INTRODUCTION
Conceptualism is an art which emerges out of the growing investigation into
Western art and the political and economic institutions that support it. It was an attack
on the visual formalism of the 1950s and 1960s. It advances the notion that the concepts
or ideas involved in the work take precedence over traditional aesthetic, technical and
material concerns. Conceptualism downplays the dependence upon the craft skill of the
artist but emphasizes the character of the relationship between the artist’s ideas and
the material facts of the world.
In conceptual art, the idea or concept is the most important aspect of the work. When
an artist uses a conceptual form or art, it means that all of the planning and decisions are
made beforehand, and the execution is a perfunctory affair. (OPTIONAL RANI NA IAPIL)
Conceptual artists were influenced by the reduced simplicity of Minimalism, but grew to reject
Minimalism's preference for the conventions of sculpture and painting as mainstays of artistic production.
For Conceptual artists, art need not look like a traditional work of art, or even take on a physical form at
all
HISTORY OF CONCEPTUAL ART
While Conceptual Art is defined as a period during the 1960 and 1970s, it got its roots much
earlier.
THE FATHER OF CONCEPTUAL ART
Conceptual Art originated in 1917 when Marcel Duchamp submitted a urinal (a “ready-made”
object) as a sculpture at a New York exhibition. His work was rejected, but his critique of the art
world opened the door for conceptual art.
To create conceptual art, artists used eclectic and unconventional materials to convey their ideas,
exploring art as an idea or knowledge as opposed to traditional art mediums. Their art could look
like anything: (OPTIONAL JAPON NI IAPIL SA PPT)
Performance
Writing
Sound
Action
Everyday objects
View of the exhibition KAPUTT, 2013
Maurizio Cattelan: Kaputt, Fondation Beyeler, Riehen/Basel, 8 June – 6 October 2013
Sol LeWitt
Wall Drawing #579 , 1988
MASS MoCA
Two Unfinished Letter, 1992-1993
Brooke Alexander, Inc.
Charles Gaines
Motion: Trisha Brown Dance, Set #11, 1980-1981
Hammer Museum