Cadências
Cadências
q = 142 FreeDrumlineMusic.com
A B
3 3 2 3 4 5 6
Snare Drums z
r l r l r l r l r l R R or B as pref. B R l r l R l r l
p ff f
3 3
Tenor Drums
r l r l r l r l r l R
p ff
3 3
Bass Drums
r l r l r l r l r l R L R R L R L R L L etc...
p ff f
S S
S
Cymbals
Cr. Cr. Cr. Cr. Siz. Edg. Siz. Edg. Edg. Edg. Cr. Chk. Sld. Siz.
p ff p f
C
7 8 9 10 11
Snare
r L r l R l r l R l r l R l r l r L r L R l r L R l r l R l r l r L r l R l r l
Tenors
r R r L R l R l R L L
f
Bass
S S
Cymb.
Edg. Edg. Siz. Chk. Edg. Sld. Sld. Siz. Chk. Cr. etc...
alt.
D
12 13 14 15 16 17 18
Snare
R l r l R l r l r L r L R l r L R l r l R l r l R l r l R l r l R l r l R l r l R l r l R l r L R
ff
Tenors
r L r L R L L R l R l R l r L r R r L R L L R l R l R L R r R r L R L L R l R l R l r L R
ff
Bass
R
ff
S
Cymb.
Cr. Cr. etc... Cr. Chk. Siz. Edg. Chk.
ff
Bass Drums
R L R L L R L R L L sim...
f f
S S
Cymbals
Cr. Chk. Sld. Chk. Siz. sim...
f f
Bass
sim...
f
S
Cymb.
sim...
f
Cassidy Byars
q = 165 FreeDrumlineMusic.com
A
2 4 5 3 6
Snare Drums
R l r l r l r l etc... R l r l R l r l etc...
f p f p mf
Tenor Drums
R l r l r l r l etc... R l r l R l r l etc...
f p f p mf
Bass Drums
R L R L R R L R L R L R L R R L R L R L R L L L R L
f
S
Cymbals
Cr. Siz. Clk.
f
B
7 8 9 10
Snare
R L R L R l r l R l r l R l R l R l r l etc...
ff
Tenors
R L R R L R R L R L R L R
ff
Bass
R L R L L L R L R L R L L R R L R L R R R L
ff
S
Cymb.
ff
11 12 13
Snare
R L R L R L R L R L R L R L R L R
Tenors
R L R R L R L R L R L R L R R
Bass
R L L R R L R L R L R L R L R
Cymb.
A 2 3
Snare Drums
r l r r l r r l r r l r r l r r l r l r r l r r l r r l r
Tenor Drums
r l r r l r r l r r l r r l r r l r l r r l r r l r r l r
Bass Drums
Cymbals
Cr. Cr. Cr.
B
4 5 6 7 8
Snare
z z
z
z
z
z
z
z
z
z
z
z
z
z
z
z
r l r l r l r l r Clk. b b b b b b b b b b b b b b b b
z z z z z z z z z z z z z z z z
Tenors
r l r l r l r l r Clk. b b b b b b b b b b b b b b b b
Bass
r l r l r l r l r r r l r l r r l r l r r r l r l r l r l r
Cymb.
Cr. Clk. etc...
C
9 10 11 12 13
Snare
r l r l r r l r l r l r r l etc... r l r l r l r l r l r l r
Tenors
r l r l r r l r l r l r r l etc... r l r l r l r l r l r l r
Bass
l r l l r etc... r l r l r l r l r l r l r
Cymb.
Cr. etc... Listen to a recording of this cadence at: www.freedrumlinemusic.com
© 2012 Cassidy Byars
All Rights Reserved. International Copyright Secured
www.freedrumlinemusic.com
Cassidy Byars
q = 125 FreeDrumlineMusic.com
A
2 3 4 5 6
Snare Drums
r r r r r r r r l l l l l l l l
f
Tenor Drums
Cymbals
Clk. etc...
f
B
7 8 9 10 11
Snare
r r r r r r r r l l l l r r l l r r l l R l r l R l r l R l r l R l R l R l r l R l r l R l r l R l R l R l r l R l r l R l r l R l R l
ff
Tenors
r r r r r r r r l l l l r r l l r r l l R l r l R l r l R l r l R l R l R l r l R l r l R l r l R l R l R l r l R l r l R l r l R l R l
f ff
Bass
ff
Cymb.
Cr. Cr. etc...
ff
C
12 13 14 15 16 17
Snare
R l r l R l r l R L R L R L R L R l r l R l r l R l r l R l R l R l r l R l r l R l r l R l R l R l r l R l r l R l r l R l R l R l r l R l r l R L R L R L R L R
Tenors
R l r l R l r l R L R L R L R L R l r l R l r l R l r l R l R l R l r l R l r l R l r l R l R l R l r l R l r l R l r l R l R l R l r l R l r l R L R L R L R L R
Bass
R
Cymb.
Cr. Cr. Cr. Cr. etc... Chk.
q = 90
Snare Drums
side of drum
Tenor Drums
Bass Drums
L R L R L R L R L R L L R L R L R L r l r L R L L R L R L R L R L R L L R L R L R L r l r L R L R R
mf
Cymbals
sizzle crash edge of cymb. crunch/slide sizzle
mf mp f
SD
R l l l R l l l R l l l R l l l etc... R L R L R L R L
ff
Quads
R l l l R l l l R l l l R l l l etc... R L R L R L R L
ff
BD's
etc...
ff
Cyms.
ff
SD
R l l l R l l l R l l l R l l l etc... R L R L R L R L R
Quads
R l l l R l l l R l l l R l l l etc... R L R L R L R L R
BD's
Cyms.
Choke
Tenor Drums
B B B B B B etc...
f
Bass Drums
R L R R L R R L R R L R L etc...
f
Cymbals
clk. Cr.
f
Snare
etc...
Tenors
Bass
Cymb.
Cassidy Byars
FreeDrumlineMusic.com
q = 115 Vocal - - - - - - - - - - - - - - - - - - - - - - - >
Vocal/Visual Vocal/Visual Vocal/Visual
Snare Drums
B B B B B B B B B R L R L R L R L R L R L R L R L R l r l R l r l R l R l R l r l
f
Vocal/Visual Vocal/Visual Vocal/Visual
Vocal - - - - - - - - - - - - - - - - - - - - - - - >
Tenor Drums
B B B R L R L R L R B B B R L R L R L R B B B R L R L R L R R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L
f
Vocal - - - - - - - - - - - - - - - - - - - - - - - >
Vocal/Visual Vocal/Visual Vocal/Visual
Bass Drums
R L R L R L
f
Vocal - - - - - - - - - - - - - - - - - - - - - - - >
Vocal/Visual Vocal/Visual Vocal/Visual
Cymbals
Cr.
f
Snare
etc...
Bass
etc...
Cymb.
Snare
Bass
Cymb.
Clk.
