Tahreem Fatima - Final MRR
Tahreem Fatima - Final MRR
Tahreem Fatima
HABIB UNIVERSITY
KARACHI, PAKISTAN
2019
PAKISTAN’S CARPET INDUSTRY: ANALYZING THE DECLINE
BY
TAHREEM FATIMA
MAY 2019
PAKISTAN’S CARPET INDUSTRY: ANALYZING THE DECLINE
Tahreem Fatima
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ABSTRACT
The art of carpet manufacturing is one of the oldest crafts present in the sub-continent. It gained
popularity in India during the 16th century, when Akbar brought carpet weavers from Central
Asia and set up workshops. This cottage industry has been a source of major foreign exchange
earnings for Pakistan and constitutes 0.64% of the total GDP while employing more than 1
million people. According to recent news reports, Pakistan has lost its share in global carpet
trade as its export value declined by more than 50% over the last decade, down from USD 278
million in 2005-06 to USD 97.680 million in 2015-16. In the year 2017-18, export of carpets
and rugs registered a negative growth in value by 9.2% whereas its exports quantity declined
by 6.3%. Reasons for this decline range from high taxes and input costs, access to funds and
raw materials, terrorism, transportation, and unskilled labor amongst the many others. This
paper aims to study the rapid decline faced by the Pakistani handloom industry and analyze the
various reasons through the theory of time and space compression by David Harvey (2000).
Ethnographic interviews will be conducted with the carpet vendors and exporters present in the
Saddar area of Karachi, many of which have been present since the 1950’s, in order to support
the analysis discussed in the paper.
KEYWORDS
Time and Space Compression, Carpet Industry, Exports, Pakistan
PREFACE AND ACKNOWLEDGMENTS
This research could not have been conducted without the support of my advisor, Dr.
Aaron Mulvany. I am extremely grateful to Dr. Aaron for his detailed feedback and intellectual
support which allowed me to produce this paper. I would also like to thank Dr. Hafeez Jamali
for building my interest in the theme of globalization and economy. I extend my gratitude to
all of my teachers at Habib University who have contributed immensely to my knowledge in
the past four years.
I am extremely grateful to the carpet retailers who took out time to participate in this research.
Without their knowledge and feedback this research would not have been possible. Finally, I
am most grateful to my parents, siblings and fellow peers for their unconditional support and
encouragement.
TABLE OF CONTENT
BACKGROUND 1
PROBLEM STATEMENT 4
THEORETICAL FRAMEWORK 6
METHODOLOGY 8
FINDINGS 9
DISCUSSION 16
LIMITATIONS 22
CONCLUSION 22
BIBLIOGRAPHY 24
APPENDIX A: INTERVIEW QUESTIONS 27
Background
A carpet is a textile floor covering typically consisting of an upper layer of pile attached
to a backing (Padhye & Nayak, 2016). The pile usually consists of twisted tufts which
are typically heat-treated to maintain their structure (Dahlin, 2016). The weaving and
knotting can take from six months to several years, depending on the fineness or
coarseness of the carpet (Schuster, 2008). Carpets are of several kinds, such as woven,
needle felt, knotted, tufted, machine made. Carpets are categorized as handicrafts.
produced by artisans, completely by hand or with the help of hand tools & even
mechanical means, as long as the direct manual contribution of the artisan remains the
most substantial component of the finished product” (UNESCO and International Trade
Centre, 1997).
The art of carpet manufacturing is one of the oldest crafts present in the sub-continent.
Excavations at Moenjodaro and Harappa, ancient cities of the Indus Valley civilization,
have established that the inhabitants used spindles and spun a wide variety of weaving
historians consider that the Indus Valley civilization first developed the use of woven
textiles (Bilgrami, and Ahmed, 2004), while others believe that carpet making was
introduced to the region now constituting Pakistan, only in the 11th century with the
coming of the first Muslim conquerors the Ghaznavids and the Ghauris (Cameron &
Khair-Uz-Zaman, 2006).
In the 16th century, Mughal Emperor Akbar brought carpet weavers from Central Asia
to teach local weavers the designs and techniques of carpet weaving, and soon thereafter
a unique indigenous style developed (Schuster, 2008). Workshops were set up at places
such as Agra, Lahore, Fatehpur, Sikri, Ahmadabad, Gujrat, and some other places
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(Aalum, 2014). Patterns of Mughal period carpets consisted of vines and floral patterns,
animal figurines to calligraphic patterns, all hand-knotted into wool or silk (Narayan,
2018). According to Schuster (2008), oriental rugs are still made today in Pakistan and
India, but most of the designs are based on Persian and Central Asian prototypes.
