Steve Vai - Inviolate
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Filipfrom Steve Vai - Inviolate
Teeth of the Hydra
By Steve Vai
A
Moderately q = 88
μ(A5)
Hydra 7-string (dist.)
Drop A tuning: (low to high) A-E-A-D-G-B-E
(8 sec.)
*Hydra 12-string (clean mag. & piezo blend)
Drop D tuning: (low to high) D-A-D-G-B-E
*Fretless above 8th fret
mf let ring throughout
***w/ delay
0 0 0 0
***Set for quarter-note regeneration.
**Hydra bass Tuning: (low to high) A-E-A-D
**3rd & 4th strings are fretless. f
0 0 0 0
Hydra harp
Tuning: (low to high) C#-D-E-F-G-A-Bb-C#-D-E-F-G-A
mf let ring throughout
B
Am7b9 Am9
3
0
3 3
f grad. bend
w/ ambient delay 1/2
8 10 10
9
7 9 10
12 7 8
0 0 0
0 0 0
0 0 0 0
Tuning: G-A-Bb-B-C-C#-D-E-E-F#-G-G#-A
sim.
Copyright © 2022 Sy Vy Music (ASCAP)
Administered by Round Hill Songs II
International Copyright Secured All Rights Reserved 1
D/A A7sus4 /
A7#11(3) A5 μ
3
3
12
1/2 1/2
0
13 15
11 11 8 8 14
12 14 15
17 12 13
0 0
0 0
2 4 4
0
0 0 0
0 0 0
0 0 0
Aºadd9 Am(add9) F#13âÀ
0
14
1/2
1/2
15 15
15 14 12
12 12 10 10
0 0
0 0
7 4 4
0 0 0
0 0 0 0 0 0
0 0 0
2
C
Am(add9) Cmaj7 D/C
steady gliss.
14 15 0 2 4 2 4 2 0
2 4 0
15
15
0 0
0 0
4 0
2
3
5
steady gliss.
*T T T
0 15 15 10 15 15
*Tap w/ thumb on bass neck throughout.
Tuning: D-E-F#-G-A-B-C-D-E-F#-G-A-A
D7sus2 Cmaj9#11
/0
steady gliss.
0
1/2 Harm. 1
15
0
21 0
0 9 7 14 16 12 11 11 9 14
0
15
15 12
15 15 12
15
0 0
3 0
2 0
0 2
0 3
0 5
steady gliss. steady gliss.
T T
0 0
17 17 12 15 15 10
3
Em
8va
*
hold bend T T
1/2 1 1/2 1 1 1/2 1 1/2 1 1
1/2
0
15 15 18 15 18
14 14 14 12
*Tap w/ pick.
0 0
0 0
0 0
2 2
3 2
5 2
T T
0
15 15
Am7 D/A Am7 G/A D/A G/A F/A
8va loco
1
1
12 15 17 17 17 7 5
15 5 5 7 5 8 7 8 6
0
5 5 7 5 7 7 7 5
5 5 7 5 9 7 9 7 7 0
X
5 5
0
0
0
2 0
2 0
2
let ring
0 0
0 0 0
0 0
Tuning: D-E-F-G-A-B-C-D-E-F-G-A-A
4
Am7 D C5 D5 C5 D5 Cm/D D C5 D5 C5 D5
1
1/2
8
7 7 5
7
7
5 7
5 7
8
7 7 5
7
7
0 5 7
5 7 5
5
3 5 3 5 3 5 3 5
3 5 3 5 3 5 3 5 5
3 5 3 5 3 5 3 5
0 0 0 0
0 0 0 0 0
0 0 0 0
let ring
0 0 0 0
0
Am D/A Am7 G/A F/A G/A D5 C5 D5 C5 D5
1
5 5 10 8 13 12 12 10 15 15
5
0
5 5 11 9 12 12 12 10 14 14 12 14
X 12 10 10 14 12 12 10 0 5 7 7
X 3 5 3 5
5 5 3 5 3 5
3 5 3 5
0
0 0 0 0
0 0 0
0 0 0
let ring
0 0 0
0 0
0 0
5
Gm/D D5 C5 D5 C5 D5 A5
f 8:6
1/2 1/2
15 15 15 15
5 5
10 10 8
0
14 14 12 14 14 9
5 7 7 7 10 9 7
3 5 3 5 5 8
3 5 3 5 5 5
3 5 3 5 5 5
0 0 0
0 0 0
0 0 0
0 0 0
Tuning: C#-D-E-F-G-A-Bb-C#-D-E-F-G-A
E
ã ã
Fadd Å/A A7sus2 E/A Am9 Fadd Å/A Am9
grad. bend
12 13 12 10
1/2
12 8 8
7 7 2 0
0 0
0 0
2 4 4
0 0 0
0 0 0 0 0 0
0 0 0
Tuning: G-A-Bb-B-C-C#-D-E-E-F#-G-G#-A
6
Am μ Eb6/A E7sus4
7
1
7
7
grad. bend Harm.
1/2
10 13 15 16 16 16 12
12 14 15
12 14 15
12 13 15
10 12 13 12 13 15
0
0
4
0 0 0
0 0
Am(addÅ) Am11 C9/A Am9#11
5
12
0 15 17 17 15 17 15 13 12 13 12 10 8 10 12
0 0
0 0
7 4 4
0 0 0
0 0 0
0 0
7
F
Am9 μ Cmaj7
8va loco
steady
* gliss.
+6 -6 -12 -6 +12 -2 1/2
0 0 0 0
17
10
10 12 14 16
*Sequenced pitch shift 17
0 0
0 0
4 0
2
3
5
steady gliss.
T
0 15 15 10
Tuning: D-E-F #-G-A-B-C-D-E-F#-G-A-A
D/C D7sus2
8va
**
Harm. fdbk. steady gliss. Harm.
1 1/2
12 10 17 17 15 12
17
19 19 17
16 14 16 14 12 11
12
17
0
**Bend to treble edge of fretboard. String frets
out at 21st fret while bent 1/2 step.
0 0
0 3
0 2
2 0
3 0
5 0
steady gliss.
T T T
0 0
15 15 17 17 12
8
Cmaj9#11 Em11
8va 8va
8va
loco
loco
/0
3
grad. bend grad.
let ring
hold bend steady bend
1 1/2 1 1/2 1 Harm. fdbk. gliss. 1
12 22 24
2
0 10 22 22 22 20 0 20 20
0
0
2
17
2 17 0
2 12 17 0
0 0
0 0
0 0
2 2
3 2
5 2
steady gliss.
T T T
0
0
15 15 10 15 15
Am7 D/A Am7 G/A D/A G/A F/A
8va
loco
3
gliss.
P.S.
steady
1
X
X
17 19 7 5
17
20 20 20 17 5 5 7 5 8 7 8 6
0
5 5 7 5 7 7 7 5
5 5 7 5 9 7 9 7 7
X
5 5
0
0
0
2 0
2 0
2
let ring
0 0
0 0 0
0 0
Tuning: D-E-F-G-A-B-C-D-E-F-G-A-A
9
Am7 D C5 D5 C5 D5 Cm/D D C5 D5 C5 D5
1
1/2
8
7 7 5
7
7
5 7
5 7 7
8
7 7 5
7
7
0 5 7
5 7 5
5
3 5 3 5 5 3 5 3 5
3 5 3 5 5 3 5 3 5 5
3 5 3 5 5 3 5 3 5
0 0 0 0
0 0 0 0 0
0 0 0 0
let ring
0 0 0 0
0
Am7 D/A Am7 G/A F/A G/A D5 C5 D5 C5 D5
1
5
0
13 13 10 8 13 12 12 10 10 X 0 15 15 15
0
12 12 11 9 12 12 12 10 10 X 0 14 14 12 14 14
X 12 10 10 14 12 12 10 10 X 0 5 7 7
12 12 3 5 3 5
3 5 3 5
3 5 3 5
mf
0
0
5
0 7 0 0
0 0 0 0
0 0 0
let ring
0 0 0
0 0
0 0
10
Gm/D D5 C5 D5 C5 D5 A5addb9 Fadd#11/A Am A(b5)
* mp
P.S.
1/2 P.S.
15 15 15
5 5
0
14 14 12 14 14
5 7 7 7
X
3 5 3 5 5
3 5 3 5 5 5
3 5 3 5 5 5 X
*Cue-size part is overdubbed, next 4 meas.
0 0 0
0 0 0
0 0 0
0 0 0
Tuning: C#-D-E-F-G-A-Bb-C#-D-E-F-G-A
H
Aº Am(add9)
P.S.
P.S.
mf
vol. swell
P.S.
P.S.
f
X
X
XX 0
0
0
0
0
5
0 7
0 0 0 0 0 0 0
0
0 0 0 0 0 0 0
11
C5/A Asus2 Am(add9) C5/A D5/A
0
3 5 5 3 5 5 2 3 5 5 7 7
3 5 5 3 5 5 2 3 5 5 7 7
0 1 3 3 1 3 3 0 1 3 3 5 5
0 1 3 3 1 3 3 0 1 3 3 5 5
0 1 3 3 1 3 3 0 1 3 3 5 5
0
0
5
7
0 0 0 0 0 0 0
0 0 0 0 0 0 0
Asus2
steady
0
gliss.
let ring
0 0 0
2 2 0 0
2 2 0 0
0
0
0 14
0 0 0 0 0
0 0 0 0 0
12
I
μ(Am)
3
1
15 17 15 12
15 15 13 15 13 15 17 15 15 17 15 17 15 17 15 15
0
0
0 0 0
0 0 0 0 0
23
1
3
semi-P.H.
7
1
7
5
6 8 5
5 5 7 5
5 5
5 5 5 3 0
3 5
3 5 3 0
0
0 0 0 0
0 0 0 0 0
13
Am11
1
1
1 1
1
5
rake
steady
gliss. 1 1/2
13 13 10 13 10 12 12 10 12 13 15 13 12
0
12 12 2 4 5 4 5 7 5 7 8 7 8 10 8 10 12 10 12 12 X
X
15
0 0 0 0 0
0 0 0 0 0
D5
3
string
1 1 1 noise
13 13 13 12 13 15 17 15 13 15 15 15 13 15 17 18 17 15 18 18
X 0
X 0
8
0 0
0 0
5 5
7 7
0 0 0
0 0 0 0 0
14
J
0 0
0 0
0
0
0
0
8va
loco
steady gliss.
11 12 12 12 12 12 14 10 10
10 10 16
0 5 5 5 9 12 3 15 16 14 16
Tuning: C-D-E-F-G-A-Bb-C-D-E-F-G-A
12
3
12 12 10
10 12 10 8
10
10 8
10 9
0 10 9 7
0 8 7
8 7
0 0
0 0
12
Harm.
T T
0 3 5 0 5 7 0 7 9 12
5 5 17 17 17
15
E5 F#5 E5 F#5 μ
/ 0
5 A
fdbk. (8va)
7 0 7 0
0
9 9 9 9 0
7 9 9 7 9 9 0
7 9 9 7 9 9 0
mf
0 0 0 0 0 0
X X 0 X 0 0 0
4 3 3 4 6 6 4 6 6
T T
7 9 9 7 9 9
Tuning: D-E-F#-G-A#-B-C#-D-E-F#-G-A#-A#
E5 F#5 E5 F#5 μ
5 A
5 A
0
fdbk. (8va)
7 7 0
9 9 0 9 9 0
7 9 9 0 7 9 9 0
7 9 9 7 9 9 0
0 12 12 12 12 9 0
0 14 13 12
6 12 9 9 11
T T
7 9 9 7 9 9
16
K
Cmaj7 D/C
steady gliss.
Harm.
17
9 12 14 16 14 16 14 12
14 16 12
0
0
0
0
0
0
2
3
5
steady gliss.
T T T
15 15 10 15 15
Tuning: D-E-F #-G-A-B-C-D-E-F#-G-A-A
D7sus2
8va
fdbk. Harm.
1/2
2
12 10 17 19 15 14 14 14 12 12
12
0 2
2 2
2 2
0
3
2
0
0
0
steady gliss.
T
0 0
17 17 12
17
Cmaj7
8va
loco
8va
grad. bend
1 hold bend Harm.
string noise 1/2 1 1/2 1
12 22 24
X X
22 22 22 20
X XX
X
X X 0
X 0
15 0 0
0
0
0
2
3
5
steady gliss.
T T T
0
15 15 10 15 15
Em9
8va
loco
grad. bend
1 1/2 P.S.
fdbk.
0 19 19 17 19
0 20 17
X
X
0
0
0
2
2
2
0 0 0
18
L
Am7 D/A Am7 G/A D/A G/A F/A Am7 D C5 D5 C5 D5
1
5
7 5
5 5 7 5 8 7 8 6 8 7
0
5 5 7 5 7 7 7 5 7 7 5 7
5 5 7 5 9 7 9 7 7 0 5 7 7
X 3 5 3 5
5 5 3 5 3 5
3 5 3 5
0 0 0
0 0 0
0 0
let ring
0 0
0 0
0 0
Tuning: D-E-F-G-A-B-C-D-E-F-G-A-A
Cm/D D C5 D5 C5 D5 Am7 D/A Am7 G/A F/A
1/2
5 5
0
8 7 10 8 13 12 12 10 10 X 0
0
7 7 5 7 5 5 11 9 12 12 12 10 10 X 0
0 5 7 7 5 5 12 10 10 14 12 12 10 10 X 0
3 5 3 5 X
3 5 3 5 5 5 5
3 5 3 5 5
0
0
5
0 0 0 7
0 0 0 0
0 0 0
let ring
0 0 0
0 0
0 0
19
G/A D5 C5 D5 C5 D5 Gm/D D5 C5 D5 C5 D5
1
1/2
15
14
15
14 12 14
15
14
5 7
5 7
15
14
15
14 12 14
15
14
5 7
5 7 5
5
3 5 3 5 3 5 3 5
3 5 3 5 3 5 3 5 5
3 5 3 5 3 5 3 5
mf
0 0 0 0
0 0 0 0
0 0 0 0
let ring
0 0 0 0
0
Am7 D/A Am7 G/A F/A
0
13 13 10 8 13 12 12 10 10 X 0
0
12 12 11 9 12 12 12 10 10 X 0
X 12 10 10 14 12 12 10 10 X 0
12 12
0
0
5
0 7
0 0
0
let ring
0
0 0
0 0
20
G/A D5 C5 D5 C5 D5 Gm/D D5 C5 D5 C5 D5
1
1/2
15
14
15
14 12 14
15
14
5 7
5 7
15
14
15
14 12 14
15
14
5 7
5 7 5 7
3 5 3 5 3 5 3 5 5
3 5 3 5 3 5 3 5 5 5
3 5 3 5 3 5 3 5 5 5
0
0
5
0 0 0 0 7
0 0 0 0 0
0 0 0 0
let ring
0 0 0 0
0
Am(add9)
P.S.
slow & uneven, with intermittent pauses
0 X X X X X X X X X
0
0
Tuning: C#-D-E-F-G-A-Bb-C#-D-E-F-G-A
21
from Steve Vai - Inviolate
Zeus in Chains
By Steve Vai
Gtrs. 1, 2, 5 & 6: 7-string, Drop A tuning:
(low to high) A-E-A-D-G-B-E
A
Moderately q = 120
μ G5
Gtr. 1 (dist.)
Rhy. Fig. 1
3 3
f
let ring let ring
w/ delay
0
0 3 5 3 5 3 0 3 5 0
0
0
3 3
μ Em(add9)
3 3
let ring let ring
0 0
2 4 4 2 0 2 2 4 0 2 4 2 4 2 0 2 4 0
2 4 4 2 0 2 2 4 2 4
2
0
μ D/G
3 3
Harm.
let ring let ring
12 0 0
7 12 0 3 5 3 5 3 0 3 5 5 7 7
7 7
7 7
5 7
3
μ Em(add9)
3
let ring let ring let ring
0
0 0
9 11 11 9 7 9 9 4 0 2 4 2 4 2 0 2 4 0
7 9 9 7 5 7 7 2 2 2 4
7 9 9 7 5 7 7 2 2
0
Copyright © 2022 Sy Vy Music (ASCAP)
Administered by Round Hill Songs II
International Copyright Secured All Rights Reserved 1
μ Cmaj7
Gtr. 1
3 3
let ring let ring
0 0
0 3 5 3 5 3 0 3 5 0 0
11 12 12 12 0
11 12 12 14 12 14 14 2
14 12 14 14 3
3
3
Gtr. 2 (dist.)
mp
μ Fmaj7
3
let ring
let ring let ring let ring
0 0 0
0 0 0 2 4 2 4 2 0 2 4 4 2 2 2
2 4 4 2
3 3
1 1
2
F5 G5 μ Bb5
3
/ 0
3
P.M. let ring let ring
8
0
0 3 5 3 5 3 1
3 5 5 3 3
10 12 12 3 5 5 3 3 3
8 8 8 10 10 1 1
8 8 8 8 8 10 10 1 1
8 8 8 8 8 10 10 1
Bb C Bb μ
End Rhy. Fig. 1
3 3
semi-P.H.
1/2 1
6 6 8 8 8 6
7 9 9 9 7 0 2 2 0
8 8 10 10 10 8 0 2 4 4 4 4 2 0 2
2
B
Em7 F#m7 Em7
Rhy. Fig. 2
Gtr. 1
let ring
7 7 7 7 7 7 7 7
8 8 8 8 8 8 10 10 8 8 8 8
7 7 7 7 7 X 9 7 7 7 7
9 9 9 9 9 9 11 11 9 9 9 9
7 9 9 7
0 7 9 9 7 0 7
0 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7
Rhy. Fig. 2B
Gtr. 3 (dist.)
VII
mp
Gtr. 2
Rhy. Fig. 2A
mp
Bm7 Em7 F#m7 Em7
P.M.
7 7 2 7 7 7 7 7
8 8 3 8 8 8 8 8 8 10
7 7 2 7 7 7 7 7 X
9 9 4 4 9 9 9 9 9 9 11 11 9
7 9 9 7
0 7 0 7 0 7 9 9 7
2 2 2 0 7 0 7 0 7 0 7 0 7 9 9 7
C#m7
End Rhy. Fig. 2
let ring
P.M. let ring
7 7 7 7 7 4
8 8 8 8 8 5 5
7 7 7 7 7 4 4
9 9 9 9 9 9 6 6
7 4 4
7 0 7 0 7 0 7 3
7 0 7 0 7 0 7 0 7 4 4 3
End Rhy. Fig. 2B
roll back vol. knob
let ring
End Rhy. Fig. 2A
P.M.
3
C
Gtr. 3 tacet
loco
Cmaj7 Am(add9)
15ma
3
3
P.H.
let ring
1
0 0
0 10 10 8 10 10 8 0
0 7 9 9
2 5 7 9 10
3 5 7 0
0
0
w/ clean tone
B5
Gtr. 1
3
3 3 3
Harm.
let ring let ring let ring
12 12 7
7 4 10 10 8 8 6
7 4 11 11 9 8 8 6
2
2
2
Gtr. 2
C#m9 Dmaj13
3
3
4 0 19
4 9 9 9 11 11 9 0 17
4 9 9 9 11 11 9 6 18
4 6 6 6 9 9 9 11 11 9 7 9 19
7 5
4 X
4 5
P.M.