Bass Drums
r L R r L r L R r L r L R r L r L R r L r L R r L r L R r L r L R r L r L R r L
f
crash and/or sizzle
S S S S S S S S S S S S S S S S
Cymbals
Cr./Siz. etc...
f
B
5 6 7 8 REPEAT
Tenors
r r r r r r r r r r r r r r r r r r r r r r r r r r r r r r r r l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l
p
Bass
r L R r L r L R r L r L R r L r L R r L r L R r L r L R r L r L R r L r L R r L
f maintain same volume
S S S S S S S S S S S S S S S S
Cymb.
p
C
9 10 11 12 REPEAT 13
Snare
r r r R r r r r r R r r r r r R r r r r r R r r l l l L l l l l l L l l l l l L l l l l l L l l R
f
Tenors
r r r R r r r r r R r r r r r R r r r r r R r r l l l L l l l l l L l l l l l L l l l l l L l l R
f
Bass
r L R r L r L R r L r L R r L r L R r L r L R r L r L R r L r L R r L r L R r L R
f
crash and/or sizzle + choke (split)
S S S S S S S S S S S S S S S S
Cymb.
Chk.
f
© 2012 Cassidy Byars
All Rights Reserved. International Copyright Secured
www.freedrumlinemusic.com
Cassidy Byars
FreeDrumlineMusic.com
q = 105 A
on rim
2 3 4 5
Snare Drums
R L R L R R L R L L R R L R L R R L R L L R L R r l r r l r r l r r l r
f
Tenor Drums
B B B B B B B B B B B B B B B B B B B B B R L R r l r r l r r l r r l r
f
Bass Drums
R L R L R R L R L L R R L R L R R L R L L R L R L R L L L R L
f
Cymbals
Cr. Cr. Cr. Cr. Cr. Clk. etc...
f
B
6 7 8 9
Snare
r l r r l r r l r r l r r l r r l r r l r r l r r l r r l r r l r R L R R l r l R l r l R l r l R l r l
Tenors
r l r r l r r l r r l r r l r r l r r l r r l r r l r r l r r l r R L R L R L R B
Bass
R L L L R L L R L L L R L R L L L R L L R L L L R L
Cymb.
Cr. Clk. etc...
C
10 11 12 13
Snare
Tenors
R L R L B L R L R B R L R L B L R L R B
Bass
R L L L R L L R L L L R L R L L L R L L R L L L R L
Cymb.
D
14 15 16 17 18 vocal
Snare
vocal
Tenors
R L R L B L R L R B R L R L B R L R L R R L R L R R L R R L R B
vocal
Bass
R L L L R L L R L L L R L R L L L R L
vocal
Cymb.
Cr. Cr. Cr. Cr. Chk.
q = 105
A
solo
visual 2 3 4 5
Snare Drums
r l R l r L r l R l r L r l R L
mf
visual
Tenor Drums
Bass Drums
R L L R L R L L R L R L L R L R L L R L R L L R L
f
visual
Cymbals
B
add player(s) add player(s) add ALL players
6 7 8 9
Snare
r l R l r L r l R l r L r l R L r l R l r L r l R l r L r l R L r l R l r l r l R l r L R L R L r l R l r L r l R l r L r l R L
f
Tenors
r l R L R L R L L R R L R L R L L
p f
Bass
R L L R L R L L R L R L L R L R L L R R L R L R L L
f
Cymb.
Chk. Cr. Cr.
f
C
10 11 12 13
Snare
r l R l r L r l R l r L r l R L r l R l r L r l R l r L r l R L r l R l r L r l R l r L R L R L r l R l r L r l R l r L r l R L
Tenors
R L L R R L R L R L L R L L R R L R L R L L R L L R R L r l R L R L R L L R R L R L R L L
Bass
R L L R R L R L R L L R L L R R L R L R L L R L L R R L R L R L L R L L R R L R L R L L
Cymb.
Cr. Cr. Cr. Cr. Cr. Cr. Chk. Cr. Cr. Cr. Cr.
14 15 16 17
Snare
r l R l r L r l R l r L r l R L r l R l r L r l R l r L r l R L r l R l r L r l R l r L R L R L R
Tenors
R L L R R L R L R L L R L L R R L R L R L L R L L R R L r l R L R L R
Bass
R L L R R L R L R L L R L L R R L R L R L L R L L R R L R L R L L R
Cymb.
Cr. Cr. Cr. Cr. Cr. Cr. Cr. Cr. Cr. Cr. Cr. Cr. Chk.
2
3 z 4 z
Snare Drums z z
z z
z z
z z
z
z z
z
z z
b b b b b b b b b b b b b b b b
p mp mf f
z
z z z
Tenor Drums z
z z
z
z z
z
z z
z
z z
b b b b b b b b b b b b b b b b
p mp mf f
. = muffle
Bass Drums
R L R L L R R L R L L etc...
p mp mf f
S S S S
Cymbals
Siz. etc... Clk...
p mp mf f
Bass
ff
Cymb.
Chk. Sld...
ff
B
all left hand...
9 10 11 12 13
Snare
l l l l L l l l l L l l L l l l etc... R
Bass
R
Cymb.
Cr... Chk.
© 2012 Cassidy Byars
All Rights Reserved. International Copyright Secured
www.freedrumlinemusic.com
Level 1 - 1 Measure Snare Solos/Breaks
Packet #1
Cassidy Byars
FreeDrumlineMusic.com
end on beat 4
E
r l r l r l r l R
end on beat 4
J
r l r l r l r l r l R
end on beat 4
N
r l r l r l r l r l r l R
end on beat 4
E
r l r l r l r l R
end on beat 4
J
r l r l r l r l r l R
end on beat 4
N
r l r l r l r l r l r l R
end on beat 4
2 BDs E
r l r l r l r l R
end on beat 4
2 BDs J
r l r l r l r l r l R
end on beat 4
3 BDs N
r l r l r l r l r l r l R
end on down beat
3 BDs O
R l r l R l r l R l r l R l r l R
end on beat 4
2 BDs P
r l r l r l r l R
q = 100
A B
2
3
4
5
Snare Drums
R B R B etc... R R B R R R B R
C
6
7
8
9
Snare
etc... R B R B
Tenors
r l r l r l r l r r l l r r l l r l r l r l r l r l r l r l r l R l l R l l R l r r l l r r l l R L R R L R L
Cymb.
D
10
11
12
13 14
Snare
etc... R L R L R L R L R L R L R L R L R L B
Tenors
L R R L L R R L R L R R L R L R R R L L R R L R L R L R L R L R L R L R L R L R L R L B
Bass
L R R L L R R L R L R R L R L R R R L L R R L R L R L R L R L R L R L R L R L R L R L R
Cymb.
Cr. Cr. Cr. Cr. Chk.
Cassidy Byars
FreeDrumlineMusic.com
q = 125
Vocal/Visual
Snare Drums
R L R R L R R L R R L R R L R L R R L R L R R L R L R R l r l etc...
f
Vocal/Visual
Visual Visual Visual
Tenor Drums
f R L R R L R R L R L R R L R L R R l r l etc...
Vocal/Visual
Visual Visual Visual
Bass Drums
f R L R R L R R L R L R R L R L R R L R L R L
Vocal/Visual
Visual Visual Visual
Cymbals
f Cr. Clk.
Snare
Tenors
Bass
etc...