During the Mughal rule, carpets with variety of designs and densities from South Asia
were appreciated and gained popularity worldwide, due to which their demand grew
By the late 17th century, the art of carpet making slowly emerged as a small industry
providing opportunity for some skilled laborers to earn their living (Aalum, 2014).
Today, Lahore, Multan, Hyderabad in Pakistan and Agra, Mirzapur and Jaipur in India
are known for their carpets (Shaheen, 2004). Handmade Carpet manufacturing sites are
present all over Pakistan, mainly in Sindh and Punjab. Pakistan is amongst the six major
carpet suppliers of the world, alongside Iran, India Nepal and Turkey (Cameron &
Khair-Uz-Zaman, 2006). Until the early 1970s, the carpet industry received no
government patronage and limited carpet weaving activity took place in big cities.
However, in the 1970s, Zulfqar Ali Bhutto adopted policies to encourage carpet-
2004).
Pakistani craftsmen have the capacity to produce any type of carpet using all the popular
various combinations (Stine, 1997). The Pakistani carpets are predominantly divided
between Mori and Persian design; Mori carpets, renowned for the Bokhara type and
Turkmenistan patterns, are found in rich blue, red or green colors whereas the Persian
style is similar to the Kashan and Kerman designs. According to Small and Medium
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Enterprises Development Authority (2018), Pakistan’s carpet exports consist of the
3. Turkish knot made with hand spun vegetable dyes learned and indigenized from
there are 150,000-200,000 looms in the country, whereas the number of weavers is
estimated to be around 200,000-250,000. At one time an atelier might have been under
the actual domain of a ruler, but later family-run enterprises controlled the carpet
example of a domestic industry set up within the confines of a home and produced by
family members that has now grown to become an organized industry in many
countries around the world. This item, made in a particular style in a certain area,
retains a craft and history carried throughout time. Due to changing times and the
According to the PCMEA, hand-knotted carpets are included as one of the major
exports of Pakistan. These carpets contribute greatly towards earning foreign exchange
as the demand in Western countries is high (National Bank of Pakistan, 2013) and
makes up around 2.5% of total exports (Yasmin & Altaf, 2014). More than 1.5 million
people are employed in this sector and more than 3 million people directly or indirectly
depend on its earnings (Nasir, 2004, p.1). Additionally, this industry constitutes 0.64%
of the total GDP, 3.66% of the manufacturing industry GDP, and approximately 14%
3
Problem Statement
Carpet manufacturing was flourishing in Pakistan and has been a major source of
foreign exchange, but currently this industry is not demonstrating a significant export
growth and is in dire need of support in order to improve (Yasmin & Altaf, 2014). After
Partition, the carpet industry remained neglected until the 1970’s, during which a
decline in Iranian carpets allowed Pakistani carpets to prosper (Shaheen, 2004). But
exports have since decreased, for example, by USD 5.71 million over 1994-95 alone.
The average growth for a period of five years from 1994-95 through 1998-99 has been
–9%. Only in one year, 1998-99, the exports declined by 58% (Small and Medium
Enterprise Development Authority, 2011). The value of exports was USD 284 million
in 2005, but it declined to USD 186 million in 2008, accounting for 1.14% of the total
Pakistan’s export values remained higher than China and India’s from 2004 to 2007 but
faced a sharp decline in the years to follow (Yasmin & Altaf, 2014). According to a
report by the National Bank of Pakistan (2018), Pakistan has lost its share in global
carpet trade as its export value declined by more than 50% over the last decade, down
from USD 278 million in 2005-06 to USD 97.680 million in 2015-16, whereas quantity-
wise the volume fell to 1,922,000 square meters in 2015-16 from 2,493,000 square
meters a year earlier, a drop of 22.90%. Countries such as India and Iran are far ahead
in the global carpet market than Pakistan. India, for example, had an annual carpet
export of USD 300 million which soared to USD 8 billion in 2016 (Syed, 2018). In the
year 2017-18, export of carpets and rugs registered a negative growth in value by 9.2%
whereas its exports quantity declined by 6.3% (Ministry of Finance, 2018). During the
year 2017-2018, The carpet exports by India were 1.430 billion dollars, while
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The rapid decline in exports, consumption, quality, and competitiveness of Pakistani
handmade carpets is a result of various factors, some of which include the ineffective
labor and product exposure, and high mark-up rates (Corporate Development Partners,
2015). A recent report on Pakistan’s small-scale industries cited high taxes and input
costs, access to funds and raw materials, terrorism, transportation, and unskilled labor
amongst the many problems faced by Pakistan’s cottage industries (Khan, 2018). The
issue of child labor is also crucial and has led to fluctuation in carpet sales (National
Carpets, Aslam Tahir, stated that the exports of carpets are falling due to a lack of
positive response from the government, lack of skill development or research, and
Compare those to Yasmin and Altaf (2014), who argue that the reasons for lower export
values are high interest rates and cost of inputs, non-conducive government policies,
exports. The Commerce Ministry included machine-made carpets in the Free Trade
Agreement (FTA) concession list, while handmade carpets were excluded, and there is
and encourage their cottage industries, such as incentives or workshops. However, the
Government of Pakistan provided no such support. It is possible that the extreme level
of government neglect has led to the inability and inefficiency of the Pakistani carpet
sector. This paper aims to demonstrate that the lack of attention given to the handloom
sector of Pakistan by the government is a direct reason for its deteriorating state, both
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locally and internationally, and to present ethnographic data that supports this
conclusion.
