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HOA Module 5

The document provides an overview of architecture in India, including important time periods and structures. It discusses the Indus Valley civilization and major early religious structures like stupas. Key periods mentioned are the Mauryan period, where Ashoka promoted Buddhism; the Gupta period, where small Hindu temples emerged; and the Islamic period, where Mughal architecture flourished under Shah Jahan, including structures like the Taj Mahal and Humayun's Tomb. Important architectural elements described are stupas, temples, pillars, and cave structures used for Buddhist monasteries and shrines.

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Candace Aguilar
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0% found this document useful (0 votes)
47 views4 pages

HOA Module 5

The document provides an overview of architecture in India, including important time periods and structures. It discusses the Indus Valley civilization and major early religious structures like stupas. Key periods mentioned are the Mauryan period, where Ashoka promoted Buddhism; the Gupta period, where small Hindu temples emerged; and the Islamic period, where Mughal architecture flourished under Shah Jahan, including structures like the Taj Mahal and Humayun's Tomb. Important architectural elements described are stupas, temples, pillars, and cave structures used for Buddhist monasteries and shrines.

Uploaded by

Candace Aguilar
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as DOCX, PDF, TXT or read online on Scribd
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HOA MODULE 5


HOA 
Founder: Siddhartha Gautama
Rejects the caste system of Hinduism.
 Goal: overcome weakness including greed and
MODULE 5: ARCHITECTURE IN hunger
THE ASIA AND PACIFIC REGION JAINISM
MODULE 5.1: INDIAN ARCHITECTURE  From “Jina” meaning “victor” or “conqueror”
 All living things possess an immortal soul which
INDUS VALLEY CIVILIZATION
has always and will always exist.
 The earliest urban culture on the Indian  All should be protected with care and respect
subcontinent  Belief in reincarnation determined by karma
 2500 BC – 1700 BC TIMELINE
 Thriving towns and cities, main Indus River
Valley (Pakistan) MAURYAN PERIOD
 Major cities – grid pattern
 Left the earliest surviving example of
o Mohenjo-dajo monumental Indian architecture.
o Harappa  In the 3rd century BC, Emperor Ashoka (Ashoka
o Kalibangan the Great) made Buddhism the State religion
 Cities had provisions for an advanced drainage of India.
system  Buddhist memorial mound erected to enshrine a
 Major cities had great fortified “citadel” relic of Buddha and to commemorate some event
mound and a larger lower area. or a marked sacred spot.
 GREAT STUPA
HISTORY o Sanchi, India
o Built by Emperor Ashoka
 Cities were ruled by priest – kings.
o Also called Stupa No.1
 Earliest buildings were made of wood and later, o 120ft (37m) wide and 54ft (17m) high
brick.
o UNESCO WHS, 1989
 Most surviving examples of Indian Architecture o Dome (Anda) symbolizes the dome of
are religious structures. heaven enclosing the earth.
RELIGION  PARTS OF STUPA (check DK Ching
o Chattri
HINDUISM o Railings
 Harmika
 One of world’s oldest religion  Medhi
 Third largest religion behind Christianity and  Vedika
Islam o Toranas
 No specific founder, Compilation of many  Ceremonial gateways
traditions and philosophies o Dome (anda)
 Belief in “atman” (soul) reincarnation o Axis Mundi
(transmigration of souls) and karma (what a
person does in the present life will affect the next EARLY INDIAN
life)
 Hindu worship (“puja”) takes place in the  Period where stupas became progressively larger