Cymb.
q = 108
A
2
3
4
5
Snare Drums
r B r B r B r B r B r B r B r B
f
tenor solo
all tenors
Tenor Drums
R l r l R l r l R l r l R l r l etc... R R L L R R L L R L R L
ff f
Cymbals
B stick clicks
6
7
8
9
10
Snare
r B r B r B r B r B r B r B r B B C etc...
Tenors
sim... R R R R L L L
Cymb.
C
11
12 13 14 3 3 3 3 15 3 3 3 3 16 3 3 3 3 17 3 3 3 3 18 optional repeat back to A
Snare
R l l R l l R l l R l l etc... B
ff
3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3
Tenors
L R L R LR LR L R R R R L L L R L R b b b B B B B B B B B B B B sim... B
p ff
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3
Bass
R L L R L L R L L R L L etc... R
p ff
Cymb.
Cr. Cr. etc... Chk.
ff alt.
2 3 4
Snare Drums
R R R L R L etc...
f
Tenor Drums
f
Bass Drums
R L R L R L etc...
f
S S S S S S S S S S S S S S S S
Cymbals
Siz. etc...
f
A
5 6 7 8
Snare
ff
Tenors
ff
Bass
R L R L R L etc...
ff
S S S S S S S S
Cymb.
Cr. etc...
ff
9 10 11
Snare
Tenors
Bass
Cymb.
Chk.
Listen to a recording of this groove at: www.freedrumlinemusic.com
q = 115
A
R on rim L on drum
2 3 4 5
Snare Drums
B B B R L B B B R L B B B R L B B R L R L R L B B B R L
mf
12 count visual
Tenor Drums
mf
Bass Drums
R L R L R L R L R L R L R L R L R L R L
mf
Cymbals
Clk. etc...
mf
B
6 7 8 9
Snare
B B B R L B B B R L B B R L R L R L r l r l R L r l r l R L
Tenors
R L R L r l r l R L
Bass
R L R L R L R L R L R L R L R R L R
Cymb.
Cr. Cr.
C
10 11 12 13
Snare
r l r l R L R L R L r l r l R L r l r l R L r l r l R L R L R L r l R l r l R l r l R l r l R l
Tenors
R L R L r l r l R L R L R L r l r l R L R L R L R L R L B B B B B
Bass
R L R R L R R L R R L R R L R R L R R L R R L
Cymb.
etc... Cr. Cr. etc...
D
14 15 16 17 18
Snare
r l R l r l R l r l R l r l R l r l R l r l R l r l R l r l R l r l R l r l R l r l R l r l R l R L R L R L R L R L R L R L R
Tenors
B B B B B B B B B B B B B B B B B R L R L R L R L R L R L R L R
Bass
R L R L R L R L R R L R L R L R L R L R L R L R L R L R
Cymb.
Cr. Chk. Cr. Chk. Cr. Cr. Chk.
z z z z z z z z z z z
Tenor Drums
R L R L R L R L R L etc... R L R L R L R L L R L L R L R L
mf f
3
Bass Drums
mf f
Cymbals
Clicks Sizzle Sizzle Choke Crash
mf
SD
Crash Cymbal r b r b r b etc...
mf HH
Quads
R L R L L R L L R L R l l R r r L R L R L L R L L R L R L R L R L L R L
f f
3
BD's
SD
R r B r R r B r etc... B
ff
Quads
L R L R l r L r R L R l l R l R l l R l l R l l R l l R l l R l R l l R l l R R l l R l R l l R l l R l l R l l R l l R l R l l R L R L R
ff
BD's
ff
q = 115
r r l l r r r r l l l l r r r r r r r r l l l l l l l l r l r l r l r l r l r l r l r l
mf
B ACCENTS & INNER BEATS
accents level 5 - inner beats level 1
8 9 10 11 12 13
r r l l r r l l r r l l r r l l R r r R r r R r R r r R r r R r L l l L l l L l L l l L l l L l R r R r R r R r
D RHYTHMS
19 20 22 23 21 level 3
r l r l r l r l R L r l R L r l r l r l r l r l r L R l r L R l r l r r l r r l r r l r r r l r r l r r l r r l r l l r l l r l l r l l
mf
24 25 26 27 28
l r l l r l l r l l r l r l r l r l r l r l r l r l r l l r l r l r l r r l r l
38 3 5 5 3 3 39 6
41 3 6 3 40 42 6
z
r l r r l r l l r l l r r l r l r r l l r l r l r l l r r l r l R l r l r L r l r l r l r l r l r L R L L L L R L L R L r l r l r l R l l l
p f
G FLAMS, FLAM ACCENTS, FLAM TAPS, SWISS ARMY TRIPLETS
level 3
43 44 45 46
r l r l r l r l r l r L r L r L r L r l r l r l r l r l r L r L r L r L R R l r L r l r l r L r l R l r L r l r l R l r l R r L l R r L l
mf
H FLAM DRAGS, INVERTED FLAM TAPS
47 48 49 50
R l r L r l R r l R r l r L r l R l r L r l R l R r L l R r L l R l r L r l r l r L r l R l r L r l r l R l r L r l R l r L r l
55 56 57
R l r L r l r L r l R l r L r l R l L r R l L r R l r L r l R R R l r l r L r l r l R l r L r l
backstick
58 59 60 6 6
[]
r L r l r l R l r l r L r l R r L L L r l R l r L r l R R l r l R l r r l l R r l r r L R l r r l l r L r r l l R
A
2 3 4
Snare Drums
r l R L r l r l R L r l R L r l
f
Tenor Drums
r l R L r l r l R L r l R l r l r l R L r l r l R L r l R L r l r l R L r l r l R L r l R L r l r l R L r l r l R L r l R L r l
f
Single Tenor (Optional)
R L r l R L r l
f
Bass Drums
R L R L L R L R L L R L R L L R L R L L
f
B C
5 6 7 8 9 visual
Snare
r l r l R l r L r l r l R l r l r l r l R l r L r l r l r L r l r l r l R l r L r l r l R l r l R l r l r l r l r l r l r l R L R R L
ff fp ff f ff
Tenors
R L R L R L R L R L R L R L R L R L R L R L R L R R L L R R L L r l R L r l R L r l r l R L r l R l r l
ff f
visual
S. Tenor
R L R L R L R L R L R L R L R L R L R L R L R L r l r l r l r l r l R L R R L
ff p ff f ff
Bass
R L R L R L R L R L R L R L R L R L R L R L R L r l r l r l r l r l R L R L R L LR L
ff p ff f
Cymb.
Cr. Cr. etc... Sld. Sld. etc...
ff alt. f alt.
D
10 11 visual 12 13
Snare
R L r l R L r l R l r l R L R L r l r l r l r l r l r l r l R L r l r l R l r L r l r l R l r l
p ff
Tenors
r l R L r l r l R L r l R L r l r l R L r l r l R L r l R L r l r l r l r l r l r l r l r l R L R L R L R L R L
p ff
visual
S. Tenor
R L r l R L r l R L r l R L R L r l r l r l r l r l r l r l R L R L R L R L R L
p ff
Bass
R L L R R L r l R L r l R L L R L L R L r l r l r l r l r l r l r l R L R L R L R L R L
p ff
Cymb.