Theoretical Framework
David Harvey’s theory of time and space compression serves as the guiding principle
for this research. This theory explores the transformation from “Fordist capitalist
Ford who initiated this concept in 1914. It lies on Ford’s vision that “mass production
machinery and unskilled labor” (Tolliday & Zeitlin, 1987, p.1). Under Fordism, goods
are mass produced in an assembly line production method while capital and labor stay
within domestic boundaries. By the early 1970s, Fordism faced a crisis. Harvey cites
issues in labor contracts and allocations, declining production, and inflation, as some
of the reasons which caused the capitalist mode of production to shift. According to
him, the new system is “marked by a direct confrontation with the rigidities of Fordism”
(p. 147). Furthermore, “It is characterized by the emergence of entirely new sectors of
production, new ways of providing financial services, new markets, and, above all,
(p. 147). Major changes occurred due to this shift; fixed capital and labor became fluid
occurred due to which labor was required to perform multiple tasks rather than
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Innovations in technology and communication enabled this shift. Items could now be
shipped to foreign locations and be sold, whereas capital can easily be transferred across
boundaries in very less time. Harvey argues that a time-space compression has
occurred, that “the time horizons of both private and public decision-making have
shrunk, while satellite communication and declining transport costs have made it
increasingly possible to spread those decisions immediately over an ever wider and
variegated space,” (p. 147). Efficient communication, fast information flow, improved
methods of distribution have sped up production and consumption. Credit cards are one
such example, as money is transferred through one swipe over any distance in a just a
and the shift away from consumption of goods and instead to consumption of services,
Our current time is characterized by new and efficient technology, information and
communication facilities which have commodified both time and space. Both can easily
successfully function and keep up with the phenomena of time and space compression.
Pakistan’s cottage industries have great potential, but they lack the resources and
support to move forward. Currently, the industry faces many issues, such as no bonuses
or incentives present for laborers, exporters are not provided with rebates, nor has any
effort been made to enhance labor skills or boost the export of products abroad. India,
by contrast, is one of the leading countries in the international market of the handmade
carpets and exports carpets to over 70 countries. Pakistan’s carpet industry is in dire
need of effective policies and regulation by the government so it can succeed in the
current age of time and space compression and recover its export rates to create a
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Methodology
This research will take an exploratory qualitative approach to explore the reasons why
Pakistani hand-made carpets are facing a decline in exports. According to Reiter (2014),
exploratory research inquires the extent to which a theory and a hypothesis can explain,
how well it can explain it, or how meaningful and fruitful an explanation is.
Furthermore, this research design seeks to provide new explanations that have been
previously overlooked and does so through the active involvement of the researcher in
the process of amplifying his or her conceptual tools to allow him or her to provide
The rationale behind choosing this design is to thoroughly understand and explore the
realities of the carpet retailers in the context of the academic data present. This will
approach in order to gain thorough and detailed data that analyzes both the existing
academic work, and the fieldwork gathered. For this research, I will review the existing
literature and also conduct interviews with various carpet exporters and shop owners.
