0% found this document useful (0 votes)
47 views42 pages

Islamist Militancy in Bangladesh: A Pyramid Root Cause Model 1st Edition Mostofa

Uploaded by

evellysuraev
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
47 views42 pages

Islamist Militancy in Bangladesh: A Pyramid Root Cause Model 1st Edition Mostofa

Uploaded by

evellysuraev
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 42

Download the Full Version of ebook for Fast Typing at ebookmass.

com

Islamist Militancy in Bangladesh: A Pyramid Root


Cause Model 1st Edition Mostofa

https://ebookmass.com/product/islamist-militancy-in-
bangladesh-a-pyramid-root-cause-model-1st-edition-mostofa/

OR CLICK BUTTON

DOWNLOAD NOW

Download More ebook Instantly Today - Get Yours Now at ebookmass.com


Recommended digital products (PDF, EPUB, MOBI) that
you can download immediately if you are interested.

The Root Cause Hans Norden

https://ebookmass.com/product/the-root-cause-hans-norden/

ebookmass.com

Root Cause Failure Analysis Trinath Sahoo

https://ebookmass.com/product/root-cause-failure-analysis-trinath-
sahoo/

ebookmass.com

The Root Cause: Rethink Your Approach to Solving Stubborn


Enterprise-Wide Problems Hans Norden

https://ebookmass.com/product/the-root-cause-rethink-your-approach-to-
solving-stubborn-enterprise-wide-problems-hans-norden/

ebookmass.com

Islamist Terrorism in Europe Petter Nesser

https://ebookmass.com/product/islamist-terrorism-in-europe-petter-
nesser/

ebookmass.com
Consuming Cultural Hegemony: Bollywood in Bangladesh 1st
ed. 2020 Edition Harisur Rahman

https://ebookmass.com/product/consuming-cultural-hegemony-bollywood-
in-bangladesh-1st-ed-2020-edition-harisur-rahman/

ebookmass.com

The Pyramid of Lies Duncan Mavin

https://ebookmass.com/product/the-pyramid-of-lies-duncan-mavin-2/

ebookmass.com

The Pyramid of Lies Duncan Mavin

https://ebookmass.com/product/the-pyramid-of-lies-duncan-mavin/

ebookmass.com

Youth Employment in Bangladesh: Creating


Opportunities—Reaping Dividends 1st ed. 2020 Edition
Fahmida Khatun
https://ebookmass.com/product/youth-employment-in-bangladesh-creating-
opportunities-reaping-dividends-1st-ed-2020-edition-fahmida-khatun/

ebookmass.com

Islam and Politics in Bangladesh: The Followers of Ummah


1st ed. 2020 Edition Mubashar Hasan

https://ebookmass.com/product/islam-and-politics-in-bangladesh-the-
followers-of-ummah-1st-ed-2020-edition-mubashar-hasan/

ebookmass.com
CRITICAL STUDIES OF
THE ASIA-PACIFIC
SERIES EDITOR: MARK BEESON

Islamist Militancy in
Bangladesh
A Pyramid Root Cause Model

Shafi Md Mostofa
Critical Studies of the Asia-Pacific

Series Editor
Mark Beeson, Political Science & International Relations, University
of Western Australia, Crawley, WA, Australia
Critical Studies of the Asia Pacific showcases new research and scholar-
ship on what is arguably the most important region in the world in the
twenty-first century. The rise of China and the continuing strategic impor-
tance of this dynamic economic area to the United States mean that the
Asia-Pacific will remain crucially important to policymakers and scholars
alike. The unifying theme of the series is a desire to publish the best
theoretically-informed, original research on the region. Titles in the series
cover the politics, economics and security of the region, as well as focusing
on its institutional processes, individual countries, issues and leaders. The
book series is Scopus Indexed.

More information about this series at


http://www.palgrave.com/gp/series/14940
Shafi Md Mostofa

Islamist Militancy
in Bangladesh
A Pyramid Root Cause Model
Shafi Md Mostofa
World Religions and Culture
University of Dhaka
Dhaka, Bangladesh

ISSN 2662-222X ISSN 2662-2238 (electronic)


Critical Studies of the Asia-Pacific
ISBN 978-3-030-79170-4 ISBN 978-3-030-79171-1 (eBook)
https://doi.org/10.1007/978-3-030-79171-1

© The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer
Nature Switzerland AG 2021
This work is subject to copyright. All rights are solely and exclusively licensed by the
Publisher, whether the whole or part of the material is concerned, specifically the rights
of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on
microfilms or in any other physical way, and transmission or information storage and
retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology
now known or hereafter developed.
The use of general descriptive names, registered names, trademarks, service marks, etc.
in this publication does not imply, even in the absence of a specific statement, that such
names are exempt from the relevant protective laws and regulations and therefore free for
general use.
The publisher, the authors and the editors are safe to assume that the advice and informa-
tion in this book are believed to be true and accurate at the date of publication. Neither
the publisher nor the authors or the editors give a warranty, expressed or implied, with
respect to the material contained herein or for any errors or omissions that may have been
made. The publisher remains neutral with regard to jurisdictional claims in published maps
and institutional affiliations.

