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SONGES
Sor Flute, Clarinet, Harp, 2 Violins, Viola, Violoncello and Double Bass
BERT VAN HERCKNote
‘Woodwinds
4: air sound, with licte oF not pitch
sound mixed with pitch
normal sound without air
multiphonic with the incated note as most prominent pitch
keyclick
Me
keeyclick mixed with pitch
Flute
Closed embouchure: tongue ram : {
jecwile: JA y
a: §
Harp
+: damped with palm of the hand
2. string damped with finger on one spot (not a harmonic)
A: play with the fingernailStrings
ESP. + very close to the bridge
sip. close tothe bridge
n, _: normal playing
st 1sul tasto
1. damp the string with the fingers of the left hand
= play note with increased bow pressure, distorting the pitch almost completely
= play note with increased bow pressure, leaving the pitch recognizalble
: play note with some increased bow pressure, adding some distortion to the pitch
>
+ on the bridge (on the wood, not on the strings)
Page 11
In the duration between the barlines/dotted lines, the number of notes has to be played
proportionally, avoiding regularity.re
+
SSS —
=| 'f t p=
fa 5 beer |
+ = Sa
| t : 7 poe
= a = geo Sue
a tf 7 +a
——— t i
tok —— i boven
age = a—_— é
a ———— Ppp oe ;
=e si ee Sem od eee n
— I Ld SSS SS =
I a le op
ee dey beep hes 3 barren, °
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tt It
=e
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fcr 2 dear me, =~ °
mr eo et —yit
9
TA
pe A ated ape
SSS
ae
i
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ae
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ti
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ia
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oS Ss ae ra ae 7 a a
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4 fe =
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f — = ==
=- = sr
= = ae
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e ea Se cn SSS =
| ~ |t
es ee ko | Ue ee
aS =. =e lee = = re ne =
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et. mirhiltte he 2 hyp > 4 be seen ee eee
aa id a = Se
5] Se
| Aj =
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a
ee
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ae == ———
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4
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es —~. *
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FE ==
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aro
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ip ip
Electroacoustic Feedback and The Emergence of Sound Installation Remarks On A Line of Flight in The Live Electronic Music by Alvin Lucier and Max Neuhaus