As there is lack of academic data from more recent years, especially since 2015, I have
Interviews have been conducted with the carpet exporters and retailers present in
Saddar area, Karachi. Consent has been taken to both conduct and record the interviews
and pseudonyms are used to protect the identity of interviewees. Data has been
collected through in-depth interviews including open ended questions intended to probe
the reasons for the Pakistani handloom sector’s decline. The sampling method
employed is purposive sampling, also known as a judgmental or expert sample, and its
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of the population (Lavrakas, 2008). The theoretical framework employed to study this
topic is David Harvey’s (2000) Time-space compression theory. This theory will be
used to analyze the academic and ethnographic data present on this topic.
Findings
Vehicles of all sorts sped by me as I stepped on to the pavement of Club Road, Saddar
bazaar. My ears were suddenly filled with jarring sounds of horns, accelerators, breaks,
mixed with a muted but significant buzz of the voices of people walking by. Bright sun
rays lit up Club Road, shining upon the vehicles rushing by, as if highlighting the chaos
of Saddar. I proceeded towards the entrance of the carpet market as a deep burgundy
colored rug with undertones of classic blue caught my eye. It hung proud and tall,
design, a very popular type of handmade carpet consisting of handmade Persian knots
and wool. I stepped inside and walked further into the lane of the carpet market. My
ears met a somber dull silence as the noise of Saddar slowly died down along with the
bright sunlight present outside. Carpets of various designs, colors and sizes decorated
the lane. Purples, reds, blues and browns popped out and brightened the dimly lit lanes
as I walked along. Motifs of Mughal emperors and peacocks amongst lush green
gardens were also a popular print on many carpets. Shopkeepers seemed to be shaken
out of a trance as they moved from their sitting areas and gazed out of their windows
as I passed by. They might have recognized me as an outsider or were put off guard by
someone visiting the carpet market. A beautiful blush rose colored carpet stood out
amongst the canvas of colors. Beige, peach and light browns peaked out against the
varying shade of the beige background. The intricate floral patterns mixed with the
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beautiful variation in colors and contrasts could only be found in Chobi carpets. Made
from natural dyes present in trees and creating shades through varying degrees of
absorption, the carpets are then hand-knotted to produce these symmetrical carpets with
delicate designs. The bland brown lanes of the carpet market were adorned with many
such magnificent carpets and men who seemed to be sitting idle. The juxtaposition
between the chaotic buzzing Saddar and the empty and quiet, yet beautiful, lanes of the
carpet market was profound. It took me a few seconds to come to terms with the fact
that I was still in Saddar, as the deep silence urged me to believe otherwise.
The rich smell of wool and threads mixed with Attar hit my nostrils as I stepped inside
the first store. A bearded man dressed in a button-down shirt and dress pants sat at the
edge of the store on a floor cushion, his eyes fixated on his phone as he frowned.
Another man, dressed in white shalwar kameez stood up as I entered. His name was Ali
and he worked for Mr. Altaf, who generously agreed to answer my questions. Mr. Altaf
informed me that his carpets come from Lahore, Interior Sindh, and Hyderabad, and he
has been involved in this business since his youth. He only dealt in handmade carpets
and expressed his dismissal towards machine-made carpets as, according to him, they
did not retain the essence of the craft. Before I asked him about the exports and current
market scenario for carpets, he expressed his surprise on my arrival and proceeded to
discuss the lack of customers. “Many days we sit without having sold any carpets, but
this is our work, what else can we do?” I asked him why this is the case and discussed
with him the decline in carpet exports. His answer captured various factors, ranging
from rumors of child labor to the lack of support provided from the government. He
spoke against the constant imposition of taxes and the reduction of rebates (personal
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From here, I went towards the adjacent shop, which was quite narrow and constricted
compared to the rest of the shops. Inside, a man dressed in white shalwar kameez stood
gazing outside. His name was Shehzad, and his family had been involved in the carpet
business for the past 30 years. They mainly stocked carpets from Afghanistan and Iran.
