from Megadeth - Greatest Hits: Back to the Start

Holy Wars...The Punishment Due

Words and Music by Dave Mustaine

Intro
Fast q = 169
μ E5 μ


*Gtr. 1 (elec.)

 
      
f
           
w/ dist.

 5 6 7
5 6 7 7 6 5 5 4 3 3 5
2
0
5 6
*Doubled throughout


F#5 μ

 
                 
                 

2 3
7 4 5 6 7
5 6 7 7 6 5 5 4 3 3 5 2 5 6 7 7 6 5 5 4 3


                        

4
3 4 5 5 4 3 4 3 2 5 6 7
5 6 7 7 6 5 5 4 3 3 5

*** D5 E5 G5 E5 D5 E5 D5 E5 A5 Bb5

   

**Gtrs. 1 & 2

        
    
   
             


P.M. P.M. P.M. P.M.

 5 7 10 7 5 7 5 7 7 8
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 5 6
**Gtr. 2 (elec.) w/ dist., played mf.
***Chord symbols reflect implied harmony.

© 1990 MUSTAINE MUSIC and THEORY MUSIC

All Rights for MUSTAINE MUSIC Administered by WARNER GEO MET RIC MUSIC
All Rights Reserved Used by Permission 1

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 D5 E5 G5 E5 D5 E5 D5 E5 F5 B5

          

   
                 
P.M. P.M. P.M. P.M.

10
5 7 10 7 5 7 5 7 8 9
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 7


D5 E5 G5 E5 D5 E5 D5 E5 B5 G5

          
  
                 
P.M. P.M. P.M.

4
5 7 10 7 5 7 5 7 2 5
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3

1.


D5 E5 G5 E5 B5/E Bb5/E A5

         
               
   
  
P.M. P.M. P.M. P.M.

5 7 10 7 9 8 7 0
0 0 0 0 0 0 0 0 0 7 0 0 0 0 6 0 0 5 0


B5 μ B5 G5 F#5


  
3


     
    


P.M.

4
2
4
2
4
2 5 4

0 3 2

 
2.
D5 E5 G5 E5 B5/E Bb5/E A5/E

Gtr. 1

    
                
   
   
P.M. P.M.
P.M. P.M.

5 7 10 7
0 0 0 0 0 0 0 0 0 7 0 0 0 0 6 0 0 5 0


Gtr. 2

         
              
   
   
P.M. P.M. P.M. P.M.

5 7 10 7 9 8 7
0 0 0 0 0 0 0 0 0 7 0 0 0 0 6 0 0 5 0

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  
D5 E5 G5 E5 * B/E Bb/E A/E

          
   
              
P.M. P.M.
 P.M.
 P.M.

5 7 10 7 6 5 4
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 5


         
   
  
   
             
P.M. P.M. P.M. P.M.

5 7 10 7 9 8 7
0 0 0 0 0 0 0 0 0 7 0 0 0 0 6 0 0 5 0
*Chord symbls reflect combined harmony.

 
D5 E5 G5 E5 B5/E Bb5/E A5/E

          
   
              
P.M. P.M.
 P.M.
 P.M.

5 7 10 7 9 8 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 8


         
             
   
   
P.M. P.M. P.M. P.M.

5 7 10 7 9 8 7
0 0 0 0 0 0 0 0 0 7 0 0 0 0 6 0 0 5 0

 
D5 E5 G5 E5 B5/E Bb5/E A5/E


            
  
            
 
P.M. P.M. P.M. (cont. on lower staff)

9 8 8 8 7
5 7 10 7 8
0 0 0 0 0 0 0 0 0 0 0 0 0


    
     
  
   
             
P.M. P.M. P.M. P.M.

5 7 10 7 9 8 7
0 0 0 0 0 0 0 0 0 7 0 0 0 0 6 0 0 5 0

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 D5 E5 G5 E5 D5 E5 D5 E5 B5
Riff B

  
 
Gtr. 3 (elec.)

