WASTE
Thomas Stearns Elliot
• American-born British poet,
  essayist, playright
• 1905-1965
• Modernist poetry employing
  fragmented narratives
• The Waste Land (1922)
     Inspiration for The Waste Land
• Written in the aftermath    • He had mental health
  of World War I                struggles and breakdown
• A period of profound          of his marriage to
  cultural and societal         Vivienne Haigh-Wood
  upheaval                    • The Waste Land reflects
• Eliot was deeply affected     Eliot’s disillusionment
  by the damages of war         with modern society
             “The Waste Land” Poem Sections
Section I: The Burial of the Dead
“April is the cruellest of month”
  • the poem begins by describing April, usually symbolizing
    new beginnings because of the start of spring, but here
    describe as a “cruel” time
  • Spring = revives painful memories from the past
             “The Waste Land” Poem Sections
Section I: The Burial of the Dead
“Winter kept us warm”
  • Winter, in contrast, is portrayed as a time of
    forgetfulness
  • The snow covers up the harshness of life
Section I: The Burial of the Dead
  • The narrative then shifts to a personal memory of
    someone named Marie:
     a. recalls a past summer and the innocence of childhood
     b. sledding with her cousin and feeling a sense of
        freedom in the mountains
  • This contrasts with the rest of the section, which quickly
    returns to the barrenness of modern life
Section I: The Burial of the Dead
  • Next shifts to the fortune teller Madame Sosostris
     introduces a symbolic reading of tarot cards, foretelling
     death, mystery, and disillusionment
  • Her predictions, filled with enigmatic figures like the
     drowned sailor and the mysterious Balledonna
  • Emphasizes the theme of confusion and a lack of clear
     guidance in the modern world.
Section I: The Burial of the Dead
Ending of Section:
  • Vision of an “unreal city” (London)
  • Where crowds of people move through their daily lives in isolation,
    disconnected from each other
  • The speaker meets an old friend from the battle of Mylae and
    cryptically asks about a dead body planted in his garden,
    questioning whether it will grow
  • This symbolizes cycle of death and rebirth, with a deep sense of
    uncertainty and futility.
                 Section I: The Burial of the Dead
Summary:
-Reflects themes of                   -This section uses both
  • alienation                        personal memory and
  • the collapse of meaning           mythological allusions to
  • fragmentation of modern life      depict a world struggling with
                                      loss and disillusionment.
              Section II: A Game of Chess
Eliot presents two contrasting scenes:
  • Scene 1: The Opulent, Tense Room
  • Scene 2: The Pub and Lil’s Domestric Struggles
Both Scenes depicts fragmentation of human relationships and
the disintegration of communication in modern life.
                  Section II: A Game of Chess
Scene 1: The Opulent, Tense Room
  • The first part takes place in an extravagant, suffocating
    room where a woman, surrounded by luxury, is overcome
    by anxiety.
  • The elaborate description of her surroundings—jewels,
    perfumes, and antique art—creates an atmosphere of
    excess and artificiality.
                 Section II: A Game of Chess
Scene 1: The Opulent, Tense Room
  • The woman’s beauty and wealth contrast with the
    emptiness and tension between her and her companion.
  • She repeatedly demands conversation, growing more
    frantic as she questions him, but he remains silent.
  • This interaction reflects a deep disconnection and
    alienation within their relationship.
                Section II: A Game of Chess
Scene 1: The Opulent, Tense Room
  • The woman's growing anxiety and fear symbolize the
    larger sense of emotional fragmentation in the modern
    world, where communication breaks down, and intimacy is
    replaced by anxiety and uncertainty.
                Section II: A Game of Chess
Scene 2: The Pub and Lil’s Domestic Struggles
  • The second scene shifts dramatically to a more casual,
    working-class environment, where a conversation
    between two women takes place in a pub.
  • One woman gives blunt, judgmental advice to Lil, who is
    struggling with her appearance and health after an
    abortion.
                 Section II: A Game of Chess
Scene 2: The Pub and Lil’s Domestic Struggles
  • The speaker urges Lil to make herself more attractive for
    her husband, Albert, who has just returned from the war.
  • The conversation reveals the harsh realities of domestic
    life, highlighting the societal pressures on women to fulfill
    certain roles for their husbands.
                   Section II: A Game of Chess
Scene 2: The Pub and Lil’s Domestic Struggles
  • The repetition of "HURRY UP PLEASE IT'S TIME" (as the
    pub prepares to close) adds to the sense of time running
    out, not just for the night...
    ... but for Lil's relationship,
                           health, and life itself.
                 Section II: A Game of Chess
Themes
 • Alienation:
 • The woman in the first scene and Lil in the second feel
   trapped and alienated, either by their wealth, their social
   role, or their bodies. The inability to connect with others,
   both emotionally and physically, mirrors the larger theme
   of alienation in the modern world.
                Section II: A Game of Chess
Themes
 • Routine and Disillusionment:
 • The repetitive nature of both scenes, with their dull
   routines—chess, drinking tea, closing the pub—
   underscores the monotony and lack of purpose that
   pervades modern life.