This led me to ask why they would not prefer selling locally made carpets, to which he
displayed a somber expression and with a sturdy tone stated that the quality of these is
far better than the quality of those made locally. However, he did express his interest in
Bokhara carpets made by the Bengalis residing in Karachi. Shehzad remained strongly
rooted in his opinion regarding the lack of skilled laborers, who are unable to provide
designs which would be able to fare well in the international market. He continued that
the lack of government participation has caused the role of the shopkeeper to evolve
while reducing the role of the ‘karigar’ (craftsman). He concluded by reiterating his
opinion that it is the shop keepers who have to deal with the international markets and
then the craftsmen; “we have to provide for both unaided by the government” (personal
I decided to venture deeper into the alleys of the carpet market. A few feet away I
spotted a beautifully woven carpet which seemed to be of silk. A tree was woven into
it, with branches and leaves spreading out all over the carpet, while peacocks sat under
the shade. This scene was portrayed against a beige background. At a closer look, I
noticed birds of an orangish-brown shade sitting on the branches. The vivid imagery
and the contrasting colors held my sight for a moment, after which I proceeded towards
it. This shop was a few feet below ground and was connected to the market through a
staircase. As I descended, I could see carpets of various shapes laid on the floor,
consisting of various imageries of peacocks, parrots, and lush gardens. The vibrant
carpets stood out against the brown concrete interior of the shop. Mr. Hafiz, the owner
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of this shop, warmly greeted me as and inquired what carpet I would like to see. After
informing him of my research and its purpose, Mr. Hafiz informed me that he stocks
handmade carpets from various areas in Pakistan, such as Lahore, Landhi, Hyderabad,
Latifabad and Chachro. His shop has been in this area since the 1980s and he too, like
many others, pursued it due to his family. I inquired about the decline in the rates of
carpet exports and local consumption and asked him what he would cite as potential
reasons. He stated that the phenomena of child labor used to be a significant factor, but
it has been greatly reduced. He believed government policies and the innovation of
‘machine made’ carpets to be a reason for the decline. Towards the corner of the shop
sat another man who suddenly joined the conversation. One of his first questions to me
was whether I have observed a carpet being made. Without waiting for me to answer,
he excitedly reached for his phone and showed me a video of a carpet being made, with
focus on the finger intertwining with the material which was being woven into a carpet.
He watched with gleaming eyes and urged me to look. His appreciation for this art was
decline of consumption and export of hand-made carpets. He did not blame the
machines. Instead, he blamed the government and for reasons very similar to the ones
Mr. Hafiz had given. His name was Mr. Altaf, and he added that the Indian and Iranian
government treat their cottage industries like a ‘ladla bacha’ (favorite child), whereas
our government imposes sales taxes. His tone expressed his frustration as he stated
“how can they impose sales tax on a cottage industry? And that too on something which
does not sell?” Mr. Hafiz added that India and Iran provide rebates to their carpet
industries, which we had during Zia’s time at 26%. This fell to 18%, then 11%, then
5%, and eventually to 0%. However, India and Iran’s rebate rate is currently more than
18%. Both men harbored an agitated yet helpless tone as the conversation went on. Mr.
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Hafiz, in an exasperated tone, asked how he is supposed to pay laborers when our
product does not sell and our country does not help us. Other countries provide carpet
exporters with markup rates, rebates, and they are provided payments half in dollar half
in local currency. They also pointed out the lack of skilled labor in Pakistan, which
other countries have successfully addressed through programs and design schools. Mr.
Hafiz concluded his statement by saying that the demand for this craft is high, but they
I made my way out of the carpet market and walked towards a large store adjacent to
it. Afghan Carpets has been involved in the carpet industry since 1952 and sells and
exports oriental handmade rugs from rural Sindh and Lahore. This was the largest
carpet store in this vicinity, with a wooden interior, decorated with many kinds of
burgundy colored Bokhara carpets. The shop owner, Mr. Ahsan, was busy typing away
on his computer as he agreed to speak to me. He said that since 1952 he has seen only
decline in terms of both export and local consumption of handmade carpets. According
to him, this is not only due to the machine-made ones which are cheaper and more
diverse in designs, but also due to the poor government policies that have stunted the
growth of the handloom sector, thereby allowing not only machine-made carpets to take
over, but also allowing other markets such as India or Iran to exceed Pakistan in terms
of handmade carpets. He stated that no labor incentives, no rebates, lack of training for
labor, no promotion of cottage industries, and lack of regulation of this department have
led to the decline. Mr. Ahsan put emphasis on India’s willingness to polish the skills of
their craftsmen, due to which he believes that we may never be able to keep up with
them. He also told of his recent experience at a German carpet exhibition, Domotex, in
which only 4 carpet owners were present from Pakistan, whereas there were more than
200 carpet vendors from India. He added that carpet industries of countries such as
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India have excelled only due to subsidies, incentives by government, rebates, and
As I walked further down the pathway, I spotted another large carpet store. The voice
