Fatima Jabbar
Fatima Jabbar
I certify that this project entitled " Digital smile design for complete
denture " was prepared by the fifth-year student Fatima jabbar abd al-
sada under my supervision at the College of Dentistry/University of
Baghdad in partial fulfilment of the graduation requirements for the
Bachelor Degree in Dentistry.
PhD in prosthodontics
April،2023
I
DEDICATION
I am dedicating this work to two beloved people who have meant and
continue to mean so much to me. To my mother, who has been a constant
source of support and encouragement during the challenges of life.
To the person from whom I draw my strength (Imam Hussain) and his
grandson (Imam AL Mahdi), The person I am still waiting for.
II
ACKNOWLEGEMENT
I would like to thank all the people who contributed in some way to
complete this work.
III
TABLE OF CONTENTS
INTRODUCTION ................................................................................ 1
V
LIST OF FIGURES
VI
LIST OF ABBREVIATONS AND SYMBOLS
VII
INTRODUCTION
1
Introduction
Esthetic dentistry has become one of the most sought-after disciplines in dentistry
which focuses on the smile and pleasing appearance. Modern dentistry is not
limited to just the repair of individual teeth. There has been an increase in the
incidence of patients who give esthetic outcomes the main priority with the
restoration of the tooth structure (Thomas et al., 2022).
The smile design is the combination of aesthetic principles that make facial
aesthetics compatible with the dentogingival structures. Or, more simply, it can
often be described as the aesthetic treatment of anterior teeth in the visible aesthetic
2
region. These aesthetic concepts were created with information gathered from
cases, diagnostic moulds, photographic records, scientific dimensions, and
fundamental aesthetic beauty principles (Yeşim et al., 2021).
In recent decades, smile design has progressively shifted from analog to digital
workflows, which have further evolved from 2-dimensional (2D) to 3D tools. The
implementation of digital tools and online interaction has improved
communication among clinicians, dental technicians, and patients. Merging 2D
photographs with 3D digital files allows the transition to a full digital workflow
and facilitates facially driven digital smile design (Almalki et al., 2022).
Newer digital smile design tools can be used to design and modify smiles of
patients digitally and visualize the projected outcome before any irreversible
procedures are done. Such tools also permit meticulous analysis of the patient's
facial and dental characteristics to facilitate the digital design (Almalki et al.,
2022).
Digital technologies allow accurate treatment planning and facilitate the obtaining
of aesthetic, functional and predictable prosthetic structures, Digital Smile Design
benefiting from the application of a digital workflow for an oral rehabilitation that
can be evaluated and analysed by the patient, dentist and technician (Beldiman et
al., 2022).
3
Aims of the study
The aim of this study is to enlighten dentists about digital smile design parameters
and current digital smile design software also to explore digital smile design
technology in complete denture.
4
CHAPTER ONE
REVIEW OF LITERATURE
5
Review of Literature
Digital Smile Design is a multi-use conceptual dental treatment planning tool that
is used in interdisciplinary esthetic dentistry to strengthen diagnostic vision,
improve communication/education and enhance predictability throughout the
course of the treatment (Coachman et al., 2014). digital smile design can assist the
restorative team throughout treatment, improving the dental team’s understanding
of the esthetic issues and increasing patient acceptance of the final result (Gupta
and Mittal, 2018).
DSD is a method that allows us to digitally design the smile of our patients, by
obtaining a simulation and pre-visualization of the therapeutic result. Patients are
often found by the dentist and are immediately subjected to dental services or
therapies, without the dentist himself having planned well or having shared the
therapeutic project of a tailor-made smile for the patient with them (Cervino et al.,
2019).
On the one hand, Digital Smile Design allows the patient to have awareness from
the beginning of the therapeutic plan and for them be the first interpreter in the
aesthetic and functional rehabilitation of their mouth, and on the other hand, it
allows the specialist to tune in better to the expectations and needs of the patient,
in order to pursue their shared goals. These protocols therefore allow for a
previsualization of the clinical case and of the therapeutic result, and for presenting
the patient, in a clear way, the usefulness of being able to program the rehabilitation
and interface clearly with the help of other professional figures. Being able to
provide all of the data to the dental technician, or even being able to evaluate the
prosthetic–implant–orthodontic rehabilitation is made simpler, by being able to
communicate information about the case in a simple and digital way to colleagues
(Cervino et al., 2019).
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1.2 Esthetics in complete denture
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1. Anterior teeth selection
2. Posterior teeth selection
1.2.3.1 Methods used for selecting anterior teeth are: (Devi and
Nayar, 2018).