4
Bm9
3
1 1 1/2
2
19 19 19 19 17 19 19 2 7 7 7 9 9 9 7 7
2 7 7 7 9 9 9 7 7
4 7 7 7 9 9 9 7 7
5
2
2
P.M. P.M.
Gtr. 2 tacet
C#m7 Dm%
Gtr. 1
w/ wah w/ wah
let ring let ring
1/2 1/2
0 0
0 9 14 14 0 10 17
4 14 13 13 4
X 3
4 5
X
4 5
D#m(maj7)
3
w/ wah
w/ wah
P.H. (8va)
1/2
6
17 7 13 18 18 16 15 15
16 16 7
8
6
6
6
Gtr. 1 tacet
/
E7b9(3) μ
8va
Gtr. 4 (dist.)
mf slight vib. throughout
*w/ sustainer, panner & delay
8va
Gtr. 1
1
3
w/ wah
1/2 1
0 12 16 16 17 17 17
0
7
9
8
7
7
*Delay set for eighth-note & dotted-eighth note regeneration, with additional ambient delay.
5
D
F5 Gb5 F5 Gb5 F5 Gb5 F5 Eb5 F5 Gb5 F5 Gb5 F5
8va
Gtr. 4
Gtrs. 5 & 6 (dist.)
f P.M.
8
8 9 8 8 9 8 8 9 8 6 8 9 8 8 9 8
8 9 8 8 9 8 8 9 8 6 6 8 9 8 8 9 8
8 9 8 8 9 8 8 9 8 6 6 8 9 8 8 9 8
Gb5 F5 Db5 F5 Gb5 F5 Gb5 F5 Gb5 F5 Eb5
8va
Gtr. 4
Gtr. 7 (slight dist.)
mf w/ sustainer & rotary effect 3
w/ bar
Gtrs. 5 & 6
P.M. P.M.
6 8
8 8 9 8 4 8 9 8 8 9 8 8 9 8 6
8 8 9 8 4 4 8 9 8 8 9 8 8 9 8 6 6
8 8 9 8 4 4 8 9 8 8 9 8 8 9 8 6 6
E
Gtrs. 4-7 tacet
F5 Gb5 F5 Gb5 F5 Gb5 F5 Fm11
8va
loco
P.S.
w/ bar
Gtr. 8 (dist.)
f
w/ delay
w/ bar
8 9 8 8 9 8 8 9 8 8
8 9 8 8 9 8 8 9 8 8 1 1 1 3
8 9 8 8 9 8 8 9 8 8
slack -2 1/2 -2
6
μ(Eb5) (F5) (Db5) (F5)
Gtr. 8
w/ bar
+1 1/2
w/ bar
+1 1/2 +1
+1/2 +1/2
5 5 13 13 13 11
5
3 3
3 3
4
(Eb5) (F5) (Db5)
w/ bar w/ bar w/ bar
11 13 13 13 16 16 13
13 13 10 10
10 10
-1 -1 -1 1/2 -1 -1
Caddb9 Eb5
Gtr. 8
w/ bar 1 1
1
semi-
P.H.
grad.
bend
8 8 11 9 9 8
11 11 11 8 8 11 11
10
10
Gtr. 5
Rhy. Fig. 3
mf P.M.
8 8
3 4 3 3 4 3 3 4 3 6 6
3 4 3 3 4 3 3 4 3 6 6 6
3 4 3 3 4 3 3 4 3 6 6 6
Caddb9 Bb5
3
3 5
grad. bend
1 1
11 11 11 11 9 11 9 8 9 9 8
10 10
End Rhy. Fig. 3
P.M.
3
3 4 3 3 4 3 3 4 3 1
3 4 3 3 4 3 3 4 3 1 1
3 4 3 3 4 3 3 4 3 1 1
7
Gtr. 5: w/ Rhy. Fig. 3
Caddb9 Eb5
Gtr. 8
3 5
w/ bar
w/ bar
* +1/2
12
8 8 8
9 10 12 10 9
10 10 10 10 10
*Vib. w/ L.H. -1
Caddb9 Bb5
3 3
w/ bar w/ bar w/ bar
+1 +1/2
11 11 9 8 9 9 8 8 6
13 13 13 11 10 9 11 11 11 10 10 8
-1/2
Bsus4b9 C5
Gtr. 8
6
6
3
8
w/ wah 3 3
7 5
1/2
5 7 5 4
7 5 4
6 7 7 7 7 7 7 8 7 5
7 5 7 5
7 5 7 7 5 4 4
7 5 3 2
Gtrs. 5 & 6
Rhy. Fig. 4
P.M. P.M. P.M.
mf
4 5
2 2 2 2 2 3
2 0 2 X 2 2 0 2 X 2 0 2 X 2 3
2 0 2 X 2 2 2 0 2 X 2 2 0 2 X 2 2 3
Bsus4b9 D5
loco
8va
3
1
grad. release
3
1 1/2 1 1/2 1
17 17 14
16 16 16 13 16 13 12 13 12
14 14 11
End Rhy. Fig. 4
P.M. P.M. P.M.
7 7
2 2 2 2 5 5
2 0 2 X 2 2 0 2 X 2 0 2 X 5 5 5
2 0 2 X 2 2 2 0 2 X 2 2 0 2 X 5 5 5
8
Gtrs. 5 & 6: w/ Rhy. Fig. 4
Bsus4b9 C5
8va
Gtr. 8
6
8:6 3 3 3
6
12 13 15
12 14 15 17 15 14 17 15 13 16 15 17 19
15 17 19 22 21 20 19
22 20
13 15 14 16 17 19
Bsus4b9 D5
8va loco
8va loco
6
6 3
steady
P.H. gliss.
19
1/2
19 19 19 19 19 19 20 19 17
20 19 17 19 19 17 5
17 16 16 16 16
Cmaj7 Am(add9)
8va
Gtr. 8
3 3
wah off grad. release
1 1 1
17 17 17 15 14 15 17 17 17
17 15 17
Gtr. 9 (dist.)
8va
3
mf 3 grad. release
1/2 1/2 1/2
13 19 19 19 17 15 17 19 19 19
17 16 17
Gtr. 10 (dist.)
3
3
mf grad. release
1 1 1
8 15 15 15 13 12 13 15 15 15
14 12 14
9
B C#m9
loco
1
3 3
17 17 17 16 14 16 16 12 10 12 15 16 14 16
loco
3
18 18 18 16 15 16 16 13 11 13 16 13 16
3
1/2
15 15 15 13 11 13 13 9 7 9 13 11 13
Dmaj9
3
16 16 17 16 14 10 12 14 14 14 17
9 11 11 14
3
16 16 18 16 15 11 13 14 14 16 18
9 12 14 16
3
13 13 15 13 11 11 11 14
12 14 16 16 16 9 12
9 12
10
Bm7
8va
4:3
4:3 4:3 4:3 4:3 4:3 4:3
4:3
1
12 14 12 14 14 16 14 16 16 17 16 17 17 19 17 19 19 19 19
14 15 14 15
14 16 14 16
14 16 14 16
14 16 14 16
8va
4:3
4:3 4:3 4:3 4:3
4:3 4:3 4:3
1/2
14 15 14 15 15 17 15 17 17 19 17 19 19 21 19 21 21 21 21 21
14 16 14 16
14 16 14 16
14 16 14 16
14 16 14 16
4:3 4:3
4:3 4:3
4:3 4:3 4:3
4:3
1
10 12 10 12 12 14 12 14 14 15 14 15 15 17 15 17 17 17 17
11 13 11 13
11 12 11 12
11 12 11 12
10 12 10 12
H
Gtrs. 9 & 10 tacet
C#m7
8va
Gtr. 8
7
3
w/ wah grad. release 7 3
19
1
18 21 18 21 18 16 18
T T T T T T T 1/2
19 19 16 19 21 19 21 19 21 19 16
21 19 21 19 17 16
18 18 19 18 16
*Gtr. 11 (7-str.) (dist.)
mp
2 2 4
4 1 2 4 4 1 2 4
2 2 3 2 2 3
*Two gtrs. arr for one.
11
Dm%
8va
3 3 6 6
grad. release 6
17
1
T T T T T T T T
17 17 13 17 19 17 19 17 19 17 13 16 19 16 13 17 19 17 13 16 19 16 13
18 17 15 14 17 15 12
slight P.M.
4
5 4 5 7 7 5 4 5 7
3 3 5 6 3 3 5 6
D#m(maj7)
8va
15 16 15 16 15 12 16 12 11
3 3 6 3
grad. release 3
1 1/4
T T T T T T T T T
14 14 14 11 14 17 14 17 14 11 13 17 13 11 14 17 14 17 14 11 13 17 13 11
14 14
5 6
6 5 6 5 6 5 6 7
4 4 6 7 4 4 6 7
E7sus2
8va
T T T T
14 15 17 18 17 16 15 14 15 16 18 19 18 17 16 15 16 17 19 20 19 18 17 16 17 18 20 21 20 19 18 17
7 4 5 7 8
5 5 6
12
8va
15ma
6
3
P.H.
17 18 19 20 19 18 19 20 21 20 19 21 22 21 20 22 23 22 21 23 24
18 19
3 5 7 7
7 4 5 7
5 5
Gtrs. 8 & 11 tacet
μ
Gtr. 3
3
3
mf
let ring
w/ dist.
12
12 15 17 15 17 15 12 15 17 12
Gtr. 1
3
let ring 3
0
0 3 5 3 5 3 0 3 5 0
I
Gtr. 1: w/ Rhy. Fig. 1
G5 μ
Gtr. 3
3
3
let ring
12
12 14 16 14 12 14 14 16 12 14 16 14 16 14 12 14 16
12 14 16 14 12 14 14 16 14
15
Gtr. 2
III
P.M. P.M.
13
Em(add9) μ
8va loco
3
Harm. let ring
3
let ring
12 5 12 12 14
12 3.2 5 12 15 17 15 17 15 12 15 17
12 3.2
16
14
12 0
0
P.M. P.M.
D/G μ
3
let ring let ring
14
12
14 16 16 14 12 14 14 9 12 14 16 14 16 14 12 14 16
14 16 16 14 12 14 14 9
12
00
P.M. P.M.
Em(add9) μ
3
let ring
3
12 12
12 12 15 17 15 17 15 12 15 17 12
12 11 12 12
16 11 12 12 14 12 14 14
14 14 12 14 14
12 0
P.M. P.M.
Cmaj7 μ
Gtr. 3
3
let ring let ring let ring
12
12 12 12
12 12 12 12 14 16 14 16 14 12 14 16 16 14
14 14 16 16
15
Gtr. 12 (clean)
mf
Gtr. 2
P.M.
14
Fmaj7 F G5 μ
3
3
let ring
12
12 15 17 15 17 15 13 11 13 13 11
14 10 12 12 10
14
13 13
I
P.M.
Gtr. 12 tacet
Bb C Bb μ
3 3
1/2 1
10 13 13 15 15 15 13
11 15 17 17 17 15 8 10 10 8
10 15 17 17 15 7 9 11 11 11 11 9 7 9
P.M.
J
*Gtrs. 1, 2 & 3: w/ Rhy. Figs. 2, 2A & 2B
*Gtr. 3 plays mf .
Bm7 Em7
Gtr. 1
8 8 8 8
9 9 7 7
9 9 16 9 9
7 7 14 14 0 7 7
7 7 14 14 0 7 7
7 7
Gtr. 3
XII
Gtr. 2
P.M.
15
from Steve Vai - Inviolate
Little Pretty
By Steve Vai
Moderately slow q = 82
Bbm7 Bb7#9 Bbm7b5 Bbm7
Gtr. 1 (dist.)
f let ring let ring steady
Harm. Harm. gliss.
*w/ delay
6 7 5 14 14 14 14 14 14 14 14 14
6 7 6 6 7 13 13 13 13 13 13 13 13 13 14
6 7 X X 6 6 X X X 14
X X 5 X 13 13 13 15 16
6 16
*Stereo delay set for eighth-note and dotted eighth-note regeneration.
Bbm7b5 Bbm6 C/Db Bbm7b5 C(b6)/E
Rhy. Fig. 1
Gtr. 1
let ring
0 0
let ring let ring let ring let ring
5 5 X X X 6 6 6 6 6 5 5 5 5 8
6 6 6 X X X 6 6 6 6 6 5 5 6 6 6 6 9
6 6 6 X X X 5 5 5 5 5 6 6 6 10
X X X 3 4 11
6 6 6 6 6 6 6 6 6 6 0
Fill 1 End Fill 1
**Gtrs. 2 (clean) & 3 (elec. sitar)
**Gtr. 2, w/ phaser
mf let ring
Gtr. 3 tacet Gtr. 4 tacet
A/F Bbm7b5 Bbm6 C/Db
Gtr. 1
let ring let ring let ring
let ring let ring
0 0 0 0 0 0
8 8 8 2 2 5 5 6 6 6 6 6 8
9 2 6 6 6 6 6 6 6 6 0
10 2 6 6 5 5 5 5 5 10
11 X X 10
1 6 6 6 6 9
Fill 2 End Fill 2 Fill 3
0
***Gtrs. 2 & 4 0
Gtrs. 2 & 3
***Gtr. 4 (clean), w/ phaser, played mf
let ring let ring
Copyright © 2022 Sy Vy Music (ASCAP)
Administered by Round Hill Songs II
International Copyright Secured All Rights Reserved 1
Gtrs. 2 & 3 tacet
Bbm7b5 C C+
End Rhy. Fig. 1
let ring let ring
0 0
5 5 5 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
6 6 6 0 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
6 6 6 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
6 6 0
Gtrs. 2 & 3
End Fill 3
Gtr. 4 Gtrs. 2 & 4
let ring Gtr. 4
divisi
B
Gtr. 4 tacet
Em7 Em(maj7) Em7b5 Em(maj9)/G
Rhy. Fig. 2
Gtr. 1
let ring
let ring let ring let ring
7 0 0
12 12 12 12 0 8 11 11 7
12 12 12 0 8 12 12 8
12 12 13 12 9
10
0 0
0 VII
Gtr. 2
XII XI
let ring let ring let ring
Gtr. 5 (dist.)
XII XI
mp let ring
0
Gtr. 3
Riff A 0
0
let ring
Em9 Em(maj9)
let ring let ring
0 2 0 14 14 12 14 14 15 14 14 15 14 12 14 12
7 7 7 2 12 12 12 12 13 12 12 12 12
8 0 12 12 12 13 12 12 12 12
9 4 12 13 13 14 13
10
3 0
0
let ring let ring
let ring
0
0
let ring
2
C
Gtr. 5 tacet
/
E7#11(3) Em(maj9)/G C#m13
End Rhy. Fig. 2 Riff B
Gtrs. 1-4
Gtr. 4 Gtr. 2
* Gtr. 3
let ring let ring let ring
0 0 0 0
12 12 7 7 7 4 0
15 15 8 3 3 3
12 9 6 6
10 4
0
*Gtrs. 2-4 divide Riff B as indicated.
XII
0
**Gtr. 6 (dist.)
VII
Riff C
0
f
let ring let ring P.M. P.M.
***w/ octaver
XII
0
End Riff A
**Doubled throughout
***DigiTech Whammy pedal set to one octave down harmony mode.
Gtrs. 2-4: w/ Riff B
Gtrs. 1-4 End Riff B
Gtr. 1
Gtr. 4
Gtr. 3 Gtr. 2
let ring
0 0
4 0 4 0
3 3 3 3 3
6 6 6
4 4
Gtr. 6 End Riff C
3 3 3
P.M. P.M. P.M.
D
Gtr. 6 tacet
Bbm7b5 Bbm6
Gtr. 1
let ring grad. bend
1
grad. bend
1/2
7
0
4 0 5 5
3 3 3 7 6
7
6
4
Rhy. Fig. 3A
Gtr. 6
V
Gtr. 7 (dist.)
3 3 3
mf
P.M. P.M.
w/ envelope wah
Rhy. Fig. 3
Gtr. 2
3
Gtrs. 3 & 4: w/ Fill 1
C/Db Bbm7b5 C(b6)/E
1/2 1 1
5 5 5 5 5 5 6 6
7 7 6
6 5
VIII
let ring
VIII
let ring
Gtr. 4: w/ Fill 2
A/F Bbm7b5 Bbm6
grad. bend
1
9 12 12 9 9
10 5 6 9 6 8
9 4 7
5 5
7 7 8
let ring
let ring
Gtrs. 3 & 4: w/ Fill 3
C/Db Bbm7b5 C
3
1/2
1
8 8 6 8
8 8 7 5 5 8 6 9
7 3 8
0
0
let ring
0
0
let ring
4
C+
3 3
8 6 8 10 12 10 8
8 11 9 12 13 12 11 9
10 9 12 10 9 10 12 10 9
12 10
End Rhy. Fig. 3A
End Rhy. Fig. 3
E
Gtr. 3: w/ Riff A
Gtr. 4: w/ Riff A (1st 4 meas.)
Em7 Em(maj7)
12 15 12 12 14 16 12
14 12 14 14 12 14 14 12 14 16
XII
Rhy. Fig. 5
let ring
Rhy. Fig. 4 XII
0
0
0
let ring let ring
Em7b5 Em(maj9)/G Em9 Em(maj9)
1
1
12 12 14 14 14 12 14
8 11 11 14 15 14 14 17 17 15 17 17
16 12 11 12
10
XI
0
VII
XI
VII
0
let ring let ring let ring
5
Gtr. 4 tacet
/
E7#11(3) Em(maj9)/G
Gtr. 1
1
14 15 14 14 15 14 14 17 17 15 14 15 14
17 17 17 17
Gtr. 7
0
End Rhy. Fig. 5
XII
VII
Gtr. 2
End Rhy. Fig. 4
XII
VII
0
let ring let ring
Fill 4
End Fill 4
Gtr. 4
Gtr. 8 (dist.)
mp
F
Gtrs. 2-4: w/ Riff B
Gtr. 6: w/ Riff C
Gtrs. 1 & 7 tacet
C#m13
Gtr. 9 (dist.)
f
16 17
15 16 15 13 15
18
16
Gtr. 10 (dist.)
mp
8 9 11 9 8 9 8
7 9 11 9 7 9 7 9 11
7 9 11
Gtr. 8
5
1
11 11
11 14 11
11
12 12
13 13 13 8 6 8 9 11 9 8
13 11 11 9 8
11 9 7
9 7
6
16 17
15 16 15
18
16
4 1
9 11 12
8 9 11 9 8 8 9 11 9 8 9 8 6 8 9 8 9 11
8 8 9 11 11 9 8 9 11
5
11
11 14 11
12 12
13 13 13 8 6 8 9 11 9 8
13 11 11 9 8 9 11 11
11
9
16 17
15 16 15 13 15
18
16
2 4
1
4
11 12 14 12 11 12 11 9 11
12 12 14 12 11 12 11 9 11 12 11 12 14
5
11 11
11 14 11
11
12 12
13 13 13 8 6 8 9 11 9 8
13 11 11 9 8
11 9 7
9 7
7
Gtr. 9
3
steady gliss.