Cover image: © Anton Balazh/shutterstock

This Palgrave Macmillan imprint is published by the registered company Springer Nature
Switzerland AG
The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland
This book is dedicated to Professor (Emeritus) Howard Brasted, Professor
Helen Ware, Professor Habib Zafarullah and Dr. Natalie Doyle, who
helped shape my ideas.
Foreword

Islamist Militancy in Bangladesh: A Pyramid Root Cause Model promises


to be an important book. In the first place, it turns the spotlight on
Bangladesh as a significant hub of Islamist militancy. Although the third
largest Muslim majority country in the world, it has tended to be over-
shadowed in the scholarly literature on religious extremism and Islamist
terrorism by both the Middle East and its former constituent South Asian
partner Pakistan, from whom it separated in 1971. Indeed, it has been
nuclear-armed Pakistan that has usually taken centre stage as the key
regional training centre and entrepot of terrorists.
Since 9/11 especially, Bangladesh has experienced several mass acts
of terrorist violence, notably the co-ordinated bomb attacks in August
2005 that occurred in all but one of the country’s 64 districts, and
the 12-hour siege of the Holey Artisan café in 2016 when a number
of international tourists were killed. Periodically, journalists, academics
and bloggers are assassinated for expressing opinions that are declared
by local militant groups to be anti-Islamic. That branches of Al Qaeda
and Daesh/Islamic State have also been set up in the last decade would
suggest that Bangladesh is increasingly being seen as a fertile ground for
terrorist activity and recruitment in its own right.
Yet there have been very few scholarly studies of the growing incidence
of religious militancy in Bangladesh or attempts to locate its sources and
drivers. And bit by bit Islamist fundamentalism continues to chip away at
the secular identity Bangladesh constitutionally embraced when parting

vii
viii FOREWORD

company with Pakistan 50 years ago. While Islamist militancy is not new
and has posed a serious challenge to law and order in Bangladesh since
its traumatic birth, particularly following the return of battle-hardened
veterans from the Soviet-Afghan war of 1979–1989, it constitutes an even
more obvious and present danger now.
In the second place, Islamist Militancy in Bangladesh: A Pyramid Root
Cause Model not only attempts to explain this history and the context out
of which Islamist militancy has emerged, but it also constructs a ‘pyramid
root cause model’ that ties all the causative variables into a connected anal-
ysis of what is happening in the period 2009–2019, the book’s chrono-
logical focus. Based on an exhaustive review of the relevant literature and
two extensive field trips in which over 70 interviews were conducted with
a variety of experts, this study investigates both the local and global factors
serving to radicalize Muslim youths and recruit them to the cause of local,
regional and international terrorism.
One of the more interesting findings to emerge is that most of the
young militants are drawn from the upper-middle classes, are gener-
ally well educated, and more often than not are the products more of
secular educational rather than necessarily traditional religious institutions.
What helps to radicalize them are a kaleidoscope of grievances stemming
from a lack of employment opportunity, disaffection with government at
all levels, populist perceptions of widespread corruption and nepotism,
personal crises and disillusionment with secular democratic responses to
the problems of widespread poverty and persistent disadvantage.
But the primary driving force the author of this volume, Dr. Shafi
Md Mostofa, singles out is Islamist ideology with its simple if seduc-
tive argument that Islam is the solution. What puts a premium on this
argument is the theologically based narrative that accompanies it, namely
that end-time cosmic war involving the ultimate sacred battle between
good and evil is just around the corner. Propagated by both Al Qaeda
and Islamic State through social media and cyber technology especially,
but also through professionally produced magazines like Resurgence and
Dabiq, the message is clear that fighting in the final war on earth with the
forces of unbelief—certainly in Bangladesh but particularly in India in line
with an ancient Hadith prophecy attributed to prophet Muhammad—is
the ultimate act of religious duty that will guarantee the triumph of Islam
as the only religion left in the post-apocalypse world. Whether or not such
messages continue to resonate with young Bangladeshis after COVID-19
FOREWORD ix

or actually be reinforced by the pandemic, Dr. Shafi Mostofa does not


speculate.
He believes, however, that despite the crackdown by the current Awami
League government on Islamist militant groups and the potential demise
of IS Bangladesh, it is very probable that the process of radicalization will
continue. For until the underlying causes of religiously inspired militancy
are confronted and addressed anti-government and certainly anti-western
sentiment will remain strong and likely grow stronger.
I have no hesitation in commending this book to those actively
studying Islamist radicalization not only in Bangladesh, but elsewhere
as well. Dr. Mostofa’s investigation sets out to break new ground in
explaining both its causes and trajectory and in his ‘pyramid root cause
model’ arguably achieves this. Although clearly a purpose-built model,
the clues it provides are of a kind to suggest that it may have a wider
trans-national application. Overall, his treatment is sufficiently clear and
uncomplicated to appeal to the general reader looking to understand
the phenomenon of Islamist militancy. Having worked with Dr. Mostofa
at the University of New England, Australia, where he completed his
doctorate in 2019, I look forward to his being recognized as a leading
analyst in this field as he rises through the profession at Dhaka university.

