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Still DRE

This musical composition titled "Still D.R.E." features a piano accompaniment to the song performed by Dr. Dre and Snoop Dogg. The composition is notated using musical notation symbols over 38 lines. It provides the piano part that would accompany the song, featuring changes in tempo, dynamics, and other musical elements across different sections to match the song.

Uploaded by

Mario Rossi
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© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
92 views2 pages

Still DRE

This musical composition titled "Still D.R.E." features a piano accompaniment to the song performed by Dr. Dre and Snoop Dogg. The composition is notated using musical notation symbols over 38 lines. It provides the piano part that would accompany the song, featuring changes in tempo, dynamics, and other musical elements across different sections to match the song.

Uploaded by

Mario Rossi
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Still D. R. E.

Composition by Brigit de Bok

           


Dr. Dre ft. Snoop Dogg

 = 92

      
      


           
 
     

                              
    

6

      
      
       
     
                            
               
10

             
          
       
             
                                    
               
14

      

 
    
   
        

17

     
      

    
      

     

            
      
 

     


20

         
     
       
      
                                
2

                               
24

                            
cresc.

       
                   

                         
              
30

  


                         
cresc.


 
               

                               
                         
34

      
      
          
     

                       

                       
38



 
Ritardando

     
      

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