  
3 3

3 3
     
f


w/ dist.

 10
12
10 10
12
12
14
6
9
9
12 12

   
Riff A


Gtrs. 1 & 2

      
   
                 

P.M. P.M. P.M. P.M.

 5 7 10 7 5 7 5 7 9
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 7


D5 E5 G5 E5 D5 E5 D5 E5 B5


   


6 7

 End Riff A

         
   
                 
P.M. P.M. P.M. P.M.

5 7 10 7 5 7 5 7 9
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 7

1. 2.
Gtrs. 1 & 2: w/ Riff A

 
D5 E5 G5 E5 D5 E5 D5 E5 B5 D5 E5 G5 E5 D5 E5 D5 E5 B5 D5 E5 D5 E5 B5

 
Gtr. 3 End Riff B

             
3 3 3 3

    


 

10
12
10 10
12
9
13
8
12
6 7
 7 7
12 11 10

Half-time feel End half-time feel

1st time, Gtr. 3 tacet
F#5 G5 E5 F#5 E5 F#5 G5 E5 G5 F#5 E5 F#5 G5

 

Gtrs. 1 & 2

        
       

 

 


P.M. P.M. P.M. P.M.

 4 5 4 4 5 5 4 4 5
2 3 0 2 0 0 2 3 0 0 3 2 0 0 2 3

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 Half-time feel


D5 E5 G5 E5 D5 E5 D5 E5 G E5 F# G E5 F# E5 F# G

           
              
    
             
P.M. P.M. P.M. P.M. P.M. P.M.

5 7 10 7 5 7 5 7 2 1 2 1 1 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3 0 2 3 0 2 0 0 2 3

1.
End half-time feel

 
E5 G F# E5 F# G D5 E5 G5 E5 D5 E5 D5 E5 G5 E5

         
 
              
     
             

P.M. P.M. P.M. P.M. P.M. P.M.

2 1 1 2 5 7 10 7 5 7 5 7 5

0 0 3 2 0 0 2 3 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3 0

2.
Verse
End half-time feel

   
E5 G F# E5 F# D5 D#5 E5 G/E F#/E D5 D#5 E5 A#m Bm D5 D#5

         
    


1. Broth - er will kill broth - er, spill - ing
coun - try that’s di - vid - ed

 
Riff C

  
                
          
   
      

P.M. P.M. P.M. P.M. P.M.

2 1 1 5 6
 7 4
5
3
4
5 6 7 4 5 4 5 6
0 0 3 2 0 0 2 0 0 0 0 0 0 0 0 6 7 6

  
E5 Em B/E D5 D#5 E5 F# E5 F# G A/E G A
      

   


        
   
blood a - cross the land. Kill - ing for re - li -
sure - ly will not stand. My past e - rased, no

 
      
        
         
  
    

P.M. P.M. P.M. P.M. P.M. P.M. P.M.

5 4
7 7 6 5 6 7 1 1 2 4 4 2 4
0 0 0 0 0 0 0 0 2 0 2 3 5 0 0 5 0 3 5

SheetMusicDirect.com Order 9039857 | 1 copy purchased by Alan Medina on Aug 07, 2023 at 7:40pm CDT
   
Bb/E A G A G5 E5 Bb A G A G5 E5 Bb5 A5 G5 D5 D#5
  
             

- gion, some- thing I don’t un - der - stand.
more dis - grace, no fool - ish na - ive stand. The


End Riff C

         
                                
P.M.  P.M.  P.M. 

5 5 4 2 4 2 2 2 5 4 2 4 2 2 2 8 7 5 5 6
6 0 0 6 5 3 5 3 0 0 0 0 6 5 3 5 3 0 0 0 0 6 5 3

Gtrs. 1 & 2: w/ Riff C

    
E5 G/E F#/E D5 D#5 E5 A#m Bm D5 D#5 E5 Em B/E D5 D#5

             
    
 


Fools like me who cross the sea and come to for - eign lands,
end is near, it’s crys - tal clear, part of the mas - ter plan.