Dr. Howard Brasted


Emeritus Professor of History and Islamic Studies
University of New England
Armidale, NSW, Australia
Contents

1 Introduction 1
1.1 Revisiting Islamist Radicalization Puzzle 3
1.1.1 Theories of Radicalization 16
1.1.2 Models of Radicalization 18
1.2 Methodology 24
1.3 Limitations 26
References 27
2 The Islamization of Bangladesh 37
2.1 Introduction 37
2.2 The Spread of Islam in Bengal 38
2.3 Islamization from Below 41
2.3.1 Sufism or Popular Islam 41
2.3.2 Neo-Fundamentalism (Wahhabism, Salafism
and Deobandism) 43
2.3.3 Islamism 47
2.3.4 Contemporary Islamic Movements
in Bangladesh 50
2.3.4.1 The Barelvi Movement 50
2.3.4.2 The Tablighi jama’at 51
2.3.4.3 The Hefazat-e-Islam 53
2.4 Islamization from Above 58
2.4.1 The Bangladesh Nationalist Party (BNP) 59
2.4.2 The Jatiya Party (JP) 61

xi
xii CONTENTS

2.4.3 The Bangladesh Awami League (BAL) 62


2.5 Conclusion 67
References 68
3 The Rise and Growth of Islamist Militancy
in Bangladesh 75
3.1 Introduction 75
3.2 The Rise of Fundamentalism in Bangladesh 76
3.3 The Growth of Islamist Militancy in Bangladesh 81
3.4 Conclusion 94
References 96
4 The Local Drivers of Islamist Militancy in Bangladesh 103
4.1 Introduction 103
4.2 Economic Factors 104
4.3 Political Factors 107
4.4 Social Factors 116
4.5 Cultural Factors 120
4.6 Educational Factors 123
4.7 Psychological Factors 125
4.8 Personal Frustrations 126
4.9 Conclusion 127
References 128
5 Ideological and Global Factors of Islamist Militancy
in Bangladesh 135
5.1 Introduction 135
5.2 Ideology 135
5.3 Global Factors 143
5.3.1 The Fall of Socialism 143
5.3.2 Failure of Islamist Political Parties 143
5.3.3 The Failure of Muslim States 145
5.3.4 Islamophobia 145
5.3.5 Inspiration for Islamists 146
5.3.6 IS and Al Qaeda Connections 147
5.3.7 Neo-Imperialism 148
5.3.8 Impact of Modernization 152
5.3.9 The Influx of Rohingyas 153
5.3.10 Diaspora Radicalization 154
5.3.11 Transnational Militant Activities 155
CONTENTS xiii

5.4 Conclusion 155


References 156
6 Explaining Islamist Militancy: A Pyramid Root Cause
Model 163
6.1 Introduction 163
6.2 A Pyramid Root Cause Model 164
6.3 Macro Level Causes 164
6.4 Global Factors 165
6.4.1 Global-Grievances 165
6.4.2 Global-Facilitators 166
6.4.3 Global-Networks 167
6.4.4 Global-Triggers 167
6.5 Local Factors 168
6.5.1 Local Grievances 168
6.5.2 Local-Facilitators 171
6.5.3 Local-Networks 172
6.5.4 Local-Triggers 173
6.6 Micro Level Factors 173
6.6.1 Micro-Grievances 173
6.6.2 Micro-Facilitators 174
6.6.3 Micro-Networks 175
6.6.4 Micro-Triggers 175
6.7 Ideological Factors 176
6.7.1 Perceived Solutions for Grievances 176
6.7.2 Ideological Facilitators 176
6.7.3 Networks of Ummah 177
6.7.4 Apocalyptic and Eschatological Triggers 178
6.8 A Possible Model of Explanation 179
6.9 Conclusion 180
References 182
7 Concluding Remarks 187
References 191