Cr. Cr. Cr. Cr. Cr. Cr. etc...
p ff alt.
S. Tenor
R L R L R L R L R L R L R L R L r l r l r l r l r l R L R
p ff
Bass
R L R L R L R L R L R L R L R L r l r l r l r l r l R L R
p ff
Cymb.
Chk.
p ff
A
2 3 4
Snare Drums
R l r l R l r l R l r l R l r l etc...
f
Tenor Drums
r l r l r l etc... R L R L R L L
f
Bass Drums
r r r r r l r etc... R L R L R L L
f
Cymbals
Clk. Clk. etc... Cr. Cr.
f
B C
5 6 7 8 9
Snare
R R R R R R R R R L R L R L R l r l R l r l R l r l R L
Tenors
r l r r l r r l r l R L r l r r l r l R L r l r r l r r l r l R L r l r R L R L R L R L R R L R L R L
Bass
R R R L R L R R L R L R R R L R L R R L R L R L R L R R L R L R L
S
Cymb.
Cr. Cr. etc... Siz. Cr. Cr. Cr. Cr. etc...
D
10 11 12 13 14
Snare
etc... R L R L R R L R L R R L R L R L R
Tenors
R R L R L R L R L R R L R L R L R R L R L R L R L R L R L R R L R L R R L R L R L R
Bass
R R L R L R L R L R R L R L R L R R L R L R L R L R L R L R R L R L R R L R L R L R
Cymb.
Cr. Cr. Cr. Cr. Chk.
A B
2 3 4 5
Snare Drums
r r r r r r R L R r r r r rlrl r l R L R L r l r l R l r l r l r l R l r l
f
Tenor Drums
r l r l l r l r l r l r l l R L R r l r l l r l r l rlrl r l R L R L r l r r l r r l r
f
Bass Drums
r r r r r r R L R r r r r R R L R L R L R L R L L R L
f
Cymbals
Clk. Clk. Clk. Clk. Clk. Clk. Clk. Cr. Clk. Clk. Clk. Clk. Clk. Clk. CLk. Cr. Clk. Clk. etc...
f
C
6 7 8 9
Snare
etc... R L R L R L R l R l R l r l R l R l R l r l
Tenors
r l r r l r r l r l r r l r r l r r l r r l r r l r R L R L R L L R L R L R L R L
Bass
R R L R L R L R L L R L R R L R L R L R L R L R L
Cymb.
Cr. Cr. Cr. Cr.
D
10 11 12 13 14
Snare z
R l R l R l r l R l R l rlrl R l R l R l r l R l R l R l r l R R L R L R L R R L R L R L R L R L R L R L R L L R
Tenors
L R L R L R L R L L R L R L R L R L R R L R L R L R R L R L L R L R L L R L R L L R
Bass
R L R L R L R R L R L R L R L R R L R L R L R R L R L R L R L R L R L R L R L L R
Cymb.
etc... Chk. Cr. Cr. Cr. Chk.
Bass Drums
R R R R R R R L R L R R R R R L R L R L R L R R R R R R R L R L R R R R R L R L R L R L
f
Cymbals
Clk. etc...
f
C D
9 10 11 12 13
Snare
R l r l R l r l R l r l R l r l R l r l R l r l R l r l R l r l R l r l R l r l R l r l R l r l R L R L R L R L R l r l R l r l R l r l R l r l
Tenors
R l r l R l r l R l r l R l r l R l r l R l r l R l r l R l r l R l r l R l r l R l r l R l r l R L R L R L R L R l r l R l r l R l r l R l r l
Bass
R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L
Cymb.
Cr. Etc...
14 15 16 17
Snare
R l r l R l r l R l r l R l r l R l r l R l r l R l r l R l r l R l r l R l r l R L R L R L R L R
Tenors
R l r l R l r l R l r l R l r l R l r l R l r l R l r l R l r l R l r l R l r l R L R L R L R L R
Bass
R L R L R L R L R L R L R L R L R L R L R
Cymb.
Listen to a recording of this groove at: www.freedrumlinemusic.com
© 2012 Cassidy Byars
All Rights Reserved. International Copyright Secured
www.freedrumlinemusic.com
Beat Cafe
Cassidy Byars
q = 166 FreeDrumlineMusic.com
A
r on rim uppercut strokes!
2 3 4 5 6
Snare Drums
R r R r B r R r etc... R L R R L R L R R L
mf f
uppercut strokes!
Tenor Drums
r l r r l r l r l l r l r l etc... R L B R L R L B R L
mf f f
Bass Drums
r
r r r l r r l r r r r r r l r r l r r r r R R L L L R L
mf f
Cymbals
Clk... Cr...
mf f
B r on rim
7 8 9 10 11 12
Snare
etc... sim...
mf
Tenors
etc... sim...
mf f
Bass
etc... sim...
mf
Cymb.
mf
C uppercut strokes!
13 14 15 16 17
Snare
R L R L R L R L etc... R
ff
uppercut strokes!
Tenors
sim...
ff
Bass
sim... R
ff
Cymb.
Chk.
ff
© 2012 Cassidy Byars
All Rights Reserved. International Copyright Secured
www.freedrumlinemusic.com
Cassidy Byars
q = 110
A ***to be played at various stick height levels and tempos*** B
2 3 4 5 6
7 8
Snare Drums
R etc...
Tenor Drums
R etc...
Bass Drums
R etc...
Cymbals
Clk. etc...
C D
9 10 11 12 13 14
15 16 17
Snare
L etc... R
Tenors
L etc... R
Bass
L etc... R
Cymb.
2 3
Snare Drums
R L R R L R L R L R L R R L R R L R L R L R L R R L R L R R L R L R
Tenor Drums
B B B B B B B B B B R L R L R R L R L R
Bass Drums
R L R R L R L R R L R L R L R R L R L R
Cymbals
Cr.
A
4 5 6
Snare
R L R L R L R L R L R L R L R l r R l r R l r l R L R l r R l r R l r l R L
Tenors
R L R L R L R L R L R L R L R l r l R R l r l R R l r l r R l r l r R l r l
Bass
R L R R L R R L R L R L R L R L R L R L etc...
Cymb.
Clk.
B
7 8 9 10
Snare
R l r R l r R l r l R L R l r R l r R l r l R L R l r l R l r l R l R l R l r l etc...
Tenors
R l r l R R l r l R R l r l r R l r l r R l r l R L R L R L R L etc...
Bass
R L R R L etc...
Cymb.
C
11 12 13 14
Snare
R L R L R L R L R
Tenors
B B B B B B B
Bass
R L R L R L R
Cymb.
A
Snare Drums
R...
Tenor Drums
R...
Bass Drums
R...
Cymbals
B
Snare
L... R...
Tenors
L... R...
Bass
L... R...
Cymb.
C
Snare
L... R...
Tenors
L... R...
Bass
L... R...
Cymb.
D
Snare
L... R...
Tenors
L... R...
Bass
L... R...
Cymb.
Tenors
L... R R...
Bass
L... R...
Cymb.