of Madam Noor Jehan could be faintly heard as I stepped into the shop. I noticed that
the carpets here were not put on display but were stacked in a clean manner and covered
with large cloths. Mr. Malik, the owner of this store, has been in this business for more
than 40 years. He also agreed that there has been no response or support from the
government. They instead keep imposing taxes and have made the rebate rate zero. He
pointed out the efforts of the government of India in encouraging their cottage
industries. He stated that the carpet retailers and exporters need and want government
support, as this is not only an art in need of saving but also a source of livelihood which
is diminishing in front of our eyes. He stated his concerns for the labor involved in
carpet making. How can they afford basic necessities if the only work they know is not
being appreciated? One major issue put forward by the labor he is in contact with is the
increase in petrol costs, and his inability to increase the costs of carpets as quick as the
increase in petrol rates. He also expressed the need for the government to remove
carpets from the category of textiles and place it under cottage industries, which would
lead to fixed taxes. He added that exhibitions should be held locally in place of foreign
highlighted the need for funds and programs to improve labor skills (personal
I decided to venture further around this vicinity. I proceeded towards Abdullah Haroon
Road, as the heat seemed to be more intense. From a few feet away, I could partly see
the glass windows of Habib Carpets as I waited for the traffic to disperse. Two large
carpets, about ten feet tall, stood tall and proud behind the glass window as it glistened
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with sunlight. The one on the right appeared to be a Ziegler carpet of a dull black
background, consisting of beige and pink vegetal motifs, encapsulated by a thick pattern
of contrasting floral designs. The other appeared to be a Persian design, it’s each crevice
filled with floral motifs as the subtle light blue hues intertwined with a rich brownish
red tone. The intricate patterns and designs, mixed with the captivating color patterns,
produced a magnificent sight that would halt one in their tracks. Yet, this grandeur
remained unacknowledged in the hustle bustle of Abdullah Haroon Road. The jarring
sounds of breaks and horns broke my train of thought, and I walked towards Habib
Carpets.
Large piles of rolled carpets greeted as I stepped in. At a second glance, I noticed that
the shop was quite disorganized, with scattered piles of rolled carpets decorating the
wooden floors. Towards the far-right corner of the shop, Mr. Hassan sat behind a large
oak desk, as he closely observing a tray of stones. His shop has been in this location for
the last 50 years. His carpets come from Lahore, Peshawar and Interior Sindh. With an
elevated tone, he began by telling me about the art of hand knotting and vegetal dyes,
but his tone went towards one of disappointment as he exclaimed “Beta, ab log is ski
qadar nahi karte” (Child, now people do not appreciate it). On inquiring about the
decline in handmade carpets, he stated that in the past 45 years, the demand for
handmade oriental designs has reduced. He further stated that machine-made carpets
have taken over handmade ones, in terms of both designs and cost. He expressed
concerns similar to the previous vendors I interviewed, however, he added that websites
such as Ebay have taken over the interaction vendors had with customers. Another
complaint he voiced was regarding exports on credit. Pakistan exports carpets on cash,
whereas India exports carpet on credit. This refers to being paid in cash or credit when
an item is exported. Pakistani exporters are paid on credit, and often this credit is not
15
paid back on time and is delayed. He concluded by stating that there is nothing exporters
can do except wait. “My family tells me to leave this line of work, but have an
tell anything and everything about a carpet” (personal communication, 24th March,
2019)
Other interviews I conducted expressed similar grievances and stressed the fact that
they have been in this business for as long as they can remember and do not know any
other work. Carpets are not only their passion and source of income, but also a cottage
industry that needs to be taken care of. Due to these reasons, almost all shop owners
presented sheer disdain towards the government and hoped that improvements would
be made.
Discussion
exporters and retailers present in Saddar Market, local and international consumption
of Pakistani handmade carpets has rapidly deteriorated over the past 20 years. Vendors
have been involved in this business almost all their lives, while their shops have been
in Saddar for more than 20 years (not necessarily the exact location, but the same
vicinity). All expressed mutual concerns when asked about the decline in carpet export
and consumption. Child labor was dismissed as being media propaganda, and it was
claimed with confidence by 2 interviewees that bonded child labor has indeed ended.
The consumption of machine-made carpets was also cited as a potential reason, due to
the diverse designs, quick production and low prices. However, machine-made carpets
diminished the value of the craft itself and the skills that go into its production. The
reason prevalent and discussed throughout each interview was government policies
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towards the carpet industry and their consistent neglect. Each retailer discussed the lack
of rebates, incentives, skilled labor, imposition of sales tax and the absence of any other
type of support from the Pakistani government. Another crucial point discussed was the
evolution of the role of ‘karigar’ (craftsmen). It is the retailers who have come to control
the carpet industry, and the role of the craftsmen has reduced. It is up to the retailer to
provide for the craftsmen, alongside dealing with the competitive carpet industry.