Index 193
Abbreviations

AAI Ansar-Al-Islam
ABT Ansarullah Bangla Team
AHAB Ahl-e-Hadith Andolon Bangladesh
AHF Al-Haramain Islamic Foundation
AIAPC Anti-Islamic Activities Prevention Committee
AM Al Mujaherun
APA American Psychological Association
AQ Al Qaeda
AQIS Al Qaeda in the Indian Subcontinent
BAL Bangladesh Awami League
BBS Bangladesh Bureau of Statistics
BCP Biplobi Communist Party
BDR Bangladesh Rifles
BEI Bangladesh Enterprise Institute
BIISS Bangladesh Institute of International and Strategic Studies
BIPSS Bangladesh Institute of Peace and Security Studies
BNP Bangladesh Nationalist Party
CCP Chhinnamul Communist Party
CH Counter Hegemony
CHT Chittagong Hill Tracts
CI Counter-Institutionalization
CTTA Counter Terrorism and Transnational Crime
Daesh Al-Dawlah Al-Islamiyah fi Al-Iraq wa Al-Sham
DGFI Directorate General of Forces Intelligence
DI Darul Islam
EBAL East Bengal Awami Muslim League

xv
xvi ABBREVIATIONS

GB Gono Bahini
GMF Gono Mukti Fouz
GST General Strain Theory
GWOT Global War On Terrorism
HeI Hefazat-e-Islam
HT Hizb-ut Tahrir
HTB Hizb-ut Tahrir Bangladesh
HUJI Harkat-ul-Jihad al-Islami
HUJIB Harkat-ul-Jihad al-Islami Bangladesh
ICM Islamic constitution movement
IIF International Islamic Front
IIRO International Islamic Relief Organization
IS Islamic State
ISA Islamic Shashantantra Andolon
ISIL Islamic State of Iraq and Levant
ISIS Islamic State of Iraq and Syria
JeI Bangladesh Jama’at-e-Islami
JeM Jaish-e-Muhammed
JMB Jama’at-ul-Mujahideen Bangladesh
JMI Jama’at-ul-Mujahideen India
JMJB Jaggrata Muslim Janata Bangladesh
JP Jatiya Party
JTK Jund at-Tawhid wal-Khalifa
LeT Laskar-e-Taieba
MEPI Middle East Partnership Initiative
MMB Muslim Millat Bahini
MP Members of the Parliament
NBPC New Biplobi Communist Party
NGOs Non-Government Organizations
NU Nadhatul Ulama
NYPD New York Police Department
OIC Organisation of Islamic Conference
OPEC Organization of the Petroleum Exporting Countries
PBCP Purbo Bangla Communist Party
PBUH Peace Be Upon Him
PP Power Prestige
QFS Qital Fi Sabilillah
RAB Rapid Action Battalion
RIHS Revival of Islamic Heritage Society
RM Resource Mobilization
RSO Rohingya Solidarity Organization
SATP South Asia Terrorism Portal
SB Shanti Bahini
ABBREVIATIONS xvii

SCT Self-Categorization Theory


SIT Social Identity Theory
SMT Social Movement Theory
SP Socialist Party
SPM Sarbahara People’s March
SSH Servants of Suffering Humanity
TIB Transparency International Bangladesh
TJ Tablighi Jama’at
Discovering Diverse Content Through
Random Scribd Documents
168. See Appendix, note 52.

169. Richardson de la Peinture, vol. i. p. 74.

170. Geschichte der Kunst, p. 347.

171. Not Apollodorus, but Polydorus. Pliny is the only one who mentions these
artists, and I am not aware that the manuscripts differ in the writing of the name.
Had such been the case, Hardouin would certainly have noticed it. All the older
editions also read Polydorus. Winkelmann must therefore have merely made a
slight error in transcribing.

172. Ἀθηνόδωρος δὲ καὶ Δαμέας ... οὗτοι δὲ Ἀρκάδες εἰσὶν ἐκ Κλείτορος.


Phoc. cap. ix. p. 819 (edit. Kuhn).

173. Plinius, lib. xxxiv. sect. 19.

174. Lib. xxxvi. sect. 4. “Nor are there many of great repute the number of
artists engaged on celebrated works preventing the distinction of individuals; since
no one could have all the credit, nor could the names of many be rehearsed at once:
as in the Laocoon, which is in the palace of the emperor Titus, a work surpassing
all the results of painting or statuary. From one stone he and his sons and the
wondrous coils of the serpents were sculptured by consummate artists, working in
concert: Agesander, Polydorus, and Athenodorus, all of Rhodes. In like manner
Craterus with Pythodorus, Polydectes with Hermolaus, another Pythodorus with
Artemon, and Aphrodisius of Tralles by himself, filled the palaces of the Cæsars on
the Palatine with admirable statuary. Diogenes, the Athenian, decorated the
Pantheon of Agrippa, and the Caryatides on the columns of that temple rank
among the choicest works, as do also the statues on the pediment, though these,
from the height of their position, are less celebrated.”

175. Bœotic. cap. xxxiv. p. 778 (edit. Kuhn).

176. Plinius, lib. xxxvi. sect. 4, p. 730.

177. Geschichte der Kunst, part ii. p. 331.

178. Plinius, xxxvi. sect. 4.... “which would make the glory of any other place.
But at Rome the greatness of other works overshadows it, and the great press of
business and engagements turns the crowd from the contemplation of such things;
for the admiration of works of art belongs to those who have leisure and great
quiet.”

