TRY YOUR HAND AT ORAWINGG^RimTOKEB

Understanding

I
Ct rt with
H\
^jk lots of

A j^ practical ':^ ir:

step-by-step

projects for
%U

the youn a
7
artist
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iiV¥i^oj-jias V ONiMiVil
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Start«dth Art
People
 ©Aladdin Books Ltd 1999
Designed and produced by
Aladdin Books Ltd
28 Percy Street
London Wl FOLD

First published in the United States in 1999 by

Copper Beech Books,
an imprint of
The Millbrook Press
2 Old New Milford Road
Brookfield, Connecticut 06804

Project Editor
Sally Hewitt

Editor
Liz White

Design
David West Children's Book Design

Designer
Flick Killerby

Illustrator
Rob Shone
Picture Research
Carlotta Cooper/Brooks Krikler Research OH BR
J
Printed in Belgium NC765
All rights reserved
.L26
1999
Library of Congress Cataloging-in-Publication Data
Lacey, Sue.
People / Sue Lacey.
p. cm - . (Start with art)
Summary: Examines different techniques and styles that can be used when drawing
people, including portraits, caricature, collage, and 3-D modeling, using examples
from great artists and suggestions for creating your own works.
ISBN 0-7613-3262-6 (lib. bdg.)
ISBN 0-7613-0829-6 (pbk)
1. Human figure in art Juvenile literature. 2. Drawing - Technique Juvenile

literature. [1. Human figure in art. 2. Drawing - Technique. 3. Art appreciation.]

I. Title. II. Series.
NC765.L26 1999 743.4-dc21 99-35496 CIP
The project editor, Sally Hewitt, is an experienced teacher. She writes and edits books
for children on a wide variety of subjects including art, science, music, and math.
Sue Lacey an experienced teacher of art. She currently teaches primary school
is

children in the south of England. In her spare time, she paints and sculpts.

photOCTedits: Abbreviations: t-top, m-middle, b-bottom, r-right, l-left, c-center

All the pictures in this book are by Vanessa Bailey apart from the following pages:
Ct.er br, 4b, 17, 21, 25: AKG London; 4t, 11: AKG. © Succession Picasso/DACS 1999; 8-9b, 13, 27, 29:

AKG/Erich Lessing; 14b: Musee Marmottan, Paris; 23: AKG. © DAGS 1999; 31:

Courtesy of the October Gallery, Paloma.

start ^Hoth Art

Sue Lacey

COPPER BEECH BOOKS

BROOKFIELD • CONNECTICUT
 INTRODUCTION

Artists work with many different tools and

materials to make art. They also spend a lot of

time looking carefully at shapes, patterns, and

colors in the world around them.

This book is about how artists see people.

On every page you will find a work of art by a different

famous artist, which will

give you ideas and

inspiration for

the project.

You don't have to be a

brilliant artist to do the

projects. Look at each piece

of art, learn about the

artists, and have fun

being creative.

mimam
:rwrr
- -yfy

CONTENTS
WORKING LIKE AN ARTIST PAGES 6-7 VAN GOGH PAGES 20-21

Learn how to work like a true artist. Use Self-portraits Van Gogh used thick

your own sketchbook paint to create swirls and texture.

and collect ideas from Paint a self-portrait in the style of Van Gogh.

the world around you. Mhi.A>^<i- *>

KLEE PAGES 22-23

WALL PAINTING PAGES 8-9 Abstract portraits Learn to paint like

Painting on a surface Paint a picture of your die abstract painters. Paint a

friends or family on a clay surface in die portrait of your family in the style

style of the Egypdans. ofPaulKlee.

PICASSO PAGES 10-11 RAVENNA PAGES 24-25

Working in 3-D Picasso sculpted many Making a mosaic Glass and stones

people. You, too, can make a sculpture of were used in mosaics in Ravenna.

someone you know. You can make

yours from paper.

KLIMT PAGES 12-13

Pattern and color Klimt shows ARCIMBOLDO PAGES 26-27

amazingly rich textures and patterns Assemblage Make a face in die

in his work. Make your own collage style of Arcimboldo using any
using many different materials. strange materials you can find.

MONET PAGES 14-15 MORISOT PAGES 28-29

Caricatures Monet drew caricatures Use of color Morisot used colors to

of his friends and schoolteachers. create moods. Paint the same image
You can learn to draw them, too. twice using different colors and see

the difference.