The findings put forward a detailed analysis of the scenario at play. It appears evident
that the Pakistani carpet industry has faced a decline due to the constant absence of
effective and successful policies and their implementation. The government has made
little to no effort when it comes to polishing the skills of our craftsmen, or providing
any schools/programs through which Pakistani laborers can compete with the designs
produced, during which time the labor needs to be provided with support. The
government has made no attempt to fund the labor or provide any incentives which
allow them to adjust to the increasing prices of necessities such as petrol. Furthermore,
the absence of rebates, and the imposition of sales tax on an item which is declining,
only fuels its decline further and places a burden upon the retailers/exporters.
Additionally, the success of carpet industries of other countries was also brought up
frequently. India was mentioned by several retailers as having the most effective
and globalization that the world has reached. The world has shifted from Fordism to
organizational forms and new technologies in production” (p. 284). Under flexible
accumulation, capital and products are both mobile and fluid, not retained by borders.
17
This is a direct result of technological innovations and advancement such as ATMs or
shipping vehicles, both of which allow the transfer of capital and manufactured items.
Harvey claims that the transformation of capital from physical money to plastic and/or
electronic money has allowed rapid consumption. A time and space compression has
Spatial adjustments in the time of flexible accumulation have also redefined and
allowed the vastness of ‘space’ to be reduced with the help of air freights, telephone
lines, shipments, etc. Satellite communications and televisions allow the transfer of
various images at any distance. In short, we have “witnessed another fierce round in
that process of annihilation of space through time that has always lain at the center of
capitalism’s dynamic” (p. 293). The world is more connected than ever, which leads to
increased trade and revenue flow as goods are exported from one country to the other.
In this age, capital becomes immaterial and “volatile” (p. 297) whereas the concept of
space diminishes.
According to a study by Bushra Yasmin and Saba Altaf (2014), some of the factors
hindering the growth of the carpet industry are reduction in rebates, incentives
Furthermore, the use of “obsolete production methods” (p. 126), dependence on manual
manufacturing methods (while India and China rely on modern technologies), lack of
skill development, all contribute towards the poor production and performance of the
carpet industry. This study concludes that the potential for Pakistan’s carpet industry is
quite high, however, to utilize it the government must introduce subsidies and new
18
A report by National Bank of Pakistan (2018) on Pakistan’s industries and their
performance stated that the carpet industry lacks quality control programming
infrastructure. It highlights that to improve the carpet sector the government needs to
provide long term loans and set up training centers in order to develop a sustainable
brand for Pakistani carpets. Furthermore, the issue of rising prices of raw materials, as
pointed out by Mr. Malik, also contribute to the declined. The prices of wool, silk and
other raw materials are on the rise, but worker wages remain stagnant (Hussain, 2018).
Another study by Mehmood (2005) found that Pakistan’s top exports belong to non-
agricultural sector, however, it has failed to move from low value added to technically
depends on the extent to which the non-agricultural sector remains competitive and
A report published by National Bank of Pakistan (2013) also cited the lack of modern
machinery and innovation present in the Pakistani Carpet Industry and highlighted the
The above works correlate with the information gathered through the interviews, where
vendors touched upon issues such as lack of rebates or incentives, outdated production
methods and skills as reasons for the decline of the carpet industry. The use of internet
and retail platforms such as Ebay was brought up during an interview, highlighting how
the method of consumption has evolved in recent years. As Harvey discusses, modern
times are characterized by fast consumption and mobile capital. Hence, the need to
required to develop. For them “this all implied an intensification (speed-up) in labor
processes and an acceleration in the de-skilling and re-skilling required to meet new
19
labor needs” (Harvey, 2000, p. 285). A recent Economic Survey cited “shortage of
skilled labor force and failure to cope with the changing trends in world markets has
affected the carpets demand and exports” as reasons for the decline of the carpet
industry (National Bank of Pakistan, 2018, p.141). Harvey discusses the need to reform
the labor in order to keep up with the changing atmosphere. Thus, “deskilling and re-
skilling” is necessary for the Pakistani labor, who are currently unable to produce
carpets which are able to compete in foreign markets. Due to lack of design schools or
programs to polish labor skills, Pakistani labor is unable to produce innovative designs
able to compete with foreign labor. Interviews conducted with carpet retailers highlight