179. See Appendix, note 53.

180. Plinius, xxxvi. sect. 4.


181. Geschichte der Kunst, part ii. p. 347.

182. Lib. xxxvi. sect. 4.

183. See Appendix, note 54.

184. Prefatio Edit. Sillig. “Lest I should seem to find too much fault with the
Greeks, I would be classed with those founders of the art of painting and sculpture,
recorded in these little volumes, whose works, although complete and such as
cannot be sufficiently admired, yet bear a suspended title, as Apelles or Polycletus
‘was making’; as if the work were always only begun and still incomplete, so that
the artist might appeal from criticism as if himself desirous of improving, had he
not been interrupted. Wherefore from modesty they inscribed every work as if it
had been their last, and in hand at their death. I think there are but three with the
inscription, ‘He made it,’ and these I shall speak of in their place. From this it
appeared that the artists felt fully satisfied with their work, and these excited the
envy of all.”

185. See Appendix, note 55.

186. Geschichte der Kunst, part i. p. 394.

187. Cap. i. “He was also reckoned among their greatest leaders, and did many
things worthy of being remembered. Among his most brilliant achievements was
his device in the battle which took place near Thebes, when he had come to the aid
of the Bœotians. For when the great leader Agesilaus was now confident of victory,
and his own hired troops had fled, he would not surrender the remainder of the
phalanx, but with knee braced against his shield and lance thrust forward, he
taught his men to receive the attack of the enemy. At sight of this new spectacle,
Agesilaus feared to advance, and ordered the trumpet to recall his men who were
already advancing. This became famous through all Greece, and Chabrias wished
that a statue should be erected to him in this position, which was set up at the
public cost in the forum at Athens. Whence it happened that afterwards athletes
and other artists [or persons versed in some art] had statues erected to them in the
same position in which they had obtained victory.”

188. See Appendix, note 56.

189. Περὶ Ὕψους, τμῆμα, ιδ’ (edit. T. Fabri), ρ. 36, 39. “But so it is that
rhetorical figures aim at one thing, poetical figures at quite another; since in poetry
emphasis is the main object, in rhetoric distinctness.”

190. “So with the poets, legends and exaggeration obtain and in all transcend
belief; but in rhetorical figures the best is always the practicable and the true.”

191. De Pictura Vet. lib. i. cap. 4, p. 33.


192. Von der Nachahmung der griech. Werke, &c., 23.

193. Τμῆμα, β. “Next to this is a third form of faultiness in pathos, which


Theodorus calls parenthyrsus; it is a pathos unseasonable and empty, where
pathos is not necessary; or immoderate, where it should be moderate.”

194. Geschichte der Kunst, part i. p. 136.

195. Herodotus de Vita Homeri, p. 756 (edit. Wessel).

196. Iliad, vii.

197. Geschichte der Kunst, part i. p. 176. Plinius, lib. xxxv. sect. 36. Athenæus,
lib. xii. p. 543.

198. Geschichte der Kunst, part ii. p. 353. Plinius, lib. xxxvi. sect. 4.

199. See Appendix, note 57.


Messrs. Roberts Brothers’ Publications.

GOETHE’S
Hermann and Dorothea

TRANSLATED FROM THE GERMAN

By ELLEN FROTHINGHAM.
WITH ILLUSTRATIONS.

Thin 8vo, cloth, gilt, bevelled boards. Price $2.00.

A cheaper edition, 16mo, cloth. Price $1.00.


“Miss Frothingham’s translation is something to be glad of: it
lends itself kindly to perusal, and it presents Goethe’s charming
poem in the metre of the original.... It is not a poem which could be
profitably used in an argument for the enlargement of the sphere of
woman: it teaches her subjection, indeed, from the lips of a beautiful
girl, which are always so fatally convincing; but it has its charm,
nevertheless, and will serve at least for an agreeable picture of an age
when the ideal woman was a creature around which grew the beauty
and comfort and security of home.”—Atlantic Monthly.
“The poem itself is bewitching. Of the same metre as Longfellow’s
‘Evangeline,’ its sweet and measured cadences carry the reader
onward with a real pleasure as he becomes more and more absorbed
in this descriptive wooing song. It is a sweet volume to read aloud in
a select circle of intelligent friends.”—Providence Press.
“Miss Frothingham has done a good service, and done it well, in
translating this famous idyl, which has been justly called ‘one of the
most faultless poems of modern times.’ Nothing can surpass the
simplicity, tenderness, and grace of the original, and these have been
well preserved in Miss Frothingham’s version. Her success is worthy
of the highest praise, and the mere English reader can scarcely fail to
read the poem with the same delight with which it has always been
read by those familiar with the German. Its charming pictures of
domestic life, the strength and delicacy of its characterization, the
purity of tone and ardent love of country which breathe through it,
must always make it one of the most admired of Goethe’s works.”—
Boston Christian Register.

Sold everywhere. Mailed, postpaid, by the Publishers,


ROBERTS BROTHERS, Boston.

