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Sonatinka

This document is a musical score titled "Sonatínka" for soprano recorder and piano by Peter Ďuraš. It contains musical notation for both the soprano recorder and piano parts across 25 lines of staff notation. The score indicates the piece should be played Allegro moderato with a tempo of quarter note equals 75. Musical dynamics and expression markings are provided to guide the performance.

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jan gasparek
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93 views9 pages

Sonatinka

This document is a musical score titled "Sonatínka" for soprano recorder and piano by Peter Ďuraš. It contains musical notation for both the soprano recorder and piano parts across 25 lines of staff notation. The score indicates the piece should be played Allegro moderato with a tempo of quarter note equals 75. Musical dynamics and expression markings are provided to guide the performance.

Uploaded by

jan gasparek
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Sonatínka

pre sopránovú zobcovú flautu a klavír

Peter Ďuraš

Allegro moderato ( q. = 75 )


Soprano Rec.

     

   
          
    
 
        

    

mf
     
 


 
     
            
Piano

  

                      


1

    
mf

     
  
5

    
1

         
   
      
                    
    
    

            


          
        

    
 
       
9

        



   
        
  
     

  
2
2

              
                



13 2

                    



            
 
                      
                        


                              
 

    


   
   
   
cresc. poco a poco
17


           
 
 
cresc. poco a poco

                      
                   

                   


3


   

                   


21 3


                        
 
 
                         
                  

 


                                
    

 
    
mf rit.

    
25

  
           
 

 
mf

          
rit.
  
 
    

3

    


        
4
         
    

    
 
       
a tempo
29 4

  
       
   
           
a tempo

       

 


                   
          

 
    

rit.

       
33

   
   
    
     
   
            
   
 
rit.

   

Adagio desolato ( q = 57 )




  
5
 
            
mp

                
38 5
     
             
mp

                      
          

             


  
6

    
        

                        
44 6


             

                      
          
4

 
   


     
pp

         
50

     
              

 
pp

                

      

Moderato ( q = 85 )
8

      


 
7

            
7 mf


55 8

                               


                          

                         
mf

 
  
     
   
 
 
    
    

                   
         


  


61

            


    
        
 


 
                
       
     
   

         
   
9
   
           


  
mp

                

65

9

       


    
         
            
mp


   
5

           
 


               


f
69
    
       
    
                              
   f 

     
         
cresc.

  
      

          
               
10


 
  
         

      
74 mf
10

         
            
                

              

  
mf

         
          
 
11

               
         



       


11

       
79
  
        
      
 

      
     
          
      
       
      

         
      


                 

                             


84

                 
   
       
                
     
6
12

            


 
     
          

  
90 12
      
         

     
       
              
          
  
  

               


 
            


94

       
             
           
          
     
    
       
  
   

  
                      


    
   

   
ff

 
98

cresc.

               
  
  
                ff
 
cresc.

        
    
   

Soprano Recorder

Sonatínka
pre sopránovú zobcovú flautu a klavír

Allegro moderato ( q. = 75 ) Peter Ďuraš

                   


 1

  
mf

               


2
     
10

        

                  
14

          

cresc. poco a poco

               
3
        
18
      
 

23
                   rit.      
  
         
mf

          


4
28
   atempo     

      

33
 
      
         
   
rit.

          
2 Soprano Recorder

Adagio desolato ( q = 57 )

                  

  
5 6

38


    
mp

            
  
47

          

pp

Moderato ( q = 85 )

55 7
   8
              
          
mf

                

63
     
   

   
                 
        
9
        
67

      
  
mp
f

                    



74 10

           
  
mf

                 
79
     
   
Soprano Recorder 3

      
11
83
  
    
                    
    

 
        
12
        
89

            

                  
94

       
 


 
                         
98

 
   

ff

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