Artful Storytelling for Kids
Artful Storytelling for Kids
Walker
Books
Notes
to
support
Greenaway
shadowing
groups
2014
Evaluating
artistic
quality
st
look
This
book
may
be
too
long
to
rTitle:
ead
aMloud
t o
t he
g roup
f
ouse
Bird
Snake
Wolf
rom
b eginning
t o
e nd
in
one
session.
Try
to
sure
that
each
shadower
is
given
a
chance
to
read
it
to
themselves
before
working
with
the
book.
Author:
David
Almond
Look
closely
at
a
range
of
pictures
and
ask
the
group
to
point
out
to
each
other
anything
that
ikes
them
as
Mouse
Title: interesting
Bird Snake Wolf
Illustrator:
about
Dave
McKean
the
artwork.
airs
or
David
Chat
in
pAuthor: Almond
as
a
group
about
whether
Publisher:
they
Beooks
Walker
njoyed
Mouse
Bird
Snake
Wolf.
What
did
they
like
Illustrator: Dave McKean
dislike
and
why?
Publisher: Walker Books
ok
again
First
look
*
This
book
may
be
too
long
to
read
aloud
to
the
group
from
beginning
to
end
in
one
session.
Try
to
e
work
oFirst lookMcKean
is
internationally
f
Dave
ensure
that
each
sto
ahadower
dmired.
His
ap
cictures
is
given
hance
to
read
are
it
nto
ot
always
b‘efore
easy
on
the
eye’
* This book may be too long to read aloud the group from beginning to end tin hemselves
one session. Try working
to ensure with
the
book.
t
thinking
thatand
each talking
shadower about
them
is given *
a Look
chancew ill
htoelp
closely
at
read make
a
range
it to ph is
vibrant
of
themselves
ictures
and
before ask
itmages
roup
tm
he
gworking o
pore
oaut
oint
the
with ccessible.
tbook. Daon’t
o
each
other
nything
wtorry
hat
strikes
t hem
a s
i nteresting
a bout
t he
a rtwork.
his
style
*dLook
oesn’t
closely appeal
to
you.
at a range of pictures You
dand on’t
ask have
to
like
the group to ipoint
t
to
rout ecognise
to each other the
panything
ower
othat f
his
work.
strikes them
*
Chat
in
pairs
or
as
a
group
about
whether
they
enjoyed
Mouse
Bird
Snake
Wolf.
What
did
they
like
hen
the
as interesting
group
have
about the artwork.
discussed
first
or
responses,
dislike
and
why?
return
to
the
book;
look,
think
and
talk
more
about
* Chat in pairs or as a group about whether they enjoyed Mouse Bird Snake Wolf. What did they like or dislike
e
artwork.
andM cKean’s
images
are
as
unpredictable
and
disconcerting
as
the
content
of
Almond’s
why?
Look
again
ory.
Set
in
a
world
‘rather
like
The
this
one’
work
of
Dwave
ith
people
McKean
‘rather
like
is
internationally
us’,
tHhere
admired.
things
is
pictures
wahich
are
not
lways
‘leasy
ook
on
familiar
the
eye’
owers,
animals
etc.)
but
which
but
turn
out
thinking
to
talking
and
be
startlingly
about
them
wd ill
ifferent.
help
make
hIis
t
vis
an
uimages
ibrant
nfinished
world
Dwon’t
more
accessible.
ith
worry
Look again if
his
style
doesn’t
appeal
to
you.
You
don’t
have
to
like
it
to
recognise
the
power
of
his
work.
ps
waiting
Thetwork o
be
offilled
Dave b y
the
gisWhen
McKean ods.
internationally
the
group
hadmired.ave
discussed
His fpictures are not
irst
responses,
always
return
‘easy
to
the
onlook,
book;
the teye’
hink
abutnd
tthinking
alk
more
about
• Look
and a t
the
about
talking title
them
on
twill
he
front
the
helpartwork.
make cover
M
his cKean’s
vibrant and
images
images the
are
fmore
airst
faccessible.
ew
pages
s
unpredictable
and
Don’t of
worry the
bif ook.
disconcerting
he
cW
as
tstyle
his hat
of
dAo
ontent
doesn’t you
lmond’s
appeal to you. You don’t have story.
toSlike
et
in
itato
world
recognise ‘rather
lthe ike
tpower
his
one’
ofwith
his pwork.
eople
‘rather
like
us’,
there
things
which
look
familiar
notice
about
the
presentation
When the group have discussed (flowers,
firstanimals
responses,
of
ettc.)
he
breturn
aut
nimal
which
to tthe
nbook;
urn
ames?
out
to
look,
be
startlingly
think and different.
talk more It
is
aabout
n
unfinished
the world
with
• Turn
to
aMcKean’s
artwork.
picture
of
the
images aregas
gaps
ods.
w aiting
unpredictable Look
at
and
t o
b e
f illed
the
disconcerting
b y
t he
differences
g ods.
as the in
ccontent
olour
ofaAlmond’s nd
movement
story. Set in a
world ‘rather like this one’ with people • Look
‘ratherat
the
like title
on
there
us’, the
front
things cover
which and
the
familiar
look first
few
(flowers, pages
of
animals
the
book.
What
etc.) butdo
you
between
t he
c hildren
which turn out to be startlingly different.
a nd
t he
notice
g ods.