16 17 17 17
15 16 15 20 18
18 18
16
1 4 1 8va1
Gtr. 10
1 1
9 11 12 11 12 14 12 11 12 11 9 11 12 11 12 14 12 14 16 14 16 18 16 18 19 19
Gtr. 8
5
11
11 14 11
12 12
13 13 13 8 6 8 9 11 9 8
13 11 11 9 8 9 11 11
11
9
Gtr. 6
3 3
P.M. P.M.
steady gliss.
Gtrs. 8 & 10 tacet
C#m C#m(maj9) C#m% F#7/C#
8va
Gtr. 9
w/ bar
fret out
w/ sustainer +2 +2 +3 1/2
4 11 16 X
-1
-7 1/2 -5 -10
Rhy. Fig. 6 End Rhy. Fig. 6
Gtrs. 11 (clean) & 12 (piezo acous.)
let ring
mf
let ring let ring let ring
0 0 0 0 0 2 2 2 2 2
5 5 4 4 0 4 4 2 2 2 2 2 2
6 6 5 5 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2
4 4 4 4 4 4 4 4
Riff D End Riff D
Gtr. 6
octaver off
3 3 3 3 3
P.M. P.M. P.M. steady gliss.
8
G
Gtrs. 9, 11 & 12 tacet
μ(C5) B/C A/C B/C D#7/C#
Gtrs. 1, 8 & 10
f semi-P.H.
1 1
7 14 14 12 12 12 14 14 12 14 12 14
Gtr. 9
loco
steady gliss.
Gtrs. 11 & 12 Gtrs. 2 & 4
let ring
0
4
6 6
5
3
Gtr. 6
let ring let ring
0
4 2 4 4 4 4
4 2 4 4 6 6 6
4 2 4 4 4 4 5 5 5 5
3 3 3 3 4 4 4
A7#11 B/G G A/B B
Gtrs. 1, 8 & 10
grad. release
1 1 1
14 14 12 14 14 14 12
14
Gtrs. 2 & 4
let ring
0 0
4
6
5
Gtr. 6
let ring let ring P.M.
0 0
4 4 4 4 0 0 0 2 2 4
6 6 6 4 0 0 0 2 2 4
5 5 5 4 0 0 0 2 2 4
X X X
5 5 3 3 3 3
9
B/E G/F A/F Asus2 A(b6)
1
12 17 17 16 14
14 16 16 11 14 16 16 16 18 14 16 16 16 18 18
let ring let ring
let ring let ring let ring
P.M. P.M.
0 0 0
4 2 4 4 0 0 2 2 0 0 2 2
4 2 4 4 0 0 2 2 2 2 2 2 2 2
4 2 4 4 0 0 2 2 2 3
X 0 0
0 0 0 0 1 1
Bb/Ab C/Ab
Db/Cb Eb/Cb
8va
Gtr. 13 (dist.)
mf
Gtr. 14 8va
(dist.)
mf
8va
Gtr. 1
9 13 13 13 15
13 15 15 15 17
Gtr. 10
Gtr. 8
Gtrs. 2 & 4
V VIII
let ring let ring
Gtr. 6
let ring let ring let ring let ring
3 3 5 5 6 6 8 8
3 3 5 5 6 6 8 8
3 3 5 5 5 6 6 8 8 8
X X
4 4 7 7
10
Gtrs. 2, 4, 13 & 14 tacet
E/D
Gtrs. 1, 8 & 10
3 3 3
8 10 9 7 10 9 7 9 10
7 9 10 12 10 9 12 10 9 10 12
9 10 12 14 12 10 14 12 10 12 14 10 12 14 16 14 12 16 14 12 16 14 12
Gtr. 6
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
X X X X X X X X X X X X X X X X X X X X
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
Gtrs. 6, 8 & 10 tacet
μ
Gtr. 1
mf
steady gliss. steady gliss.
17 17 X X 0
15
X X
X 17 17 12
17 12
X 11 8
Gtrs.
8 & 10
Gtr. 6
H
/
E6âÅ(3) C#m7b9 Gbmaj7#11/Bb Ebm(maj13)/Gb
Riff E
*Gtrs. 1 & 2
let ring let ring
let ring let ring
0 0 1 1
6 3 1 1 1 3 1
6 4 3 3 3
8 2 4 1
7 4 1
0 2
*Gtr. 1, w/ slight dist.
E9/G# D9/E C7b13/F Bb9#11/D
End Riff E
let ring let ring
**
let ring let ring
4 0 6
5 3 1 5
4 5 1 3 3 5 7 7 5
4 4 2 6
5 3 5
4 0 1
**Slide pertains to Gtr. 1 only.
11
Gtr. 2: w/ Riff E (8 times)
Gtr. 1 tacet
/
E6âÅ(3) C#m13b9 Gbmaj7#11/Bb Ebm(maj13)/Gb
Gtr. 15 (dist.)
f 3
12 13 12
15 15 14 13 15 11 13 11 11 13 16 15 13 11
Gtr. 3
Riff F
let ring
Gtr. 4
Riff F1
let ring
Gtr. 7
Riff F2
let ring let ring
E9/G# D9/E C7b13/F Bb9#11/D
8va
loco
P.H.
1
14 12
11 15 12 13
14 13 11 9 10 10 9
12 10 12 14 12 14
End Riff F
let ring
End Riff F1
let ring
End Riff F2
let ring let ring
Gtrs. 3, 4, & 7: w/ Riffs F, F1 & F2 (7 times)
/
E6âÅ(3) C#m13b9 Gbmaj7#11/Bb Ebm(maj13)/Gb
Gtr. 15
(15ma)
P.H.
1
6
4 0 0 1 3 3 5 4 7 7 8 8 7 7
14 2 2 4 3 6 5 8 10 8 8
12
E9/G# D9/E
3
3
3
P.H. (15ma)
3/4
5 5 4
4 6 0 4 6 4
5 7 0 5 7
0 5 7
C7b13/F Bb9#11/D
8va
loco
P.H.
1 1 1/2 1
0 3 5 0 5 7 0 7 9 0 9 10 10 10 9
12 10 12 12
/
E6âÅ(3) C#m13b9
15ma
3
P.M. P.H.
0
0 5 6 6 5 5 6 9 5 5 5
7 6 7
Gbmaj7#11/Bb Ebm(maj13)/Gb
loco
3
hold bend
1
13
0 6 7 7 6 6 7 9 9 11 13 13 13 11
8 7 8 10 10
E9/G# D9/E
3
1
12 13 12 10 12 9 9 10 10 9 10 9
11
13
C7b13/F Bb9#11/D
1
12 13 12 10 12 9 10 10 10 9 15
10 12 14 14 12 10
/
E6âÅ(3) C#m13b9
grad. release
1
15 15 14 14 11 12 11 12 12 14 11 11 9
10
Gbmaj7#11/Bb Ebm(maj13)/Gb
0
grad. release
1 1
11 11 9 0 14 6 7 6 7 7 7 6
8 7 5 5 3
E9/G# D9/E
1/2 1/2 1/2 1/2
9 9 7 7 9 12 12 10 10 12 9 9 7 7 9 12 12 10
9 13 9
C7b13/F Bb9#11/D
let ring steady
1 1/4 gliss.
1 1 1
9 9 8
10 9 9 10 10 9 7 8 10 10 13
10 8 10 8 13 X
X
16
14
/
E6âÅ(3) C#m13b9
15ma
P.H.
steady gliss.
1/2 1/2
0 8 11 11 9
0 9 11 11 10 11 11 11 11
0 4 9 11
0 4 9 10
10
1
Gbmaj7#11/Bb Ebm(maj13)/Gb
loco 1
5 3
12
Harm.
3
1 1/2
13 13
16 13 15 15 13 15 13 13 13
7 15 15 15 15 13 14
15 15 13
15 13 11 13
E9/G# D9/E
3
1/2 1 1 1
12 14 13 15 15 15 15 15
3 12 13
3 12 14
13 13 14
C7b13/F Bb9#11/D
8va
hold bend hold bend
1 1 1 1 1
15 16 18
15 15 15 15 15 15 15 15 13
/
E6âÅ(3) C#m13b9
Gtr. 15
8va 15ma 8va
8va
loco
3
P.H.
steady gliss. 1/2 1/2
19 18 18 16 18 17 17 16
13 13 18
4 17 9 18
Gtr. 6 w/ octaver
3
P.M.
15
Gbmaj7#11/Bb Ebm(maj13)/Gb
loco
grad. release grad. release
1 1/2 1 1
16 16 15 16 15 15 13 15 13 13 11 13 11 11 12
3
P.M.
E9/G# D9/E
1
7
1 1/2 1/2 1/2 1
10 10 9 10 9 9 7 9 8 8 7 7 6 6 5
5
3
P.M.
2
C7b13/F Bb9#11/D
3
grad. release
1/2 1 1/2 1/2 1/2 semi-P.H.
5 5 3 5 4 4 3
6 5 5 3 5 4 4 3 5 4 3 1 3 3 3 16
1
3
P.M.
/
E6âÅ(3) C#m13b9
3
3 3
6 5 5 8 8 12 11 11 14
6 6 9 12
5 7 10 13
4 7 11
3 3
P.M.
P.M.
16
Gbmaj7#11/Bb Ebm(maj13)/Gb
3 3 3 3 3
15 15 16 15 15 16 15 15
17 17 17 17 17 17 17 17
18 18 18 18 18 16
3
P.M.
E9/G# D9/E
10
3
14
13
12 16 17 14
15
16 16 11 11
10
8 12 10 8 7
8 7 9 7 5 5 5
12 14 9
3
6
P.M. P.M.
C7b13/F
Bb9#11/D
3
3 3 3 3
3 3
8 15 12 13
9 9 9 9 13 13
7 7 9 9 10 10 10 10 12
8 10 12 12
10 11 13
3
P.M.
3
/
E6âÅ(3) C#m13b9
1
3 3
15
14 14
m
15 15 15 15 15 13 12
14 15 17 15 14 14 15 17 15 11 11 11 14 11
16 15 16 14 12 14 12
3 3
P.M.
P.M.
17
Gbmaj7#11/Bb Ebm(maj13)/Gb
13 13 11 10 8 10 11 10 8
9
11 13 11 10 11 10 11 8 10 8 10 9 10 11 13 11 10
11 9 11 13 11 9
11 13 11 13 10 11 10 11 8 10 8 10
10 8
8 6
3 3 3
P.M. P.M. P.M.
E9/G# D9/E
3 3 3 3
m m m m
12 16 12 8 12 8 5 8 5 4 7 4 0
10 12 12 13 13 10 7 6 5
9
9 10
7
6
3
P.M. P.M.
C7b13/F Bb9#11/D
9
3
0 10 12 13 10 12 13 12 13 15 12 13 15
6 8 9 8 9 11 9 11 13 9 11 13 11 13 15
5 7 9 7 9 10 9 10 12
5 6 8 5 6 8
5 7 8 5 7 8
3 3 3
P.M.
P.M.
Gtr. 6: w/ Riff D
Gtrs. 11 & 12: w/ Rhy. Fig. 6
C#m C#m(maj9) C#m% F#7/C#
8va
loco
Gtr. 15
6
5
Harm. steady gliss.
let ring
* **
16 16 X X 0 0
X X X 0 0
X X X 0 0
X X X 0 0
X X X
16 X X 17 2
*Pick between bridge & tailpiece. **Strum behind nut.
18
I
*Gtr. 1: w/ Rhy. Fig. 1 Gtrs. 3 & 4: w/ Fill 1
Gtrs. 2 & 7: w/ Rhy. Figs. 3 & 3A Gtrs. 11 & 12 tacet
Bbm7b5 Bbm6 C/Db
Gtr. 15
grad. bend 1/2
1
12 12 12 12 12 12 12
6 15 13
X
X
X
6
Gtrs. 11 & 12
*Gtr. 1 plays mp till end.
Gtrs. 3 & 4: w/ Fill 2
Bbm7b5 C(b6)/E A/F
Gtr. 15
grad. release
1
1
12 13 13 9 12 12 9
15 15 13 10
13 12 12 9
14 14
7 8
Gtrs. 3 & 4: w/ Fill 3
Bbm7b5 Bbm6 C/Db
8va
semi-P.H.
grad. release
1 1
1
9 12 13 16 13 13 13 13 13 12 12 15
5 15 15
Bbm7b5 C
loco
8va
1
3
1/2
15 16 20 20 18 20 20 15 0 0
6 16 16 18 17 18 17 17
C+
0 0 0 3 4 0 0 4 6 0 0 6 8 0 0 8 10 0 0 10 12 0 0 12 13 0 0 13 15
19
J
Gtr. 1: w/ Rhy. Fig. 2 Gtr. 3: w/ Riff A
Gtr. 2: w/ Rhy. Fig. 4 Gtr. 4: w/ Riff A (1st 4 meas.)
Gtr. 7: w/ Rhy. Fig. 5
Em7 Em(maj7)
Gtr. 15
8 0
0 3 15 12 12 14 16 12
0 14 12 14 14 12 14 14 12 14 16
Gtr. 10
8 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
Gtr. 8
2 12 12 12 12 12 13 13 13 13 13 13 13 13 13
Em7b5 Em(maj9)/G
12 14 14 12
8 11 11 14 15 14
16 12 11 12
10
14 12
20 14 16 14 15
7 12 12 12 12 12 12 16
14
10 12
14 11
13 9 12 12 12 12 12 12 11 12
10
9
20
Gtr. 4: w/ Fill 4
Em9 Em(maj9)
8va
1
1
14 14 15 14 14 15 14 14
14 17 17 15 17 17 17 17
12
12 16 16 14 12 14 14 16 16 19 19 16
10 15 15 14 12 14 14 16 16 17 16
11
K
Gtrs. 1-4: w/ Riff B (2 times)
Gtr. 6: w/ Riff C
Em7#11 Em(maj9)/G C#m13
Gtr. 15
loco
8va
1 let ring
17 17 15 14 15 14 12
17 16 12 11
13 15 15 13
11
Gtr. 10
1/2 1/2
1/2
0 0 0
16 16 16 16
16 10 15 15 15 15 15 16 15 15
Gtr. 8
16 11 9 11
12 17 17 17 17 17 13 9 11 11 9 11
Gtr. 2 XII
VII
0
let ring
21
let ring let ring
3 3
1/2 1/2
12 12
16 12 16 12 11 11 11
13 15 15 13 15 15 13
11 11
1/2
1/2 1/2 1/2
1/2
0 0 0 0 0
16 16 16 16 16 16 16
15 15 15 15
11 9
11 11 9 11
9 11 11 9
11 9 11 11 9 11
Gtr. 6 tacet
Gtr. 15
rit. let ring
3 3 3
1/2 1/2
12
16 12 11 11 11 11 11 11 11
13 15 15 15 15
11
Gtr. 10
rit.
1/2 1/2
0 0
16 16 16 16
15 15
Gtr. 8
rit.
11 9
11
9 11 11 9
11
Gtr. 6 rit.
Gtr. 1
3
P.M.
22
Candle Power By Steve Vai
A
Moderately slow q = 79
E6/B Bm E6/B E/B Bm
Gtr. 1 (clean)
11
f
let ring let ring
w/ fingers
1/2
X 12 7
13 14 X 13 14 14 14 13 13 12 X 13 14 X 13 14 14 11 12 7 10 9 7
12 13 X 12 13 13 13 12 12 11 X 12 13 X 12 13 13 13 7 9 7
13 14 X 13 14 14 14 13 13 12 X 13 14 X 13 14 14 14 12
D/E E F#m E5 D E/G# D A E5
let ring let ring
1 1
0
10 9 10 12 10 9 7 5 3 2 0
9 9 7 9 11 9 9 9 7
9 9 11 11 9 9 11 9 9 9 7 6 4 2
0
D/E E F#m E G C#m7 Dmaj7
let ring
let ring let ring let ring
1
10 9 10 12 7 9 9 3 0 2
9 9 7 7 9 9 0 4 2
9 9 11 11 7 9 9 0 5 4 2 0 2 0
0 4
D/E E Dmaj7/F# F#m7 E Bm7 E D Amaj7 Esus2
1
let ring let ring let ring 1
let ring
10 7 10 12 10 7 7 5 4 2
10 9 10 12 9 10 9 10 9 7 5 3 2 0
9 9 7 11 9 9 9 9 7
9 9 11 9 9 11 9 9 9 7 6 4 2
0
Copyright © 2020 Sy Vy Music (ASCAP)
International Copyright Secured All Rights Reserved 1
F#/E E D E A G C#m7
1
let ring let ring let ring
14 14 14 16
14 12 15 15 17 17 17 3 0
13 13 11 13 13 14 14 16 18 18 0 4
14 19 19 0 5 4 2 0 2
0 4 4 5
Dmaj7
f
p f mp T.H.
let ring
*
2 2 2 2 2 2 2 2 14 12
2 2 2 2 2 2 2 2 14 12
2 2 2 2 2 2 2 2 14 12
4
12 0
*Slap w/ index finger.
B
Gmaj7
8va loco
Harm.
let ring let ring let ring let ring
5 12 7
0 2 0 5 12 7
2 0 0 0 2 0 5 12 7
0 0 0 4 2 4 2 0 0 0 5
3 0 3 0
let ring let ring
0 2 0 2
2 0 2 4 2 2 0
0 0 0 4 2 4 2 0 0 0 4
0
3 0 3
8va loco
1
let ring
Harm. Harm.
let ring let ring let ring let ring
9 12 7 5
12 12 8 8 12 7
14 11 7 9 11 9 11 9 14 12 7
12 9 11 9 12
10 10 0 10 10 5
0
2
C#m7
let ring let ring let ring let ring let ring
0
0 2 0 15 12
2 0 0 16
0 0 0 4 0 17 16 12 14 0
0 16
3
Dmaj7
mp f
let ring let ring
14 14 17 14 14 12 12 10 10 8
14 14 14 12 10 8
14 14 14 12 10 8
C
Fmaj7
2
3
let ring let ring let ring let ring let ring
9 7 7 9 7 7 2 9 7 8 12 12 10 8
7 7 9 7 7 2 9 7 10 10 15 15 15 13 13 10 10
7 7 9 7 7 2 9 7 12 12 17 17 14 14 12
0
Dbmaj7 Cm7
let ring let ring let ring let ring let ring
9 8 3 3 8 6 6 3
13 13 8 8 6 6 6 11 8 6 3 6
12 12 10 10 6 5 5 10 8 8 8 5 5
8 5 5
Abmaj7 F7sus4 F7
3 4
2
1
2
1
2
let ring let ring let ring
*B.U. 1/2 1/2
3 3 3
6 6 1 4 4 3 3
0 0 0 0 0 3 2 2 5
6 6 3 3 3
3 4
*Next 4 measures, bend upward toward 6th string where
indicated. Perform remaining bends toward 1st string.
3
Dbmaj7#11 Cm13 Cm(maj9)
4
4
4 1
4
2 2
1
3
1 2
2
1
2
grad. release 1/2 B.U. B.U.
