strings-05.wav 075-G#-Arabic Strings-05.wav 090-E-Persian Strings-03.wav 140-C-Persian Strings-01.wav
075-Turkish Percussions-09a.wav 075-C-Arabic Strings-06.wav 075-G#-Arabic Strings-06.wav 090-E-Persian Strings-04.wav 140-C-Persian Strings-02.wav
075-Turkish Percussions-09b.wav 075-C-Arabic Strings-07.wav 075-G#-Arabic Strings-07.wav 090-E-Persian Strings-05.wav 140-C-Persian Strings-03.wav
075-Turkish Percussions-10a.wav 075-C-Arabic Strings-08.wav 075-G#-Arabic Strings-08.wav 090-E-Persian Strings-06.wav 140-C-Persian Strings-04.wav
075-Turkish Percussions-10b.wav 075-C-Arabic Strings-09.wav 075-G#-Arabic Strings-09.wav 090-E-Persian Strings-07.wav 140-C-Persian Strings-05.wav
075-C-Arabic Strings-10.wav 075-G#-Arabic Strings-10.wav 090-E-Persian Strings-08.wav 140-C-Persian Strings-06.wav
Turkish 120 BPM 075-C#-Arabic Strings-01.wav 090-E-Persian Strings-09.wav 140-C-Persian Strings-07.wav
120-Turkish Percussions-01.wav 075-C#-Arabic Strings-02.wav Persian 090 BPM 090-E-Persian Strings-10.wav 140-C-Persian Strings-08.wav
120-Turkish Percussions-02.wav 075-C#-Arabic Strings-03.wav 090-A-Persian Strings-01.wav 090-F-Persian Strings-01.wav 140-C-Persian Strings-09.wav
120-Turkish Percussions-03a.wav 075-C#-Arabic Strings-04.wav 090-A-Persian Strings-02.wav 090-F-Persian Strings-02.wav 140-C-Persian Strings-10.wav
120-Turkish Percussions-03b.wav 075-C#-Arabic Strings-05.wav 090-A-Persian Strings-03.wav 090-F-Persian Strings-03.wav 140-C#-Persian Strings-01.wav
120-Turkish Percussions-04a.wav 075-C#-Arabic Strings-06.wav 090-A-Persian Strings-04.wav 090-F-Persian Strings-04.wav 140-C#-Persian Strings-02.wav
120-Turkish Percussions-04b.wav 075-C#-Arabic Strings-07.wav 090-A-Persian Strings-05.wav 090-F-Persian Strings-05.wav 140-C#-Persian Strings-03.wav
120-Turkish Percussions-04c.wav 075-C#-Arabic Strings-08.wav 090-A-Persian Strings-06.wav 090-F-Persian Strings-06.wav 140-C#-Persian Strings-04.wav
120-Turkish Percussions-05a.wav 075-C#-Arabic Strings-09.wav 090-A-Persian Strings-07.wav 090-F-Persian Strings-07.wav 140-C#-Persian Strings-05.wav
120-Turkish Percussions-05b.wav 075-C#-Arabic Strings-10.wav 090-A-Persian Strings-08.wav 090-F-Persian Strings-08.wav 140-C#-Persian Strings-06.wav

373
Loops and Phrases

140-C#-Persian Strings-07.wav 075-A-Turkish Strings-05.wav 075-F-Turkish Strings-05.wav 120-C#-Turkish Strings-03.wav Xtra Arabic 070 BPM
140-C#-Persian Strings-08.wav 075-A-Turkish Strings-06.wav 075-F-Turkish Strings-06.wav 120-C#-Turkish Strings-04.wav 070-D-Xtra Arabic Strings-01.wav
140-C#-Persian Strings-09.wav 075-A-Turkish Strings-07.wav 075-F-Turkish Strings-07.wav 120-C#-Turkish Strings-05.wav 070-D-Xtra Arabic Strings-02.wav
140-C#-Persian Strings-10.wav 075-A-Turkish Strings-08.wav 075-F-Turkish Strings-08.wav 120-C#-Turkish Strings-06.wav 070-D-Xtra Arabic Strings-03.wav
140-D-Persian Strings_05.wav 075-A-Turkish Strings-09.wav 075-F-Turkish Strings-09.wav 120-C#-Turkish Strings-07.wav 070-D-Xtra Arabic Strings-04.wav
140-D-Persian Strings-01.wav 075-A-Turkish Strings-10.wav 075-F-Turkish Strings-10.wav 120-C#-Turkish Strings-08.wav 070-D-Xtra Arabic Strings-05.wav
140-D-Persian Strings-02.wav 075-A#-Turkish Strings-01.wav 075-F#-Turkish Strings-01.wav 120-C#-Turkish Strings-09.wav 070-D-Xtra Arabic Strings-06.wav
140-D-Persian Strings-03.wav 075-A#-Turkish Strings-02.wav 075-F#-Turkish Strings-02.wav 120-C#-Turkish Strings-10.wav 070-D-Xtra Arabic Strings-07.wav
140-D-Persian Strings-04.wav 075-A#-Turkish Strings-03.wav 075-F#-Turkish Strings-03.wav 120-D-Turkish Strings-01.wav 070-D-Xtra Arabic Strings-08.wav
140-D-Persian Strings-06.wav 075-A#-Turkish Strings-04.wav 075-F#-Turkish Strings-04.wav 120-D-Turkish Strings-02.wav 070-D-Xtra Arabic Strings-09.wav
140-D-Persian Strings-07.wav 075-A#-Turkish Strings-05.wav 075-F#-Turkish Strings-05.wav 120-D-Turkish Strings-03.wav 070-D-Xtra Arabic Strings-10.wav
140-D-Persian Strings-08.wav 075-A#-Turkish Strings-06.wav 075-F#-Turkish Strings-06.wav 120-D-Turkish Strings-04.wav 070-E-Xtra Arabic Strings-01.wav
140-D-Persian Strings-09.wav 075-A#-Turkish Strings-07.wav 075-F#-Turkish Strings-07.wav 120-D-Turkish Strings-05.wav 070-E-Xtra Arabic Strings-02.wav
140-D-Persian Strings-10.wav 075-A#-Turkish Strings-08.wav 075-F#-Turkish Strings-08.wav 120-D-Turkish Strings-06.wav 070-E-Xtra Arabic Strings-03.wav
140-D#-Persian Strings-01.wav 075-A#-Turkish Strings-09.wav 075-F#-Turkish Strings-09.wav 120-D-Turkish Strings-07.wav 070-E-Xtra Arabic Strings-04.wav
140-D#-Persian Strings-02.wav 075-A#-Turkish Strings-10.wav 075-F#-Turkish Strings-10.wav 120-D-Turkish Strings-08.wav 070-E-Xtra Arabic Strings-05.wav
140-D#-Persian Strings-03.wav 075-B-Turkish Strings-01.wav 075-G-Turkish Strings-01.wav 120-D-Turkish Strings-09.wav 070-E-Xtra Arabic Strings-06.wav
140-D#-Persian Strings-04.wav 075-B-Turkish Strings-02.wav 075-G-Turkish Strings-02.wav 120-D-Turkish Strings-10.wav 070-E-Xtra Arabic Strings-07.wav
140-D#-Persian Strings-05.wav 075-B-Turkish Strings-03.wav 075-G-Turkish Strings-03.wav 120-D#-Turkish Strings-01.wav 070-E-Xtra Arabic Strings-08.wav
140-D#-Persian Strings-06.wav 075-B-Turkish Strings-04.wav 075-G-Turkish Strings-04.wav 120-D#-Turkish Strings-02.wav 070-E-Xtra Arabic Strings-09.wav
140-D#-Persian Strings-07.wav 075-B-Turkish Strings-05.wav 075-G-Turkish Strings-05.wav 120-D#-Turkish Strings-03.wav
140-D#-Persian Strings-08.wav 075-B-Turkish Strings-06.wav 075-G-Turkish Strings-06.wav 120-D#-Turkish Strings-04.wav Oriental Violin (p)
140-D#-Persian Strings-09.wav 075-B-Turkish Strings-07.wav 075-G-Turkish Strings-07.wav 120-D#-Turkish Strings-05.wav Dm-Violin-01.wav
140-D#-Persian Strings-10.wav 075-B-Turkish Strings-08.wav 075-G-Turkish Strings-08.wav 120-D#-Turkish Strings-06.wav Dm-Violin-02.wav
140-E-Persian Strings-01.wav 075-B-Turkish Strings-09.wav 075-G-Turkish Strings-09.wav 120-D#-Turkish Strings-07.wav Dm-Violin-03.wav
140-E-Persian Strings-02.wav 075-B-Turkish Strings-10.wav 075-G-Turkish Strings-10.wav 120-D#-Turkish Strings-08.wav Dm-Violin-04.wav
140-E-Persian Strings-03.wav 075-C-Turkish Strings-01.wav 075-G#-Turkish Strings-01.wav 120-D#-Turkish Strings-09.wav Dm-Violin-05.wav
140-E-Persian Strings-04.wav 075-C-Turkish Strings-02.wav 075-G#-Turkish Strings-02.wav 120-D#-Turkish Strings-10.wav Dm-Violin-06.wav
140-E-Persian Strings-05.wav 075-C-Turkish Strings-03.wav 075-G#-Turkish Strings-03.wav 120-E-Turkish Strings-01.wav Dm-Violin-07.wav
140-E-Persian Strings-06.wav 075-C-Turkish Strings-04.wav 075-G#-Turkish Strings-04.wav 120-E-Turkish Strings-02.wav E-Violin.wav
140-E-Persian Strings-07.wav 075-C-Turkish Strings-05.wav 075-G#-Turkish Strings-05.wav 120-E-Turkish Strings-03.wav Gm-Violin-01.wav
140-E-Persian Strings-08.wav 075-C-Turkish Strings-06.wav 075-G#-Turkish Strings-06.wav 120-E-Turkish Strings-04.wav Gm-Violin-02.wav
140-E-Persian Strings-09.wav 075-C-Turkish Strings-07.wav 075-G#-Turkish Strings-07.wav 120-E-Turkish Strings-05.wav Gm-Violin-03.wav
140-E-Persian Strings-10.wav 075-C-Turkish Strings-08.wav 075-G#-Turkish Strings-08.wav 120-E-Turkish Strings-06.wav Gm-Violin-04.wav
140-F-Persian Strings-01.wav 075-C-Turkish Strings-09.wav 075-G#-Turkish Strings-09.wav 120-E-Turkish Strings-07.wav Gm-Violin-05.wav
140-F-Persian Strings-02.wav 075-C-Turkish Strings-10.wav 075-G#-Turkish Strings-10.wav 120-E-Turkish Strings-08.wav Gm-Violin-06.wav
140-F-Persian Strings-03.wav 075-C#-Turkish Strings-01.wav 120-E-Turkish Strings-09.wav Gm-Violin-07.wav
140-F-Persian Strings-04.wav 075-C#-Turkish Strings-02.wav Turkish 120 BPM 120-E-Turkish Strings-10.wav Gm-Violin-08.wav
140-F-Persian Strings-05.wav 075-C#-Turkish Strings-03.wav 120-A-Turkish Strings-01.wav 120-F-Turkish Strings-01.wav Gm-Violin-09.wav
140-F-Persian Strings-06.wav 075-C#-Turkish Strings-04.wav 120-A-Turkish Strings-02.wav 120-F-Turkish Strings-02.wav Gm-Violin-10.wav
140-F-Persian Strings-07.wav 075-C#-Turkish Strings-05.wav 120-A-Turkish Strings-03.wav 120-F-Turkish Strings-03.wav Gm-Violin-11.wav
140-F-Persian Strings-08.wav 075-C#-Turkish Strings-06.wav 120-A-Turkish Strings-04.wav 120-F-Turkish Strings-04.wav
140-F-Persian Strings-09.wav 075-C#-Turkish Strings-07.wav 120-A-Turkish Strings-05.wav 120-F-Turkish Strings-05.wav Oriental Violin and Perc (p)
140-F-Persian Strings-10.wav 075-C#-Turkish Strings-08.wav 120-A-Turkish Strings-06.wav 120-F-Turkish Strings-06.wav 080-Gmin-Perc and Violin-01.wav
140-F#-Persian Strings-01.wav 075-C#-Turkish Strings-09.wav 120-A-Turkish Strings-07.wav 120-F-Turkish Strings-07.wav 080-Gmin-Perc and Violin-02.wav
140-F#-Persian Strings-02.wav 075-C#-Turkish Strings-10.wav 120-A-Turkish Strings-08.wav 120-F-Turkish Strings-08.wav 100-Gmin-Perc and Violin-03.wav
140-F#-Persian Strings-03.wav 075-D-Turkish Strings-01.wav 120-A-Turkish Strings-09.wav 120-F-Turkish Strings-09.wav 100-Gmin-Perc and Violin-04.wav
140-F#-Persian Strings-04.wav 075-D-Turkish Strings-02.wav 120-A-Turkish Strings-10.wav 120-F-Turkish Strings-10.wav 110-Cmin-Perc and Violin-05.wav
140-F#-Persian Strings-05.wav 075-D-Turkish Strings-03.wav 120-A#-Turkish Strings-01.wav 120-F#-Turkish Strings-01.wav 110-Gmin-Perc and Violin-06.wav
140-F#-Persian Strings-06.wav 075-D-Turkish Strings-04.wav 120-A#-Turkish Strings-02.wav 120-F#-Turkish Strings-02.wav
140-F#-Persian Strings-07.wav 075-D-Turkish Strings-05.wav 120-A#-Turkish Strings-03.wav 120-F#-Turkish Strings-03.wav Oud
140-F#-Persian Strings-08.wav 075-D-Turkish Strings-06.wav 120-A#-Turkish Strings-04.wav 120-F#-Turkish Strings-04.wav 080-Cm-Tunisian Oud-01.wav
140-F#-Persian Strings-09.wav 075-D-Turkish Strings-07.wav 120-A#-Turkish Strings-05.wav 120-F#-Turkish Strings-05.wav 080-Cm-Tunisian Oud-02.wav
140-F#-Persian Strings-10.wav 075-D-Turkish Strings-08.wav 120-A#-Turkish Strings-06.wav 120-F#-Turkish Strings-06.wav 080-Cm-Tunisian Oud-03.wav
140-G-Persian Strings-01.wav 075-D-Turkish Strings-09.wav 120-A#-Turkish Strings-07.wav 120-F#-Turkish Strings-07.wav 080-Cm-Tunisian Oud-04.wav
140-G-Persian Strings-02.wav 075-D-Turkish Strings-10.wav 120-A#-Turkish Strings-08.wav 120-F#-Turkish Strings-08.wav 080-Cm-Tunisian Oud-05.wav
140-G-Persian Strings-03.wav 075-D#-Turkish Strings-01.wav 120-A#-Turkish Strings-09.wav 120-F#-Turkish Strings-09.wav 080-Cm-Tunisian Oud-06.wav
140-G-Persian Strings-04.wav 075-D#-Turkish Strings-02.wav 120-A#-Turkish Strings-10.wav 120-F#-Turkish Strings-10.wav 080-Cm-Tunisian Oud-07.wav
140-G-Persian Strings-05.wav 075-D#-Turkish Strings-03.wav 120-B-Turkish Strings-01.wav 120-G-Turkish Strings-01.wav 080-Cm-Tunisian Oud-08.wav
140-G-Persian Strings-06.wav 075-D#-Turkish Strings-04.wav 120-B-Turkish Strings-02.wav 120-G-Turkish Strings-02.wav 080-Cm-Tunisian Oud-Loop 01.wav
140-G-Persian Strings-07.wav 075-D#-Turkish Strings-05.wav 120-B-Turkish Strings-03.wav 120-G-Turkish Strings-03.wav 080-Cm-Tunisian Oud-Loop 02.wav
140-G-Persian Strings-08.wav 075-D#-Turkish Strings-06.wav 120-B-Turkish Strings-04.wav 120-G-Turkish Strings-04.wav 080-Cm-Tunisian Oud-Loop 03.wav
140-G-Persian Strings-09.wav 075-D#-Turkish Strings-07.wav 120-B-Turkish Strings-05.wav 120-G-Turkish Strings-05.wav 090-Cm-Tunisian Oud-09.wav
140-G-Persian Strings-10.wav 075-D#-Turkish Strings-08.wav 120-B-Turkish Strings-06.wav 120-G-Turkish Strings-06.wav 090-Cm-Tunisian Oud-10.wav
140-G#-Persian Strings-01.wav 075-D#-Turkish Strings-09.wav 120-B-Turkish Strings-07.wav 120-G-Turkish Strings-07.wav 090-Cm-Tunisian Oud-11.wav
140-G#-Persian Strings-02.wav 075-D#-Turkish Strings-10.wav 120-B-Turkish Strings-08.wav 120-G-Turkish Strings-08.wav 090-Cm-Tunisian Oud-12.wav
140-G#-Persian Strings-03.wav 075-E-Turkish Strings-01.wav 120-B-Turkish Strings-09.wav 120-G-Turkish Strings-09.wav 090-Cm-Tunisian Oud-13.wav
140-G#-Persian Strings-04.wav 075-E-Turkish Strings-02.wav 120-B-Turkish Strings-10.wav 120-G-Turkish Strings-10.wav 090-Cm-Tunisian Oud-14.wav
140-G#-Persian Strings-05.wav 075-E-Turkish Strings-03.wav 120-C-Turkish Strings-01.wav 120-G#-Turkish Strings-01.wav 090-Cm-Tunisian Oud-Loop 04.wav
140-G#-Persian Strings-06.wav 075-E-Turkish Strings-04.wav 120-C-Turkish Strings-02.wav 120-G#-Turkish Strings-02.wav 100-C-Tunisian Oud-15.wav
140-G#-Persian Strings-07.wav 075-E-Turkish Strings-05.wav 120-C-Turkish Strings-03.wav 120-G#-Turkish Strings-03.wav 100-C-Tunisian Oud-Loop 05.wav
140-G#-Persian Strings-08.wav 075-E-Turkish Strings-06.wav 120-C-Turkish Strings-04.wav 120-G#-Turkish Strings-04.wav 110-Cm-Tunisian Oud-16.wav
140-G#-Persian Strings-09.wav 075-E-Turkish Strings-07.wav 120-C-Turkish Strings-05.wav 120-G#-Turkish Strings-05.wav 110-F-Tunisian Oud-Loop 06.wav
140-G#-Persian Strings-10.wav 075-E-Turkish Strings-08.wav 120-C-Turkish Strings-06.wav 120-G#-Turkish Strings-06.wav 110-F-Tunisian Oud-Loop 07.wav
075-E-Turkish Strings-09.wav 120-C-Turkish Strings-07.wav 120-G#-Turkish Strings-07.wav 120-A-Oud-01.wav
Turkish 075 BPM 075-E-Turkish Strings-10.wav 120-C-Turkish Strings-08.wav 120-G#-Turkish Strings-08.wav 120-A-Oud-02.wav
075-A-Turkish Strings-01.wav 075-F-Turkish Strings-01.wav 120-C-Turkish Strings-09.wav 120-G#-Turkish Strings-09.wav 120-A-Oud-03.wav
075-A-Turkish Strings-02.wav 075-F-Turkish Strings-02.wav 120-C-Turkish Strings-10.wav 120-G#-Turkish Strings-10.wav 120-A-Oud-04.wav
075-A-Turkish Strings-03.wav 075-F-Turkish Strings-03.wav 120-C#-Turkish Strings-01.wav 120-A-Oud-05.wav
075-A-Turkish Strings-04.wav 075-F-Turkish Strings-04.wav 120-C#-Turkish Strings-02.wav 120-A-Oud-06.wav

374
Loops and Phrases

120-A-Oud-07.wav Synth Arabic (p) 100-A-Tar-Phrases-03.wav 120-A-Tar-Phrases-03.wav 131-Bongo-Rhythm.wav


120-A-Oud-08.wav A#-Synth Arabic-01.wav 100-A-Tar-Phrases-04.wav 120-A-Tar-Phrases-04.wav 132-Bongo-Loop.wav
120-Cm-Tunisian Oud-17.wav A#-Synth Arabic-02.wav 100-A-Tar-Phrases-05.wav 120-A-Tar-Phrases-05.wav 133-Bongo-Rhythm.wav
120-Cm-Tunisian Oud-18.wav A#-Synth Arabic-03.wav 100-A-Tar-Phrases-06.wav 120-A-Tar-Phrases-06.wav 136-Bongo-Rhythm.wav
120-Cm-Tunisian Oud-19.wav C-Synth Arabic-04.wav 100-A-Tar-Phrases-07.wav 120-A-Tar-Phrases-07.wav 137-Bongo-Loop.wav
120-D-Oud-09.wav C-Synth Arabic-05.wav 100-A-Tar-Phrases-08.wav 120-A-Tar-Phrases-08.wav 140-Bongo-Rhythm-01.wav
120-D-Oud-10.wav C-Synth Arabic-06.wav 100-A-Tar-Phrases-09.wav 120-A-Tar-Phrases-09.wav 140-Bongo-Rhythm-02.wav
120-D-Oud-11.wav C-Synth Arabic-07.wav 100-A-Tar-Phrases-10.wav 120-A-Tar-Phrases-10.wav 143-Bongo-Rhythm.wav
120-D-Oud-12.wav C-Synth Arabic-08.wav 100-A-Tar-Phrases-11.wav 120-A-Tar-Phrases-11.wav 145-Bongo-Rhythm.wav
120-D-Oud-13.wav C-Synth Arabic-09.wav 100-A-Tar-Phrases-12.wav 120-A-Tar-Phrases-12.wav 147-Bongo-Rhythm-01.wav
120-D-Oud-14.wav C-Synth Arabic-10.wav 100-A-Tar-Phrases-13.wav 120-A-Tar-Phrases-13.wav 147-Bongo-Rhythm-02.wav
120-D-Oud-15.wav C-Synth Arabic-11.wav 100-A-Tar-Phrases-14.wav 120-A-Tar-Phrases-14.wav 149-Bongo-Rhythm.wav
120-D-Oud-16.wav C-Synth Arabic-12.wav 100-A-Tar-Phrases-15.wav 120-A-Tar-Phrases-15.wav 159-Bongo-Rhythm.wav
140-Cm-Tunisian Oud-20.wav C-Synth Arabic-13.wav 100-A-Tar-Phrases-16.wav 120-A-Tar-Phrases-16.wav
C-Tunisian Oud-21.wav C-Synth Arabic-14.wav 100-A-Tar-Phrases-17.wav 120-A-Tar-Phrases-17.wav Darbuka
C-Tunisian Oud-22.wav Fm-Synth Arabic-15.wav 100-A-Tar-Phrases-18.wav 120-A-Tar-Phrases-18.wav 087-Darbuka-Rhythm.wav
C-Tunisian Oud-23.wav G-Synth Arabic-16.wav 100-A-Tar-Phrases-19.wav 120-A-Tar-Phrases-19.wav 089-Darbuka-Rhythm.wav
C-Tunisian Oud-24.wav Gm-Synth Arabic-17.wav 100-A-Tar-Phrases-20.wav 120-A-Tar-Phrases-20.wav 092-Darbuka-Rhythm.wav
C-Tunisian Oud-25.wav 100-A-Tar-Phrases-21.wav 120-A-Tar-Phrases-21.wav 095-Darbuka-Rhythm.wav
C-Tunisian Oud-26.wav Tambourines 100-A-Tar-Phrases-22.wav 120-A-Tar-Phrases-22.wav 119-Darbuka-Loop-01.wav
C-Tunisian Oud-27.wav 084-Tambourine-01.wav 100-A-Tar-Phrases-23.wav 120-E-Tar-Phrases-01.wav 119-Darbuka-Rhythm-01.wav
C-Tunisian Oud-28.wav 085-Tambourine-02.wav 100-A-Tar-Phrases-24.wav 120-E-Tar-Phrases-02.wav 119-Darbuka-Rhythm-02.wav
C-Tunisian Oud-29.wav 087-Tambourine-03.wav 100-A-Tar-Phrases-25.wav 120-E-Tar-Phrases-03.wav 122-Darbuka-Loop-01.wav
Cm-Tunisian Oud-30.wav 087-Tambourine-04.wav 100-A-Tar-Phrases-26.wav 120-E-Tar-Phrases-04.wav 122-Darbuka-Loop-02.wav
Cm-Tunisian Oud-31.wav 090-Tambourine-05.wav 100-A-Tar-Phrases-27.wav 120-E-Tar-Phrases-05.wav 123-Darbuka-Loop.wav
Cm-Tunisian Oud-32.wav 093-Mazhar-01.wav 100-A-Tar-Phrases-28.wav 120-E-Tar-Phrases-06.wav 125-Darbuka-Loop.wav
Dm-Tunisian Oud-33.wav 096-Mazhar-02.wav 100-A-Tar-Phrases-29.wav 120-E-Tar-Phrases-07.wav 129-Darbuka-Loop.wav
Dm-Tunisian Oud-34.wav 100-Maghreb Riq-01.wav 100-A-Tar-Phrases-30.wav 120-E-Tar-Phrases-08.wav 130-Darbuka-Loop.wav
Dm-Tunisian Oud-35.wav 100-Tambourine-06.wav 100-A-Tar-Phrases-31.wav 120-E-Tar-Phrases-09.wav 133-Darbuka-Rhythm.wav
Dm-Tunisian Oud-36.wav 110-Maghreb Riq-02.wav 100-A-Tar-Phrases-32.wav 120-E-Tar-Phrases-10.wav 137-Darbuka-Rhythm.wav
Dm-Tunisian Oud-37.wav 110-Maghreb Riq-03.wav 100-A-Tar-Phrases-33.wav 120-E-Tar-Phrases-11.wav 154-Darbuka-Rhythm.wav
Dm-Tunisian Oud-38.wav 120-Maghreb Riq-04.wav 100-A-Tar-Phrases-34.wav 120-E-Tar-Phrases-12.wav
Dm-Tunisian Oud-39.wav 120-Maghreb Riq-05.wav 100-A-Tar-Phrases-35.wav 120-E-Tar-Phrases-13.wav Eggs
Dm-Tunisian Oud-40.wav 120-Maghreb Riq-06.wav 100-Am-Tar-Phrases-01.wav 120-E-Tar-Phrases-14.wav 088-Eggs-Rhythm.wav
Dm-Tunisian Oud-41.wav 120-Maghreb Riq-07.wav 100-Am-Tar-Phrases-02.wav 120-E-Tar-Phrases-15.wav 095-Eggs-Rhythm.wav
Dm-Tunisian Oud-42.wav 127-Mazhar-03.wav 100-Am-Tar-Phrases-03.wav 120-E-Tar-Phrases-16.wav 096-Eggs-Loop.wav
Dm-Tunisian Oud-43.wav 132-Mazhar-04.wav 100-Am-Tar-Phrases-04.wav 120-E-Tar-Phrases-17.wav 097-Eggs-Loop.wav
Dm-Tunisian Oud-44.wav 132-Tambourine-07.wav 100-Am-Tar-Phrases-05.wav 120-E-Tar-Phrases-18.wav 098-Eggs-Loop.wav
Dm-Tunisian Oud-45.wav 135-Sagat.wav 100-E-Tar-Phrases-01.wav 120-E-Tar-Phrases-19.wav 103-Eggs-Loop.wav
Dm-Tunisian Oud-46.wav 135-Tambourine-08.wav 100-E-Tar-Phrases-02.wav 120-E-Tar-Phrases-20.wav 103-Eggs-Rhythm.wav
F-Tunisian Oud-47.wav 136-Tambourine-09.wav 100-E-Tar-Phrases-03.wav 120-E-Tar-Phrases-21.wav 105-Eggs-Rhythm.wav
G-Tunisian Oud-48.wav 100-E-Tar-Phrases-04.wav 120-E-Tar-Phrases-22.wav 108-Eggs-Rhythm.wav
Gm-Tunisian Oud-49.wav Tar 100-E-Tar-Phrases-05.wav 120-Em-Tar-Phrases-01.wav 110-Eggs-Rhythm-01.wav
Gm-Tunisian Oud-50.wav 080 BPM 100-E-Tar-Phrases-06.wav 120-Em-Tar-Phrases-02.wav 110-Eggs-Rhythm-02.wav
080-A-Tar-Phrases-01.wav 100-E-Tar-Phrases-07.wav 120-Em-Tar-Phrases-03.wav 110-Eggs-Rhythm-03.wav
Perc Mix 080-A-Tar-Phrases-02.wav 100-E-Tar-Phrases-08.wav 120-Em-Tar-Phrases-04.wav 113-Eggs-Loop.wav
080-Roots Maghreb Perc Mono-01.wav 080-A-Tar-Phrases-03.wav 100-E-Tar-Phrases-09.wav 120-Em-Tar-Phrases-05.wav 115-Eggs-Loop.wav
080-Roots Maghreb Perc Mono-02.wav 080-A-Tar-Phrases-04.wav 100-E-Tar-Phrases-10.wav 120-Em-Tar-Phrases-06.wav 118-Eggs-Rhythm.wav
080-Roots Maghreb Perc Mono-03.wav 080-A-Tar-Phrases-05.wav 100-E-Tar-Phrases-11.wav 120-Em-Tar-Phrases-07.wav 120-Eggs-Loop.wav
100-Mediteranean Perc Mix-01.wav 080-A-Tar-Phrases-06.wav 100-E-Tar-Phrases-12.wav 120-Em-Tar-Phrases-08.wav 132-Eggs-Loop.wav
100-Mediteranean Perc Mix-02.wav 080-A-Tar-Phrases-07.wav 100-E-Tar-Phrases-13.wav 120-Em-Tar-Phrases-09.wav
100-Roots Maghreb Perc-01.wav 080-A-Tar-Phrases-08.wav 100-E-Tar-Phrases-14.wav 120-Em-Tar-Phrases-10.wav Small Hand Drum
100-Roots Maghreb Perc-02.wav 080-A-Tar-Phrases-09.wav 100-E-Tar-Phrases-15.wav 120-Em-Tar-Phrases-11.wav 073-Small-Hand-Drum-Rhythm.wav
110-Roots Maghreb Perc-03.wav 080-A-Tar-Phrases-10.wav 100-E-Tar-Phrases-16.wav 120-Em-Tar-Phrases-12.wav 076-Small-Hand-Drum-Rhythm.wav
110-Roots Maghreb Perc-04.wav 080-A-Tar-Phrases-11.wav 100-E-Tar-Phrases-17.wav 120-Em-Tar-Phrases-13.wav 080-Small-Hand-Drum-Rhythm.wav
110-Roots Maghreb Perc-05.wav 080-A-Tar-Phrases-12.wav 100-E-Tar-Phrases-18.wav 086-Small-Hand-Drum-Rhythm.wav
110-Roots Maghreb Perc-06.wav 080-A-Tar-Phrases-13.wav 100-E-Tar-Phrases-19.wav Turkish Percussions 090-Small-Hand-Drum-Rhythm.wav
110-Roots Maghreb Perc-07.wav 080-A-Tar-Phrases-14.wav 100-E-Tar-Phrases-20.wav Bongo 094-Small-Hand-Drum-Rhythm.wav
110-Roots Maghreb Perc-08.wav 080-A-Tar-Phrases-15.wav 100-E-Tar-Phrases-21.wav 070-Bongo-Rhythm.wav 095-Small-Hand-Drum-Rhythm.wav
120-Roots Maghreb Perc-09.wav 080-A-Tar-Phrases-16.wav 100-E-Tar-Phrases-22.wav 076-Bongo-Rhythm.wav 096-Small-Hand-Drum-Rhythm-01.wav
120-Roots Maghreb Perc-10.wav 080-A-Tar-Phrases-17.wav 100-E-Tar-Phrases-23.wav 083-Bongo-Loop.wav 096-Small-Hand-Drum-Rhythm-02.wav
120-Roots Maghreb Perc-11.wav 080-A-Tar-Phrases-18.wav 100-E-Tar-Phrases-24.wav 095-Bongo-Rhythm.wav 100-Small-Hand-Drum-Rhythm.wav
127-Mediteranean Perc Mix-03.wav 080-Am-Tar-Phrases-01.wav 100-E-Tar-Phrases-25.wav 098-Bongo-Rhythm.wav 109-Small-Hand-Drum-Rhythm.wav
135-Mediteranean Perc Mix-03.wav 080-Am-Tar-Phrases-02.wav 100-E-Tar-Phrases-26.wav 100-Bongo-Rhythm.wav 113-Small-Hand-Drum-Rhythm.wav
137-Mediteranean Perc Mix-04.wav 080-Am-Tar-Phrases-03.wav 100-E-Tar-Phrases-27.wav 105-Bongo-Rhythm.wav 118-Small-Hand-Drum-Loop.wav
175-Mediteranean Perc Mix-05.wav 080-E-Tar-Phrases-01.wav 100-E-Tar-Phrases-28.wav 106-Bongo-Rhythm.wav 120-Small-Hand-Drum-Rhythm-01.wav
080-E-Tar-Phrases-02.wav 100-E-Tar-Phrases-29.wav 108-Bongo-Rhythm.wav 120-Small-Hand-Drum-Rhythm-02.wav
Saz (p) 080-E-Tar-Phrases-03.wav 100-E-Tar-Phrases-30.wav 110-Bongo-Rhythm.wav 122-Small-Hand-Drum-Loop.wav
175-C-Saz-01.wav 080-E-Tar-Phrases-04.wav 100-E-Tar-Phrases-31.wav 111-Bongo-Rhythm.wav 125-Small-Hand-Drum-Loop.wav
175-C-Saz-02.wav 080-E-Tar-Phrases-05.wav 100-E-Tar-Phrases-32.wav 115-Bongo-Loop.wav 130-Small-Hand-Drum-Rhythm-01.wav
175-C-Saz-03.wav 080-E-Tar-Phrases-06 .wav 100-E-Tar-Phrases-33.wav 115-Bongo-Rhythm.wav 130-Small-Hand-Drum-Rhythm-02.wav
175-C-Saz-04.wav 080-E-Tar-Phrases-07.wav 100-E-Tar-Phrases-34.wav 116-Bongo-Rhythm.wav 133-Small-Hand-Drum-Rhythm.wav
175-C-Saz-05.wav 080-E-Tar-Phrases-08.wav 100-E-Tar-Phrases-35.wav 118-Bongo-Loop.wav 140-Small-Hand-Drum-Rhythm.wav
A-Saz-01.wav 080-E-Tar-Phrases-09.wav 100-E-Tar-Phrases-36.wav 120-Bongo-Rhythm.wav 144-Small-Hand-Drum-Rhythm.wav
A-Saz-02.wav 080-E-Tar-Phrases-10.wav 100-E-Tar-Phrases-37.wav 121-Bongo-Rhythm.wav 150-Small-Hand-Drum-Rhythm.wav
C-Saz-03.wav 080-E-Tar-Phrases-11.wav 100-E-Tar-Phrases-38.wav 122-Bongo-Rhythm-01.wav
C-Saz-04.wav 122-Bongo-Rhythm-02.wav Wooden Spoons
C-Saz-05.wav 100 BPM 120 BPM 123-Bongo-Rhythm.wav 077-Wooden-Spoons-Rhythm.wav
C-Saz-06.wav 100-A-Tar-Phrases-01.wav 120-A-Tar-Phrases-01.wav 126-Bongo-Rhythm.wav 084-Wooden-Spoons-Rhythm.wav
100-A-Tar-Phrases-02.wav 120-A-Tar-Phrases-02.wav 131-Bongo-Loop.wav 086-Wooden-Spoons-Loop.wav