Snare
L... R... L...
Tenors
L... R... L...
Bass
L... R... L...
Cymb.
Snare
R... L...
Tenors
R... L...
Bass
R... L...
Cymb.
Snare
R...
Tenors
R...
Bass
R...
Cymb.
Snare
L... R...
Tenors
L... R
Bass
L... R...
Cymb.
Bass Drums
R R L R R L R L R L r l r l r l r l r r l r l r l r L R r l r l r l r l r
f
S
Cymbals
Cr. Chk. Cr. Chk. Siz. Clk. Clk. Clk. Clk. etc...
f
B
6 7 8 9
Snare
R l r l R l r l R L R R l r L r l R l r L r l R l r l R l r L r l R l r L r l R l r l R l r L r l R l r L r l R l r l
Bass
R l r l R l r l R L R R L L R l r l r l r l R L L R l r l r l r l R L L R l r l r l r l
S
Cymb.
Cr. Cr. Chk. Siz. Clk. Clk. Clk. Clk. etc...
C
stick clicks
10 11 12 13 14
Snare
R l r L L R L R L R C C etc... R
6 count visual z
z
6 count visual z
z
Tenors
R L L R L R B B B B
Bass
R L L R L R R L R L R L L R L R L R L R L R L R L R L L R L R L R L R L
Cymb.
Cr. Cr. Chk. Clk. Clk. etc...
D
15 16 17 18
z z z z z z z z
Snare
R l r L r l r l R l r L r l r l R l r L r l r l R l R l R l R l R l r L r l r l R l r L r l r l R l r L r l r l r l r l r l R L
p
6 count visual z
z
6 count visual z
z
Tenors
B B B B
Bass
R L R L R L L R L R L R L R L R L R L R L L R L R L R L R L
Cymb.
E
19 20 21 22
Snare
R L R L R l r L r l R l R L R L R l r L r l R l R L R L R R L R L R R l r L L R L R R L R
f
Tenors
r l R L r l R L r l R L r l R L etc... R L R L R R L R L R R l r L L R L R R L R
S
Cymb.
Cr. Cr. Cr. Cr. Cr. Chk. Cr. Chk. Cr. Siz. Chk.
Tenor Drums
Bass Drums
Cymbals
3 C
Quads
[only play when repeating]
mp f
A
BD's
mp f
Cyms.
mp f
SD
Quads
BD's
Cyms.
SD
mp f
3
Quads
[only play when repeating]
f
BD's
mp f
Cyms.
mp f
© 2009 Cassidy H. Byars
All Rights Reserved. International Copyright Secured
www.cassidybyars.com
Beat Factory
Cassidy Byars
q = 92 FreeDrumlineMusic.com
z z 2 z z z z 3 z z z z 4 z z 5
Snare Drums
z
z
b etc... r r l l r r l l r r r r R r r r sim...
mp p f mf
Tenor Drums z z z z z z z z z
z z z z z
b etc... r r l l r r l l r r r r r r R r sim...
mp p f mf
Bass Drums
R r l r l R R r l r L etc...
f
S S S
S S
Cymbals
Siz. etc... Chk. Clk. etc...
mp mf
6 7 8 9
Snare
z z
z z
r l r l R R l l l l L l l l etc... r l r l R L b etc...
mp
z
z z
z
Tenors
r l r l R R l l l l l l L l etc... r l r l R L mp
Bass
S
Cymb.
Siz.
mp
10 11 13
z
z
z
z
z
z
z
12 z
z
z
Snare
pr r l l r r l l
f
R L R L R R L R L R R L
z
z
z
z
z
z z
z z
z
Tenors
r r l l r r l l L R L R L R L R L
p f
Bass
S S
S S
Cymb.
etc... Chk. Chk. Cr. etc...
mf f
14 15 16 17
Snare
R L R L R R L R L R R R R R L R L R R L R L R R L R L R L R R L R L R R R R B
mf
Tenors
R R L R L L L R R R R L R L R L R L R L R R L R L L L R R R R B
Bass
R
Cymb.
Chk.
© 2012 Cassidy Byars Listen to a recording of this groove at: www.freedrumlinemusic.com
All Rights Reserved. International Copyright Secured
www.freedrumlinemusic.com
Zombie Squirrels
Cassidy Byars
q = 112 FreeDrumlineMusic.com
top x on rim
A
2 3 4 5 6
Snare Drums
R L R R L R R L R R R L R R L R R L R R L R L R R L R R L R R R L R R L R R L R L R L R L R R L R R L R R L R R L R
z
z
Tenor Drums
z z
R L R L R L B R L R L R L B B R L R L R L B R L R L R L R L RLRL RLRL R L R L RL RLRL R L R L
Bass Drums
R L R L R L R R L R L R L R L R L R L R L R R L R L R L R L R R R L R L etc...
Cymbals
Cr. Clk.
B
7 8 9 10
Snare
R L R R L R R L R R R L R L R l r l R l r l R l r l R l r l etc...
z
z z z z z z z
Tenors
RLRL RLRL R L R L RL RLRL R L R L RLRL RLRL R L R L RL RLRL R L R L
Bass
Cymb.
C
11 12 13
Snare
R L R R L R R L R
z z z
z
Tenors
RLRL RLRL R L R L RL RLRL R L R L R L R R L R R L R
Bass
R L R R L R R L R
Cymb.
14 15 16 17
Snare
R L R R L R R L R L R L R R L R R L R R L R R L R R L R R L R L R L R B
Tenors
R L R R L R R L R L R L R R L R R L R R L R R L R R L R R L R L R L R B
Bass
R L R R L R R L R L R L R R L R R L R R L R R L R R L R R L R L R L R R
Cymb.
q = 120 A
on rim
2 3 4 5 6
Snare Drums
R L R R L R L R L R R L R L R L R R L R L R L R L R R L R L R R R R R
f
Tenor Drums
B B B B B B B B B B B B B B B R L R L R R L R L R R L R L R R L R L R R L R L R R L R L R L
f
Bass Drums
R L R R L etc... R L R L etc...
f
Cymbals
Clk. etc... Cr. Cr. Clk. etc...
f
B
7 8 9
Snare
R R R R L R L R L R L R L R L R L R L R L R L R L R L
Tenors
R L R L R R L R L R R L R L R R L R L R L R L R L R L R L R L R L R L R L R L
Bass
R L R R L
Cymb.
Cr. Cr. Cr. etc...
10 11 12 13
Snare
etc... R
Tenors
etc... R
Bass
etc... R L R L R
Cymb.
Chk.
Cassidy Byars
q = 150 FreeDrumlineMusic.com
A B
Snare Drums
R... L... R... L...
Tenor Drums
R... L... R... L...
Bass Drums
R... L... R... L...
clicks
Cymbals
C D PATTERN - BCAD
Snare
R... L... R... L... R...
PATTERN - CABD
Tenors
R... L... R... L... R...
PATTERN - ABCD
Bass
R... L... R... L... R...
sizzle
S
Cymb.
Snare
L... R... L... R...
Tenors
L... R... L... R...
Bass
L... R... L... R...
Cymb.
