HIS TOR Y                       OF      TH E R O SICR U CIA N S                                     .
G n o stic l eg en d that Christ was crucifi ed i n the Empyr e an
an d as Nazar e th           acc ordi n g to S t J er o m e sign ifi ed the
                                               ,                                                                       ,
fl o w e r and was si tu at e d in Carm el the vi n eyard or gard en
                   ,                                                                               ,
           ”
of G od       J esus of Na z are th by a c o mm on ext en sion o f the
                       ,                                                   ,
symb olism is s o m etim e s id en tifi e d as this crucifi e d fl o w er l
                                   ,
                                                                                                                                                   .
    I n classical fabl e the gard en of Midas the Ki ng of the
                                                   ,                                                               ,
P hrygian s w as situat e d at the fo o t o f M o u n t Bermi on an d
                               ,                                                                                                           ,
was gl o rifi ed by the pr e s enc e of r o s es with sixty p e tals which                                                              ,
exhal e d an e xtra ordi n ary fragranc e               N o w the r o s e was                          .
                                                                                                                       ,
sacr e d t o D i on ysius o r B acchus an d B acchus en d o w e d
                                                           ,                                       ,
Midas with the p o w er o f tran smu t i n g ev e ry thi ng i nt o go ld
s o h er e is a dir e ct c o nn e cti o n b etw ee n the R o s e an d A lch e my                                                                       .
    I n the M e tam o rph o s e s o f A pul e ius Lucius is r e st or e d to                               ,
his huma n shap e by d e v o uri n g a chapl et o f r o s es Ev ery                                                                .
w h er e the same typ ol o gy m e et s us The P eruvian Ev e                                           .
sin n e d by plucki ng r o s e s which are als o call ed F rute del    ,
A r bor  2
               A me ss en g e r fr o m h eav en ann o u n c e s to the
               .
M exica n Ev e that she w ill b ear a S o n w ho shall bruis e the
s erp en t s h e ad he pr e s en ts her with a R o s e an d this gift
                       ’
was foll o w e d by an A ge o f R o s es as i n I n dia t h ere w as the                   ,
A ge o f the L o tus                       .
    Th ere are o ccasi on al allusi on s t o the R o s e in the H ebr ew
S crip t ur e s but it is us ed as a p o e tic imag e rath e r t han an
                               ,
arcan e symb ol an d as such it has b een always i n high
                                       ,
                         3
fav o ur with p oe ts                      .
                                                                                                                                               q
   1
           P r o f e ss o r M ax           M u ll e r
                                          c on sid e r s t h e wo r d 666 to b e A r yan                                   01)                         ,
an d o r i gin ally t o h av e m e an t si m ply a sp r i g o r fl o we r                                                       .
    2
          M e xic an A n t iq u i t i e s   v o l vi     p 1 20,
                                                                   ”
                                                                               .   .
                                                                                       ,       .               .
    3
      I n P e r si a i t is c o nn e c t e d wit h th e n i gh t i n gal e           Tr a di ti on                             .
says th at th e b ir d u tte r s a plain t i v e c r y w h e n e v e r th e fl owe r is
g at  h e r e d a n d t h at i t will h o v er r o u n d t h e pl an t i n t h e sp r in -
                           ,                                                            g t im e                                                       ,
t ill o v erp ower e d wi th i t s fragran c e i t falls s e n s e l e ss t o th e gr ou n d
       ,                                                                               ,                                                               .
The R o s e is s u pp o s e d t o b u r s t fo r t h fr o m i t s b u d at t h e o p e n i n g
s ong o f th e n i gh t in gal e Yo u may plac e a h an dfu l o f fr agr an t h e r b s
                                                       .
                HIS TOR Y               OF       T HE   R O SICR UCIA N S             .
t r ee o f the Cr o ss S om e o f th e m h av e ev en push ed th eir
                                .
audaci ty fur t h er an d fear n o t t o e mpl o y the t erms o f the
                            ,
N ew T e s t am en t t o fo rm th e ir all eg ori e s and enigmas                                 .
J e an de Ro qu et aillad e k nown u n d er the nam e o f Jean de
                                        ,
Rap e S cissa an d A rn aud de Vill en euv e say i n t h eir w o rks
                    ,                                             ,
o n  the  c o mp o siti o n o f the S t o n e o f t he P hil o s o ph ers — I t is
n ee  dful tha t the S on o f Man be lift e d up o n the Cr o ss
b efo r e b eing gl orifi e d ; to sig nify the v ola t ilisa t io n o f the
                                                          ” 1
fix e d and ign eo us par t o f the m att er                   .
     I hav e bri efly t rac e d the typ ol o gical his t ory o f the Ro s e
an d Cr o ss    .   It is o bvi o us as I hav e alr e ady r em arke d t ha t
                                             ,                                                ,
the a n t iqui t y o f t h e s e e m b l ems is n o pr oo f o f the an tiqui t y
o f a s o ci e t y which w e find t o be using th em a t a p eri o d
subs equ en t to the Ren aissan c e It d oe s no t e v en supp o s e
                                                    .
                    ’
that s o ciet y s ini t iati o n i n t o the hi e ratic s e cr et s which the
e ld e r w o rld may hav e summaris e d                       in t h o s e particular
symb ols In the cas e which is i n qu e s t i o n such a k now
            .
                                                                          ,
l e dge w o uld i nv ole the a n tiquity o f the Ro s1 eru el ans                                 ,
b e caus e it is o nly a t a tim e l o ng subs e qu en t to t h e ir fir st
p  u bli c app   e ara n c e  tha    t  t  h e pas  t  h as  b e e  n   su fli ei e n tly dis
e n t o mb e d to u n c o v e r the significa n c e o f i t s                  symb ols to
uninitiat ed stud ent s Can a c orr e sp ond en c e be establish e d
                                    .
b et w een t he m e ani ng o f the Ro s e an d the Cr o ss as t h ey are
us e d by the ancient hi er o grammatists an d that o f the           ,
Ro s e-  Cr o ss as i t is us ed by the R o sicrucian F rat ernity ?
This is the p oi n t to be asc er taine d If a c o nne cti o n t h er e
                                                          .
be th en i n s o m e way w e may not k n o w wha t the s e cr et
   ,                                    ,                                         ,
has b een han d e d d ow n fr o m generat i on to generati on and                             ,
t he myst eri o us b r o t h erh o o d which ma n ife st e d its e xiste nc e
sp on t an eously at the b eginni ng o f the s e ven t een t h c en t ury                         ,
is afli liated wi th the hi er oph an t s o f Egyp t and I ndia who                        ,       ,
                        1
                         D ic t i o nn a i re M y th e -
                                                       H e rm é t i qu e      .