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The Kramer Art Assessment

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Shannon Geraghty
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0% found this document useful (0 votes)
464 views3 pages

The Kramer Art Assessment

Uploaded by

Shannon Geraghty
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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The Kramer Art Assessment was created by Edith Kramer with the help

of Jane Fields in the Albert Einstein Medical College, Department of

Psychology in the Bronx. This assessment is meant for children ages 4-15 but

could theoretically be used for anyone, however Kramer urges that they

would need to be childlike or adventurous enough and open to create

symbolically with the materials. The assessment is intended to give clues

about developmental level, personality, and ego strength, and ultimately

offer some suggestions for interventions moving forward and what kind of

support is needed. It can also be used to observe areas of weakness or

danger but Kramer notes that these negative observations rarely contributed

to the big picture. This assessment is meant to be non-intrusive and as sort

of an introduction to therapy and what is to come, as it should be given

before sessions begin. This session lasts an hour to an hour and a half. To

start the child is asked to draw a picture of their choosing using a soft pencil,

eraser, and am 8-1/2 x 11in piece of bond paper. When they are finished,

they are given a choice between poster paint or clay. All three materials are

encouraged to be used at some point, but Kramer also notes that is the child

is really immersed in one specific medium to not push them. The paints

should be set out in an ice cube tray or similar. In each compartment there

should be black, red, orange, ultramarine blue, turquoise blue, and purple.

Yellow and white should get two compartments each. Green and brown are

left out because they can be made by mixing and orange and purple are

included because it is hard to achieve these colors using this type of paint.
Additionally, an empty tray for mixing, a 18x24 in gray paper, and various

sized bristle brushes should also be available. The paint should also be filled

when needed so the child feels like the materials are abundant. For the clay,

ceramic clay and tools are provided, these tools can be improvised items like

popsicle stick, etc. A container should be available for mixing slip and

another for water. Hand lotion, aprons, newspaper, sponges and anything

else that is needed should also be available. Normally you would have to fire

the ceramic before it can be painted but Kramer allows the child to paint on

the wet clay as it may yield important information. After the session is

complete a detailed protocol should be written immediately. There are no

formal guidelines on how this should be written or how the evaluation should

be made but Kramer makes some suggestions on how to organize it. She

says it’s helpful to focus on specific area of functioning and look at what

each material is supposed to cue in on. Drawing being controlled expression,

storytelling, and fact/fantasy. Paint being affect and mood; paint should also

theoretically loosen defenses. Clay gives clues on regression and integration.

During the evaluation the artwork should be considered as well as behavior,

sequence, and conversation. There may also be another art therapist or

intern in the room during the session to take notes.

Overall, this assessment is very casual in the way it is administered.

The art therapist should remain in the art therapist role rather than an

assessor and encourage the client and help when needed but it is pretty

client led and should feel like a regular art therapy session. I do like the
variety in materials and the free choice aspect, but I almost wish it had more

structure since it is an assessment. She does say that everyone

administering this should do so in a similar way for replication and evaluation

purposes but also says that each session is vastly different based on the

client so it kind of contradicts. I do like that its casual so that it doesn’t feel

like a test, but Kramer also noted that this isn’t always the case. She gives

an example of a girl who was cautious and therefore her session did not offer

much insight. Additionally, so notes it may not work for any older individuals,

I interpreted this as they would not be as willing to spontaneously engage

and therefore the assessment would essentially be null and void. I would also

be curious as to whether different paint could be used so the clients could at

least mix orange in addition to just green and brown. An hour and a half also

seem like a long time for a child to be in session, but I have obviously never

administered this assessment nor been in an individual art therapy session

with a child.

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