Tenors
L... R... L... R
Bass
L... R... L... R
choke
Cymb.
A
2 3 4
Snare Drums
r l r l etc...
f
Bass Drums
R R L R l r L L L R l r L etc...
f f
Cymbals
Chk. Sld. Sld.
alt.
B C
1. Crossover L over R 2. Backsticking Vertical Sticking
5 6 7 6 8
6 6 6
Snare ( )
( )
( ) /\ /\/ \
R l r r l R l r r l R L r l r l r (l) r l R l r l R l l (R) l l r r (L) r r L r l r l r l R /L\ /R\ /L\ R
p f p f f
()()
Tenors
R L R L R l r l r r l l r r l l r L r L r (L) r (L) R L
f
Bass
R L R L R
f
Cymb.
Chk. Cr. Chk.
f
D E
9 10 3. 11 12End
Snare
f f
R stick toss
6
Tenors ()()
R l r l r l R l R L r r l l (r) (r) l l R L L L R R L R L R
fp f f f f
6
6
Bass
R L R L
R l l l r r r r r l r l r l r l r l r l r l r l r l r l r l R L L r l r l r l R L R L R
f p f p f f
Cymb.
Cr. Chk. Cr. Chk.
f f
© 2012 Cassidy Byars
All Rights Reserved. International Copyright Secured
www.freedrumlinemusic.com
Cassidy Byars
q = 101
A R on cymb. B
2
3
4
5
Snare Drums
f
visual
Tenor Drums
R R L R L R L R
f
Bass Drums
R L R L R L R L R L R L R L R L R L L L R R L R L L sim...
f
C
6
7
8
9
Snare
visual
Tenors
R L R L R L R R R L R L R L R R L R L R L R
Bass
sim...
Cymb.
D
10
11
12
13
Snare
r l r l R l r l etc...
Tenors
sim...
f
Bass
sim...
Cymb.
Cr. etc...
14 15 16 17
Snare
R
Tenors
B
Bass
R
Cymb.
Chk.
A
2 3 4 5 6
Snare Drums
R l r l R l r L r L r L R l r l r l R l R l r L r L r L R l r l
f
Tenor Drums
Bass Drums
R r l R r l R r l R L R L r l sim...
f
Cymbals
f
B
7 8 9 10 11
Snare
R l r l R l r L r L r L R l r l r l R l R l r L R L R L R L R L sim...
Tenors
R L R L R L R L R l r l R l R l (R) l r L r l (R) l r l R l R l R l (R) l r L r l (R) l R l r l R l R l (R) l r L r l (R) l
f
Bass
Cymb.
Cr. etc...
C
12 13 14 15 16 17
Snare
R
Tenors
r l R l R l R l R L R L R L R L sim... R
Bass
R
Cymb.
Cr. Cr. etc... Chk.
r on rim of drum 3
Tenor Drums
r etc... r l r l r l r l r l r l
C
f
Bass Drums
R L R L R L R L R L R L R L R L R L R R L R L R L R L R L R L R L R L R R L R L R L R L R L
f
Cymbals
Clk. etc...
f
B
6 7 8 9
Snare
R L R L R L R C r l r l R l r l etc...
Tenors
etc... R L R L R L R r l r r l r r l r r l r
C
Bass
R L R L R L R L R R L R L R L R L R L R L R L R L R L R L L R L
Cymb.
C
10 11 12 13
Snare
R L R L r l R l r l R l etc...
Tenors
sim... L R L R L R L L R
Bass
R L L R L L R L L R L R L L R L R L R L R L
Cymb.
Cr. Cr.
D
14 15 16 17 18
Snare
R L R L R L R L R L R R L R L R R L R L R
Tenors
etc... R L R L R L R L R L R R L R L R R L R L R
Bass
etc... R L R L R L R L R L R R L R L R R L R L R
Cymb.
etc... Cr. Cr. Cr. Cr. Clk.
q = 80 accel.
2 3 4 5
Snare Drums
R l r l R l r l R l r l R L etc...
f
Tenor Drums
R l r l R l r l R l r l R L etc...
f
Bass Drums
R L R L R L R L etc...
f
Cymbals
S S S S S
Siz. Clk. CLk. Clk. etc...
f
q = 140 A
6 7 8 9 10
Snare
r B r B etc...
Tenors
R R L R L R R R L R L R R R L R
Bass
R L R L R L R L R L R L R L R L R L R L R L R L R L
B
11
12
13
14
15
16 17
Snare
R L R L r l r l R L R L r l r l R l r L r l R l R l r L r l R l
p ff f
Tenors
R R L R L R R R L R L R R R L R sim... etc...
p ff f
Bass
R L R L R L R L R L R L r l r l R L R L r l r l sim... etc...
p ff f
Cymb.
Chk. Cr. Cr.
f
18 19 20 21
Snare
etc...
mp p
Tenors
p
Bass
p
Cymb.
Cr. Cr. etc...
p
22 23 24 25
Snare
ff
Tenors
ff
Bass
ff
Cymb.
Chk.
ff
2 3 4
Snare Drums
z z z z z
mf R l r R l r R l r R l r l
z z z z z z
Tenor Drums z z z z z z
l r l l r l l r l r l r
mf
Bass Drums
r r r l l l l etc...
f
Cymbals
5 6 7 8
Snare z z z z z
R l r R l r R l r R l r l
z z z z z z
Tenors z z z z z z
l r l l r l l r l r l r
Bass
Cymb.
clk. etc... Chk.
mf
9 10 11 12 13 edge optional
14
Snare
R l r l R l r l etc... R l r l R R L R L R L R l r l R l r l R l r l R l r l etc...
f mp
z z z
Tenors z z z
R l r l R l r l etc... R l r l R R L R L R L l r l r r r r r l r l r r r r r
f mp
Bass
R L R R L R L L R R L R L R L R R L R L L R R L R L r r r l l l l etc...
f f
Cymb.
Cr. etc... Clk. etc...
f mf
15 16 17 18 19 20 21
Snare
B B R L R L B B R L R L B B R L R L R L R L L R L L R
ff
Cassidy Byars
FreeDrumlineMusic.com
q = 90
Snare Drums
Clk...
f
Tenor Drums
f Clk...
Bass Drums
R R R L R L R R R L etc...
f
Cymbals
Clk...
f
Snare
R L R L R L R L etc...
Tenors
R L R R L R R L R L R L R etc...
Bass
Cymb.
Cr...
Snare
R
Tenors
R
Bass
R
Cymb.
Cassidy Byars
FreeDrumlineMusic.com
q = 145
Snare Drums
R R R R etc...
f
Tenor Drums
R L R L R L R L R L C C etc...
f
Bass Drums
R L R L R L R L R L R R etc...
f
Cymbals
Cr. Clk.
f
Snare
Tenors
Bass
Cymb.
Snare
R L R L R L R L R
Tenors
R L R L R L R L R
Bass
R L R L R L R L R
Cymb.
