Anth 100
Anth 100
Course meeting times are Mondays and Wednesdays from 11am to 12:30pm. Class will end at 12:20pm to
allow time for transition to the next class.
Land Acknowledgement
We respectfully acknowledge the Syilx Okanagan Nation and their peoples, in whose traditional, ancestral,
unceded territory UBC Okanagan is situated.
Instructor
laura.meek@ubc.ca
Office Hours: On Zoom after class on Mondays
Teaching Assistants
An overview of social and cultural anthropology and its origins, its distinctive methods and concepts, and its
place in the contemporary world. A critical examination of human diversity and how social and cultural
differences are produced and shaped by local and global patterns. [3-0-0]
Prerequisites: None
Course Format
Syllabus, assignment instructions and submissions, grades, and announcements will be via Canvas, so please
check our Canvas course website frequently. (Important announcements will also be emailed to you via
Canvas.)
All course readings are available through the UBC Library Online Course Reserves. There are no texts to
purchase for this class.
Course Overview
Cultural anthropology has been defined as the study of human cultures. As a Western discipline, anthropology
historically entailed someone from the West studying cultures that were “different” or non-Western. But now
cultural anthropologists study any aspect of social life among any group of people in any part of the world.
Anthropologists do fieldwork – deep immersion among the people and culture they want to understand. They
also work with different kinds of texts and cultural “artifacts” – food, the internet, medicine, films and media,
archives, etc. They study a wide range of topics, too: magic and religion, medicine and forms of healing, the
state and modes of government, economic systems and institutions, popular culture and performance, and the
list goes on! In general, culture anthropologists can be said to study the relationship between culture, history,
and power. We will spend this course examining what this means.
Central to cultural anthropology (and thus to this course) is the idea that the world around us is a product of
humans interacting with each other, and with other living and non-living parts of our world. Because the world
isn’t just a fixed set of “givens,” this course is not just about “an expert” giving “information.” I will not give you
facts about “different cultures,” nor will I discuss possible “solutions” to racism, sexism, or “under-
development.” Instead, my goal is to get you to think critically about these issues. What do they mean and
where did this meaning come from? Critical thinking is different from criticizing. Thinking critically involves
questioning what we take for granted: it means looking at the historical conditions that make certain facts and
realities possible. For example, how did race become a social reality? How are racial structures maintained?
Course Objectives
Learning Outcomes
1. Key Concepts: Identify and explain key concepts, theories, and debates in contemporary
anthropology.
2. History of Anthropology and Colonialization: Understand the historical development of anthropology
and the methods anthropologists use to study society.
3. Power: Connect social and cultural practices to larger contexts of politics, economics, and power in
their worlds.
4. Knowledge: Think critically about the way knowledge as well as objects and images circulate publicly
and privately.
5. Critique: Apply anthropological perspectives to critique ethnocentric assumptions and address
contemporary, human problems.
6. Critical Synthesis: Possess an ability to critically examine the assumptions, evidence, and methods of
anthropological and related materials, and actively apply this in their own original writing assignments.
7. Positionality: Understand positionality and critically reflect upon your own beliefs and how they are
shaped by broader social processes.
8. Ethics: Identify and critically assess ethical issues that arise in the practice of anthropology and
ethnography.
1. Please check Canvas regularly. Class announcements, assignments, grades, and other pertinent information
will be available on Canvas.
2. You are expected to complete all of the required readings and films for each week, before the
corresponding lecture. Lectures will supplement rather than simply summarize course readings, so doing
the readings in advance will help you to follow along.
3. You will be expected to contribute substantially to the class learning environment through in-class activities
and discussions. Class participation is graded for completion, meaning that you will receive full credit so long
as you are in attendance. Comments in the chat on Canvas are very welcome, and you are encouraged to
keep your video on during lectures, though this is not required.
4. You are encouraged to ask questions, think out loud, say something and then take it back, laugh, and
generally speak informally during class. There is value in finding answers and making definitive statements;
but in a course like this, there is far more value in asking good questions. This openness is part of thinking
new thoughts and helping others to do the same. Let’s be supportive, curious, respectful, and patient with
one another!
