SAMPLE QUESTION PAPER
PAINTING (332) - NEW COURSE
Time: 1½ hrs Maximum Marks: 40
Note:
i. This question paper consists of 26 questions in all.
ii. All questions are compulsory.
iii. Marks are given against each question.
iv. Section A consists of
Q.No. 1 to 8 – Multiple Choice type questions (MCQs) carrying 1 mark each. Select and write the
most appropriate option out of the four options given in each of these questions. An internal choice
has been provided in some of these questions. You must attempt only one of the given choices in
such questions.
v. Section B consists of Objective type questions - Q.No. 9 to 20 –
a) Read the passage and attempt Q. No. 9 to 14 carrying 01 mark each.
b) Read the passage and attempt Q. No. 15 to 20 carrying 01 mark each.
An internal choice has been provided in some of these questions.
vi. Section C consists of Subjective type questions. Q.No. 21 to 26 -
a) Q.No. 21 to 23 – Very Short questions carrying 02 marks each to be answered in the range of
30 – 40 words. An internal choice has been provided in some of these questions.
b) Q.No. 24 – Short Answer type questions carrying 04 marks each to be answered in the range
of 70 – 80 words. An internal choice has been provided in some of these questions.
c) Q.No. 25 and 26 – Long Answer type questions carrying 05 marks each to be answered in
the range of 90 – 100 words. An internal choice has been provided in some of these
questions.
SECTION - A
Choose the correct answer below the question.
1. Where are Altamira “Caves Located”? 1
A. India
B. Spain
C. Australia
D. USA
2. A. Where did “Chamba School” flourish? 1
A. Himachal Pradesh
B. Arunachal Pradesh
C. Kashmir Valley
D. Rajasthan
(or)
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B. What is the medium of the “The Rain” Kangra style painting?
A. Oil on canvas
B. Enamel on plate
C. Inlay work on Ivory
D. Opaque Water Colour - Miniature
3. Where are “Ajanta Caves”? 1
A. Aurangabad, Maharashtra.
B. Amaravati, Andhra Pradesh
C. Kochi, Kerala
D. Lothal, Gujrat
4. A. Choose the right description for the word “Mural”. 1
A. Any artwork created on water.
B. Any artwork painted on the ground.
C. Any artwork painted or applied directly on a wall or ceiling.
D. None of the above.
(or)
B. A well-known medium of Mural painting is ____________.
A. Tempera
B. Water Colour & it can be done only in a wet medium.
C. Oil & it can be done only in wet medium.
D. None of the above.
5. Choose the right description for “History of Art” and its development. 1
A. It’s a documentation of the aspirations and values of mankind.
B. It’s a documentation of artworks.
C. It’s a documentation of artists’ lives.
D. None of the above.
6. A. Choose the right description for the “Chaityagrihas” of Ajanta. 1
A. Place where the food is served for monks.
B. Place where the monks sleep.
C. Place where the religious discourses were conducted.
D. Place where the kings are received.
(or)
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B. Choose the technique used to paint “Bull Fight” and the surface used.
A. Oil paint on oil Paper
B. Natural Colours on Mud Plaster
C. Acrylics on Paper
D. Watercolour on canvas
7. A. Choose the option to relate to the “Folk and Tribal Art” and its process. 1
A. It belongs to rural and men living in the forest areas. Their art is linked to customs.
B. It belongs to rural and men living in the forest areas. Their art is not linked to customs.
C. It belongs to urban folks. Their art is linked to customs.
D. None of the above
(or)
B. Choose the statement used to best relate to “Warli Painting” and its uniqueness.
A. It’s a representation of Nature than Religion.
B. It’s a representation of Religion only.
C. It’s a representation of Human and Nature than Religion.
D. None of the above.
8. Choose the option to relate to the “Pithora” painting. 1
A. Bheel and Rathwa communities make these paintings to appease the deity.
B. Bheel and Rathwa communities make these paintings at leisure.
C. Only the Bheel community makes these paintings to appease the deity.
D. Only the Rathwa community makes these paintings to appease the deity.
SECTION - B
Read the passages and answer the questions below.