Recent photographs: They will often provide general information about the width
of the teeth and possibly their outline form that is more accurate than information
from any other source.
Radiograph of teeth: Radiographs made before the natural teeth were lost can
supply information about the size and form of the teeth to be replaced.
Radiographic images are however always enlarged and may be distorted because
of divergence of the x-ray.
Post-extraction examination
Size and form of edentulous foundation, matching teeth to face forms and arch
forms. If patient is already a denture wearer, mouth should be examined with the
dentures in the mouth giving importance to physiological and aesthetic aspects.
Use of golden proportion: Lombardi was the first to propose the application of
the golden proportion in dentistry.
The ratio can be established between the width of central and lateral incisor and
8
continue this ratio in the placement of the remaining teeth and spaces (figure1.1:
golden proportion):
Snow has supported the use of the „golden proportion‟ as a means of applying the
golden proportion across the midline to encompass the total canine-canine width.
The golden proportion has been applied to the canine- canine width to become the
“golden percentage”:10%:15%:25%:25%:15%:10%.
The golden percentage was calculated by dividing the width of each central incisor,
lateral incisor and canine by the total width of all six maxillary anterior teeth and
multiplying the resulting value by 100, in order to obtain the golden percentage for
each tooth. If the values from canine to canine were 10, 15, 25, 25, 15, and 10%, it
indicates that the six maxillary anterior teeth are in golden percentage (Murthy
and Ramani, 2008) (figure1.2: golden percentage):
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(Figure1.2: Golden percentage )(ward, 2007)
Seven anatomic entities are used as guides to select size of the anterior teeth
Maxillomandibular Relations
Any disproportion in size between the maxillary and mandibular arches influences
the length, width and position of the teeth. This is of importance in class II and
class III maxillomandibular relations (Vasantha et al, 2011).
The artificial teeth should be placed to follow the contour of the residual ridges
that existed when natural tooth were present. As resorption occurs there is alteration
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in the contours of the ridge (Vasantha et al, 2011).
Lips:
Labial surface of the maxillary anterior teeth supports the relaxed lip. Frequently
incisal edges extends inferior to or slightly below the lip margin. When the teeth
are in occlusion and lips closed the labial incisal third of the maxillary anterior
teeth supports the superior border of the lower lip. In speech, incisal edges of
maxillary anterior teeth contacts the lower lip at the junction of the moist and dry
surfaces of the vermilion border (Vasantha et al, 2011).
Dentogenic and dynesthetics concept was proposed by Frush and Fisher (1955-
1959) and authored a series of articles that presented a concept of esthetics based
on gender, personality and age. According to them, to achieve a more natural-
appearing denture, three things are necessary: the right teeth, teeth placed at proper
position, and should be held in place by natural appearing denture base (Prasad,
2013).
Sex: Masculine: Teeth selected are strong, large and squarish; Feminine: Teeth
selected are delicate, rounded, smaller.
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Vigorous: Masculine imparts roughness; delicate imparts feminine softness
whereas medium in between these two.
Age: The dignity of advancing age must be copied in the denture in terms of
Translucency, shade and wear.
1- Colour of the teeth should blend with patient’s age, skin, hair and eyes.
2- Shade selection can be done on the basis of age, sex, skin complexion and
patient preference.
3- As a general rule, bright teeth for young patients with fair skin and dark teeth
for aged with dark skin is suitable.
4- Some of the colour characteristics of natural teeth that can be reproduced are:
13
2. Mesiodistal length of posterior teeth.
3. Occlusogingival (vertical) height of the facial surfaces of posterior teeth.
Form of the occlusal surfaces is selected on the basis of the occlusal surfaces
desired and the type of occlusion planned.
Condylar inclination, shape and height of the residual ridge, Incisal guidance, plane
of occlusion, compensating curves and ridge relationship are the factors that
influence the form selection.
Based on this, the forms of posterior teeth can be grouped as: (figure1.4: forms of
posterior teeth):
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Colour
Maxillary first premolars are used more often for aesthetic purpose than function.
So it’s advisable to select premolar teeth with lighter colour than the other posterior
teeth, but not lighter than anterior teeth.
Generally the shades of posterior teeth are slightly darker than anterior teeth.
The characterisation of denture is still more critical when patient has short upper
lips, single arch complete denture is given opposing a dentulous or partially
dentulous arch and in implant supported prosthesis17. The method can aid in
communication include – Good quality photograph, colour mapping chart, shade
guides and wax characterization (Devi and Nayar, 2018)
16
The following photographic views in fixed head position are necessary:
(figure1.5: dental photography in DSD):
1- Facial frontal smile with teeth apart. Make sure the face is centered and both
sides show symetrically, also make sure that the hair is behind the ears so the
whole face is visible (DSD, 2017).