SANSKRIT AND ITS KINDRED


LITERATURES.
STUDIES IN COMPARATIVE MYTHOLOGY.

By LAURA ELIZABETH POOR.

16mo. Cloth. 400 pages Price, $2.00.


The book goes over ground which has been made new by the
modern discoveries in philology and mythology. It describes and
compares the literatures of the different Aryan families, and brings
forward the comparative mythology, as it manifests itself in each
different country, filling a place which is almost empty in that
department, and giving in a brief space information which is
scattered through hundreds of different volumes. In fact, there is no
one book which contains just what this does,—a sketch of
comparative mythology, with history enough to make it clear and
connected. It creates and fills a place of its own.

Rev. Dr. F. H. Hedge, of Harvard University, Cambridge, says of it:



“The unpretending volume with the above title is just what was
needed to popularize the results of the researches of such scholars as
Wilson, Spiegel, Grimm, Monier Williams, Müller, Whitney, and
others, and to place them within easy reach of readers who may not
have access to those writers. The author’s task seems to have been
well executed; she has produced an entertaining and instructive
work, full of interesting matter, illustrated by choice extracts, and
written in an easy and animated style. Such books, of course, are not
consulted as final authorities, but this is well worth reading by all
who desire an initial acquaintance with the subjects discussed.”
“One of the chief merits of the volume is the clearness with which
the author expresses her thoughts, and the skill with which she
disentangles the subtleties of metaphysical and religious doctrines,
making them plain to the most casual reader.”—Boston Courier.

“The book, of course, is an elementary one, but it must be valuable


to the young student who desires to get a complete view of literature
and of the reciprocal relations of its various divisions. It can hardly
fail to interest the reader in the new science of which it gives results,
and lead him to more exhaustive studies for himself. If such a work
could be made a school text-book it would give pupils a long start in
their pursuit of a correct and systematic knowledge of language and
literature.”—Buffalo Courier.

“Let no intelligent reader be deterred from its diligent perusal by


the learned name which introduces the interesting book now offered
to the public to illustrate studies in comparative mythology. The
word Sanskrit has an abstruse sound to unenlightened ears, but
there is nothing abstruse in the subject as here presented, and
nothing difficult to be understood by persons of ordinary culture....
The writer’s treatment of the subject is much to be commended. It is
bright, fresh, earnest, and strong. She arouses the reader’s attention
from the beginning, charms his imagination by choice extracts from
the literary treasures of past ages, pleases his taste by drawing
parallelisms between the myths of the past and the fables of the
present, convinces him that one literature unites different nations
and different centuries, and that each nation is a link in the great
chain of development of the human mind. We earnestly commend
this work to all who would understand the unity and continuity of
literature. It is full of general information and instruction, the style is
earnest and easy, the enthusiasm sympathetic, and the presentation
specially thought-stirring and satisfactory.”—Providence Journal.
TRANSCRIBER’S NOTES
1. Silently corrected palpable typographical errors;
retained non-standard spellings and dialect.
2. Reindexed footnotes using numbers and collected
together at the end of the last chapter.
*** END OF THE PROJECT GUTENBERG EBOOK LAOCOON ***

Updated editions will replace the previous one—the old editions


will be renamed.

Creating the works from print editions not protected by U.S.


copyright law means that no one owns a United States
copyright in these works, so the Foundation (and you!) can copy
and distribute it in the United States without permission and
without paying copyright royalties. Special rules, set forth in the
General Terms of Use part of this license, apply to copying and
distributing Project Gutenberg™ electronic works to protect the
PROJECT GUTENBERG™ concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if
you charge for an eBook, except by following the terms of the
trademark license, including paying royalties for use of the
Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is
very easy. You may use this eBook for nearly any purpose such
as creation of derivative works, reports, performances and
research. Project Gutenberg eBooks may be modified and
printed and given away—you may do practically ANYTHING in
the United States with eBooks not protected by U.S. copyright
law. Redistribution is subject to the trademark license, especially
commercial redistribution.

START: FULL LICENSE


THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the


free distribution of electronic works, by using or distributing this
work (or any other work associated in any way with the phrase
“Project Gutenberg”), you agree to comply with all the terms of
the Full Project Gutenberg™ License available with this file or
online at www.gutenberg.org/license.