1/2 1/2 1/2 1/2 1/2 1/2 1/2
6 8 10
5 9 9 7 7
4 4 4 0 4 4 0 7 7
6 7 7 9 9
4 6 9
D
G7/B Am
3
2
4
͡ 1
(2)
1/2
1 1/2 1/2
10
11
10 10
9 3 3 3 3 3
3 5 5 3
F
1
8 5 8
5 7 7 5 5 4
5 7 7 5 3 2 2 5
3 3 5 7 7
5 3 5 5
Am
3
0
let ring let ring
1/2 1
0
5 3 1 1 3 3
2 2 4 4 0
2 0
3 5 5 5 3 0
0 3 5 5 3 5
3
3
1/4
0 7 5
5 7 5 7
3 3 3 5 7 7 5 7
5 0 3 5 5 0 3 5
4
F
let ring
5 5
5 8 5 5 5
5 7 5 7 5 7
5 7 5 7 5 7
3 5 3 5 7 7 5 7
3 5 5 5
E
Em
3
3
let ring let ring
1 1 1/2
8 0
8 8 8 12
7 7 5 4 4 14 14 12
7 7 5 14
C
3
3
0
let ring let ring let ring let ring
T
0 0
12 12 8
12 14 14 12 12 14 11
14 14 14 17
Em
4
1
3
p f
let ring let ring let ring
1/2 grad. release grad. release
*B.U. 1/2
0 0 0 0
8 7 7 3 5 2 2
11 7 7 0 4
4 4 4
*As before, next 7 meas.
C
4
3
4
2 1
2
1
3
2
1
let ring grad. bend
0
grad. bend B.U.
1/2 B.U. 1/2 1 1/2 1/2
B.U.
0 7 10
5 7 7
6 7 7 6 6
4 5 9 9 8
7
5
F
Em6/B B
1 4
3
3 4
2
1/2 let ring
1
1/2 1/2 1/2
0 2 0
9 4 4 4
7 4 4 4 4
8 4 4 4 4 5
Em6/B B7
-
5
1
3 1
let ring
3
let ring let ring
*
1/2 1 1 1/2 1
0 0
4
4 4 4 4 2 4
5 5 5 4 5 7
*Fret 2nd string w/ 1st finger.
Am C/G C/F# B7
let ring
2
5 5 7 7 9 9 2 2 2 2 2 4 2 4
7 9 9 10 10 2 4 4 4 2 4 4
5
1/2
4
1/4
2 4 4 2 0
2 4 2 4 4 2 2
2 4 4 4 2 4
let ring let ring
1
7 5
5 4 7 5 2
2 4 2 5 6 4 2 4 4 2 2 2
2 4 4 4 4 4 4
6
let ring let ring
1/2
2 4 2 6 7 5 4 7 5 2 4 4
2 4 4 4 4 6 4 2 4 4 2
4 4 4
let ring let ring let ring
1
5 4 10 9 4 2
4 6 11 9 11 4 2 4 4
4 9 9 2 2
let ring let ring let ring
10 9 16 14
9 11 16 14 16 4 4 2
9 14 14 2 2 4
2
F#5
12 14 12
4 6 8 9 11 13 15 11 13 9
4 2 4 6 7 9 11 13 9 11
2 0 2 4 5 7 9 11
0
F#13(no3rd)
* w/ pitch shifter
+3 1/2 +3 1/2 +3 1/2 +3 1/2
12
11
14
14 14
14
13
14
14
13
14
14
13
13
12
13
13
12
13
13
12
14
14
13
14
14
14
14
13
14
14
13
13
13
12
14
14
13
14
14
13
0
14 14 13 13 13 14 13 14 14
*Set for perfect fifth up, engaged w/ momentary switch.
7
G
D/E E F#m E5 Bm7 E D A5 E
let ring let ring let ring let ring
1 1
10 7 7 5 4 0 0
10 9 10 12 10 9 5 3 2 0
9 9 7 9 11 9 9 9 7
9 9 11 11 9 11 9 9 9 6 4 2
0
F#/E E D/F# A/E G C#m7 Dmaj7
let ring let ring
let ring let ring let ring
1
14 14 14 14
14 12 15 15 15 17 17 3 0 2
13 13 11 13 13 14 14 18 18 0 4 2
14 19 19 0 5 4 2 0 2 0
0 4
0
Gmaj7
8va loco
let ring
Harm.
let ring let ring let ring let ring
5 12 7
0 2 0 5 12 7
2 0 0 0 2 0 5 12 7
0 0 0 4 2 4 2 0 0 0 5
0
3 0 3
C#m7 Dmaj7
let ring
rit.
let ring let ring let ring let ring let ring
9 14
12 12 8 8 15 12 14
14 11 7 9 11 9 11 9 0 16 14
12 9 11 9 0 17 16 12 14 0
10 10 0 16
Freely
w/ pitch
shifter
let ring
+3 1/2
17 14 14 12 12 10 10 8 9 7 7 9 7 7 2 7 9 7 7
14 12 10 8 7 7 9 7 7 2 2 7 9 7 7
14 12 10 8 7 7 9 7 7 2 2 7 9 7 7
8
from Steve Vai - Inviolate
Apollo in Color
By Steve Vai
Gtrs. 7, 18 & 20: Drop D tuning:
(low to high) D-A-D-G-B-E
A
Moderately fast q = 152
Emaj7#11
Gtr. 1 (clean)
8va loco 8va loco
mf *w/ DigiTech Whammy DT pedal
let ring throughout +6 +6
0 0 0 0
2 4 4 4 4 5 5 5
*Set for one octave up, activated with momentary switch.
Gtr. 2 (clean)
mf
8va
8va loco 8va
8va loco
loco
+6 +6 +6 +6
0 0 0 0
5 7 7 7 7 9 9 9 9 9 11 11 11 11 11
VII
let ring
8va
8va loco loco
8va 8va loco
+6 +6 +6 +6
0 0 0 0 0 0 0 0
11 12 12 12 12 12 14 14 14 14 16 16
let ring let ring
Copyright © 2022 Sy Vy Music (ASCAP)
Administered by Round Hill Songs II
International Copyright Secured All Rights Reserved 1
1
8va
Gtr. 3 (dist.)
9
9 5
mf 9
*w/ delay
11 12 14 16
9 11 12 11 12 14
8 9 11 8 9 11
8 9 11 8 9 11 8 9 11
7 9 11 7 9 11
7 9 11
*Stereo delay set for half-note and whole-note regeneration, w/ 1 repeat each at equal volume to dry signal.
loco
8va loco 8va
Gtr. 1
0
+6 +6
1/2 1/2 1/2
0 0
16 16 16 16 16 16 16 16
Gtr. 2
4
let ring
Emaj9
8va
w/ bar
loco
loco 8va
8va
+6 +6
0 0 0 0
19 19 19 19
0
Gtr. 3 tacet
8va
loco 8va loco 8va Gtr. 4 (clean)
8va let ring throughout
mf
0
Gtr. 1
+6 +6
+6 divisi
0
19 19 19 19 19 19 12
11
13
0
2
B
Gtr. 1 tacet
Emaj7
Gtr. 5 (dist.)
f
w/ ambient delay
8 7 8 8 7 8 11 9 11 11 8 7 8 8
Gtr. 4
11
0
Gtr. 2
Gtr. 4 tacet
Gtr. 5
grad. bend
1
8 13 13 15 8 8 7 8 8 11 10 11 13
9
Gtr. 2
11
11 10 11 11 8 6 8 6 6 8 7 8 8
3
12 11 12
7 8 11 9 11 11 4 8 11 10 11 10 11 11 10 11
14 16 19 16 14 16 19 16 14 16 16 12 11 12 12 13 7 7
7 11 7 0 9
8 8 13 13 13
C#m7 C#7sus4 G#m7 Bsus4
Gtr. 5
12 12
11 8 11
9
Gtr. 6 (slight dist.)
mf
Gtr. 2
4
IV
3
0 0
4
Amaj7#11
11 13
0
let ring
G#m7 C#7sus2 F#m7
w/ bar w/ bar
12 12
11 8 8 10 11
9 11
-1 -1
w/ bar w/ bar
Gtr. 2 tacet
A/D D6 Amaj7/D D
Gtr. 5
10
11 13
9 11 11 12
Gtr. 6
Rhy. Fig. 1
Gtr. 7 (clean) let ring throughout
0
mf
5
E
___ A/D D6 Amaj7/D
D5
Gtr. 5
3 3
10 12 14 12 14 15 14 15 17
Gtr. 8 (dist.)
7 7 8 8 9 9
6 6 7 7 8 8
Gtr. 6
End Rhy. Fig. 1
Gtr. 2
0
1
12 12 12 12 12 12
15 15 15 15 15 15
8va
8va
loco
mf *w/ DigiTech Whammy DT pedal
+6 +6
10 10 10 10 12 12 12 12 14 14 14 14 14 17 17
9 9 9 9 11 11 11 11 13 13 13 13 13 16 16
*Set for one octave up, activated with momentary switch.
w/ envelope filter
6
D
Gtr. 7 tacet Gtr. 8 tacet
Fmaj9
Gtr. 5
1
1 1
8 12 10 10
11 11 11
Gtr. 8
8va
Gtr. 6
envelope filter off
0
VII
Gtr. 2
3
4
1
2
Gtr. 5
1
1 1 1/2
10 8 8 15 13 13
11 11 12
Gtr. 6
Gtr. 2
grad. release grad. release
1
1 1
13 13 12
15 15 13 15
12
7
Gtr. 5
1
15 15 15
14 12 14
mf
Gtr. 9 (slight dist.)
Gtr. 10 (slight dist.) mf
divisi
10 12
8 10
Gtr. 6
Gtr. 2
Abmaj9
8va
1
1
11 11 15 13 13
14
12 12 12 15 15
10 10 10 12 12
11 11 13 11
X X
8 8 10 8
X
8
8va
Gtr. 5
w/ bar
13 15 15 15 15 15 15 18 18 20 22 18 18 15 15 13 13 11
-1
*
Gtr. 9
+3 1/2
+3 1/2
+6
12
13 15 13 13 10 10 8 8 5
Gtr. 10
*
+3 1/2
+6 +6
12 15 12 12 10 10 8 8 5
10
Gtr. 11 (slight dist.)
*
mf
+3 1/2
+6 +6
13 15 13 13 10 10 8 8 5
Gtr. 6
11 11 11 13 13 11 11 8 8 6 6 4
X X X X X X X
8 8 8 10 10 8 8 5 5 3 3 1
Gtr. 2
*Played with two DigiTech Whammy DT pedals connected in series, set
for 1 octave up and a fifth up, activated via momentary switch with
each foot. Cue-size notes represent shifted pitch when activated.
Dry signal also sounds at approximately 60:40 wet:dry mix.
9
8va
3/4 1
13 13 15
16 18 18 18 18
15 15 17 17
+6 +3 1/2
5 8 5 5 8 10 8
+3 1/2
+3 1/2
+6 +6
5 8 5 3 8 10 8
+3 1/2
+3 1/2
+6 +6
5 8 5 5 8 10 8
4 6 4 8 11 13 11
X X X
1 3 1 5 8 10 8
0
10
E
Gtrs. 6, 9, 10 & 11 tacet
Emaj7#11
8va
loco
Gtr. 5
let ring
Harm.
w/ bar
12 5 5
12 12
IX
0
Gtr. 12 (dist.) let ring throughout
VII
0
mf
VII
Gtr. 2
8va
let ring let ring
Harm.
w/ bar
5 7
4 4 5
0
let ring let ring
8va
15ma
let ring
w/ bar
Harm.
5 4 4 4
-1/2
let ring
11
Gtr. 5 tacet Gtr. 14 tacet
Gtr. 13
loco
8va
(dist.) 8va 8va
mf w/ ambient delay
*w/ delay
Harm.
Harm. Harm.
7 0 12 7
7 7 7 7 5
*Set for quarter-note & 7 eighth-note regeneration, w/ 1 repeat each at equal volume to dry signal.
Gtr. 14 (dist.)
15ma 8va
loco
mf
**w/ delay
Harm. Harm.
***
7+12 0 12 7
**Set for quarter-note & 5 eighth-note regeneration, w/ 1 repeat each at equal volume to dry signal.
***Touch nodes at 7th fret and 12th fret simultaneously.
Gtr. 12
Gtr. 2
00
let ring
Emaj9
8va
Gtr. 13
w/ bar
Gtr. 12
Gtr. 2
8va
12
F
Gtrs. 12 & 13 tacet
Emaj7
Gtr. 5
3
14 14 13 12 11
14 13 12 11
12
13
Gtr. 2
3
let ring
1/2
7 8 9 10 11 10 9 8 9
12 11
11 8
5
3
3
let ring
1/2
9
11 11 9
10 9 8
11 9 8 7
10 8 7 6
9
3 3
8 6
4 2 4 6
4 4
13
3
w/ bar w/ bar grad. bend
+1
11 12
9 13 13
9 9 9 10
-4
1/2 grad. bend
1/2 1/2
11 14 11 14 11 14
12 12 12 12
3
w/ bar
1/2 1/2
14 16 16 11
15 13 13 15 15 15
-1/2
w/ bar
1/2
15 15 13 13 17 17 13
-1/4
14
C#m9
3
5
6
9 9
9
9 11 12 11 9
12 9 11 9 8 9
9
9
9 9
11 11
12 12
0
0
3
3
3 3 3
1
11 14 14 13 12 11
14 14 12 14 14 14 14 12
Amaj9
3
3 3
13 14 13 12 11
14 13 12 12 13 14 15 16 16 15 14 13
16 15 14 13 14 15 16
0
0
0
3
3
3 3
16
16 15 14 13 13 13
16 15 14 13 13 13
14 14 12 11
15
Emaj7
3 5
14 16 16 15 14 13
15 14 13 12
15 14 13 12 11
13
3
3
12 11 10 9 9 8 7 6
0
0
3
-1/2
3 3
3
w/ bar
w/ bar -1/2
13
14
11 14
5 8 12
2 4 6
0 0 4
-2 1/2
8va
P.H.
(15ma)
16 16 16 16 16 16
16
8va
Gtr. 5
3 7
* *
**T T T
16 16 16 16 16 14 16 17 16 16 14 16 16 16 16 16 16 16 16 14 16 14 16 17 16 14 11
*Pick over 17th fret. **Tap with edge of pick, next 2 meas. *As before
Gtr. 6
w/ envelope filter
Gtr. 2
8va
6 6 6 6 6 6 5 5
T T T T T T T T T T T
12 16 12 11 12 13 17 13 12 11 12 16 12 11 12 13 17 13 12 11 12 16 12 11 12 17 13 12 11 12 16 12 11 12 13 17 13 17 13 12 13 19 13 19 13 12
loco
8va
5
3 3 6 3 3 7 3
13 14 13 12 11 11
T T T T T
11 12 14 15 14 13 12 11
15 14 13 12 11 12 13 14 15 14 13 12 11
10 11 13 12 11 10 9 10 11 12 11 10 9
1 ***
321
4
***Curl index finger to fret 1st & 4th strings.
17
Gtr. 6 tacet
Eadd9 E6
8va
-1/2 -1
3
3 w/ bar
w/ bar w/ bar -1
-1/2
12 14 14 19 16 21
12 10 11 14 19
11
9
-1
G
Gtr. 2 tacet
C#m9
8va
Gtr. 5
1
21
Gtr. 15 (slight dist.)
mf
let ring
9
X X 9
11 11 11 X X 11 11 11 11 11 9 9 11
9 11 11 11 X X 9 11 9 9 11 9 11 11
0
Gtr. 4
0
Gtrs. 4 & 5 tacet
C#m7
Gtr. 15
let ring
9 9
X X 9 11 9 X
11 11 11 11 11 11 11 11 11 11 9 11 9 X
9 11 11 11 X X 9 11 X 9 9 11 X X X
0 11 11
18
let ring
9
X X X X X 9 9
11 11 11 X X X 11 11 11 11 11 X X 11 11 9 11 9 9 9 11 11 11
9 11 11 11 X X X 11 11 9 9 11 X X 11 11 9 11 9 X X 11 11 11
11 11
Th.
8 9 8 9 12 11 11 9
8 9 8 9 9 12 11 X X 12 11 11 9
8 9 11 11 11 X 11 11 9 11 11 X 8 9 11 X 9 12 11 X X 12 11 11 9 11
11 9 11 X 11 11 9 11 11 X X 9 X X 11
9
D% Gmaj13
let ring let ring
0 0 0 0 0 0 0 0 0 0 0 0 0 0
9 10 10 10 10 10 9 10 10 10 10 10 10 10 10 10 10 9 10 X
10 11 11 11 11 11 10 11 11 11 11 11 10 11 11 11 11 11 11 10 11 X
8 9 9 9 9 9 8 9 9 9 9 9 8 9 9 9 9 9 9 8 9 11
X 9 10 10 9 10 11
9 10
C#m7
Th. Th. 1/4
9
9 9 12 11 11 9 9
9 9 11 9 9 12 11 11 9 9
9 11 11 11 11 9 11 11 11 9 9 11 11 9 9 12 11 11 9 9 11
9 11 11 11 11 11 11 11 11 9 9 11
9 9 9 9 9 9
Th. Th. Th.
8 9 8 9 8 9
9 9 8 9 8 9 8 9 9
11 11 9 9 11 X X X 8 9 X X 8 9 X X 8 9 9 11 11
11 11 X X 11 X X X X X X X 11 X
9 9 9 11 X X X X 9 9
D% Gmaj13
let ring let ring
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
9 10 10 10 10 10 9 10 10 10 10 10 10 10 10 10 10 9 10 X X
10 11 11 11 11 11 10 11 11 11 11 11 10 11 11 11 11 11 11 10 11 X X
8 9 9 9 9 9 8 9 9 9 9 9 8 9 9 9 9 9 9 8 9
X 9 10 10 9 10
9 10
19
let ring
9
X X 9 X X
11 11 11 X X 11 11 11 11 11 9 9 11 X X
9 11 11 11 X X 9 11 9 9 11 9 11 11 X X
0
C#m9 Dm9 D#m9 Em9 Fm9 C#m7
let ring let ring
3 4 4 4 4 4 5 5 5 5 5 6 6 6 6 7 7 7 7 8 8 8 8 X X 9 9
3 4 4 4 4 4 5 5 5 5 5 6 6 6 6 7 7 7 7 8 8 8 8 X X 9 9
X X 2 X X X 3 X X X 4 X 5 5 X 6 6 6 X X 9 9
3 4 4 4 4 4 5 5 5 5 5 6 6 6 6 6 7 7 7 7 7 7 8 8 8 8 X X X
9 9
H
Gtr. 15 tacet Gtr. 19 tacet
Badd11 Amaj9
Rhy. Fig. 2 End Rhy. Fig. 2
*Gtr. 16
mf
*Gtr. 17
IX
mf let ring throughout
Gtr. 18
(elec. sitar)
VII
mf let ring throughout
II
*Gtr. 19
Gtr. 20 (acous.)
mf let ring throughout
*Acoustic ensemble arr. for gtr. mf
Gtr. 16: w/ Rhy. Fig. 2 Gtr. 7: w/ Rhy. Fig. 1
Gtr. 20 tacet Gtrs. 2 & 19 tacet
Badd11 F#m7 A/D D6
Gtr. 5
3
w/ bar w/ bar
19 19 19 14
16 16 16 19 19 14 12 14 12
16 14
-1 -1
Gtr. 17
Gtr. 17
Gtr. 2
divisi
Gtr. 18
Gtrs. 18 & 20
Gtr. 19
divisi
20
Gtr. 17 tacet
E
Amaj7/D D ___ A/D D6 Amaj7/D
D5
Gtr. 5
3
let ring let ring let ring
10 9 7
13 13 11 11 9 9 7 7 6
Gtrs. 18 & 20
*Rhy. Fig. 3 End Rhy. Fig. 3
*Omit ties on recall.