375
Loops and Phrases

090-Wooden-Spoons-Rhythm.wav Occidental 067-GM-Bouree-Accordion-06.wav 119-C-Polka-06.wav 097-Am-Astrid-06.wav


096-Wooden-Spoons-Loop.wav Accordion 067-GM-Bouree&Singer-Accordion-07.wav 122-C-Polka-07.wav 101-Am-Astrid-07.wav
115-Wooden-Spoons-Loop.wav 080-Am-Adon Olam 067-GM-Bouree&Singer-Accordion-08.wav 124-C-Polka-08.wav
119-Wooden-Spoons-Loop.wav 068-Cm-Adon Olam-Accordion-01.wav 068-GM-Bouree-Accordion-09.wav 140-Am-Findjam 3-4
124-Wooden-Spoons-Loop.wav 075-Am-Adon Olam-Accordion-02.wav 068-GM-Bouree-Accordion-10.wav 120-C-Polka Dq 2-4 063-Am-Findjam-01.wav
131-Wooden-Spoons-Rhythm.wav 076-Am-Adon Olam-Accordion-03.wav 088-C-Polka Dq-01.wav 064-Am-Findjam-02.wav
162-Wooden-Spoons-Loop.wav 077-Am-Adon Olam-Accordion-04.wav 110-G-Rondeau 2-4 107-C-Polka Dq-02.wav 066-Am-Findjam-03.wav
079-Am-Adon Olam-Accordion-05.wav 110-Dm-Rondeau-Accordion-01.wav 117-C-Polka Dq-03.wav 066-Am-Findjam-04.wav
Tzouras 079-Am-Adon Olam-Accordion-06.wav 111-Dm-Rondeau-Accordion-02.wav 118-C-Polka Dq-04.wav 068-Am-Findjam-05.wav
073-D-Tzouras-01.wav 080-Am-Adon Olam-Accordion-07.wav 111-Dm-Rondeau-Accordion-03.wav 118-C-Polka Dq-05.wav 068-Am-Findjam-06.wav
076-D-Tzouras-02.wav 080-Cm-Adon Olam-Accordion-08.wav 111-Dm-Rondeau-Accordion-04.wav 119-C-Polka Dq-06.wav 089-Am-Findjam-07.wav
080-D-Tzouras-Loop.wav 082-Am-Adon Olam-Accordion-09.wav 112-Dm-Rondeau-Accordion-05.wav 119-C-Polka Dq-07.wav 097-Am-Findjam-08.wav
093-Dm-Tzouras-03.wav 083-Am-Adon Olam-Accordion-10.wav 113-Dm-Rondeau-Accordion-06.wav 121-C-Polka Dq-08.wav 101-Am-Findjam-09.wav
093-Dm-Tzouras-04.wav 083-Am-Adon Olam-Accordion-11.wav 113-Dm-Rondeau-Accordion-07.wav 121-C-Polka Dq-09.wav 133-Am-Findjam-10.wav
093-Dm-Tzouras-05.wav 084-Am-Adon Olam-Accordion-12.wav 121-C-Polka Dq-10.wav 134-Am-Findjam-11.wav
085-Am-Adon Olam-Accordion-13.wav 120-Am-Fandogobasque 3-4 125-C-Polka Dq-11.wav 135-Am-Findjam-12.wav
Tzouras and Saz 086-Cm-Adon Olam-Accordion-14.wav 076-G-Fandogobasque-Accordion-01.wav 136-Am-Findjam-13.wav
090-Cm-Tzouras and Saz-01.wav 087-Am-Adon Olam-Accordion-15.wav 077-Am-Fandogobasque-Accordion-02.wav 130-Am-Polka
090-Dm-Tzouras and Saz-01.wav 077-Am-Fandogobasque-Accordion-03.wav 111-Am-Polka-01.wav 140-Am-Revenant
090-Em-Tzouras and Saz-01.wav 080-GM-Cochinchine 077-Am-Fandogobasque-Accordion-04.wav 131-Am-Polka-02.wav 066-Am-Revenant-01.wav
090-Fm-Tzouras and Saz-01.wav 076-G-Cochi-Accordion-01.wav 079-Am-Fandogobasque-Accordion-05.wav 132-Am-Polka-03.wav 087-Am-Revenant-02.wav
090-Gm-Tzouras and Saz-01.wav 079-G-Cochi-Accordion-02.wav 079-Am-Fandogobasque-Accordion-06.wav 132-Am-Polka-04.wav 090-Am-Revenant-03.wav
120-Am-Tzouras and Saz-02.wav 080-G-Cochi-Accordion-03.wav 079-G-Fandogobasque-Accordion-07.wav 091-Am-Revenant-04.wav
120-Bm-Tzouras and Saz-02.wav 081-G-Cochi-Accordion-04.wav 080-Am-Fandogobasque-Accordion-08.wav 130-Am-Tarantelle 2-4 091-Am-Revenant-05.wav
120-Cm-Tzouras and Saz-02.wav 081-G-Cochi-Accordion-05.wav 080-Am-Fandogobasque-Accordion-09.wav 106-Am-Tarantelle-01.wav 091-Am-Revenant-06.wav
120-Dm-Tzouras and Saz-02.wav 081-G-Cochi-Accordion-06.wav 080-G-Fandogobasque-Accordion-10.wav 118-Am-Tarantelle-02.wav 093-Am-Revenant-07.wav
120-Em-Tzouras and Saz-02.wav 081-G-Cochi-Accordion-07.wav 080-G-Fandogobasque-Accordion-11.wav 127-Am-Tarantelle-03.wav 093-Am-Revenant-08.wav
120-Fm-Tzouras and Saz-02.wav 082-G-Cochi-Accordion-08.wav 081-Am-Fandogobasque-Accordion-12.wav 127-Am-Tarantelle-04.wav 093-Am-Revenant-09.wav
120-Gm-Tzouras and Saz-02.wav 083-G-Cochi-Accordion-09.wav 081-Am-Fandogobasque-Accordion-13.wav 128-Am-Tarantelle-05.wav 093-Am-Revenant-10.wav
130-Bm-Tzouras and Saz-03.wav 092-G-Fandogobasque-Accordion-14.wav 129-Am-Tarantelle-06.wav 093-Am-Revenant-11.wav
085-Dm-Pripitchik 3-4 160-Am-Fandogobasque-Accordion-15.wav 130-Am-Tarantelle-07.wav 093-Gm-Revenant-12.wav
061-Dm-Pripitchik-Accordion-01.wav 131-Am-Tarantelle-08.wav 094-Am-Revenant-13.wav
061-Dm-Pripitchik-Accordion-02.wav 120-Am-Laride 132-Am-Tarantelle-09.wav 094-Am-Revenant-14.wav
063-Dm-Pripitchik-Accordion-03.wav 060-Am-Laride-Accordio-01.wav 134-Am-Tarantelle-10.wav 094-Am-Revenant-15.wav
083-Dm-Pripitchik-Accordion-04.wav 060-Am-Laride-Accordio-02.wav 094-Gm-Revenant-16.wav
095-Dm-Pripitchik-Accordio-05.wav 060-Am-Laride-Accordio-03.wav 130-Dm-Choson Kale 095-Am-Revenant-17.wav
102-Dm-Pripitchik-Accordion-06.wav 060-Am-Laride-Accordio-04.wav 090-Dm-Choson Kale-01.wav 095-Am-Revenant-18.wav
109-Dm-Pripitchik-Accordion-07.wav 060-Am-Laride-Accordion-05.wav 126-Dm-Choson Kale-02.wav 095-Am-Revenant-19.wav
111-Dm-Pripitchik-Accordion-08.wav 060-Am-Laride-Accordion-06.wav 127-Am-Choson Kale-03.wav 095-Am-Revenant-20.wav
113-Dm-Pripitchik-Accordion-09.wav 061-Am-Laride-Accordio-07.wav 128-Dm-Choson Kale-04.wav 098-Am-Revenant-21.wav
114-Dm-Pripitchik-Accordion-10.wav 061-Am-Laride-Accordion-08.wav 128-Dm-Choson Kale-05.wav
115-Dm-Pripitchik-Accordion-11.wav 061-Am-Laride-Accordion-09.wav 129-Dm-Choson Kale-06.wav 140-Cm-Baimir
116-Dm-Pripitchik-Accordion-12.wav 067-Am-Laride-Accordio-10.wav 130-Am-Choson Kale-07.wav 104-Cm-Baimir-01.wav
120-Dm-Pripitchik-Accordion-13.wav 087-Am-Laride-Accordio-11.wav 130-Dm-Choson Kale-08.wav 127-Cm-Baimir-02.wav
101-Am-Laride-Accordio-12.wav 130-Dm-Choson Kale-09.wav 134-Cm-Baimir-03.wav
090-Am-Papirosen 118-Am-Laride-Accordio-13.wav 130-Dm-Choson Kale-10.wav 139-Cm-Baimir-04.wav
070-Am-Papirosen-Accordion-01.wav 119-Am-Laride-Accordio-14.wav 130-Dm-Choson Kale-11.wav 140-Cm-Baimir-05.wav
083-Am-Papirosen-Accordion-02.wav 130-Dm-Choson Kale-12.wav 141-Cm-Baimir-06.wav
085-Am-Papirosen-Accordion-03.wav 120-Am-Polka 132-Dm-Choson Kale-13.wav 150-Cm-Baimir-07.wav
085-Am-Papirosen-Accordion-04.wav 120-Am-Polka-01.wav 132-Dm-Choson Kale-14.wav
089-Dm-Papirosen-Accordion-05.wav 120-Am-Polka-02.wav 133-Dm-Choson Kale-15.wav 140-Dm-Tumbalalaika
091-Am-Papirosen-Accordion-06.wav 122-Am-Polka-03.wav 133-Dm-Choson Kale-16.wav 085-Dm-Tumba-01.wav
093-Dm-Papirosen-Accordion-07.wav 129-Am-Polka-04.wav 133-Dm-Choson Kale-17.wav 090-Dm-Tumba-02.wav
093-Dm-Papirosen-Accordion-08.wav 134-Dm-Choson Kale-18.wav 092-Dm-Tumba-03.wav
094-Am-Papirosen-Accordion-09.wav 120-Am-Rondeau 2-4 134-Dm-Choson Kale-19.wav 092-Dm-Tumba-04.wav
095-Dm-Papirosen-Accordion-10.wav 120-Am-Rondeau-01.wav 143-Dm-Choson Kale-20.wav 094-Dm-Tumba-05.wav
096-Dm-Papirosen-Accordion-11.wav 120-Am-Rondeau-02.wav 144-Dm-Choson Kale-21.wav 094-Dm-Tumba-06.wav
097-Am-Papirosen-Accordion-12.wav 120-Am-Rondeau-03.wav 094-Dm-Tumba-07.wav
099-Am-Papirosen-Accordion-13.wav 121-Am-Rondeau-04.wav 130-Dm-Di Grine 104-Dm-Tumba-08.wav
108-Am-Papirosen-Accordion-14.wav 121-Am-Rondeau-05.wav 117-Dm-Di Grine-01.wav 117-Dm-Tumba-09.wav
121-Am-Rondeau-06.wav 126-Am-Di Grine-02.wav
100-Donodona 122-Am-Rondeau-07.wav 128-Am-Di Grine-03.wav 140-Dm-Um Az Der
097-Dm-Donodona-Accordion-01.wav 127-Am-Rondeau-08.wav 128-Am-Di Grine-04.wav 066-Dm-Um Az Der-01.wav
098-Dm-Donodona-Accordion-02.wav 128-Dm-Di Grine-05.wav 071-Dm-Um Az Der-02.wav
099-Dm-Donodona-Accordion-03.wav 120-C-G-Gigue 2-4 129-Am-Di Grine-06.wav 071-Dm-Um Az Der-03.wav
100-Dm-Donodona-Accordion-04.wav 100-C-Gigue-01.wav 131-Dm-Di Grine-07.wav 071-Dm-Um Az Der-04.wav
100-Dm-Donodona-Accordion-05.wav 118-C-Gigue-02.wav 132-Am-Di Grine-08.wav 075-Dm-Um Az Der-05.wav
102-Dm-Donodona-Accordion-06.wav 118-C-Gigue-03.wav 135-Am-Di Grine-09.wav 076-Dm-Um Az Der-06.wav
102-Dm-Donodona-Accordion-07.wav 120-C-Gigue-04.wav 137-Dm-Di Grine-10.wav 081-Dm-Um Az Der-07.wav
102-Dm-Donodona-Accordion-08.wav 120-G-Gigue-05.wav 139-Dm-Di Grine-11.wav 082-Dm-Um Az Der-08.wav
102-Dm-Donodona-Accordion-09.wav 124-C-Gigue-06.wav 146-Dm-Di Grine-12.wav 087-Dm-Um Az Der-09.wav
111-Dm-Donodona-Accordion-10.wav 124-G-Gigue-07.wav 161-Dm-Di Grine-13.wav 101-Dm-Um Az Der-10.wav
114-Dm-Donodona-Accordion-11.wav 126-C-Gigue-08.wav 162-Dm-Di Grine-14.wav
140-Gm-Mazurka 3-4
100-G-Bouree 3-8 120-C-Polka 2-4 140-Am-Astrid 3-4 092-Gm-Mazurka-01.wav
066-GM-Bouree-Accordion-01.wav 114-G-Polka-01.wav 073-Am-Astrid-01.wav 092-Gm-Mazurka-02.wav
066-GM-Bouree-Accordion-02.wav 116-C-Polka-02.wav 085-Am-Astrid-02.wav 093-Gm-Mazurka-03.wav
067-GM-Bouree-Accordion-03.wav 118-C-Polka-03.wav 093-Am-Astrid-03.wav 093-Gm-Mazurka-04.wav
067-GM-Bouree-Accordion-04.wav 118-G-Polka-04.wav 094-Am-Astrid-04.wav 093-Gm-Mazurka-05.wav
067-GM-Bouree-Accordion-05.wav 119-C-Polka-05.wav 094-Am-Astrid-05.wav 093-Gm-Mazurka-06.wav

376
Loops and Phrases

093-Gm-Mazurka-07.wav 080-G#-m-Cavaco-Rhythm 1.wav 080-G-m-Cavaco-Rhythm 2.wav 080-G-m-Cavaco-Rhythm 3.wav 080-G-Cavaco-Rhythm 4.wav


093-Gm-Mazurka-08.wav 080-Ghost-Cavaco-Rhythm 1.wav 080-G#-Cavaco-Rhythm 2.wav 080-G#-Cavaco-Rhythm 3.wav 080-G-m-Cavaco-Rhythm 4.wav
093-Gm-Mazurka-09.wav 080-G#-m-Cavaco-Rhythm 2.wav 080-G#-m-Cavaco-Rhythm 3.wav 080-G#-Cavaco-Rhythm 4.wav
094-Gm-Mazurka-10.wav 100 080-Ghost-Cavaco-Rhythm 2.wav 080-Ghost-Cavaco-Rhythm 3.wav 080-G#-m-Cavaco-Rhythm 4.wav
094-Gm-Mazurka-11.wav 100-A-Cavaco-Rhythm 1.wav 080-Ghost-Cavaco-Rhythm 4.wav
095-Gm-Mazurka-12.wav 100-A-m-Cavaco-Rhythm 1.wav 100 100
095-Gm-Mazurka-13.wav 100-A#-Cavaco-Rhythm 1.wav 100-A-Cavaco-Rhythm 2.wav 100-A-Cavaco-Rhythm 3.wav 100
096-Gm-Mazurka-14.wav 100-A#-m-Cavaco-Rhythm 1.wav 100-A-m-Cavaco-Rhythm 2.wav 100-A-m-Cavaco-Rhythm 3.wav 100-A-Cavaco-Rhythm 4.wav
100-B-Cavaco-Rhythm 1.wav 100-A#-Cavaco-Rhythm 2.wav 100-A#-Cavaco-Rhythm 3.wav 100-A-m-Cavaco-Rhythm 4.wav
160-Am-Laride 6-4 100-B-m-Cavaco-Rhythm 1.wav 100-A#-m-Cavaco-Rhythm 2.wav 100-A#-m-Cavaco-Rhythm 3.wav 100-A#-Cavaco-Rhythm 4.wav
069-Am-Laride-01.wav 100-C-Cavaco-Rhythm 1.wav 100-B-Cavaco-Rhythm 2.wav 100-B-Cavaco-Rhythm 3.wav 100-A#-m-Cavaco-Rhythm 4.wav
105-Am-Laride-02.wav 100-C-m-Cavaco-Rhythm 1.wav 100-B-m-Cavaco-Rhythm 2.wav 100-B-m-Cavaco-Rhythm 3.wav 100-B-Cavaco-Rhythm 4.wav
106-Am-Laride-03.wav 100-C#-Cavaco-Rhythm 1.wav 100-C-Cavaco-Rhythm 2.wav 100-C-Cavaco-Rhythm 3.wav 100-B-m-Cavaco-Rhythm 4.wav
106-Am-Laride-04.wav 100-C#-m-Cavaco-Rhythm 1.wav 100-C-m-Cavaco-Rhythm 2.wav 100-C-m-Cavaco-Rhythm 3.wav 100-C-Cavaco-Rhythm 4.wav
107-Am-Laride-05.wav 100-D-Cavaco-Rhythm 1.wav 100-C#-Cavaco-Rhythm 2.wav 100-C#-Cavaco-Rhythm 3.wav 100-C-m-Cavaco-Rhythm 4.wav
107-Am-Laride-06.wav 100-D-m-Cavaco-Rhythm 1.wav 100-C#-m-Cavaco-Rhythm 2.wav 100-C#-m-Cavaco-Rhythm 3.wav 100-C#-Cavaco-Rhythm 4.wav
108-Am-Laride-07.wav 100-D#-Cavaco-Rhythm 1.wav 100-D-Cavaco-Rhythm 2.wav 100-D-Cavaco-Rhythm 3.wav 100-C#-m-Cavaco-Rhythm 4.wav
100-D#-m-Cavaco-Rhythm 1.wav 100-D-m-Cavaco-Rhythm 2.wav 100-D-m-Cavaco-Rhythm 3.wav 100-D-Cavaco-Rhythm 4.wav
195-Cm-Bouree 3-4 100-E-Cavaco-Rhythm 1.wav 100-D#-Cavaco-Rhythm 2.wav 100-D#-Cavaco-Rhythm 3.wav 100-D-m-Cavaco-Rhythm 4.wav
102-Cm-Bouree-01.wav 100-E-m-Cavaco-Rhythm 1.wav 100-D#-m-Cavaco-Rhythm 2.wav 100-D#-m-Cavaco-Rhythm 3.wav 100-D#-Cavaco-Rhythm 4.wav
119-Cm-Bouree-02.wav 100-F-Cavaco-Rhythm 1.wav 100-E-Cavaco-Rhythm 2.wav 100-E-Cavaco-Rhythm 3.wav 100-D#-m-Cavaco-Rhythm 4.wav
128-Cm-Bouree-03.wav 100-F-m-Cavaco-Rhythm 1.wav 100-E-m-Cavaco-Rhythm 2.wav 100-E-m-Cavaco-Rhythm 3.wav 100-E-Cavaco-Rhythm 4.wav
131-Cm-Bouree-04.wav 100-F#-Cavaco-Rhythm 1.wav 100-F-Cavaco-Rhythm 2.wav 100-F-Cavaco-Rhythm 3.wav 100-E-m-Cavaco-Rhythm 4.wav
131-Cm-Bouree-05.wav 100-F#-m-Cavaco-Rhythm 1.wav 100-F-m-Cavaco-Rhythm 2.wav 100-F-m-Cavaco-Rhythm 3.wav 100-F-Cavaco-Rhythm 4.wav
131-Cm-Bouree-06.wav 100-G-Cavaco-Rhythm 1.wav 100-F#-Cavaco-Rhythm 2.wav 100-F#-Cavaco-Rhythm 3.wav 100-F-m-Cavaco-Rhythm 4.wav
133-Cm-Bouree-07.wav 100-G-m-Cavaco-Rhythm 1.wav 100-F#-m-Cavaco-Rhythm 2.wav 100-F#-m-Cavaco-Rhythm 3.wav 100-F#-Cavaco-Rhythm 4.wav
100-G#-Cavaco-Rhythm 1.wav 100-G-Cavaco-Rhythm 2.wav 100-G-Cavaco-Rhythm 3.wav 100-F#-m-Cavaco-Rhythm 4.wav
Cavaco 100-G#-m-Cavaco-Rhythm 1.wav 100-G-m-Cavaco-Rhythm 2.wav 100-G-m-Cavaco-Rhythm 3.wav 100-G-Cavaco-Rhythm 4.wav
Rhythm 1 100-Ghost-Cavaco-Rhythm 1.wav 100-G#-Cavaco-Rhythm 2.wav 100-G#-Cavaco-Rhythm 3.wav 100-G-m-Cavaco-Rhythm 4.wav
060 100-G#-m-Cavaco-Rhythm 3.wav 100-G#-Cavaco-Rhythm 4.wav
060-A-Cavaco-Rhythm 1.wav Rhythm 2 Rhythm 3 100-Ghost-Cavaco-Rhythm 3.wav 100-G#-m-Cavaco-Rhythm 4.wav
060-A-m-Cavaco-Rhythm 1.wav 060 060 100-Ghost-Cavaco-Rhythm 4.wav
060-A#-Cavaco-Rhythm 1.wav 060-A-Cavaco-Rhythm 2.wav 060-A-Cavaco-Rhythm 3.wav Rhythm 4
060-A#-m-Cavaco-Rhythm 1.wav 060-A-m-Cavaco-Rhythm 2.wav 060-A-m-Cavaco-Rhythm 3.wav 060
060-B-Cavaco-Rhythm 1.wav 060-A#-Cavaco-Rhythm 2.wav 060-A#-Cavaco-Rhythm 3.wav 060-A-Cavaco-Rhythm 4.wav
060-B-m-Cavaco-Rhythm 1.wav 060-A#-m-Cavaco-Rhythm 2.wav 060-A#-m-Cavaco-Rhythm 3.wav 060-A-m-Cavaco-Rhythm 4.wav
060-C-Cavaco-Rhythm 1.wav 060-B-Cavaco-Rhythm 2.wav 060-B-Cavaco-Rhythm 3.wav 060-A#-Cavaco-Rhythm 4.wav
060-C-m-Cavaco-Rhythm 1.wav 060-B-m-Cavaco-Rhythm 2.wav 060-B-m-Cavaco-Rhythm 3.wav 060-A#-m-Cavaco-Rhythm 4.wav
060-C#-Cavaco-Rhythm 1.wav 060-C-Cavaco-Rhythm 2.wav 060-C-Cavaco-Rhythm 3.wav 060-B-Cavaco-Rhythm 4.wav
060-C#-m-Cavaco-Rhythm 1.wav 060-C-m-Cavaco-Rhythm 2.wav 060-C-m-Cavaco-Rhythm 3.wav 060-B-m-Cavaco-Rhythm 4.wav
060-D-Cavaco-Rhythm 1.wav 060-C#-Cavaco-Rhythm 2.wav 060-C#-Cavaco-Rhythm 3.wav 060-C-Cavaco-Rhythm 4.wav
060-D-m-Cavaco-Rhythm 1.wav 060-C#-m-Cavaco-Rhythm 2.wav 060-C#-m-Cavaco-Rhythm 3.wav 060-C-m-Cavaco-Rhythm 4.wav
060-D#-Cavaco-Rhythm 1.wav 060-D-Cavaco-Rhythm 2.wav 060-D-Cavaco-Rhythm 3.wav 060-C#-Cavaco-Rhythm 4.wav
060-D#-m-Cavaco-Rhythm 1.wav 060-D-m-Cavaco-Rhythm 2.wav 060-D-m-Cavaco-Rhythm 3.wav 060-C#-m-Cavaco-Rhythm 4.wav
060-E-Cavaco-Rhythm 1.wav 060-D#-Cavaco-Rhythm 2.wav 060-D#-Cavaco-Rhythm 3.wav 060-D-Cavaco-Rhythm 4.wav
060-E-m-Cavaco-Rhythm 1.wav 060-D#-m-Cavaco-Rhythm 2.wav 060-D#-m-Cavaco-Rhythm 3.wav 060-D-m-Cavaco-Rhythm 4.wav
060-F-Cavaco-Rhythm 1.wav 060-E-Cavaco-Rhythm 2.wav 060-E-Cavaco-Rhythm 3.wav 060-D#-Cavaco-Rhythm 4.wav
060-F-m-Cavaco-Rhythm 1.wav 060-E-m-Cavaco-Rhythm 2.wav 060-E-m-Cavaco-Rhythm 3.wav 060-D#-m-Cavaco-Rhythm 4.wav
060-F#-Cavaco-Rhythm 1.wav 060-F-Cavaco-Rhythm 2.wav 060-F-Cavaco-Rhythm 3.wav 060-E-Cavaco-Rhythm 4.wav
060-F#-m-Cavaco-Rhythm 1.wav 060-F-m-Cavaco-Rhythm 2.wav 060-F-m-Cavaco-Rhythm 3.wav 060-E-m-Cavaco-Rhythm 4.wav
060-G-Cavaco-Rhythm 1.wav 060-F#-Cavaco-Rhythm 2.wav 060-F#-Cavaco-Rhythm 3.wav 060-F-Cavaco-Rhythm 4.wav
060-G-m-Cavaco-Rhythm 1.wav 060-F#-m-Cavaco-Rhythm 2.wav 060-F#-m-Cavaco-Rhythm 3.wav 060-F-m-Cavaco-Rhythm 4.wav
060-G#-Cavaco-Rhythm 1.wav 060-G-Cavaco-Rhythm 2.wav 060-G-Cavaco-Rhythm 3.wav 060-F#-Cavaco-Rhythm 4.wav
060-G#-m-Cavaco-Rhythm 1.wav 060-G-m-Cavaco-Rhythm 2.wav 060-G-m-Cavaco-Rhythm 3.wav 060-F#-m-Cavaco-Rhythm 4.wav
060-Ghost-Cavaco-Rhythm 1.wav 060-G#-Cavaco-Rhythm 2.wav 060-G#-Cavaco-Rhythm 3.wav 060-G-Cavaco-Rhythm 4.wav
060-G#-m-Cavaco-Rhythm 2.wav 060-G#-m-Cavaco-Rhythm 3.wav 060-G-m-Cavaco-Rhythm 4.wav
080 060-Ghost-Cavaco-Rhythm 2.wav 060-Ghost-Cavaco-Rhythm 3.wav 060-G#-Cavaco-Rhythm 4.wav
080-A-Cavaco-Rhythm 1.wav 060-G#-m-Cavaco-Rhythm 4.wav
080-A-m-Cavaco-Rhythm 1.wav 080 080
080-A#-Cavaco-Rhythm 1.wav 080-A-Cavaco-Rhythm 2.wav 080-A-Cavaco-Rhythm 3.wav 080
080-A#-m-Cavaco-Rhythm 1.wav 080-A-m-Cavaco-Rhythm 2.wav 080-A-m-Cavaco-Rhythm 3.wav 080-A-Cavaco-Rhythm 4.wav
080-B-Cavaco-Rhythm 1.wav 080-A#-Cavaco-Rhythm 2.wav 080-A#-Cavaco-Rhythm 3.wav 080-A-m-Cavaco-Rhythm 4.wav
080-B-m-Cavaco-Rhythm 1.wav 080-A#-m-Cavaco-Rhythm 2.wav 080-A#-m-Cavaco-Rhythm 3.wav 080-A#-Cavaco-Rhythm 4.wav
080-C-Cavaco-Rhythm 1.wav 080-B-Cavaco-Rhythm 2.wav 080-B-Cavaco-Rhythm 3.wav 080-A#-m-Cavaco-Rhythm 4.wav
080-C-m-Cavaco-Rhythm 1.wav 080-B-m-Cavaco-Rhythm 2.wav 080-B-m-Cavaco-Rhythm 3.wav 080-B-Cavaco-Rhythm 4.wav
080-C#-Cavaco-Rhythm 1.wav 080-C-Cavaco-Rhythm 2.wav 080-C-Cavaco-Rhythm 3.wav 080-B-m-Cavaco-Rhythm 4.wav
080-C#-m-Cavaco-Rhythm 1.wav 080-C-m-Cavaco-Rhythm 2.wav 080-C-m-Cavaco-Rhythm 3.wav 080-C-Cavaco-Rhythm 4.wav
080-D-Cavaco-Rhythm 1.wav 080-C#-Cavaco-Rhythm 2.wav 080-C#-Cavaco-Rhythm 3.wav 080-C-m-Cavaco-Rhythm 4.wav
080-D-m-Cavaco-Rhythm 1.wav 080-C#-m-Cavaco-Rhythm 2.wav 080-C#-m-Cavaco-Rhythm 3.wav 080-C#-Cavaco-Rhythm 4.wav
080-D#-Cavaco-Rhythm 1.wav 080-D-Cavaco-Rhythm 2.wav 080-D-Cavaco-Rhythm 3.wav 080-C#-m-Cavaco-Rhythm 4.wav
080-D#-m-Cavaco-Rhythm 1.wav 080-D-m-Cavaco-Rhythm 2.wav 080-D-m-Cavaco-Rhythm 3.wav 080-D-Cavaco-Rhythm 4.wav
080-E-Cavaco-Rhythm 1.wav 080-D#-Cavaco-Rhythm 2.wav 080-D#-Cavaco-Rhythm 3.wav 080-D-m-Cavaco-Rhythm 4.wav
080-E-m-Cavaco-Rhythm 1.wav 080-D#-m-Cavaco-Rhythm 2.wav 080-D#-m-Cavaco-Rhythm 3.wav 080-D#-Cavaco-Rhythm 4.wav
080-F-Cavaco-Rhythm 1.wav 080-E-Cavaco-Rhythm 2.wav 080-E-Cavaco-Rhythm 3.wav 080-D#-m-Cavaco-Rhythm 4.wav
080-F-m-Cavaco-Rhythm 1.wav 080-E-m-Cavaco-Rhythm 2.wav 080-E-m-Cavaco-Rhythm 3.wav 080-E-Cavaco-Rhythm 4.wav
080-F#-Cavaco-Rhythm 1.wav 080-F-Cavaco-Rhythm 2.wav 080-F-Cavaco-Rhythm 3.wav 080-E-m-Cavaco-Rhythm 4.wav
080-F#-m-Cavaco-Rhythm 1.wav 080-F-m-Cavaco-Rhythm 2.wav 080-F-m-Cavaco-Rhythm 3.wav 080-F-Cavaco-Rhythm 4.wav
080-G-Cavaco-Rhythm 1.wav 080-F#-Cavaco-Rhythm 2.wav 080-F#-Cavaco-Rhythm 3.wav 080-F-m-Cavaco-Rhythm 4.wav
080-G-m-Cavaco-Rhythm 1.wav 080-F#-m-Cavaco-Rhythm 2.wav 080-F#-m-Cavaco-Rhythm 3.wav 080-F#-Cavaco-Rhythm 4.wav
080-G#-Cavaco-Rhythm 1.wav 080-G-Cavaco-Rhythm 2.wav 080-G-Cavaco-Rhythm 3.wav 080-F#-m-Cavaco-Rhythm 4.wav

