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Makabongwe uwJehova
SATB divisi with Solos and Percussion
arranged by
Michael Barrett &
Mpumelelo Manyathi
na
CAMERON LABaRR
EMPOWERING
ARTISTRYAbout the Work
Towards the end of 2018, Mpumelelo approached me with his desite to arrange treditional South Afican music, and
we decided 10 work on twe medlaye together for the 2018 Take Camersta reportite. Makabongwre uJehova and
Ulale inami/iSabate (both publshad by Walken Music) are the result ofthis wonderful colateratien. Working with
Mpumelele wae such 2 wonderful experience for me, and | am convinced a new voice fer traditonal South AMiean
music arrangements has baen born | am thaniful to Mpumelele for his knowledge and passion of our craft. These
medleys are based on popula: hymns taken from the Zulu and Sotho tribes that ean be heatd throughout churshes
in South Africa. Athough Zuluis part ofthe Nguni culture and Sofno beiongs o the people cf the Basotho, traditonal
South Afrcan music (as a collctive) shares many commonalties, and often the music ‘tom one culture is adopted
and adapted by another. Traditional melodies which incorporate the language and siyles from varicus cultural groups.
isa popular practice ina county asrich in diversityas South Africa. For authentic performances. please vist the Tuks
Camerata Youtube Channel,
‘Michael Berrett
Text and Translation Meaning
siZulu Godis above all thngs
Uphakeme wlehova ~ Jehevah is high and He should be praised
Makabongwe ulehova~ Jehovah sould be thanked Oh Saviour, You are my hope.
Gmsindis| nguwe elithembs lam’ ~ Oh Saviour you are my hope Our Lord is glorious
and we can always ‘ust in Him.
Sesotho He took me fom a low point
Wanalale’ ~ He is gbrious ((nmy life) and lited me up.
Mocimo wa rona ~ Our God Jesus is kind to me,
Watshepahala ~ He fs tustworthy
Modimo wa tona ~ Our God
bzulu
Ungithatha le — He takes mo here
Angbeke la ~ and puts me here
let’ unebubele nam. ~ Jesus ie kind lo me
ion Gui
Pronunci
Jo (ploase listen to the
ovided)
+ The vowel sounds in both Zulu and Sotho are pure and pronaunced the same asin Latin. There are some
‘exceptions to the rule, so please listen carefully to the audio guides provided (all references bebow are to
British English).
+ “ph as in"Uphakeme' is pronounced the same asthe Engish word "paper", making sure to aspirate the ‘h’
clearly. "ph does net change to an’ scund. asin the English woid "Pharaoh!
+ "k= as inuphakeme”, “makabona”, and “angibeke” is ticky and should always be dry and is implosive. It
should rot be accentuated andis never harsh.
+ “th’ as in the werd “olthemba’ and ‘ungithatha’ is pronounced the same as the english word
or"touch” respectively adding emphasis on the aspirated "h
+ The vowel sound "mo" asin 'Madimo is an exception to the Latin rule. Itis 2 long vowel that falls between an
‘OH" and an "OCH" sound, Listen carefully to the audio guide for this tricky vowel. “be'- as in "angibeke” is
light and gente, and is an implosive sound, requiring very lite affrt the *b”is amost inaudible).
perature
‘About the Arrangers
Michael Joseph Barrett. 1963) i the Director of Choral Activites atthe Unvarsty cf Pretoria (Sout Afica) the conductor
ofthe renowned Tuks Camerata, and a Sanat Lecurat Choral Conducting the Department of Mus. H1% compa sions
andarrangements have been performed throughout the weld and his arrangements of treditenal Souh African songs are
fepecially popular. Michasl hazwen many chor compattiona and regularly adju¢icstee and procante workshops on South
‘Afsican Nivsie beth nationally and abroad. Tha University of Patera (Tuk) Camerata is one 9f South Africa's fast choral
fensémbles. having ion many accclades ané awards ovr the years, Michasl has been tha conduct of tha Tuks Camerata
nce 2013 and ho egal atends symposia and conferences al overth walt emanate freon of choral muse
‘education.
Npumelelo Manyathi (b. 1998) is curently 2 meteorclagy stugant at the University of Prateria and 2 chorister in the
Intematonally avardwinning Tuks Camerata. He currently serves the choir as CuturelAdvisorand Composer-n-Residence
and plays a plvctal role nthe teacning and arranging of waditonal South Afican music. He & a Scught ter cinician and
conduct for traditional music, both choral and isrumental, and holds postions on several school facuies #3 = traditonal
specials.forthe Unive of Peoria Miks}Canerte
Makabongwe uJehova
SATB divis{ with Solos and Percussion
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sn MPUMIELELOMANYATHE S196)
way with abate stately d=)
ithulo
(teats)
Cowbell
Shaker
tS
Upka-kemu - je-ho- va
ence Solo
Soprano
Toace
Base
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T Solodein
(keep intensity fr fullerton)
»— 2, Diy I Dy Dy Jy J, J, Dy J], FD.
=> — ‘
° mai-ndi-si_ age Wi = the «mba Lam omsindicd—a (Salo vin of ih)
(Solomay od 1)
= Wethe-mbs bam’mis lam, omeiadi-si__
Ms the =) abs lam, ovmal adi = al
© - mai-ndi do mi - adi a gu weOnmsi-ndi
Onansi-ndi-
+ Tis the=mbs lam O + mrienai so msi
nail si age we 0 is the- mba Iam’hada-le - a Mo - di- mo wa ro10
Wartshe-pacha
Add Dipmbe drume (mun 81-95, iret best)
di-mo wi-tthe-ps - ha - le
tehe-pa
wa tehespa cha = 3h ahe-pa heu
SS ae
dismo wa ro - a Mo -dicme wa to - na
& Mo - dis mo wa ‘0 aa Mo- di - mo
Djesnbe Bill inn. 95
8 a12
with Djembe
HC
Cow
shy.
tineanly)
As ngibe -ke.
T Selo
u agi -thathe La
sh
(Gnd tine only)
be-ke- Ihaot |
Le,
gi-thotha Ja
gh: tho-tha Ja
sisene-bu
ke div-no-bu - be le sae?