Gtrs. 18 & 20: w/ Rhy. Fig. 3 (4 times)
Gtr. 5
4
5
5 7
6 8 9
4 6 6 7
Gtr. 7
4
let ring
5 9 9
7 9 10 12 12 12
9 9 11 11 11
Gtr. 7 tacet
Gtr. 5 Emaj7#11
-1/2 -1/2
w/ bar w/ bar
w/ bar -1/2 -1/2
4 4 6 6 7 9
0 0 0 2 4 4 6 7
-4
VII
Gtr. 12
0
VII
Gtr. 2
21
-1/2
-1
-1/2
-1/2
w/ bar w/ bar w/ bar w/ bar
-1/2 -1/2 -1 -1/2
12 12 14 14 16
8 9 9 11 13 15
6 6 8 8 9 11
9
0
0
let ring
Slower, freely q = ca. 90
Emaj9
8va loco
3 3
w/ bar string
rit. noise
14 16 18 19 23 23
16 17 14 19 18 17 16
18 17 16 15
X
X
rit.
rit.
let ring let ring
3
3
rit.
18 17 16 15 14 13
15 14 13 12 11
13 12 11
22
from Steve Vai - Inviolate
Avalancha By Steve Vai
Drop D tuning, down 1 step:
(low to high) C-G-C-F-A-D
A
Fast q = 174
D5 C5 D5
Gtrs. 1 & 2 (dist.)
Riff A
f
steady gliss.
8 9 10
7 9 7 9 7
7 10 7
18 0 10 0
Bb5 D5 C5 Bb
10
8 9 7 9 9 11 11 9 7 9 7 9
10 7 12 10
8 0 10 8
G5 Dsus2 C D5
* let ring let ring * let ring
15 15 15 15 17
13 17 14 15 13 15 17 15
14 12 14 14
12 0 0
10 15
*4th string only. *As before
Bbmaj9 D C% C/Bb
steady
let ring * let ring let ring let ring gliss.
17 15 12
13 15 17 15 17 17 19 15 13 17 15
14
0
13 15 12 13 17
G5
8va
15 15 22 22
13 13 13 13 20 20 20
14 14 12 12 12 12 21 21 19 19
12 12 17 19 19 19 19
10 10 17 17
Copyright © 2022 Sy Vy Music (ASCAP)
Administered by Round Hill Songs II
International Copyright Secured All Rights Reserved 1
Gsus4 D5
Gtr. 3 (dist.)
f
w/ delay
15
14
8va
End Riff A loco
Gtrs. 1 & 2
loco
15 15 22
13 13 13 13 20 20
14 14 12 12 12 12 21 21 19 19
12 12 17 19 19 19 19 0
10 10 17 17 0
0
B
F#5 F5 D5 E5 F5 D5 Ab5 G5 D5 F#5 F5 D5 F#5 F5 D5 Eb5 E5 F5 D5
1/2 1
15 X 3 12 12 12 12 13 10 10 10 13 15
14 X 12
X
P.M. P.M. P.M.
0 4 3 2 3 3 0 6 5 4 3 3 0 4 3 1 2 3 0
0 4 3 0 2 3 3 0 6 5 0 4 3 3 0 4 3 0 1 2 3 0
0 4 3 0 2 3 3 0 6 5 0 4 3 3 0 4 3 0 1 2 3 0
Bb5 A5 D5 Eb5 D5 F#5 F5 D5 E5 F5 D5 Ab5 G5 D5 F#5 F5 D5
3
1 1
15 12
15 15 13 13 12 13 13 12
14 13
P.M. P.M. P.M.
0 8 7 1 1 1 0 4 3 2 3 3 0 6 5 4 3 3 0
0 8 7 0 1 1 1 0 4 3 0 2 3 3 0 6 5 0 4 3 3 0
0 8 7 0 1 1 1 0 4 3 0 2 3 3 0 6 5 0 4 3 3 0
2
F#5 F5 D5 Eb5 E5 F5 D5 B5 Bb5 D5 F5 G5 F#5 F5 D5 E5 F5 D5
w/ bar
11 16 16 12
12
13 14 13 7 9 9
-1/4
Rhy. Fig. 1
P.M. P.M. P.M.
10 10 10 12 12 6 5 4 5
0 4 3 1 2 3 0 9 8 10 10 10 12 4 3 2 3 3 0
0 4 3 0 1 2 3 0 9 8 0 8 8 8 10 4 3 0 2 3 3 0
0 4 3 0 1 2 3 0 9 8 0 4 3 0 2 3 3 0
Ab5 G5 D5 F#5 F5 D5 F#5 F5 D5 Eb5 E5 F5 D5 Bb5 A5 D5 Eb5 D5
w/ bar w/ bar
12 12 16 12 12
15 15 15 12 14 12 13 10 12 10 12
P.M. P.M. P.M.
8 7 6 5 6 5 3 4 5 10 9 3 3 3
0 6 5 4 3 3 0 4 3 1 2 3 0 8 7 1 1 1 0
0 6 5 0 4 3 3 0 4 3 0 1 2 3 0 8 7 0 1 1 1 0
0 6 5 0 4 3 3 0 4 3 0 1 2 3 0 8 7 0 1 1 1 0
F#5 F5 D5 E5 F5 D5 Ab5 G5 D5 F#5 F5 D5 F#5 F5 D5 Eb5 E5 F5 D5
1/2 grad. bend grad. bend
1 1
12 12 10 10 12
13 13 10 13 5
12 2 2 4
P.M. P.M.
6 5 4 5 8 7 6 5 6 5 3 4 5
0 4 3 2 3 3 0 6 5 4 3 3 0 4 3 1 2 3 0
0 4 3 0 2 3 3 0 6 5 0 4 3 3 0 4 3 0 1 2 3 0
0 4 3 0 2 3 3 0 6 5 0 4 3 3 0 4 3 0 1 2 3 0
3
B5 Bb5 D5 F5 G5 A5 Ab5 D5 A5 Ab5 D5 Ab5 B5
Gtrs. 3 & 4 (dist.)
f
let ring w/ wah & delay grad. bend
P.S.
0
0 5 13 12 13 13
4 X
X X
P.M. P.M.
11 10 10 10 10 12 12 9 8 9 8 9 8 9 8 8 8 11 11 11
0 9 8 10 10 10 12 12 7 6 7 6 7 6 7 6 6 6 9 9 9
0 9 8 0 8 8 8 10 10 7 6 0 7 6 0 7 6 7 6 6 6 9 9 9
0 9 8 0 7 6 0 7 6 0 7 6 7 6 6 6 9 9 9
D5 A5 Ab5 D5 A5 Ab5 C5 B5 Bb5 A5 D5 A5 Ab5 D5 G5 Ab5 D5 Bb5
+1 +1 +1 +1
+1/2 +1/2 +1/2 +1 +1 +1 +1 +1 +1
/0
* w/ bar
0
+1 +1 +1 +1
+1/2 +1/2 +1/2 +1 +1 +1 +1 +1 +1
1 1/2 **
0
13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 0 3 16
*Bar pointed toward lower strap button, next 6 meas. **Vib. w/ L.H.
P.M. P.M. P.M.
9 8 9 8 8 12 12 11 11 10 10 9 9 8 7 8 10
7 6 7 6 6 10 10 9 9 8 8 7 0 7 6 5 6 8
0 7 6 0 7 6 6 10 10 9 9 8 8 7 0 7 6 0 5 6 0 8
0 7 6 0 7 6 6 10 10 9 9 8 8 7 0 7 6 0 5 6 0 8
A5 D5 A5 C#5 Bb5 D5 C5 B5 D5 C#5 C5 D5
+1 +1 +1 +1 +1 1/2 +1 1/2 +1 1/2 +1 1/2
+1/2 +1/2 +1/2
w/ bar
grad. bend
+1/2 +1/2
+1/2
+1 +1 +1 +1 +1 1/2 +1 1/2 +1 1/2 +1 1/2
1 1/2 1 1 1/2 **
15 16 16 19 19 19 19 19 19 19 19 19 19 19
**As before
End Rhy. Fig. 1
P.M. P.M. P.M.
9 9 13 13 10 10 10 12 11 13 12
7 7 11 11 8 8 8 10 9 11 10 10 12 12 12 12 12 12 12 0
7 0 7 11 11 8 8 8 0 10 9 0 11 10 0 10 12 12 12 12 12 12 12 0
7 0 7 11 11 8 8 8 0 10 9 0 11 10 0 10 12 12 12 12 12 12 12 0
4
C
Gtrs. 3 & 4 tacet
Cadd9 G6/B Asus2
Riff B
*Gtr. 5
(dist.)
10 13 12
14 16 14 14
*Doubled throughout
Gtrs. 3 & 4
Gtr. 6
Rhy. Fig. 2A
(dist.)
mf let ring
10 10 10 10 10 10 10 10 10 10 7 7 7 7 7 7 7 7
8 8 8 8 8 8 8 8 8 8 10 10 10 10 10 10 10 10
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
10 10 10 10 10 10 10 10 10 9 7 7 7 7
Gtrs. Rhy. Fig. 2
1&2
let ring let ring
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 0 0 0 0 0 0 0 0 0 0 0 0
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 0 0 0 0 0 0 0 0 0 0 0 0
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 2 2 2
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 0 2 2 2 2 2 2 2 2 2 2 2 2 2
3 0
Cadd9 G6/B
Gtr. 5
12 13 15 17
9 9 14
Gtr. 6
let ring
7 7 10 10 10 10 10 10 10 10 10 10
10 10 8 8 8 8 8 8 8 8 8 8
9 9 7 9 9 9 9 9 9 9 9 9 9 9
10 10 10 10 10 10 10 10 10 9
Gtrs. 1 & 2
let ring let ring
0 0 0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2 2 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 4 4 4 4 4 4
2 2 2 2 2 2 2 2 2 2 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 0 2
3
5
Asus2
1
15 15
let ring
7 7 7 7 7 7 7 7 7 7
10 10 10 10 10 10 10 10 10 10
9 9 9 9 9 9 9 9 9 9 7
7 7 7 7
let ring
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0
C/F Cmaj9/F
1/2
17 17 17
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14
Gtr. 1
Gtr. 2
divisi
5 5 5 5 5 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3
5 5 5 5 5 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
6
Bb
Ab6sus2 ___ Ebmaj7
Ab5
16 15 15 13 15
15
let ring
10 10 10 10 10 10 10 10 10 10 10
13 13 11 11 11 11 11 11 11 11 11 11
12 12 12 12 12 12 12 12 12 12 12 12
13 12 12 12 12 12 12 12 12 12 12
Gtrs. 1 & 2
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 3 3 3 3 3 3 3 3 3 3
8 8 8 8 8 7 7 7 7 7 7 7 7 7 7 7 3 3 3 3 3 3 3 3 3 3
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 1 1 1 1 1 1 1 1 1 1
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 1 1 1 1 1 1 1 1 1 1
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 1 1 1 1 1 1 1 1 1 1
Ab
Gbsus2 ___
End Riff B
Gb5
15 13 14 13 13 16 16
End Rhy. Fig. 2A
let ring
steady gliss.
10 10 10 10 10 10 9
11 11 11 11 11 11 13
12 12 12 12 12 12 13
12 12 12 12 12 12
13
End Rhy. Fig. 2
let ring steady gliss.
*
3 3 3 3 3 3
3 3 3 3 3 3 6 5 5
1 1 1 1 1 1 6 6 6
1 1 1 1 1 1 4 4 15
1 1 1 1 1 1 4 4 4 15
*Note played by Gtr. 2 only.
7
D
Gtrs. 1 & 2: w/ Riff A (1st 4 meas.)
Gtrs. 5 & 6 tacet
Dsus2 C D5 Bbmaj9
Riff C
*Gtr. 7 (dist.)
mf
7 8 8 10
7 9 7 5 9 7 7 9 7
7 7 10
*Doubled throughout
D C% C/Bb G5 G5/D
End Riff C
Gtr. 7
10
7 9 9 11 11 9 7 9 7
7 12 10
Gtrs. 1 & 2
15
10 13
9 9 11 11 9 7 9 7 9 14 12 12
7 12 10 12 12
10 10
0 10 8
E
Gtrs. 1 & 2: w/ Rhy. Fig. 1
Gtr. 7 tacet
F#5 F5 D5 E5 F5 D5 Ab5 G5 D5 F#5 F5 D5 F#5 F5 D5 Eb5 E5 F5 D5
Gtr. 8 (dist.)
f
w/ delay 1/2 1 1/2
18 8 16 16 16 16 17 13 13 13 17 17
17 16
Gtr. 3
wah off
1/2 1
3 12 12 12 12 13 10 10 10 13 15
12
Gtr. 6
mp
12 12 12 10
X X X
9 7 X 9 9 9 7 9 9 9 9 7 9 7 X 9
7 7 7 X 7 7 7 7 X 7
8
Bb5 A5 D5 Eb5 D5 F#5 F5 D5 E5 F5 D5 Ab5 G5 D5 F#5 F5 D5
3
1 1/2 1
19 15
17 17 17 16 17 17 16
17 16
3
1 1
15 12
15 15 13 13 12 13 13 12
14 13
12 12
11 11 10 10 X X
9 9 9 X X X 9 7 X 9 9 9 7 9 9 9
7 7 7 7 8 8 8 7 7 7 7 X 7
F#5 F5 D5 Eb5 E5 F5 D5 B5 Bb5 D5 F5 G5 A5 Ab5 D5 A5 Ab5 D5 Ab5
Gtrs. 8 & 9 (dist.)
f
w/ wah & delay
15
16 16 17 16 12 13 12 13 5 14
Gtrs. 3 & 4
w/ wah
12 5 13
13 14 13 7 9 9 X
X
12 12 10
11 11 11 X 12 11 X 11
X 11 11 9 9 9 X 10 9 X 9
9 9 7 9 7 X 9 9 9 X X
7 7 7 X 7 7 7 7 8 8 8
9
B5 D5 A5 Ab5 D5 A5 Ab5 C5 B5 Bb5 A5 D5
+1 +1 +1 +1 +1 +1
+1/2 +1/2 +1 +1
* w/ bar
grad. bend
+1/2 +1/2 +1 +1
+1 +1 +1 +1 +1 +1
1 **
13 14 14 14 14 14 14 14 14 14 14 14 14
+1 +1 +1 +1
+1/2 +1/2 +1/2 +1 +1 +1 +1 +1 +1
* w/ bar
grad. bend
+1/2 +1/2 +1/2 +1 +1 +1 +1 +1 +1
+1 +1 +1 +1
1 1/2 **
12 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13
X 11 X 11 11 12 11 11 11 X X 11 X 12 11 11 11 X X X X 11 11 11
X 9 X 9 9 10 9 9 9 X X 9 X 10 9 9 9 X X X X 9 9 9
*Bar pointed toward lower strap button, next 6 meas. **Vib. w/ L.H.
A5 Ab5 D5 G5 Ab5 D5 Bb5 A5 D5 A5 C#5 Bb5
grad. bend
14 5 17 16 17 17
/0
0 3
grad. bend
0
13 0 16 15 16 16
X 12 11 X X 11 X 13 12 X X 12 13 13 13 13
X 10 9 X X 9 X 11 10 X X 10 11 11 11 11
10
D5 C5 B5 D5 C#5 C5 D5
+1/2 +1/2
+1/2
+1
+1
+1
+1
+1 1/2
+1 1/2
+1 1/2
+1 1/2
*
w/ bar
+1/2 +1/2
+1/2
+1
+1
+1
+1
+1 1/2
+1 1/2
+1 1/2
+1 1/2
1 1/2
17 17 17 17 17 17 17 17 17 17 17 17
+1/2 +1/2
+1/2
+1
+1
+1
+1
+1 1/2
+1 1/2
+1 1/2
+1 1/2
w/ bar
+1/2 +1/2
+1/2
+1
+1
+1
+1
+1 1/2
+1 1/2
+1 1/2
+1 1/2
1 1/2 1 1 1/2 *
16 16 16 16 16 16 16 16 16 16 16 16
X 12 11 X X 12 X 12 12 12 12 12 12 12 12
X 10 9 X X 10 X 10 10 10 10 10 10 10 10
*Vib. w/ L.H.
F
Gtrs. 1 & 2: w/ Rhy. Fig. 2 Gtrs. 3, 4, 8 & 9 tacet
Gtr. 5: w/ Riff B
Gtr. 6: w/ Rhy. Fig. 2A
Cadd9 G6/B Asus2
**Gtr. 10 (dist.)
1
15 15 15 15 13 15 13 13 10 10 13
**Doubled throughout
Gtrs.
3&4
Gtrs. 8 & 9
Cadd9 G6/B Asus2
Gtr. 10 8va
1
1
15 17 15 15
15
11
Bb
C/F Cmaj9/F Ab6sus2 ___
Ab5
8va
15 17 15 13 15
18 15 18
Ab
Ebmaj7 Gbsus2 ___
Gb5
8va
16
16 18 18 16 18 16
G
Gtrs. 1 & 2: w/ Riff A
Gtr. 7: w/ Riff C (1 7/8 times)
Gtr. 10 tacet
Dsus2 C D5 Bbmaj9
D C% C/Bb G5
Dsus2 C D5 Bbmaj9
Riff D
*Gtr. 11 (dist.)
mf
14 15 15 17
15 17 15 13 17 15 13 15 17 15
14 14
Riff D1
*Gtr. 12 (dist.)
mf
13 15 13 14 15
14 16 14 12 14 12 15 17 14
12 12
*Doubled throughout
12
D C% C/Bb G5
Gtr. 11
Gtr. 7 divisi
Fill 1
16 17
15 17 17 19 15 17 13 15 17 15
14 7
13 15 13
14 12 12 14 12 12 14 17 14
12
D5
End Riff D
Gtr. 11
End Fill 1
Gtr. 7
End Riff D1
Gtr. 12 steady
gliss.
8va
loco
Gtrs. 1 & 2
22
20 20
21 21 19 19
17 19 19 19 19
17 17 0
0
H
Gtrs. 7, 11 & 12 tacet
F#5 F5 D5 E5 F5 D5 Ab5 G5 D5 F#5 F5 D5
Gtr. 13 (dist.)
3
f
w/ delay
*
12 12 12 12 12 13 12 12 12
*Bounce detached whammy bar on string. Mute notes w/ fretting finger.
Rhy. Fig. 3
Gtrs. 1 & 2
P.M. P.M. P.M. P.M.