377
Loops and Phrases

South America 120-D#-Bajo Quinto-Ranchero.wav 120-Cm-Bass 02.wav 120-Bossa Drums-04.wav 140-A-Bossa Grooves 1-Guitar 03.wav
Bajo Quinto 120-E-Bajo Quinto-Ranchero.wav 120-Cm-Bass 03.wav 120-Bossa Drums-05.wav 140-A-Bossa Grooves 2-Guitar 03.wav
Bolero 120-F-Bajo Quinto-Ranchero.wav 120-Cm-Bass 04.wav 120-Bossa Drums-06.wav 140-A-Bossa Grooves 2-Guitar 04.wav
080 BPM 120-F#-Bajo Quinto-Ranchero.wav 120-Cm-Bass 05.wav 120-Bossa Drums-07.wav 140-C-Bossa Grooves 1-Guitar 01.wav
080-A-Bajo Quinto-Bolero.wav 120-G-Bajo Quinto-Ranchero.wav 120-Cm7-Bass 01.wav 120-Bossa Drums-08.wav 140-C-Bossa Grooves 1-Guitar 02.wav
080-A#-Bajo Quinto-Bolero.wav 120-G#-Bajo Quinto-Ranchero.wav 120-Cm7-Bass 02.wav 120-Bossa Drums-09.wav 140-C-Bossa Grooves 1-Guitar 04.wav
080-B-Bajo Quinto-Bolero.wav 120-Cm7-Bass 03.wav 120-Bossa Drums-10.wav 140-C#-Bossa Grooves 3-Guitar 01.wav
080-C-Bajo Quinto-Bolero.wav Bossa Brazil 120-Gm-Bass 01.wav 120-Bossa Drums-11.wav 140-C#-Bossa Grooves 3-Guitar 02.wav
080-C#-Bajo Quinto-Bolero.wav Bass 120-Gm-Bass 02.wav 120-Bossa Drums-12.wav 140-D7-Guitar 01.wav
080-D-Bajo Quinto-Bolero.wav Diminished 120-Gm-Bass 03.wav 120-Bossa Drums-13.wav 140-D7-Guitar 02.wav
080-D#-Bajo Quinto-Bolero.wav 120-Bdim-Bass 01.wav 120-Gm-Bass 04.wav 120-Bossa Drums-14.wav 140-D7-Guitar 03.wav
080-E-Bajo Quinto-Bolero.wav 120-Bdim-Bass 02.wav 120-Gm-Bass 05.wav 120-Bossa Drums-15.wav 140-D7-Guitar 04.wav
080-F-Bajo Quinto-Bolero.wav 120-Bdim-Bass 03.wav 120-Gm7-Bass 01.wav 120-Bossa Drums-16.wav 140-D7-Guitar 05.wav
080-F#-Bajo Quinto-Bolero.wav 120-Bdim-Bass 04.wav 120-Gm7-Bass 02.wav 120-Bossa Drums-17.wav 140-D9-Guitar 01.wav
080-G-Bajo Quinto-Bolero.wav 120-Gdim 1-Bass 01.wav 120-Gm7-Bass 03.wav 120-Bossa Drums-18.wav 140-D9-Guitar 02.wav
080-G#-Bajo Quinto-Bolero.wav 120-Gdim 1-Bass 02.wav 120-Gm7-Bass 04.wav 120-Bossa Drums-19.wav 140-D9-Guitar 03.wav
120-Gdim 1-Bass 03.wav 120-Gm7-Bass 05.wav 121-Bossa Drums-01.wav 140-F-Bossa Grooves 3-Guitar 03.wav
100 BPM 120-Gdim 2-Bass 01.wav 140-Dm7-Bass 01.wav 121-Bossa Drums-02.wav 140-F-Bossa Grooves 3-Guitar 04.wav
100-A-Bajo Quinto-Bolero.wav 120-Gdim 2-Bass 02.wav 140-Dm7-Bass 02.wav 121-Bossa Drums-03.wav 140-F7-Guitar 01.wav
100-A#-Bajo Quinto-Bolero.wav 120-Gdim 2-Bass 03.wav 140-Dm7-Bass 03.wav 121-Bossa Drums-04.wav 140-F7-Guitar 02.wav
100-B-Bajo Quinto-Bolero.wav 140-Ddim 1-Bass 01.wav 140-Dm7-Bass 04.wav 121-Bossa Drums-05.wav 140-F7-Guitar 03.wav
100-C-Bajo Quinto-Bolero.wav 140-Ddim 1-Bass 02.wav 140-Dm7-Bass 05.wav 121-Bossa Drums-06.wav 140-F7-Guitar 04.wav
100-C#-Bajo Quinto-Bolero.wav 140-Ddim 2-Bass 01.wav 140-Dm11-Bass 01.wav 122-Bossa Drums-01.wav 140-F7-Guitar 05.wav
100-D-Bajo Quinto-Bolero.wav 140-Ddim 2-Bass 02.wav 140-Dm11-Bass 02.wav 139-Bossa Drums-01.wav 140-F9-Guitar 01.wav
100-D#-Bajo Quinto-Bolero.wav 140-Ddim 2-Bass 03.wav 140-Dm11-Bass 03.wav 140-Bossa Drums-01.wav 140-F9-Guitar 02.wav
100-E-Bajo Quinto-Bolero.wav 140-Fdim 1-Bass 01.wav 140-Dm11-Bass 04.wav 140-Bossa Drums-02.wav 140-F9-Guitar 03.wav
100-F-Bajo Quinto-Bolero.wav 140-Fdim 1-Bass 02.wav 140-Dm11-Bass 05.wav 140-Bossa Drums-03.wav 140-G-Bossa Grooves 2-Guitar 01.wav
100-F#-Bajo Quinto-Bolero.wav 140-Fdim 1-Bass 03.wav 140-Fm7-Bass 01.wav 140-Bossa Drums-04.wav 140-G-Bossa Grooves 2-Guitar 02.wav
100-G-Bajo Quinto-Bolero.wav 140-Fdim 2-Bass 01.wav 140-Fm7-Bass 02.wav 140-Bossa Drums-05.wav
140-Fdim 2-Bass 02.wav 140-Fm7-Bass 03.wav 140-Bossa Drums-06.wav Minor
120 BPM 140-Fdim 2-Bass 03.wav 140-Fm7-Bass 04.wav 141-Bossa Drums-07.wav 120-Cm-Guitar 01.wav
120-A-Bajo Quinto-Bolero.wav 140-Fm11-Bass 01.wav 141-Bossa Drums-08.wav 120-Cm-Guitar 02.wav
120-A#-Bajo Quinto-Bolero.wav Major 140-Fm11-Bass 02.wav 141-Bossa Drums-09.wav 120-Cm-Guitar 03.wav
120-B-Bajo Quinto-Bolero.wav 120-C-Bass 01.wav 140-Fm11-Bass 03.wav 141-Bossa Drums-10.wav 120-Cm-Guitar 04.wav
120-C-Bajo Quinto-Bolero.wav 120-C-Bass 02.wav 140-Fm11-Bass 04.wav 141-Bossa Drums-11.wav 120-Cm-Guitar 05.wav
120-C#-Bajo Quinto-Bolero.wav 120-C-Bass 03.wav 140-Fm11-Bass 05.wav 141-Bossa Drums-12.wav 120-Cm7-Guitar 01.wav
120-D-Bajo Quinto-Bolero.wav 120-C-Bass 04.wav 141-Bossa Drums-13.wav 120-Cm7-Guitar 02.wav
120-D#-Bajo Quinto-Bolero.wav 120-C-Bass 05.wav Berimbau 141-Bossa Drums-14.wav 120-Cm7-Guitar 03.wav
120-E-Bajo Quinto-Bolero.wav 120-C9-Bass 01.wav 080-F-Berimbau-01.wav 120-Cm7-Guitar 04.wav
120-F-Bajo Quinto-Bolero.wav 120-C9-Bass 02.wav 082-F-Berimbau-02.wav Guitar 120-Cm7-Guitar 05.wav
120-F#-Bajo Quinto-Bolero.wav 120-C9-Bass 03.wav 082-F-Berimbau-03.wav Diminished 120-Gm-Guitar 01.wav
120-G-Bajo Quinto-Bolero.wav 120-G-Bass 01.wav 082-F-Berimbau-04.wav 120-Bdim-Guitar 01.wav 120-Gm-Guitar 02.wav
120-G#-Bajo Quinto-Bolero.wav 120-G-Bass 02.wav 082-F-Berimbau-05.wav 120-Bdim-Guitar 02.wav 120-Gm-Guitar 04.wav
120-G-Bass 03.wav 092-F#-Berimbau-06.wav 120-Bdim-Guitar 03.wav 120-Gm-Guitar 05.wav
Ranchero 120-G-Bass 04.wav 103-F#-Berimbau-07.wav 120-Gdim 1-Guitar 01.wav 120-Gm-Guitar 06.wav
080 BPM 120-G-Bass 05.wav 103-F#-Berimbau-08.wav 120-Gdim 1-Guitar 02.wav 120-Gm7-Guitar 01.wav
080-A-Bajo Quinto-Ranchero.wav 120-G9-Bass 01.wav 103-F#-Berimbau-09.wav 120-Gdim 1-Guitar 03.wav 120-Gm7-Guitar 02.wav
080-A#-Bajo Quinto-Ranchero.wav 120-G9-Bass 02.wav 103-F#-Berimbau-10.wav 120-Gdim 2-Guitar 01.wav 120-Gm7-Guitar 03.wav
080-B-Bajo Quinto-Ranchero.wav 120-G9-Bass 03.wav 105-F#-Berimbau-11.wav 120-Gdim 2-Guitar 02.wav 120-Gm7-Guitar 04.wav
080-C-Bajo Quinto-Ranchero.wav 140-A-Bossa Grooves 1-Bass 01.wav 105-F#-Berimbau-12.wav 120-Gdim 2-Guitar 03.wav 120-Gm7-Guitar 05.wav
080-C#-Bajo Quinto-Ranchero.wav 140-A-Bossa Grooves 1-Bass 02.wav 119-F#-Berimbau-13.wav 140-Ddim 1-Guitar 01.wav 140-Dm7-Guitar 01.wav
080-D-Bajo Quinto-Ranchero.wav 140-A-Bossa Grooves 1-Bass 03.wav 121-F#-Berimbau-14.wav 140-Ddim 1-Guitar 02.wav 140-Dm7-Guitar 02.wav
080-D#-Bajo Quinto-Ranchero.wav 140-A-Bossa Grooves 1-Bass 04.wav 121-F#-Berimbau-15.wav 140-Ddim 1-Guitar 03.wav 140-Dm7-Guitar 03.wav
080-E-Bajo Quinto-Ranchero.wav 140-A#-Bossa Grooves 3-Bass 01.wav 122-F#-Berimbau-16.wav 140-Ddim 2-Guitar 01.wav 140-Dm7-Guitar 04.wav
080-F-Bajo Quinto-Ranchero.wav 140-A#-Bossa Grooves 3-Bass 02.wav 122-F#-Berimbau-17.wav 140-Ddim 2-Guitar 02.wav 140-Dm7-Guitar 05.wav
080-F#-Bajo Quinto-Ranchero.wav 140-D-Bossa Grooves 2-Bass 01.wav 123-F#-Berimbau-18.wav 140-Ddim 2-Guitar 03.wav 140-Dm11-Guitar 01.wav
080-G-Bajo Quinto-Ranchero.wav 140-D-Bossa Grooves 2-Bass 02.wav 123-F#-Berimbau-19.wav 140-Fdim 1-Guitar 01.wav 140-Dm11-Guitar 02.wav
080-G#-Bajo Quinto-Ranchero.wav 140-D-Bossa Grooves 2-Bass 03.wav 123-F#-Berimbau-20.wav 140-Fdim 1-Guitar 02.wav 140-Dm11-Guitar 03.wav
140-D-Bossa Grooves 2-Bass 04.wav 123-F#-Berimbau-21.wav 140-Fdim 1-Guitar 03.wav 140-Dm11-Guitar 04.wav
100 BPM 140-D-Bossa Grooves 3-Bass 03.wav 124-F#-Berimbau-22.wav 140-Fdim 2-Guitar 01.wav 140-Dm11-Guitar 05.wav
100-A-Bajo Quinto-Ranchero.wav 140-D-Bossa Grooves 3-Bass 04.wav 124-F#-Berimbau-23.wav 140-Fdim 2-Guitar 02.wav 140-Fm7-Guitar 01.wav
100-A#-Bajo Quinto-Ranchero.wav 140-D7-Bass 01.wav 124-F#-Berimbau-24.wav 140-Fdim 2-Guitar 03.wav 140-Fm7-Guitar 02.wav
100-B-Bajo Quinto-Ranchero.wav 140-D7-Bass 02.wav 124-F#-Berimbau-25.wav 140-Fm7-Guitar 03.wav
100-C-Bajo Quinto-Ranchero.wav 140-D7-Bass 03.wav 124-F#-Berimbau-26.wav Major 140-Fm7-Guitar 04.wav
100-C#-Bajo Quinto-Ranchero.wav 140-D7-Bass 04.wav 124-F#-Berimbau-27.wav 120-C-Guitar 01.wav 140-Fm7-Guitar 05.wav
100-D-Bajo Quinto-Ranchero.wav 140-D7-Bass 05.wav 124-F#-Berimbau-28.wav 120-C-Guitar 02.wav 140-Fm11-Guitar 01.wav
100-D#-Bajo Quinto-Ranchero.wav 140-D9-Bass 01.wav 124-F#-Berimbau-29.wav 120-C-Guitar 03.wav 140-Fm11-Guitar 02.wav
100-E-Bajo Quinto-Ranchero.wav 140-D9-Bass 02.wav 124-F#-Berimbau-30.wav 120-C-Guitar 04.wav 140-Fm11-Guitar 03.wav
100-F-Bajo Quinto-Ranchero.wav 140-D9-Bass 03.wav 124-F#-Berimbau-31.wav 120-C-Guitar 05.wav 140-Fm11-Guitar 04.wav
100-F#-Bajo Quinto-Ranchero.wav 140-F7-Bass 01.wav 125-F#-Berimbau-32.wav 120-C9-Guitar 01.wav 140-Fm11-Guitar 05.wav
100-G-Bajo Quinto-Ranchero.wav 140-F7-Bass 02.wav 127-F#-Berimbau-33.wav 120-C9-Guitar 02.wav
100-G#-Bajo Quinto-Ranchero.wav 140-F7-Bass 04.wav 127-F#-Berimbau-34.wav 120-C9-Guitar 03.wav Cuba
140-F7-Bass 05.wav 133-F#-Berimbau-35.wav 120-G-Guitar 01.wav Bass
120 BPM 140-F7-Bass 031.wav 142-F#-Berimbau-36.wav 120-G-Guitar 02.wav 070-Em-Cuba Tumbaes-Bass.wav
120-A-Bajo Quinto-Ranchero.wav 140-F9-Bass 01.wav 143-F#-Berimbau-37.wav 120-G-Guitar 03.wav 090-E-Cuba Salsa-Bass.wav
120-A#-Bajo Quinto-Ranchero.wav 140-F9-Bass 02.wav 120-G-Guitar 04.wav 100-Gm-Cuba Tumbaes-Bass-01.wav
120-B-Bajo Quinto-Ranchero.wav 140-F9-Bass 03.wav Drums 120-G-Guitar 05.wav 100-Gm-Cuba Tumbaes-Bass-02.wav
120-C-Bajo Quinto-Ranchero.wav 120-Bossa Drums-01.wav 120-G9-Guitar 01.wav 101-Am-Cuba Salsa-Bass.wav
120-C#-Bajo Quinto-Ranchero.wav Minor 120-Bossa Drums-02.wav 120-G9-Guitar 02.wav 118-D-Cuba Tumbaes-Bass.wav
120-D-Bajo Quinto-Ranchero.wav 120-Cm-Bass 01.wav 120-Bossa Drums-03.wav 120-G9-Guitar 03.wav 120-Dm-Cuba Salsa-Bass.wav

378
Loops and Phrases

120-G-Cuba Tumbaes-Bass-01.wav 100-Roots Cuban-Perc-11.wav 120-Agogo-10.wav Claves 119-Conga 1-62.wav


120-G-Cuba Tumbaes-Bass-02.wav 100-Roots Cuban-Perc-12.wav 120-Agogo-11.wav 060-Claves-01.wav 119-Conga 1-63.wav
121-Gm-Cuba Tumbaes-Bass.wav 100-Roots Cuban-Perc-13.wav 129-Agogo-12.wav 060-Claves-02.wav 119-Conga 1-64.wav
130-Gm-Cuba Salsa-Bass.wav 100-Roots Cuban-Perc-14.wav 130-Agogo-13.wav 060-Claves-03.wav 119-Conga 1-65.wav
131-C-Cuba Salsa-Bass.wav 100-Roots Cuban-Perc-15.wav 130-Agogo-14.wav 060-Claves-04.wav 119-Conga 1-66.wav
101-Roots Cuban-Perc-16.wav 120-Claves-05.wav 119-Conga 1-67.wav
Claves 108-Guaguanco-Perc-01.wav Bongo 120-Claves-06.wav 133-Conga 1-68.wav
087-Cuba Salsa-Claves-01.wav 120-Cuba Salsa-Perc-03.wav 100-Bongo 1-01.wav 121-Claves-07.wav 133-Conga 1-69.wav
090-Cuba Salsa-Claves-02.wav 120-Roots Cuban-Perc-17.wav 100-Bongo 1-02.wav 129-Claves-08.wav 133-Conga 1-70.wav
100-Cuba Salsa-Claves-03.wav 120-Roots Cuban-Perc-18.wav 100-Bongo 1-03.wav 130-Claves-09.wav 133-Conga 1-71.wav
108-Guaguanco-Claves.wav 120-Roots Cuban-Perc-19.wav 100-Bongo 1-04.wav 130-Claves-10.wav
121-Cuba Salsa-Claves-04.wav 120-Roots Cuban-Perc-20.wav 100-Bongo 1-05.wav 130-Claves-11.wav Conga 2
131-Cuba Salsa-Claves-05.wav 120-Roots Cuban-Perc-21.wav 100-Bongo 1-06.wav 131-Claves-12.wav 100-Conga 2-01.wav
120-Roots Cuban-Perc-22.wav 100-Bongo 1-07.wav 150-Claves-13.wav 100-Conga 2-02.wav
Conga 122-Guaguanco-Perc-02.wav 100-Bongo 1-08.wav 150-Claves-14.wav 100-Conga 2-03.wav
091-Cuba Salsa-Conga-01.wav 131-Cuba Salsa-Perc-04.wav 100-Bongo 1-09.wav 150-Claves-15.wav 100-Conga 2-04.wav
100-Cuba Salsa-Conga-02.wav 131-Cuba Salsa-Perc-05.wav 100-Bongo 1-10.wav 100-Conga 2-05.wav
107-Guaguanco-Conga-01.wav 100-Bongo 1-11.wav Conga 100-Conga 2-06.wav
115-Oba-Conga-Verb.wav Piano 100-Bongo 1-12.wav Conga 1
116-Oba-Conga.wav 070-Em-Cuba Tumbaes-Piano.wav 100-Bongo 1-13.wav 089-Conga 1-01.wav Conga 3
122-Guaguanco-Conga-02.wav 100-D-Cuba Tumbaes-Piano.wav 100-Bongo 1-14.wav 089-Conga 1-02.wav 080-Conga 3-01.wav
131-Cuba Salsa-Conga-03.wav 101-G-Cuba Tumbaes-Piano.wav 100-Bongo 1-15.wav 089-Conga 1-03.wav 080-Conga 3-02.wav
131-Cuba Salsa-Conga-04.wav 120-Dm-Cuba Tumbaes-Piano-01.wav 100-Bongo 1-16.wav 089-Conga 1-04.wav 080-Conga 3-03.wav
140-Abakua-Conga Sali.wav 120-Dm-Cuba Tumbaes-Piano-02.wav 100-Bongo 1-17.wav 089-Conga 1-05.wav 090-Conga 3-04.wav
140-Abakua-Conga Tred.wav 120-Gm-Cuba Tumbaes-Piano-01.wav 118-Bongo 1-01.wav 089-Conga 1-06.wav 090-Conga 3-05.wav
140-Abakua-Conga Verb.wav 121-Gm-Cuba Tumbaes-Piano-02.wav 119-Bongo 1-02.wav 089-Conga 1-07.wav 090-Conga 3-06.wav
140-Abakua-Conga.wav 133-Gm-Cuba Tumbaes-Piano-03.wav 119-Bongo 1-03.wav 089-Conga 1-08.wav 090-Conga 3-07.wav
140-Chacha-Conga Verb.wav 119-Bongo 1-04.wav 089-Conga 1-09.wav 090-Conga 3-08.wav
140-Chalek-Conga Quinto.wav Piano-Bass 119-Bongo 1-05.wav 089-Conga 1-10.wav 090-Conga 3-09.wav
140-Chalek-Conga.wav 100-D-Cuba Tumbaes-Mix.wav 119-Bongo 1-06.wav 089-Conga 1-11.wav 090-Conga 3-10.wav
140-Mele-Conga-01 Verb.wav 101-G-Cuba Tumbaes-Mix.wav 119-Bongo 1-07.wav 089-Conga 1-12.wav 090-Conga 3-11.wav
140-Mele-Conga-02 Verb.wav 119-Bongo 1-08.wav 089-Conga 1-13.wav 090-Conga 3-12.wav
141-Chalek-Conga-Med.wav Shaker 119-Bongo 1-09.wav 089-Conga 1-14.wav 090-Conga 3-13.wav
141-Mele-Conga-01.wav 100-Cuba Salsa-Shaker.wav 119-Bongo 1-10.wav 089-Conga 1-15.wav 091-Conga 3-14.wav
141-Mele-Conga-02.wav 120-Cuba-Chekere Bembe Stereo-01.wav 119-Bongo 1-11.wav 089-Conga 1-16.wav 091-Conga 3-15.wav
141-Mele-Conga-03 Verb.wav 120-Cuba-Chekere Bembe-02.wav 120-Bongo 1-12.wav 089-Conga 1-17.wav 096-Conga 3-16.wav
142-Mele-Conga-03.wav 120-Cuba-Chekere Bembe-03.wav 120-Bongo 1-13.wav 089-Conga 1-18.wav 099-Conga 3-17.wav
152-Chalek-Conga-Low.wav 122-Cuba-Chekere Bembe-01.wav 120-Bongo 2-01.wav 089-Conga 1-19.wav 099-Conga 3-18.wav
140-Cuba-Chekere Bembe-01.wav 121-Bongo 1-14.wav 089-Conga 1-20.wav 099-Conga 3-19.wav
Cowbell 140-Cuba-Chekere Bembe-02.wav 121-Bongo 3-01.wav 100-Conga 1-21.wav 100-Conga 3-20.wav
091-Cuba Salsa-Cowbell 1-01.wav 140-Cuba-Chekere Bembe-03.wav 128-Bongo 2-02.wav 100-Conga 1-22.wav 100-Conga 3-21.wav
100-Cuba Salsa-Cowbell 1-02.wav 140-Cuba-Chekere Bembe-Stereo-02.wav 130-Bongo 2-03.wav 100-Conga 1-23.wav 100-Conga 3-22.wav
120-Cuba-Cowbell 2-01.wav 143-Cuba-Chekere Bembe-Stereo-03.wav 130-Bongo 2-04.wav 100-Conga 1-24.wav 100-Conga 3-23.wav
121-Cuba Salsa-Cowbell 3.wav 130-Bongo 3-01.wav 100-Conga 1-25.wav 100-Conga 3-24.wav
121-Cuba-Cowbell 2-02.wav Tambour Bata 130-Bongo 3-03.wav 100-Conga 1-26.wav 101-Conga 3-25.wav
122-Cuba-Cowbell 2-03.wav 065-Lubanche-Tambour Bata.wav 131-Bongo 2-05.wav 100-Conga 1-27.wav 101-Conga 3-26.wav
130-Cuba Salsa-Cowbell 1.wav 099-Aketoba-Tambour Bata.wav 131-Bongo 2-06.wav 100-Conga 1-28.wav 101-Conga 3-27.wav
130-Cuba Salsa-Cowbell 4.wav 100-Osain-Tambour Bata.wav 131-Bongo 2-07.wav 100-Conga 1-29.wav 101-Conga 3-28.wav
143-Cuba-Cowbell 2-04.wav 101-Aketoba-Tambour Bata.wav 131-Bongo 3-04.wav 100-Conga 1-30.wav 102-Conga 3-29.wav
143-Cuba-Cowbell 5.wav 111-Ochossi-Tambour Bata.wav 132-Bongo 2-08.wav 100-Conga 1-31.wav 110-Conga 3-30.wav
111-Offere-Tambour Bata.wav 133-Bongo 1-01.wav 100-Conga 1-32.wav 110-Conga 3-31.wav
Djembe 111-Yakota-Tambour Bata.wav 133-Bongo 1-02.wav 100-Conga 1-33.wav 110-Conga 3-32.wav
100-Cuba Salsa-Djembe-01.wav 120-Omolode-Tambour Bata.wav 133-Bongo 1-03.wav 100-Conga 1-34.wav 110-Conga 3-33.wav
131-Cuba Salsa-Djembe-02.wav 120-Osain-Tambour Bata.wav 133-Bongo 1-04.wav 100-Conga 1-35.wav 110-Conga 3-34.wav
121-Agayu-Tambour Bata.wav 133-Bongo 1-05.wav 100-Conga 1-36.wav 110-Conga 3-35.wav
Drums 121-Obatala-Tambour Bata.wav 133-Bongo 1-06.wav 100-Conga 1-37.wav 111-Conga 3-36.wav
090-Cuba Salsa-Drums-01.wav 121-Titilaro-Tambour Bata.wav 133-Bongo 1-07.wav 100-Conga 1-38.wav 117-Conga 3-37.wav
100-Cuba Salsa-Drums-02.wav 121-Yesa-Tambour Bata.wav 150-Bongo 2-04.wav 100-Conga 1-39.wav 119-Conga 3-38.wav
121-Cuba Salsa-Drums-03.wav 123-Echu-Tambour Bata.wav 150-Bongo 2-09.wav 100-Conga 1-40.wav 120-Conga 3-39.wav
130-Cuba Salsa-Drums-04.wav 123-Lyamase-Tambour Bata.wav 150-Bongo 3-01.wav 100-Conga 1-41.wav 120-Conga 3-40.wav
140-Arina-Tambour Bata.wav 100-Conga 1-42.wav 120-Conga 3-41.wav
Misc Perc 140-Yegua-Tambour Bata.wav Bongo and Cowbell 100-Conga 1-43.wav 120-Conga 3-42.wav
107-Guaguanco-Stick.wav 141-Echu-Tambour Bata.wav 088-Bongo and Cowbell 1-01.wav 100-Conga 1-44.wav 120-Conga 3-43.wav
113-Cuba Salsa-Triangle.wav 141-Yakota-Tambour Bata.wav 090-Bongo and Cowbell 1-02.wav 100-Conga 1-45.wav 120-Conga 3-44.wav
120-Cuba Salsa-Tambourine.wav 161-Lyamase-Tambour Bata.wav 090-Bongo and Cowbell 1-03.wav 100-Conga 1-46.wav 120-Conga 3-45.wav
122-Guaguanco-Stick.wav 162-Chalek-Tambour Bata.wav 090-Bongo and Cowbell 2-01.wav 119-Conga 1-47.wav 120-Conga 3-46.wav
162-Teremina-Tambour Bata.wav 090-Bongo and Cowbell 2-02.wav 119-Conga 1-48.wav 120-Conga 3-47.wav
Perc Mix 163-Oba-Tambour Bata.wav 090-Bongo and Cowbell 2-03.wav 119-Conga 1-49.wav 120-Conga 3-48.wav
070-Roots Cuban-Perc-01.wav 090-Bongo and Cowbell 2-04.wav 119-Conga 1-50.wav 120-Conga 3-49.wav
070-Roots Cuban-Perc-02.wav Latin Perc 091-Bongo and Cowbell 1-04.wav 119-Conga 1-51.wav 120-Conga 3-50.wav
070-Roots Cuban-Perc-03.wav Agogo 100-Bongo and Cowbell 1-05.wav 119-Conga 1-52.wav 120-Conga 3-51.wav
089-Roots Cuban-Perc-04.wav 090-Agogo-01.wav 100-Bongo and Cowbell 2-05.wav 119-Conga 1-53.wav 120-Conga 3-52.wav
089-Roots Cuban-Perc-05.wav 090-Agogo-02.wav 100-Bongo and Cowbell 2-06.wav 119-Conga 1-54.wav 120-Conga 3-53.wav
089-Roots Cuban-Perc-06.wav 100-Agogo-03.wav 120-Bongo and Cowbell 1-06.wav 119-Conga 1-55.wav 122-Conga 3-54.wav
089-Roots Cuban-Perc-07.wav 100-Agogo-04.wav 121-Bongo and Cowbell 2-07.wav 119-Conga 1-56.wav 130-Conga 3-55.wav
089-Roots Cuban-Perc-08.wav 108-Agogo-05.wav 127-Bongo and Cowbell 3-01.wav 119-Conga 1-57.wav 130-Conga 3-56.wav
089-Roots Cuban-Perc-09.wav 110-Agogo-06.wav 130-Bongo and Cowbell 1-07.wav 119-Conga 1-58.wav 130-Conga 3-57.wav
090-Cuba Salsa-Perc-01.wav 120-Agogo-07.wav 130-Bongo and Cowbell 1-08.wav 119-Conga 1-59.wav 131-Conga 3-58.wav
090-Roots Cuban-Perc-10.wav 120-Agogo-08.wav 150-Bongo and Cowbell 2-08.wav 119-Conga 1-60.wav
100-Cuba Salsa-Perc-02.wav 120-Agogo-09.wav 150-Bongo and Cowbell 3-01.wav 119-Conga 1-61.wav

