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Clarinet Tone Exercises
All Exercises Intended to Be Played William Hollifield
with a Tuner and without a Metronome
All Clarinets
>
>
a
2
‘Dynamic Long Tones (Using Any Dynamic, Dynamic
Combination, Attack, or Release)
a a a
a
7 = fe s nf aw PP Sp
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‘Register Key Exercise (aka 12th’s, Indiana Exercise) a
s
a a a
a
a a
2 =a Z we =4 & = ——
f tf f f
Double Lip Embouchure (Regular Clarinet
Embouchure with Top Lip Placed Between
“Top Testh & Mouthpiece
Aa
Voicing: 6th's
Higher Note To Be Played While Maintaining the Fingering for the Note in Parenthesis
re ok eS
Smnulyan Exercise
eee SS
‘© Sep.6, 2011
www. WiliamFOllifielé.com 2 Clarinet Tone Exercises
‘Octaves: Slurred, no bending
=
os
2 Octaves: Slurred, no bendin
continue to Eb
i SF contimetokd
Playing Only On Mouthpiece & Barrel
om
yo, Retister Key Overtones
‘www WilliamHolifield.com Clarinet Long-Tone Exercises
ate on = Bagge on oO
‘Each week choose one of the following dynamic markings and perform each measure for 8,12, or 16 counts:
2. >.—=—=—
Figure, Ps
Use Chromatic fingerings
ee ee eee
Use Chromatic fingerings
Maintain same tone’ quality
Figure 4 Use meronome sting off = 72 pus ome a your quest 12, 132
Continue up to your highest *F*
Play at Fotisimno Low Clarinet Chromatic Technique Exercises
Figure 6
First Octave Chromatic
Use Chromatic
deo J =6
f .
ee Aeon
Second Octave
Third Octave Chromatic
Maintain proper use of right hand/Left hand in altissimo register
Full Chromatic
Include all fingering considerations ftom the examples above Articulation Exercises
Figue 5
Play Fortissimo Throughout
Use this patiem through all keys and throughout the range of the instrument, = EL "STACCATO"
El staceato 20 ejeouta con un pequefio golpe de lengua como pronunciando Ia silaba fa para atacar la nota. EJERCICIOS PREPARATORIOS PARA LA ESCALA CROMATICA
ioe be te es
nota debe conducirse a le 2." como si se estuviera haciendo una sola nota,
Gi
El sonido de la 1."
= 2
SEGUNDAS : 2 2
ee re ere
2
2 >
pee rete
cUARTAS Sere Ceo eer SL
> 2 »
SrreerEere ete pepe eee ere eee eee eer eee een
SEXTAS
2 > >
Seep See erect eee Eee
, 2
> EE FE OSE
SEPTINAS
ee = Major Chords and Scales on Steps of Diatonic Scale .”
Play daily for sound tecinical development. BUECH
Moderato 7
=
MINOR CHORDS ON STEPS OF DIATONIC SCALE
be
ee === ees fF sete
DOMINANT 7th CHORDS ON STEPS OF DIATONIO SCALE
8 ea ==
= - #
ber. £
ny
fetter s 7 Arpegios de Séptima dominante 69
Arpegios de Séptima disminuida w
- Interval Studies wit
h Articulations
SSS
on
(2), iG}
ee ee
sas
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