2019 5 4 1 Sorrentino
2019 5 4 1 Sorrentino
Introduction
This research began in 2012 and was the subject of the author’s graduate
studies for the Architecture Degree at the University of Genoa, under the guidance
of Prof. Carlo Vannicola and Dr Luisa Chimenz.
The initial idea was born on one hand by some observations on the current
historical phase and will be explained below. According to the reports and the
latest information of Save the Children and other agencies among the most reliable
non-governmental organizations (NGOs), a significant number of children every
day, are forced to deal with the effects of natural disasters or armed conflict. So,
they lose the opportunity to attend school, educate and socialize with peers, and
are at risk of ill-treatment and abuse. Moreover, between 2009 and 2012 they took
place in Italy several natural disasters (earthquakes and floods). Among the several
*
Tutor/Assistant, Department Architecture and Design, Università degli Studi di Genova, Italy.
https://doi.org/10.30958/aja.5-4-1 doi=10.30958/aja.5-4-1
Vol. 5, No. 4 Sorrentino: The Design of Spaces for Young Children…
consequences of these events, there was the suspension of school activities for
children of the affected areas, as school buildings were condemned or at worst,
destroyed.
Thus, faced with this situation, a simple question occurred. How can
architecture and design do their part and meet the challenges that these conditions
present to us, if they can do it? Observing the means of intervention most widely
implemented in these circumstances, emerged some critical aspects that are not
addressed, probably because they are not perceived as a priority yet. Furthermore,
examining the current responses in terms of structures and equipment, very critical
issues have been highlighted.
Then, what is the contribution that architects and designers can give, by virtue
of their skills? How could they improve the solutions put in place, so that they are
more responsive to the needs of children, not only from the functional point of
view but also alleviating the difficulties in such critical moments, providing
welcoming, attractive and safe environments?
The paper aims to describe the main stages of the research originated with
these questions, clearly showing the logical path followed from the identification
of the problems to the solutions proposed, taking into account the various factors
at play.
The main new feature of this research lies in its multidisciplinary, in the effort
to outline an experimental approach to design, with the intention to show how to
develop and treat spaces devoted to childhood and to the restarting of teaching
activities after disasters.
Methodology
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Above all, it has been considered that, before examining the reactions of
children to disasters, it should be convenient to know their behaviour in normal
conditions.
At this early stage of age, children grow up facing many changes, so it is very
important for them to have the references by which to understand reality.
In this process of building knowledge, a few elements are of particular
importance for the final purpose of this research, presented as follows.
Routines are essential socio-cognitive and emotional anchors, as they help the
child to deal with ambiguous aspects and unexpected problems or conflicts, in the
course of daily life.
Being part of a social group gives children a usual basis for sharing moments
and experiences with each other and contributes to building a sense of belonging
to a community.
New things are often perceived as a source of fear at first, so children have to
be helped to transform back into a normal atmosphere what at first is unfamiliar.
Peer relationships and friendships are kinds of bonding that bring to the
creation of a commonly shared world. They are also a powerful force to overcome
the negative emotions, by virtue of which children develop solidarity and empathy.
Playing is the main activity of children, whereby they extend their experience
of the surrounding reality and deepen their empirical knowledge. Playing is also a
cathartic experience, by means of which children can re-balance their emotions.
Finally, while they play through the simulation, children train themselves to be
sons, parents, teachers, doctors and so on, and they make own roles and rules.
The peer culture is the element that allows children to not feel alone in
acquiring and interpreting the adult world. It is a stable set of activities or routines,
objects, values and concerns that children produce and share in interaction with
each other. It is highly symbolic and has its origin in the usual interests of children
(fairy tales, cartoons, toys) and represents their attempt to make sense of things.
Another central aspect of the interaction between peers is to challenge the
authority of adults. Sharing the prohibited behaviour with peers means mainly to
give a common significance to the violated rule. In the peer culture, finally, they
are incorporated also real fears, identifying strategies to address them and process
them through the control in the game routines and rituals.