The Cavalry
Cassidy Byars
FreeDrumlineMusic.com
Marcia Moderato A July 4th, 2012 Celebration Cadence
2 3 4 5
Snare Z
Z
rl r L R r L r l r L R rl R l r l r L r l r l R l r L r l R l r l R l r l r L r l R l r l R l r L r l R L r L r L R
p mf
Bass
r l L r l r L r l r r l L R R l l R L
mf
B backsticking
6 7 8 9
()
S
R R R R r L L R R r l R l r r r (L) r r L R L R l r l r L L L r l R R R R l r l r L r l R l R
f
B
r l r l r l R L R r l r l r l R l R
f
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r l r r l l l r L r l r r l r l R
p f p f
D
14 15 16 17
Z Z
S
R L R R r L r L R RL R L R R r L r L l RLRL R l r r L r l l R r l R r l R R R l r l r l r l r l r l R
fp ff
visual visual
B
R L R L L R R l r l r l R
fp ff
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All Rights Reserved. International Copyright Secured
www.freedrumlinemusic.com
Cassidy Byars
FreeDrumlineMusic.com
Vocal/Visual A
q = 120 Vocal/Visual Vocal/Visual
sim...
Vocal/Visual
Snare Drums
R L R R L R C C R L R R L R C C R L R R L R C C R L R
f
Vocal/Visual Vocal/Visual
Vocal/Visual Vocal/Visual sim...
Cymbals
Cr. Clk.
f
B
Snare
R L R C C R l r l r l r l R l r l r l r l etc...
Tenors
Bass
Cymb.
Snare
R
Tenors
B
Bass
R
Cymb.
q = 115
A
2 3 4 vocal 5 stick clicks
Snare Drums
R L L R B B B R L L R R L R L R L R L R L L R B B B R L R L R L R C C
vocal z
Tenor Drums z z z
R L L R B B B R L L R R L R L R L R L R L L R B B B R L R L R L R r r l r
vocal
Bass Drums
R L R L R R L R L R L R L R L R R R L R R L R L
vocal
Cymbals
B
6 7 8 9 10
Snare
C C C C C C r l r l R l r l r l r l R l r l etc...
z z z z z z z z z z z z
Tenors z z z z z z z z z z z z z z
l r l r l r l r l r l l r l r l r r l r l r l r l r
Bass
R L R L R L R L R L R L R L R L R L R L
Cymb.
C
11 12 13 14 15 16
Snare
R L R L r l R l r l R l r l R l r l R l etc...
Tenors z z z z z z z z z z
l r l r l l r l r l R L R R L R R L R etc... R L R L
Bass
R L R L R L R L R L L R L R L L R L etc...
Cymb.
Cr. Cr. etc...
D E
17 18 19 20 21 22
Snare
R L R L R L R L R L R L R L R L R L R
Bass
R L R L R L R L R L R L R
Cymb.
Cr. Chk. Cr. Chk. Cr. Cr. Chk.
Cassidy Byars
FreeDrumlineMusic.com
q = 107
Snare Drums
R L R R L R L R R L R l r l r l l R r l etc...
Tenor Drums
R L R R L R L R R l r l R l r l r l r l R l r l etc...
Bass Drums
R L R R L R L R R L R L R etc...
Cymbals
Crash Clicks
Snare
r l r l r l r r l r r l r l r l r l r l r l etc...
Bass
r l r l r l r r l r r l r l r l r l R L R L R etc...
Cymb.
Snare
R L R L R L R L R L R L R L R L R L R L R
Tenors
R L R L R L R L R L R L R L R L R L R L R
Bass
R L R L R L R L R L R L R L R L R L R L R
Cymb.
Choke
Straight Eights
Cassidy Byars
FreeDrumlineMusic.com
Snare Drums
Tenor Drums
Bass Drums
Cymbals
Snare
Tenors
Bass
Cymb.
Snare
Tenors
Bass
Cymb.
Snare
Tenors
Bass
Cymb.
1 2
hihat
snare
12
ã 8
x x x œx x x x x x œx x x
.. œ ..
x x x œx x x x x x œx x x
.. œ ..
bass œ œ œ œ
3 4
x x x x x x x x x x x x x x x x x x x x x x x x
.
ã .œ œ
œ œ
œ
œ .. .. œ œ œ œ œ
œ ..
5 6
x x x œx x x x x x œx x x x x x œx x x x x x œx x x
.
.
ã œ œ œ œ œ œ .. .. œ œ œ œ œ œ ..
7 8
x x x x x x x x x x x x x x x x x x x x x x x x
.
ã .œ œ
œ œ
œ
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9 10
x x x x x x x x x x x x x x x x x x x x x x x x
.
.
ã œ œ œ œ œ œ .. .. œ œ œ œ ..
11 12
x x œx x x x œx x x x x x x x x x
.
ã .œ ‰ ‰ œ ‰ ‰ .. .. œ ‰ œœ ‰ œ ‰ œœ ‰ ..
13 14
x x x x x x x x x x x x x x x x
ã œ ‰ œ ‰ œ œ ‰ œ ‰ œ ..
.
. .. œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ ..
15 16
x x x x x x x x x x x x x x x x
ã . œ ‰ œ ‰ œ ‰ œ ‰ œ ..
. .. œ ‰ œ ‰ ‰ œ œ ..
17 18
x x x x x x x x x x x x x x x x
.
ã œ ‰ œ ‰
. ‰ œ œ œ .. .. œ ‰ œ ‰ œ ‰ œ œ œ ..
44
Kick/Bass drum
Hi-hat
2
3
Floor tom
4
5
6
shedrums.de
Introduction
This book is aimed at the beginner. Inside you will find many exercises which,
with a little patience and determination, will help you get to grips with the
basics of drumming. I cannot emphasise the importance of working with a good
tutor to avoid developing bad habits. YouTube is a fantastic resource for
tutorials, but you can’t beat one-to-one lessons for real feedback on your
playing.
The exercises in this book range in difficulty from the Initial level to Grade 2 of
the Trinity Drum Kit Syllabus, with most of the patterns based around
simple backbeats. These kinds of beats are very common in popular
music and learning to play them with feel and commitment is a rite of
passage for every drummer!
Start listening to great drummers for inspiration. You might never be able to
play as well as them and you should never, ever worry about that. What you
will gain is an understanding of feel, playing in time and the realisation that
every drummer’s style is unique to them.
A Standard 5 Piece Drum Kit
A standard kit comprises the following drums:
1 x Snare Drum (14”)
1 x Bass Drum (22”)
2 x Toms (12” and 13”)
1 x Floor Tom (16”)
Drum kits are often marketed as ‘Rock’ or ‘Fusion’ sizes. The sizes of the
drums above fall into the rock category. Fusion sizes are smaller, typically
with a 20” Bass Drum, and 10”, 12” and 14” Toms.
How to Hold Drumsticks
1. To start, lay a drumstick in front of you with the tip pointing away. Pinch the stick
about 1/3 of the way along, using your thumb and forefinger, palm facing downwards.
Step 1
2. Next, roll the stick across your forefinger so that it is now between the first and
second joints of the index finger but touching the first joint (Steps 2 & 3).
Step 2 Step 3
3. Now that you are holding the stick with the thumb and index finger, palm still
facing down, curl the other fingers loosely around the stick (Step 4). Don't grab the
drumstick tightly, since as you hit the drum, the stick should pivot around your index
finger.