  
E5 F# E5 F# G A/E G A Bb/E A G A
       
     
   
    
  
uh, ask the sheep for their be - liefs. “Do you
Don’t look now to Is - ra - el, it

1. 2.

    
  
G5 E5 Bb A G A G5E5 Bb5 A5 G5 D5 D#5 G5 E5 Bb A G A G5 E5 Bb5 A5 G5 D5 D#5
         
      
   
  
kill on God’s com - mand?” 2. A might be your home - land.

Free time

    
E5
 
     
Ho - ly wars.

           
 
Gtr. 4 (nylon-str. acous.)

    
f

11 12 11 11
12 10 12 13 13
9 10


Gtrs. 1 & 2

 
 
 
           


7 2
5 6 7 7 6 5 5 4 3 3 5 0
6

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 
            
                     
   
      sim.
3 3 3 3 3 3 3

12 12 10 10 8 8 7 7 5 5 4 4 5 5 7 7 10 7 5 6 5
13 12 10 9 6 5 6 6 4 5
7 6


  


  
  

2
0

            

    
  

 
3 
0
4 5 4 0
7 6 5 4 5 4 X
7 7 6 5 4 3 2 2
X
0

 


  
 (Gtr. 2, cont. on upper staff)

2
0

Bridge
Moderately fast q = 128
Gtr. 4 tacet


E[b6] E5 E[b6] E5 E[b6] E7 E[b6] E5 E[b6] E5 E[b6] E7
        
                    
Up on my po - di - um as the know - it - all schol - ar. Down in my seat of judge - ment, gav - el’s bang, up - hold the law.

 
Rhy. Fig. 1A End Rhy. Fig. 1A


Gtr. 2

         
                         
P.M. P.M.  P.M. P.M.   P.M. P.M.  P.M. P.M.  

3 2 2 3 2 2 2 3 5 3 2 2 3 2 2 2 3 5
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

Rhy. Fig. 1 End Rhy. Fig. 1


Gtr. 1

      
                           
   
 
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.

3 2 2 3 2 2 2 3 2 2 3 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
7

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 Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A


E[b6] E5 E[b6] E5 E[b6] E7 E[b6] E5 E[b6] E5 E[b6] E7

                     

            


Up on my soap - box, a lead - er out to change the world. Down in my pul - pit as the ho - li - er - than - thou, could - be mes - sen - ger of

Interlude

 
E5 B5/E C5 E5 B5/E G F#11 F,7#11 E5

     


God.

 
     
Gtr. 1

   
   
          
 
       
let ring  let ring   let ring 

let ring
P.M. P.M. P.M.
0 0
0 0
0 2 4 5 5 0 2 4
2 2 3 3 3 2 2 1 1 0 0 2
0 0 0 0 0 3 2 2 1 1 0


Gtr. 2

        
 

2 2
0 0

B5/E C5 E5 B5/E G F#11 F,7#11 E5

 
      
Wage

 
     
   
    
   
 
         

let ring  
let ring  let ring  let ring 
P.M. P.M.
0 0
0 0
0 2 4 5 5 0 2 4
2 2 3 3 3 2 2 1 1 0 0 2
0 0 0 0 3 2 2 1 1 0

  



          
 

2 2 1 1 0 0 2
0 3 2 2 1 1 0

SheetMusicDirect.com Order 9039857 | 1 copy purchased by Alan Medina on Aug 07, 2023 at 7:40pm CDT
  Bridge
Half-time feel
Gtr. 2 tacet
E5 B5/E C5 E5 B5/E G F#11 F,7#11 E5
            
    
the war on or - gan - ized crime.
killed my wife and my ba - by with hopes to en - slave me.