DEGAS PAGES 16-17

Drawing Degas drew ballet JEGEDE PAGES 30-31
dancers with chalks or pastels. Imagination Emmanuel Jegede
Try using different materials tells stories through
and papers for different effects. his work. Create a work
of art that tells a tale of

MICHELANGELO PAGES 18-19 your own.

Carving Michelangelo carved many
images from stone. Try to sculpt an image GLOSSARY/INDEX PAGE 32
from a bar of soap.
 'JS»

Working like an Artist i

It can help you in your work if you start by

observing carefully and collecting ideas, just Words

You can take notes to

remind you of the

like an artist. Artists usually carry a sketchbook
shapes, colors, and
patterns you see.
around with them all the time so they can put

their ideas on paper immediately.

(mmmmfm

Materials

Try
different

pencils,

pens, paints,

pastels,

crayons, and
materials to see

what they do.

Which would be
Color
best for this work?
When you use color,

mix all the colors

Using g sketchbook Before you start each project, this is the you want first and
try diem out. It is

place to put your sketches. Try out your tools and materials, amazing how many

mix colors, and put in interesting papers and fabrics. You can different colors you
can make.
then choose which ones you want to use.
 VM^
Drawing people

Drawing people is quite difficult, but

with help you can get better at it.

Remember always to look carefully.

Be a magpie
Head shape
Make a collection of Look at the shape

and draw the oudine.

things that interest you,
Practice drawing eyes,

like feathers, stones, or noses, mouths, and

ears in your sketchbook.
materials. Anything else that
How will you do
catches your eye could be useful die hair?

in your artwork.
Face measurements
It helps when drawing a face to divide die

head into sections as shown. See how die

eyes sit on one line, and die nose on

Art box You can collect tools and anodier. Look at where die

materials for your work and put them in ears and moudi are.

a box. Sometimes you may need to go to

Body measurements
an art store to get exacdy what you
About six heads fit into a
need, but often you can find things that fiill-lengdi body. So,
whatever size you draw
you can use at home. Ask for
die head, measure two

something for your art more to die waist and

diree more to die feet.
box for your
birthday. Always sketch first,

and draw in die

details afterward.

\ '
 .__ }

Painting on a Surface
Rekhmere was an Egyptian court official. He
wanted his tomb fiill of pictures of his life. What
picture would remind you of home? You could

^
paint a picture of your life on clay. Make sure

the people are facing sideways.

^"Project: Painting on a clay surface

Take a lump of clay and knead

41 Step 1.

with your hands to make it soft.

it
 Step 2. Roll out the clay.

Don't worry if the

edges are not square.

Step 3. While the clay is drying, look at the

Egyptian art. When the clay is

dry, sketch a picture of you and

your family onto it. Make the

people face sideways the way

they did in Egyptian art.

Step 4. Use paints to color

your clay art. You can

darken the oudines with
felt-dp pen.

Important ancient Egyptians

like Rekhmere used to build
their tombs before they died.
Artists would paint the walls
with wonderful pictures to help
make the dead feel at home in
the afterlife. This painting
shows some craftsmen at work
carving wood for Rekhmere.
 n/^ 1
Working in 3-d

Sculpture is three-dimensional, or 3-D, which

means that it can be looked at from every side.

Do some sketches of a friend like Picasso did. You

can use your sketches to help you make a

£ papier-mache model to look like your friend.

<f i Project: Sculpture OF A HEAD

A^A
Step 1. You can make a 3-D
head by using a
balloon, a tube,

and some papier-mache.

Blow up the balloon and ^^

tape it on top Step 3. Make a

of the tube. nose, eyes, ears,

and mouth by
Step 2. Mix some crumpling and
flour and water into a molding newspaper
soggy paste. Tear into shapes and pasting
old newspapers into them onto the balloon.
strips, dip them in Don't forget the hair.
the paste, and Wait for it to dry before
cover the balloon you paint it. You could use
with two layers a bronze color, or bright

of paper. colors if you prefer.

 ^

.jie:sMsalK—^^c^ '..
xni

Gallery
Head Maar 1942
of Dora
PABLO PICASSO (1881 - 1973)

Models
Surface
Picasso used to ask his
Can you see all the
friends to sit for him while
different marks on the
he drew them and made
face and hair, made by
sculptures of their heads.
the tools Picasso used?

i)

Method MATERIALS
Look at the simple lines
The head was made in
and shapes Picasso used to
clay first to get all the
make this sculpture of
shapes and details right.
Dora Maar.