379
Loops and Phrases

Cowbell 140-Bossa Drums-13.wav Shaker 130-Shaker 5-17.wav 060-Dm-Vihuela-Bolero 4’4.wav


088-Cowbell 3-01.wav 140-Bossa Drums-14.wav 060-Shaker 5-01.wav 130-Shaker 5-18.wav 060-Em-Vihuela-Bolero 4’4.wav
090-Cowbell 3-02.wav 140-Bossa Drums-15.wav 060-Shaker 6-01.wav 130-Shaker 5-19.wav 060-F#m-Vihuela-Bolero 4’4.wav
090-Cowbell 3-03.wav 140-Bossa Drums-16.wav 060-Shaker 6-02.wav 130-Shaker 7-15.wav 060-Fm-Vihuela-Bolero 4’4.wav
090-Cowbell 4-01.wav 140-Bossa Drums-17.wav 060-Shaker 6-03.wav 130-Shaker 7-16.wav 060-G#m-Vihuela-Bolero 4’4.wav
090-Cowbell 4-02.wav 140-Bossa Drums-18.wav 061-Shaker 6-04.wav 131-Shaker 5-20.wav 060-Gm-Vihuela-Bolero 4’4.wav
090-Cowbell 4-03.wav 160-East Side Drums-01.wav 066-Shaker 5-02.wav 132-Shaker 7-17.wav
090-Cowbell 4-04.wav 160-East Side Drums-02.wav 079-Shaker 5-03.wav 133-Shaker 2-14.wav 080 BPM
090-Cowbells-07.wav 160-East Side Drums-03.wav 080-Shaker 5-04.wav 134-Shaker 5-21.wav 080-A#m-Vihuela-Bolero 4’4.wav
091-Cowbell 3-04.wav 161-East Side Drums-04.wav 080-Shaker 5-05.wav 150-Shaker 5-22.wav 080-Am-Vihuela-Bolero 4’4.wav
100-Cowbell 3-05.wav 080-Shaker 5-06.wav 150-Shaker 5-23.wav 080-Bm-Vihuela-Bolero 4’4.wav
100-Cowbell 4-05.wav Guiro 080-Shaker 5-07.wav 151-Shaker 5-24.wav 080-C#m-Vihuela-Bolero 4’4.wav
100-Cowbells-01.wav 080-Guiro-01.wav 080-Shaker 7-01.wav 080-Cm-Vihuela-Bolero 4’4.wav
100-Cowbells-02.wav 081-Guiro-02.wav 081-Shaker 5-08.wav Tambourine 080-D#m-Vihuela-Bolero 4’4.wav
100-Cowbells-03.wav 081-Guiro-03.wav 081-Shaker 7-02.wav 089-Tambourine 1-01.wav 080-Dm-Vihuela-Bolero 4’4.wav
100-Cowbells-04.wav 090-Guiro-04.wav 083-Shaker 1-01.wav 089-Tambourine 2-01.wav 080-Em-Vihuela-Bolero 4’4.wav
100-Cowbells-05.wav 090-Guiro-05.wav 083-Shaker 2-01.wav 089-Tambourine 3.wav 080-F#m-Vihuela-Bolero 4’4.wav
110-Cowbells-06.wav 090-Guiro-06.wav 083-Shaker 2-02.wav 089-Tambourine 4-01.wav 080-Fm-Vihuela-Bolero 4’4.wav
112-Cowbell 1.wav 099-Guiro-07.wav 084-Shaker 1-02.wav 089-Tambourines.wav 080-G#m-Vihuela-Bolero 4’4.wav
120-Cowbell 3-06.wav 100-Guiro-08.wav 084-Shaker 1-03.wav 094-Tambourine 1-02.wav 080-Gm-Vihuela-Bolero 4’4.wav
121-Cowbells-08.wav 100-Guiro-09.wav 084-Shaker 3-01.wav 094-Tambourine 2-02.wav
130-Cowbell 3-07.wav 084-Shaker 3-02.wav 100-Tambourine 4-02.wav 100 BPM
130-Cowbell 3-08.wav Kutu Wapa 084-Shaker 3-03.wav 108-Tambourine 1-03.wav 100-A#m-Vihuela-Bolero 4’4.wav
133-Cowbell 2.wav 068-C-Kutu Wapa 01.wav 085-Shaker 2-03.wav 117-Tambourine 2-03.wav 100-Am-Vihuela-Bolero 4’4.wav
150-Cowbell 3-09.wav 068-C-Kutu Wapa 02.wav 089-Shaker 1-04.wav 119-Tambourine 1-04.wav 100-Bm-Vihuela-Bolero 4’4.wav
068-C-Kutu Wapa 03.wav 089-Shaker 1-05.wav 119-Tambourine 1-05.wav 100-C#m-Vihuela-Bolero 4’4.wav
Djembe 068-C-Kutu Wapa 04.wav 089-Shaker 1-06.wav 119-Tambourine 4-03.wav 100-Cm-Vihuela-Bolero 4’4.wav
090-Latin Djembe-01.wav 068-C-Kutu Wapa 05.wav 089-Shaker 2-04.wav 133-Tambourine 1-06.wav 100-D#m-Vihuela-Bolero 4’4.wav
091-Latin Djembe-02.wav 068-C-Kutu Wapa 06.wav 089-Shaker 2-05.wav 133-Tambourine 1-07.wav 100-Dm-Vihuela-Bolero 4’4.wav
091-Latin Djembe-03.wav 068-C-Kutu Wapa 07.wav 089-Shaker 2-06.wav 170-Tambourine 1-08.wav 100-Em-Vihuela-Bolero 4’4.wav
091-Latin Djembe-04.wav 068-C-Kutu Wapa 08.wav 089-Shaker 2-07.wav 100-F#m-Vihuela-Bolero 4’4.wav
091-Latin Djembe-05.wav 068-C-Kutu Wapa 09.wav 089-Shaker 3-04.wav Triangle 100-Fm-Vihuela-Bolero 4’4.wav
091-Latin Djembe-06.wav 082-C-Kutu Wapa 01.wav 089-Shaker 3-05.wav 049-Triangle 1-01.wav 100-G#m-Vihuela-Bolero 4’4.wav
092-Latin Djembe-07.wav 082-C-Kutu Wapa 02.wav 089-Shaker 3-06.wav 059-Triangle 1-02.wav 100-Gm-Vihuela-Bolero 4’4.wav
092-Latin Djembe-08.wav 082-C-Kutu Wapa 03.wav 089-Shaker 4-01.wav 060-Triangle 1-03.wav
101-Latin Djembe-09.wav 082-C-Kutu Wapa 04.wav 089-Shakers-01.wav 060-Triangle 1-04.wav Harabe
101-Latin Djembe-10.wav 082-C-Kutu Wapa 05.wav 089-Shakers-02.wav 060-Triangle 1-05.wav 060 BPM
101-Latin Djembe-11.wav 095-C-Kutu Wapa 01.wav 090-Shaker 5-09.wav 060-Triangle 1-06.wav 060-A-Vihuela-Harabe 6’8.wav
102-Latin Djembe-12.wav 095-C-Kutu Wapa 02.wav 091-Shaker 5-10.wav 060-Triangle 1-07.wav 060-A#-Vihuela-Harabe 6’8.wav
120-Latin Djembe-13.wav 095-C-Kutu Wapa 03.wav 091-Shaker 7-03.wav 060-Triangle 2-01.wav 060-B-Vihuela-Harabe 6’8.wav
120-Latin Djembe-14.wav 095-C-Kutu Wapa 04.wav 092-Shaker 5-11.wav 061-Triangle 1-08.wav 060-C-Vihuela-Harabe 6’8.wav
121-Latin Djembe-15.wav 095-C-Kutu Wapa 05.wav 094-Shaker 1-08.wav 061-Triangle 2-02.wav 060-C#-Vihuela-Harabe 6’8.wav
095-C-Kutu Wapa 06.wav 094-Shaker 1-09.wav 061-Triangle 2-03.wav 060-D-Vihuela-Harabe 6’8.wav
Drums 095-C-Kutu Wapa 07.wav 094-Shaker 1-10.wav 061-Triangle 2-04.wav 060-D#-Vihuela-Harabe 6’8.wav
100-Samba Drums-01.wav 095-C-Kutu Wapa 08.wav 094-Shaker 2-08.wav 085-Triangle 1-09.wav 060-E-Vihuela-Harabe 6’8.wav
100-Samba Drums-02.wav 096-C-Kutu Wapa.wav 094-Shaker 2-09.wav 089-Triangle 2-05.wav 060-F-Vihuela-Harabe 6’8.wav
100-Samba Drums-03.wav 110-C-Kutu Wapa 01.wav 094-Shaker 3-07.wav 089-Triangle 3-01.wav 060-F#-Vihuela-Harabe 6’8.wav
100-Samba Drums-04.wav 110-C-Kutu Wapa 02.wav 094-Shaker 3-08.wav 089-Triangle 3-02.wav 060-G-Vihuela-Harabe 6’8.wav
100-Samba Drums-05.wav 110-C-Kutu Wapa 03.wav 094-Shaker 3-09.wav 089-Triangle 3-03.wav 060-G#-Vihuela-Harabe 6’8.wav
100-Songo Drums-01.wav 110-C-Kutu Wapa 04.wav 099-Shaker 1-12.wav 089-Triangle 3-04.wav
100-Songo Drums-02.wav 110-C-Kutu Wapa 05.wav 099-Shaker 5-12.wav 089-Triangle 3-05.wav 080 BPM
100-Songo Drums-03.wav 110-C-Kutu Wapa 06.wav 100-Shaker 1-13.wav 090-Triangle 1-10.wav 080-A-Vihuela-Harabe 6’8.wav
100-Songo Drums-04.wav 110-C-Kutu Wapa 07.wav 100-Shaker 1-14.wav 090-Triangle 1-11.wav 080-A#-Vihuela-Harabe 6’8.wav
100-Songo Drums-05.wav 110-C-Kutu Wapa 08.wav 100-Shaker 2-10.wav 090-Triangle 1-12.wav 080-B-Vihuela-Harabe 6’8.wav
120-Bossa Drums-01.wav 110-C-Kutu Wapa 09.wav 100-Shaker 2-11.wav 090-Triangle 1-13.wav 080-C-Vihuela-Harabe 6’8.wav
120-Bossa Drums-02.wav 110-C-Kutu Wapa 10.wav 100-Shaker 4-02.wav 090-Triangle 1-14.wav 080-C#-Vihuela-Harabe 6’8.wav
120-Bossa Drums-03.wav 110-C-Kutu Wapa 11.wav 100-Shaker 4-03.wav 090-Triangle 1-15.wav 080-D-Vihuela-Harabe 6’8.wav
120-Bossa Drums-04.wav 120-C-Kutu Wapa 01.wav 100-Shaker 4-04.wav 090-Triangle 2-06.wav 080-D#-Vihuela-Harabe 6’8.wav
120-Salsa Drums-01.wav 120-C-Kutu Wapa 02.wav 100-Shaker 7-04.wav 100-Triangle 3-06.wav 080-E-Vihuela-Harabe 6’8.wav
120-Salsa Drums-02.wav 120-C-Kutu Wapa 03.wav 100-Shakers-03.wav 100-Triangle 3-07.wav 080-F-Vihuela-Harabe 6’8.wav
120-Salsa Drums-03.wav 120-C-Kutu Wapa 04.wav 100-Shakers-04.wav 100-Triangle 3-08.wav 080-F#-Vihuela-Harabe 6’8.wav
120-Salsa Drums-04.wav 120-C-Kutu Wapa 05.wav 101-Shaker 7-05.wav 101-Triangle 3-09.wav 080-G-Vihuela-Harabe 6’8.wav
120-Salsa Drums-05.wav 150-C-Kutu Wapa 01.wav 110-Shaker 7-06.wav 119-Triangle 3-10.wav 080-G#-Vihuela-Harabe 6’8.wav
120-Samba Drums-06.wav 150-C-Kutu Wapa 02.wav 110-Shakers-05.wav 119-Triangle 3-11.wav
120-Samba Drums-07.wav 150-C-Kutu Wapa 03.wav 112-Shaker 7-07.wav 119-Triangle 3-12.wav 100 BPM
120-Samba Drums-08.wav 150-C-Kutu Wapa 04.wav 119-Shaker 2-12.wav 119-Triangle 3-13.wav 100-A-Vihuela-Harabe 6’8.wav
120-Samba Drums-09.wav 150-C-Kutu Wapa 05.wav 119-Shaker 2-13.wav 130-Triangle 1-16.wav 100-A#-Vihuela-Harabe 6’8.wav
120-Samba Drums-10.wav 150-C-Kutu Wapa 06.wav 119-Shaker 4-05.wav 130-Triangle 1-17.wav 100-B-Vihuela-Harabe 6’8.wav
120-West Side Drums-01.wav 119-Shaker 7-08.wav 130-Triangle 1-18.wav 100-C-Vihuela-Harabe 6’8.wav
120-West Side Drums-02.wav Perc Mix 119-Shakers-06.wav 152-Triangle 1-19.wav 100-C#-Vihuela-Harabe 6’8.wav
120-West Side Drums-03.wav 090-Perc Mix-01.wav 120-Shaker 5-13.wav 100-D-Vihuela-Harabe 6’8.wav
121-Bossa Drums-05.wav 090-Perc Mix-02.wav 120-Shaker 5-14.wav Mexican Vihuela 100-D#-Vihuela-Harabe 6’8.wav
121-Bossa Drums-06.wav 100-Agogo and Tom-01.wav 120-Shaker 5-15.wav Bolero 100-E-Vihuela-Harabe 6’8.wav
121-West Side Drums-04.wav 110-Perc Mix-03.wav 120-Shaker 7-09.wav 060 BPM 100-F-Vihuela-Harabe 6’8.wav
130-Bossa Drums-07.wav 110-Perc Mix-04.wav 120-Shaker 7-10.wav 060-A#m-Vihuela-Bolero 4’4.wav 100-F#-Vihuela-Harabe 6’8.wav
130-Bossa Drums-08.wav 120-Perc Mix-05.wav 120-Shaker 7-11.wav 060-Am-Vihuela-Bolero 4’4.wav 100-G-Vihuela-Harabe 6’8.wav
130-Bossa Drums-09.wav 130-Agogo and Tom-02.wav 120-Shaker 7-12.wav 060-Bm-Vihuela-Bolero 4’4.wav 100-G#-Vihuela-Harabe 6’8.wav
130-Bossa Drums-10.wav 130-Perc Mix-06.wav 121-Shaker 5-16.wav 060-C#m-Vihuela-Bolero 4’4.wav
130-Bossa Drums-11.wav 131-Perc Mix-07.wav 121-Shaker 7-13.wav 060-Cm-Vihuela-Bolero 4’4.wav
139-Bossa Drums-12.wav 150-Perc Mix-08.wav 121-Shaker 7-14.wav 060-D#m-Vihuela-Bolero 4’4.wav

380
Loops and Phrases

Huabango 080-Cm-Vihuela-Polka 3’4.wav 100-G-Vihuela-Ranchera 3’4.wav 110-Am-Ronroco-03.wav Spanish Gypsy


060 BPM 080-D-Vihuela-Polka 2’4.wav 100-G#-Vihuela-Ranchera 3’4.wav 110-Am-Ronroco-04.wav Cajon
060-A#m-Vihuela-Huabango 3’4.wav 080-D#m-Vihuela-Polka 3’4.wav 110-C-Ronroco-01.wav Looped
060-Am-Vihuela-Huabango 3’4.wav 080-Dm-Vihuela-Polka 3’4.wav Ronroco 110-C-Ronroco-02.wav 098-Cajon-01.wav
060-Bm-Vihuela-Huabango 3’4.wav 080-E-Vihuela-Polka 2’4.wav 090 BPM 110-C-Ronroco-03.wav 099-Cajon-02.wav
060-C#m-Vihuela-Huabango 3’4.wav 080-Em-Vihuela-Polka 3’4.wav 090-A-Ronroco-01.wav 110-C-Ronroco-04.wav 099-Cajon-03.wav
060-Cm-Vihuela-Huabango 3’4.wav 080-F-Vihuela-Polka 2’4.wav 090-A-Ronroco-02.wav 110-Cm-Ronroco-01.wav 099-Cajon-04.wav
060-D#m-Vihuela-Huabango 3’4.wav 080-F#-Vihuela-Polka 2’4.wav 090-A-Ronroco-03.wav 110-Cm-Ronroco-02.wav 099-Cajon-05.wav
060-Dm-Vihuela-Huabango 3’4.wav 080-F#m-Vihuela-Polka 3’4.wav 090-A-Ronroco-04.wav 110-Cm-Ronroco-03.wav 099-Cajon-06.wav
060-Em-Vihuela-Huabango 3’4.wav 080-Fm-Vihuela-Polka 3’4.wav 090-Am-Ronroco-01.wav 110-Cm-Ronroco-04.wav 099-Cajon-07.wav
060-F#m-Vihuela-Huabango 3’4.wav 080-G-Vihuela-Polka 2’4.wav 090-Am-Ronroco-02.wav 110-D-Ronroco-01.wav 099-Cajon-08.wav
060-Fm-Vihuela-Huabango 3’4.wav 080-G#-Vihuela-Polka 2’4.wav 090-Am-Ronroco-03.wav 110-D-Ronroco-02.wav 099-Cajon-09.wav
060-G#m-Vihuela-Huabango 3’4.wav 080-G#m-Vihuela-Polka 3’4.wav 090-Am-Ronroco-04.wav 110-D-Ronroco-03.wav 099-Cajon-10.wav
060-Gm-Vihuela-Huabango 3’4.wav 080-Gm-Vihuela-Polka 3’4.wav 090-C-Ronroco-01.wav 110-D-Ronroco-04.wav 099-Cajon-11.wav
090-C-Ronroco-02.wav 110-Dm-Ronroco-01.wav 099-Cajon-12.wav
080 BPM 100 BPM 090-C-Ronroco-03.wav 110-Dm-Ronroco-02.wav 100-Cajon-13.wav
080-A#m-Vihuela-Huabango 3’4.wav 100-A-Vihuela-Polka 2’4.wav 090-C-Ronroco-04.wav 110-Dm-Ronroco-03.wav 100-Cajon-14.wav
080-Am-Vihuela-Huabango 3’4.wav 100-A#-Vihuela-Polka 2’4.wav 090-Cm-Ronroco-01.wav 110-Dm-Ronroco-04.wav 100-Cajon-15.wav
080-Bm-Vihuela-Huabango 3’4.wav 100-A#m-Vihuela-Polka 3’4.wav 090-Cm-Ronroco-02.wav 110-E-Ronroco-01.wav 100-Cajon-16.wav
080-C#m-Vihuela-Huabango 3’4.wav 100-Am-Vihuela-Polka 3’4.wav 090-Cm-Ronroco-03.wav 110-E-Ronroco-02.wav 100-Cajon-17.wav
080-Cm-Vihuela-Huabango 3’4.wav 100-B-Vihuela-Polka 2’4.wav 090-Cm-Ronroco-04.wav 110-E-Ronroco-03.wav 100-Cajon-18.wav
080-D#m-Vihuela-Huabango 3’4.wav 100-Bm-Vihuela-Polka 3’4.wav 090-D-Ronroco-01.wav 110-E-Ronroco-04.wav 100-Cajon-19.wav
080-Dm-Vihuela-Huabango 3’4.wav 100-C-Vihuela-Polka 2’4.wav 090-D-Ronroco-02.wav 110-Em-Ronroco-01.wav 100-Cajon-20.wav
080-Em-Vihuela-Huabango 3’4.wav 100-C#-Vihuela-Polka 2’4.wav 090-D-Ronroco-03.wav 110-Em-Ronroco-02.wav 100-Cajon-21.wav
080-F#m-Vihuela-Huabango 3’4.wav 100-C#m-Vihuela-Polka 3’4.wav 090-D-Ronroco-04.wav 110-Em-Ronroco-03.wav 100-Cajon-22.wav
080-Fm-Vihuela-Huabango 3’4.wav 100-Cm-Vihuela-Polka 3’4.wav 090-Dm-Ronroco-01.wav 110-Em-Ronroco-04.wav 100-Cajon-23.wav
080-G#m-Vihuela-Huabango 3’4.wav 100-D-Vihuela-Polka 2’4.wav 090-Dm-Ronroco-02.wav 110-G-Ronroco-01.wav 100-Cajon-24.wav
080-Gm-Vihuela-Huabango 3’4.wav 100-D#-Vihuela-Polka 2’4.wav 090-Dm-Ronroco-03.wav 110-G-Ronroco-02.wav 100-Cajon-25.wav
100-D#m-Vihuela-Polka 3’4.wav 090-Dm-Ronroco-04.wav 110-G-Ronroco-03.wav 100-Cajon-26.wav
100 BPM 100-Dm-Vihuela-Polka 3’4.wav 090-E-Ronroco-01.wav 110-G-Ronroco-04.wav 100-Cajon-27.wav
100-A#m-Vihuela-Huabango 3’4.wav 100-E-Vihuela-Polka 2’4.wav 090-E-Ronroco-02.wav 100-Cajon-28.wav
100-Am-Vihuela-Huabango 3’4.wav 100-Em-Vihuela-Polka 3’4.wav 090-E-Ronroco-03.wav 100-Cajon-29.wav
100-Bm-Vihuela-Huabango 3’4.wav 100-F-Vihuela-Polka 2’4.wav 090-E-Ronroco-04.wav 100-Cajon-30.wav
100-C#m-Vihuela-Huabango 3’4.wav 100-F#-Vihuela-Polka 2’4.wav 090-Em-Ronroco-04.wav 100-Cajon-Rumba-01.wav
100-Cm-Vihuela-Huabango 3’4.wav 100-F#m-Vihuela-Polka 3’4.wav 090-G-Ronroco-01.wav 100-Cajon-Rumba-02.wav
100-D#m-Vihuela-Huabango 3’4.wav 100-Fm-Vihuela-Polka 3’4.wav 090-G-Ronroco-02.wav 100-Cajon-Rumba-Fill 01.wav
100-Dm-Vihuela-Huabango 3’4.wav 100-G-Vihuela-Polka 2’4.wav 090-G-Ronroco-03.wav 101-Cajon-31.wav
100-Em-Vihuela-Huabango 3’4.wav 100-G#-Vihuela-Polka 2’4.wav 090-G-Ronroco-04.wav 102-Cajon-32.wav
100-F#m-Vihuela-Huabango 3’4.wav 100-G#m-Vihuela-Polka 3’4.wav 090-Gm-Ronroco-01.wav 102-Cajon-Rumba-Fill 02.wav
100-Fm-Vihuela-Huabango 3’4.wav 100-Gm-Vihuela-Polka 3’4.wav 090-Gm-Ronroco-02.wav 107-Cajon-Tanguillo-Fill 01.wav
100-G#m-Vihuela-Huabango 3’4.wav 090-Gm-Ronroco-03.wav 110-Cajon-33.wav
100-Gm-Vihuela-Huabango 3’4.wav Ranchera 110-Cajon-34.wav
060 BPM 100 BPM 110-Cajon-35.wav
Polka 060-A-Vihuela-Ranchera 3’4.wav 100-A-Ronroco-01.wav 110-Cajon-36.wav
060 BPM 060-A#-Vihuela-Ranchera 3’4.wav 100-A-Ronroco-02.wav 111-Cajon-37.wav
060-A-Vihuela-Polka 2’4.wav 060-B-Vihuela-Ranchera 3’4.wav 100-A-Ronroco-03.wav 112-Cajon-38.wav
060-A#-Vihuela-Polka 2’4.wav 060-C-Vihuela-Ranchera 3’4.wav 100-Am-Ronroco-01.wav 112-Cajon-39.wav
060-A#m-Vihuela-Polka 3’4.wav 060-C#-Vihuela-Ranchera 3’4.wav 100-Am-Ronroco-02.wav 112-Cajon-40.wav
060-Am-Vihuela-Polka 3’4.wav 060-D-Vihuela-Ranchera 3’4.wav 100-Am-Ronroco-03.wav 112-Cajon-41.wav
060-B-Vihuela-Polka 2’4.wav 060-D#-Vihuela-Ranchera 3’4.wav 100-Am-Ronroco-04.wav 112-Cajon-42.wav
060-Bm-Vihuela-Polka 3’4.wav 060-E-Vihuela-Ranchera 3’4.wav 100-C-Ronroco-01.wav 112-Cajon-43.wav
060-C-Vihuela-Polka 2’4.wav 060-F-Vihuela-Ranchera 3’4.wav 100-C-Ronroco-02.wav 112-Cajon-44.wav
060-C#-Vihuela-Polka 2’4.wav 060-F#-Vihuela-Ranchera 3’4.wav 100-C-Ronroco-03.wav 113-Cajon-45.wav
060-C#m-Vihuela-Polka 3’4.wav 060-G-Vihuela-Ranchera 3’4.wav 100-Cm-Ronroco-01.wav 113-Cajon-46.wav
060-Cm-Vihuela-Polka 3’4.wav 060-G#-Vihuela-Ranchera 3’4.wav 100-Cm-Ronroco-02.wav 113-Cajon-47.wav
060-D-Vihuela-Polka 2’4.wav 100-Cm-Ronroco-03.wav 113-Cajon-48.wav
060-D#-Vihuela-Polka 2’4.wav 080 BPM 100-D-Ronroco-01.wav 113-Cajon-Rumba-Fill 03.wav
060-D#m-Vihuela-Polka 3’4.wav 080-A-Vihuela-Ranchera 3’4.wav 100-D-Ronroco-02.wav 117-Cajon-49.wav
060-Dm-Vihuela-Polka 3’4.wav 080-A#-Vihuela-Ranchera 3’4.wav 100-D-Ronroco-03.wav 117-Cajon-Rumba-03.wav
060-E-Vihuela-Polka 2’4.wav 080-B-Vihuela-Ranchera 3’4.wav 100-D-Ronroco-04.wav 117-Cajon-Rumba-Fill 04.wav
060-Em-Vihuela-Polka 3’4.wav 080-C-Vihuela-Ranchera 3’4.wav 100-D-Ronroco-05.wav 118-Cajon-50.wav
060-F-Vihuela-Polka 2’4.wav 080-C#-Vihuela-Ranchera 3’4.wav 100-Dm-Ronroco-01.wav 118-Cajon-51.wav
060-F#-Vihuela-Polka 2’4.wav 080-D-Vihuela-Ranchera 3’4.wav 100-Dm-Ronroco-02.wav 118-Cajon-52.wav
060-F#m-Vihuela-Polka 3’4.wav 080-D#-Vihuela-Ranchera 3’4.wav 100-Dm-Ronroco-03.wav 118-Cajon-53.wav
060-Fm-Vihuela-Polka 3’4.wav 080-E-Vihuela-Ranchera 3’4.wav 100-E-Ronroco-01.wav 118-Cajon-54.wav
060-G-Vihuela-Polka 2’4.wav 080-F-Vihuela-Ranchera 3’4.wav 100-E-Ronroco-02.wav 118-Cajon-Tanguillo-Fill 02.wav
060-G#-Vihuela-Polka 2’4.wav 080-F#-Vihuela-Ranchera 3’4.wav 100-Em-Ronroco-01.wav 119-Cajon-55.wav
060-G#m-Vihuela-Polka 3’4.wav 080-G-Vihuela-Ranchera 3’4.wav 100-Em-Ronroco-02.wav 119-Cajon-56.wav
060-Gm-Vihuela-Polka 3’4.wav 080-G#-Vihuela-Ranchera 3’4.wav 100-Em-Ronroco-03.wav 119-Cajon-57.wav
100-G-Ronroco-01.wav 119-Cajon-Rumba-04.wav
080 BPM 100 BPM 100-G-Ronroco-02.wav 119-Cajon-Rumba-05.wav
080-A-Vihuela-Polka 2’4.wav 100-A-Vihuela-Ranchera 3’4.wav 100-G-Ronroco-03.wav 119-Cajon-Rumba-Fill 04.wav
080-A#-Vihuela-Polka 2’4.wav 100-A#-Vihuela-Ranchera 3’4.wav 120-Cajon-58.wav
080-A#m-Vihuela-Polka 3’4.wav 100-B-Vihuela-Ranchera 3’4.wav 110 BPM 120-Cajon-59.wav
080-Am-Vihuela-Polka 3’4.wav 100-C-Vihuela-Ranchera 3’4.wav 110-A-Ronroco-01.wav 120-Cajon-Rumba-06.wav
080-B-Vihuela-Polka 2’4.wav 100-C#-Vihuela-Ranchera 3’4.wav 110-A-Ronroco-02.wav 121-Cajon-60.wav
080-Bm-Vihuela-Polka 3’4.wav 100-D-Vihuela-Ranchera 3’4.wav 110-A-Ronroco-03.wav 121-Cajon-61.wav
080-C-Vihuela-Polka 2’4.wav 100-E-Vihuela-Ranchera 3’4.wav 110-A-Ronroco-04.wav 132-Cajon-62.wav
080-C#-Vihuela-Polka 2’4.wav 100-F-Vihuela-Ranchera 3’4.wav 110-Am-Ronroco-01.wav 132-Cajon-Tanguillo-Fill 03.wav
080-C#m-Vihuela-Polka 3’4.wav 100-F#-Vihuela-Ranchera 3’4.wav 110-Am-Ronroco-02.wav 133-Cajon Rumba-07.wav