In the same way, as done examining the behaviour of children, the choice has
been to consider the main features of preschools in normal conditions, before
studying the emergency context.
The kindergarten is the place where children often experience the first
contacts with peers and where they establish new educational relations with adults
other than parents. Preschool becomes a physical and temporal space called
"educational environment", that is intended to lead boys and girls, each in their
own time, to the improvement of their identity, autonomy, competence and sense
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of participation and citizenship. “If the environment contributes to the growth and
education of the child, it is inevitable to wonder about its nature; if you take
pleasure entering in it (adults and children), and if you experience satisfaction
being there every day.
If this is the feeling you have, it can deduce that it is a nice, pleasant, friendly,
a facilitating environment that supports the child in the fundamental tasks of his
growth: attainment, building personal strategies of exploration, knowledge,
experience and appropriation.”1
As school at first could not be perceived positively and so it could not be
accepted, it is particularly important the scan of various time steps, in order to
enhance the organizing function of children's thinking. Thus, the establishment of
new routines will help the child becoming familiar with the new environment and
to accept it, during the separation from parents. “The routines, then, run the time of
life at school” and “[…] return the child to a sense of continuity and stability in
change,”2 becoming symbolic representation not only of the individual but of the
identity of the whole group. Finally, the physical characteristics of the school
environment which is one of the most relevant aspects from the point of view of
architecture and design, and of main importance in the development of this
research. It can, in turn, affect the climate of the educational environment,
facilitating or hindering learning. In this sense, it is relevant to this issue the
Reggio Emilia Approach, “an educational philosophy based on the image of the
child, and of human beings, as possessing strong potentials for development and as
a subject of rights who learns and grows in the relationships with others,”3 as
written on the website of Reggio Children organisation. In this unique, educational
vision, the setting of school spaces takes on a special significance. In fact, all
properties of the school environment are considered important in connote,
positively or negatively, the quality of life that takes place in them, so their
performance must be studied very carefully. According to Rosanna Bosi, “Space is
a fundamental educational vehicle. It is never a neutral container, and it has its
own specific language,”4 so its material design is a decisive step in the educational
action, having its goal as the creation of an environment at the same time
stimulating and reassuring.
1. R. Bosi, La Cura Nella Scuola dell' Infanzia (Rome: Carocci, 2007), 72.
2. Ibid, 87.
3. Refer to http://www.reggiochildren.it/identita/reggio-emilia-approach/?lang=en.
4. Bosi, La Cura Nella Scuola dell' Infanzia, 2007, 77.
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5. See J. Leaning and G. S. Debarati, “Natural Disasters, Armed Conflict, and Public Health,”
New England Journal of Medicine 369, no. 19 (2013): 1836.
6. Source Save the Children International. See https://bit.ly/2tCMY0L.
7. Source Save the Children Italy. See https://bit.ly/2mro7I0.
8. Extrapolated Data from a Custom Research in EM-DAT Database. See https://bit.ly/
2UaDLbE.
9. Definition from the Online Version of Oxford Dictionaries (retriev.) https://bit.ly/2Snm
A5h. [Accessed 03/05/2017].
10. See E. Giller, What is Psychological Trauma (Brooklandville, MD: Sidran Institute, 1999).
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This mix of counter emotions is frequently difficult to manage and could add
a dangerous sense of distrust of adults, if the facts have been deliberately caused
by humans, such as war or terrorist attacks.
Even if children could not find themselves to personally experience the
extreme consequences of the calamity, the impact of disasters on their daily life
generates immediate instability and uncertainty. They may have to suddenly adapt
to makeshift accommodations, or it might not be possible to go to school, to play
sports and to meet with friends.
The results could be a strong break between before and after in the lives of
involved children, in their established routines, and a new daily life may have to be
built overnight, in extreme cases without the prospect of a return to previous
normality.
