Thank you, Levi.
I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.
Thank you, Levi. I really appreciate your taking the time to check it out
(especially while on holiday!) This book is the 'wizard's guide to arpeggios'. That
does sound pompous, I know, but I would not say that if I did not know it to be
true. There is no other book like it. However, it is not only for teachers, but
very much for advanced PLAYERS in all styles of guitar playing. I wrote this book
to document the nearly complete possibilities of arpeggio fingerings on the guitar,
using hammer-ons and pull-offs to make them go fast in non-shifting fingerings, as
well as diagonal motion fingerings incorporating slides to create musicality. I do,
indeed, think that it should become a university text. So goes it for each of the
other three books in the "Fluid Soloing" series.