architecture design
portfolio. 2022 - 2023
| hoang ngan ha
about me.
infor. exprience.
hoang ngan ha 05/2020 - 05/2021
19/09/1999 visualizer
0383198728 Q9 Studio
hnganha1909@gmail.com
behance.net/vii1920
10/2022 - 10/2023
reseacher | junior architect
Hanoi Ad Hoc | Atelier M32
education.
05/2022 - 10/2023
09/2014 - 05/2017 project assistant
literature Hanoi Ad Hoc
Nguyen Tat Thanh High School for the Gifted,
Yen Bai
09/2017 - 07/2022 competition.
architecture third place
Hanoi Architectural University “high rise apartment” project
AA Awards 2020
skills. special mentions
softwares enscape “the inhabited garden”
photoshop conona Europan 17 - Barcelona
illustrator lumion
indesign office
sketchup language.
3ds max other vietnamese
auto cad web design english
content.
(01)
tri thien historical museum.
graduation project 06
(02)
the inhabited garden.
europan 17 - barcelona 18
(03)
two loops and a knot.
europan 17 - berlin 26
(04)
tartu downtown cultural centre.
estonia 30
(05)
the grid.
hanoi ad hoc 1.0 exhibition 34
(06)
other works.
38
(01)
tri thien historical museum.
graduation project
The project aims to continue the unfinished story of Martyr
Nguyen Van Thac in the famous diary “Forever 20”: “If I don’t come
back - Who will keep on the story?”.
The project focuses on preserving history but not keeping it in a
glass cage or just an object in a display box. The project goes
beyond the ordinary archival nature of the museum, aims to turn
the museum into a living testimony, a living body, keeping the
history exactly as it was, in which people can fully feel what have
happened.
The location is on the northern bank of the Thach Han River, one
of the strategic locations of the 1972 Tri Thien Campaign, which
witnessed the famous 81 day and night battle.
Drawing inspiration from the symbol of waves on the riverbed: “Đò
lên Thạch Hãn xin chèo nhẹ/ Đáy sông còn đó bạn tôi nằm/ Có
tuổi 20 thành sóng nước/ Vỗ yên bờ bãi mãi ngàn năm…”. The
wave is a symbol that carries memories, representing the eternity
of time as well as the condensation of time, eternally stopped at
the moment when each soldier fell, lying down forever and ever in
the riverbed. It is something that cannot be erased.
Brings back the waves in the riverbed, which symbolize rebirth. To
have water is to have life. Let the museum revive a prideful stage
of the history, so we can last forever in a majestic moment. And
the flower will bloom in the dry land, bomb holes will be filled by
lives, people will continue to write the story of the history so that
the sacrifices will never be in vain.
6
7
Administration
Conference hall
Reseach zone
Storage and technics
Service area Exhibition area
8
2-layer roof system
1st floor
ground floor
-1st floor
column system
Service area Conference hall Reseach zone
Exhibition area Administration Storage and technics
9
8
Back entrance
4
5 3 3
9 12
6 7
Internal
entrance
2 2 1 3
Main entrance
11
10
10 30m
0 20
Site plan
1. Main lobby 7. Memorial garden
2. Service area 8. Parking area
3. Exhibition area 9. Lake
4. Research - storage and technics 10. Memorial
5. Administration department 11. Flower release house
6. Conference hall 12. Thach Han River
10
11
Ground floor plan
Welcome and service area: Exhibition area: Conference hall 23. Electrical and water
1. Main lobby 11. Reception hall 16. 200-seat conference hall engineering room
2. Side lobby 12. Permanent exhibition area 24. Installed central air
3. Cloakroom 13. Temporary exhibition area Storage and technical room: conditioning system room
4. Introductory screening room 14. Memorial garden 17. Lobby 25. Artifact preservation room
5. Tool instruction room 15. Memorial room 18. Receive and classify items 26. WC
6. Equipment storeroom 19. Quality inspection
7. Souvenir room 20. Item repair and restoration
8. Cafe workshop
9. Kitchen 21. Artifact storeroom
10. WC 22. Supplies and tools
storeroom
12
Administration department: Research department:
27. Lobby 38. Reading room
28. Traditional room 39. Thematic room
29. Workroom 40. Document repository
30. Reception room 41. Documentary screening
31. Equipment repository room
32. Director’s office 42. Technical department
33. Deputy director’s office 43. Tool warehouse
34. Meeting room 44. WC
35. Accounting room 10 30m
36. Medical room
37. WC 0 20
13
1st floor plan
Welcome and service area: Exhibition area: Conference hall 23. Electrical and water
1. Main lobby 11. Reception hall 16. 200-seat conference hall engineering room
2. Side lobby 12. Permanent exhibition area 24. Installed central air
3. Cloakroom 13. Temporary exhibition area Storage and technical room: conditioning system room
4. Introductory screening room 14. Memorial garden 17. Lobby 25. Artifact preservation room
5. Tool instruction room 15. Memorial room 18. Receive and classify items 26. WC
6. Equipment storeroom 19. Quality inspection
7. Souvenir room 20. Item repair and restoration
8. Cafe workshop
9. Kitchen 21. Artifact storeroom
10. WC 22. Supplies and tools
storeroom
14
Administration department: Research department:
27. Lobby 38. Reading room
28. Traditional room 39. Thematic room
29. Workroom 40. Document repository
30. Reception room 41. Documentary screening
31. Equipment repository room
32. Director’s office 42. Technical department
33. Deputy director’s office 43. Tool warehouse
34. Meeting room 44. WC
35. Accounting room 10 30m
36. Medical room
37. WC 0 20
15
Section A - A
16
-1st floor plan
1. Exhibition area
2. Memorial garden
3. Technical room
4. Items storeroom
5. WC
10 30m
0 20
17
(02)
the inhabited garden.