The Spanish Pablo Picasso changed the way

artist

people saw art because he made unusual and very

different paintings, drawings, pottery, and
sculpture. He did not want his art to look like a I

photograph. Picasso used his imagination to make

art in a way that no one else had ever done.
I
 Pattern and color

WHAT YOU NEED

You can make a figure using patterns and colors.
Cardboard • Tape •

Pen Colored Tissue

Paper • Candy
Add some gold and silver paper, and paint, and
Wrappers
Shiny Paper • Yarn
tring • Any Fabrics
make it in the style of Klimt. It would be fun to
s, or Materials

cover a life-sized picture in different fabrics,

papers, and materials.

0t
Project: A life-sized ncuRE

Step 1. Collect 4^P

pieces of card-
^ ^
board, and tape "^
them together to make them as

long as your friend. Draw around

your friend with a pen. Use large pieces
of bright-colored tissue paper to decorate

the background.

O
Step 2. Look at Klimt's

^^Ti^ lovely patterns and

shapes and copy Step 3. You can use
some. Glue some pictures of faces from

candy wrappers or magazines for the face.

bright fabrics to Yarn or string will

make the clothes. make good hair.

<^p«il^PP«PPMp|
 Gallery
The Kiss 1908

Model
The woman's
'^ face looks like

the wife of one

of Klimt's close
friends.

Patkrn
Can you see the

different types

of pattern
on the man's
and woman's
clothes?

Many people in Austria, where Gustav Klimt

lived, thought he was an unusual and interesting
artist. He was a big, quiet man who worked
hard in his studio from early morning to late
evening. All his paintings had a great deal of
pattern in them. He used straight lines for men
and curved shapes for women. Hands interested
him, and he often made them an important part
of his pictures.
 Caricatures
Drawing was Monet's best subject at school. He

WHAT YOU NEED found other schoolwork boring, but drew

Pencils • Paper
Sketchbook
caricatures of his schoolteachers and friends

to amuse them. Caricatures are often drawn

£ of famous people to make fun of them, but you can do

yours for enjoyment!

Gallery
Caricatures c.1855
CLAUDE MONET (1840 - 1926)

Head AND Body

Sometimes
Monet would
give his
Caricature
caricature
A caricature is
a small body.
made when an
This would
artist takes a
make the head
person's features
look even more
and exaggerates
unusual.
them.
.J^ ^i^SS.
V^ Il**'*-^**

Drawing A CARICATURE
^ j
Project:

Step 1. Once you have made your sketch

or chosen a photograph, look at it carefully

(^1^ and pick out some special features, like

the nose, eyes, hairstyle, or chin.

Step 2. Practice enlarging and changing

them in your
sketchbook so they

look amusing (but

not unkind!)

Si$<

Claude Monet always enjoyed

drawing when he was at school
in France. This is when he
started to draw He
caricatures.
also liked to paint outdoors. He
traveled a great deal, always
{
taking his paints with him.
Later, Monet became part of a
group of French painters
called Impressionists. He used
paint to capture the way light
played on landscapes and Step 3. Choose what you are going to

buildings. exaggerate and then draw the

caricature. Can you still tell who it is

meant to be? You can add a small

body like Monet did if you like.

^9^^ jM^t
 ^^^ y^^ ^^^ how Degas used pastels to show the
I^whatyouneedI
Pastels • Chalks
Charcoals .Pencils
Wax Crayons
movemeiit of the dancers and the light
vJ
sparkling
1 \J
Felt-tip Pens • Paper
Scissors
Tracing Paper
on their costumes? Degas
^
liked to use different

'
Wi^ drawing materials in his pictures. You can try

using different drawing materials and see what they will do.

iMp Step 1. Collect as mcinij

drawing materials and

<L(^ types of paper as possible.

Cut die paper into squares. Make

a viewfinder by folding a piece of
paper into four. Cut out the
middle and open it out. Pick a
dancer from the picture, frame
her in your viewfinder, and

trace over her. Copy her on

the pieces of paper.

Step 2. Use all your different

drawing tools. Which ones make the

dancer look most like the one Degas

drew? Glue your drawings on a piece of

cardboard to display them.