Riff D End Riff D

    
Gtr. 1

   
          
   
 
        
 
   
   let ring 

let ring let ring let ring
P.M. P.M. P.M. P.M.
0 0
0 0
0 2 4 5 5 5 5 5 5 5 5 0 2 4
2 3 3 3 3 3 3 3 3 3 2 2 1 1 0 0 2
0 0 0 0 0 0 3 2 2 1 1 0

Gtr. 1: w/ Riff D (2 times)

      
B5/E C5 E5 B5/E G F#11 F,7#11 E5

    3 
  
         
Sneak at - tacks, rap - pel down the rocks be - hind the lines.
First mis - take, last mis - take.

                    
B5/E C5 E5 B5/E G F#11 F,7#11 E5
        
    
Some peo - ple risk to em - ploy me, some peo - ple live to de - stroy me.
Paid by the al - li - ance to slay all the gi - ants.

To Coda 
B5/E C5 E5 B5/E G F#11 F,7#11 E5

         
   

     
Oo, eith - er way, they die. They die!
The next mis - take, no more mis -

Rhy. Fill 1 End Rhy. Fill 1

    
Gtr. 1

   
         
          
 
     
let ring  let ring   let ring 
   
P.M.  P.M. P.M.  P.M.
let ring
P.M.
0 0
0 0
0 2 4 5 5 5 5 5 5 5 5 0 2 4
2 3 3 3 3 3 3 3 3 3 2 2 1 1 0 0
0 0 0 0 0 0 3 2 2 1 1 3


Gtr. 2
Rhy. Fill 1A End Rhy. Fill 1A

       


5
12 3

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 Guitar Solo
G Bbsus2 E5 F5 F#5

                
 
          
8va


Gtr. 5 (elec.)

      
  
3

       
3
f
w/ dist.    
7 10 7 6 10 6 8 10 13 10 10 13 18 13 13
8 8 8 6 11 11 11 15 15
7 7 7 7 10
9 9 8 12
2 5 10
3

Riff E


Gtr. 1

    
      
     


P.M.  let ring

3 0 1
0 3 3
0 3 0 3 3
2 1 3 4
0 1 2

Rhy. Fig. 2


Gtr. 2

 
         

  
P.M.

3
5 1 3 4
3 3 3 3 0 1 2


G Bbsus2 E5 F5 F#5


 

8va

      
           
  

 
1/2
 1/2 1/2
1 1/2 1 1/2 1
 1 1/2

18 18 15 20 20 20 24
15 17 17 17 15

  
       

       
P.M.  let ring

3 0 1
0 3 3
3 0 3 3
2 1 3 4
3 0 1 2


 
         
    
P.M.

3
5 1 3 4
3 3 3 3 0 1 2

10

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 
G Bbsus2 E5 F5 F#5

  
   
8va

           
 
loco


 
1 1/2 1 1/2 1/2
 
24 24 24 24 24 22 18 15
15
15 14
15 12
13

  
End Riff E

       

      


P.M.  let ring

3 0 1
0 3 3
3 0 3 3
2 1 3 4
3 0 1 2

 End Rhy. Fig. 2

        
   
P.M.  

3
5 1 3 4
3 3 3 3 0 1 2

End half-time feel


G F#11 F,7#11 E5

               
                      
8va

 


              6
5
grad. bend

1/4
18
8 8 8 8 10 10 10 10 11 11 11 11 13 8 18 15 18 18 15 15 18 15 18 15 15
X X X X X X X X X X 18 18 17 15 18 18 15 17 15
5 5 5 5 7 7 7 7 8 8 8 8 10 17

  
 
    
  
          
 let ring  let ring 
P.M.
0 0
3 0 0 0
0
3
2 2 1 1 0 0 2
3 3 2 2 1 1 0


      
            
P.M. 