4 3 2 3 6 5 4 3
4 3 2 3 X 0 6 5 4 3 X 0
4 3 0 2 3 X 0 6 5 0 4 3 X 0
13
F#5 F5 D5 Eb5 E5 F5 D5 Bb5 A5 D5 Eb5 D5
8va
15ma
8va
loco
3
*
3
25 29 34 30 36
25 27 30
29
30 31 30
32
35 12
*Tap beyond fretboard w/ whammy bar.
P.M. slight P.M. P.M.
4 3 8 7 1 1 1 0
4 3 1 2 3 0 8 7 1 1 1 0
4 3 0 1 2 3 0 8 7 0 1 1 1 0
8va
F#5 F5 D5 E5 F5 D5 Ab5 G5 D5 F#5 F5 D5
8va loco 3 8va 15ma
15ma
**w/ sustainer & DigiTech
Whammy DT pedal 7
19
+12 +6 +3 1/2
+12 +6 -18 D.D. S.D. D.D. -18
19 19 19
**Pitch shift controlled via Whammy mode knob, next 3 meas. D.D. & S.D. indicate deep detune & shallow detune modes respectively.
P.M. P.M.
4 3 2 3 6 5 4 3
4 3 2 3 X 0 6 5 4 3 X 0
4 3 0 2 3 X 0 6 5 0 4 3 X 0
F#5 F5 D5 Eb5 E5 F5 D5 B5 Bb5 D5 F5 G5
15ma
8va 8va loco
loco
grad. bend Whammy pedal off
2
19
-12 +12 1 1/2 P.S.
19 19 X
XX
X
End Rhy. Fig. 3
P.M.
10 10 10 12
4 3 9 8 10 10 10 12
4 3 1 2 3 0 9 8 0 8 8 8 10
4 3 0 1 2 3 0 9 8 0
14
Gtrs. 1 & 2: w/ Rhy. Fig. 3
F#5 F5 D5 E5 F5 D5 Ab5 G5 D5 F#5 F5 D5 F#5 F5 D5 Eb5 E5 F5 D5 Bb5 A5 D5 Eb5 D5
Gtr. 13
/ 0
1/4
1/2
6
0 9
0
5 7 7 5 7 5 5 5 5 7
7
0
F#5 F5 D5 E5 F5 D5 Ab5 G5 D5 F#5 F5 D5 F#5 F5 D5 Eb5 E5 F5 D5 B5 Bb5 D5 F5 G5
grad. bend
1/4 1/2 1/2 1/2
10 7
9 9 9 9 9 7 9 8
10 9 10 9 10
10 9
A5 Ab5 D5 A5 Ab5 D5 Ab5 B5
Gtr. 13
grad. bend
1/2 1/2
12 12 10 12 12 12
9
Gtrs. 1 & 2
P.M. P.M.
7 6 7 6 7 6 7 6 6 6 9 9 9
7 6 7 6 7 6 7 6 6 6 9 9 9
7 6 0 7 6 0 7 6 7 6 6 6 9 9 9
D5 A5 Ab5 D5 G5 Ab5 C5 B5 Bb5 A5 D5
3
T
3 3 3
** w/ Whammy pedal
1/2
*T T T T
12 10 12 13 12 12 12 10 12 13 13 12 13 12 13 12 13 12
*Tap w/ pick, next 2 meas. -6 -6 -6 -6
**1 octave down drop tune setting, activated w/ momentary switch.
P.M. P.M. P.M.
7 6 5 6 8 10 10 9 9 8 8 7
0 7 6 5 6 8 10 10 9 9 8 8 7 0
0 7 6 0 5 6 6 8 10 10 9 9 8 8 7 0
15
A5 Ab5 D5 G5 Ab5 D5 Bb5 A5 D5 A5 C#5 Bb5
/0
grad. bend grad. bend grad. bend
0
1/2 1/2
0
10 12 12 12 10 15
9 13 13 13
P.M. P.M. P.M.
7 6 5 6 8 7 7 11 11 8 8 8
7 6 5 6 8 7 7 11 11 8 8 8
7 6 0 5 6 0 8 7 0 7 11 11 8 8 8
D5 C5 B5 D5 C#5 C5 D5
grad. bend
1 grad. bend
1/2 1/2
0
12
15 15 10 16 18 18
P.M. P.M. P.M.
10 9 11 10 10 12 12 12 12 12 12 12
10 9 11 10 10 12 12 12 12 12 12 12 0
0 10 9 0 11 10 0 10 12 12 12 12 12 12 12 0
*Gtrs. 1 & 2: w/ Rhy. Fig. 3
F#5 F5 D5 E5 F5 D5 Ab5 G5 D5 F#5 F5 D5
Gtr. 13
grad. bend grad. bend grad. bend
13 13 13
1/2 1/2
1/2 1/2
12 12 10 11 11 10 10
10 10 12 10 11 11 10
13 12
*Tie top note of last chord into following measure.
F#5 F5 D5 Eb5 E5 F5 D5 Bb5 A5 D5 Eb5 D5 F#5 F5 D5 E5 F5 D5
1 1
grad. bend
12
1/2 1/2 1/2
10 12
12 10 11 10
12 9 9 11 12 11 12 14 11 12 14 12 14 15
16
Ab5 G5 D5 F#5 F5 D5 F#5 F5 D5 Eb5 E5 F5 D5
1
14 15 17 15 14 14 15 17
12 13 15 13 15 16 13 15 16 16 15 13 15 16
15 12 14 15
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st 14 meas.)
B5 Bb5 D5 F5 G5 F#5 F5 D5 E5 F5 D5 Ab5 G5 D5 F#5 F5 D5
8va
1
grad. bend grad. release
1 1 1/2 1
1/2
16 18 19 19 19 19 15 19 15 19 15 15
15 17 18 18 18 18 18
F#5 F5 D5 Eb5 E5 F5 D5 Bb5 A5 D5 Eb5 D5
8va
3
3
18 18
1 1 1/2 1
15 19 15 15 19 15
18 18 15 18 15 18 15 15
17 17 17
F#5 F5 D5 E5 F5 D5 Ab5 G5 D5 F#5 F5 D5
8va
3 3 3 5
15
T T T T T T
10 12 13 15 17 15 17 15 17 15 13 12
17 15 13 12 13 15 17 15 17 15
17
F#5 F5 D5 Eb5 E5 F5 D5 B5 Bb5 D5 F5 G5
8va
6 3 3
9
14
1 T
12
T T T T T T T
11
17 15 13 12
16 14 12 10 12 14 12 14 12 14 12 10 14 14 14 12 10
14 12 10 12
17
A5 Ab5 D5 A5 Ab5 D5 Ab5 B5
8va
3 3 6
T T T T T T T T T T T
10 11 12 11 12 11 10 9 11 10 9 10 12 11 12 11 10 9 10 11 10 9 10 11 12 11 12 10 11 12 13 14 13 14 13 14 13
D5 A5 Ab5 D5 A5 Ab5 C5 B5 Bb5 A5 D5
8va
5 3 3 3 3
T T T T T T T T T T T T
12 11 12 11 10 12 13 12 13 12 11 13 14 13 12 14 15 14 15 14 13 14 13 14 13 12 13 12 13 12 11 12 11 12 11 10 11
A5 Ab5 D5 G5 Ab5 D5 Bb5 A5 D5 A5 C#5 Bb5
8va
3 3 3 3
T T T T T T T T T T T
12 13 12 13 12 11 10 11 13 11 13 11 10 11 12 14 12 14 12 11 15 13 15 11 13 16 16 13 16 13 16 13 14
D5 C5 B5 D5 C#5 C5 D5
8va
Gtr. 13
9
T T T T T T T T T T T T T
13 14 15 14 15 14 13 15 16 15 16 15 14 17 16 15 17 18 17 18 17 18 17 18 17 18 17 18 17 18 17 18 17
Gtr. 2
steady gliss.
P.M. P.M.
12 11 13 12
10 9 11 10 10 12 12 12 12 12
0 10 9 0 11 10 0 10 12 12 12 12 12
0 10 9 0 11 10 0 10 12 12 12 12 12 19 16
Gtr. 1
steady gliss.
P.M. P.M.
12 11 13 12
10 9 11 10 10 12 12 12 12 12
0 10 9 0 11 10 0 10 12 12 12 12 12
0 10 9 0 11 10 0 10 12 12 12 12 12 15
18
I
Gtrs. 1 & 2: w/ Riff A Gtr. 13 tacet
Gtr. 7: w/ Riff C (1 7/8 times)
Dsus2 C D5 Bbmaj9
Gtr. 13
P.S.
X
X X X
Rhy. Fig. 4
Gtr. 6
p
let ring let ring let ring
P.M. P.M. P.M. P.M.
0 2 0 0 0
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 0 0 0 0 2 2 2 2 2 2 2
0 0 0 0 X 0 0 0 0 3 3
0 0 3 3 0 0 1 1
0 0 0 0
D C% C/Bb G5
End Rhy. Fig. 4
Gtr. 6
let ring let ring let ring
P.M. P.M. P.M. P.M.
0 2 2 2 0 0 0 0
3 3 3 3 3 3 3 3 3
2 2 2 0 2 2 7 7 7 7 7
0 0 0 0 X 3 3 5 5 5 5 5
0 0 3 1 1 5 5 5 5 5 5 5 5
0 0 5 5 5 5 5 5 5 5
Gtr. 6: w/ Rhy. Fig. 4
Gtrs. 11 & 12: w/ Riffs D & D1
Dsus2 C D5 Bbmaj9
8va
*Gtr. 14 (dist.)
mf
18 19
19 19 20 19 17 20 17 17 20 19 17 17 20 17
*Doubled throughout
Gtr. 15 (dist.)
mp
11 12
11 11 12 11 9 12 9 11 12 11 9 11 12 9
19
Gtr. 7: w/ Fill 1
D C% C/Bb G5
8va
18 20
17
22
17 17 18 19 20 17 17 20 17
11 13 15 10
9 9 10 11 12 9 11 12 9
Gtr. 14
8va
p
17 17
Gtr. 15
p
9 9
8va loco
Gtrs. 1 & 2
22
20 20
21 21 19 19
17 19 19 19 19 0
17 17 0
0
Gtr. 6
P.M. P.M. let ring
mp
7 7 7 7 7 7 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5 5 5 5 5 5 0
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 0
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 0
20
J
Gtrs. 14 & 15 tacet
D5
Gtr. 16 8va
(dist.)
mf
Gtr. 17 8va
(dist.)
mf
Gtr. 18
(dist.)
mf
Gtr. 19
(dist.)
mf
Gtr. 20
(dist.)
mf
8va
Gtr. 21 (dist.)
H5
mp H3.2 H3.2
Gtr. 22 (dist.)
H5
mp H7 H7
Gtr. 1
Harm.
let ring let ring
0 0 7
0 0 0 7
0 0 0 5
Gtr. 2
let ring
Harm.
Harm. let ring
0 12 7
0 12 0 7
0 0 5
Gtr. 6
21
loco
8va
Gtr. 16
3
w/ bar
8va loco
Gtr. 17
3
w/ bar
8va loco
Gtr. 18
3
w/ bar
8va
loco
Gtr. 19
3
w/ bar
8va
loco
Gtr. 20
3
w/ bar
8va 8va
Gtr. 21
H3.2
Gtr. 22
H7 H7
Gtr. 23 (dist.)
H12
mp
Gtr. 24 (dist.)
H4
mp
Gtrs. 1 & 2
let ring Harm.
3
2
0 0 0 4 3.2 4
0 3.2 4
0
Gtr. 6 Rhy. Fig. 5 End Rhy. Fig. 5
0
3
2
0
0
0
22
Gtr. 6: w/ Rhy. Fig. 5 (6 times)
8va
Gtr. 16
Gtr. 17
Gtr. 18
Gtr. 19
Gtr. 20
Gtr. 21
8va loco
H12
Gtr. 22
H5
Gtr. 23
H4
Gtr. 24
H5 H4
Gtrs. 1 & 2
Harm.
let ring
3
2
0 0 0
0 0 3.2 4
0 5 4 3.2
23
8va
m
9 9 9 9
8va
m
9 9 9 9
8va
m
9 9 9 9
m
9 9 9 9
m
9 9 9 9
3
let ring
3
2 2
0 0 0 0 0 0
0 0 0 0 0
0 0 0 0 0
24
Gtr. 24 tacet
8va
9
9 9
8va
9 9 9
8va
9 9 9
9
9 9
9 9 9
let ring
0 0 0 0 12 12
0 0 0 0 12 12
0 0 0 0 0 12 12
25
Gtr. 21 tacet Gtr. 22 tacet
8va
Gtr. 16
loco
8va
w/ bar
8va
Gtr. 17 loco
8va
w/ bar
8va
Gtr. 18
loco
8va
w/ bar
8va
Gtr. 19
w/ bar
8va
Gtr. 20
w/ bar
8va
Gtr. 21
mp 3
Gtr. 22
mf 3
Gtr. 23 IV
mp
Gtrs. 1 & 2
P.M.
2 6 6 4 4 9 9 4
0 2 X X X X
0 4 4 2 2 7 7 2
0 0
26
Gtr. 20 tacet
8va
Gtr. 16
m
p 9 9 9 9
loco
Gtr. 17 m
9 9 9 9
Gtrs.
18 & 19 loco
m
9 9 9 9
Gtrs. 23 & 24
Gtrs. 1 & 2
let ring
2 2 4
9 9 2
X
9 9 0
8va
9 9 9 9
9 9 9 9
9 9 9 9
3
3 3 3
2 5 2 0 0 2 5 2 0 0 2 5 2 0 0
4 4 2 4 4 4 2 4 4 4 2 4 2 0 0
4 4 0
27
Gtrs. 23 & 24 tacet
8va
Gtr. 16
9
8va
Gtr. 17
9 5 5
8va
Gtrs. 18 & 19
9
Gtrs. 20 & 21
Gtr. 22
Gtrs. 1 & 2
P.M.
3 5
2
2 2 2
0
0
8va
8va
8va
9
3 3 3
2 5 2 0 0 2 5 2 0 0 2 5 2 0 0
5 5 2 5 5 5 2 5 5 5 2 5 2 0
4 2 0
4 2 0
28
8va
w/ sustainer
Gtr. 16
w/ sustainer
divisi w/ bar
Gtr. 17
8va
Gtr. 18
3
Gtr. 19 divisi w/ sustainer vib. w/ bar till end (both gtrs.)
20 & 21
Gtrs.
divisi
Gtr. 22
Gtrs. 1 & 2
12
steady gliss.
* P.M.
9 12 9 12 9 12 9 12 9 12 9 12 9 12 9 12 9
3 11 9 12
2
2
2 2
0
*Slide pertains to Gtr. 2 only.
Free time
E5
8va 15ma
Gtr. 16
w/ bar w/ bar
Gtr. 18
8va
8va
Gtr. 19
Gtr. 17
w/ sustainer
w/ bar
Gtrs. 20-22 divisi
w/ sustainer
mf
Gtrs. 1 & 2
12 12
11
**
let ring
11 11
9 12 9 9 12 9 0
9 12 9 X 0
9 4
9 2
9 9 2
0 2
**Note played by Gtr. 2 only.
Gtr. 6
P.M.
29
from Steve Vai - Inviolate
Greenish Blues
By Steve Vai
A
__ 3
Moderately q = 120 * =
Am7
Gtr. 1 (dist.)
mf
w/ bar
w/ ambient delay & reverb 1
5
7 7 7
-5 -11
w/ reverb
Gtr. 2 (clean)
2 4
0
* iq and iiiq denote even eighth notes. mp
let ring
2
3
3
3 5 9 3
w/ fingers
1 1/2
8 7 5 8 10 5 8
7 7 5 9 7 5 7 4 4 2 0
7 7 5 5 9 9 7 7 7 5 2 4
let ring
F#m7b5 G5
3
3
3 3
mp
w/ bar
7
3 3 3 8 8
5 7 9 7 5 4
4 4 4 5 5
7
-1
0
let ring let ring
Copyright © 2022 Sy Vy Music (ASCAP)
Administered by Round Hill Songs II
International Copyright Secured All Rights Reserved 1
Am7
Gtr. 1
3
mf 3
3
w/ pick
7
8 10 10 9 10 10 10 12 8 10 8 5 8 5
7 7 9
7 9
Gtrs. 3 (slight dist.) & 4 (elec. sitar)
mf 3 3
Gtr. 2
let ring let ring
F#m7b5
rake
3
3 2
1/2
8 8 8 10 5 12 13
7 7 5 7 5 5 11 11 12 14
X
X
rake 3 2
let ring let ring
G5
2
2
3 3
3 3
3 3
3 3
mp mf
12
12 17 15 12
15 13 12 8 10 10
14 12 11 7 9
14 12 10 9 12 9
10
3
let ring let ring
2
Am7
3
10
13 13 13 15 10 12 10 8 12 8 10 10 10 12 8
3
3
let ring
F#m11b5
3
1/2 1/2
8 7 7 5 7 5 5 11
3
let ring let ring
B
G Em7
3
5 3 3
f
10 12 10 10 12 10 12
11 8 9
11 9 8
10 9
3 3
0
let ring let ring
3
Fmaj7
3 f
mf
1/2 3/4
12 12
7 7 5 4 5 7 9 9
7 5 7 7
let ring
let ring
Am7 Bm7 Cmaj7 Fmaj7#11
3
3
mf
1
10 12 12 15 15 17 12
14 14 12 14 14 16 14
3
0
let ring
Bm11b5
3 3
f
1
17 15
14 14 14 12 14 16 16
3 3
let ring let ring
4
Gtrs. 3 & 4 tacet
Em7 E7
8va
loco
-1/4
Gtr. 1
3
3
w/ bar
15
-1/4
17 19 11 16 16
16 15 13
15
Gtr. 3
3
Gtr. 4
3
Gtr. 2
0
let ring
μ Am7
Gtr. 1
2
3
3 mp
P.M.