381
Loops and Phrases

133-Cajon-63.wav 112-Libre-25.wav Rolls 119-Cajon-Fill 12.wav 112-Cajon-Fill 11.wav


133-Cajon-64.wav 112-Libre-26.wav 081-Cajon-01.wav 119-Cajon-Fill 13.wav 112-Cajon-Fill 12.wav
133-Cajon-Rumba-Fill 05.wav 112-Libre-27.wav 084-Cajon-02.wav 119-Cajon-Fill 14.wav 112-Cajon-Fill 13.wav
134-Cajon-65.wav 112-Libre-28.wav 108-Cajon-03.wav 119-Cajon-Fill 15.wav 112-Cajon-Fill 14.wav
134-Cajon-66.wav 112-Libre-29.wav 145-Cajon-04.wav 119-Cajon-Fill 16.wav 112-Cajon-Fill 15.wav
134-Cajon-67.wav 112-Libre-30.wav 147-Cajon-05.wav 119-Cajon-Fill 17.wav 112-Cajon-Fill 16.wav
135-Cajon-68.wav 112-Libre-31.wav 148-Cajon-06.wav 119-Cajon-Fill 18.wav 112-Cajon-Fill 17.wav
135-Cajon-69.wav 112-Libre-32.wav 149-Cajon-07.wav 119-Cajon-Fill 19.wav 112-Cajon-Fill 18.wav
163-Cajon-Tanguillo-Fill 04.wav 180-Cajon-08.wav 112-Cajon-Fill 19.wav
167-Cajon-Tanguillo-Fill 05.wav 119 183-Cajon-09.wav 133 112-Cajon-Fill 20.wav
119-Libre-01.wav 187-Cajon-10.wav 133-Cajon-Fill 01.wav 112-Cajon-Fill 21.wav
Phrases 119-Libre-02.wav 199-Cajon-11.wav 133-Cajon-Fill 02.wav 112-Cajon-Fill 22.wav
Free 119-Libre-03.wav 204-Cajon-12.wav 133-Cajon-Fill 03.wav
100 119-Libre-04.wav 205-Cajon-13.wav 133-Cajon-Fill 04.wav 119
100-Libre-01.wav 119-Libre-05.wav 205-Cajon-14.wav 133-Cajon-Fill 05.wav 119-Cajon-Fill 01.wav
100-Libre-02.wav 119-Libre-06.wav 215-Cajon-15.wav 133-Cajon-Fill 06.wav 119-Cajon-Fill 02.wav
100-Libre-03.wav 119-Libre-07.wav 270-Cajon-16.wav 133-Cajon-Fill 07.wav 119-Cajon-Fill 03.wav
100-Libre-04.wav 119-Libre-08.wav 275-Cajon-17.wav 133-Cajon-Fill 08.wav 119-Cajon-Fill 04.wav
100-Libre-05.wav 119-Libre-09.wav 280-Cajon-18.wav 133-Cajon-Fill 09.wav 119-Cajon-Fill 05.wav
100-Libre-06.wav 119-Libre-10.wav 282-Cajon-19.wav 133-Cajon-Fill 10.wav 119-Cajon-Fill 06.wav
100-Libre-07.wav 119-Libre-11.wav 283-Cajon-20.wav 133-Cajon-Fill 11.wav 119-Cajon-Fill 07.wav
100-Libre-08.wav 119-Libre-12.wav 283-Cajon-21.wav 133-Cajon-Fill 12.wav 119-Cajon-Fill 08.wav
100-Libre-09.wav 119-Libre-13.wav 298-Cajon-22.wav 133-Cajon-Fill 13.wav 119-Cajon-Fill 09.wav
100-Libre-10.wav 119-Libre-14.wav 299-Cajon-23.wav 133-Cajon-Fill 14.wav 119-Cajon-Fill 10.wav
100-Libre-11.wav 119-Libre-15.wav 299-Cajon-24.wav 133-Cajon-Fill 15.wav 119-Cajon-Fill 11.wav
100-Libre-12.wav 119-Libre-16.wav 300-Cajon-25.wav 133-Cajon-Fill 16.wav 119-Cajon-Fill 12.wav
100-Libre-13.wav 119-Libre-17.wav 300-Cajon-26.wav 133-Cajon-Fill 17.wav 119-Cajon-Fill 13.wav
100-Libre-14.wav 119-Libre-18.wav 300-Cajon-27.wav 119-Cajon-Fill 14.wav
100-Libre-15.wav 119-Libre-19.wav 300-Cajon-28.wav Loops 119-Cajon-Fill 15.wav
100-Libre-16.wav 119-Libre-20.wav 300-Cajon-29.wav 097-Cajon-01.wav
100-Libre-17.wav 119-Libre-21.wav 300-Cajon-30.wav 097-Cajon-02.wav 133
100-Libre-18.wav 119-Libre-22.wav 300-Cajon-31.wav 102-Cajon-03.wav 133-Cajon-Fill 01.wav
100-Libre-19.wav 119-Libre-23.wav 300-Cajon-32.wav 105-Cajon-04.wav 133-Cajon-Fill 02.wav
100-Libre-20.wav 119-Libre-24.wav 307-Cajon-33.wav 108-Cajon-05.wav 133-Cajon-Fill 03.wav
100-Libre-21.wav 119-Libre-25.wav 108-Cajon-06.wav 133-Cajon-Fill 04.wav
100-Libre-22.wav 119-Libre-26.wav Rumba 109-Cajon-07.wav 133-Cajon-Fill 05.wav
100-Libre-23.wav 119-Libre-27.wav Fills 109-Cajon-08.wav 133-Cajon-Fill 06.wav
100-Libre-24.wav 119-Libre-28.wav 100 113-Cajon-09.wav 133-Cajon-Fill 07.wav
100-Libre-25.wav 119-Libre-29.wav 100-Cajon-Fill 01.wav 114-Cajon-10.wav 133-Cajon-Fill 08.wav
100-Libre-26.wav 119-Libre-30.wav 100-Cajon-Fill 02.wav 115-Cajon-11.wav 133-Cajon-Fill 09.wav
100-Libre-27.wav 119-Libre-31.wav 100-Cajon-Fill 03.wav 115-Cajon-12.wav 133-Cajon-Fill 10.wav
100-Libre-28.wav 119-Libre-32.wav 100-Cajon-Fill 04.wav 115-Cajon-13.wav 133-Cajon-Fill 11.wav
100-Libre-29.wav 119-Libre-33.wav 100-Cajon-Fill 05.wav 116-Cajon-14.wav 133-Cajon-Fill 12.wav
100-Libre-30.wav 119-Libre-34.wav 100-Cajon-Fill 06.wav 116-Cajon-15.wav 133-Cajon-Fill 13.wav
100-Libre-31.wav 119-Libre-35.wav 100-Cajon-Fill 07.wav 117-Cajon-16.wav
100-Libre-32.wav 119-Libre-36.wav 100-Cajon-Fill 08.wav 126-Cajon-17.wav Loops
100-Libre-33.wav 100-Cajon-Fill 09.wav 129-Cajon-18.wav 094-Cajon-01.wav
100-Libre-34.wav 133 100-Cajon-Fill 10.wav 129-Cajon-19.wav 095-Cajon-02.wav
100-Libre-35.wav 133-Libre-01.wav 100-Cajon-Fill 11.wav 129-Cajon-20.wav 095-Cajon-03.wav
100-Libre-36.wav 133-Libre-02.wav 100-Cajon-Fill 12.wav 130-Cajon-21.wav 096-Cajon-04.wav
100-Libre-37.wav 133-Libre-03.wav 100-Cajon-Fill 13.wav 131-Cajon-22.wav 103-Cajon-05.wav
100-Libre-38.wav 133-Libre-04.wav 100-Cajon-Fill 14.wav 133-Cajon-23.wav 107-Cajon-06.wav
100-Libre-39.wav 133-Libre-05.wav 100-Cajon-Fill 15.wav 107-Cajon-07.wav
100-Libre-40.wav 133-Libre-06.wav 100-Cajon-Fill 16.wav Tanguillo 108-Cajon-08.wav
133-Libre-07.wav 100-Cajon-Fill 17.wav Fills 108-Cajon-09.wav
112 133-Libre-08.wav 100 109-Cajon-10.wav
112-Libre-01.wav 133-Libre-09.wav 112 100-Cajon-Fill 01.wav 110-Cajon-11.wav
112-Libre-02.wav 133-Libre-10.wav 112-Cajon-Fill 01.wav 100-Cajon-Fill 02.wav 113-Cajon-12.wav
112-Libre-03.wav 133-Libre-11.wav 112-Cajon-Fill 02.wav 100-Cajon-Fill 03.wav 113-Cajon-13.wav
112-Libre-04.wav 133-Libre-12.wav 112-Cajon-Fill 03.wav 100-Cajon-Fill 04.wav 114-Cajon-14.wav
112-Libre-05.wav 133-Libre-13.wav 112-Cajon-Fill 04.wav 100-Cajon-Fill 05.wav 114-Cajon-15.wav
112-Libre-06.wav 133-Libre-14.wav 112-Cajon-Fill 05.wav 100-Cajon-Fill 06.wav 115-Cajon-16.wav
112-Libre-07.wav 133-Libre-15.wav 112-Cajon-Fill 06.wav 100-Cajon-Fill 07.wav 115-Cajon-17.wav
112-Libre-08.wav 133-Libre-16.wav 112-Cajon-Fill 07.wav 100-Cajon-Fill 08.wav 115-Cajon-18.wav
112-Libre-09.wav 133-Libre-17.wav 112-Cajon-Fill 08.wav 100-Cajon-Fill 09.wav 127-Cajon-19.wav
112-Libre-10.wav 133-Libre-18.wav 112-Cajon-Fill 09.wav 100-Cajon-Fill 10.wav 127-Cajon-20.wav
112-Libre-11.wav 133-Libre-19.wav 112-Cajon-Fill 10.wav 100-Cajon-Fill 11.wav 127-Cajon-21.wav
112-Libre-12.wav 133-Libre-20.wav 100-Cajon-Fill 12.wav 127-Cajon-22.wav
112-Libre-13.wav 133-Libre-21.wav 119 127-Cajon-23.wav
112-Libre-14.wav 133-Libre-22.wav 119-Cajon-Fill 01.wav 112 127-Cajon-24.wav
112-Libre-15.wav 133-Libre-23.wav 119-Cajon-Fill 02.wav 112-Cajon-Fill 01.wav 128-Cajon-25.wav
112-Libre-16.wav 133-Libre-24.wav 119-Cajon-Fill 03.wav 112-Cajon-Fill 02.wav 128-Cajon-26.wav
112-Libre-17.wav 133-Libre-25.wav 119-Cajon-Fill 04.wav 112-Cajon-Fill 03.wav 130-Cajon-27.wav
112-Libre-18.wav 133-Libre-26.wav 119-Cajon-Fill 05.wav 112-Cajon-Fill 04.wav
112-Libre-19.wav 133-Libre-27.wav 119-Cajon-Fill 06.wav 112-Cajon-Fill 05.wav Castanets
112-Libre-20.wav 133-Libre-28.wav 119-Cajon-Fill 07.wav 112-Cajon-Fill 06.wav Looped
112-Libre-21.wav 133-Libre-29.wav 119-Cajon-Fill 08.wav 112-Cajon-Fill 07.wav 096-Castanets-01.wav
112-Libre-22.wav 133-Libre-30.wav 119-Cajon-Fill 09.wav 112-Cajon-Fill 08.wav 099-Castanets-02.wav
112-Libre-23.wav 133-Libre-31.wav 119-Cajon-Fill 10.wav 112-Cajon-Fill 09.wav 100-Castanets-03.wav
112-Libre-24.wav 119-Cajon-Fill 11.wav 112-Cajon-Fill 10.wav 101-Castanets-04.wav

382
Loops and Phrases

101-Castanets-05.wav 127-Castanets-36.wav 100-A#-Cierre.wav 133-B-Cierre.wav 119-A#-m-Classic.wav


101-Castanets-06.wav 127-Castanets-37.wav 100-A#-m-Cierre.wav 133-B-m-Cierre.wav 119-B-Classic.wav
105-Castanets-07.wav 127-Castanets-38.wav 100-B-Cierre.wav 133-C-Cierre.wav 119-B-m-Classic.wav
106-Castanets-08.wav 127-Castanets-39.wav 100-B-m-Cierre.wav 133-C-m-Cierre.wav 119-C-Classic.wav
111-Castanets-09.wav 127-Castanets-40.wav 100-C-Cierre.wav 133-C#-Cierre.wav 119-C-m-Classic.wav
112-Castanets-10.wav 128-Castanets-41.wav 100-C-m-Cierre.wav 133-C#-m-Cierre.wav 119-C#-Classic.wav
120-Castanets-11.wav 129-Castanets-42.wav 100-C#-Cierre.wav 133-D-Cierre.wav 119-C#-m-Classic.wav
121-Castanets-12.wav 129-Castanets-43.wav 100-C#-m-Cierre.wav 133-D-m-Cierre.wav 119-Classic-Ghosts.wav
132-Castanets-13.wav 132-Castanets-44.wav 100-D-Cierre.wav 133-D#-Cierre.wav 119-D-Classic.wav
132-Castanets-14.wav 132-Castanets-45.wav 100-D-m-Cierre.wav 133-D#-m-Cierre.wav 119-D-m-Classic.wav
157-Castanets-15.wav 132-Castanets-46.wav 100-D#-Cierre.wav 133-E-Cierre.wav 119-D#-Classic.wav
160-Castanets-16.wav 134-Castanets-47.wav 100-D#-m-Cierre.wav 133-E-m-Cierre.wav 119-D#-m-Classic.wav
162-Castanets-17.wav 134-Castanets-48.wav 100-E-Cierre.wav 133-F-Cierre.wav 119-E-Classic.wav
168-Castanets-18.wav 135-Castanets-49.wav 100-E-m-Cierre.wav 133-F-m-Cierre.wav 119-E-m-Classic.wav
200-Castanets-19.wav 137-Castanets-50.wav 100-F-Cierre.wav 133-F#-Cierre.wav 119-F-Classic.wav
138-Castanets-51.wav 100-F-m-Cierre.wav 133-F#-m-Cierre.wav 119-F-m-Classic.wav
Phrases 138-Castanets-52.wav 100-F#-Cierre.wav 133-G-Cierre.wav 119-F#-Classic.wav
50-100 138-Castanets-53.wav 100-F#-m-Cierre.wav 133-G-m-Cierre.wav 119-F#-m-Classic.wav
050-Castanets-01.wav 138-Castanets-54.wav 100-G-Cierre.wav 133-G#-Cierre.wav 119-G-Classic.wav
057-Castanets-02.wav 138-Castanets-55.wav 100-G-m-Cierre.wav 133-G#-m-Cierre.wav 119-G-m-Classic.wav
058-Castanets-03.wav 139-Castanets-56.wav 100-G#-Cierre.wav 119-G#-Classic.wav
066-Castanets-04.wav 139-Castanets-57.wav 100-G#-m-Cierre.wav Classic 119-G#-m-Classic.wav
073-Castanets-05.wav 139-Castanets-58.wav 100
073-Castanets-06.wav 112 100-A-Classic.wav 133
080-Castanets-07.wav 140-300 112-A-Cierre.wav 100-A-m-Classic.wav 133-A-Classic.wav
082-Castanets-08.wav 140-Castanets-01.wav 112-A-m-Cierre.wav 100-A#-Classic.wav 133-A-m-Classic.wav
083-Castanets-09.wav 141-Castanets-02.wav 112-A#-Cierre.wav 100-A#-m-Classic.wav 133-A#-Classic.wav
084-Castanets-10.wav 141-Castanets-03.wav 112-A#-m-Cierre.wav 100-B-Classic.wav 133-A#-m-Classic.wav
084-Castanets-11.wav 141-Castanets-04.wav 112-B-Cierre.wav 100-B-m-Classic.wav 133-B-Classic.wav
084-Castanets-12.wav 142-Castanets-05.wav 112-B-m-Cierre.wav 100-C-Classic.wav 133-B-m-Classic.wav
086-Castanets-13.wav 142-Castanets-06.wav 112-C-Cierre.wav 100-C-m-Classic.wav 133-C-Classic.wav
088-Castanets-14.wav 143-Castanets-07.wav 112-C-m-Cierre.wav 100-C#-Classic.wav 133-C-m-Classic.wav
088-Castanets-15.wav 143-Castanets-08.wav 112-C#-Cierre.wav 100-C#-m-Classic.wav 133-C#-Classic.wav
088-Castanets-16.wav 143-Castanets-09.wav 112-C#-m-Cierre.wav 100-Classic-Ghosts.wav 133-C#-m-Classic.wav
089-Castanets-17.wav 143-Castanets-10.wav 112-D-Cierre.wav 100-D-Classic.wav 133-Classic-Ghosts.wav
089-Castanets-18.wav 144-Castanets-11.wav 112-D-m-Cierre.wav 100-D-m-Classic.wav 133-D-Classic.wav
089-Castanets-19.wav 145-Castanets-12.wav 112-D#-Cierre.wav 100-D#-Classic.wav 133-D-m-Classic.wav
089-Castanets-20.wav 145-Castanets-13.wav 112-D#-m-Cierre.wav 100-D#-m-Classic.wav 133-D#-Classic.wav
090-Castanets-21.wav 146-Castanets-14.wav 112-E-Cierre.wav 100-E-Classic.wav 133-D#-m-Classic.wav
091-Castanets-22.wav 147-Castanets-15.wav 112-E-m-Cierre.wav 100-E-m-Classic.wav 133-E-Classic.wav
098-Castanets-23.wav 148-Castanets-16.wav 112-F-Cierre.wav 100-F-Classic.wav 133-E-m-Classic.wav
098-Castanets-24.wav 150-Castanets-17.wav 112-F-m-Cierre.wav 100-F-m-Classic.wav 133-F-Classic.wav
098-Castanets-25.wav 150-Castanets-18.wav 112-F#-Cierre.wav 100-F#-Classic.wav 133-F-m-Classic.wav
151-Castanets-19.wav 112-F#-m-Cierre.wav 100-F#-m-Classic.wav 133-F#-Classic.wav
100-140 151-Castanets-20.wav 112-G-Cierre.wav 100-G-Classic.wav 133-F#-m-Classic.wav
100-Castanets-01.wav 151-Castanets-21.wav 112-G-m-Cierre.wav 100-G-m-Classic.wav 133-G-Classic.wav
101-Castanets-02.wav 151-Castanets-22.wav 112-G#-Cierre.wav 100-G#-Classic.wav 133-G-m-Classic.wav
102-Castanets-03.wav 154-Castanets-23.wav 112-G#-m-Cierre.wav 100-G#-m-Classic.wav 133-G#-Classic.wav
102-Castanets-04.wav 155-Castanets-24.wav 133-G#-m-Classic.wav
102-Castanets-05.wav 155-Castanets-25.wav 119 112
103-Castanets-06.wav 156-Castanets-26.wav 119-A-Cierre.wav 112-A-Classic.wav Combinados
105-Castanets-07.wav 157-Castanets-27.wav 119-A-m-Cierre.wav 112-A-m-Classic.wav 100
105-Castanets-08.wav 158-Castanets-28.wav 119-A#-Cierre.wav 112-A#-Classic.wav 100-A-Combinados.wav
105-Castanets-09.wav 163-Castanets-29.wav 119-A#-m-Cierre.wav 112-A#-m-Classic.wav 100-A-m-Combinados.wav
105-Castanets-10.wav 163-Castanets-30.wav 119-B-Cierre.wav 112-B-Classic.wav 100-A#-Combinados.wav
106-Castanets-11.wav 163-Castanets-31.wav 119-B-m-Cierre.wav 112-B-m-Classic.wav 100-A#-m-Combinados.wav
106-Castanets-12.wav 164-Castanets-32.wav 119-C-Cierre.wav 112-C-Classic.wav 100-B-Combinados.wav
106-Castanets-13.wav 164-Castanets-33.wav 119-C-m-Cierre.wav 112-C-m-Classic.wav 100-B-m-Combinados.wav
107-Castanets-14.wav 164-Castanets-34.wav 119-C#-Cierre.wav 112-C#-Classic.wav 100-C-Combinados.wav
108-Castanets-15.wav 168-Castanets-35.wav 119-C#-m-Cierre.wav 112-C#-m-Classic.wav 100-C-m-Combinados.wav
108-Castanets-16.wav 168-Castanets-36.wav 119-D-Cierre.wav 112-Classic-Ghosts.wav 100-C#-Combinados.wav
108-Castanets-17.wav 168-Castanets-37.wav 119-D-m-Cierre.wav 112-D-Classic.wav 100-C#-m-Combinados.wav
110-Castanets-18.wav 169-Castanets-38.wav 119-D#-Cierre.wav 112-D-m-Classic.wav 100-Combinados-Ghosts.wav
110-Castanets-19.wav 172-Castanets-39.wav 119-D#-m-Cierre.wav 112-D#-Classic.wav 100-D-Combinados.wav
110-Castanets-20.wav 178-Castanets-40.wav 119-E-Cierre.wav 112-D#-m-Classic.wav 100-D-m-Combinados.wav
111-Castanets-21.wav 178-Castanets-41.wav 119-E-m-Cierre.wav 112-E-Classic.wav 100-D#-Combinados.wav
111-Castanets-22.wav 184-Castanets-42.wav 119-F-Cierre.wav 112-E-m-Classic.wav 100-D#-m-Combinados.wav
115-Castanets-23.wav 187-Castanets-43.wav 119-F-m-Cierre.wav 112-F-Classic.wav 100-E-Combinados.wav
123-Castanets-24.wav 192-Castanets-44.wav 119-F#-Cierre.wav 112-F-m-Classic.wav 100-E-m-Combinados.wav
123-Castanets-25.wav 193-Castanets-45.wav 119-F#-m-Cierre.wav 112-F#-Classic.wav 100-F-Combinados.wav
123-Castanets-26.wav 196-Castanets-46.wav 119-G-Cierre.wav 112-F#-m-Classic.wav 100-F-m-Combinados.wav
124-Castanets-27.wav 196-Castanets-47.wav 119-G-m-Cierre.wav 112-G-Classic.wav 100-F#-Combinados.wav
124-Castanets-28.wav 198-Castanets-48.wav 119-G#-Cierre.wav 112-G-m-Classic.wav 100-F#-m-Combinados.wav
124-Castanets-29.wav 214-Castanets-49.wav 119-G#-m-Cierre.wav 112-G#-Classic.wav 100-G-Combinados.wav
124-Castanets-30.wav 112-G#-m-Classic.wav 100-G-m-Combinados.wav
125-Castanets-31.wav Flamenco Guitar Rhythms 133 100-G#-Combinados.wav
125-Castanets-32.wav Cierre 133-A-Cierre.wav 119 100-G#-m-Combinados.wav
125-Castanets-33.wav 100 133-A-m-Cierre.wav 119-A-Classic.wav
125-Castanets-34.wav 100-A-Cierre.wav 133-A#-Cierre.wav 119-A-m-Classic.wav
126-Castanets-35.wav 100-A-m-Cierre.wav 133-A#-m-Cierre.wav 119-A#-Classic.wav

383
Loops and Phrases

Galope 119-Galope-Ghosts.wav 112-G#-m-Remolino.wav 100-G-m-Remolino Solo.wav 133-G#-m-Remolino Solo.wav