Eyes must be open and look straight to camera.lens Glasses to be removed- if any
Teeth apart- have patient say “eee” .Head straight in a fixed position Full face photo
(TDSA, 2022).
18
process linking the facial analysis into the intra oral analysis. The camera should
be levelled with the eyes. That means that the camera will be slightly above the
mouth creating a natural smile curve. Smartphone lenses are not macro, so a bigger
distortion will happen, the closer you get to the patient the bigger the distortion of
the image. To minimize this distortion, it’s better to keep one meter distance and
slightly zoom in digitally. Both frontal videos should have the teeth apart for better
visualization of the esthetic issues, visualization of lower teeth, visualization of
drawings and simulation. To keep the teeth apart similar on both photos, the patient
should bite a jig on the molar area, made of silicone or the disposable flexible
plastic suction.
2. Facial profile video: lips at rest and wide “E" smile. The key is to have a total
profile view and the reference should be the filtrum.
3. 12 o’clock video: from the top of the head with the most coronal angle possible
that allows one to visualize the incisal edge of the 6 anterior upper teeth with the
patient retracting the upper lip with both thumbs. This image should show the
relationship between the facial midline, inter-pupilar line, comissural line, Angles
of the mandibule, mentum, arch form and vermilion of the lower lip.
4. Anterior occlusal: film without a mirror and perpendicular to the occlusal plan.
The goal is to capture from bicuspid to bicuspid having the palatine rafe as straight
line.
19
(figure1.6: dental videos in DSD) (DSD, 2017).
• Operator can motivate and educate the patient by showing the final outcome
digitally before doing any irreversible procedure this can also serve in crucial
medicolegal purposes.
• Clinicians and patients can both digitally visualise and analyse gingival, dental
and facial characteristics that will decide the final smile and facial aesthetics.
• Before the treatment begins, comparison between before and after treatment
images using a digital scale, horizontal and vertical reference lines can be done.
• DSD not only helps in better communication between patients and clinician but
also helps in better communication between other team members, lab technician,
etc., (CHITLANGE et al, 2023).
21
1.3.4 Limitations of Digital Smile Design (DSD)
3- Training and handling for certain software are necessary which further increases
time and cost. (Jafri et al, 2020).
22
1.3.5.2 PROSTHESIS DESIGN
Denture-designing software offers a powerful tool that lets clinicians select molds
from a library of teeth to generate the tooth arrangement automatically — although
it is still possible to customize the tooth setup. It is the authors’ opinion that use of
CAD technology for complete dentures can be a great teaching tool for students,
as it can show them the proper positioning of the denture teeth in terms of esthetics,
relationship to the residual ridge, location of the occlusal plane, and occlusal
relationship (Amit and Francois, 2020).
subtractive manufacturing method for digital complete dentures has recently been
developed. The method consists of a single disk that is milled at a single time. The
milling disk combines highly cross-linked polymethyl methacrylate (PMMA) dual-
shaded tooth and denture base materials, promising to provide a rapid and
predictable monolithic milling solution that eliminates the manual tooth-bonding
process.
The dual-shaded monolithic concept uses shell geometry technology based on data
gathered from an extensive range of successful complete denture treatments. The
shell geometry’s 3-dimensional dental arch structure defines the transition between
the tooth and base sections of the milling disk for a stress-free, high-strength,
homogeneous transition. The CAD design process is integrated into a CAD
software program (Dental System 2020; 3Shape A/S), allowing full patient-specific
23
customization of the removable complete denture to meet patient needs. The tooth
library and coordinated shell geometry offer CAD design strategies for a wide
range of jaw shapes and sizes and even the ability to customize and morph
individual teeth (Silva and Kukucka, 2022).
(Figure 1.7: Subtractive manufacturing (milling)):
In this method, material is stacked layer by layer, one over the other, to create a
three-dimensional structure. Furthermore, additive manufacturing offers the ability
to produce structures with complex geometries.
It also reduces material waste by 40% and allows finer detail compared to
subtractive technology Compared to conventional fabrication methods, delivering
complete dentures with CAD/CAM technology requires fewer appointments (two
to three visits), saving chairtime.
This can be beneficial for older adults. The two-visit procedure generally skips the
24
try-in appointment - although the authors highly recommend this step. One
advantage of a try-in prosthesis is that the patient can take it home for a few weeks
to evaluate function and esthetics, which is not possible with traditional wax try-in
setups (Amit and Francois, 2020). (Figure1.8: Additive manufacturing (three-
dimensional printing)):
Patient Ș.M., male, 40 years old, bimaxillary full edentulous with great aesthetic
expectations (Figure 1.9). (Țâncu et al., 2020)
Facial features:
- Face shape: oval;
- Face size: 21 cm long, 18 cm wide;
- Skin color: light;
- Hair color: black;
- Eye color: black.