13
15 13 12 15 13 11 10 8 7 7
7
7
Gtr. 2
let ring
23
F#m7b5
slight mf
P.M. 1/4 1 1/2
7 7
7
7
5 5 7
5 5 5 5 3 5 3 5 3
let ring let ring
5
G5
1/2 1/2
5 4 4
3 5 3 7 5 5 7 4 4 5 3
let ring let ring
Am(add9) Am7
-
3 4 5
3 grad. release
slight
P.M. 1/2 1/2 1/2 1/2 1/2 1
6 6 7 7 6 5 5 7 5 6 5 7 5 6 5
5 7 5 7
7 7
7
0
0
3
let ring
F#m11b5
3
3 3 2
3 3 3 3
1/2 1/2 1/2
5
6
5
7
5
6 6 7 6 5 7 5 4
0 10 12 12 10
12 11 11 12
10 12 15
let ring let ring
G5 Am11
3 2
3
mp p mf
15 15 14 13 12 14 12 14
12 13 12 10 17 18 15 16 12 10
9
8
7 10 10 7
let ring let ring
6
3 3
1/2 1/2 1/2
10 12 12 8 12 12 8 10
3
4
6
0
3 3
let ring
F#m7b5 G
4 2 3
1
let ring
* 1/2
1/2 1/2
5
4 4 4 4
4 4 4 4
3
*4th & 3rd strings are bent toward 6th string; 2nd string is bent toward 1st string.
let ring let ring
Am7
4
3
3
1/2
12 11
11 10
4 4 5 4 10 9
7 5 7 10 9
10 9 8
let ring let ring
F#m7b5
5 4
4
5
11 12 14 14 13
10 11 13 14 13
8 9 11 12
7 9 10
7 8
let ring let ring
7
G
3
4
4
4 3
12 15 17
12 13
13 12 12 14
12 11 10 12 14
12 11 10 9 10 12
0
let ring let ring
D
Am(add9) Am11
-7
4:3 3
mp mf w/ bar
-7
2 1/2
17 15 14 12
15 13 12
14 12 14 14 14 14
14 12
3
0 V
let ring
F#m7b5
w/ bar w/ bar
3
1 w/ bar
14 12 14 9 7 7 9 7 7 9 14 14 14 14
-1 1/2 -2 1/2 -8 1/2
let ring
G5 Am(add9)
8va
loco
3
3
3
1/2 f 1/4 1/2 grad. release
19 19 19 17 15 17 19
0 3 4 5 4 4 4 4
3
let ring let ring
8
Am7
8va
-1 -1 -1 -1
3
3 w/ bar
-1 -1 -1 -1
19 19 19 19 19 19
5 X 5 4 16 17 17 17 17 17 17 17
5 X 5 4 16 17 17 17 17 17 17 17
5 X 5 4 16 17
4
V
3 3 3
let ring let ring
F#m7b5
8va
loco
3 3
3 3 3
* +3 1/2 +3 1/2 +3 1/2 +3 1/2
15
0 12 14 14 16 14 0 12 14 14 16 16 14 0 12 14 14 16 16 14 14 14
*DigiTech Whammy DT pedal in fifth-up mode, activated w/ momentary switch. Cue-size notes represent fretted pitches while pedal is engaged.
let ring
G
8va 8va
loco
3
3
+3 1/2 +3 1/2 +3 1/2 +3 1/2 +3 1/2 +3 1/2
14 14 15 15 17 17 17
15 17 17 15 0 15 17 17 17 15 17 17
let ring
Am7
8va loco
7:6
3
15
3 3
14 9
+3 1/2 +3 1/2 +3 1/2 +3 1/2 +3 1/2
+3 1/2 +3 1/2 +3 1/2
0 12 15 15 12
13 13 15 13 12 13 15 13 12 0 8 10 10 8 8 7 8 10 10 8 8 7 7
7
let ring
9
8va loco
5 3
/0
3
3 3
15
string
+3 1/2 noise
+3 1/2 +3 1/2 +3 1/2 +3 1/2
7
+3 1/2 w/ bar
7
0 15 17 15 12
5
17 17 15 15 12
14 14 7 7 5
5 X
5 5 3 X
3 2 0
slack
V
1
0
0
0 0
0
let ring let ring
F#m11b5
8va
5
3 3 3
+3 1/2 +3 1/2 +3 1/2
+3 1/2
0 15 19 19 17 15 17 19 19 22 22 22 22 22 22 22 22 22 22 0 19 20
let ring
G5 Gsus2 Am(add9)
8va
loco
3 3 3
+3 1/2
1 grad. release w/ wah
1
20 20 20 20 14 12 12 10 10 8 8 7 7 5
4 5 5 8 8 8 8
0
0 0
3
let ring let ring
Am7
/0
3
grad. bend
1 3 1/2
5 7
5 5 5 8 5 8 8 0
0 7 7 5 7 5
0
let ring let ring
10
F#m7b5 G
3
3
hold bend
10
grad. bend
9
1 1/2 T
T T
10 8 7
10 8 7
5 7 9 4 15 4
14 4
14
XII
let ring let ring
Am(add9)
/0
3
T
string grad. bend 2
noise 2 1/2 1
13 13 13 13 10 10
0 12 12 12 12 14
0 X
14 3 X
14 3
V 3 3
3
0 0
let ring
Am7 F#m11b5
3 3 3 3 3 2
3
w/ bar
2 1/2 1/2
10
13 15 15 13 15 13 10 10 12 12 10 10 17 17 15 17
14 7 14 14 12
-1
let ring let ring
3 3 3 3 3
14 9
w/ bar
15 13 15 13 12 13 12 10 12 13 15 13 12 12 13 12 10 12 10 8 10 8 7 8 10 8 7 7 8 7
12 14 7 9
-1
let ring let ring
11
Am7
3
3 3
w/ bar
7 7 5 7 5 7 9
10 12 12 11 8
10 9
10
3
V 3
0
let ring
3
3
3
3 4 3
1 1/2
10 10 8
9 11 8 10 10 8
10 9 11 9
0 10 9
3
3 0
let ring
3
F#m7b5
5
3
1/2
0 2 4 4 4 4 2 4 2 0 2 4 4 4 4 2 4 2
4
let ring
G
3 3 3
grad. bend
1/2 T.H. 1
0 0
4 4 4 2 4 2 0
2 2 3 3 15 3
let ring
12
Am7
3 3
grad. bend 5 grad. bend
1 *T 1 1
T T
7 14 14 7 7 5 0 7 15 15 5 0 7 14 14 7 7 5 0
*Tap with edge of pick, next 8 meas.
3 V
0
let ring let ring
loco
8va
3 3 3
grad.
grad. bend bend 7 grad. bend
7 grad. bend
1 1 1 1 1/2 1
T T T T
15 15 7 7 5 7 17 17 7 7 5 0 19 19 7 7 5 0 7 21 21 7 7 5 7
0 3
3
let ring
loco
F#m7b5
8va 8va 8va
8va
loco
loco loco
1
3 3 3
grad. bend
+3 1/2 +3 1/2 +3 1/2
3
+3 1/2
1 1 1
T T T T
24 24 7 7 24 7 24 24 7 24 24 22 7 7 5 7
let ring let ring
G
8va
8va 8va 8va 8va
loco loco loco loco loco
4
3
+3 1/2 +3 1/2 +3 1/2 +3 1/2 +3 1/2 string
1 1 1 1 2 grad. release 2 noise
T T T T T 1
19
22 22 7 5 7 22 22 7 5 7 22 22 7 5 7 22 22 7 5 7 22
19
7 7 7 7
X
X
XI
3
let ring
13
Am(add9)
8va
7 7 7
T T T T T T T T T
10 12 14 12 14 12 14 12 10 14 15 14 10 12 14 12 14 12 10 15 14 10 12 17 12 17 12 10 15
0
let ring
8va
5 3 7 2
+3 1/2 +3 1/2 +3 1/2 +3 1/2
T T T T T
17 15 10 12 17 12 12 10 15 17 15 15 10 12 17 12 19 12 12 12
3 3
8va
loco
3 3 3 7
13
+3 1/2
T T T T T T
10 15 16 15 17 15 10
17 13 10 13 15 15 17 13 13 10
12 15 12 11 16
3
3
let ring
Am7
3 5
+3 1/2 +3 1/2 +3 1/2
1
T T T T
16 12 12 11 12 16 12 16 12 11 9 16 11 9 9 17
3
let ring
14
F#m7b5
3 3 6
6
13
6
13
T
13
T T T T T
12
14 16 14 10
16 13 10
17 16 13 10 13 16 13 10
16 13 11
16 12
let ring
8va
6 7
7 6
T T T T T
10 14 16 14 10 13 16
10 13 16 13 10 13
10 13 16 13 10 13
11 13 16 13 11 13
11 12
let ring
G
8va
3 3 6
6 6
T T T T T
13 14 15 14 12 10 10 14 15 16 15 14 12
15 12 14 15 14 12 10 12 15 13
let ring
8va
6 6 5 6
T T T T
12 15 17 18 17 15 12 14 17 20 17 15 16
12 13 17 14 13 17 18 17 15 14 15
let ring
15
F
Am7
4
8va loco
5 3 7
3 3
5
19 12
3 3
19 10
wah off
10 10
0 20 19 17 19 14 14 12 14 12 10 8
17 17 15 12 10 9
17 16 16 16 12 9
14 12 12 9
14
15
3
let ring let ring
3
3
5
6 2
3 3 6
12 11 7 7 7
7 9 12 10 8
7
7 10 9 12 8 7 5
7 9 5 4 5 7 5 4
7 5 4
9 9 5 3
10 5
let ring
F#m11b5
8va
3
3 6
5 6
9
6 semi-P.H.
9 8 8
7 10 10 8 6 13 14 16
7 7 12 13 15
7 7 11 12 14
7 7 10 11 13
9 7 7 9 10 12
2 10
let ring
G
3
8va
3 loco
3 2
7 7
17
+3 1/2 w/ wah
16
T 1
T T T
17 17 19 17 15 14 5
19 17 15 14 15 17 19 17 15 14 15 15 15 5
18 16 14 12 4 8
let ring
16
Am7
3
1/2 1/2 3/4 3/4 3/4 3/4 3/4
1
5 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 5
8 8 8 5
3
3 3
V
let ring
-1/2 -1/2 -1/2 -1/2
3
3
w/ bar w/ bar w/ bar w/ bar
1/2 1/2 -1/2 3/4 -1/2 3/4 -1/2 3/4 -1/2 3/4 1
1
5 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 5
1 8 8 5
3 3
0
3
let ring let ring
F#m11b5 G
-1/2 -1/2 -1 -2 -1 -1
-1
4 2 3
w/ bar w/ bar 3
-1/2 -1/2 -1 -2 -1 -1
1 1 1/2 1 1/2 1 1/2 1 1/2 1 -1 1/2 1
10 10
5 13 13 10 10 12 12 12 12 12 10 10 12 13 13 13 13
12 12 12 12 12 12
3
3
let ring let ring
-
Am7
3
w/ bar steady gliss.
w/ bar
1
1 1
10 12
13 10
12 5 12
19
19 0
-7 1/2
-6 slack
3
3 V 3
3
let ring let ring
17
Am7 F#m11b5
8va
3
3
w/ bar *
w/ sustainer
+1/2 w/ bar
w/ bar
1
1 1 1
10 12 12 12
10 5 13 13
12 5 12 12 0 0
0 0
0
*Harmonics sound one octave higher
-6 slack -4
than written, next 4 meas.
3
V 3
0
3
let ring let ring
G5
Gtr. 1
loco
8va
3
8va
3
w/ bar
+1 3/4 string
noise
12
sustainer & wah off
15 17 17
12
13 13 13 0 3 12 17
12 12 0
X
X
-1 -3 1/2
Gtrs. 3 & 5 (dist.)
mf 3
Gtr. 2 3
let ring let ring
Am7
8va
3
3
16 17 17 17 19 15 15 17 15 12 19 15
17 20 20 20 22 17
3
3
let ring
18
F#m7b5
loco
8va
3 3
w/ bar
1/2
3
2 14 15
17 15 15 13 15 13 13 13 19 19 19 0 15 17
0
0
0
-1
Gtr. 5
3 Gtr. 3
divisi
let ring let ring
G Em7
8va
3
3
1/2 1/2
17 19 20 22 22 22 18 18
19 20 22 24 24 24 24 7 5 17
Gtrs. 3 & 5
3
3 3 3
VII
let ring let ring
Fmaj7
loco
8va
3 3
mf f
19 20 19
17 15 13 12 13 15 17 17
14 12 14
Gtr. 3
Gtr. 5
divisi
let ring
19
Am7 Bm7 Cmaj7 Fmaj7#11
8va
loco
3
mf
1
18 19 19 22 22 24 19
14 14 12 14 14 16 14
Gtrs. 3 & 5
let ring
Bm11b5
3 3
f rit.
1 1
15 17
14 14 14 12 14 14 14 14 14 14 16
rit.
3 3 3
rit.
let ring let ring
E7#9 Am(add9)
8va
loco
Gtr. 1
5
3
P.H.
16
mf
15
1/2
15 15 15 15
15 13
13
15 13 12
15 13 11 9 8 7 7
8va
Gtr. 3
Gtr. 5
divisi
Gtr. 2
let ring
20
from Steve Vai - Inviolate
Knappsack
By Steve Vai
Gtr. 3: 7-string, Drop A tuning:
(low to high) A-E-A-D-G-B-E
A
Fast q = 168
D5 Ab/Db C Bm
*Gtr. 1 (dist.)
3
3
/ 0
f
w/ ambient delay
5 3
7 7 5 4
7 7 6 5
0 5 5 5 4 4 3 3 2 2
0
*Gtr. 1 sounds all notes with fret hand only throughout, until final measure.
Bb μ
1/2 1/2
3 3 5 2 5 2 0
3 4 6 6 6 4 0
7 4 4 4 2 0
1 5 3 0
A7 Bb A7
5 0 0 3 3 5 0 3 5 0 6 5 6 5 3 0 5 0 0 3 3 5 0 3
Gmaj9 A7 Gm7/A Gm7/Bb
1
9 10 5 3 3 5 5 3 0 4 5 0 0 3 3 5 0 3 9 10 5 9 10 5 12 0
Copyright © 2022 Sy Vy Music (ASCAP)
Administered by Round Hill Songs II
International Copyright Secured All Rights Reserved 1
A7 Bb7#11 μ
8va
*Harm.
** w/ bar
5 5
5 5
5 5
5 5
12 13 15 13 12 13 12 10 12 13 12 10 12 10 9 12 6
*Place index finger at 5th fret
and pluck with ring finger. -6
**Depress bar with fret hand.
B
A
loco
/0
steady gliss.
w/ bar
***
0
4 6 6 7 6 4 6 0 6 9
0 0 7
0 0
0 0 19
-6
***Pluck with fret-hand thumb.
Bbmaj7 Gm9
8 10 6 6 3 3 10 0
7 10 10
Abmaj7 A
1
1
3 3
w/ wah
15
13
12 12 12 3 9 9 10 9 6
10 10
8
Bbmaj7
grad. bend grad. release
1
11 11 11
9 6 6 9 12 10 0
2
Gm(add9) Db/G Abmaj7
2 1
3 3
grad. bend
1
11 13 13 9 8 8 10 11 10 8 10 10 11 13 11 10
13
10
C
Fsus2
21
3
3
wah off
11 13 15 13 11 13 13 15 15 13 15 13 11 11
Abmaj7sus2 Dbmaj7
10 10 11 13
11 13 13 20
18
Cm/Bb Abmaj7
1
1/4
11 13 15 15 13 11
11 13 15 15 13 11
8 8 10 12 13 12 13 15
10 10 12 13
Fm Dbmaj7
3
1/2
11
13 12 10 8
13 12 10 10
13 11 10 8 8 10 10
3
Cm7 F Abmaj7
8va
grad. bend
1
18 15 15 16 16 18
9 9 11 13 13 16
10
Gm7 Emaj7sus2
8va
loco
3
15 15 16 16 18 19 14 14 18 16 11 11 15 11 11 9 7
16 14 16 14 12 14 11
3
9 7
11 9 8
11 11 9 8
11 9 7 9 4
A A7
Gtr. 1
3
0 8 10 8 8 0 10 11
0
4
Gtr. 2 (elec. sitar)
V
mp
let ring throughout
w/ delay, set for quarter-note regeneration
Gtr. 3 (piezo acous.)
0
0
0
mp
let ring throughout
4
Bbmaj7/A
3 5 3
5 10 11 5 10 11 10 5 6 8 6 5 6 8 8 6 8 6 5 6 8 6 5
7 3
VI
Gm/A
3
3 3
1/2
9 9 7 6 10 12
8 11 12 8 7 12
10 8 5 10
III
V
III
3 3 3 3
10 11 13 10 10 11 13 10 12 15 10 11 13 10 13 15 14 13 15 17 15 17 20 17
5
A
3 3 3 3 3
17 17 18 17 14 17 17 18 17 18 14 17 17 18 17 18 14 17 14 11 15 11 10 11 10 11
V
E
Em7
3
8 11 8 11 8 10 4 5
7 9 6 7 9 7 6 7 7 6 7 9 7 6 7 11 11 7
0
V
3
Em(maj7)
3
6 7 9 7 6
9 7 5 7 9 7 5
9 7 5 7 9 7
9 8 5 9 3 3 3 6 7 9 7 6 7 7 6 7
0 3
0
3
6
3
11 12 14 12 11
8 12 8 11 12 14 12 11
8 11 8 9 11 12 11
5 9 5 7 8 9
6 7 9 7 6 7 7 6 7
9
3
3 3
Cmaj7
1 3
3
14 10 14 10 14 17
12 10 12 12 12 12 12
11 11 11 11 11 11
9 9 9
3
Am9
17 14
1/2
15
16 16 11 11 11 9
14
7 9
7 8 10 7 8 10
0
0
0 3
0
0 3
7
1
1 4 1 3
12 14 15
12 13 15
9 11 12 11 12 11 12 14
9 10 12
10 9 10 12 10 9 10 9 7 9 10 9 10 12
Fmaj9
17 15 14
17 17 0 15 0 17 0 12 0 15 0 10 0
12 0 12 0 12 0 12 0
3
3
3
12 0 14 9 0 7 0 9 0
7 9 0 12 7 0 5 0
7 0
7 3
3
8
A/F
1/2 1 1
5 2 5 2 0 2 2 3 2 0
4 4 2 4 2 0 2 2
3
3
D7sus2
1/2
9 10 7
3 2 0 2 2 2 2 7 8 5 5 0
V
V
B9
12 13 10 10 9 17 19 15 14 14 17 13 12 14 14 17
7 0
3
0
9
3 3 3
13 14 11 12 14 14 16 14 12 14 12 10 12 10 9 10 9 7 9 7 5 7 5 4 5 7 5 4
6
3
C7sus2 μ
3
3
w/ wah
4
6 4
6 7 4 2
1 3 5 1 3 5 1 3 3 1 3 5 1 3
Rhy. Fill 1 End Rhy. Fill 1
Rhy. Fill 1A End Rhy. Fill 1A
Gtrs. 2 & 3 tacet
Gtr. 1
1 1 3 1
3 3
3
3 1 3 5 3 4 6 5 6 8 5 6 5 6 8 6 8 10 6 8 8 6 8 10 6 8
10
Gtrs. 2 & 3: w/ Rhy. Fills 1 & 1A
C11 μ
4 1 4
3
5 7 8 7 8 10 8 7 8 7 5 6 7 7 5 7 8
8 5 6 8 6 5 6 5 3 5 3
1 1
4 4
1/2
10
7 8 10 8 10 12 10 12 13 12 12 10 12 13 12 10 12 10 8 10 12 10 8 10 8 7 8 10
C#7sus4
4
3 3
wah off
9 7 9 7 6 7 9
8 7 8 7 5 8 7 5 7 5 3
3 3
6 8 8 6 6 8 6 4 4 6 8
6 6 7 6 4 6
E A/E E7sus4 A6/E C%
3
3 3
9 12 9 11 12 13 13 12 10
7 10 7 9 10 13 10
6 9 6 7 9
6 7
11
C7 Cmaj13#11 B5
3
3
11 13 11 10
12 10 9 10 12 10 9
12 10 9 10 12 10 9
12 10 9
12 9 7
Eº7
1
1
1 1 1 1 1 1
1
3
3
2 3 5 3 5 6 5 6 8 6 8 9 8 9 11 9 11 13 11 13 14 13 14 16 14 15 17 15 17 18
G
μ
3 2
4 4
7 7 7
18 19 18 19 18 19 18 19 17 18 17 18 17 18 17 19 18 19 18 19 18 19 16 17 16 17 16 17 16
3 2 1
4 4
7 7
18 18 19 18 19 18 19 17 18 17 18 17 18 16 17 16 17 16 17 15 16 15 16 15 16 13
1 1
3 2 3 2
4
3 3 3
14 13 14 12 13 12 14 11 12 11 12 10 11 10 14 13 14 12 13 12 13 11 12 11 10 11 10
12
3 7
2 2
4 3 3 1
3 3 3 3
14 13 14 12 13 12 13 11 12 11 10 11 9 10 9 8 9 7 9 7 9 6 9 6 9 5
3 3
3
3 5
steady gliss. 1/4
9 4 9 5 11 5 11 5 12 4 0 17 7 18 9 19 7 18 7
3 3 5
Cm7/G
8va
3
10 13 10 18
9 12 9 10 11 11 10
8 11 8 9 10
7 10 7 8 9
6 9 6 7 8
6 7
D/G Db/G C Eb6
8va
4
4
4
18 15 17 14 16 13 15 12 15 12 18
16 16 15 15 14 14 13 13 13 13 16
15 17 14 16 13 15 12 14 12 14
Bb5 C/Bb C5
8va
2
7
15 18 8 10 11 15 12 15 12 15 12 15 12 15 12 15 12 15
16 13 9 9 12 12
15 17 8 10 11 13
13
Eb5
8va
3
15 15 15 15 15 15 18 18 18 18 18
13 13 13 13 13 13 16 16 16 16 16
12 12 12 12 12 12 15 15 15 15 15
Fsus4 C5
8va
3
13 13 13 13 13 0 15 15 15 15 15
11 11 11 11 11 13 13 13 13 13
10 10 10 10 10 12 12 12 12 12
Db/G C B C Db D/G Db C Db D Eb/G
8va
16 15 14 15 16 17 16 15 16 17
14 13 12 13 14 15 14 13 14 15 16
13 12 11 12 13 14 13 12 13 14 15
D Db C B Bb/G A Ab G/A A
8va
loco
6:5
15:16
*
18 17 16 15 14 13 12 11 10 10 12
15 14 13 12 11 10 9 8 8 10
14 13 12 11 10 9 8 7 7 9 9
*Beaming and dashed barlines reflect guitar phrasing, next 13 meas.