Passage 1: Traditional Indian Art and Culture: Harappa and Mohenjo-Daro were ancient cities of the
Indus Valley Civilization, flourishing around 2500-1900 BCE. They featured advanced urban planning,
sophisticated drainage systems, and a script that remains undeciphered. Burial pottery found at Harappa
and Mohenjo-Daro often contained offerings like food and jewellery, shedding light on the cultural and
religious practices of these ancient civilizations. These artefacts reveal a reverence for the afterlife and
the importance of ritual in their societies. The artists of Ajanta, a renowned group of Buddhist cave
painters active between the 2nd and 6th centuries CE in India, excelled in the tempera technique. Using
a combination of mineral pigments, water, and a binding medium, they created exquisite mural paintings
that adorned the cave interiors. This tempera method allowed for precise detailing, vibrant natural
pigments, and long-lasting artwork, showcasing the remarkable skill and artistic prowess of the Ajanta
painters. Padmapani Bodhisattva is the best example of those creations. Among folk art, the Kalighat
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style is a distinctive form of Indian art that originated in the Kalighat area of Kolkata (Calcutta) in the
19th century. This art form primarily consists of vibrant and bold watercolour paintings on inexpensive
paper or cloth. It gained popularity due to its affordability and accessibility, making art more
approachable to the common people. Another traditional art form is Kalamkari, which translates to "pen
craftsmanship" in Persian (Qalamkaari), is a textile art that dates back to ancient India. It is
characterized by using natural dyes and intricate hand-painted or block-printed designs on cotton or silk
fabric. The Machilipatnam style of Kalamkari is one of the two styles of works that uses blocks the other
being, the Srikalahasti style. It mainly uses vegetable dyes which are applied to the fabric with the help
of wooden blocks.
9. A. Important sites of the Indus Valley Civilisations are
(or)
B. The ________ pottery was found in cemeteries. 1
10. A. Ajanta artists excelled in the _______ technique.
(or)
B. The Ajanta’s is “Padmapani Bodhisattva” painted in the late ______ AD. 1
11. A. ____________ art form is painted with vibrant and bold colours on paper.
(or)
B. The _______ pigments are used in the Ajanta wall murals. 1
12. “Kalighat Paintings” are named after a _____________ and later became a style. 1
13. A. The medium used in Kalighat Painting is ______________.
(or)
B. “Kalamkari” is derived from the Persian word ___________. 1
14. The __________ style uses blocks method in kalamkaari work. 1
Passage 2: Indian art is a rich and diverse tapestry that spans thousands of years and reflects the
country's unique cultural, religious, and historical evolution. From the intricate carvings of ancient
temples to the vibrant colors of contemporary paintings, Indian art has a profound and enduring impact
on global artistic traditions. This introduction seeks to provide an overview of the multifaceted world of
Indian art, encompassing its history, major forms, and cultural significance. The roots of Indian art can
be traced back to the Indus Valley Civilization, one of the world's earliest urban societies, which existed
around 2500 BCE. The artefacts discovered from this era, such as pottery and seals, reveal a remarkable
sense of aesthetics and craftsmanship. Subsequent developments in art were heavily influenced by the
major dynasties that ruled the Indian subcontinent, including the Mauryas, Guptas, Cholas, and
Mughals. Each dynasty left its distinctive mark on the art of its time, resulting in a diverse range of
styles and techniques.
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Indian sculpture is renowned for its intricacy and spiritual significance. It often features depictions of
gods, goddesses, and mythical creatures. The temples of Khajuraho and the caves of Ajanta and Ellora
are famous for their exquisite sculptures. Indian painting encompasses a wide range of styles, including
miniature painting, Mysore painting, and the Pahari school. These artworks often depict religious
themes, historical events, or scenes from daily life. Indian architecture is known for its grandeur and
diversity. From the intricate temples of South India to the majestic Mughal forts and palaces,
architecture plays a pivotal role in Indian art and culture. India is celebrated for its vibrant textiles, such
as silk, cotton, and wool. Traditional crafts like embroidery, pottery, and woodwork continue to thrive
and showcase the country's artistic prowess.