100 112-G#-Remolino.wav 100-G-Remolino Solo.wav 133-G#-Remolino Solo.wav
100-A-Galope.wav 133 112-Remolino-Ghosts.wav 100-G#-m-Remolino Solo.wav Short Chords Hard
100-A-m-Galope.wav 133-A-Galope.wav 100-G#-Remolino Solo.wav Short Chords Hard-A-m.wav
100-A#-Galope.wav 133-A-m-Galope.wav 119 Short Chords Hard-A.wav
100-A#-m-Galope.wav 133-A#-Galope.wav 119-A-m-Remolino.wav 112 Short Chords Hard-A#-m.wav
100-B-Galope.wav 133-A#-m-Galope.wav 119-A-Remolino.wav 112-A-m-Remolino Solo.wav Short Chords Hard-A#.wav
100-B-m-Galope.wav 133-B-Galope.wav 119-A#-m-Remolino.wav 112-A-Remolino Solo.wav Short Chords Hard-B-m.wav
100-C-Galope.wav 133-B-m-Galope.wav 119-A#-Remolino.wav 112-A#-m-Remolino Solo.wav Short Chords Hard-B.wav
100-C-m-Galope.wav 133-C-Galope.wav 119-B-m-Remolino.wav 112-A#-Remolino Solo.wav Short Chords Hard-C-m.wav
100-C#-Galope.wav 133-C-m-Galope.wav 119-B-Remolino.wav 112-B-m-Remolino Solo.wav Short Chords Hard-C.wav
100-C#-m-Galope.wav 133-C#-Galope.wav 119-C-m-Remolino.wav 112-B-Remolino Solo.wav Short Chords Hard-C#-m.wav
100-D-Galope.wav 133-C#-m-Galope.wav 119-C-Remolino.wav 112-C-m-Remolino Solo.wav Short Chords Hard-C#.wav
100-D-m-Galope.wav 133-D-Galope.wav 119-C#-m-Remolino.wav 112-C-Remolino Solo.wav Short Chords Hard-D-m.wav
100-D#-Galope.wav 133-D-m-Galope.wav 119-C#-Remolino.wav 112-C#-m-Remolino Solo.wav Short Chords Hard-D.wav
100-D#-m-Galope.wav 133-D#-Galope.wav 119-D-m-Remolino.wav 112-C#-Remolino Solo.wav Short Chords Hard-D#-m.wav
100-E-Galope.wav 133-D#-m-Galope.wav 119-D-Remolino.wav 112-D-m-Remolino Solo.wav Short Chords Hard-D#.wav
100-E-m-Galope.wav 133-E-Galope.wav 119-D#-m-Remolino.wav 112-D-Remolino Solo.wav Short Chords Hard-E-m.wav
100-F-Galope.wav 133-E-m-Galope.wav 119-D#-Remolino.wav 112-D#-m-Remolino Solo.wav Short Chords Hard-E.wav
100-F-m-Galope.wav 133-F-Galope.wav 119-E-m-Remolino.wav 112-D#-Remolino Solo.wav Short Chords Hard-F-m.wav
100-F#-Galope.wav 133-F-m-Galope.wav 119-E-Remolino.wav 112-E-m-Remolino Solo.wav Short Chords Hard-F.wav
100-F#-m-Galope.wav 133-F#-Galope.wav 119-F-m-Remolino.wav 112-E-Remolino Solo.wav Short Chords Hard-F#-m.wav
100-G-Galope.wav 133-F#-m-Galope.wav 119-F-Remolino.wav 112-F-m-Remolino Solo.wav Short Chords Hard-F#.wav
100-G-m-Galope.wav 133-G-Galope.wav 119-F#-m-Remolino.wav 112-F-Remolino Solo.wav Short Chords Hard-G-m.wav
100-G#-Galope.wav 133-G-m-Galope.wav 119-F#-Remolino.wav 112-F#-m-Remolino Solo.wav Short Chords Hard-G.wav
100-G#-m-Galope.wav 133-G#-Galope.wav 119-G-m-Remolino.wav 112-F#-Remolino Solo.wav Short Chords Hard-G#-m.wav
100-Galope-Ghosts.wav 133-G#-m-Galope.wav 119-G-Remolino.wav 112-G-m-Remolino Solo.wav Short Chords Hard-G#.wav
133-Galope-Ghosts.wav 119-G#-m-Remolino.wav 112-G-Remolino Solo.wav
112 119-G#-Remolino.wav 112-G#-m-Remolino Solo.wav Short Chords Soft
112-A-Galope.wav Remolino 119-Remolino-Ghosts.wav 112-G#-Remolino Solo.wav Short Chords Soft-A-m.wav
112-A-m-Galope.wav 100 Short Chords Soft-A.wav
112-A#-Galope.wav 100-A-m-Remolino.wav 133 119 Short Chords Soft-A#-m.wav
112-A#-m-Galope.wav 100-A-Remolino.wav 133-A-m-Remolino.wav 119-A-m-Remolino Solo.wav Short Chords Soft-A#.wav
112-B-Galope.wav 100-A#-m-Remolino.wav 133-A-Remolino.wav 119-A-Remolino Solo.wav Short Chords Soft-B-m.wav
112-B-m-Galope.wav 100-A#-Remolino.wav 133-A#-m-Remolino.wav 119-A#-m-Remolino Solo.wav Short Chords Soft-B.wav
112-C-Galope.wav 100-B-m-Remolino.wav 133-A#-Remolino.wav 119-A#-Remolino Solo.wav Short Chords Soft-C-m.wav
112-C-m-Galope.wav 100-B-Remolino.wav 133-B-m-Remolino.wav 119-B-m-Remolino Solo.wav Short Chords Soft-C.wav
112-C#-Galope.wav 100-C-m-Remolino.wav 133-B-Remolino.wav 119-B-Remolino Solo.wav Short Chords Soft-C#-m.wav
112-C#-m-Galope.wav 100-C-Remolino.wav 133-C-m-Remolino.wav 119-C-m-Remolino Solo.wav Short Chords Soft-C#.wav
112-D-Galope.wav 100-C#-m-Remolino.wav 133-C-Remolino.wav 119-C-Remolino Solo.wav Short Chords Soft-D-m.wav
112-D-m-Galope.wav 100-C#-Remolino.wav 133-C#-m-Remolino.wav 119-C#-m-Remolino Solo.wav Short Chords Soft-D.wav
112-D#-Galope.wav 100-D-m-Remolino.wav 133-C#-Remolino.wav 119-C#-Remolino Solo.wav Short Chords Soft-D#-m.wav
112-D#-m-Galope.wav 100-D-Remolino.wav 133-D-m-Remolino.wav 119-D-m-Remolino Solo.wav Short Chords Soft-D#.wav
112-E-Galope.wav 100-D#-m-Remolino.wav 133-D-Remolino.wav 119-D-Remolino Solo.wav Short Chords Soft-E-m.wav
112-E-m-Galope.wav 100-D#-Remolino.wav 133-D#-m-Remolino.wav 119-D#-m-Remolino Solo.wav Short Chords Soft-E.wav
112-F-Galope.wav 100-E-m-Remolino.wav 133-D#-Remolino.wav 119-D#-Remolino Solo.wav Short Chords Soft-F-m.wav
112-F-m-Galope.wav 100-E-Remolino.wav 133-E-m-Remolino.wav 119-E-m-Remolino Solo.wav Short Chords Soft-F.wav
112-F#-Galope.wav 100-F-m-Remolino.wav 133-E-Remolino.wav 119-E-Remolino Solo.wav Short Chords Soft-F#-m.wav
112-F#-m-Galope.wav 100-F-Remolino.wav 133-F-m-Remolino.wav 119-F-m-Remolino Solo.wav Short Chords Soft-F#.wav
112-G-Galope.wav 100-F#-m-Remolino.wav 133-F-Remolino.wav 119-F-Remolino Solo.wav Short Chords Soft-G-m.wav
112-G-m-Galope.wav 100-F#-Remolino.wav 133-F#-m-Remolino.wav 119-F#-m-Remolino Solo.wav Short Chords Soft-G.wav
112-G#-Galope.wav 100-G-m-Remolino.wav 133-F#-Remolino.wav 119-F#-Remolino Solo.wav Short Chords Soft-G#-m.wav
112-G#-m-Galope.wav 100-G-Remolino.wav 133-G-m-Remolino.wav 119-G-m-Remolino Solo.wav Short Chords Soft-G#.wav
112-Galope-Ghosts.wav 100-G#-m-Remolino.wav 133-G-Remolino.wav 119-G-Remolino Solo.wav
100-G#-Remolino.wav 133-G#-m-Remolino.wav 119-G#-m-Remolino Solo.wav Slow Chords Down
119 100-Remolino-Ghosts.wav 133-G#-Remolino.wav 119-G#-Remolino Solo.wav Slow Chords Down-A-m.wav
119-A-Galope.wav 133-Remolino-Ghosts.wav Slow Chords Down-A.wav
119-A-m-Galope.wav 112 133 Slow Chords Down-A#-m.wav
119-A#-Galope.wav 112-A-m-Remolino.wav Remolino Solo 133-A-m-Remolino Solo.wav Slow Chords Down-A#.wav
119-A#-m-Galope.wav 112-A-Remolino.wav 100 133-A-Remolino Solo.wav Slow Chords Down-B-m.wav
119-B-Galope.wav 112-A#-m-Remolino.wav 100-A-m-Remolino Solo.wav 133-A#-m-Remolino Solo.wav Slow Chords Down-B.wav
119-B-m-Galope.wav 112-A#-Remolino.wav 100-A-Remolino Solo.wav 133-A#-Remolino Solo.wav Slow Chords Down-C-m.wav
119-C-Galope.wav 112-B-m-Remolino.wav 100-A#-m-Remolino Solo.wav 133-B-m-Remolino Solo.wav Slow Chords Down-C.wav
119-C-m-Galope.wav 112-B-Remolino.wav 100-A#-Remolino Solo.wav 133-B-Remolino Solo.wav Slow Chords Down-C#-m.wav
119-C#-Galope.wav 112-C-m-Remolino.wav 100-B-m-Remolino Solo.wav 133-C-m-Remolino Solo.wav Slow Chords Down-C#.wav
119-C#-m-Galope.wav 112-C-Remolino.wav 100-B-Remolino Solo.wav 133-C-Remolino Solo.wav Slow Chords Down-D-m.wav
119-D-Galope.wav 112-C#-m-Remolino.wav 100-C-m-Remolino Solo.wav 133-C#-m-Remolino Solo.wav Slow Chords Down-D.wav
119-D-m-Galope.wav 112-C#-Remolino.wav 100-C-Remolino Solo.wav 133-C#-Remolino Solo.wav Slow Chords Down-D#-m.wav
119-D#-Galope.wav 112-D-m-Remolino.wav 100-C#-m-Remolino Solo.wav 133-D-m-Remolino Solo.wav Slow Chords Down-D#.wav
119-D#-m-Galope.wav 112-D-Remolino.wav 100-C#-Remolino Solo.wav 133-D-Remolino Solo.wav Slow Chords Down-E-m.wav
119-E-Galope.wav 112-D#-m-Remolino.wav 100-D-m-Remolino Solo.wav 133-D#-m-Remolino Solo.wav Slow Chords Down-E.wav
119-E-m-Galope.wav 112-D#-Remolino.wav 100-D-Remolino Solo.wav 133-D#-Remolino Solo.wav Slow Chords Down-F-m.wav
119-F-Galope.wav 112-E-m-Remolino.wav 100-D#-m-Remolino Solo.wav 133-E-m-Remolino Solo.wav Slow Chords Down-F.wav
119-F-m-Galope.wav 112-E-Remolino.wav 100-D#-Remolino Solo.wav 133-E-Remolino Solo.wav Slow Chords Down-F#-m.wav
119-F#-Galope.wav 112-F-m-Remolino.wav 100-E-m-Remolino Solo.wav 133-F-m-Remolino Solo.wav Slow Chords Down-F#.wav
119-F#-m-Galope.wav 112-F-Remolino.wav 100-E-Remolino Solo.wav 133-F-Remolino Solo.wav Slow Chords Down-G-m.wav
119-G-Galope.wav 112-F#-m-Remolino.wav 100-F-m-Remolino Solo.wav 133-F#-m-Remolino Solo.wav Slow Chords Down-G.wav
119-G-m-Galope.wav 112-F#-Remolino.wav 100-F-Remolino Solo.wav 133-F#-Remolino Solo.wav Slow Chords Down-G#-m.wav
119-G#-Galope.wav 112-G-m-Remolino.wav 100-F#-m-Remolino Solo.wav 133-G-m-Remolino Solo.wav Slow Chords Down-G#.wav
119-G#-m-Galope.wav 112-G-Remolino.wav 100-F#-Remolino Solo.wav 133-G-Remolino Solo.wav

384
Loops and Phrases

Slow Chords Up 119 112-Rumba-Guitar Solo-03.wav 133-Tanguillo-Guitar Solo-04.wav 110-G-Alegria-Guitar-01.wav


Slow Chords Up-A-m.wav 119-A-m-Ventilator.wav 112-Rumba-Guitar Solo-04.wav 133-Tanguillo-Guitar Solo-05.wav 117-G-Alegria-Rhythm-06.wav
Slow Chords Up-A.wav 119-A-Ventilator.wav 112-Rumba-Guitar Solo-05.wav 133-Tanguillo-Guitar Solo-06.wav 138-G-Alegria-Guitar-02.wav
Slow Chords Up-A#-m.wav 119-A#-m-Ventilator.wav 112-Rumba-Guitar Solo-06.wav
Slow Chords Up-A#.wav 119-A#-Ventilator.wav 112-Rumba-Guitar Solo-07.wav Flamenco Steps 105-G-Fandango
Slow Chords Up-B-m.wav 119-B-m-Ventilator.wav 112-Rumba-Guitar Solo-08.wav 100-Flamenco Steps-01.wav 095-G-Fandango-Guitar-01.wav
Slow Chords Up-B.wav 119-B-Ventilator.wav 112-Rumba-Guitar Solo-09.wav 102-Flamenco Steps-02.wav 102-G-Fandango-Guitar-02.wav
Slow Chords Up-C-m.wav 119-C-m-Ventilator.wav 112-Rumba-Guitar Solo-10.wav 103-Flamenco Steps-03.wav 102-G-Fandango-Rhythm-01.wav
Slow Chords Up-C.wav 119-C-Ventilator.wav 112-Rumba-Guitar Solo-11.wav 103-Flamenco Steps-04.wav 102-G-Fandango-Rhythm-02.wav
Slow Chords Up-C#-m.wav 119-C#-m-Ventilator.wav 112-Rumba-Guitar Solo-12.wav 108-Flamenco Steps-05.wav 105-G-Fandango-Rhythm-03.wav
Slow Chords Up-C#.wav 119-C#-Ventilator.wav 112-Rumba-Guitar Solo-13.wav 113-Flamenco Steps-06.wav 106-G-Fandango-Guitar-03.wav
Slow Chords Up-D-m.wav 119-D-m-Ventilator.wav 112-Rumba-Guitar Solo-14.wav 118-Flamenco Steps-07.wav 106-G-Fandango-Guitar-04.wav
Slow Chords Up-D.wav 119-D-Ventilator.wav 112-Rumba-Guitar Solo-15.wav 119-Flamenco Steps-08.wav 106-G-Fandango-Rhythm-04.wav
Slow Chords Up-D#-m.wav 119-D#-m-Ventilator.wav 119-Flamenco Steps-09.wav 107-G-Fandango-Rhythm-05.wav
Slow Chords Up-D#.wav 119-D#-Ventilator.wav 119 122-Flamenco Steps-10.wav 131-G-Fandango-Guitar-05.wav
Slow Chords Up-E-m.wav 119-E-m-Ventilator.wav 119-Rumba-Guitar Solo-01.wav 122-Flamenco Steps-11.wav
Slow Chords Up-E.wav 119-E-Ventilator.wav 119-Rumba-Guitar Solo-02.wav 134-Flamenco Steps-12.wav 114-E-Tanguillo
Slow Chords Up-F-m.wav 119-F-m-Ventilator.wav 119-Rumba-Guitar Solo-03.wav 134-Flamenco Steps-13.wav 065-Dm-Tanguillo-Solo-01.wav
Slow Chords Up-F.wav 119-F-Ventilator.wav 119-Rumba-Guitar Solo-04.wav 141-Flamenco Steps-14.wav 073-Dm-Tanguillo-Solo-02.wav
Slow Chords Up-F#-m.wav 119-F#-m-Ventilator.wav 119-Rumba-Guitar Solo-05.wav 169-Flamenco Steps-15.wav 075-Dm-Tanguillo-Rhythm-01.wav
Slow Chords Up-F#.wav 119-F#-Ventilator.wav 119-Rumba-Guitar Solo-06.wav 172-Flamenco Steps-16.wav 076-Dm-Tanguillo-Rhythm-02.wav
Slow Chords Up-G-m.wav 119-G-m-Ventilator.wav 119-Rumba-Guitar Solo-07.wav 195-Flamenco Steps-17.wav 082-Dm-Tanguillo-Rhythm-03.wav
Slow Chords Up-G.wav 119-G-Ventilator.wav 119-Rumba-Guitar Solo-08.wav 197-Flamenco Steps-18.wav 082-Dm-Tanguillo-Solo-03.wav
Slow Chords Up-G#-m.wav 119-G#-m-Ventilator.wav 119-Rumba-Guitar Solo-09.wav 198-Flamenco Steps-19.wav 083-Dm-Tanguillo-Rhythm-04.wav
Slow Chords Up-G#.wav 119-G#-Ventilator.wav 119-Rumba-Guitar Solo-10.wav 203-Flamenco Steps-20.wav 095-Dm-Tanguillo-Rhythm End-01.wav
119-Ventilator-Ghosts.wav 119-Rumba-Guitar Solo-11.wav 205-Flamenco Steps-21.wav 103-Dm-Tanguillo-Solo-04.wav
Ventilator 119-Rumba-Guitar Solo-12.wav 206-Flamenco Steps-22.wav 113-E-Tanguillo-Rhythm-05.wav
100 133 119-Rumba-Guitar Solo-13.wav 208-Flamenco Steps-23.wav 114-E-Tanguillo-Rhythm-06.wav
100-A-m-Ventilator.wav 133-A-m-Ventilator.wav 119-Rumba-Guitar Solo-14.wav 215-Flamenco Steps-24.wav 114-E-Tanguillo-Rhythm-07.wav
100-A-Ventilator.wav 133-A-Ventilator.wav 119-Rumba-Guitar Solo-15.wav 218-Flamenco Steps-25.wav 114-E-Tanguillo-Rhythm-08.wav
100-A#-m-Ventilator.wav 133-A#-m-Ventilator.wav 119-Rumba-Guitar Solo-16.wav 228-Flamenco Steps-26.wav 115-E-Tanguillo-Rhythm-09.wav
100-A#-Ventilator.wav 133-A#-Ventilator.wav 163-E-Tanguillo-Rhythm End-02.wav
100-B-m-Ventilator.wav 133-B-m-Ventilator.wav 133 Gypsy Hand Clap
100-B-Ventilator.wav 133-B-Ventilator.wav 133-Rumba-Guitar Solo-01.wav 099-Gipsy Hand Clap-01.wav Rumba
100-C-m-Ventilator.wav 133-C-m-Ventilator.wav 133-Rumba-Guitar Solo-02.wav 099-Gipsy Hand Clap-02.wav 064-C-Rumba-Rhythm End-01.wav
100-C-Ventilator.wav 133-C-Ventilator.wav 133-Rumba-Guitar Solo-03.wav 099-Gipsy Hand Clap-03.wav 066-C-Rumba-Solo 01.wav
100-C#-m-Ventilator.wav 133-C#-m-Ventilator.wav 133-Rumba-Guitar Solo-04.wav 100-Gipsy Hand Clap and Foot-01.wav 067-A#m-Rumba-Rhythm-01.wav
100-C#-Ventilator.wav 133-C#-Ventilator.wav 133-Rumba-Guitar Solo-05.wav 100-Gipsy Hand Clap-04.wav 068-C-Rumba-Rhythm-02.wav
100-D-m-Ventilator.wav 133-D-m-Ventilator.wav 133-Rumba-Guitar Solo-06.wav 100-Gipsy Hand Clap-05.wav 069-C-Rumba-Rhythm End-02.wav
100-D-Ventilator.wav 133-D-Ventilator.wav 133-Rumba-Guitar Solo-07.wav 100-Gipsy Hand Clap-06.wav 069-C-Rumba-Rhythm-03.wav
100-D#-m-Ventilator.wav 133-D#-m-Ventilator.wav 133-Rumba-Guitar Solo-08.wav 100-Gipsy Hand Clap-07.wav 072-A#m-Rumba-Rhythm Var-01.wav
100-D#-Ventilator.wav 133-D#-Ventilator.wav 133-Rumba-Guitar Solo-09.wav 100-Gipsy Hand Clap-08.wav 072-A#m-Rumba-Rhythm Var-02.wav
100-E-m-Ventilator.wav 133-E-m-Ventilator.wav 133-Rumba-Guitar Solo-10.wav 100-Gipsy Hand Clap-09.wav 072-A#m-Rumba-Rhythm Var-03.wav
100-E-Ventilator.wav 133-E-Ventilator.wav 133-Rumba-Guitar Solo-11.wav 100-Gipsy Hand Clap-10.wav 072-A#m-Rumba-Rhythm Var-04.wav
100-F-m-Ventilator.wav 133-F-m-Ventilator.wav 133-Rumba-Guitar Solo-12.wav 111-Gipsy Hand Clap-11.wav 073-A#m-Rumba-Rhythm-04.wav
100-F-Ventilator.wav 133-F-Ventilator.wav 133-Rumba-Guitar Solo-13.wav 111-Gipsy Hand Clap-12.wav 073-A#m-Rumba-Rhythm-05.wav
100-F#-m-Ventilator.wav 133-F#-m-Ventilator.wav 133-Rumba-Guitar Solo-14.wav 111-Gipsy Hand Clap-13.wav 073-A#m-Rumba-Rhythm-06.wav
100-F#-Ventilator.wav 133-F#-Ventilator.wav 133-Rumba-Guitar Solo-15.wav 112-Gipsy Hand Clap and Foot-02.wav 073-A#m-Rumba-Rhythm-07.wav
100-G-m-Ventilator.wav 133-G-m-Ventilator.wav 133-Rumba-Guitar Solo-16.wav 118-Gipsy Hand Clap-14.wav 074-A#m-Rumba-Rhythm-08.wav
100-G-Ventilator.wav 133-G-Ventilator.wav 133-Rumba-Guitar Solo-17.wav 118-Gipsy Hand Clap-15.wav 074-A#m-Rumba-Rhythm-09.wav
100-G#-m-Ventilator.wav 133-G#-m-Ventilator.wav 133-Rumba-Guitar Solo-18.wav 118-Gipsy Hand Clap-16.wav 074-A#m-Rumba-Rhythm-10.wav
100-G#-Ventilator.wav 133-G#-Ventilator.wav 133-Rumba-Guitar Solo-19.wav 119-Gipsy Hand Clap and Foot-03.wav 075-A#m-Rumba-Rhythm-11.wav
100-Ventilator-Ghosts.wav 133-Ventilator-Ghosts.wav 132-Gipsy Hand Clap-17.wav 076-A#m-Rumba-Rhythm-12.wav
Tanguillo 132-Gipsy Hand Clap-18.wav 078-A#m-Rumba-Solo 02.wav
112 Flamenco Guitar Solos (p) 119 132-Gipsy Hand Clap-19.wav 079-A#m-Rumba-Solo 03.wav
112-A-m-Ventilator.wav Rumba 119-Tanguillo-Guitar Solo-01.wav 133-Gipsy Hand Clap-20.wav 094-Em-Rumba-Solo 04.wav
112-A-Ventilator.wav 100 119-Tanguillo-Guitar Solo-02.wav 133-Gipsy Hand Clap-21.wav 100-Am-Rumba-Second Guitar-01.wav
112-A#-m-Ventilator.wav 100-Rumba-Guitar Solo-01.wav 119-Tanguillo-Guitar Solo-03.wav 133-Gipsy Hand Clap-22.wav 100-Dm-Rumba-Rhythm-13.wav
112-A#-Ventilator.wav 100-Rumba-Guitar Solo-02.wav 119-Tanguillo-Guitar Solo-04.wav 101-Am-Rumba-Second Guitar-02.wav
112-B-m-Ventilator.wav 100-Rumba-Guitar Solo-03.wav 119-Tanguillo-Guitar Solo-05.wav Roots Guitar Riffs 101-Dm-Rumba-Rhythm-14.wav
112-B-Ventilator.wav 100-Rumba-Guitar Solo-04.wav 119-Tanguillo-Guitar Solo-06.wav 080-A-Buleria 101-Dm-Rumba-Solo 05.wav
112-C-m-Ventilator.wav 100-Rumba-Guitar Solo-05.wav 119-Tanguillo-Guitar Solo-07.wav 083-A-Buleria-Solo-01.wav 101-Dm-Rumba-Solo 06.wav
112-C-Ventilator.wav 100-Rumba-Guitar Solo-06.wav 119-Tanguillo-Guitar Solo-08.wav 091-A-Buleria-Solo-02.wav 102-C-Rumba-Rhythm End-03.wav
112-C#-m-Ventilator.wav 100-Rumba-Guitar Solo-07.wav 119-Tanguillo-Guitar Solo-09.wav 095-A-Buleria-Solo-03.wav 102-Dm-Rumba-Rhythm-15.wav
112-C#-Ventilator.wav 100-Rumba-Guitar Solo-08.wav 119-Tanguillo-Guitar Solo-10.wav 121-A-Buleria-Rhythm-01.wav 102-Dm-Rumba-Rhythm-16.wav
112-D-m-Ventilator.wav 100-Rumba-Guitar Solo-09.wav 119-Tanguillo-Guitar Solo-11.wav 145-A-Buleria-Muted Guitar-01.wav 102-Em-Rumba-Solo 07.wav
112-D-Ventilator.wav 100-Rumba-Guitar Solo-10.wav 119-Tanguillo-Guitar Solo-12.wav 145-A-Buleria-Muted Guitar-02.wav 103-C-Rumba-Solo 08.wav
112-D#-m-Ventilator.wav 100-Rumba-Guitar Solo-11.wav 119-Tanguillo-Guitar Solo-13.wav 149-A-Buleria-Muted Guitar-03.wav 104-Am-Rumba-Rhythm-17.wav
112-D#-Ventilator.wav 100-Rumba-Guitar Solo-12.wav 119-Tanguillo-Guitar Solo-14.wav 152-A-Buleria-Rhythm-02.wav 104-Dm-Rumba-Solo 09.wav
112-E-m-Ventilator.wav 100-Rumba-Guitar Solo-13.wav 119-Tanguillo-Guitar Solo-15.wav 159-A-Buleria-Rhythm-03.wav 104-Dm-Rumba-Solo 10.wav
112-E-Ventilator.wav 100-Rumba-Guitar Solo-14.wav 119-Tanguillo-Guitar Solo-16.wav 105-Am-Rumba-Second Guitar-03.wav
112-F-m-Ventilator.wav 100-Rumba-Guitar Solo-15.wav 119-Tanguillo-Guitar Solo-17.wav 100-G-Alegria 105-Em-Rumba-Rhythm-18.wav
112-F-Ventilator.wav 100-Rumba-Guitar Solo-16.wav 119-Tanguillo-Guitar Solo-18.wav 078-G-Alegria-Guitar-01.wav 105-Em-Rumba-Rhythm-19.wav
112-F#-m-Ventilator.wav 100-Rumba-Guitar Solo-17.wav 119-Tanguillo-Guitar Solo-19.wav 083-G-Alegria-Guitar-02.wav 105-Em-Rumba-Rhythm-20.wav
112-F#-Ventilator.wav 100-Rumba-Guitar Solo-18.wav 119-Tanguillo-Guitar Solo-20.wav 093-G-Alegria-Guitar-03.wav 105-Em-Rumba-Second Guitar-04.wav
112-G-m-Ventilator.wav 100-Rumba-Guitar Solo-19.wav 096-G-Alegria-Rhythm-01.wav 106-Am-Rumba-Rhythm-21.wav
112-G-Ventilator.wav 133 099-G-Alegria-Rhythm-02.wav 106-Am-Rumba-Rhythm-22.wav
112-G#-m-Ventilator.wav 112 133-Tanguillo-Guitar Solo-01.wav 100-G-Alegria-Rhythm-03.wav 106-Am-Rumba-Second Guitar-05.wav
112-G#-Ventilator.wav 112-Rumba-Guitar Solo-01.wav 133-Tanguillo-Guitar Solo-02.wav 101-G-Alegria-Rhythm-04.wav 106-Em-Rumba-Second Guitar-06.wav
112-Ventilator-Ghosts.wav 112-Rumba-Guitar Solo-02.wav 133-Tanguillo-Guitar Solo-03.wav 104-G-Alegria-Rhythm-05.wav 107-A#m-Rumba-Solo 11.wav

385
Loops and Phrases

107-Am-Rumba-Rhythm-23.wav West Indies 090-Zouk-Cowbells.wav 135-Mart Mazurka-Drums-02.wav 102-Tumbele-Tambourine.wav


107-Am-Rumba-Rhythm-24.wav Bass 091-Jam Ragga-Cowbell 4.wav 140-Trin Soca-Drums-03.wav 110-Trin Calypso-Triangle.wav
107-Am-Rumba-Second Guitar-07.wav 070-D-Jam Ragga-Bass.wav 091-Trin Calypso-Cowbells-01.wav 141-Carnival-Drums-02.wav
108-Am-Rumba-Rhythm-25.wav 070-Gm-Jam Reggae-Bass.wav 091-Trin Calypso-Cowbells-02.wav Perc Mix
108-Am-Rumba-Rhythm-26.wav 080-A-Jam Ragga-Bass.wav 100-Mart Chouvai-Cowbells-01.wav Fills 070-Jam Ragga-Perc-01.wav
108-Am-Rumba-Rhythm-27.wav 080-D-Mart Chouvai-Bass.wav 101-Jam Ragga-Cowbell 4.wav 081-Drums-Fills-01.wav 070-Jam Reggae-Perc-01.wav
108-Am-Rumba-Rhythm-28.wav 081-G-Jam Reggae-Bass.wav 101-Mart Chouvai-Cowbells-02.wav 098-Drums-Fills-02.wav 080-Jam Ragga-Perc-02.wav
108-Am-Rumba-Solo 12.wav 090-A#m-Jam Ragga-Bass.wav 101-Tumbele-Cowbell 5.wav 100-Djembe-Fills-01.wav 080-Jam Reggae-Perc-02.wav
109-Am-Rumba-Solo 13.wav 090-Bm-Trin Calypso-Bass.wav 110-Trin Calypso-Cowbell 6.wav 100-Kompa-Fill-01.wav 080-Mart Chouvai-Perc-01.wav
110-Am-Rumba-Rhythm-29.wav 090-D-Jam Ragga-Bass.wav 110-Trin Calypso-Cowbells.wav 101-Djembe-Fills-02.wav 090-Jam Ragga-Perc-03.wav
111-C-Rumba-Solo 14.wav 090-F-Zouk-Bass.wav 111-Tumbele-Cowbells.wav 101-Kompa-Fill-02.wav 090-Jam Ragga-Perc-04.wav
112-Am-Rumba-Solo 15.wav 091-C-Trin Calypso-Bass.wav 115-Jam Reggae-Cowbell 1-02.wav 103-Djembe-Fills-03.wav 090-Trin Calypso-Perc-01.wav
113-Em-Rumba-Solo 16.wav 091-Cm-Mart Mazurka-Bass.wav 120-Trin Soca-Cowbells-01.wav 104-Djembe-Fills-04.wav 091-Mart Mazurka-Perc-01.wav
114-Am-Rumba-Second Guitar-08.wav 092-D-Zouk-Bass.wav 120-Trin Soca-Cowbells-02.wav 104-Tanbou Ka-Fills-01.wav 091-Trin Calypso-Perc-02.wav
114-Am-Rumba-Second Guitar-09.wav 092-G-Mart Chouvai-Bass.wav 121-Biguine-Cowbell 7.wav 105-Drums-Fills-03.wav 091-Zouk-Perc-01.wav
117-A#m-Rumba-Solo 17.wav 092-G-Mart Mazurka-Bass.wav 121-Biguine-Cowbells.wav 111-Kompa-Fill-03.wav 092-Mart Chouvai-Perc-02.wav
126-Dm-Rumba-Solo 18.wav 100-A-Kompa-Bass-01.wav 121-Carnival-Cowbell 5-01.wav 120-Djembe-Fills-05.wav 093-Zouk-Perc-02.wav
128-Am-Rumba-Rhythm-30.wav 100-A-Kompa-Bass-02.wav 140-Trin Soca-Cowbell 6.wav 121-Djembe-Fills-06.wav 093-Zouk-Perc-03.wav
139-Am-Rumba-Second Guitar-10.wav 100-G-Mart Chouvai-Bass-01.wav 141-Carnival-Cowbell 5-02.wav 121-Djembe-Fills-07.wav 100-Jam Ragga-Perc-05.wav
148-Am-Rumba-Second Guitar-11.wav 100-G-Mart Chouvai-Bass-02.wav 182-Mart Mazurka-Cowbells.wav 122-Drums-Fills-04.wav 100-Kompa-Perc-01.wav
158-Am-Rumba-Second Guitar-12.wav 101-E-Tumbele-Bass.wav 123-Djembe-Fills-08.wav 100-Kompa-Perc-02.wav
101-F-Biguine-Bass.wav Djembe 123-Djembe-Fills-09.wav 100-Kompa-Perc-03.wav
Sevillana 101-F-Tumbele-Bass.wav 080-Jam Ragga-Djembe-01.wav 123-Djembe-Fills-10.wav 100-Mart Chouvai-Perc-03.wav
060-C-Sevillana-Rhythm-01.wav 101-G-Biguine-Bass.wav 080-Mart Chouvai-Djembe-01.wav 124-Drums-Fills-05.wav 100-Mart Chouvai-Perc-04.wav
061-C-Sevillana-Rhythm-02.wav 101-Gm-Jam Ragga-Bass.wav 090-Jam Ragga-Djembe-02.wav 126-Drums-Fills-06.wav 101-Biguine-Perc-01.wav
066-C-Sevillana-Solo-01.wav 102-Bm-Kompa-Bass-01.wav 090-Trin Calypso-Djembe-01.wav 128-Djembe-Fills-11.wav 101-Tumbele-Perc-01.wav
075-Am-Sevillana-Solo-02.wav 102-E-Kompa-Bass-02.wav 091-Jam Ragga-Djembe-03.wav 130-Tanbou Ka-Fills-02.wav 102-Tumbele-Perc-02.wav
076-C-Sevillana-Rhythm End.wav 110-A-Trin Calypso-Bass-01.wav 091-Mart Mazurka-Djembe-01.wav 134-Tanbou Ka-Fills-03.wav 110-Trin Calypso-Perc-03.wav
087-Am-Sevillana-Solo-03.wav 110-G-Trin Calypso-Bass-02.wav 091-Trin Calypso-Djembe-02.wav 137-Drums-Fills-07.wav 111-Trin Calypso-Perc-04.wav
105-C-Sevillana-Solo-04.wav 111-B-Tumbele-Bass.wav 100-Mart Chouvai-Djembe-02.wav 138-Tanbou Ka-Fills-04.wav 111-Tumbele-Perc-03.wav
111-Am-Sevillana-Rhythm-03.wav 120-G-Trin Soca-Bass.wav 101-Jam Ragga-Djembe-03.wav 140-Tanbou Ka-Fills-05.wav 120-Trin Soca-Perc-01.wav
112-Am-Sevillana-Rhythm-04.wav 121-Cm-Biguine-Bass.wav 101-Mart Chouvai-Djembe-03.wav 141-Djembe-Fills-12.wav 120-Zouk-Perc-04.wav
112-Am-Sevillana-Rhythm-05.wav 121-D#-Zouk-Bass.wav 120-Trin Soca-Djembe.wav 141-Drums-Fills-08.wav 121-Biguine-Perc-02.wav
113-Am-Sevillana-Rhythm-06.wav 121-F-Zouk-Bass.wav 121-Biguine-Djembe-01.wav 141-Drums-Fills-09.wav 121-Biguine-Perc-03.wav
114-Am-Sevillana-Rhythm-07.wav 121-G-Biguine-Bass.wav 121-Biguine-Djembe-02.wav 141-Drums-Fills-10.wav 121-Carnival-Perc-01.wav
114-Am-Sevillana-Solo-05.wav 121-Gm-Trin Soca-Bass.wav 129-Carnival-Djembe.wav 141-Tanbou Ka-Fills-06.wav 121-Trin Soca-Perc-02.wav
116-Am-Sevillana-Solo-06.wav 122-G-Carnival-Bass.wav 131-Tumbele-Djembe.wav 142-Djembe-Fills-13.wav 121-Zouk-Perc-05.wav
116-C-Sevillana-Rhythm-08.wav 140-Gm-Jam Reggae-Bass.wav 182-Mart Mazurka-Djembe-02.wav 142-Drums-Fills-11.wav 141-Carnival-Perc-02.wav
118-C-Sevillana-Rhythm-09.wav 141-D#-Trin Soca-Bass.wav 144-Drums-Fills-12.wav 181T-Mart Mazurka-Perc-02.wav
119-C-Sevillana-Rhythm-10.wav 142-Gm-Carnival-Bass.wav Drums 148-Drums-Fills-13.wav
181-D-Mart Mazurka-Bass.wav 070-Jam Ragga-Drums-01.wav 149-Djembe-Fills-14.wav Shaker
183-D-Mart Mazurka-Bass.wav 070-Jam Reggae-Drums-01.wav 149-Tanbou Ka-Fills-07.wav 080-Jam Ragga-Cabassa.wav
070-Jam Reggae-Drums-02.wav 149-Tanbou Ka-Fills-08.wav 090-Trin Calypso-Shaker 1.wav
Claves 080-Jam Ragga-Drums-02.wav 150-Drums-Fills-14.wav 091-Mart Mazurka-Shaker 2.wav
070-Jam Reggae-Claves.wav 080-Jam Reggae-Drums-03.wav 153-Tanbou Ka-Fills-09.wav 092-Zouk-Shaker 1-01.wav
071-Jam Ragga-Claves.wav 080-Mart Chouvai-Drums-01.wav 154-Drums-Fills-15.wav 093-Mart Chouvai-Shaker 1-01.wav
080-Mart Chouvai-Claves.wav 090-Jam Ragga-Drums-03.wav 156-Djembe-Fills-15.wav 100-Biguine-Shaker 2.wav
091-Zouk-Claves.wav 090-Jam Ragga-Drums-04.wav 156-Drums-Fills-16.wav 100-Mart Chouvai-Shaker 3.wav
101-Biguine-Claves.wav 090-Jam Ragga-Drums-05.wav 157-Djembe-Fills-16.wav 101-Biguine-Shaker 4.wav
101-Tumbele-Claves-01.wav 090-Trin Calypso-Drums-01.wav 158-Drums-Fills-17.wav 101-Mart Chouvai-Shaker 1-02.wav
111-Tumbele-Claves-02.wav 090-Trin Calypso-Drums-02.wav 160-Tanbou Ka-Fills-10.wav 101-Tumbele-Shaker 5.wav
122-Biguine-Claves.wav 090-Zouk-Drums-01.wav 162-Tanbou Ka-Fills-11.wav 120-Trin Soca-Shaker 6.wav
091-Mart Mazurka-Drums-01.wav 163-Drums-Fills-18.wav 121-Biguine-Cabassa.wav
Conga 092-Zouk-Drums-02.wav 163-Drums-Fills-19.wav 121-Carnival-Shaker 4-01.wav
080-Jam Ragga-Conga.wav 093-Mart Chouvai-Drums-02.wav 163-Drums-Fills-20.wav 121-Zouk-Shaker 1-02.wav
080-Mart Chouvai-Conga.wav 100-Jam Ragga-Drums-06.wav 166-Drums-Fills-21.wav 141-Carnival-Shaker 4-02.wav
090-Mart Mazurka-Conga-01.wav 100-Kompa-Drums-01.wav 168-Drums-Fills-22.wav
091-Trin Calypso-Conga.wav 100-Kompa-Drums-02.wav 169-Drums-Fills-23.wav Tanbou Ka
091-Zouk-Conga-01.wav 100-Mart Chouvai-Drums-03.wav 169-Drums-Fills-24.wav 092-Mart Chouvai-Tanbou Ka-01.wav
092-Zouk-Conga-02.wav 101-Biguine-Drums-01.wav 169-Tanbou Ka-Fills-12.wav 092-Mart Chouvai-Tanbou Ka-02.wav
100-Biguine-Conga-01.wav 101-Biguine-Drums-02.wav 171-Drums-Fills-25.wav 100-Mart Chouvai-Tanbou Ka-03.wav
100-Kompa-Conga-01.wav 101-Mart Chouvai-Drums-04.wav 172-Djembe-Fills-17.wav 100-Mart Chouvai-Tanbou Ka-04.wav
100-Kompa-Conga-02.wav 101-Tumbele-Drums-01.wav 172-Drums-Fills-26.wav 100-Mart Chouvai-Tanbou Ka-05.wav
101-Biguine-Conga-02.wav 101-Tumbele-Drums-02.wav 173-Drums-Fills-27.wav 101-Mart Chouvai-Tanbou Ka-06.wav
101-Kompa-Conga-03.wav 102-Kompa-Drums-03.wav 174-Djembe-Fills-18.wav 121-Biguine-Tanbou Ka-01.wav
101-Tumbele-Conga-01.wav 110-Trin Calypso-Drums-03.wav 175-Drums-Fills-28.wav 121-Biguine-Tanbou Ka-02.wav
101-Tumbele-Conga-02.wav 111-Trin Calypso-Drums-04.wav 179-Drums-Fills-29.wav 121-Carnival-Tanbou Ka-01.wav
111-Tumbele-Conga-03.wav 111-Tumbele-Drums-03.wav 184-Drums-Fills-30.wav 122-Carnival-Tanbou Ka-02.wav
120-Trin Soca-Conga-01.wav 120-Biguine-Drums-03.wav 187-Tanbou Ka-Fills-13.wav 142-Carnival-Tanbou Ka-03.wav
120-Zouk-Conga-03.wav 120-Roots Zouk-Drums-01.wav 192-Drums-Fills-31.wav 142-Carnival-Tanbou Ka-04.wav
121-Biguine-Conga-03.wav 120-Roots Zouk-Drums-02.wav 192-Drums-Fills-32.wav 180-Mart Mazurka-Tanbou Ka.wav
121-Biguine-Conga-04.wav 120-Roots Zouk-Drums-03.wav 193-Drums-Fills-33.wav
141-Trin Soca-Conga-02.wav 120-Roots Zouk-Drums-04.wav 199-Drums-Fills-34.wav Ti Bwa
180-Mart Mazurka-Conga-02.wav 120-Zouk-Drums-03.wav 092-Mart Chouvai-Ti Bwa-01.wav
120-Zouk-Drums-04.wav Misc Perc 100-Biguine-Ti Bwa-01.wav
Cowbell 121-Roots Zouk-Drums-05.wav 070-Jam Reggae-Tambourine.wav 100-Mart Chouvai-Ti Bwa-02.wav
070-Jam Reggae-Cowbell 1-01.wav 121-Trin Soca-Drums-01.wav 091-Jam Ragga-Tambourine-01.wav 101-Mart Chouvai-Ti Bwa-03.wav
080-Jam Ragga-Cowbells.wav 121-Trin Soca-Drums-02.wav 091-Jam Ragga-Triangle.wav 120-Carnival-Ti Bwa-01.wav
080-Jam Reggae-Cowbell 2.wav 122-Carnival-Drums-01.wav 100-Jam Ragga-Tambourine-02.wav 121-Biguine-Ti Bwa-02.wav
080-Mart Chouvai-Cowbell 3.wav 124-Biguine-Drums-04.wav 100-Kompa-Cymbal.wav 141-Carnival-Ti Bwa-02.wav

