Angela Grace T.
Absulio
BSBA MKM 2A-DJ
CONCLUSION
Our perception of aesthetics in everyday life differs from our perception of
aesthetics in works of art. It is crucial to understand that we are simply stating that the
experience of natural wonder is different from the experience of the art world; we are
not saying it is inferior or bad. The art experience is unique because it is constructed.
Aspects, topics, and settings related to our humanity are also present in the aesthetic
experience of art. We can infer some degree of similarity and/or shared experience
when something is made by a human. We can assume that something was created by
humans when there is some degree of similarity and/or shared experience. However,
the experience does not support the impartiality of aesthetic judgments. If there are no
aesthetic values in the world, no one can clearly and accurately determine whether
someone is beautiful or ugly. Making aesthetic decisions is a form of power. To create
and appreciate beauty, aesthetics looks into the nature of art, beauty, and taste. Other
cultures have developed their distinctive aesthetics as well, which can be found in a
wide variety of forms and styles. But defining what is beautiful or ugly is not simple.
Regarding what is considered beautiful or ugly, people differ in their perceptions and
assessments. Everyone would experience contradiction if there were no aesthetic
qualities in the world, making it impossible to judge someone as beautiful or ugly.
People and art in general are a reflection of the aesthetic values of those in power.
It must be remembered that there are many theories about art, but none of them
is widely accepted. The Imitation theory of art, which appears to be the oldest of the
theories, derives from Plato's understanding of reality. In this essay, we have attempted
to show how weak Plato's concept of imitation is. Art is not a copy of another copy or
an imitation of another imitation. Because it is imitational, it is neither harmful nor
useless, nor does it cause immoral behavior. On the other hand, while we concur with
Aristotle's theory that art is imitation, we disagree with the idea that art is limited to just
literature. Poetry and drama (tragic/comedic). Other forms of art, including music,
dance, sculpture, architecture, paintings, theater, movies, and so on, are genuine arts
that all mimic various facets of reality or nature concerning the experience of man.
It is indicated that the word "imitation" implies "re-presentation" and "re-
creation." It doesn't imply making a copy, imitation, or counterfeit of anything. As a
result, we used the concepts of imitation and representation interchangeably to
illustrate the characteristics and function of art. So, in essence, art is a reflection or
imitation of reality. The artist goes much further than simple self-expression when
representing reality, presenting structures and harmonies in a much wider context. As a
particular focus of attention applied to the world as it is, art is restructured, dispersed,
and made available to everyone. Therefore, a work of art (visual, audio, or literary) can
alter one's perspective of the world by enhancing or decreasing one's sense of the
correctness or value of certain very general attitudes. As an example, a personality that
is open to mystery or that is only receptive to what is well-defined, well-lit, and
understandable. We, therefore, conclude that art, through imitation and representation,
influence both a person's perception of reality and themselves.
Romantic realism combines realism and romanticism in its artistic expression.
The terms "romanticism" and "realism" have been used in a variety of contexts and are
occasionally perceived as being in opposition to one another. In contrast to realism,
which is based on the idea that reality is shown here, romanticism places more
emphasis on emotion, feelings, or moods of all kinds, including spirituality,
imagination, mystery, or any intense or passionate feeling. Realism also shows an
accurate, meticulous, and real depiction of nature or modern life. Although they are
total opposites of one another, romantic realism is still the outcome when all the
characteristics are combined. As for romantic realism in Philippine art, this section
features beautiful, idyllic, joyful, relaxing, and exotic rural scenes. Exotic is mentioned
because it illustrates the unusual traditions or behaviors found in rural areas. These are
the compass forms of light and shadow, and romantic realism is typically used in
Philippine art to promote tourism because the country's most stunning locations are
frequently depicted in the work