It aisbout
W hich
the
presentation
an unfinished
g roup
world with
i s
m
of
the
gaps
ore
animal
waiting
a nimated
names?
a
to be filled by the gods.
nd
s hows
more
interest
• Lookiat n
the
this
strange
title on the front half
•cover completed
Turn
and to
athe
picture
first few wof
orld?
tpages
he
gods.
ofLthe ook
book.
at
the
Whatdifferences
do youin
notice colour
about and
mthe ovement
presentation of the animal names? between
t he
c hildren
a nd
t he
g ods.
W hich
g roup
i s
m ore
a nimated
a nd
shows
more
• Possibly,
t he
m ost
• Turn to a picture of the gods. Look
i ngenious
i llustrations
interest
at the in
differences
this
strange
in a re
half
o
colour
f
t he
completed
c hildren
and movement
i magining
world?
between the children and a nd
c reating
new
the c reatures.
gods. Which group McKean
is more p ortrays
Possibly,
•animated and tthe
houghts
most
imore
shows as
interest
ngenious
they
inform
illustrations
this strange ain
re
tohe
he
cchildren’s
f
thalf hildren
imagining
completed minds
world? and
a nd
creating
• Possibly, the most ingenious illustrations new
creatures.
are ofM the cKean
children portrays
imagining thoughts
and as
creating
they
form
in
the
new children’s
minds
and
creatures.
change
from
abstract
ideas
form
McKean portrays thoughts as they change
to
liniving
fthe
rom
beings
deas
abstract
iminds
children’s
-‐
a
tm o
and
ouse,
living
a
b-‐ird,
beings
from
change
a
snake
a
mabstract
ouse,
a
bideas
and
ird,
a
sto
a
awnd
olf.
nake
living
For
a
wolf.
For
example,
beings - a w hen
aBbird,
mouse, en
tahinks
snake and oexample,
f
aa
m wolf. ouse
wFor Bh
hen
example, e
tfhinks
en
irst
when ouf
ses
a
m
Ben wthinks
ouse
ords
oftao
he
first
umouse express
ses
words
he tfirst o
h is
thought.
express
uses wordshis
thought.
to
Then
his
mind
shapes
an
image,
express his thought. Then his mind shapes Then
h is
m
sanyone
an ind
ends
ican
image, s hapes
a
t
to
sends n
i
his
mage,
it to hissends
hands
creativity.
hands i t
t o
h is
h ands
which
make
a
physical
object
which make w
ahich
physical m ake
a
object p hysical
of hisobject
of
of
thought. These pages must be as close his
thought.
These
pages
must
be
as
close
as
anyone
can
get
to
drawing
creativity.
as get to drawing
his
thought.
These
pages
must
be
as
close
as
anyone
can
get
to
drawing
creativity.
Talk
about
any
visual
aspect
of
the
book
that
interests
you,
i.e.
end
papers,
font
choices,
title
page
and
layout.
Do
these
‘extras’
to
the
story
contribute
to
the
overall
impact
of
the
book.
lk
about
Talk
any
visual
about anyavisual
spect
aspect
of
the
of b ook
the book that
thatinterests
you,
interests you, i.e.
papers,
i.e. end end
papers,
font
title
font choices, choices,
page andtitle
page
layout.
Do these ‘extras’ to the story contribute to the overall impact of the book.
d
layout.
Do
these
‘extras’
to
the
story
contribute
to
the
overall
impact
of
the
book.
4
Character analysis
Look how subtly the drawings of the children change
throughout the book. Compare Ben and Harry’s faces
from the picture on the right to how they look when the
he
wolf comes to life. Have their characters changed?
Who looks most like the wolf? What do you think about
ut
the reaction of the gods to all the children’s activities?
?
g
further
mDiscussion
eanings.
Or
we
can
see
both
er
meanings
Webeyond
can read the
this
literal.
storyThe
whole
at a literal level without seeking further meanings. Or we can see both written and
re
and
our
visual
role
in
texts the
having
fate
of
tsubtext
he
planet.
– that
is, deeper meanings beyond the literal. The whole book could be seen as a
metaphor about human nature and our role in the fate of the planet.
nd
Harry
as
they
created
and
breathed
life
into
he
creative
Discuss
act?
Consider
in pairs ewhat
ach
phappened
icture
up
to
to the minds of Sue and Harry as they created and breathed life into the
t?
Does
his
character
change
as
he
tries
to
a
wolf. Did working together make turn
difference to the creative act? Consider each picture up to the point when
the
page
wthey
hen
are
Ben
consumed. How
rescues
Sue
and
did Ben
react? Does his character change as he tries to turn the wolf back into clay,
Harry:
ue.
wool, sticks and stones? Read the page when Ben rescues Sue and Harry:
And lying
with
the
whole
group.
in the middle, fast asleep, were Harry and Sue.
What do you think it means? Share your conclusions with the whole group.
Drama
en
take
control.
Things
go
badly
wrong.
This
The gods are indolent. The world is unfinished. Children take control. Things go badly wrong. This tale could
atic
improvisation.
Either
work
as
a
team
or
in
make the basis of a powerful piece of dramatic improvisation. Either work as a team or in threes to create the
re
created.
Make
the
interpretation
of
the
text
four episodes when the animals are created. Make the interpretation of the text as vivid as possible using any
now.
If
there
drama is
time,
you
could
techniques you add:
know.
If there is time, you could add:
• music or sound effects
• words taken from the story
• mime and movement.
Art
tart
by
describing
Each child it
win
ith
the
words
storyand
inventsthen
something
go
on
new. They start by describing it with words and then go on to invent
What
would
how it iwill
you
look
nvent
to
before
add
to
they
the
nmake
ew
a model. What would you invent to add to the new world? Draw a comic strip
about
nted
creature.
making a newly invented creature.