Memories
of a
Traveler
Author
Name
Memories
of a
Traveler
Author
Name
© Author Name
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Prologue
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1
Chapter Title
D eveloping a narrative is important for both
novelists and non ction writers, but it can be
daunting. It can be useful to ask yourself a few questions:
• What is the engine of my book? What gives your story
momentum and compels readers to keep turning the
pages? Is it a tense, dramatic plot, or is it emotional
investment in the fate of a character who evolves over the
course of the story? Where is the climax?
• How do I want things to end? How do you want
readers to feel when they nish your book? What needs
to be resolved to deliver a meaningful, satisfying
conclusion to your narrative?
• What are the qualities of popular books in my genre
and how does mine stand out? Is it the way the
characters are developed? Unforgettable narrators?
Suspenseful plots? How can you bring that same power to
your book?
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Once you understand the basics of narrative, you don’t
have to follow all of the rules. In fact, some of your favorite
books that you enjoy as a reader might break away from
typical narrative structure. As the writer, you have the
freedom to structure your book in whatever way feels most
powerful and e ective, even if that means breaking some of
the rules.
“Every book needs a structure, but that structure is going
to be very di erent depending on whether you’re talking
about ction or non ction. Also, depending on which genre
of ction you’re talking about,” said author and publisher
Noah Lukeman. “Romance might have its own demands
versus mystery versus thriller versus science ction.”
“Structure is de nitely very important in a book,
especially if you’re new,” said author Barbara Freethy. “…
There’s a reason for the structure. There’s a reason why
you want to have plot points at certain points in a book and
you want to have a sense of excitement. I think when you
rst start out sometimes you’re doing it by instinct. I know I
was.”
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