It is evident that the response of the child is influenced by the one of the
adults: as much as they demonstrate grasp of the situation and control, the material
and emotional adaptation of children increases.
“Among the survivors of a disaster, the vast majority of people [...] shows
signs of stress, so that stress reactions are considered a normal reaction to
abnormal events.”11
The individual response depends on many different factors, starting from the
type of experience and its severity. For children, they mainly rely on aspects such
as proximity to the place and awareness of the disaster (evidently related to the
age), having been injured or in mortal danger (real or perceived), or have even lost
family and friends. Something to be considered too, is the loss of material goods,
the intensity and duration of the disruption of his life and the reactions of those
around them. It is possible to observe several typical consequences in children:
The traumatic impact of the event generates a response not only at the
individual level, but also a community reaction. The two things are tangled and
affect each other.
In fact, the relationship between the individuals and their own communities
will change significantly during the post-emergence phases. Initially, there are
stronger links within civil society, with a big boost to solidarity and to mutual
aid. Later, the situation can consolidate, especially in the long term. This may
cause the opposite effect, leading to the creation of groups and subgroups with
consequent conflicts for receiving aid and housing. These dynamics negatively
influence the sense of community and can be hardly recovered once the
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Physical Aspects
School provides safe spaces where play and spend time with friends. The
school environment is an easily recognisable place that can be uniquely identified
by the youngest, helping them to establish a new benchmark in the construction of
everyday life in the camp.
The spatial arrangement and the organization of the activities can significantly
13. See Global Protection Cluster. Guidelines for Child Friendly Spaces in Emergencies
(Global Education Cluster, INEE & IASC, 2011), 2.
14. Ibid, 4.
15. Ibid, 3.
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Psychological Aspects
Social Aspects
The school has a role of primary importance, at a double level: through the
involvement of individuals, it leads to benefit the whole community.
In the extremely informal emergency context, some prejudices can lapse, so
who had been hitherto excluded from the group could start to join it.
As the group is such a significant element of socialization, hold together the
existing classes, as far as possible, is a factor that should not be underestimated.
They contribute to the consolidation of the routine not only time and place
where the group meets, but the same people who belong to it and share them
together.
Furthermore, through education, it is possible for a community to keep its
identity and the maintenance and development of the mother tongue. Addressing
identity dispersion generated by the logic of “non-place”, and promoting an
attitude of resistance, keeps the bond of the community with its own history.16
According to Maria Vittoria Isidori and Alessandro Vaccarelli, it is so
highlighted that “Especially in chronic situations, provide education allows a
population of not lowering the standards achieved and to work on an idea of future
projects, involving at the same time individuality and sense of community.”17
Moreover, as stated by Vanna Iori, “In moments of crisis, […] the essential task of
educational institutions is to restore the temporal coordinates, within which
unravels the existence of a person, renovating the symbolic, intrapsychic space and
relational, which makes everyday life, in order to reconstruct and reinterpret the
previous life experience and the current one.”18
In conclusion, not including the family, school is the only institution capable
16. For a more complete discussion on this topic, refer to M. V. Isidori, “Principali Criticità
della Pedagogia e della Didattica dell' Emergenza,” Studi sulla Formazione 13, no. 1 (2010): 159-
160.
17. See M. V. Isidori and A. Vaccarelli, Pedagogia dell' Emergenza/Didattica nell' Emergenza.
I Processi Formativi nelle Situazioni di Criticità Individuali e Collettive (Milan: Franco Angeli,
2013), 155.
18. V. Iori, Lo Spazio Vissuto: Luoghi Educative e Soggettività (Florence: Nuova Italia, 1996),
quote in Isidori, “Principali Criticità della Pedagogia e della Didattica dell' Emergenza,” 135.
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of restoring a frame that literally “bracket” the life of children, making easier for
them to deal with the consequences of disasters and emergency situations.