Section 1. General Terms of Use and


Redistributing Project Gutenberg™
electronic works
1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand,
agree to and accept all the terms of this license and intellectual
property (trademark/copyright) agreement. If you do not agree
to abide by all the terms of this agreement, you must cease
using and return or destroy all copies of Project Gutenberg™
electronic works in your possession. If you paid a fee for
obtaining a copy of or access to a Project Gutenberg™
electronic work and you do not agree to be bound by the terms
of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only


be used on or associated in any way with an electronic work by
people who agree to be bound by the terms of this agreement.
There are a few things that you can do with most Project
Gutenberg™ electronic works even without complying with the
full terms of this agreement. See paragraph 1.C below. There
are a lot of things you can do with Project Gutenberg™
electronic works if you follow the terms of this agreement and
help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the
collection of Project Gutenberg™ electronic works. Nearly all the
individual works in the collection are in the public domain in the
United States. If an individual work is unprotected by copyright
law in the United States and you are located in the United
States, we do not claim a right to prevent you from copying,
distributing, performing, displaying or creating derivative works
based on the work as long as all references to Project
Gutenberg are removed. Of course, we hope that you will
support the Project Gutenberg™ mission of promoting free
access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for
keeping the Project Gutenberg™ name associated with the
work. You can easily comply with the terms of this agreement
by keeping this work in the same format with its attached full
Project Gutenberg™ License when you share it without charge
with others.

1.D. The copyright laws of the place where you are located also
govern what you can do with this work. Copyright laws in most
countries are in a constant state of change. If you are outside
the United States, check the laws of your country in addition to
the terms of this agreement before downloading, copying,
displaying, performing, distributing or creating derivative works
based on this work or any other Project Gutenberg™ work. The
Foundation makes no representations concerning the copyright
status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project


Gutenberg:

1.E.1. The following sentence, with active links to, or other


immediate access to, the full Project Gutenberg™ License must
appear prominently whenever any copy of a Project
Gutenberg™ work (any work on which the phrase “Project
Gutenberg” appears, or with which the phrase “Project
Gutenberg” is associated) is accessed, displayed, performed,
viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United


States and most other parts of the world at no cost and
with almost no restrictions whatsoever. You may copy it,
give it away or re-use it under the terms of the Project
Gutenberg License included with this eBook or online at
www.gutenberg.org. If you are not located in the United
States, you will have to check the laws of the country
where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is


derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of
the copyright holder), the work can be copied and distributed to
anyone in the United States without paying any fees or charges.
If you are redistributing or providing access to a work with the
phrase “Project Gutenberg” associated with or appearing on the
work, you must comply either with the requirements of
paragraphs 1.E.1 through 1.E.7 or obtain permission for the use
of the work and the Project Gutenberg™ trademark as set forth
in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is


posted with the permission of the copyright holder, your use and
distribution must comply with both paragraphs 1.E.1 through
1.E.7 and any additional terms imposed by the copyright holder.
Additional terms will be linked to the Project Gutenberg™
License for all works posted with the permission of the copyright
holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project


Gutenberg™ License terms from this work, or any files
containing a part of this work or any other work associated with
Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute


this electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1
with active links or immediate access to the full terms of the
Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form,
including any word processing or hypertext form. However, if
you provide access to or distribute copies of a Project
Gutenberg™ work in a format other than “Plain Vanilla ASCII” or
other format used in the official version posted on the official
Project Gutenberg™ website (www.gutenberg.org), you must,
at no additional cost, fee or expense to the user, provide a copy,
a means of exporting a copy, or a means of obtaining a copy
upon request, of the work in its original “Plain Vanilla ASCII” or
other form. Any alternate format must include the full Project
Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,


performing, copying or distributing any Project Gutenberg™
works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or


providing access to or distributing Project Gutenberg™
electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive
from the use of Project Gutenberg™ works calculated using the
method you already use to calculate your applicable taxes. The
fee is owed to the owner of the Project Gutenberg™ trademark,
but he has agreed to donate royalties under this paragraph to
the Project Gutenberg Literary Archive Foundation. Royalty
payments must be paid within 60 days following each date on
which you prepare (or are legally required to prepare) your
periodic tax returns. Royalty payments should be clearly marked
as such and sent to the Project Gutenberg Literary Archive
Foundation at the address specified in Section 4, “Information
about donations to the Project Gutenberg Literary Archive
Foundation.”

• You provide a full refund of any money paid by a user who


notifies you in writing (or by e-mail) within 30 days of receipt
that s/he does not agree to the terms of the full Project
Gutenberg™ License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg™ works.

• You provide, in accordance with paragraph 1.F.3, a full refund of


any money paid for a work or a replacement copy, if a defect in
the electronic work is discovered and reported to you within 90
days of receipt of the work.

• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project


Gutenberg™ electronic work or group of works on different
terms than are set forth in this agreement, you must obtain
permission in writing from the Project Gutenberg Literary
Archive Foundation, the manager of the Project Gutenberg™
trademark. Contact the Foundation as set forth in Section 3
below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend


considerable effort to identify, do copyright research on,
transcribe and proofread works not protected by U.S. copyright
law in creating the Project Gutenberg™ collection. Despite these
efforts, Project Gutenberg™ electronic works, and the medium
on which they may be stored, may contain “Defects,” such as,
but not limited to, incomplete, inaccurate or corrupt data,
transcription errors, a copyright or other intellectual property
infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be
read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except


