EFFECTS LIBRARY

1. Contents
2. Hall Vocal Reverb
3. Hall Drum Reverb
4. Hall Aux Reverb
5. Hall Verb for In Ears Pages 2 - 9 are my
6. Gated Verb for Snare/Toms most common showfile
7. Wing Vocal Delay w/Verb
8. Wing Shimmer Verb for Instruments
9. Dual Pitch Shifter
10. Basic Vocal Delay
11. Stereo Vocal Delay 29. Snare/Toms Vintage Room
12. Mono Vocal Delay 30. Aux Vintage Room
13. Vocal Rich Plate Reverb 31. Vocal Plate Reverb
14. Snare/Toms Rich Plate Reverb 32. Snare/Toms Plate Reverb
15. Aux Rich Plate Reverb 33. Aux Plate Reverb
16. Vocal Chamber Reverb 34. Voal Chorus & Chamber
17. Snare/Toms Chamber Reverb 35. Aux Chorus & Chamber
18. Aux Chamber Reverb 36. Vocal Delay & Chamber
19. Vocal Room Reverb 37. Aux Delay & Chamber
20. Snare/Toms Room Reverb 38. Stereo Chorus
21. Aux Room Reverb 39. Dimension Chorus
22. Vocal Ambience Reverb 40. Rotary Speaker
23. Snare/Toms Ambience Reverb 41. Stereo Enhancer
24. Aux Ambience Reverb
25. Vocal Vintage Reverb
26. Snare/Toms Vintage Reverb
27. Aux Vintage Reverb
28. Vocal Vintage Room
X32/WING HALL VOCAL VERB
Layer 1

100ms 2.99s 70 3k48hz 25 0

Layer 2

229hz 5k 0.95 40 50 10

How I use it: I always EQ the bus going to this verb. Usually I low cut up to around 300hz and
high cut around 5k. Also, play around with cutting around 2k-3k. This can make the main vocal
stand out against the reverb a little more if the verb is too present. This part is very
subjective, depending on your room and the tone of your vocalists. Feel free to play around
with what EQ sounds the most natural with these verb settings. I always go for a natural
sound with this verb. Yes, it sounds big and lush, but it still sounds like the vocalists are in a
big room rather than vocals that have an effect on them.
X32/WING MAIN HALL DRUM VERB
Layer 1

20-30ms 1.67s 60 5k74hz 25 0

Layer 2

196hz 7k2hz 0.95 40 50 40

How I use it: I always EQ the bus going to this verb. I low cut around 300hz and high cut at 7k.
Cutting out the low end gives room for the low end on the actual drums to shine and cleans
up the verb in the mix. I send snare top and bottom and the toms to this verb post fader at
0db. Play around with the pre-delay to determine what sound you like in your room.
X32/WING HALL AUX VERB
Layer 1

10-20ms 2.03s 40 2k39hz 15 0

Layer 2

211hz 7k2hz 0.95 50 100 30

How I use it: I always EQ the bus going to this verb. I low cut around 300hz and high cut at 7k.
I treat this verb like a pedal for a guitar. I typically use these settings for extra instruments
that don’t have their reverb coming from the stage (acoustic guitar, violin, horns, etc.). Unlike
the vocals and drums, where I send an equal amount of each channel to the verb, on this one,
I will blend instruments to taste and treat it like a part of their sound. I don’t “set it and forget
it” because I still ride the verb volume with the parts they are playing, but I always have a
“home base” volume I’ll return to. Get musical with this one!
X32/WING HALL VERB FOR IN-EARS
Layer 1

10ms 1s 30 2k39hz 25 0

Layer 2

247hz 3k1hz 0.95 40 100 10

How I use it: I always EQ the bus going to this verb. Usually I low cut up to around 300hz and
high cut around 5k. This EQ can be tailored even more to the tastes of the vocalists you are
working with. Be careful so it doesn’t overwhelm the main vocal channel in the ears. It is easy
for vocalists to overdo reverb in their in ears because it sounds awesome, but usually at the
expense of their pitch. My rule is to set it where it sounds good, then back it off just a little. I
typically blend drums and vocals in this verb, so I have a clean verb mix that won’t overpower
the bands in ears with any one channel.
X32/WING GATED VERB FOR SNARE/TOMS

