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Juan Pestañas

The document is a musical score containing notation for multiple instruments. It uses symbols and markings to notate the parts for violin I and II, viola, cello, and bass. The score contains repeated rhythmic and melodic motifs across the instruments.

Uploaded by

Diego Olmedo Díaz
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© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
103 views4 pages

Juan Pestañas

The document is a musical score containing notation for multiple instruments. It uses symbols and markings to notate the parts for violin I and II, viola, cello, and bass. The score contains repeated rhythmic and melodic motifs across the instruments.

Uploaded by

Diego Olmedo Díaz
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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JUAN PESTAÑAS

Francisco Gabilongo

                        
Violin I   
 
      
Violin II          

          
Viola
   
      
Violoncello

4   
                      
   
         
    
                     

                      
         
                
 

8             
    
             
    
                      
   
   
                       
         
            
  

12             
     
2

  
       
                       
    
       
                  
   
           




16     
           

    
     
    
       
 
  
               
    
          
  

20           
  
   
       
                              

   
              
    

  

     
     
         

24   
            
         
 
         

                      
 
                 
       
 
       
  
27                  
3

          
       
        
                        
    
       
                             
       
          
      

31                
     
 
       
        

               
   
                        
           
      
     
 
  
         
          
34

           
    
                      
               
           
        
    

37            
         
             
    
         
 
           
 
    
         
  
41
4

  

    

  

  
  

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