5 2 1 1 0 0 2
3 3 3 3 2 2 1 1 0
11

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 Interlude D.S. al Coda
Gtr. 5 tacet


E5 B5/E C5 E5 B5/E G F#11 F,7 E5

     
 
They


8va

    
    
2

18

  
8va

   
       
loco

  


 
 
           

               
let ring  let ring   let ring 


Harm.
let ring
P.M. P.M. P.M. P.M.

0 0
5 0 0

5
0 2 4 5 5 5 5 5 5 5 0 2 4
2 2 3 3 3 3 3 3 3 2 2 2 1 1 0 0 2
0 0 0 0 0 3 2 2 1 1 0
Pitches: B
G
D


       
           
  

2 2 2 1 1 0 0 2
0 0 3 2 2 1 1 0

 Coda
Guitar Solo
Gtrs. 1 & 2: w/ Rhy. Fills 1 & 1A Gtr. 1: w/ Riff E
Gtr. 2: w/ Rhy. Fig. 2

  
 
F,7#11 G G Bbsus2 E5 F5 F#5

  
- takes.

  
        
Gtr. 5

        
loco

  
     
1 1 1/2
 
5 5 3 3 5 5 5 5 7 5
5 5 3
5 3
6

12

SheetMusicDirect.com Order 9039857 | 1 copy purchased by Alan Medina on Aug 07, 2023 at 7:40pm CDT
 
G Bbsus2 E5 F5 F#5

             


     
 


3

6 8 6 8 6 6 6
5 7 7 7 10
10 15


G Bbsus2 E5 F5 F#5

             
    
   
8va

    
  


 
3

1
22 18 18
15 18 15 18 18 20 22 18 15 18 20 18
15 18 19 18 19
15 17
17

End half-time feel


G F#11 F,7#11

  
8va

        
loco

    
Gtr. 5

   

 
1
1
20 20 15
18
15 17 17 18 18 17 17

   
Gtr. 1

       
 
        
 let ring  let ring 
P.M.
0 0
3 0 0 0
0
3
2 2 1 1 0 0
3 3 2 2 1 1


Gtr. 2

     
          
P.M. 

2 2 1 1 0 0
0 3 3 3 2 2 1 1

13

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 Interlude
Faster q = 183
Gtr. 5 tacet
E5 G5 F5

             
  

Gtr. 1


 

 Harm.



P.M. P.M.

 2 5
0 3 3 3 3 3 3 3 3 3 3 3 3 3 3 0 3 0
Pitch: B

  

Gtr. 2

   
 
 


P.M. P.M.

 2 5
0 0 3 0

F#5 G5 E5 F#5 E5 F#5 G5 E5 G5 F#5 E5 F#5 G5 E5 G5 E5

       
 
Gtrs. 1 & 2
Play 3 times

          
  
                 

P.M.  P.M.  P.M. 
Harm.


P.M. P.M. P.M.

4 5 4 4 5 5 4 4 5
 2 2
2 3 0 2 0 0 2 3 0 0 3 2 0 0 2 3 0 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 0 3 0
Pitch: B

Guitar Solo
F# G E5 F# E5 F# G E5 G F# E5 F# G E5


8va

 
Gtr. 6 (elec.)
    
  
f fdbk. grad. bend fdbk.
w/ dist.
1 don’t pick 1 don’t 1
pick
17 17 17 17

0 0

Rhy. Fig. 3


Gtrs. 1 & 2


          
        

       
P.M. P.M.  P.M.  P.M.  P.M.

1 2 1 1 2 2 1 1 2 2
2 3 0 2 0 0 2 3 0 0 3 2 0 0 2 3 0 0 0 0 0 0 0 0

14

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 G5 E5 F#5 G5 E5 F#5 E5 F#5 G5 E5 G5 F#5 E5 F#5 G5

 
8va

            
  
grad. bend grad. bend grad. bend grad. bend grad. bend
1 1 1 fdbk. 1 1 fdbk. 1
don’t don’t
pick pick
17 17 17 17 17 17 17 17

0 0


           
                       
P.M.  P.M. P.M. P.M.  P.M.  P.M. 