0ms 536ms 0ms

0ms 26 76 97hz 7k2hz 0 30

How I use it: Now, this is a fun one! I use this verb to add some serious excitement to a snare
drum reverb's initial “bam!”. The 80s gated reverb can sound ridiculous, so I avoided it my
entire audio career until the last year or so when I realized it could be handy. Setting this verb
alongside our other drum reverb creates a full and exciting sound. This reverb handles the
initial intense reverb explosion sound, and the other makes the long tail. On your bus, low cut
to around 100hz, and just send your snare and toms to this verb. I promise you’ll love it.
WING VOCAL DELAY W/VERB
INSERT 1 - INSERT ORDER IS IMPORTANT! THESE ARE ON THE SAME BUS

TAP 35% 75% 0-15%

INSERT 2

79hz 1.98s 0ms 20

How I use it: I have never been a fan of dry delays. I always want to have a bit of reverb after
a delay to make it sound smoother so it sits in the background easier. I am not going for a big
delay-ay-ay-ay sound here. I use this delay and verb combo as a big ambience channel to
compliment my primary vocal reverb. Low cut the bus to 300hz and then high cut around 5k.
I like the eq after the delay but before the verb so the whole vocal signal goes through the
delay drive and really dirtys it up. I don’t leave this one on all the time. I save it for the bigger
moments.
WING SHIMMER VERB FOR INSTRUMENTS
60% 60% 100ms 250hz 2k9hz

3.03s 25 50%

How I use it: This is a really fun one. I was so excited when I saw this effect model was on the
WING. I only use this effect when a source needs extra excitement or a dull sound. I’ll run a
pad that's too dark through this one or an acoustic or violin. Be careful to get your balance
“right,” if this one is overdone, it will sound ridiculous fast. But if you get it right, it's so much
fun! It can add a lot of life and hype to an otherwise dull sound.
X32/WING DUAL PITCH SHIFTER
Layer 1

Semitone 1 Cent 1 Delay 1 Gain1 Pan 1 Mix

0 -8 14.5ms 100% -100% 100%

Layer 1

Semitone 2 Cent 2 Delay 2 Gain2 Pan 2 Hicut

0 8 17.4ms 100% 100% 15k8hz

How I use it: This effect is a great alternative to the other chorus effects. Use this one on just
about anything that needs a little extra width. Keep it subtle but also be creative. It can add
some depth and life to a stale sound.
 X32/WING BASIC VOCAL DELAY
Layer 1

Time Gain Base Pan Base Feedback LoCut HiCut

Tap 100% 0% 50% 196hz 2k4
CrossFeed
Layer 2

Factor A Gain A Pan A Factor B Gain B Pan B

1/2 58% -100% 1 46% 100%
How I use it: Delay can be tricky to get “right” in a mix. I always try to make delay sit in the
back of a mix. I think it’s because I don’t actually like delay that much unless it’s used
alongside a good reverb. I’ve just never been a big fan of the dry delay sound. So, with this
delay, I have cut a lot of top end off, all the way down to 2k! I’ll even cut the same amount on
the bus send. I don’t want to hear much definition in this delay. I want it to add muffled depth
that can swim around underneath our reverb.
 X32/WING STEREO VOCAL DELAY
Layer 1

Mix Time Mode Factor L Factor R Offset L/R

100% Tap X 1/2 1/2 -100ms

Layer 2

Lo Cut Hi Cut Feed LoCut Feed Left Feed Right Feed HiCut
211hz 2k8hz 211hz 60% 60% 2k8hz

How I use it: Experiment with eq’ing this bus all the way down to 2k. This delay isn’t meant to
add a long tail to a signal. I use this kind of delay to add depth and width. I get a long, ambient
tail from reverb before a delay.
 X32/WING MONO VOCAL DELAY
Layer 1

Mix Time Mode Factor L Factor R Offset L/R

100% Tap X 1 1 0

Layer 2

Lo Cut Hi Cut Feed LoCut Feed Left Feed Right Feed HiCut
211hz 2k8hz 211hz 30% 30% 2k8hz

How I use it: Experiment with eq’ing this bus all the way down to 2k. This delay is only meant
to be used if you want to create an epic moment with a repeated word or phrase. You know,
the kind when the music drops but the vocal repeats - repeats - repeats - through the silence.
That’s what we’re going for here.
X32/WING VOCAL PLATE REVERB
Layer 1