15. A. What is Indian art's timespan? 1
(or)
B. What does Indian art reflect?
16. What are the major forms of Indian art mentioned in the passage? 1
17. Which ancient civilization contributed to the roots of Indian art? 1
18. What are some famous examples of Indian sculpture mentioned? 1
19. What are some styles of Indian painting discussed in the passage? 1
20. A. What is Indian architecture known for? 1
(or)
B. Name some traditional crafts celebrated in India.
Section - C
Check for the choice and attempt all Questions. (Answer in min 30 w0rds)
21. Write about the “Pancharaksha Tara” miniature. 2
22. Explain the characteristic features of the “Kangra” style. 2
23. A. Use an example of Company School painting to explain the theme used in it. 2
(or)
B. Explain the Company School’s development.
Check for the choice and attempt all Questions. (Answer in min 70 words)
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24. A. Write about the “Market Scene” painting. 4
(or)
B. Write a brief about different kinds of patterns seen on Indus Valley Pottery.
Check for the choice and attempt all Questions. (Answer in min 100 words)
25. A. Describe the paintings of Ajanta and Post-Ajanta with examples. 5
(or)
B. Explain the development of modern “Contemporary Art” in India?
26. A. Take any painting by Indian artist Jamini Roy and explain his artistic style? 5
(or)
B. Write about “Western Art”.
******
MARKING SCHEME
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PAINTING (332) - NEW COURSE
Section - A
SNo Answer Marks
1 B Spain 1
2A A Himachal Pradesh
1
2B D Opaque Water Colour - Miniature
3 A Aurangabad, Maharashtra. 1
4A C Any artwork painted or applied directly on a wall or ceiling.
1
4B A Tempera
5 A It’s a documentation of the aspirations and values of mankind. 1
6A C Place where the religious discourses were conducted.
1
6B B Natural Colours on Mud Plaster
7A A It belongs to rural and men living in the forest areas. Their art is linked to
customs. 1
7B C It’s a representation of Human and Nature than Religion.
8 A Bheel and Rathwa communities make these paintings to appease the deity. 1
Section - B
9A Harappa and Mohenjedaro
1
9B Burial
10A Fresco/Tempera
1
10B 2nd Century - 6th Century CE
11A Kalighat
1
11B Natural
12 Place 1
13A Water Colour
1
13B Qalamkaari
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14 Machilipatnam 1
15A Thousands of years.
1
15B Cultural, religious, and historical evolution.
16 Sculpture, painting, architecture, textiles, and crafts. 1
17 Indus Valley Civilization. 1
18 Temples of Khajuraho and caves of Ajanta and Ellora. 1
19 Miniature painting, Mysore painting, and the Pahari school. 1
20A grandeur and diversity.
1
20B Embroidery, pottery, and woodwork.
Section - C
Very Short Answers
21 The "Pancharaksha Tara" miniature is a mesmerizing work of art depicting the
five protective goddesses of Tibetan Buddhism. Each intricately detailed Tara
1+1=2
represents aspects of compassion and offers spiritual guidance, symbolizing
the power of divine protection and enlightenment.
22 The Kangra style of Indian miniature painting is known for its delicate lines,
vibrant colours, lyrical depictions of nature, and elegant portrayal of human
1+1=2
figures. It often features scenes from Hindu mythology and captures the
beauty of the Kangra Valley's landscape.
23 A Company School painting from colonial India might depict British officers
and Indian soldiers engaged in leisurely activities like hunting or picnicking,
showcasing the colonial theme of harmonious coexistence and British
influence in Indian society during the 18th and 19th centuries.
23.1 Company School painting emerged in 18th-century British-ruled India as a 1+1=2
fusion of Indian artistic traditions with European influences. Initially serving
utilitarian purposes for the British East India Company, it evolved into a
distinct style, blending Indian themes with Western techniques, and portraying
aspects of colonial life, culture, and society.
Short Answers
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24 A "Market Scene" Company School painting is a genre of Indian art during
British colonial rule. It typically portrays bustling bazaars with merchants,
British officials, and indigenous people. These paintings depict the vibrant
commerce, cultural exchange, and daily life of the time. They often showcase
the coexistence of Indian and British influences, offering a glimpse into the
complex dynamics of colonial-era society, trade, and urbanization in India.
1+1+1+1
24.1 Indus Valley pottery featured a diverse range of patterns and motifs. Common =4
designs included geometric patterns like zigzags, squares, and circles, as well
as stylized animals, humans, and plants. Intricate floral and faunal motifs were
prevalent, often depicting peacocks, bulls, and trees. Some pottery also
featured script-like symbols, possibly an early form of writing. These patterns
not only served decorative purposes but also provided valuable insights into
the artistry and symbolism of the Indus Valley Civilization.