                 Section III: The Fire Sermon
This section draws on various sources, including myth, history,
and contemporary urban life, to depict a modern world in
decline, filled with meaningless, fragmented experiences.
Themes in this section:
  • Moral and Spiritual decay
  • Disconnection
  • Sexual disillusionment
                     Section III: The Fire Sermon
Opening Scene: The Barren Riverbanks
  • The section begins with a desolate scene by the Thames River.
  • The remnants of life are gone, and the river is polluted and
    abandoned, reflecting the decay of nature and culture.
  • The nymphs—symbols of natural beauty and vitality—have
    disappeared, leaving behind only traces of modern, careless waste.
  • Eliot contrasts this emptiness with nostalgic references to the past,
    suggesting that the spiritual and emotional richness of earlier times
    has been lost.
                    Section III: The Fire Sermon
Tiresias and the Modern Sexual Encounter
  • The central figure in this section is Tiresias, the blind prophet from
    Greek mythology, who has experienced both male and female life.
  • Tiresias observes a mundane, depressing sexual encounter between
    a typist and a young, indifferent clerk.
  • The typist returns home from work to a lifeless, routine existence.
  • The young man arrives, takes advantage of the situation, and leaves
    without any emotional connection.
                     Section III: The Fire Sermon
Spiritual Decay and the Buddhist Fire Sermon
  • The section's title refers to Buddha's Fire Sermon, which teaches
    renunciation of desire and attachment.
  • Throughout the section, Eliot emphasizes the pervasive desire and
    lust that corrupt modern life, contrasting it with the spiritual
    emptiness that results.
  • The repetition of "burning" in the final lines suggests the destruction
    caused by unchecked desires, both personal and societal.
                  Section III: The Fire Sermon
Conclusion
  • In "The Fire Sermon," Eliot presents a world where human
    connections have become shallow, relationships are
    mechanical, and life is governed by materialism and desire.
  • The section reflects on the moral and spiritual decline of
    modern society, with echoes of past grandeur and
    mythological references only serving to highlight the
    emptiness of the present.
                Section IV: Death by Water
• Describes the death of Phlebas the Phoenician, a merchant who
  has drowned and been forgotten by the living world.
• As Phlebas’s body is consumed by the sea, he loses all
  awareness of earthly concerns, such as the cries of seagulls
  and the fortunes of his trade.
• His body decays under the water, while the motion of the sea
  evokes a flash of memories from his life.
• Inevitability of death and the futility of human endeavors.
                 Section IV: Death by Water
• Eliot warns that, regardless of one's status or background,
  death comes for all.
• Phlebas’s story is a reminder to reflect on mortality and the
  transitory nature of worldly pursuits, urging readers to
  consider the deeper spiritual implications of life and death.
• The image of the sea, vast and indifferent, reinforces the
  theme of decay and the unstoppable passage of time.
              Section V: What the Thunder Said
• Eliot describes a desolate, arid landscape devoid of water,
  symbolizing spiritual and physical drought.
• The imagery of rock, barren mountains, and dry thunder
  evokes a sense of hopelessness, where life struggles to
  survive, and humans are reduced to ghostly figures.
• The land is lifeless, and the agony of existence is
  palpable.
                 Section V: What the Thunder Said
• The section shifts between visions of destruction and renewal,
  invoking the fall of great cities like Jerusalem, Athens, and London,
  symbolizing the collapse of civilization.
• Amid this desolation, the thunder speaks three Sanskrit words—Datta
  (give), Dayadhvam (sympathize), and Damyata (control)—offering a
  path to redemption and renewal.
• These words emphasize the importance of generosity, compassion,
  and self-control as ways to restore order in a fragmented world.
          Section V: What the Thunder Said
• The section ends with images of personal reflection
  and hope, despite the ruins surrounding the speaker.
• The final call for "peace" reflects the desire for
  spiritual salvation and the possibility of rebuilding from
  the wreckage.
                    THEMES
ALIENATION AND                     THE QUEST FOR
FRAGMENTATION                        IDENTITY
                 DISILLUSIONMENT
WEARY
Langston Hughes
• American-born poet and
  social activist
• 1901-1967
• Central figure of the Harlem
  Renaisssance
• Combines jazz, blues rhythms
  with poetry
                 THEMES
RACIAL PRIDE                        ALIENATION AND
                 The African-       FRAGMENTATION
                  American
                Experience and
               Quest for Identity
• The speaker describes watching a Black musician perform a
  slow, melancholic blues song on Lenox Avenue
• The musician sways to the rhythm, playing a mournful tune on
  an old piano, with his sorrowful voice expressing deep
  loneliness and despair.
• As he sings about having no one in the world and his weariness
  with life, his foot taps rhythmically in time with the music.
• The performance continues late into the night, with the
  music reflecting his inner sadness.
• Eventually, he stops playing and goes to bed, but the blues
  music lingers in his mind as he sleeps, symbolizing his
  emotional exhaustion.
The Pain and Beauty of Black Art
  • “The Weary Blues” is about the power and pain of black art