Layer 2

Layer 3

How I use it: I EQ the bus going to this verb. I low cut up to around 300hz and high cut around
7k or 8k. Feel free to play around with what EQ sounds the most epic or anthemic with this
setting. This reverb is one of my absolute favorites. I use it about as much as the hall reverb
listed at the beginning.
X32/WING SNARE/TOM PLATE REVERB
Layer 1

Layer 2

Layer 3

How I use it: I EQ the bus going to this verb. I low cut up to around 200hz and high cut around
5k to 7k. Feel free to play around with what EQ sounds the most epic with this setting.
X32/WING AUX PLATE REVERB
Layer 1

Layer 2

Layer 3

How I use it: EQ the bus going to this verb. I low cut up to around 200hz to 300hz (to taste)
and high cut around 5k to 7k, even as low as 2k depending on the source tone. Feel free to
play around with what EQ sounds the most epic with this setting.
X32/WING VOCAL CHAMBER REVERB
Layer 1

150ms 3.23s 40m 6k50 100% 0.0

Layer 2

155hz 3k1 0.40 40 100 70%

Layer 3

115ms 150ms 50% 50%

How I use it: Hi cut the bus going to this verb to around 5k and lo cut to around 200hz. This
verb is a lot of fun and has a sort of old school sound, at least to my ears. It sounds like a
voice in a concrete space (surprise surprise, it sounds like a chamber).
X32/WING SNARE/TOM CHAMBER REVERB
Layer 1

10ms 2.46s 20m 3k07 100% 0.0

Layer 2

105hz 3k8 0.73 40 125 50

Layer 3

115ms 135ms 54% 66%

How I use it: Low cut the bus going to this verb to around 200hz and then experiment with
different eq settings on the top end. This verb has an old school, studio like quality to it that
can be interesting for different styles of music outside of typical modern worship sounds.
X32/WING AUX CHAMBER REVERB
Layer 1

100ms 3.54 64m 6k50 100 0

Layer 2

155hz 3k1 1.00 40 70 50%

Layer 3

115ms 135ms 54% 66%

How I use it: Low cut this bus to around 300hz and high cut to taste. I worked on this reverb
with strings or piano in mind primarily. Chambers are famous for sounding great on
orchestral types of instruments so this is a great option for instruments that my be not as
typical for a modern worship set.
X32/WING VOCAL ROOM REVERB
Layer 1

100ms 2.05s 40m 1k64hz 68% 0

Layer 2

83hz 3k1hz 0.56 30 40 50%

Layer 3

10ms 20ms -20% 20%

How I use it: I created this setting with rock or even a jazz sound in mind. This needs to sound
like a small club where the reverb is more similar to a delay than a big soaring reverb. I have
found that this verb works best for that type of sound.
X32/WING SNARE/TOM ROOM REVERB
Layer 1

20ms 2.05s 30m 5k74hz 68% 0

Layer 2

181hz 5k0hz 1.00 30 75 25%

Layer 3

10ms 20ms -30% 30%

How I use it: Low cut this bus to around 200hz and then experiment with cutting mids around
400hz with a fairly tight Q. This verb can create a huge anthemic sound for drums or sound
like a small drum booth.
X32/WING AUX ROOM REVERB
Layer 1

20ms 1.18s 18 3k94hz 68 0

Layer 2

181hz 5k0hz 0.69 30 50 50%

Layer 3

10ms 20ms -10% 10%

How I use it: EQ the bus going to this verb. Low cut at 200hz and hi cut around 5k. This verb
sounds great on acoustic guitars or anything that needs some natural ambience added back
to the direct signal.
X32/WING VOCAL AMBIENCE REVERB
Layer 1

50ms 2.67s 20 5k06hz 30 0

Layer 2

122hz 2k1hz 20% 50%

How I use it: EQ the bus going to this verb. Low cut around 200 and high cut to 5k. This is a
weird sounding verb... I hear this verb being used mostly in a rock setting. Think something
towards a Foo Fighters sound. At least that’s my interpretation. Not my favorite of the bunch,
but still an interesting sound.
X32/WING SNARE/TOM AMBIENCE REVERB
Layer 1

20ms 2.00s 30 8k34 20 0

Layer 2

89hz 11k5hz 0% 70%

How I use it: Low cut this bus around 100hz. Like the vocal ambience, I hear this verb working
well in a rock mix, in particular a more high tempo song with a busier drum part.
X32/WING AUX AMBIENCE REVERB
Layer 1