The Hualin Temporary School was realized in the aftermath of the earthquake
in Sichuan (China) in 2008. It was designed in a project of cooperation between
Chinese and Japanese universities, under the direction of Shigeru Ban.
The Inter-University group, composed mostly by students and volunteers,
designed and built in about forty days three buildings, for a total of nine
classrooms. The project uses the same technology developed by Shigeru Ban for
the Paper Log Houses,19 introducing some changes in statics and building
schemes.
The bearing structure is constituted of four arches, realized with paper tubes
connected to each other by wooden joints. They compose a frame, to which are
added sliding doors and PVC panels, while the roof is made of corrugated
polycarbonate sheets. The high potential value of this project lies mainly in the
speed of realization obtained thanks also to dry assembly. Despite its simplicity, it
also offers an essential space but of high architectural quality.
19. The Paper Log Houses were developed after the earthquake in Kobe, Japan, in 1995. For
further information refer to http://www.shigerubanarchitects.com/works/1995_paper-log-house
-kobe/index.html.
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M.U.S.P. is the acronym of the Italian expression for “solid temporary school
modules.”20 They are containerized prefabricated structures, suitable to be placed
in a number of contexts, up to 1,500 meters above sea level.
They consist of a metal bearing structure with infill insulated panels, which
constitute standard units. They can be used individually or combined with each
other, according to various distribution patterns, in order to obtain the solution best
fitting the users' needs.
Alongside the undeniable advantages (availability, modularity, easy carriage
and assembly), however, they present several problematic issues, especially
concerning the thermal comfort and the limited possibilities of customization of
the aesthetic appearance. In the long term, they may affect the physical and
psychic well-being of the users. Nevertheless, they represent the solution of wider
use and not only in Italy.
Leafbed is a product of the French company Leaf Supply, which designs and
realizes cardboard furniture for humanitarian purposes.21
It is a patented camp bed, made up of cardboard boxes folded in accordion-
shape. Depending on the number of boxes used, it can be a bed or even become,
alternatively, a table or a stool.
It can withstand up to 300 kg in weight (a common foldaway bed in
aluminium and technical fabric bears only up to about 125-150 kg) and face
conditions of up to 75% humidity.
In addition to greater versatility with respect to a common camp bed, it has
other positive facets. It can be produced on site, without the need for specialized
manufacturing, thus supporting the local economy and reducing the cost and
environmental impact of transport. Moreover, this latter could be done in large
quantities on wooden pallets. Once its life cycle is concluded, it can be recycled
without producing additional waste and more than that, in an emergency context, it
can be used in many other circumstances in which it is expected temporary use.
Education in a Box was a program for the education of children affected by
disasters, drawn up by the English charity Education for All.22 A normal container
filled with educational and emergency supplies, such as tents, furniture, boards,
stationery, toys etc., was shipped to affected areas. There, the empty container
should have been part of the arrangement of the temporary school prepared with
the materials therein contained.
The equipment of one container could satisfy the requirements for up to 200
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pupils and may vary according to special educational needs, from the Early
Childhood to Adults education. Surely it was a positive example of recovery and
reuse that allows postponing the disposal of still usable facilities. Nonetheless, in
any case, they were pre-owned materials, which as in good condition, may have a
residual duration limited in time, in the face of remarkable efforts for the
procurement and transport.
Results
On the basis of the findings above, a stepwise design method23 has been
constituted for achieving valuable answers, coherent with the theme under
examination and also applicable once the emergency has finished.
In the design approach, the attention mainly focused on the interiors,
furnishing and on the setting-up, while with regards to the facility structures, they
have selected from time to time, among existing projects, and currently in
production.
Thus, in accordance with the considerations arisen during the previous phases
of the research, the design process outlined the following, sequential stages:
23. The stepwise design methodology is directly inspired and follows the approach of Bruno
Munari, as outlined in B. Munari, Da Cosa Nasce Cosa: Appunti per una Metodologia Progettuale
(Rome: Laterza, 1981).