16 a
 Gallery
A^
Dancers in Yellow and Green
EDGAR DEGAS
c. 1899-1 904

(1834 -1917) ^
Background
Layers of pastels
were built up on
top of each other

to make a lively

background. Can
you see that some
of the marks are
like scribbles?

Story gBi
The dancers are
all looking at

something out
of the picture.

Perhaps they
are waiting for
their turn to

go on stage.

Edgar Degas was born into a rich family in Paris.

He studied art in Paris and Italy, and became a )

very skilled painter. He was one of the first artists

to be interested in photography. He looked at

people as if he were a camera, drawing them in
action rather than posed as for a portrait.

M^ ';.*•
 /ai

Carving
Michelangelo used to travel to a quarry to

choose pieces of marble for his sculptures.

Carvings can be made from many different

materials, including soap. It is soft

to cut and easy to find at home.

Project: Carving a soap head

Step 1. You will need some

plastic modeling tools, but an
ILfc-
old nail file, orange stick, or

plastic knife will do as well. Work

on a piece of newspaper so you Step 3. Add the details like

do not make too much mess. eyebrows, hair, and cheeks.

You could make faces of all

your family in different

colors, and display tiiem in

Step 2. Mark where you will put
the bathroom!
nose, mouth, and
on the soap, using
a pointed tool. Start

carve out the

shapes until the

) looks like a

ee tips on
 x^ m
Gallery
The Madonna of the Stairs 1491-1492
MICHELANGELO BUONARROTI (1475 - 1564)

Materials Young Artbt

This picture of the
Michelangelo
Virgin Mary and her carved this when he
baby Jesus was was skteen. He has
carved from a slab of
made the Virgin
marble only 2 inches Mary and Jesus look
thick.
like an ordinary
mother and baby.

Low Relief
Carving
The figures are
Although carved
cut just slighdy into
out of solid
the surface of die
marble, the
marble, using a fine
clothes flow as if
chisel. This method
they are real.
ofwork is called low

relief.

By the time he was thirteen, Michelangelo had

begun to learn to paint and make sculpture. A
great deal of his work was for the Christian church
and showed scenes from the Bible. His most famous
painting is on the ceiling of the Sistine Chapel in
Rome, which he painted all by himself.
 "M

Self-portraits

Look carefully at Van Gogh's self-portrait, then

try out some swirls and lines of your own. Mix the

paint thickly and put it on the page using a strip

il^ of cardboard or a glue spreader. Get as much

^ texture into your portrait as possible.

Project: Texture m..

Step 1. Look at

yourself in a mirror.

Draw your head and

shoulders on a piece of card

board or thick paper.

Step 3. Add swirls of paint in

different colors, building up

Step 2. Start painting, using the texture. You can add
acrylic paint and a variety of more detail to your
tools. Use a glue spreader, painting once the

corrugated cardboard, thick paint has

and brushes. You can / dried a bit. You

even squeeze the paint now have a
straight from die tube! portrait of

Make the paint yourself in the

really diick. style of Van Gogh.

 "
v'^f^

^^OtL ^ J^

Gallery
Self-Portrait 1889

Vincent Van Gogh grew up in Holland but later

lived and worked on his paintings in France. When
he was thirty-six, he painted this portrait of himself
looking like a French farmer. Van Gogh did not
want to paint like anyone else, and nobody
seemed to understand his way of working.
n Abstract portraits
Paul Klee's painting is abstract rather than

realistic. He used geometric shapes like circles,

ovals, triangles, rectangles, and squares to

. make his portrait. You can draw a picture

of people you know in the same style.

Project: Arranging shapes

Step 1. Look at mf^

what you are . ^
going to draw
and decide how you could
divide it into geometric

shapes. Draw in the

body and head shapes

as a starting point.

Step 2. Draw in shapes

Step 3. Choose some colors
across and around
that you think will give the
the people. Use
portraits life and character.
curved and straight
You can use pencils, crayons,
lines and many
chalks, or paints to color in
different shapes.
your drawing.

^
 *.. ^1^ T

iisbki,'. .-«><

Gallery
Senecio 1922
PAUL KLEE (1879 - 1940)

Texture
Klee painted
this picture on
linen, which is a
roughly woven
material. You
can see
the texture of

the cloth

through the
paint.