the lack of skills in the Pakistani laborers, who are easily overpowered by machine-
During the interviews, India’s carpet industry was frequently brought up and compared
Carpet Export Promotion Council India, India holds 40% of the share in the global
export of handmade carepts and stood at USD 1,427.00 million in 2017-18. The
government of India set up the Carpet Export Promotion Council (CEPC) in 1982 to
promote carpet exports and acts as a meeting point between the government and
outside India and also provides financial assistance to new exporters for enabling their
participation in the fairs abroad (CUTS International, 2009). Under the new foreign
trade policy 2015-20, the Government of India introduced the Merchandise Exports
from India Scheme (MEIS), under which handmade carpets are provided with
merchandise exports and are supported by EU, US and Canada (Merchandise Exports
from India Scheme, 2015). A decade ago, India had an annual carpet export of USD
20
300 million which climbed to USD 8 billion in 2015-16 due to incentive laden packages
The Indian Minister of State for textiles, Ajay Tamta, stated that the Ministry of Textiles
has signed memorandums with the Ministry of Skill Development to work on upgrading
labor skills, while two of these memorandums dealt with the provision of education and
subsidized loans to weavers at the rate of 6% (Tamta, 2017). He also stated that the
government would provide 90% subsidy if weavers wish to set up their own handlooms
(Tamta, 2017). In order to promote exports and manufacture, mega clusters have been
set up by the government at Mirzapur-Bhadohi and Srinagar in order to better equip the
weavers to produce carpets (IBP, 2016). Furthermore, in a bid to boost the exports of
the carpet industry, the government announced 3% interest equalization scheme on pre-
and post-shipment rupee export credit 2015, for 5 years (Mathew, 2014). It is also
important to note that Pakistani carpets are generally superior to those from India and
China, but cheap labor, low cost raw material and low utility charges in India and China
provide them with an edge over Pakistan (Yasmin & Altaf, 2014). Moreover, India has
also introduced training schemes and programs in order to equip their labor with the
skills required to produce carpets to feed the global demand. India is able to produce a
diverse range of carpets, such as hand tufted or loom made, whereas Pakistan has not
ventured beyond hand knotted carpets, due to which India’s potential in the carpet
market is much higher than that of Pakistan (Srivastava & Goswami, 2007). The Indian
government has indeed worked towards eradicating any hurdles which would stand in
the way of the global exports of their handmade carpets. It has provided the labor with
the skills and subsidies needed to weave, whereas the exporters are provided with
enough incentives as well. Pakistan’s government has not taken any such step to
promote the carpet industry. It is estimated that Pakistan has lost exports worth more
21
than USD 450 million to India as it is unable to keep up with the changing trends
(Hussain, 2018). India has equipped its cottage industry with the facilities and skills
of carpets.
Limitations
This research has certain limitations. In terms of sampling, the method employed is
purposive sampling and the carpet retailers in Saddar have been interviewed. My
research has not included the views of carpet retailers/exporters located in any other
This research is mainly qualitative and did not produce any quantitative results. My
research does not discuss the point of view of the carpet weavers themselves, but deals
mainly with the exporters and vendors, and the Government of Pakistan. This research
is a small-scale study, which limits the amount and depth of data produced.
Conclusion
This research aimed to assessing and demonstrating the current condition of Pakistan’s
carpet industry by presenting academic data alongside ethnographic data. This data was
then analyzed through Harvey’s theory of time and space compression to explain the
evident decline in the export and consumption of Pakistani handmade carpets. It was
found that the Pakistani carpet industry suffers from lack of effective government
policies and efforts taken to equip the industry with skills needed to compete with
foreign markets in current times. Ethnographic interviews correlate with the academic
data provided and denote the lack or absence of factors such as rebates, incentives,
22
design programs, and many more needed to improve the state of Pakistan’s carpet
industry. Just like other cottage industries, the carpet industry is imperative for the
growth of the country’s economy. It is not just a large source of Pakistan’s foreign
exchange earnings, but also a source of livelihood to those residing in the rural areas. It
is crucial for the government to take note of its drastic decline and make efforts to tap
into the great potential the carpet industry offers and utilize it to improve the economic
conditions of Pakistan.
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BIBLIOGRAPHY
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APPENDIX A
INTERVIEW QUESTIONS
These open-ended questions were asked in the interviews with carpet retailers and
exporters.
What is your opinion about foreign carpet industries and their governments?
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