CONAN "El Barbaro"

Trompeta en Bb 1 Suite para Banda

Nº 1 Prólogo BASIL POLEDOURIS

  
Allegro e = 244 Arr. Manuel González

                   
           

15 
                   


               
  
26

               
ff
f

                                   
38

    
f

                        
51
  
            
ff


Meno Mosso q =120

                    
62

       
mf

    rit.
    poco
         Tempoprimo     
       
74

  
ff 
f

                                   
85

    
           
       
sonoro
     
98
      
          
ff

          
109          
               
ff ff

                     
                 
120
         
 
132            

     
        
ff
  

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 CONAN "EL BARBARO" Suite para Banda
Trompeta en Bb 1


 
Nº2 El Enigma del Acero

  
1 Trompeta picolo

   
2 143 Adagio q = 66 Nº 3 Los Jinetes de Doom
     
    
Allegroq= 140
     
f


 

    
176 Trompeta Sib

         
       
mf f

    
194

                  
         
mf

                      
201

       
f

 
  
208

           
mf
220
                 
           


             
227

               
mf f


                
234

        
f

                 
  
240

      
ff

                      
        
246

           

           
               
251

      

                     
         
258

  
ff

                 
              
264

     
  

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 CONAN "EL BARBARO" Suite para Banda
Trompeta en Bb 1

            
    
3
  
269

      

   
277                
sfz


 
sfz

      
               
285

  
marcato


f
      
              
292

sost.
    
        
f
  
               open  
299

   
con sord.

sfz
 
Nº 4 El Don de la Furia

    
       
314 Adagio

      
q=68 molto marcato
    
 mf
ff

341

                     

348

 
     
            
Nº 5 Teología y Civilización

     
                  
1 Lento q. = 35 (a6) Andante q.= 56 (a2)

     

   1º solo                 

mp
 
 
34

    

  
f p f

dim.

      
59

   

   
Nº 6 Tema de Amor

 Andante q =86
1 Più mosso Più mosso

   
  
Nº 7 La Pira Funeraria


Adagio Rubato q=73
  

1

            

35

Più mosso
      Più mosso
 
           

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 CONAN "EL BARBARO" Suite para Banda
Trompeta en Bb 1
Nº 8 Batalla en los Montículos y Final
4 1
 
Enérgico y heroico q=140
  
    
       
ff

34
                
 

43
            
 

                 
52

    
mf f f

               
                        
85

  

ff

             
      
              
91

  

                
97
        
  

        
 
                   
104

 
f

   
     
            
110

 
f

                     
               
116

  
ff

                  
             
122

  

           
     
128 Meno mosso molto rit.

sonoro

     
f

     
     
           
143


       
sub.p ff

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