24. See “Table 11 – Typical Services and Infrastructure Requirements for Refugee Camps,” in
United Nations High Commissioner for Refugees. Handbook for Emergencies, 1982, 553.
25. See United Nations International Children's Emergency Fund, Compendium Temporary
Learning Spaces (TLS) - Design and Practice in Emergencies, 2011, 13.
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In the next step, through a wide analysis of the newest proposals and most
innovative, they have been selected the casings among both those already
commercially available or that are still at the prototype stage.
The structures chosen as outer shells should take into account the
environmental and climatic characteristics of each context in which it has been
hypothesized their use.
This phase of the design process has been the most complex of the whole
study, as they should have been considered and addressed all the issues previously
highlighted in the Methodologies:
- the behaviour and needs of children aged 3-6 and their response to sudden
and traumatic events;
- the pivotal role played by the school at the physical, psychological and
social level in helping both individuals and communities;
- the normal requirements of preschool and the main critical issues of the
temporary structures usually devoted to accommodating activities during
emergency situations.
All these aspects have contributed to delineating the guiding principles of the
developed design methodology that has further an ideal reference to the
educational philosophy of the Reggio Emilia Approach. Its idea of quality, in
facts, refers to the school environment and foresees the possibility of fluid and
spontaneous enjoyment of the so-called relational space.27
26. See Inter-Agency Network for Education in Emergencies (INEE), INEE Guidance Notes
on Safer School Construction. Global Facilities for Disaster Reduction and Recovery, 2009, 61.
27. Refer to G. Ceppi and M. Zini, Children, Spaces, Relations: Metaproject for an
Environment for Young Children (Milan: Domus Academy Research Center, 1998), 12-13.
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- for ritual moments that mark the school day: “care actions” like coming in
and out of school, meals, hygiene, sleep;
- for learning activities: educational activities in the strict sense;
- for free playing and socialization.
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In the second phase, it has been observed an overlap between some school
activities and those proposed by psychologists and volunteers during the post-
crisis intervention.
It is useful for the victims and helps to cope with the consequences of the
experience. In fact, they are particularly suitable for this purpose the expressive
and artistic activities, such as drawing, painting, manipulation, but also drama,
story-telling and reading of fairy tales, as well as psycho-motor activity. Thanks to
these activities, in the hard context of the emergence children can:
- relieve stress caused by old and new sources of fear, as far as possible;
- recognize and express the feelings originated with the new situation;
- share the emotions with friends and adults who take care of them;
- reinforce the relations, enhancing their feelings of belonging to a group,
empathy and solidarity.
Thanks to this analysis and to the highlighted elements, it had been possible to
outline the common guidelines for the four design concepts, that so have been
declined each one in accordance with the theme previously identified, but, in all of
them, keeping the application of the same principles.
The Concepts
In accordance with the considerations explained above, the final step of the
design method originated with this research, has been the proposal of four
concepts, foreseen for as many different hypotheses of intervention. They share
the same underlying stepwise approach, but varying from time to time the choice
of the outer shells and their interior settings, depending on the context for which
they are envisaged.
They are the pre-cast industrialized house Armadillo, a modular structure with
high-efficiency energy performances, briefly called Lègologica and a dome-
shaped structure realized with the Super-Adobe techniques: they are respectively
suitable for the urban area, the mountain context and the rural zones. The tepee
tent will complete the framework of the options to move, as an ideal solution for
the first-aid response, independent from climate and territorial characteristics. All
the design concepts shall be described in detail below.
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The first design concept deals with the theme of the “first emergency
response”, to be provided within a period of a few days. The aim is to give a wide-
ranging solution, to be easily adapted to different landscape and climate
conditions, and that can be quick to set up on site.
For this, it has been chosen a flexible casing structure, the Tepee. These are
tents that are usually utilised as open-air accommodation facilities, exhibition
spaces or alternative households for private individuals as leisure spaces.