386
Loops and Phrases

180-Mart Mazurka-Ti Bwa-01.wav


182 3’4-Mart Mazurka-Ti Bwa-03.wav
182-Mart Mazurka-Ti Bwa-02.wav

Tom
100-Mart Chouvai-Tom.wav
121-Carnival-Tom-01.wav
122-Biguine-Tom.wav
143-Carnival Tom-02.wav

387
Vocals

Ambience Vocals C-Arabic-Md-36.wav C-Arabic-Sh-58.wav F#-Balkan-Sh-16.wav C-Misc-067.wav


Arabic Voices C-Arabic-Md-37.wav C-Arabic-Sh-59.wav F#-Balkan-Sh-17.wav C-Misc-068.wav
Long C-Arabic-Md-38.wav F#-Balkan-Sh-18.wav C-Misc-069.wav
C-Arabic-Lg-01.wav C-Arabic-Md-39.wav Balkanish Voices F#-Balkan-Sh-19.wav C-Misc-070.wav
C-Arabic-Lg-02.wav C-Arabic-Md-40.wav Long F#-Balkan-Sh-20.wav C-Misc-071.wav
C-Arabic-Lg-03.wav C-Arabic-Md-41.wav F#-Balkan-Lg-01.wav F#-Balkan-Sh-21.wav C-Misc-072.wav
C-Arabic-Lg-04.wav C-Arabic-Md-42.wav F#-Balkan-Lg-02.wav F#-Balkan-Sh-22.wav C-Misc-073.wav
C-Arabic-Lg-05.wav C-Arabic-Md-43.wav F#-Balkan-Lg-03.wav F#-Balkan-Sh-23.wav C-Misc-074.wav
C-Arabic-Lg-06.wav C-Arabic-Md-44.wav F#-Balkan-Lg-04.wav F#-Balkan-Sh-24.wav C-Misc-075.wav
C-Arabic-Lg-07.wav C-Arabic-Md-45.wav F#-Balkan-Lg-05.wav C-Misc-076.wav
C-Arabic-Lg-08.wav C-Arabic-Md-46.wav F#-Balkan-Lg-06.wav Georgian C-Misc-077.wav
C-Arabic-Lg-09.wav C-Arabic-Md-47.wav F#-Balkan-Lg-07.wav 080-A-Georgian Female-01.wav C-Misc-078.wav
C-Arabic-Lg-10.wav C-Arabic-Md-48.wav F#-Balkan-Lg-08.wav C-Misc-079.wav
C-Arabic-Lg-11.wav C-Arabic-Md-49.wav F#-Balkan-Lg-09.wav Misc Voices C-Misc-080.wav
C-Arabic-Lg-12.wav C-Arabic-Md-50.wav F#-Balkan-Lg-10.wav C-Misc-001.wav C-Misc-081.wav
C-Arabic-Lg-13.wav C-Arabic-Md-51.wav F#-Balkan-Lg-11.wav C-Misc-002.wav C-Misc-082.wav
C-Arabic-Lg-14.wav C-Arabic-Md-52.wav F#-Balkan-Lg-12.wav C-Misc-003.wav C-Misc-083.wav
C-Arabic-Lg-15.wav C-Arabic-Md-53.wav F#-Balkan-Lg-13.wav C-Misc-004.wav C-Misc-084.wav
C-Arabic-Lg-16.wav C-Arabic-Md-54.wav F#-Balkan-Lg-14.wav C-Misc-005.wav C-Misc-085.wav
C-Arabic-Lg-17.wav C-Arabic-Md-55.wav F#-Balkan-Lg-15.wav C-Misc-006.wav C-Misc-086.wav
C-Arabic-Lg-18.wav C-Arabic-Md-56.wav F#-Balkan-Lg-16.wav C-Misc-007.wav C-Misc-087.wav
C-Arabic-Lg-19.wav F#-Balkan-Lg-17.wav C-Misc-008.wav C-Misc-088.wav
C-Arabic-Lg-20.wav Short F#-Balkan-Lg-18.wav C-Misc-009.wav C-Misc-089.wav
C-Arabic-Lg-21.wav C-Arabic-Sh-01.wav F#-Balkan-Lg-19.wav C-Misc-010.wav C-Misc-090.wav
C-Arabic-Lg-22.wav C-Arabic-Sh-02.wav F#-Balkan-Lg-20.wav C-Misc-011.wav C-Misc-091.wav
C-Arabic-Lg-23.wav C-Arabic-Sh-03.wav F#-Balkan-Lg-21.wav C-Misc-012.wav C-Misc-092.wav
C-Arabic-Lg-24.wav C-Arabic-Sh-04.wav F#-Balkan-Lg-22.wav C-Misc-013.wav C-Misc-093.wav
C-Arabic-Lg-25.wav C-Arabic-Sh-05.wav F#-Balkan-Lg-23.wav C-Misc-014.wav C-Misc-094.wav
C-Arabic-Lg-26.wav C-Arabic-Sh-06.wav F#-Balkan-Lg-24.wav C-Misc-015.wav C-Misc-095.wav
C-Arabic-Lg-27.wav C-Arabic-Sh-07.wav F#-Balkan-Lg-25.wav C-Misc-016.wav C-Misc-096.wav
C-Arabic-Lg-28.wav C-Arabic-Sh-08.wav F#-Balkan-Lg-26.wav C-Misc-017.wav C-Misc-097.wav
C-Arabic-Lg-29.wav C-Arabic-Sh-09.wav C-Misc-018.wav C-Misc-098.wav
C-Arabic-Lg-30.wav C-Arabic-Sh-10.wav Medium C-Misc-019.wav C-Misc-099.wav
C-Arabic-Lg-31.wav C-Arabic-Sh-11.wav F#-Balkan-Md-01.wav C-Misc-020.wav C-Misc-100.wav
C-Arabic-Lg-32.wav C-Arabic-Sh-12.wav F#-Balkan-Md-02.wav C-Misc-021.wav C-Misc-101.wav
C-Arabic-Lg-33.wav C-Arabic-Sh-13.wav F#-Balkan-Md-03.wav C-Misc-022.wav C-Misc-102.wav
C-Arabic-Lg-34.wav C-Arabic-Sh-14.wav F#-Balkan-Md-04.wav C-Misc-023.wav C-Misc-103.wav
C-Arabic-Lg-35.wav C-Arabic-Sh-15.wav F#-Balkan-Md-05.wav C-Misc-024.wav C-Misc-104.wav
C-Arabic-Lg-36.wav C-Arabic-Sh-16.wav F#-Balkan-Md-06.wav C-Misc-025.wav C-Misc-105.wav
C-Arabic-Lg-37.wav C-Arabic-Sh-17.wav F#-Balkan-Md-07.wav C-Misc-026.wav C-Misc-106.wav
C-Arabic-Lg-38.wav C-Arabic-Sh-18.wav F#-Balkan-Md-08.wav C-Misc-027.wav C-Misc-107.wav
C-Arabic-Lg-39.wav C-Arabic-Sh-19.wav F#-Balkan-Md-09.wav C-Misc-028.wav C-Misc-108.wav
C-Arabic-Lg-40.wav C-Arabic-Sh-20.wav F#-Balkan-Md-10.wav C-Misc-029.wav C-Misc-109.wav
C-Arabic-Sh-21.wav F#-Balkan-Md-11.wav C-Misc-030.wav C-Misc-110.wav
Medium C-Arabic-Sh-22.wav F#-Balkan-Md-12.wav C-Misc-031.wav C-Misc-111.wav
C-Arabic-Md-01.wav C-Arabic-Sh-23.wav F#-Balkan-Md-13.wav C-Misc-032.wav C-Misc-112.wav
C-Arabic-Md-02.wav C-Arabic-Sh-24.wav F#-Balkan-Md-14.wav C-Misc-033.wav C-Misc-113.wav
C-Arabic-Md-03.wav C-Arabic-Sh-25.wav F#-Balkan-Md-15.wav C-Misc-034.wav C-Misc-114.wav
C-Arabic-Md-04.wav C-Arabic-Sh-26.wav F#-Balkan-Md-16.wav C-Misc-035.wav C-Misc-115.wav
C-Arabic-Md-05.wav C-Arabic-Sh-27.wav F#-Balkan-Md-17.wav C-Misc-036.wav C-Misc-116.wav
C-Arabic-Md-06.wav C-Arabic-Sh-28.wav F#-Balkan-Md-18.wav C-Misc-037.wav C-Misc-117.wav
C-Arabic-Md-07.wav C-Arabic-Sh-29.wav F#-Balkan-Md-19.wav C-Misc-038.wav C-Misc-118.wav
C-Arabic-Md-08.wav C-Arabic-Sh-30.wav F#-Balkan-Md-20.wav C-Misc-039.wav C-Misc-119.wav
C-Arabic-Md-09.wav C-Arabic-Sh-31.wav F#-Balkan-Md-21.wav C-Misc-040.wav C-Misc-120.wav
C-Arabic-Md-10.wav C-Arabic-Sh-32.wav F#-Balkan-Md-22.wav C-Misc-041.wav
C-Arabic-Md-11.wav C-Arabic-Sh-33.wav F#-Balkan-Md-23.wav C-Misc-042.wav Persian Voices
C-Arabic-Md-12.wav C-Arabic-Sh-34.wav F#-Balkan-Md-24.wav C-Misc-043.wav Long
C-Arabic-Md-13.wav C-Arabic-Sh-35.wav F#-Balkan-Md-25.wav C-Misc-044.wav C-Persian-Lg-01.wav
C-Arabic-Md-14.wav C-Arabic-Sh-36.wav F#-Balkan-Md-26.wav C-Misc-045.wav C-Persian-Lg-02.wav
C-Arabic-Md-15.wav C-Arabic-Sh-37.wav F#-Balkan-Md-27.wav C-Misc-046.wav C-Persian-Lg-03.wav
C-Arabic-Md-16.wav C-Arabic-Sh-38.wav F#-Balkan-Md-28.wav C-Misc-047.wav C-Persian-Lg-04.wav
C-Arabic-Md-17.wav C-Arabic-Sh-39.wav F#-Balkan-Md-29.wav C-Misc-048.wav C-Persian-Lg-05.wav
C-Arabic-Md-18.wav C-Arabic-Sh-40.wav F#-Balkan-Md-30.wav C-Misc-049.wav C-Persian-Lg-06.wav
C-Arabic-Md-19.wav C-Arabic-Sh-41.wav C-Misc-050.wav C-Persian-Lg-07.wav
C-Arabic-Md-20.wav C-Arabic-Sh-42.wav Short C-Misc-051.wav C-Persian-Lg-08.wav
C-Arabic-Md-21.wav C-Arabic-Sh-43.wav F#-Balkan-Sh-01.wav C-Misc-052.wav C-Persian-Lg-09.wav
C-Arabic-Md-22.wav C-Arabic-Sh-44.wav F#-Balkan-Sh-02.wav C-Misc-053.wav C-Persian-Lg-10.wav
C-Arabic-Md-23.wav C-Arabic-Sh-45.wav F#-Balkan-Sh-03.wav C-Misc-054.wav C-Persian-Lg-11.wav
C-Arabic-Md-24.wav C-Arabic-Sh-46.wav F#-Balkan-Sh-04.wav C-Misc-055.wav C-Persian-Lg-12.wav
C-Arabic-Md-25.wav C-Arabic-Sh-47.wav F#-Balkan-Sh-05.wav C-Misc-056.wav C-Persian-Lg-13.wav
C-Arabic-Md-26.wav C-Arabic-Sh-48.wav F#-Balkan-Sh-06.wav C-Misc-057.wav C-Persian-Lg-14.wav
C-Arabic-Md-27.wav C-Arabic-Sh-49.wav F#-Balkan-Sh-07.wav C-Misc-058.wav C-Persian-Lg-15.wav
C-Arabic-Md-28.wav C-Arabic-Sh-50.wav F#-Balkan-Sh-08.wav C-Misc-059.wav
C-Arabic-Md-29.wav C-Arabic-Sh-51.wav F#-Balkan-Sh-09.wav C-Misc-060.wav Medium
C-Arabic-Md-30.wav C-Arabic-Sh-52.wav F#-Balkan-Sh-10.wav C-Misc-061.wav C-Persian-Md-01.wav
C-Arabic-Md-31.wav C-Arabic-Sh-53.wav F#-Balkan-Sh-11.wav C-Misc-062.wav C-Persian-Md-02.wav
C-Arabic-Md-32.wav C-Arabic-Sh-54.wav F#-Balkan-Sh-12.wav C-Misc-063.wav C-Persian-Md-03.wav
C-Arabic-Md-33.wav C-Arabic-Sh-55.wav F#-Balkan-Sh-13.wav C-Misc-064.wav C-Persian-Md-04.wav
C-Arabic-Md-34.wav C-Arabic-Sh-56.wav F#-Balkan-Sh-14.wav C-Misc-065.wav C-Persian-Md-05.wav
C-Arabic-Md-35.wav C-Arabic-Sh-57.wav F#-Balkan-Sh-15.wav C-Misc-066.wav C-Persian-Md-06.wav

388
Vocals

C-Persian-Md-07.wav By Region 109-G-Cooladilla 10.wav 101-D-Mehmeda Voice 16.wav 100-F-Georgian Female-02.wav


C-Persian-Md-08.wav Africa 109-G-Ouehhh.wav 132-A-Opa Tsupa Voice 1.wav 100-F-Georgian Female-03.wav
C-Persian-Md-09.wav Roots Choirs 116-D-Boyolo 1.wav 132-A-Opa Tsupa Voice 2.wav 100-F-Georgian Female-04.wav
C-Persian-Md-10.wav 070-D-Walla.wav 116-D-Boyolo 2.wav 138-A-Dzumbus Voices 1.wav 100-F-Georgian Female-05.wav
C-Persian-Md-11.wav 094-G-Bagnadi.wav 116-D-Boyolo 3.wav 138-A-Dzumbus Voices 2.wav 100-F#-Georgian Female-01.wav
C-Persian-Md-12.wav 100-B-Doubidagne 1.wav 116-D-Boyolo 4.wav 155-A-Dzumbus Voices 1.wav 100-F#-Georgian Female-02.wav
C-Persian-Md-13.wav 100-B-Doubidagne 2.wav 116-D-Boyolo 5.wav 155-A-Dzumbus Voices 2.wav 100-G-Georgian Female-01.wav
C-Persian-Md-14.wav 101-B-Sandiela.wav 116-D-Boyolo 6.wav 155-A-Dzumbus Voices 3.wav 100-G-Georgian Female-02.wav
C-Persian-Md-15.wav 109-E-Cooladilla.wav 116-D-Boyolo 7.wav 155-A-Dzumbus Voices 4.wav 100-G-Georgian Female-03.wav
C-Persian-Md-16.wav 120-A#-Malemba 1.wav 116-D-Boyolo 8.wav 155-A-Dzumbus Voices 5.wav 100-G#-Georgian Female.wav
C-Persian-Md-17.wav 120-A#-Malemba 2.wav 116-D-Mariama 1.wav 155-A-Dzumbus Voices 6.wav
C-Persian-Md-18.wav 120-A#-Malimba.wav 116-D-Mariama 2.wav 155-A-Dzumbus Voices 7.wav 120
116-D-Mariama 3.wav 160-D-Jovano Voices 01.wav 120-A-Georgian Female-01.wav
Short Roots Mix Misc 120-A#-Malimba.wav 160-D-Jovano Voices 02.wav 120-A-Georgian Female-02.wav
C-Persian-Sh-01.wav 064-G-Toumbol Mix.wav 160-D-Jovano Voices 03.wav 120-A#-Georgian Female-01.wav
C-Persian-Sh-02.wav 095-G-Malissa Mix.wav Words and co 160-D-Jovano Voices 04.wav 120-A#-Georgian Female-02.wav
C-Persian-Sh-03.wav 107-G-Sembe Delay.wav 074-Laugh.wav 160-D-Jovano Voices 05.wav 120-A#-Georgian Female-03.wav
C-Persian-Sh-04.wav 093-Otinana 1.wav 160-D-Jovano Voices 06.wav 120-B-Georgian Female-01.wav
C-Persian-Sh-05.wav Solo Voices 093-Otinana 2.wav 160-D-Jovano Voices 07.wav 120-B-Georgian Female-02.wav
C-Persian-Sh-06.wav 064-G-Voice 1.wav 093-Tihen.wav 160-D-Jovano Voices 08.wav 120-C-Georgian Female-01.wav
C-Persian-Sh-07.wav 064-G-Voice 2.wav 100-Hummm.wav 160-D-Jovano Voices 09.wav 120-C-Georgian Female-02.wav
C-Persian-Sh-08.wav 070-C#-Walla Hi.wav 100-Toulah.wav 160-D-Jovano Voices 10.wav 120-C-Georgian Female-03.wav
C-Persian-Sh-09.wav 070-D-Walla Bass.wav 109-Hummm 1.wav 120-C-Georgian Female-04.wav
C-Persian-Sh-10.wav 070-G-Walla Hi.wav 109-Hummm 2.wav Georgian Vocals WS2 120-C#-Georgian Female-01.wav
C-Persian-Sh-11.wav 074-G-Melika 1.wav 120-Kumale 1.wav Female 120-C#-Georgian Female-02.wav
C-Persian-Sh-12.wav 074-G-Melika 2.wav 120-Kumale 2.wav 080 120-D-Georgian Female-01.wav
C-Persian-Sh-13.wav 074-G-Vox 1.wav 080-A-Georgian Female-01.wav 120-D-Georgian Female-02.wav
C-Persian-Sh-14.wav 074-G-Vox 2.wav Asia 080-A-Georgian Female-02.wav 120-D-Georgian Female-03.wav
C-Persian-Sh-15.wav 074-G-Vox 3.wav Mongol Voices 080-A-Georgian Female-03.wav 120-D-Georgian Female-04.wav
C-Persian-Sh-16.wav 080-B-Ninima 1.wav Amaj-Mongol Vox Hi.wav 080-A-Georgian Female-04.wav 120-D-Georgian Female-05.wav
C-Persian-Sh-17.wav 080-B-Ninima 2.wav Cmin-Mongol Vox Hi.wav 080-A#-Georgian Female-01.wav 120-D#-Georgian Female-01.wav
C-Persian-Sh-18.wav 080-B-Ninima 3.wav D#maj-Mongol Vox 01.wav 080-A#-Georgian Female-02.wav 120-D#-Georgian Female-02.wav
080-G-Ninima 1.wav D#maj-Mongol Vox 02.wav 080-B-Georgian Female-01.wav 120-D#-Georgian Female-03.wav
080-G-Ninima 2.wav D#maj-Mongol Vox 03.wav 080-B-Georgian Female-02.wav 120-E-Georgian Female-01.wav
080-G-Ninima 3.wav D#maj-Mongol Vox 04.wav 080-C-Georgian Female-01.wav 120-E-Georgian Female-02.wav
080-G-Ninima Long.wav D#maj-Mongol Vox 05.wav 080-C-Georgian Female-02.wav 120-F-Georgian Female-01.wav
093-A-Tihen.wav D#maj-Mongol Vox 06.wav 080-C-Georgian Female-03.wav 120-F-Georgian Female-02.wav
093-G-Kotinana.wav D#maj-Mongol Vox 07.wav 080-C-Georgian Female-04.wav 120-F#-Georgian Female.wav
093-G-Tihen.wav D#maj-Mongol Vox 08.wav 080-C-Georgian Female-05.wav 120-G-Georgian Female.wav
093-Gm-Tihen.wav D#maj-Mongol Vox 09.wav 080-C#-Georgian Female-01.wav 120-G#-Georgian Female.wav
094-C-Voice 1.wav D#maj-Mongol Vox 10.wav 080-C#-Georgian Female-02.wav
094-C-Voice 2.wav Emin-Mongol Vox Hi.wav 080-D-Georgian Female-01.wav 130
094-C-Vox 1.wav Mongol Vox Hi.wav 080-D-Georgian Female-02.wav 130-A-Georgian Female.wav
094-C-Vox 2.wav Mongol Vox Low 01.wav 080-D#-Georgian Female-01.wav 130-A#-Georgian Female.wav
094-C-Vox 3.wav Mongol Vox Low 02.wav 080-D#-Georgian Female-02.wav 130-C-Georgian Female-01.wav
094-C-Vox 4.wav Mongol Vox Low 03.wav 080-E-Georgian Female-01.wav 130-C-Georgian Female-02.wav
095-Bm-Malissa 1.wav Mongol Vox Low 04.wav 080-E-Georgian Female-02.wav 130-D-Georgian Female-01.wav
095-Bm-Malissa 2.wav Mongol Vox Low 05.wav 080-E-Georgian Female-03.wav 130-D-Georgian Female-02.wav
095-Bm-Malissa 3.wav Mongol Vox Low 06.wav 080-E-Georgian Female-04.wav 130-D-Georgian Female-03.wav
095-Bm-Malissa 4.wav Mongol Vox Low 07.wav 080-F-Georgian Female-01.wav
095-Bm-Malissa 5.wav Mongol Vox Low 08.wav 080-F-Georgian Female-02.wav Polyphonic
098-G-Voice 1.wav Mongol Vox Low 09.wav 080-F#-Georgian Female-01.wav 080-F#-Georgian Female Poly.wav
098-G-Voice 2.wav Mongol Vox Low 10.wav 080-F#-Georgian Female-02.wav 080-G-Georgian Female Poly.wav
098-G-Voice 3.wav Mongol Vox Low 11.wav 080-G-Georgian Female-01.wav 100-C-Georgian Female Poly.wav
098-G-Voice 4.wav Mongol Vox Low 12.wav 080-G-Georgian Female-02.wav 100-D-Georgian Female Poly.wav
098-G-Voice 5.wav Mongol Vox Low 13.wav 080-G#-Georgian Female-01.wav 100-F-Georgian Female Poly.wav
098-G-Voice 6.wav Mongol Vox Sing 1.wav 080-G#-Georgian Female-02.wav 120-C-Georgian Female Poly.wav
098-G-Voice 7.wav Mongol Vox Sing 2.wav 120-D-Georgian Female Poly.wav
100-B-Voice 1A.wav Mongol Vox Sing 3.wav 100 120-E-Georgian Female Poly.wav
100-B-Voice 1B.wav 100-A-Georgian Female-01.wav 130-F-Georgian Female Poly.wav
100-B-Voice 1C.wav Eastern Europe 100-A-Georgian Female-02.wav 130-G-Georgian Female Poly.wav
100-B-Voice 2A.wav Balkanish Female 100-A-Georgian Female-03.wav
100-B-Voice 2B.wav 096-F#-Thas Paso Voice 1.wav 100-A-Georgian Female-04.wav Male
100-B-Voice 2C.wav 096-F#-Thas Paso Voice 2.wav 100-A#-Georgian Female.wav Gori
101-B-Sandiala Bass.wav 096-F#-Thas Paso Voice 3.wav 100-B-Georgian Female.wav 120-C-Georgian Male Gori-01.wav
101-B-Sandiala Hi 1.wav 101-D-Mehmeda Voice 01.wav 100-C-Georgian Female-01.wav 120-C-Georgian Male Gori-02.wav
101-B-Sandiala Hi 2.wav 101-D-Mehmeda Voice 02.wav 100-C-Georgian Female-02.wav 120-D-Georgian Male Gori-01.wav
104-Gm-Vox 1.wav 101-D-Mehmeda Voice 03.wav 100-C-Georgian Female-03.wav 120-D-Georgian Male Gori-02.wav
104-Gm-Vox 2.wav 101-D-Mehmeda Voice 04.wav 100-C#-Georgian Female.wav 120-D-Georgian Male Gori-03.wav
106-G-Voice 1.wav 101-D-Mehmeda Voice 05.wav 100-D-Georgian Female-01.wav 120-E-Georgian Male Gori.wav
106-G-Voice 2.wav 101-D-Mehmeda Voice 06.wav 100-D-Georgian Female-02.wav 120-F-Georgian Male Gori-01.wav
109-G-Cooladilla 01.wav 101-D-Mehmeda Voice 07.wav 100-D-Georgian Female-03.wav 120-F-Georgian Male Gori-02.wav
109-G-Cooladilla 02.wav 101-D-Mehmeda Voice 08.wav 100-D-Georgian Female-04.wav 120-G-Georgian Male Gori-01.wav
109-G-Cooladilla 03.wav 101-D-Mehmeda Voice 09.wav 100-D-Georgian Female-05.wav 120-G-Georgian Male Gori-02.wav
109-G-Cooladilla 04.wav 101-D-Mehmeda Voice 10.wav 100-D#-Georgian Female-01.wav
109-G-Cooladilla 05.wav 101-D-Mehmeda Voice 11.wav 100-D#-Georgian Female-02.wav Imereti
109-G-Cooladilla 06.wav 101-D-Mehmeda Voice 12.wav 100-D#-Georgian Female-03.wav 120-A-Georgian Male Imereti.wav
109-G-Cooladilla 07.wav 101-D-Mehmeda Voice 13.wav 100-E-Georgian Female-01.wav 120-B-Georgian Male Imereti.wav
109-G-Cooladilla 08.wav 101-D-Mehmeda Voice 14.wav 100-E-Georgian Female-02.wav 120-C-Georgian Male Imereti.wav
109-G-Cooladilla 09.wav 101-D-Mehmeda Voice 15.wav 100-F-Georgian Female-01.wav 120-D-Georgian Male Imereti.wav