europan 17 - el besòs i el maresme, barcelona
Located in the part of Barcelona closest to the city of Sant Adrià
de Besòs, the El Besòs i El Maresme neighbourhood is the result
of an urgent mass house-building project in response to the
housing shortage of the 1950s and 1960s. However, in response
to today’s social and economic context, the neighborhood has
become degraded and requires more to meet the needs and
quality of life of the people. Therefore, the project aims to redeem
the intent and spirit of the modern movement whose dreams have
been overshadowed by the narrative of degradation.
In the spirit of the modern movement, collective housing estates
responded to profound social changes with the hope that high-
density living would liberate open space on the ground for gardens
as a true public space. In place of the undefined and monotonous
character that has come to define modernism’s failures, this
space can be repositioned as a network of productive gardens.
Voids become opportunities for micro interventions and new
uses, with greater public-private gradation and multi-dimensional
use that reflects the community’s dynamic immigrant spirit. In
face of increasing commodification of public space, the garden
provides an opportunity to expand inclusivity for nature and other
species, while cultivating collective self-sufficiency. The city itself
becomes an inhabited garden.
18
19
Rooftop Agrivoltaics
Suspended physiotherapy walk
Daylighted Riera de Horta
and rain gardens
+O2 +O2
Urban sustainable energy system on
Maresme flat roof Herbal garden, shops and terraces
+O2
Permeable parking
+O2
Horticulture gardens on roof
Double layered public space -
playground and pocket garden
+O2
Pedestrian street
with commercial space
+O2
+O2
Green Rambla's
pedagogical platform
+O2
Open-ground aromatic garden
+O2 Gree
+O2
+O2 +O2
+O2
Rooftop vineyard
Vertical garden
Tennis, Pétanque courts
20
Sensory garden - Multilayered
communal space
Gregal’s kitchen garden
Sport facilities
fs
Gathering space
Playground and educational garden
Rooftop vineyard
Collective garden
+O2
+O2 +O2 +O2
enhouse rooftop garden
+O2
+O2 +O2
Educational garden
+O2
Temporary tree-nursery
and picnic area
21
22
23
24
25
(03)
two loops and a knot.
europan 17 - berlin
The northeast of Berlin is a significant part of an expanding
“megalopolis” marked by fragmented, closed-off settlement
areas with little relation to their surrounding landscapes. The
transformation of the Karower Kreuz intermodal hub is a unique
opportunity to transition towards a more sustainable polycentric
model with compact, accessible districts that balance ecology
and urbanity. The combination of multiple micro-centralities for
live, work, and play offers a level of diversity and interest found in
urban cores, but is often lacking in suburban and peripheral areas.
The project’s proposed new corridor connections at three scales
stimulate strategic densification along a network of public spaces,
while restructuring neighborhoods with well-defined centers and
edges to limit sprawl.
26
27
28
29
(04)
tartu downtown cultural centre.
estonia
The purpose of the Tartu Downtown Cultural Centre is to
create synergy between various cultural sectors, organizations
and creators in order to facilitate innovation and encourage
cooperation. This includes a public library, an art museum, an
event centre with a large multifunctional hall and other spaces
supporting the cultural centre, as well as a biodiverse and varied
park landscape and a public space on a human scale.
Located in the city center, on the banks of river Emajõgi, in the
buffer zone of the Tartu Old Town heritage conservation area,
Estonia. The project aims to create a space that is as open,
inviting, barrier-free, logical and flowing as possible, which suits
the given location and atmosphere and forms a whole with the
urban space along river Emajõgi.
30
31
32
33
(05)
the grid.
hanoi ad hoc 1.0 exhibition
The project delves into the concept of provocation and
experimentation in repurposing the factory.
Located in the warehouse of the Gia Lam Train factory. The project
draws inspiration from the warehouse’s intricate ceiling structure,
reminiscent of its mid-20th-century construction. Sunlight filters
through the ceiling panels, casting a warm and ghost-like glow
on the showcased artifacts and stories, creating a thematic
and visual link to the factory’s history. In this way, the grid layout
signifies the factory’s dedication to efficiency and progress while
embracing and we witness its preserved structure as you walk
through the space.
Along with that, the grid layout evokes the urban planning of
Ildefons Cerdà for Barcelona’s Eixample district in the 19th
century. We took from Cerdà’s design the principles of equality,
efficiency, and systematic organization as inspiration, those were
pivotal to Vietnam’s industrialization journey that began in the
mid-20th century.
34
35
MDF wooden partition
Galvanized Grating panels
MDF wooden floor
Wooden box with glass surface
FRP Composite floor panels
Sand
Plywood wooden frame system
36
37
(06)
other works.
38
39
40
41
hoang ngan ha
0383198728
hnganha1909@gmail.com
behance.net/vii1920