5 4 5 4 4 5 5 4 4 5
0 0 0 0 0 0 0 0 3 0 2 3 0 2 0 0 2 3 0 0 3 2 0 0 2 3

E5 G E5

       
loco

                     


17 15 12 12 12
17 17 15 12 17 15 12 17 15 12 12
15 15 14 12 15 14 12 15 14 12 12
14 14

 End Rhy. Fig. 3


 
                
P.M. 

2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3 0

Gtrs. 1 & 2: w/ Rhy. Fig. 3 (3 times)

F# G E5 F# E5 F# G E5 G F#5 E5 F# G E5

        
Gtr. 6

               
   

13 12 14 13 12 14 13 12
14 13 12 14 13 12 14 13 12 13 12 10 12 10 12
0 3 5

           
G5 E5 F#5 G5 E5 F#5 E5 F#5 G5 E5 G5 F#5 E5 F#5 G5

      
              
  
    
12 15 12 15 15 17 15
12 14 12 14 15 12 14 12 14
12 14 12 12 14 12 13 14 12 14
3 12 14 12 13 14
5 5 5 5 4

15

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 E5 G E5

            
                   


12 15 17 12 15 17 12 15 17 12 15 17 12
12 12 15 17 12 15 17 12 15 17 12 15 17 12 15 17
15 15

F# G E5 F# E5 F# G E5 G F# E5 F# G

            
8va loco

   
       

3

17 17 15 12 17 15 12
17 15 12 17 15 12
15 17 12 12
14 14 14 14

                 
E5 G5 E5
        
     


15 12 12 15 12 17 12 12 15 12 17 12 12 17 12 12 15 12 17 12 12 15 12 17 12 12
15 15 15 15 15 15

                               
F#5 G5 E5 F#5 E5 F#5 G5 E5 G5 F#5 E5 F#5 G5




17 12 12 15 12 17 12 12 15 12 17 12 12 17 12 12 15 12 17 12 12 15 12 17 12 12
15 15 15 15 15 15

                               
E5 G E5




15 12 12 17 12 12 15 12 12 17 12 12 15 12 12 17 12 12 15 12 12 17 12 12
15 15 15 15 15 15 15 15

16

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                         
F# G E5 F# E5 F# G E5 G F# E5 F# G

 
 
3 3 3 3

17 15 12 12 17 15 12 12 17 15 12 12 17 15 12 12 17 15 12 12
15 15 15 15 15

E5 G5 E5
                       
        


17 15 12 17 15 12 17 15 12 17 15 12 18 16 13 18 16 13 18 16 13 18 16 13
12 12 12 12 13 13 13 13

           
F#5 G5 E5 F#5 E5 F#5 G5 E5 G5 F#5 E5 F#5 G5
           
        


19 17 14 19 17 14 19 17 14 19 17 14 20 18 15 20 18 15 20 18 15 20 18 15
14 14 14 14 15 15 15 15

E5 G5 E5

 
8va

                               

1

22
21 19 16 21 19 16 22 20 17 22 20 17 23 21 18 23 21 18 24 22 19 19
16 16 17 17 18 18 19

F#5 G5 E5 F#5 E5 F#5 G5 E5 G5 F#5 E5 F#5 G5

      
8va
     

Gtr. 6

 3 3
1 1 1 1 1 1

22 22 22 22 22 22 22


Gtrs. 1 & 2

          
       
P.M. P.M.  P.M.  P.M. 