Mandir (temple) and more elaborate.
 Social Hierarchy based on karma and dharma  Stone railings of Stupas are lavishly carved with
(souls’ purpose) relief sculpture.
o Brahman  Cave temples and monasteries were cut out of
o Khsatriya cliffs in Western India.
o Vaishya  BUDDHIST CAVE TEMPLE
o Shudra o Karli, Maharashtra India
o Dalit GUPTA PERIOD
BUDDHISM  New style of Hindu temple with small
Complex system of beliefs developed around the teaching sanctuary (garbhagriha or “womb room”)
of Buddha – the enlightened one. topped by a pyramid-shaped tower or spire called
sikhara.
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HOA MODULE 5
 Temples of a simpler style (flat roofs) o UNESCO WHS, 1983
 Stupas, rock-cut temples and monasteries o Building is covered in pure white,
continued to be built. Makrana marble.
 Cave temples were carved with extreme richness o Actual tombs of the wife and emperor
and magnificence.
ARCHITECTURAL EXAMPLES
MEDIEVAL PEIOD
STAMBHAS
 Temples include a small square sanctuary
(garbhagriha)  Freestanding monumental pillars believed to
 One or more pillared porches or halls be a “cosmic column” functioning as a bond
(mandapas) joining heaven and earth.
 Rising above the sanctuary isa tower or spire  Kirti Stambha
 In Northern India: tower or spire above the o Rajasthan India
sanctuary is known as Shikhara o Heavy ornamentation
o Curved outline o Image of gods
 Lakshmana Temple
VIHARA
o Khajuraho, Madhya state India
 In Southern India, tower or spire above the  Buddhist monastery often excavated from solid
sanctuary is of the kutina type. rock.
o Pyramid-shaped  Ajanta Caves
 Brihadishvara Temple o Maharashtra, India
o Thanjavur, Tamil Nadu state India o String of 30 caves used by Buddhist
monks as prayer halls and monasteries.
ISLAMIC PERIOD
CHAITYA
 Extension of Islam into India (11th to 12th
century), introduced typical Muslim architectural  Shrine carved out of solid rock hillside’ form of
elements into mosques, tombs and other an aisled basilica, with a stupa at one end.
structures.  Buddhist Cave Temple
 Under the Mughal Dynasty (mid-16th to the late o Karli, Maharashtra India
17th century), Northern India saw a striking
revival of Islamic Architecture. MANDIRA
 Reached its peak during the reign of emperor
 Hindu temple with an interior sanctuary
Shah Jahan.
(vimana), capped by a tapering spire-shaped
 Humayun’s Tomb
tower (sikhara) and with porch – like halls
o Delhi India
(mandapa) for dancing and music.
o Built entirely of red sandstone and
 Sri Ranganathaswany Temple
marble. o Karnataka, India
o Introduced high arches and double
domes to Indian Architecture MODULE 5.2: CHINESE ARCHITECTURE
o UNESCO WHS, 1993
o Center plan divided into 36 squares. HISTORY & RELIGION
o Tomb occupies the middle four squares.
o A garden covers the remaining 32  Only ancient civilization has continued to this
day.
squares.
 First communities chiefly in the basin of Huang
 Taj Mahal
He (Yellow River)
o Agra, India
 Religious and ethical influences:
o The mausoleum was built by Shah
o Confucianism, Taoism, and Buddhism
Jahan for his favorite wife.
o Considered as the finest examples of  Chief building types: Palaces and Temples
Mughal Architecture. CHARACTERISTICS
o Blend of Indian, Persian and Islamic
Style  Adorned with ornamentation and rich in colors.
o Mumtaz Mahal means Ornament of the  Heavily utilized symmetry and balance through
Palace use of Feng Shui (Taoist Philosophy)
o Taj mahal came from Shah Jahan’s  TAOISM – core philosophy and religion in
endearment to his wife (Arjumand Chinese culture that is centered through harmony
Banun Begum) and balance with the universe.