Technical Characteristics
Tepees are produced by various companies throughout the world with high-
performing materials that ensure very good performances in isolation, waterproof
and thermal comfort.
They were chosen the ones that are produced by the Italian-Dutch company
Gioielli del bosco – Bosjuweel, which has many years of experience in the
manufacture of tepees and yurts.
They are available in a range of dimension between 4.5 and 9 meters, to
accommodate a minimum of 9 to a maximum of 70 people sitting. They employ a
load-bearing structure of about 17 Douglas wood poles, which are linked at one
end to form an inverted cone. Subsequently, the structure is covered with sheeting
constituted by a double layer of fabric, of which the external one is waterproof and
breathable. While the internal protects from the cold, it also contributes to the rise
of the combustion fumes from the central heating fire towards the summit opening
that can be suitably adjusted according to the wind direction. Both the fabrics are
produced by the Dutch company TenCate and thanks to their breathability, neither
can be affected by condense or hackable by mould.
Even if they have never been used in the context of the emergency response,
these features make tepees a suitable solution in this field of application, even
more so when it is considered that their performances are significantly better than
the ones provided by tents currently used by the civil protection department.
Moreover, the tepee for its highly recognizable archetypal shape could have
positive effects on the emotional reactions of children, creating an elsewhere, just
as a game through which they could deal more lightly with the difficulties of the
early stages of the emergence.
Setting
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29. Container Village - Living in a box, workshop directed by professors Claudio Larcher and
Giampietro Gai. It took place during the summer semester 2013.
30. Carton Plein! exhibition at the Cité de l'architecture à Paris, 03/02 – 28/03/2010. Refer to
F. Meadows, Carton Plein!: 13 Architectes à l' Exercice de la Cabane (Paris: Édition Alternatives,
2010).
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Technical Characteristics
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which are produced by the same company. The constructive technology employed
in the realization of Armadillo involves the use of a supporting frame, constituted
by steel profiles and not calendered, mounted on a foundation that is well anchored
into the ground.
On this framework, the Elycop panels are dry assembled and collaborate to its
stiffening while they cover the structure. The closures in the header are
complemented by means of pre-painted aluminium windows, as well as steel
sandwich panels and polyurethane foam. Inside, the frame allows the anchoring of
any partition, achievable into a wide range of possibilities, as well as it is available
the broader the range of customization of finishing materials. The assembly
process is very fast and takes a few days.
Setting
For this concept, the hypothesis starts from considering an area of about 160
square metres, employing three basic units of 6.60×8.00 metres, side by side to
each other, and connected by access on a balcony.
The theme is the adaptability: thanks to movable and removable furnishing
and dividers, it is possible to vary from time to time the spatial configuration,
accomplishing the need for more space for movement activities, or separation to
create quietness and attention.
In this aim, it has been selected the modular partition system Softwall
designed by the Canadian company Molo Design. It is a self-supporting wall made
of textile derived from polyester and is 100% recyclable (trade name Tyvek). It has
the characteristics of flexibility and foldability to its honeycomb structure.
Available in three different heights and relative thickness, it can be anchored to a
wall and kept closed or alternatively it can be opened to create a soft wall. It is
deployable at will, able to soften the sound, and to diffuse or absorb light,
depending on the colour chosen (black, white or kraft paper).
Regarding the other furnishing to be considered in the setting of Armadillo,
they were selected tables and stools of the Muzzle® series by Paratelier, designed
by Italian architects Leonardo Paiella and Monica Ravazzolo.
They are made starting from yellow Doka boards used in construction sites,
from which are obtained by laser cutting the pieces forming the assembling kit of
each element. It will be assembled by means of joints and without the aid of glues
or hardware.
To store books and other teaching materials, the Waybasics bookshelves and
racks could be located in the classroom. They are produced with the Zboard,
which is a special material obtained from pressed cardboard plates that are treated
superficially with bright colours. This makes the material more resistant than the
ordinary paper board but retaining its lightness and handling characteristics.