5. You are also encouraged to attend office hours to discuss readings, feedback on your work, anthropology,
or your thoughts on course materials. Please do not hesitate to email the instructor to set up a meeting if
you can’t make the regular office hours time.
6. Please allow 48 hours—during the work week—for the instructor or TAs to reply to your emails. We will
make every effort to reply to you as quickly as possible, but if after 2 days you haven’t received any
response, feel free to email again with a gentle reminder.
7. We understand that you may have responsibilities, personal difficulties, and health concerns that at times
interfere with your coursework. If this happens, please speak to the instructor as soon as possible so that
we may formulate a plan to help you succeed in this course.
8. If you cannot attend a class due to a religious observance, or, if you have a learning disability for which you
require accommodations, please let us know at the beginning of the semester.
Attendance and Participation 26% Recorded at each class meeting (see schedule below)
4 Essays (on 2 assigned readings + 1 film) 48% Due: Jan 24; Feb 14; March 14; April 9 (by midnight)
Final Exam 26% To be scheduled
Total 100%
Attendance & Participation (26%): You are expected to attend and actively participate in each class period.
There is one required reading assigned for each class period, which you are expected to have read and thought
about before coming to class. Your attendance will be recorded at each class meeting throughout the term and
formally recorded in the gradebook on Canvas so that you can track your score.
Absences will be excused for religious observance, and for personal or medical emergencies, with
documentation. Each student is also allowed up to two non-documented sick days during the term. To be
excused, please email your TA (see list of TA’s and their assigned students on page 1 above).
Reading & Film Response Essays (48%): You will write 4 essays during the semester, which are due by midnight
on the following dates: Jan 24; Feb 14; March 14; April 9. Each essay is worth 100 points total, and late
submissions will be marked down by 10 points per day. As there are 4 essays total, comprising 48% of your
course grade, each individual essay counts for 12% of your course grade.
Each essay should respond to two course readings and one film. You may select any combination of readings
and films you’d like to write about, but you cannot use the same reading or film on more than one essay. (This
means that over the course of the term you will write about 8 assigned readings and 4 assigned films.) You are
highly encouraged to focus on the topics and materials that you find most interesting!
Each essay should be approximately 1,000 to 1,200 words (including bibliography). Your essay should include
a brief summary of the film and 2 readings—indicating what the main arguments were and what kind of
evidence they used to support it— as well as offering your own reflections on the material. (Aim for about
50% summary and 50% reflection.)
In your reflection, try to think through the key ideas and findings in the material by considering their broader
significance. For instance, you could write about: how they speak to your own experiences; the ways in which
they relate to current issues or events; what they reveal about cultural diversity or social justice; their
connection to other ideas or approaches you’ve learned in this or another course; etc.
More detailed instructions and a grading rubric for this assignment will be provided separately on Canvas.
Final Exam (26%): The final exam for this course will be held online between Friday, April 11 – Saturday, April
26. The university will announce the exact date and time. Please note that it may fall on a Saturday or Sunday.
Students are advised not to schedule any travel until after this date has been set to avoid a conflict between
travel plans and exam time. The allotted duration of the exam will be 2.5 hours.
The final exam will take place on Canvas and will be open book, meaning that you may refer to course readings,
PowerPoint slides, lecture notes, films, etc. However, you may NOT use any form of AI or communicate in any
way with other students in the course. This would be considered cheating and disciplinary action will be taken
in such cases.
The exam will consist of short answers and there will be a choice of which questions to answer (e.g.
approximately 8 questions total of which you would need to answer approximately 4). These questions will ask
you to reflect upon the central themes of the course, to demonstrate that you grasp the key concepts, and to
support your answers with specific examples from assigned readings, films, and class lectures. The best way to
prepare for the exam is to attend lectures regularly and to keep up with the readings and films throughout the
term. A review session is scheduled for the last week of class.