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HOA MODULE 5
 Yellow Crane Tower – Wuhan  Monumental, ceremonial gateway and basic
symbolic structure in Chinese Architecture
BUILDING TYPES  Trabeated form, in stone or wood with bold
IMPERIAL BUILDINGS projecting roofs
 1,3 or 5 openings
 Formal style with a solemn feel  Han Dynasty Pailou
 Typically, grand in scale compared to other o Hanzhong Shaanxi Province, China
buildings.
 Use of yellow roof tiles TEMPLE
 Ancient Chinese favored color red.  For Chinese temples, the main feature was the
 Buildings faced south because north has a cold roof.
wind.  Placing roofs one over the other is a sign of
 Influenced by numerology. dignity.
 The Forbidden City  Temple of Heaven
o 9,999.9 rooms o Beijing, China
o Short of the mythical 10,000 rooms in o UNESCO WHS, 1998
heaven  A Complex of imperial religious buildings.
COMMON BUILDINGS o The Hall of Prayer of Good Harvests
o The Imperial Vault of Heaven
 Model of a Traditional Chinese courtyard house o The Circular Mound Altar
 Primarily suited to function rather than aesthetic
appeal PALACES
 Houses of commoners (bureaucrats, merchants  Buildings are dispersed around the courtyard
or farmers) follow a set of patterns with a shrine  Entire grouping is organized around a central
at the center for the deities and ancestors, used pathway or axis
during festivities.
 Largest and most important building at the
RELIGIOUS BUILDINGS northernmost
 Surrounding structures and courtyards increase
 TAOIST – favored styles closer to common in size as they get closer to the main building.
buildings  THE FORBIDDEN CITY
 BUDDHIST – closer to imperial style buildings, o UNESCO WHS, 1987
favoring grand architecture. o Abode of the Chinese Emperor, their
 Much aesthetic appeal (decorative tiling, accents, families, staff, and government officials
and sculpture) o Occupied by emperors from Ming
 Impressions of different religions informed the Dynasty to the end of Qing dynasty.
design choices of the building. o One of the most significant symbols of
ancient Chinses government.
ARCHITECTURAL EXAMPLES
o World’s largest preservation of wooden
PAGODA structure from ancient world
 PALACE OF HEAVENLY PURITY
 Buddhist temple and most typical Chinese o Beijing, China
building of religious significance o Built by Emperor Zhu Di
 Gaine a secular nature later; monuments to o Best preserved imperial palace in China
victory or a memorial to hold relics.
 Based on Indian Stupa and Stambha FORTIFICATION
 Served a symbol of Buddhism in China, ass the
Stupa did in India.  GREAT WALL OF CHINA
o Built by Qin Shih Huang Ti
 Ying County Pagoda
o Shanxi Province, China o For protection of China against nomads
 DOUGONG from the north.
o Interlocking bracket system used in ROOF ART
traditional Chinese construction to
support roof beams; has both structural  Four types of roof art
and decorative uses. o Hip Roof
o Gable and Hip rood
PAILOU o Overhanging Gable Roof
 Also called Paifang o Flush Gable Room

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HOA MODULE 5
ROOF DECORATION TEMPLE

 Chinese folklore considers decorative elements  Called tera, ji or in


to be essential and potent features.  Originated in Japanese Buddhism
 The more important the building, the greater the  Have two gates in front and a bell inside.
number of figures.  Have a plethora of statues of Buddhist deities.
 Sensoji Temple
MODULE 5.3: JAPANESE o Asakusa, Tokyo
ARCHITECTURE
SHRINE
HISTORY
 Called jingu, jinja or taisha
 Unlike the relatively ancient history of China and  Built for worship according to the Shinto
India, Japanese history gets a relatively late religion.
start.  SHINTO
 First Japanese people did not up in the o Way of the Gods
archipelago until approximately 2,000 years ago. o Polytheistic religion that recognizes
hidden spirits called kami (spiritual
GEOGRAPHY
beings that can inhabit or be essentially
 Japan is an archipelago of four large islands as anything)
well as hundreds of smaller islands.  TORII
 The sea became an important part of their o Shinto Gate
culture. Places at entrances to spiritually
important locations. Represents
TRADITIONAL JAPANESE HOME boundary between the spiritual world
and the mundane.
 Furniture is sparse.
 Belief in concept of ma (negative space).
Objects are placed very far apart as traditional
Japanese believes this encourages creativity.
 Concept of inside and outside
 SHOJI
o Used to close off or open rooms other
and to the outside. This linked nature to
the inside of their living spaces.
 Zen Rock Garden, as a feature of many
traditional households, were rocks of all shapes
and sizes are places asymmetrically calling the
attentions to the spaces between them.
 Furniture is made of wood with handles on the
sides or easy mobility in case of fire.
 Furniture has three main purposes:
o Sleeping and sitting
 TATAMI MAT
o Prayer
o Storage
 TANSU
 MIZUYA
 KAIDAN TANSU

JAPANESE PAGODA
 Primarily built of wood, have larger overhands
and seen as secondary structures rather than
primary.
 Multi-tiered towers, with the volume of each
tier diminishing until the final roof.
 Main purpose: house Japanese Buddhist
artworks, statues, and religious objects.

RELIGIOUS STRUCTURES
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