Regarding the soft area for the rest, it could be prepared by using mats
produced by the Italian company Play+ in close collaboration with Reggio
Children. They are part of an integral line of furniture for the kindergarten,
developed by applying to the design process the whole know-how of the Reggio
Emilia Approach. The mats chosen for the setting of Armadillo can be used on
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both sides for a dual function, having a more rigid and supported side which is
suitable for motor activities. The other one, softer and cosy, is usable for the rest.
In an emergency set-up, this feature allows us not to give up the precious
moments for the growth of the children because of the possible scarcity of space.
Finally, interpreting the theme of transformation/convertibility under a
different point of view, it was decided to include an igloo, built with plastic bottles,
as den-space. This item might be a small self-construction that is to be carried out
together with the children themselves, with a view to a shared process and to
participate in, which would lead to a finished product expression of the
collaboration of all. Its positivity would implement in many respects, not only as
regards to the mode of realization but also for the added value of the activity as
support for overcoming the traumatic situation. In addition, it would constitute an
important shared memory, once the situation has come back to normal (Figure 2).
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The structure chosen for the mountain environment is Lègologica, a house full
of content and locally sourced, according to the name given to it by the designers,
Italian architects Francesco Bombardi and Simone Ardigò.
As the name suggests, it has a double reference to the ecology, due to the
peculiarity of being completed with natural materials found on site, and the
modularity, which is inspired by the famous Danish game of multicolour bricks.
It was exhibited for the first time in Rome in the summer of 2012, during the
exhibition at the MAXXI Museum. Thanks to it, the designers and companies that
had participated in the creation of the prototype gained the label Eco_Luoghi 2011,
assigned by the Italian Minister of the Environment.
Technical Characteristics
The basic unit has a size of 12 square metres of net usable internal area.
Multiple modules can be combined to be built the layout that best fits the needs of
the users. It can be easily transported and assembled thanks to the pre-made
building blocks, inspired by the fishing nets. They are to be completed via a self-
construction process, using natural material recovered on the site directly, such as
leaves, stones, barks and so on.
It is completely autonomous from the energy point of view, due to the
presence of the solar panels, and guarantees a perfect thermal comfort in all
seasons, thanks to a passive cooling system capable of generating cross ventilation.
The mass and weight of the empty brick shells are filled with local materials
and provide stability to the structure without the need for invasive foundations.
The building technology is based on a frame consisting of glulam asymmetric
portals. On them is fixed the cover, made of photovoltaic panels and which is
consequently closed by a wooden infill that is about 15 cm thick, where can be
also housed within the technical installations.
The completion of the structure is entrusted to external blocks of considerable
thickness, realized as empty baskets and without load-bearing function. They
come to the construction site to be assembled on the spot and filled with materials
that are found on site. They have to be provided with particle size and consistency,
to ensure high energy efficiency together with the insulating material of the
internal infilling.
For the use of natural materials, Lègologica sets itself in dialogue with the
surrounding environment, morphing in turn with the seasons. Moreover, thanks to
the arrangement of the windows that can be freely decided during the installation,
it directly involves the user in an empathetic relation with nature and landscape.
Setting
Unlike the previous cases, in this one it was necessary to assume the
opportunity to apply a different method of connection between the units, imagining
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The project chosen for the Mediterranean context with a warm temperate
climate (Hot-summer Mediterranean clime, according to Köppen's classification),
is the structure made with coiled sandbags developed by Nader Kahlili. This
architect of Iranian origin had always had a particular attention to humanitarian
issues. In 1991 he founded the California Institute of Earth Art and Architecture
(so-called Cal-Earth), where he developed his research on structures, made with
Superadobe technology. Thanks to this innovative construction method, based on
traditional building techniques, it is possible to build arches, self-supporting domes
and vaults without the aid of camber.