The following table provides a tentative schedule for the term and may be adjusted dependent on the class
needs. Please follow Canvas announcements for updates.
Week Topic Required Readings and Films Due Dates & Work At-Home Days
Mon, Jan 6
Introductions and read through
Syllabus
Introduction to
Wednes, Jan 8
Week 1 Course and
Miner: “Body Rituals of the Nacirema”
Anthropology
Film (in class): BabaKiueria (1986),
directed by Don Featherstone.
Mon, Jan 13
Kromidas: “Learning War/Learning
Race”
Mon, Jan 20
Omi and Winant: “Racial Formations”
Mon, Jan 27
Mikdashi: “What Is Settler
Colonialism?”
Settler
Week 4
Colonialism Wednes, Jan 29 Watch film at home. No class meeting.
Film (at home): Yintah (2024),
directed by Jennifer Wickham, Brenda
Michell, and Michael Toledano.
Mon, Feb 10
McIntosh: “White Privilege”
Mon, Feb 24
Fausto-Sterling: “Pink and Blue
Forever” and “The Developmental
Dynamics of Pink and Blue”
Wednes, Feb 26
Week 7 Sex and Gender Martin: “Egg and the Sperm”
Week 8 Patriarchy
Wednes, March 5
Ochoa: “Introducing . . . the Queen”
Mon, March 17
Illouz: "The Class of Love"
Mon, March 31
Ferguson: “Decomposing Modernity”
Mon, April 7
LAST CLASS MEETING
Review for Final Exam
Review for Final
Week 13
Exam
Essay 4 Due Wednesday (April 9) by
Midnight.
Final Examinations
The examination period for Term 2 of Winter 2024-2025 is Friday, April 11 – Saturday, April 26. Except in the
case of examination clashes and hardships (three or more formal examinations scheduled within a 24-hour
period) or unforeseen events, students will be permitted to apply for out-of-time final examinations only if they
are representing the University, the province, or the country in a competition or performance; serving in the
Canadian military; observing a religious rite; working to support themselves or their family; or caring for a family
member. Unforeseen events include (but may not be limited to) the following: ill health or other personal
challenges that arise during a term and changes in the requirements of an ongoing job.
Further information on Academic Concession can be found under Policies and Regulation in the Okanagan
Academic Calendar http://www.calendar.ubc.ca/okanagan/index.cfm?tree=3,48,0,0.
Academic Integrity
The academic enterprise is founded on honesty, civility, and integrity. As members of this enterprise, all
students are expected to know, understand, and follow the codes of conduct regarding academic integrity. At
the most basic level, this means submitting only original work done by you and acknowledging all sources of
information or ideas and attributing them to others as required. This also means you should not cheat, copy, or
mislead others about what is your work. Violations of academic integrity (i.e., misconduct) lead to the
breakdown of the academic enterprise, and therefore serious consequences arise and harsh sanctions are
imposed. For example, incidences of plagiarism or cheating usually result in a failing grade or mark of zero on
the assignment or in the course. Careful records are kept to monitor and prevent recidivism. A more detailed
description of academic integrity, including the University’s policies and procedures, may be found in the
Academic Calendar at: http://www.calendar.ubc.ca/okanagan/index.cfm?tree=3,54,111,0
Grading Practices
Faculties, departments, and schools reserve the right to scale grades in order to maintain equity among sections
and conformity to University, faculty, department, or school norms. Students should therefore note that an
unofficial grade given by an instructor might be changed by the faculty, department, or school. Grades are not
official until they appear on a student’s academic record.
http://www.calendar.ubc.ca/okanagan/index.cfm?tree=3,41,90,1014
© Copyright Statement
All materials of this course (course handouts, lecture slides, assessments, course readings, etc.) are the
intellectual property of the Course Instructor or licensed to be used in this course by the copyright owner.
Redistribution of these materials by any means without permission of the copyright holder(s) constitutes a
breach of copyright and may lead to academic discipline.