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A B C D
1- Labial line of smile: it is low and reveals less than 75% of the cervico-incisal
height of the maxillary frontal teeth.
2- Smile arc is a curved line almost parallel to the upper border of the lower lip.
3- Upper lip curvature - the right mouth commissure is at thesame level as the lower
border of the upper lip, and the left one is located below, thus the upper lip has a
downward curvature on the left side, while the right side is straight.
We roughly established the width of the maxillary center incisor at 9 mm and its
length at 9.2 mm, the application setting a 90% ratio between width and length.
These dimensions were going to be subsequently modified in the smile
simulation process for a suitable adaptation of the teeth templates that were pre-
set by the application to the elements of the facial assembly. (Țâncu et al., 2020).
26
The next step consisted of choosing the appropriate teeth template, according to
the patient’s facial typology and preference, generating the smile frame according
to the references set in the previous steps and starting the smile simulation itself
(Figures 1.9: B, C, D).
For patient Ș.M., we proposed 3 types of teeth templates: framing the templates in the
smile frame, over the patient’s pre-existing teeth, and altering their predefined shape,
position, size and color, depending on the patient’s needs and preferences, as well as
on the facial, dental and gingival features. Then we proceeded by marking the upper
lip contour and choosing the teeth color from a series of pre-setapplication shades and
individualizing it. The last step consisted of applying the false gum and
individualizing its color. (Figure 1.10: final results). (Țâncu et al., 2020).
DSD simulation on the existing denture and definition of aesthetic elements that
corresponded to the patients’ aesthetic expectations were performed for the
27
Patient I.E., female, 80 years old, disatisfied with the existingcomplete denture,
due to the colour of the artificial teeth. (Figure 1.11: Patient with the existing
complete denture). (Țâncu et al., 2020).
2. Smile arc is a curved line parallel to the upper border of the lower lip.
3. Upper lip curvature - mouth commissures are at the same level as the lower
border of the upper lip and thus they do not have a curve, being straight.
Then, the identification and positioning of the incision line and the lines
corresponding to the distal faces of the maxillary central incisors was performed.
Afterwards, the identification and marking of the labial line of the smile, the smile
arc, and the recording of the dimensions of the maxillary central incisors were
performed.
We roughly established the width of the maxillary center incisor at 8 mm and its
length at 10 mm and the application setting at an 84% ratio between width and
length. These dimensions were going to be subsequently modified in the smile
simulation process for a suitable adaptation of the teeth templates that were pre-set
by the application to the elements of the facial assembly.
The next steps were the choice of the appropriate teeth template according to the
patient’s facial typology and preference, the generation of the smile frame
according to the references set in the previous steps and the start of the smile
simulation. (Țâncu et al., 2020)
For patient I.E. we proposed three types of teeth templates: framing the templates
in the smile frame, over the patient’s pre-existing teeth, and altering their
predefined shape, position, size, and color, depending on the patient’s needs and
preferences, as well as on the facial, dental, and gingival features. Then, we
proceeded by marking the upper lip contour and choosing the teeth color from a
series of four pre-set application shades and individualizing it. The last step
consisted of applying the false gum and individualizing its color.
While smiling, the patient discovered the entire cervico- incisal height of the
29
maxillary frontal teeth, thus allowing the proper application of the DSD working
protocol, which required such a smile for a proper simulation of the smile and the
achievement of aesthetic results. It was possible to keep the initial size of the teeth
without distorting it, in order to allow the teeth to fit into the smile frame. (Țâncu
et al., 2020).
30
CHAPTER TWO
CONCLUSION
31
Chapter two
Conclusion
Introducing digital techniques to preview the final result of the prosthetic treatment
in current dentistry brings important benefits regarding the success of the
treatment, communication with the patient and the dental laboratory.
In full edentulism, the current DSD technique can be used with some limitations
related to: the dynamics of the lips in smile, execution of the original photographs
for which the denture should have a good retention on the prosthetic field and the
proposal of a limited number of templates that do not satisfy all facial typologies.
However, the preview of the end result offers the patient the chance to have a
realistic picture of his desires, regarding the shape, color, size of teeth, which are
inadequate in relation to the patient’s age and facial typology.
The more the natural appearance given to the complete denture, more will be the
acceptability of the complete denture by the patient.
32
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