Paul Klee did not paint like other artists of his

day. He liked to work alone and usually did about
two hundred pictures a year, each one different
from the last. Many of his pictures were made up
of shapes and patterns that had a hidden
meaning. This portrait is called Senecio, which is

the name of a group of plants. The title is the clue

to help us see that Klee has painted this face to
look like the head of a flower.
 Making a mosaic
Look at the colors, patterns, and tones in this

mosaic from Ravenna in Italy. It was made by

pressing pieces of colored glass, marble, and

stone into cement to make a large picture. You

can make your own mosaic using paper.

Project: Mosaic portrait

Step 1. Find a picture in a magazine

A jj^ a photo of a friend. Draw an oudine

of the face on a piece of cardboard.

Step 2. Cut or tear lots of colored

scraps of paper from magazines.

Choose colors that you can use

to create a face, mouth, eyes, nose, and hair. Try
to find lots of different tones of the same color.

Step 3. Glue die scraps to

the cardboard to build

up the face. When it

is dry, paint over it

with craft glue mixed

with water as a varnish

i^^
 -

The Empress Theodora

Gallery
with Her Retinue c 547
Ravenna, Italy ^
Color
Look at the wonderfully rich

used for this

colors
mosaic. Small pieces of
SH
^H^Hi^.
Materials
Semiprecious stones were used
in the
bright glass were the
main material used.
'^^^^^' °^osaic to make Empress Theodora's
beautifiiljewelnj.
":Cr:'>W!»K;vv' «^v

^^^^^IFpirWlT;

fee -' ^ 1

^
'iMiti Patterns

IH^r^ How many

^pfi different

j|^ j patterns are

Detail .u^_ ;^g5| there? They

Many
~~7— show how
pieces |^
- '
important
were used to ei :

create each face. They ; she was.

are so well
done that from a distance
they look
like a painting.

This mosaic almost fifteen hundred

is
years old
Many churches used mosaics to
tell Bible stories
The artist for this
mosaic is unknown, but the
mosaics in Ravenna are
probably the most famous
m the world. This one shows the Roman
Empress
Theodora bringing gifts to the church.
 Assemblage
Many famous people liked Arcimboldo's portraits

so much that they paid him to paint one for

them. Arcimboldo's paintings are made by

. assembling a collection of objects. You can make
a strange head using things you have at home.

Project: Collage

Step L Collect all kinds of

interesting objects like

paper clips, thread

spools, string, nuts and bolts,

hooks, screws, pins, wire, ^

wrappers, and wood. Find a piece of

cardboard from an old box. It will need to be

thick and fairly big. Glue on some fine string

to make the oudine of a face and neck.

^^\Vv\\^'

Step 2. Try out

different objects you have collected to see

which look best as eyes, ears, nose, and

mouth. Choose something that would make
good hair. When you have made your
arrangement, glue it in place and let it dry.

You could frame it and invite your friends to see

your curious picture.

 Gallery
Vertumnus 1590
GIUSEPPE ARCIMBOLDO (1527

"'^
"ailfc^l^ r
|p-.fl^
Fruit
Can you see why
B^
K'^
each piece of
JOM^
., .- 1 9b
rf^SP^ -";; ^
fruit has been
chosen? The pear
looks like the

shape of a nose.

Materials
What would you
choose to make a
head, eyes, nose,
mouth, and hair if

you were to make

a picture like

Arcimboldo's?

An born in 1527, Arcimboldo started his

Italian,
work as an artist by making stained-glass windows
for churches. He became interested in painting
strange and curious people who were considered
grotesque. He painted fruit, flowers, trees,

and vegetables to create his amazing heads.

 Use of color
Berthe Morisot used cool colors to create a

peaceful mood. In your sketchbook, try mixing

warm reds, yellows, purples, and oranges as well

as cool greens, blues, grays, and lavenders. You

can use them to create different moods in your work.

Project: Warm and cool colors A

Step L Draw a picture of

something you enjoy

doing. Trace it and

make an exact copy

on a piece of paper the

same size. Paint

one picture
using only

warm colors.