4 5 4 4 5 5 4 4 5
2 3 0 2 0 0 2 3 0 0 3 2 0 0 2 3

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 Bridge
Gtrs. 1 & 2: w/ Riff A (5 times)

    
D5 E5 G5 E5 D5 E5 D5 E5 B5 D5 E5 G5 E5 D5 E5 D5 E5 B5
    3    
     
Fill the cracks in with ju - di - cial gran - ite. Be -


Gtr. 6
loco


    
w/ bar
grad. dive

0 0
-1
-1 1/2

Gtr. 6 tacet
D5 E5 G5 E5 D5 E5 D5 E5 B5 D5 E5 G5 E5 D5 E5 D5 E5 B5

      
        
3

  
cause I don’t say it, don’t mean I ain’t think - in’ it.


   
  

grad. release

0 0
-2 1/2 -1

Gtr. 3: w/ Riff B (1 1/2 times)

 
D5 E5 G5 E5 D5 E5 D5 E5 B5 D5 E5 G5 E5 D5 E5 D5 E5 B5

           
   
3

  
Next thing you know, they’ll take my thoughts a - way. I

D5 E5 G5 E5 D5 E5 D5 E5 B5 D5 E5 G5 E5 D5 E5 D5 E5 B5

           
   
3

    
    
know what I said, now I must scream of the

   
D5 E5 G5E5 D5 E5 D5 E5 B5 D5 E5 G5E5 D5 E5 D5 E5 B5
    3 
       
o - ver - dose, and the

18

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  
D5 E5 G5 E5 D#m Dm D5 E5 G5 E5

      
3

       


lack of mer - cy kill - ings,


Gtr. 3

   
3 3 3 3


          
P.M.  
12 12 13 12
10 10 10 9 8 6 7
12 11 10


Gtrs. 1 & 2

  
3
 3
 
    
   
   
P.M. P.M. P.M. P.M.

13 12
5 7 10 7 9 8 5 7 10 7
0 0 0 0 0 0 0 0 0 0 0 11 10 0 0 0 0 0 0 0 0 0 0 0

    
D5 E5 D5 E5 B5 D5 E5 G5 E5 D5 E5 D5 E5 B5
 
        
mer - cy kill - ings, mer - cy


   



        
     
     
P.M. P.M. P.M. P.M. P.M. P.M.

5 7 5 7 9 5 7 10 7 5 7 5 7 9
0 0 0 0 0 0 0 7 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 7

Gtr. 3 tacet

    
D5 E5 G5 E5 D5 E5 G5 E5

    
kill - ings, kill - ings,


Gtrs. 1 & 2

        
   
                     
P.M. P.M. P.M. P.M.

5 7 10 7 5 7 10 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
19

SheetMusicDirect.com Order 9039857 | 1 copy purchased by Alan Medina on Aug 07, 2023 at 7:40pm CDT
     
D5 E5 G5 E5 D5 E5 G5 E5 G5 E5

    
kill - ings, kill - ings.


         
   
                 
P.M. P.M. P.M. P.M. P.M.

5 7 10 7 5 7 10 7 5
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3 0

Outro
Half-time feel End half-time feel


F#5 G5 E5 F#5 E5 F#5 G5 E5 G5 F#5 E5 G E5

   
      
       
P.M. P.M.  P.M.  P.M.  P.M.

4 5 4 4 5 5 4 2
2 3 0 2 0 0 2 3 0 0 3 2 0 0 3 0


F#5 G E5 F# E5 F# G E5 G F# E5 G5 E5

 
        
       
P.M. P.M.  P.M.  P.M.  P.M.

1 2 1 1 2 2 1 5
2 3 0 2 0 0 2 3 0 0 3 2 0 0 3 0

 
F#5 G5 E5 F#5 E5 F#5 G5 E5 G5 F#5 E5 μ E5 μ

  
3
       

     
Next thing you know, they’ll take my thoughts a - way.


             
                 
P.M. P.M.  P.M.  P.M. 

4 5 4 4 5 5 4 5 6 7 2 2 2
2 3 0 2 0 0 2 3 0 0 3 2 0 0 0 0 0 0

20

SheetMusicDirect.com Order 9039857 | 1 copy purchased by Alan Medina on Aug 07, 2023 at 7:40pm CDT