Step 4 Step 5
4. Finally, tilt your hand at a slight angle to the right for the right hand, and to the left
for the left hand (Step 5). This will enable you use the 3 curled fingers to bounce the
stick, and is also a more natural hand position. For the matched grip, of course, the
drumsticks are held with left hand a mirror image of the right, forming capital ‘A’
shape (Step 6).
Step 6
NOTATION
Reading Music
In order to understand how to read music, it is necessary to become familiar with
the principles of musical notation; the set of visual symbols and instructions
which musicians translate into a musical performance. Whilst musical notation
is a vast subject, you don't need to know a lot to get started.
Drum Legend
Music for the drum kit is written on a stave comprising five horizonal lines.
Different elements of the drum kit are positioned on these lines, or the spaces
between them. As can be seen in the legend below, drums are represented by dots,
and cymbals by crosses.
Fig 2: Drum legend showing the positions of the drums and cymbals on the stave.
Drum kits can vary in size dramatically. Rock and metal drummers often have
large kits, sometimes with two bass drums and multiple toms. At the other end of
the spectrum, jazz drummers often settle for much smaller kits, with just a couple
of toms.
Fig 3: Drum kits vary in size. Compare Terry Bozzio’s kit (left) to my kit (right).
As a consequence, drum notation is not standardised, but some common practises
exist. Usually, higher pitched instruments (e.g., 1st and 2nd toms, and cymbals) are
placed near the top of the stave, whilst those with lower pitches (e.g. bass drums
and floor toms) are positioned near the bottom.
Different types of notes have different durations or values; some are long and
some are short, and each note has an equivalent rest. The U.K. and U.S. names
for notes are given below, with the U.S. names in italics.
6
Although drums and percussion instruments use the same kinds of notes as all the
other instruments, duration is less important to drummers because drums cannot
sustain sounds in the same way as, say, a piano or a violin. A semibreve
performed on a drum sounds the same as a semiquaver!
NB: Drummers get around this by playing closed rolls, where the notes are played very close
together to produce a long, continuous sound.
Time Signatures
Time signatures comprise two numerals, one on top of the other. As a beginner,
it’s sufficient to understand the top numeral as the number of beats in the bar.
For many years, I didn’t understand time signatures much beyond this; the
meaning of the bottom numeral remained a total mystery! The penny finally
dropped after I learnt about the American method of naming notes. This explains
notes as fractions of the whole note. By dividing the whole note by two, we end
up with two 1/2 notes (or minums, in the U.K.); divide the whole note by four and
we get four 1/4 notes (or crotchets in the U.K.).
The bottom numeral ‘4’ in the time signature 4/4 implies 1/4 notes. So, the time
signature 4/4 means there are ‘4’ (top numeral) 1/4 notes in the bar.
In 12/8, the bottom numeral refers to 1/8 notes. The top numeral tells us there
are 12 of them to the bar. To reiterate, this is using the U.S. system. In the UK, a
bar of 12/8 is said to contain twelve quavers, because 1/8 notes and quavers are
the same thing. Notice how the quavers are beamed together in groups of three.
9
Snare Drum Counting Exercises
The following exercises are for snare drum only, so a single line stave is all
that’s required. You will also come across the repeat symbols: two lines
followed by two dots at the start and end of a section of music:
Practise Tips
Exercise 1: Counting Crotchets
• Set the metronome to .
• Count 1,2,3,4 aloud as you play. Counting is provided in the first two lines.
• Always count evenly.
• Some bars contain crotchet rests . You do not play rests, but you must
count them!
10
11
12
13
14
BACKBEATS
Backbeats
Have you ever clapped along to a piece of music? The chances are you were
clapping along to the backbeat; an emphasis placed on
beats 2 and 4. In rock and pop, it is common for the backbeat to be played on
the snare drum, but it can be accented by any instrument.
Practise Tips
Exercises 5 and 6: Backbeat Patterns
• There are four different stages to this exercise. Work through each stage,
repeating several times before attempting the final one (5.4).
• These exercises introduce the hi-hat and bass drum.
• Make sure hands and feet are aligned when played together.
• Count the slowly and evenly, saying ‘1+2+3+4+’. Don’t rush!
• As always, it is recommended that you use a metronome when practising;
however, with the final stage of this exercise, make sure you can play it
first, then set the metronome to a tempo you feel comfortable with, i.e.,
not too fast to begin with.
16
17
18
19
20
Drum Fills
Put simply, a drum fill is anything that isn’t the main beat of a song. They are
usually placed at the ends of verses and choruses to give the song forward
momentum. When a fill is used as the intro to a song, it is usually to quickly
grab the listener’s attention.
Drum fills are not just an excuse for the drummer to play as many notes as
possible; they provide musical signposts. Often drum fills convey information
about the song’s structure. When fills are used throughout a piece of music, it is
often to signal the conclusion of each musical phrase or chord progression. A
drum fill placed at the end of a song’s verse may be used to generate
anticipation of the chorus.
NB: Sometimes fills become famous, like the intro to Led Zepplin’s ‘Rock ‘n’ Roll’ or the
tom fill in Phil Collin’s ‘In the Air Tonight’.
Practise Tips
Each of the following exercises combines a simple backbeat pattern with a fill.
Although the beat is written for the hi-hat, feel free to try it on the ride cymbal.
• Slashes are often used in drum charts in bars that are left open to
interpretation.
• Refer back to Exercise 4 to help with counting these rhythms.
21
22
23
24
Hi-Hat Pedal
There are three main ways to play the hi-hat: a) with a stick; b) with the foot
pedal (stepped hi-hat) or; c) a combination of both stick and foot pedal to create
open hi-hat patterns.
Most of the patterns this book has covered so far have focused on playing a
closed hi-hat with a stick. The hi-hat is said to be closed when the top and
bottom cymbals are pulled together by pressing down on the foot pedal.
Different effects can be achieved by varying the pressure of the foot on the
pedal. For example, when the foot presses down firmly, playing on the cymbals
with a stick will produce a ‘tight’ hi-hat sound. Slackening off the pressure a
little produces a loose or ‘trashy’ sounding hi-hat, where the two cymbals are
loose enough to rattle against each other.
Pulsing the foot on the pedal causes the cymbals to play against each other, to
produce a ‘chick’ sound. This is referred to as ‘stepped hi-hat’. Among other
things, this can be used to keep a metronome-like pulse through a rhythm or,
when placed on beats 2 and 4, to support the backbeat.
Fig 8: Stepped hi-hats played on the backbeat.
In music notation, open hi-hats are indicated by a small circle over the hi-hat
note; closed hi-hat are shown by a cross. Playing open hi-hat patterns requires a
degree of co-ordination; from a closed position, the foot pedal needs to lift as
the stick comes down to play the hi-hat cymbal.
In some patterns, the hi-hat maybe opened and closed consecutively. When this
occurs make sure the ‘chick’ sound of the closing hi-hat coincides with the stick
playing the cymbal.
Fig 9: Hi-hat notation: a small circle indicates ‘open’ and a cross is used for ‘closed’.
Practise Tips