389
Vocals

120-E-Georgian Male Imereti.wav 140-G-Georgian Male Yodel-02.wav C-Female Behag Alap.wav 100-Voice Male Tabla Bol 4.wav C#m-Trad. Old Women 18.wav
120-F-Georgian Male Imereti.wav 140-G-Georgian Male Yodel-03.wav C-Female Desh Alap.wav 100-Voice Male Tabla Bol 5.wav
140-G-Georgian Male Yodel-04.wav C-Female Desh Antara.wav 114-Voice Male Padhant.wav Traditional Men
Polyphonic 140-G-Georgian Male Yodel-05.wav C-Female Khamaj Alap.wav 120-Voice Male Padhant 1.wav C-Trad. Men Voices 01.wav
130-C-Georgian Male Imereti Poly-01.wav C-Female Khamaj Taan.wav 120-Voice Male Padhant 2.wav C-Trad. Men Voices 02.wav
130-C-Georgian Male Imereti Poly-02.wav India Cm-Female Bageshree.wav 120-Voice Male Tabla Bol 1.wav C-Trad. Men Voices 03.wav
130-C-Georgian Male Imereti Poly-03.wav Child Cm-Female Behag Taan.wav 120-Voice Male Tabla Bol 2.wav C-Trad. Men Voices 04.wav
130-C-Georgian Male Imereti Poly-04.wav Cm-Voices Child 01.wav Cm-Female Darbari Alap.wav 120-Voice Male Tabla Bol 3.wav C-Trad. Men Voices 05.wav
130-C-Georgian Male Imereti Poly-05.wav Cm-Voices Child 02.wav Cm-Female Darbari Taan.wav 124-Voice Male Padhant.wav C-Trad. Men Voices 06.wav
130-C-Georgian Male Imereti Poly-06.wav Cm-Voices Child 03.wav Cm-Female Kafi Alap 1.wav 126-Voice Male Padhant.wav C-Trad. Men Voices 07.wav
130-C-Georgian Male Kartli Poly-01.wav Cm-Voices Child 04.wav Cm-Female Kafi Alap 2.wav 130-Voice Male Tabla Bol 1.wav C-Trad. Men Voices 08.wav
130-C-Georgian Male Kartli Poly-02.wav Cm-Voices Child 05.wav Cm-Female Todi Alap.wav 130-Voice Male Tabla Bol 2.wav C-Trad. Men Voices 09.wav
140-C-Georgian Male Imereti Poly-01.wav Cm-Voices Child 06.wav Cm-Female Todi Taan.wav 130-Voice Male Tabla Bol 3.wav C-Trad. Men Voices 10.wav
140-C-Georgian Male Imereti Poly-02.wav Cm-Voices Child 07.wav 130-Voice Male Tabla Bol 4.wav C-Trad. Men Voices 11.wav
Cm-Voices Child 08.wav Male 132-Voice Male Padhant.wav C-Trad. Men Voices 12.wav
Samegrelo Cm-Voices Child 09.wav 080-D-Male Alap 1.wav 140-Voice Male Tabla Bol 1.wav C-Trad. Men Voices 13.wav
120-A-Georgian Male Samegrelo.wav Cm-Voices Child 10.wav 080-D-Male Alap 2.wav 140-Voice Male Tabla Bol 2.wav C-Trad. Men Voices 14.wav
120-C-Georgian Male Samegrelo.wav Cm-Voices Child 11.wav 080-D-Male Alap 3.wav 140-Voice Male Tabla Bol 3.wav C-Trad. Men Voices 15.wav
120-D-Georgian Male Samegrelo.wav Cm-Voices Child 12.wav 080-D-Male Alap 4.wav 140-Voice Male Tabla Bol 4.wav C-Trad. Men Voices 16.wav
120-E-Georgian Male Samegrelo.wav Cm-Voices Child 13.wav 080-D-Male Swaram 1.wav 140-Voice Male Tabla Bol 5.wav C-Trad. Men Voices 17.wav
120-G-Georgian Male Samegrelo.wav Cm-Voices Child 14.wav 080-D-Male Swaram 2.wav 140-Voice Male Tabla Bol 6.wav C-Trad. Men Voices 18.wav
Cm-Voices Child 15.wav 080-D-Male Swaram 3.wav 140-Voice Male Tabla Bol 7.wav C-Trad. Men Voices 19.wav
Svaneti Cm-Voices Child 16.wav 080-D-Male Swaram 4.wav 140-Voice Male Tabla Bol 8.wav C-Trad. Men Voices 20.wav
120-C-Georgian Male Svaneti.wav Cm-Voices Child 17.wav 080-D-Male Swaram 5.wav 160-Voice Male Padhant 1.wav C#-Trad. Men Voices 01.wav
120-D-Georgian Male Svaneti.wav Cm-Voices Child 18.wav 090-D-Male Alap 1.wav 160-Voice Male Padhant 2.wav C#-Trad. Men Voices 02.wav
120-E-Georgian Male Svaneti.wav Cm-Voices Child 19.wav 090-D-Male Alap 2.wav C#-Trad. Men Voices 03.wav
140-A-Georgian Male Svaneti.wav Cm-Voices Child 20.wav 090-D-Male Alap 3.wav Middle East C#-Trad. Men Voices 04.wav
140-B-Georgian Male Svaneti.wav Cm-Voices Child 21.wav 090-D-Male Alap 4.wav Egyptian Diva C#-Trad. Men Voices 05.wav
140-C-Georgian Male Svaneti-01.wav Cm-Voices Child 22.wav 100-B-Male Alap 1.wav B-Egyptian Diva 1.wav C#-Trad. Men Voices 06.wav
140-C-Georgian Male Svaneti-02.wav Cm-Voices Child 23.wav 100-B-Male Alap 2.wav B-Egyptian Diva 2.wav C#-Trad. Men Voices 07.wav
140-C-Georgian Male Svaneti-03.wav Cm-Voices Child 24.wav 100-B-Male Alap 3.wav Cm-Egyptian Diva 1.wav C#-Trad. Men Voices 08.wav
140-E-Georgian Male Svaneti-01.wav Cm-Voices Child 25.wav 100-B-Male Alap 4.wav Cm-Egyptian Diva 2.wav C#-Trad. Men Voices 09.wav
140-E-Georgian Male Svaneti-02.wav Cm-Voices Child 26.wav 100-B-Male Swaram 1.wav D#m-Egyptian Diva 1.wav C#-Trad. Men Voices 10.wav
140-E-Georgian Male Svaneti-03.wav Cm-Voices Child 27.wav 100-B-Male Swaram 2.wav D#m-Egyptian Diva 2.wav C#-Trad. Men Voices 11.wav
140-E-Georgian Male Svaneti-04.wav Cm-Voices Child 28.wav 100-B-Male Swaram 3.wav D#m-Egyptian Diva 5.wav C#-Trad. Men Voices 12.wav
140-F-Georgian Male Svaneti-01.wav Cm-Voices Child 29.wav 120-Am-Male Alap 1.wav Dm-Egyptian Diva 1.wav C#-Trad. Men Voices 13.wav
140-F-Georgian Male Svaneti-02.wav Cm-Voices Child 30.wav 120-Am-Male Alap 2.wav Dm-Egyptian Diva 2.wav C#-Trad. Men Voices 14.wav
140-G-Georgian Male Svaneti-01.wav Cm-Voices Child 31.wav 120-Am-Male Alap 3.wav E-Egyptian Diva 1.wav
140-G-Georgian Male Svaneti-02.wav Cm-Voices Child 32.wav 120-Am-Male Alap 4.wav E-Egyptian Diva 2.wav Young Woman
Cm-Voices Child 33.wav 120-Am-Male Alap 5.wav F#m-Egyptian Diva 1.wav B-Young Women 1.wav
Yodel Cm-Voices Child 34.wav F#m-Egyptian Diva 2.wav B-Young Women 2.wav
100-E-Georgian Male Yodel-01.wav Cm-Voices Child 35.wav Old Man F#m-Egyptian Diva 3.wav B-Young Women 3.wav
100-E-Georgian Male Yodel-02.wav Cm-Voices Child 36.wav B-Voices Old Man.wav F#m-Egyptian Diva 4.wav B-Young Women 4.wav
100-E-Georgian Male Yodel-03.wav Cm-Voices Child 37.wav Bm-Voices Old Man 1.wav F#m-Egyptian Diva 5.wav B-Young Women 5.wav
100-E-Georgian Male Yodel-04.wav Cm-Voices Child 38.wav Bm-Voices Old Man 2.wav F#m-Egyptian Diva 6.wav B-Young Women 6.wav
100-E-Georgian Male Yodel-05.wav Cm-Voices Child 39.wav Bm-Voices Old Man 3.wav F#m-Egyptian Diva 7.wav B-Young Women 7.wav
100-F-Georgian Male Yodel-01.wav Cm-Voices Child 40.wav Bm-Voices Old Man 4.wav F#m-Egyptian Diva 8.wav Bm-Young Women 01.wav
100-F-Georgian Male Yodel-02.wav Cm-Voices Child 41.wav C-Voices Old Man 1.wav Fm-Egyptian Diva 1.wav Bm-Young Women 02.wav
100-F-Georgian Male Yodel-03.wav Cm-Voices Child 42.wav C-Voices Old Man 2.wav Fm-Egyptian Diva 2.wav Bm-Young Women 03.wav
100-F-Georgian Male Yodel-04.wav Cm-Voices Child 43.wav C-Voices Old Man 3.wav Fm-Egyptian Diva 3.wav Bm-Young Women 04.wav
100-F-Georgian Male Yodel-05.wav Cm-Voices Child 44.wav C-Voices Old Man 4.wav Fm-Egyptian Diva 4.wav Bm-Young Women 05.wav
100-G-Georgian Male Yodel-01.wav Cm-Voices Child 45.wav C#-Voices Old Man 1.wav Gm-Egyptian Diva 1.wav Bm-Young Women 06.wav
100-G-Georgian Male Yodel-02.wav Cm-Voices Child 46.wav C#-Voices Old Man 2.wav Gm-Egyptian Diva 2.wav Bm-Young Women 07.wav
100-G-Georgian Male Yodel-03.wav Cm-Voices Child 47.wav C#-Voices Old Man 3.wav Gm-Egyptian Diva 3.wav Bm-Young Women 08.wav
100-G-Georgian Male Yodel-04.wav Cm-Voices Child 48.wav C#-Voices Old Man 4.wav Gm-Egyptian Diva 4.wav Bm-Young Women 09.wav
120-E-Georgian Male Yodel-01.wav Cm-Voices Child 49.wav C#-Voices Old Man 5.wav Gm-Egyptian Diva 5.wav Bm-Young Women 10.wav
120-E-Georgian Male Yodel-02.wav Cm-Voices Child 50.wav C#-Voices Old Man 6.wav Gm-Egyptian Diva 6.wav Bm-Young Women 11.wav
120-E-Georgian Male Yodel-03.wav Cm-Voices Child 51.wav C#-Voices Old Man 7.wav Gm-Egyptian Diva 7.wav Bm-Young Women 12.wav
120-E-Georgian Male Yodel-04.wav C#m-Voices Old Man 1.wav Bm-Young Women 13.wav
120-E-Georgian Male Yodel-05.wav Female C#m-Voices Old Man 2.wav Old Women Bm-Young Women 14.wav
120-F-Georgian Male Yodel-01.wav 070-C-Female Desh.wav F#-Voices Old Man 1.wav Bm-Trad. Old Women 1.wav C-Young Women 1.wav
120-F-Georgian Male Yodel-02.wav 070-Cm-Female Darbari 1.wav F#-Voices Old Man 2.wav Bm-Trad. Old Women 2.wav C-Young Women 2.wav
120-F-Georgian Male Yodel-03.wav 070-Cm-Female Darbari 2.wav F#-Voices Old Man 3.wav Bm-Trad. Old Women 3.wav
120-F-Georgian Male Yodel-04.wav 070-Cm-Female Darbari 3.wav F#-Voices Old Man 4.wav C#m-Trad. Old Women 01.wav South America
120-F-Georgian Male Yodel-05.wav 070-Cm-Female Desh.wav F#-Voices Old Man 5.wav C#m-Trad. Old Women 02.wav Cuban Voices
120-G-Georgian Male Yodel-01.wav 090-C-Female Nat 1.wav F#-Voices Old Man 6.wav C#m-Trad. Old Women 03.wav 076-C-Cuba Lead.wav
120-G-Georgian Male Yodel-02.wav 090-C-Female Nat 2.wav F#-Voices Old Man 7.wav C#m-Trad. Old Women 04.wav 105-C-Cuba Lead.wav
120-G-Georgian Male Yodel-03.wav 110-C-Female Behag.wav G-Voices Old Man.wav C#m-Trad. Old Women 05.wav 108-C-Cuba Lead.wav
120-G-Georgian Male Yodel-04.wav 110-C-Female Desh Sarg 1.wav G#-Voices Old Man.wav C#m-Trad. Old Women 06.wav 108-C-Cuba Voices-Lyoko-01.wav
140-E-Georgian Male Yodel-01.wav 110-C-Female Desh Sarg 2.wav C#m-Trad. Old Women 07.wav 108-C-Cuba Voices-Lyoko-02.wav
140-E-Georgian Male Yodel-02.wav 110-C-Female Desh Sarg 3.wav Raga Man C#m-Trad. Old Women 08.wav 108-C-Cuba Voices-Lyoko-03.wav
140-E-Georgian Male Yodel-03.wav 110-C-Female Khamaj.wav 084-Voice Male Padhant.wav C#m-Trad. Old Women 09.wav 108-C-Cuba Voices-Lyoko-04.wav
140-E-Georgian Male Yodel-04.wav 110-Cm-Female Bageshree.wav 090-Voice Male Tabla Bol 1.wav C#m-Trad. Old Women 10.wav 108-C-Cuba Voices-Lyoko-05.wav
140-E-Georgian Male Yodel-05.wav 110-Cm-Female Darbari 1.wav 090-Voice Male Tabla Bol 2.wav C#m-Trad. Old Women 11.wav 109-C-Cuba Lead.wav
140-F-Georgian Male Yodel-01.wav 110-Cm-Female Darbari 2.wav 090-Voice Male Tabla Bol 3.wav C#m-Trad. Old Women 12.wav 110-C-Cuba Lead.wav
140-F-Georgian Male Yodel-02.wav 110-Cm-Female Kafi Sarg 1.wav 090-Voice Male Tabla Bol 4.wav C#m-Trad. Old Women 13.wav 112-C-Cuba Lead.wav
140-F-Georgian Male Yodel-03.wav 110-Cm-Female Kafi Sarg 2.wav 095-Voice Male Padhant.wav C#m-Trad. Old Women 14.wav 112-C-Cuba Voices-Mariwo.wav
140-F-Georgian Male Yodel-04.wav 110-Cm-Female Kafi Sarg 3.wav 100-Voice Male Tabla Bol 1.wav C#m-Trad. Old Women 15.wav 112-G-Cuba Voices-Mobale.wav
140-F-Georgian Male Yodel-05.wav 110-Cm-Female Todi 1.wav 100-Voice Male Tabla Bol 2.wav C#m-Trad. Old Women 16.wav 117-C-Cuba Lead.wav
140-G-Georgian Male Yodel-01.wav 110-Cm-Female Todi 2.wav 100-Voice Male Tabla Bol 3.wav C#m-Trad. Old Women 17.wav 123-D-Cuba Voices-Morena.wav

390
Vocals

126-D-Cuba Lead.wav Flamenco Words-Female-Canta.wav 100-G-Alegria-Woman 4.wav Spanish Words-Male-06.wav


128-D-Cuba Lead.wav Flamenco Words-Female-Cantagi.wav Spanish Words-Male-07.wav
130-D-Cuba Lead.wav Flamenco Words-Female-Castana.wav 105-G-Fandango Spanish Words-Male-08.wav
131-D-Cuba Voices-Layki-01.wav Flamenco Words-Female-Conmost.wav 105-G-Fandango-Man 1.wav Spanish Words-Male-09.wav
131-D-Cuba Voices-Layki-02.wav Flamenco Words-Female-Corazon.wav 105-G-Fandango-Man 2.wav Spanish Words-Male-10.wav
131-D-Cuba Voices-Layki-03.wav Flamenco Words-Female-Guityo.wav 105-G-Fandango-Man 3.wav Spanish Words-Male-11.wav
133-D-Cuba Lead.wav Flamenco Words-Female-Labaadya.wav 105-G-Fandango-Man 4.wav Spanish Words-Male-12.wav
Flamenco Words-Female-Olecomo.wav 105-G-Fandango-Man 5.wav Spanish Words-Male-13.wav
Spanish Gypsy Flamenco Words-Female-Oleelarte.wav 105-G-Fandango-Man 6.wav Spanish Words-Male-14.wav
Crowd FX Flamenco Words-Female-Olemiou.wav Spanish Words-Male-15.wav
Spanish Crowd-Mono 1.wav Flamenco Words-Female-Queboni.wav 114-E-Tanguillo Spanish Words-Male-16.wav
Spanish Crowd-Mono 2.wav Flamenco Words-Female-Quetoma.wav 114-E-Tanguillo-Man 1.wav Spanish Words-Male-17.wav
Spanish Crowd-Stereo 1.wav Flamenco Words-Female-Toma.wav 114-E-Tanguillo-Man 2.wav Spanish Words-Male-18.wav
Spanish Crowd-Stereo 2.wav Flamenco Words-Female-Tomaque.wav 114-E-Tanguillo-Man 3.wav Spanish Words-Male-19.wav
Spanish Crowd-Stereo 3.wav Flamenco Words-Female-Tomaqueto.wav 114-E-Tanguillo-Man 4.wav Spanish Words-Male-20.wav
Spanish Crowd-Stereo 4.wav Flamenco Words-Female-Torero 01.wav 114-E-Tanguillo-Man 5.wav Spanish Words-Male-21.wav
Flamenco Words-Female-Torero 02.wav 114-E-Tanguillo-Man 6.wav Spanish Words-Male-22.wav
Female Flamenco Words-Female-Torero 03.wav Spanish Words-Male-23.wav
100-A-Female-Tanguillo-Close 1.wav Flamenco Words-Female-Tratras.wav Rumba Spanish Words-Male-24.wav
100-A-Female-Tanguillo-Close 2.wav Flamenco Words-Female-Vamosaya.wav 070-C-Rumba-Man 1.wav Spanish Words-Male-25.wav
100-A-Female-Tanguillo-Close 3.wav Flamenco Words-Female-Vivael.wav 070-C-Rumba-Man 2.wav Spanish Words-Male-26.wav
100-A#-Female-Tanguillo-Close.wav Flamenco Words-Female-Vivaelfl.wav 070-C-Rumba-Man 3.wav Spanish Words-Male-27.wav
100-B-Female-Tanguillo-Close.wav 070-C-Rumba-Man 4.wav Spanish Words-Male-28.wav
100-C-Female-Tanguillo-Close.wav Male 070-C-Rumba-Woman 1.wav Spanish Words-Male-29.wav
100-D-Female-Rumba-Close 1.wav 100-B-Male-Rumba-Close-1.wav 070-C-Rumba-Woman 2.wav Spanish Words-Male-30.wav
100-D-Female-Rumba-Close 2.wav 100-B-Male-Rumba-Close-2.wav 070-C-Rumba-Woman 3.wav Spanish Words-Male-31.wav
100-D-Female-Rumba-Close 3.wav 100-B-Male-Rumba-Close-3.wav 070-C-Rumba-Woman 4.wav Spanish Words-Male-32.wav
100-D-Female-Rumba-Close 4.wav 100-B-Male-Rumba-Close-4.wav 074-A#m-Rumba-Man 1.wav Spanish Words-Male-33.wav
100-D-Female-Rumba-Stereo 1.wav 100-B-Male-Rumba-Close-5.wav 074-A#m-Rumba-Man 2.wav Spanish Words-Male-34.wav
100-D-Female-Rumba-Stereo 2.wav 100-B-Male-Rumba-Close-6.wav 074-A#m-Rumba-Woman 1.wav Spanish Words-Male-35.wav
100-D-Female-Tanguillo-Close 1.wav 100-B-Male-Rumba-Close-7.wav 074-A#m-Rumba-Woman 2.wav Spanish Words-Male-36.wav
100-D-Female-Tanguillo-Close 2.wav 100-B-Male-Rumba-Close-8.wav 074-A#m-Rumba-Woman 3.wav Spanish Words-Male-37.wav
100-D-Female-Tanguillo-Stereo 1.wav 112-D-Male-Rumba-Close.wav 102-Dm-Rumba-Man 1.wav Spanish Words-Male-38.wav
100-D-Female-Tanguillo-Stereo 2.wav 112-E-Male-Rumba-Close-1.wav 102-Dm-Rumba-Man 2.wav Spanish Words-Male-39.wav
100-D-Female-Tanguillo-Stereo 3.wav 112-E-Male-Rumba-Close-2.wav 102-Dm-Rumba-Woman 1.wav Spanish Words-Male-40.wav
100-D-Female-Tanguillo-Stereo 4.wav 112-E-Male-Rumba-Close-3.wav 102-Dm-Rumba-Woman 2.wav Spanish Words-Male-41.wav
100-D-Female-Tanguillo-Stereo 5.wav 112-E-Male-Rumba-Close-4.wav 102-Dm-Rumba-Woman 3.wav Spanish Words-Male-42.wav
100-D-Female-Tanguillo-Stereo 6.wav 112-E-Male-Rumba-Close-5.wav 102-Dm-Rumba-Woman 4.wav Spanish Words-Male-43.wav
100-D-Female-Tanguillo-Stereo 7.wav 119-A-Male-Rumba-Close.wav 102-Dm-Rumba-Woman 5.wav Spanish Words-Male-44.wav
100-D-Female-Tanguillo-Stereo 8.wav 119-B-Male-Rumba-Close.wav 105-Em-Rumba-Man.wav Spanish Words-Male-45.wav
112-D-Female-Rumba-Close 1.wav 119-E-Male-Rumba-Close-01.wav 105-Em-Rumba-Woman 1.wav Spanish Words-Male-46.wav
112-D-Female-Rumba-Close 2.wav 119-E-Male-Rumba-Close-02.wav 105-Em-Rumba-Woman 2.wav Spanish Words-Male-47.wav
112-D-Female-Rumba-Close 3.wav 119-E-Male-Rumba-Close-03.wav 105-Em-Rumba-Woman 3.wav Spanish Words-Male-48.wav
112-D-Female-Rumba-Close 4.wav 119-E-Male-Rumba-Close-04.wav 105-Em-Rumba-Woman 4.wav Spanish Words-Male-49.wav
112-D-Female-Tanguillo-Close 1.wav 119-E-Male-Rumba-Close-05.wav 105-Em-Rumba-Woman 5.wav Spanish Words-Male-50.wav
112-D-Female-Tanguillo-Close 2.wav 119-E-Male-Rumba-Close-06.wav 107-Am-Rumba-Man 1.wav Spanish Words-Male-51.wav
112-D-Female-Tanguillo-Close 3.wav 119-E-Male-Rumba-Close-07.wav 107-Am-Rumba-Man 2.wav Spanish Words-Male-52.wav
112-D-Female-Tanguillo-Close 4.wav 119-E-Male-Rumba-Close-08.wav 107-Am-Rumba-Man 3.wav Spanish Words-Male-53.wav
112-D-Female-Tanguillo-Close 5.wav 119-E-Male-Rumba-Close-09.wav 107-Am-Rumba-Man 4.wav Spanish Words-Male-54.wav
112-D-Female-Tanguillo-Close 6.wav 119-E-Male-Rumba-Close-10.wav 107-Am-Rumba-Woman 1.wav Spanish Words-Male-55.wav
112-D-Female-Tanguillo-Close 7.wav 119-F-Male-Rumba-Close.wav 107-Am-Rumba-Woman 2.wav Spanish Words-Male-56.wav
112-D-Female-Tanguillo-Stereo 1.wav 119-G-Male-Rumba-Close.wav 107-Am-Rumba-Woman 3.wav Spanish Words-Male-57.wav
112-D-Female-Tanguillo-Stereo 2.wav 133-E-Male-Rumba-Close-1.wav 107-Am-Rumba-Woman 4.wav Spanish Words-Male-58.wav
112-D-Female-Tanguillo-Stereo 3.wav 133-E-Male-Rumba-Close-2.wav 107-Am-Rumba-Woman 5.wav Spanish Words-Male-59.wav
112-D-Female-Tanguillo-Stereo 4.wav 133-E-Male-Rumba-Close-3.wav Spanish Words-Male-60.wav
112-G-Female-Rumba-Stereo.wav 133-E-Male-Rumba-Close-4.wav Sevillana Spanish Words-Male-61.wav
119-A-Female-Rumba-Stereo.wav 133-E-Male-Rumba-Close-5.wav 114-Am-Sevillana-Man 1.wav Spanish Words-Male-62.wav
119-D-Female-Tanguillo-Close 1.wav 133-E-Male-Rumba-Close-6.wav 114-Am-Sevillana-Man 2.wav Spanish Words-Male-63.wav
119-D-Female-Tanguillo-Close 2.wav 133-E-Male-Rumba-Close-7.wav 114-Am-Sevillana-Man 3.wav Spanish Words-Male-64.wav
119-D-Female-Tanguillo-Close 3.wav 133-E-Male-Rumba-Close-8.wav 114-Am-Sevillana-Man 4.wav Spanish Words-Male-65.wav
119-D-Female-Tanguillo-Stereo 4.wav 114-Am-Sevillana-Man 5.wav Spanish Words-Male-66.wav
119-D-Female-Tanguillo-Stereo 5.wav Roots Flamenco Voices 114-Am-Sevillana-Woman 1.wav Spanish Words-Male-67.wav
119-D-Female-Tanguillo-Stereo 6.wav Phrases 114-Am-Sevillana-Woman 2.wav Spanish Words-Male-68.wav
133-A-Female-Rumba-Close 1.wav 080-A-Buleria 114-Am-Sevillana-Woman 3.wav Spanish Words-Male-69.wav
133-A-Female-Rumba-Close 2.wav 080-A-Buleria-Man 1.wav 114-Am-Sevillana-Woman 4.wav Spanish Words-Male-70.wav
133-C-Female-Rumba-Stereo 1.wav 080-A-Buleria-Man 2.wav 114-Am-Sevillana-Woman 5.wav Spanish Words-Male-71.wav
133-C-Female-Rumba-Stereo 2.wav 080-A-Buleria-Man 3.wav 116-C-Sevillana-Man 1.wav Spanish Words-Male-72.wav
133-C-Female-Rumba-Stereo 3.wav 080-A-Buleria-Man 4.wav 116-C-Sevillana-Man 2.wav Spanish Words-Male-73.wav
133-D-Female-Rumba-Stereo 4.wav 080-A-Buleria-Man 5.wav 116-C-Sevillana-Man 3.wav
133-D-Female-Rumba-Stereo 5.wav 080-A-Buleria-Man 6.wav 116-C-Sevillana-Woman 1.wav
133-D-Female-Rumba-Stereo 6.wav 080-A-Buleria-Woman 1.wav 116-C-Sevillana-Woman 2.wav
133-D-Female-Tanguillo-Close 7.wav 080-A-Buleria-Woman 2.wav 116-C-Sevillana-Woman 3.wav
133-D-Female-Tanguillo-Close 8.wav 080-A-Buleria-Woman 3.wav
133-D-Female-Tanguillo-Stereo 9.wav 080-A-Buleria-Woman 4.wav Words - Male
Flamenco Words-Female-Aleamaadya.wav Spanish Words-Male-01.wav
Flamenco Words-Female-Amasde.wav 100-G-Alegria Spanish Words-Male-02.wav
Flamenco Words-Female-Aza.wav 100-G-Alegria-Woman 1.wav Spanish Words-Male-03.wav
Flamenco Words-Female-Azuca.wav 100-G-Alegria-Woman 2.wav Spanish Words-Male-04.wav
Flamenco Words-Female-Caball.wav 100-G-Alegria-Woman 3.wav Spanish Words-Male-05.wav

391
Links

UVI
Home . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . uvi.net/

Soundbank Installation Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . installing_uvi_soundbanks_en.pdf

UVI Workstation User Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . uviworkstation_user_guide_en.pdf

Your Registered Product Serial Numbers and Download Links . . . . . . . . . . uvi.net/my-products

FAQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . uvi.net/faq

Tutorial and Demo Videos . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . youtube.com/

Support . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . uvi.net/contact-support

iLok
Home . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ilok.com/

iLok License Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ilok.com/ilm.html

FAQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ilok.com/supportfaq

392
Credits and Thanks

Produced by UVI
Recording / Editing / Sound Design
Alain J Etchart
Kevin Guilhaumou
Floriane Palmkrantz
Emeric Tschambser
Damien Vallet

Software + Scripting
Olivier Tristan
Remy Muller

UI + Design
Nathaniel Reeves

Documents
Nathaniel Reeves
Kai Tomita

World Suite Contributors


Clement Mounkala, Barnabe Matsiona, Mr. Bataju, Adama Konde, Gan Guo,
Shoko Conver, Daniel Lifermann, Petia Jaquet, Justin Breedhou, Luri Morar,
Jean Phillipe Winter, James Bribounia, Jean Marc Rohart,Thierry Fanfant, Jean-
Philippe Fanfant, Bago Balthazar, David Mirandon, Sebastien Jeannot, Patrick
Chartol, Francky Moulet, Alain Parmentier, Jean Marc Miro, Nicolas Zontos,
Felix Madialian, Vicken Khatcherian, Louis Perez, Pierre Perez-Vergara, Theo
Croix, Diabaté Mamady, Cola Bonnan, Olivier Briand (Ethnic Electronic Music)

In memory of: Roger Fixi and Yassine Dhabi

393

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