4ms 1.12s 20 10k71hz 30 0

Layer 2

105hz 7k9hz 20% 70%

How I use it: Low cut this bus to around 100hz. I was surprised at how well this verb works on
an acoustic guitar. This verb doesn’t do a great job with soaring ambience sounds, think about
it more like a bathroom or a smaller space with wooden walls.
X32/WING VOCAL VINTAGE REVERB
Layer 1

Layer 2

How I use it: I found this verb has a very natural sound so I suggest low cutting the bus
starting at 100hz and high cut around 12k. Cut off the sub lows and high air and then go off
the needs of your room. This verb can work great if you’re in a smaller room and need to add
some life to your mix. Don’t sleep on this one like I did for so long! It’s a great one.
X32/WING SNARE/TOM VINTAGE REVERB
Layer 1

Layer 2

How I use it: I found this verb has a very natural sound so I suggest low cutting the bus
starting at 100hz and high cut around 12k. Cut off the sub lows and high air and then go off
the needs of your room. This verb can work great if you’re in a smaller room and need to add
some life to your mix. Don’t sleep on this one like I did for so long! It’s a great one.
X32/WING AUX VINTAGE REVERB
Layer 1

Layer 2

How I use it: I found this verb has a very natural sound so I suggest low cutting the bus
starting at 100hz and high cut around 12k. Cut off the sub lows and high air and then go off
the needs of your room. This verb can work great if you’re in a smaller room and need to add
some life to your mix. Don’t sleep on this one like I did for so long! It’s a great one.
X32/WING VOCAL VINTAGE ROOM
Layer 1

ReverbDelay Decay Size Density ER Level Level

100ms 2.67s 24 22 76% 0

Layer 2

LoMultiply HiMultiply LoCut HiCut ER Left ER Right

1.10 1.91 105hz 8k7hz 10ms 14ms

How I use it: This is an interesting one for vocals. Feel free to experiment with eq’ing the bus,
but for adjusting your brightness, try tweaking the HiMultiply. That’s where the magic is on
this verb. The higher you crank it, the brighter the verb get’s but only on the tail end of the
signal. The high end continues to develop as the verb rings out so it get’s progressively
brighter.
X32/WING SNARE/TOM VINTAGE ROOM
Layer 1

ReverbDelay Decay Size Density ER Level Level

20ms 2.16s 24 30 22% 0

Layer 2

LoMultiply HiMultiply LoCut HiCut ER Left ER Right

1.10 2.09 89hz 10k4hz 28ms 34ms

How I use it: This one might sound the best when compared to all the other stock settings. I
just turned up the HiMultiply here to get a brighter sound from the snare. This is one of the
most popular verbs on the behringer consoles for a reason.
X32/WING AUX VINTAGE ROOM
Layer 1

ReverbDelay Decay Size Density ER Level Level

100ms 2.40s 50 30 22% 0

Layer 2

LoMultiply HiMultiply LoCut HiCut ER Left ER Right

1.10 1.58 143hz 10k4hz 28ms 34ms

How I use it: I was really surprised at how good this verb works on a violin or synths. Again,
the HiMultiply is the magic knob. Experiment with that one to get a brighter sound out of your
verb.
X32/WING VOCAL PLATE REVERB
Layer 1

PreDelay Decay Size Damping Diffuse Level

150ms 3.02s 50 5k06hz 30 0

Layer 1

LoCut HiCut BassMulti X-Over Mod Depth ModSpeed

105hz 7k2hz 0.70 312.6hz 10 5

How I use it: This is a really intense or dense sounding verb. It has a lot of body and sounds
like a real plate. Experiment with low cutting and high cutting your bus. This one is really up to
your own taste how bright you want it to be.
X32/WING SNARE/TOM PLATE REVERB
Layer 1

PreDelay Decay Size Damping Diffuse Level

30ms 2.11s 60 9k45hz 30 0

Layer 1

LoCut HiCut BassMulti X-Over Mod Depth ModSpeed

196hz 7k2hz 1.00 211.4hz 20 20

How I use it: This verb can have as much character as you want it to. I don’t think you can
really go wrong with a drum sound through this one. Experiment with eq’ing your bus, but
otherwise focus on getting a brigher or darker sound using the knobs on the verb.
X32/WING AUX PLATE REVERB
Layer 1