Long Answers
25 The Ajanta Caves, dating back to the 2nd century BCE to 6th century CE,
feature exquisite fresco paintings on the walls of rock-cut caves in India. They
depict scenes from the life of Buddha, Jataka tales, and various deities. For
example, Cave 1 portrays a serene Buddha under the Bodhi tree. Post-Ajanta
paintings, from 7th to 12th centuries CE, evolved with more regional
influences. The Bagh Caves in Madhya Pradesh are notable, featuring vibrant
murals like the "Lady Playing the Veena," showcasing an elegant lady
engaged in music, reflecting the transitional nature of Indian art during this
period. Post-Ajanta art in India continued to be influenced by the styles and
techniques developed at Ajanta but also evolved in response to changing
political and religious dynamics. One significant development was the shift
towards Hindu themes, seen in the Ellora caves. These rock-cut temples,
created between the 6th and 9th centuries, feature stunning carvings dedicated
to various Hindu deities. The Chola dynasty in South India also contributed to 1+1+1+1
post-Ajanta art, known for its intricate bronze sculptures of deities and the =5
construction of impressive temple complexes like the Brihadeswar Temple in
Thanjavur. In summary, post-Ajanta art in India continued to draw from the
legacy of Ajanta but diversified to accommodate changing cultural and
religious influences, resulting in a rich tapestry of artistic expression across
different regions and dynasties.
25.1 The development of modern art in India can be traced through distinct phases.
It began in the late 19th century when Raja Ravi Varma popularized academic
realism. Modern art in India has evolved significantly when Raja Ravi Varma
introduced a fusion of Indian traditions and Western techniques. The Bengal
School emerged in the early 20th century, emphasizing indigenous themes and
spirituality, led by artists like Abanindranath Tagore. The Progressive Artists'
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Group in post-independence India sought to break from traditional styles and
embrace global influences, including abstraction and cubism. The early 20th
century saw the emergence of artists like Amrita Sher-Gil, who embraced a
more progressive and personal style. Post-independence, the Progressive
Artists' Group, including luminaries like MF Husain and FN Souza, pioneered
abstract and contemporary art. Today, modern Indian art encompasses a
diverse range of styles, from abstract to conceptual, reflecting global
influences while maintaining a strong connection to cultural heritage.
26 Jamini Roy, a renowned Indian artist, is celebrated for his unique artistic style,
characterized by a blend of traditional folk art and modernist elements. His
paintings often feature bold, simplified forms, and vibrant colours reminiscent
of Bengal folk art. Roy's works predominantly focus on rural life,
mythological themes, and everyday subjects, reflecting a deep connection to
Indian cultural heritage. Through his distinctive style, he sought to bridge the
gap between traditional and contemporary art, leaving a lasting impact on the
Indian art scene. His painting "Mother and Child" exemplifies this approach.
Roy's style is characterized by bold lines, flat colours, and simplified forms
reminiscent of Bengal folk art. He often used natural materials like tempera on
cloth or wood, eschewing oil paints. His subjects, like in "Mother and Child,"
typically feature rural life, mythological themes, or everyday people. Jamini
Roy's distinctive fusion of folk and modern aesthetics has left an indelible
mark on Indian art, earning him a prominent place in its history.
1+1+1+1
26.1 Modern Western art, spanning the late 19th century to the present, has undergone =5
remarkable transformations, reflecting the dynamic nature of Western culture and its
engagement with global influences. This period witnessed the birth of several
influential art movements, including Impressionism, Cubism, Surrealism, Abstract
Expressionism, and Pop Art, each leaving an indelible mark on the art world.
Impressionism, with artists like Monet and Renoir, broke away from traditional
academic art, capturing fleeting moments of light and colour in everyday scenes.
Cubism, pioneered by Picasso and Braque, introduced fragmented perspectives and
geometric shapes into art, challenging conventional notions of representation.
Surrealism delved into the subconscious, producing dreamlike, irrational imagery.
Abstract Expressionism, exemplified by Pollock and Rothko, conveyed emotion
through abstract forms and gestural marks. Pop Art, as seen in the works of Warhol
and Lichtenstein, celebrated consumer culture and mass media. Contemporary
Western art is characterized by diversity, encompassing a wide range of styles,
mediums, and concepts. It often engages with social, political, and technological
issues, reflecting the complexity of the modern world. Artists continue to push
boundaries, exploring new territories and challenging conventional definitions of art,
making modern Western art an ever evolving and vibrant cultural force.
TOTAL 40
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