for the “Right of Replacement or Refund” described in
paragraph 1.F.3, the Project Gutenberg Literary Archive
Foundation, the owner of the Project Gutenberg™ trademark,
and any other party distributing a Project Gutenberg™ electronic
work under this agreement, disclaim all liability to you for
damages, costs and expenses, including legal fees. YOU AGREE
THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT
EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE
THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY
DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE
TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL,
PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE
NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you


discover a defect in this electronic work within 90 days of
receiving it, you can receive a refund of the money (if any) you
paid for it by sending a written explanation to the person you
received the work from. If you received the work on a physical
medium, you must return the medium with your written
explanation. The person or entity that provided you with the
defective work may elect to provide a replacement copy in lieu
of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund.
If the second copy is also defective, you may demand a refund
in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set


forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’,
WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR
IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF
MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied


warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this
agreement violates the law of the state applicable to this
agreement, the agreement shall be interpreted to make the
maximum disclaimer or limitation permitted by the applicable
state law. The invalidity or unenforceability of any provision of
this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the


Foundation, the trademark owner, any agent or employee of the
Foundation, anyone providing copies of Project Gutenberg™
electronic works in accordance with this agreement, and any
volunteers associated with the production, promotion and
distribution of Project Gutenberg™ electronic works, harmless
from all liability, costs and expenses, including legal fees, that
arise directly or indirectly from any of the following which you
do or cause to occur: (a) distribution of this or any Project
Gutenberg™ work, (b) alteration, modification, or additions or
deletions to any Project Gutenberg™ work, and (c) any Defect
you cause.

Section 2. Information about the Mission


of Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new
computers. It exists because of the efforts of hundreds of
volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the


assistance they need are critical to reaching Project
Gutenberg™’s goals and ensuring that the Project Gutenberg™
collection will remain freely available for generations to come. In
2001, the Project Gutenberg Literary Archive Foundation was
created to provide a secure and permanent future for Project
Gutenberg™ and future generations. To learn more about the
Project Gutenberg Literary Archive Foundation and how your
efforts and donations can help, see Sections 3 and 4 and the
Foundation information page at www.gutenberg.org.

Section 3. Information about the Project


Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-
profit 501(c)(3) educational corporation organized under the
laws of the state of Mississippi and granted tax exempt status
by the Internal Revenue Service. The Foundation’s EIN or
federal tax identification number is 64-6221541. Contributions
to the Project Gutenberg Literary Archive Foundation are tax
deductible to the full extent permitted by U.S. federal laws and
your state’s laws.

The Foundation’s business office is located at 809 North 1500


West, Salt Lake City, UT 84116, (801) 596-1887. Email contact
links and up to date contact information can be found at the
Foundation’s website and official page at
www.gutenberg.org/contact
Section 4. Information about Donations to
the Project Gutenberg Literary Archive
Foundation
Project Gutenberg™ depends upon and cannot survive without
widespread public support and donations to carry out its mission
of increasing the number of public domain and licensed works
that can be freely distributed in machine-readable form
accessible by the widest array of equipment including outdated
equipment. Many small donations ($1 to $5,000) are particularly
important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws


regulating charities and charitable donations in all 50 states of
the United States. Compliance requirements are not uniform
and it takes a considerable effort, much paperwork and many
fees to meet and keep up with these requirements. We do not
solicit donations in locations where we have not received written
confirmation of compliance. To SEND DONATIONS or determine
the status of compliance for any particular state visit
www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states


where we have not met the solicitation requirements, we know
of no prohibition against accepting unsolicited donations from
donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot


make any statements concerning tax treatment of donations
received from outside the United States. U.S. laws alone swamp
our small staff.

Please check the Project Gutenberg web pages for current


donation methods and addresses. Donations are accepted in a
number of other ways including checks, online payments and
credit card donations. To donate, please visit:
www.gutenberg.org/donate.

Section 5. General Information About


Project Gutenberg™ electronic works
Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could
be freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose
network of volunteer support.

Project Gutenberg™ eBooks are often created from several


printed editions, all of which are confirmed as not protected by
copyright in the U.S. unless a copyright notice is included. Thus,
we do not necessarily keep eBooks in compliance with any
particular paper edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,


including how to make donations to the Project Gutenberg
Literary Archive Foundation, how to help produce our new
eBooks, and how to subscribe to our email newsletter to hear
about new eBooks.
Welcome to our website – the ideal destination for book lovers and
knowledge seekers. With a mission to inspire endlessly, we offer a
vast collection of books, ranging from classic literary works to
specialized publications, self-development books, and children's
literature. Each book is a new journey of discovery, expanding
knowledge and enriching the soul of the reade

Our website is not just a platform for buying books, but a bridge
connecting readers to the timeless values of culture and wisdom. With
an elegant, user-friendly interface and an intelligent search system,
we are committed to providing a quick and convenient shopping
experience. Additionally, our special promotions and home delivery
services ensure that you save time and fully enjoy the joy of reading.

Let us accompany you on the journey of exploring knowledge and


personal growth!

ebookmass.com

You might also like