PreDelay Decay Size Damping Diffuse Level

20ms 2.52s 60 10k71hz 30 0

Layer 1

LoCut HiCut BassMulti X-Over Mod Depth ModSpeed

196hz 7k2hz 1.00 211.4hz 25 30

How I use it: This verb can have as much character as you want it to. This one can be as big
and ambient as you want or you can bring the decay down to a shorter time and have more of
a small space to add some width. Experiment with these settings. You really can’t go wrong.
X32/WING VOCAL CHORUS & CHAMBER
Layer 1

Speed Depth Delay Phase Wave Balance

0.47hz 20% 15.1ms 180 100% +60

Layer 2

PreDelay Decay Size Damping LoCut Mix

150ms 2.89s 50 2k7hz 167hz 100%

How I use it: This effect is amazing if you’re looking to save space in your effects rack. I love
chorus on a vocal and the verb in this effect sounds great so it’s a gamechanger if you are
short on effects slots. I’d say high cut the bus send a little more than normal, around 3k to
tame a bit of the harshness that can come with chorus on vocals.
X32/WING AUX CHORUS & CHAMBER
Layer 1

Speed Depth Delay Phase Wave Balance

0.47hz 20% 15.1ms 180 100% +70

Layer 2

PreDelay Decay Size Damping LoCut Mix

100ms 2.89s 70 3k7hz 211hz 100%

How I use it: This effect is amazing if you’re looking to save space in your effects rack. These
combo effects are definitely a gamechanger for the smaller consoles. This one sounds as epic
as any of the others. Hi cut it to taste and tweak the balance knob to get a good balance of
width from the chorus and depth from the verb.
X32/WING VOCAL DELAY & CHAMBER
Layer 1

Time Pattern FeedHiCut Feedback Cross Feed Balance

Tap 3/4 2k3hz 30% 100% +55

Layer 1

PreDelay Decay Size Damping LoCut Mix

150ms 2.11s 52 5k6hz 143hz 100%

How I use it: I have to admit... I’m ashamed at how long I’ve slept on this verb... It sounds
amazing! If you are using any of the smaller XR consoles or you just want to save space and
not have a seperate verb and delay, give this one a shot. It’s amazing!
X32/WING AUX DELAY & CHAMBER
Layer 1

Time Pattern FeedHiCut Feedback Cross Feed Balance

Tap 1/2 4k2hz 40% 70% +70

Layer 1

PreDelay Decay Size Damping LoCut Mix

100ms 2.11s 52 5K0hz 143hz 100%

How I use it: This verb is great for strings or ambient sounds. I wouldn’t use it on anything
percussive because of the delay, but it can be a great tool to add some washiness to a sound.
Hi cut to around 5k and low cut to around 200hz on the bus.
 X32/WING STEREO CHORUS
Layer 1

Speed Depth L Depth R Delay L Delay R Mix

0.33hz 20% 20% 12.6ms 13.8ms 100%

Layer 2

LoCut HiCut Phase Wave Spread

143hz 5k0 90 100% 100%

How I use it: I ran from chorus for way too long. Don’t be like me! I use this chorus all the time.
You can run anything through it. Give it a shot on vocals, acoustic, keys, anything! Oh and also
high cut the bus to around 8k.
X32/WING DIMENSION CHORUS
Layer 1

Mode Dry
1 2 3 4
ST OFF
How I use it: This one sounds great on the default setting or unclick 3 and click 4. Hi cut to the
point that the hi end doesn’t sound weird or stand out in the mix. Feel free to use this on just
about anything. Vocals, acoustic, piano, bass.... Well.... Yeah, just about anything.
X32/WING ROTARY SPEAKER
Layer 1

How I use it: This sounds great on a boring piano. If you have a mono or even a stale sounding
stereo piano or synth, this can add some life to it. Just load it up on the stock setting and see
how it sounds! A little goes a long way so be careful.
X32/WING STEREO ENHANCER
LIVESTREAM POLISH
Layer 1

Out Gain Spread Bass Gain Bass Freq Mid Gain Mid Q
0.0db 30 16% 11 16% 25

Layer 2

Hi Gain Hi Freq
24% 40

How I use it: This effect is great for using as a “mastering” stage. Don’t go looking to fix a bad
mix though! Put this on your master fader, bus pair or matrix to add a final stage of polish to a
livestream mix. I leave most of the knobs at the stock setting except for the hi gain and the
spread. Be careful not to undo any good eq moves you’ve done in your mix with this. It’s easy
to overdo it. Just look to add a little bit of width and shine to the mix.