Gmaj7/A A G/A A D/A A
38:39
12 14 10 12 12 10 12 14 17 17 12
10 12 8 10 10 8 10 12 15 15 10
11 7 9 9 7 9 11 14 14 9
14
Em7 A/E Em9 A/E Em7
12 12 10 10 12 12 14 10 12 12
10 10 8 8 10 10 12 8 10 10
9 9 7 7 9 9 11 7 9 9 7
A/E Em7 E7sus4 D5
10 12 10 7 10 5 5 5 8 9 10
8 10 8 5 8 3 3 3 6 7 8
9 7 4 7 2 2 2 5 6 7 5
8 9 10 11 8 9 10 11 12 13 8
6 7 8 9 6 7 8 9 10 11 6
6 7 8 5 6 7 8 9 10 5
Eb5
105:103
13 8 13 14 15 8 14 15 16 8 15
11 6 11 12 13 6 12 13 14 6 13
10 5 10 11 12 5 11 12 13 5 12
*
16 17 8 17 8 17 8 17 8 8
14 15 6 15 6 15 6 15 6 6
13 14 5 14 5 14 5 14 5 14 5
*New take begins without slide from
previous note on recording.
15
μ
17 15 14 9 10 12 14 12 11 7 8 10
17 15 14 9 10 12 14 12 11 7 8 10
16 14 9 11 13 11 7 9
Gadd9/B μ
12 10 9 4 5 7 17 15 14
12 10 9 4 5 7 17 15 14
11 9 4 6 16 14
11
1/4
12 14 12 11 12 11 9 11 9 7 9 7 5 7 5 4 7 5 4
7 5 4
7 5 4
7 5 3
Free time
E5 μ
w/ bar (L.H.)
8vb
3rd & 5th strings sound sympathetically
-3 1/2
0
0 0
slack
__ =
H
3
Moderately q = 103
A Bbmaj7
loco
Gtr. 1
3
f grad. bend
1
0 15 15
12 14 14 15 14 12 14 10 14 17 15 18
Gtr. 4 (piezo acous.)
0
0
3
3
mp let ring throughout Th.
16
Gm7 Abmaj13
3
grad. bend 5
1
15 13 15 15 13 15
15 13 13
12 12 12
10
3
A Bbmaj7
8va
3
grad. bend
1
18
15 17 17 18 17 15 17 14 17 20 18
0
3
3
Th. Th.
Gm9 Abmaj13
loco
3 3 3 3
grad. bend
1
13 8 8 10 11 10 8 10 11 13 11 10
13
10
3 3
Th.
I
Fm7
*
3 3
5 3
11 13 15 13 11 13
12 12 12 12 12 10
8 10 10 10 10 10 8 6
*Played as even eighth notes.
3
Th.
17
Gm7/Ab Dbmaj7#11
3 5 5 5
6 *
( ) ( ) ( ) ( ) ( )
8 7 7 7 7 7 8 10 5 5 0 5 0 5 0 5 0 5 0 5
6 5 5 5 5 5 5 6 6 8 3 3 3 3 3 3 3
*Played as even eighth notes.
3
Th.
Abmaj7/Bb
5
1/4
12 0 12 0 12 12 12 12 8 8
10 10
10 10 10
3
Th.
Gm/Ab Fm
3
3
4
3 3 3 3
1/2
15 13 11
15 13 11
13 12 10
13 12 10
13 11 10 11 10 11 8 10
VIII
8va
Dbmaj7 Cm7 F Abmaj7sus2
grad. bend
1
18 15 16 18
11 9 11 13 16
8 10
10
VI VIII
Th.
18
Free time
Gm7 Emaj7sus2
1 4
1
4
1
4
1
4
loco
8va
3 3
15 16 18 19 19 18 16 18
19 14 19 19 16 16 17 17 14 14 16 17 12 12 14 16 11
3
p
1 1 1 1 1 4
4
1
4
4 4 4 4 4 4
1 1
1
1
3 3 3
rit.
9 12 12 9 11 12 9 11 12 9 11 12 9 7 12 12 7 12 12 7 14 14 5 16 16 4
4 11 12 6 5 8
rit.
4
Em(add9)
3
4
4 1
1 4
1 1
Harm.
string strum w/ fingers
noise Th.
14 14
X
12
12
X
12
9 6 4 8 9 4
4 6 7 4
3 6 7 4 2 4 4 2 0
pp
19
from Steve Vai - Inviolate
Sandman Cloud Mist
By Steve Vai
A
Moderately q = 120
Half-time feel
-
E%
Gtr. 1 (dist.)
f 3
w/ bar
w/ ambient delay
0 10 12 12 11
12 14
IX
Gtr. 2 (clean)
mf let ring
w/ fingers
G6sus4
- -
3
13 15
13 11 11 11 13 11 13 14
0
let ring let ring
-
15 17 17 15 15
let ring
Copyright © 2022 Sy Vy Music (ASCAP)
Administered by Round Hill Songs II
International Copyright Secured All Rights Reserved 1
E%
3
3 3
0 12 14 14 12 14 12 11 12
0 12 14 16
13 11 13 13
3
let ring
G6sus4
-
3
w/ bar
13 15 17 17 17 15 15
13 13 14 11 14
-1 -1
let ring P.M. let ring
C#m9
3
w/ bar w/ bar
17
15 15 15 13 12 11 12 12 11
14 12 12
II 0
3
let ring let ring
5 5
w/ bar w/ bar
11 11 11
12 12 11 12 11 12 12 11 11 11 9
13 13 13 13 13 13 13 11
-1
I
0 0
let ring
let ring
3 3 steady gliss.
2
Fmaj7
let ring
3 3
5 3 3
let ring let ring let ring
w/ bar w/ bar
8 8
10 12 12 10 12 10 10 8 8 8
12 12 10 9 7
10
0
let ring let ring
C#m9
3
3
3
let ring let ring let ring let ring
w/ bar w/ bar w/ bar
9 11
8 8 8 11 12 12 12 12
8 9
10 11
-1/2 -1/2 -1/2
P.M.
let ring
3 3 3 3 3 3
m
11 12 14 13 12 11
14 12 11 12 14 12 11 11 12 11 9 9
13 11 13 11 11 9 8 9 8
9
Fmaj7
5 3
1/2
10 8 10 8 12
9 10 12 9 10 12 9 10
10 9 10 9 10 12
let ring let ring let ring
3
B
E%
12
1 m 1/2
9
12 12 10 10 12 12 9 9
10 12 12 11 11 11 8 8 8 6 8 6
let ring let ring
G6sus4
3 3 3
grad. release
1 1/2 hold bend grad. release
1 1/2 1
8
9 9 7 8 8
6 9 8 8 6 6 7
9
P.M.
let ring
-
8va
15ma
loco
12
3
P.H. P.H.
1 1
8 6 6 6 6 6 7 5
7 5 5 5 5
3 let ring
E%
loco
3
0 9 11 9 11 9 11 11 8 9 9 8
11 9 11 8 9 9 8
11
4
6
1
3
12
3 3
6
7 9 11 11 9 12
7 9 11 9 9 10
8 9 11
6 8 9 8 9 11
9 11 9 6 6 7 9
let ring
G6sus4
3
3
3
m
5
m w/ bar
10 8
9 9
7 7 5 5 3 5 3 2 3 5 5 7
5 3 0 0 0 0 3 5
-1 -1
let ring P.M.
C#m9
3
3 3 3
w/ bar
10 12 12 11 11
10 6 6 5 10 12 12 14 14 9 9 9 12 12 11
13
3 2
-1
00
Fmaj7
3 3
14 11 12 12 10 10
11 12 12 14 13 13 12
11 13
3
let ring
5
3
12 12 10 10 8 8 8 8 10 10 12
12 9 12 9 9 9
(12) (12)
3
3
let ring let ring
C#m9
3 3
3
3
1
14 14 12 14 12 11
12
11 8 9 8
11 9 8 9 11 11 6 6
let ring
3
Fmaj7
3
w/ bar w/ bar
10 12 12 10
9 9 7 10
4 6 6 6 7
V
let ring P.M. let ring let ring
E%
-1/2
3 3
w/ bar
w/ bar
-1/2 1/2
12 15 15 12 17 12 12 12 13 12 11
15 15 15 14 14 9
11
X
-1/2
3 3
let ring let ring
6
-1/2 -1/2 -1/2
-1/2 -1/2
3
3
3
w/ bar
-1/2 -1/2 -1/2 -1/2 -1/2
11 11 9
12
8 9 8 8 9 8
11 9
11 7 7 9 7 6 4 6 6 0 3 5
-1/2
let ring
G6sus4
-1/2
3
w/ bar w/ bar
w/ bar
-1/2
10 7 8
8 10 8
7 9 9 7 7
3 7 7 7 5 5
-1/2
let ring
E%
-1/2
-1/2
3 3
w/ bar
-1/2
-1/2
9 11 12 11 9 14 16 16 14 12 14
8 12 14
let ring
G6sus4
3
3 3
let ring
12 11 10 8
12 8 10 12 12
11 8 11 13 9 9 13 8 8 9 10
9 13
9 11
7
let ring
3
3
let ring let ring let ring
8 8 8 8
12 12 12 12 12 12 12 10 10 8
10 9
XII
8va loco
0
C#m9
3
3
grad. bend
1
9
5 12 12 9
9 7 11
10 9 7 5 5
VII
w/ pick
6 5
P.M. let ring
3 3
9 7 9 7 5 7 5 4 5 4
6 4 6 8
6 6 8 6
3
let ring
Fmaj7
3
3 3
w/ bar w/ bar w/ bar
10 12
8 8 8 10 12 12 12 13
9 9 9 10
8 6 4 6 6 6 7
-1 -1 -1
0
let ring P.M. let ring
8
C#m9
3
w/ bar w/ bar 6 6
15 15 12 17 12 12 12 12
15 15 0 12 0 12 0 12 0 12 0 12 0 12 0
-1/2
6
let ring P.M. let ring
6 6 6 6 11 11
12 0 12 0 12 0 12 0 12 0 12 0 12 0 11 0 12 0 14 0 11 0 12 0 11 0 9 0 9 0 9 0 9 0 9 0 9 0 9 0 9 0 9 0 9 0
3 3
3 3
let ring
Fmaj7
6 6 6 3 5 6 6 5
9 0 11 0 7 0 9 0 9 0 9 0 9 0 9 0 9 0 9 0 9 0 12 0 12 0 12 0 13 0 12 0 10 0 12 0 12 0 10 0 12 0 12 0 8
3 3 3 3
3 3
let ring
5 6 6 6 5 5 6 5
0 8 0 8 0 10 0 8 0 6 0 8 0 8 0 8 0 8 0 8 0 8 0 6 0 5 0 8 0 6 0 5 0 8 0 6 0 5 0 8 0 6 0
12
3
3
3
3
let ring
9
D
E%
-1/2
3
w/ bar 3
-1/2
19
17
16 16 13
9 12 10 9 7 5 5 5 6 14
14 12 11
3 3 3
3
let ring let ring
G6sus4
3
w/ bar
let ring let ring
15
12 12 12 13
12 13 11 12
14 15
11 11
let ring let ring
w/ bar
w/ bar
let ring let ring
15 12 10 12
13 15 15 13 10 12 12
14 14 14 14
3
let ring let ring
E%
3
3 3
w/ bar
let ring let ring let ring let ring
7 9
8 9 9 11 11 9 7 9
11 11 9 8 9 9 9 8 11 11 9
11
let ring
10
G6sus4
-1/2
-1/2
3
3
3 3 w/ bar w/ bar w/ bar
let ring let ring let ring let ring let ring
-1/2 -1/2
8 10 10 12 12
10 12 12 10 12 13 13 15
9 6 8 7 8 8 9
9 9 9 10 10
-1/2
Th.
let ring let ring
C#m9
5
11 9
w/ bar
let ring let ring let ring let ring rake
11 9
11 9
13 17 12 12 11 10 9
15 13 10 12 10 12 13
14 14 14 14 9
-1 1/2
X
11 9 7
let ring let ring
3
P.M.
w/ bar string
noise
2
4 2
4 4
-1
4 2 2 4
4 2 4 X 3 5
3
P.M. P.M. P.M. let ring P.M.
Fmaj7
*A.H.
semi-P.H. T.H. grad. release
1 1 1/2
3 5 5 5 3 5 5 5 3 5 5 17 5 3 5 5 3
5 4 16
*Touch harmonic
let ring
11
C#m9
5
grad. bend 1/2 let ring w/ bar
8 11 11
6 6 9 9
4 4
-2 1/2
5
let ring P.M. let ring
Fmaj7
3
let ring
let ring
w/ bar w/ bar
8 11 10 12 12
4 6 6 9 9 6 8 8 10 10
-1 1/2
3 0
3
3 3
let ring P.M. P.M. let ring P.M. P.M. let ring
3 w/ bar
3
w/ bar w/ bar let ring let ring let ring
13 12 12
12 13 15 15
12 12 14 14 10 10 9 9
9 9 10 10 12
10 10 10 12 12
-1
let ring
E
E%
-1/2
w/ bar w/ bar w/ bar
let ring let ring let ring
-1/2
14 14 16 19 18 18 16
9 9 9 11 11 11 13 13 16 15
13
let ring
12
G6sus4
w/ bar
3
w/ bar
3
w/ bar
let ring +1 +1/2
16 16 14 14 13 13 13 13 13 12 12
13 13 11 11 10 10 10 10 10 10 9 9 9
-1 -1/2
let ring let ring
3
3 3
w/ bar w/ bar
+1
12 10 10 10 8 8 8
7 7 7 5 5 5
-1
let ring
E%
3
grad. bend
9
w/ bar 1/2 1
9 7 9 12 9 9 9
8 8 11 11 9 11
-2
0
let ring
Gsus2
-
3
grad. bend
1/2
1 1
9 9 10 10 12 12 12 15 12
12 12 13 13
w/ bar
let ring let ring
13
C#m9
8va
3 w/ bar
1
15 17 15 15 15 16 14 16
18 18 18 18
w/ bar w/ bar
let ring let ring
8va
-1/2
3 w/ bar
19
w/ bar -1/2 w/ bar
19 19 18 16 18 21 21 16 16 18 19 16 16 16
19 19 19 16 16 19 19 16 19 19 20
-1/2 -1
3
let ring
Fmaj7
8va
w/ bar
5 5 3
17 17 17 20
w/ bar w/ bar
17 20 17 19 19 17 17 22 17 19
20 20 17 20 20 17 20 20 17 20 17 20
-1/2 -1/2
( )
let ring let ring
8va
w/ bar
3 3 3 3 6 3
19 17
* grad. release
1
17 22 22 17
20 17 20 20 20 20 17 20 20 20 20 20 20 20 20 17 20 20 20 17 20
*Pick over 22nd fret.
3
let ring
14
C#m9
8va
6
*
3 3 3
5
1 1
**T
19 16 19 19 19 19 19 16 19 19 19 19 16 19 19 19 19 16 21 19
*Pick over 21st fret. **Tap with tip of pick.
let ring
8va
6
6
3 6
* T T T T T
16 19 21 19 21 19 21 19 21 19 21 19 16
19 19 16 19 19 19 19 16 19
*As before
4:3
let ring
8va
5 6
grad. release
16
1
T **T
19 21 19 16 19 21 19 19 16 19 16 19 16 19 16 14
**As before
3
let ring
loco
7 7
7 6
16
T T T T T T T
14 16 19 16 19 16 19 16 14 12 14 16 14 12 11 12 16 12 11 9 11 14 11 14 11 9
3
15
Fmaj7
7 6
3 6
13 12
T T T T T T T T
10 12 14 12 14 12 14 12 10
10 12 15 13 15 13 15 13 12 10
14 12 14 12 10
3
let ring let ring
3
7
7 6
12
T T T T T T
9 10 14 10 14 10 9
14 12 14 12 10 9 10 14 12 10 9 12 14 12 10 8
3
let ring
E%
w/ bar 12 11 9
7
10 7 7 5 3 3 5 5 5 4
-2
let ring
3
11
12 12 14 16 16 9 9 7 9 9 9
16
G6sus4
3
5
10 12 13 10
10 10 13 12 10 10 8
10 9 7 9
10
10
let ring
E%
-1/4 -1/4
3
3
w/ bar w/ bar
-1/4 -1/4
10 14 14 13 12 11 12
14 12 14
12 8 10 10 10
let ring let ring
G6sus4
-1/2
3
3
w/ bar
-1/2
15 15 14 13 12
16 16 19 16 14 14 12 13 15 13 12
let ring let ring
3
3 3
3
14 12 10 12 10 9 10 9
12 10 9 10 7 5 7 5
let ring
17
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