Step 2. Paint the second

picture using only cool

colors and see how

different the two pictures

look. How do the colors

make you feel? Which one

do you prefer?
 Gallery
The Cradle 1872
BERTHE MORISOT (1841 - 1895)

Women were not allowed to study art in college

when Berthe Morisot lived in France. Berthe and
her sister Edma were determined to learn to
paint, so their father allowed them to have
lessons.Berthe had a free and easy style, putting
the paint on the canvas so you could see the
different brush strokes and colors.
i
Imagination
Emmanuel Taiwo Jegede's paintings tell a story
WHAT YOU NEED
Pencil about his life and the family and friends he has
White Cardboard
Felt-tip Pen • Paints

known in Africa and England. You can make

^
your own picture that tells a story -just let your

pencil do the work.

Project: Storyfelling

Step 1. Use a pencil to

A ^ make a pattern on a

piece of white card-

board. Imagine you are

young again and cannot write or draw.

Step 2. Now look at your

pattern. Can you see

your pet dog, fish, or

cat? Can you find a

house, tree, or bird Step 3. You can follow
shape? Fill in any some of the scribble

shapes with a lines to make more

pen. shapes. Use paint or Step 4. Use a black felt-tip

felt-tip pens to fill in the pen to add patterns to

pictures and patterns you some of the shapes. You

have drawn, using lots of now have a picture about

bright colors. you and parts of your life.

30
 V*^'

ii

Gallery
Path of Joy 1993

COLOKS
This is a picture
about joy, so the
colors Emmanuel
has used are
bright and
cheerful.

The hands in the

different colors,

showing different
people happy
together.

In the village in Nigeria, Africa, whereEmmanuel

Jegede was born, artists are highly regarded. An
artist would also write poetry and make music.
Jegede
studied sculpture and art in Nigeria, but then went to
England. He writes beautiful poetry, teaches art to
people of all ages, and paints colorful pictures.

^_;-;;'-4?^
J. GLOSSARY
Abstract A work of art that Collage Placing different Mosaic A picture made
is not an exact copy. Shape, materials on a backing to make a on a wall or floor by
^^ color and pattern are used pattern or picture. pressing glass and stones

to give a feel of the subject. into cement.

Grotesque A face or design

Assemblage A work of art made up that is made to look comically Portrait A picture of a person

of a collection of selected objects. strange. or people that can be made using

cmy materials.

Canvas Thick cotton or linen Impressionists A group of French

fabric stretched over a wooden artists who painted the first Relief A carving made on the
frame, used instead of paper for impression of what they surface of a piece of rock, stone,

painting on. were looking at. or wood.

Caricature Comic picture of a Marble Hord rock that comes in Sculpture Making shapes
person made by drawing many patterns and colors and can from hard or soft materials,

exaggerated chin, nose, eyes, be cut, carved, and polished. to make a person, animal,

hair, and body. or design that can be looked

at from all sides.

Carving Making a shape, pattern,

or design out of material like Shade A dorker or lighter tone of
wood or stone by cutting with a the same color used to make a
sharp tool. picture have more depth.

INDEX
abstract 22, 32 grotesque 27,32 papier-moche 10
assemblage 26, 27, 32 pastels 16, 17

H portraits 20, 21, 26, 27

C hieroglyphics 8
canvas 21, 32 R
caricature 14, 15, 32 I relief 19, 32
carving 18,19,32 imagination 30,31
clay 8,9,11 Impressionists 15, 17, 32 S
collage 26,32 sculpture 10,11,18,

^^00L crayon 5 16, 22 L 19,31,32 ^

low relief 19 shade ^
^^*
v^KT^hI^^ M
29, 32

shapes 22, 23 %
)?

marble 18,19,24,32
mosaic 13,24,25,32 .
J
M
i^mi'-K.'
 ,

With
.hm: N
of the
x'l
IRY ^i^UR HAND AT DRAWING CARICATURES

tortbvith
People introduces the young reader to some of the
world's greatest artists, their techniques, and the

materials they used. Discover how to paint a self-portrait

in the style of Van Gogh, learn to draw caricatures like

Monet, and find out how to sculpt a head like Picasso.

Each well-known work of art introduces you to a

different style, technique, or medium. Through step-by-

step projects you, too, can produce your own mosaic,

drawing, collage, or other masterpiece!

People includes:
# Hints and tips on how to work like an artist
Expanded contents and concise glossary
9 A clearly worded text to develop literacy skills

Titles in the series:

People
Animals
ISBN 0-7613-3262-6
90000>

9 "780761"332626'
A Copper Beech Library Edition

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