It is a simple, economical architecture and is very durable. It is also often used
during crisis situations or where the supply of construction materials is particularly
difficult. Furthermore, it could be used in the medium-long term, even in
unfavourable warm climates, whereas its high thermal inertia looks like a certainly
advantageous feature.
Technical Characteristics
The Setting
Whereas this concept revolves around the theme of a rural context with a
warm temperate climate, the project proposal deliberately puts on hold the
organization of interior spaces and it completely devotes its attention to what
happens outside the facilities.
Once arranged the four domes around a central court, the project develops the
organization of the resulting spaces delimited by the fluid shapes of the four
building units, at the centre of the court as well as on the perimeter.
As previously considered, the outdoor activities are of particular importance
for children in normal conditions, and still more to facilitate the overcoming of
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traumatic events. Consistent with the possible consequences for the region, this
project has tried to draw some opportunities for experiences outside the school,
without limit them only to the classic playground or sports field, but placing other
points of interests for children.
First of them takes its inspiration from The Maternelle sous Chapiteau, a
project developed in 2008 by Zoom Architecture studio with a kindergarten class
in Calais. During a workshop dedicated to introducing children to the circus arts, it
was included the construction of a small pavilion with lycra and coloured
cardboard tubes, ridden by children themselves.
In this case, it may be interpreted as the creation of an atelier, within which to
gather experimental activities of observation and manipulation or become a sort of
small "museum" in which to collect and preserve materials and equipment.
In the organization of the external spaces between the domes, a small area is
also provided to be used as a teaching garden. The cultivation and care of plants, in
fact, are meaningful experiences for children and can be a valuable aid in stress
mitigation in the case of difficult situations such as emergencies.
The participation of the whole group allows the growth of a sense of belonging
in children, helping them to strengthen relations and to have again confidence in
life and in the future.
It also might be possible to prepare corners for open-air reading and establish
a mini outdoor library, where cherish books about natural and scientific themes.
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Eventually, these places could be arranged also as areas for relaxing in the shade
of the trees.
Finally, the insertion of a playground is provided as a free zone in which
different playing modes, such as climbing, jumping, sliding and swinging could be
interpreted in freedom, by means of an organization that follows the natural
orientation of the ground.
The paving of the court should be treated with materials of different colours
and grain, playing on the development of curves and circular lines and delimiting
heterogeneous portions for contours and dimensions. In this way, they could
constitute a further and stimulating means for children to make richer their sensory
experience (Figure 4).
Conclusions
Since its early beginning, the problem appeared composite and multifaceted:
in fact, as discussed above, many components are to be evaluated when talking
about children and their special needs. Moreover, considering the extraordinary
circumstances that can affect people and communities after any kind of disaster.
The design process outlined in the research follows a logical and rational path,
in order to try bridging the distance between the operational language of the
designer and the one sometimes excessively theoretical of institutional guidelines.
Thus, the main intention of this research was not to reach a properly defined
architectural design, but rather to outline design suggestions, through which bust
the myth of a design, that uses “simplicity” as an excuse, concealing inadequacy
and shortage of proposals.
The main objection could be that the examples presented are referred to the
Italian context only, so focusing on a necessarily limited area. Moreover, it would
be in any case a privileged context, compared to other ones clearly more
problematic.
Actually, this instance is a direct consequence of architecture and design, that
by their nature require to be contextualized, and cut on a framework of demands
more or less restricted; also, by reason of the economic affordability.
However, the concept outlined is only an expression that could have been
different simply by means of a choice of diverse housing structures and other
furniture settings. The most important aspect lies in the possibility of an integrated
design process and interdisciplinary, that it could be adaptable to different
situations and gradable in each case, according to particular needs or limitations.
As the problems related to emergencies seem to grow and spread more and
more widely, it should be responsibility of designers contributing to mitigate their
effects, by offering the necessary competence for improvement in terms of quality,
both functional and aesthetic.
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