Theory of Architecture I
By
Dr. Mohammed Shabander
(B.Sc.Arch.,M.Sc.U.D.,Ph.D.C.P.)
Lecture 5
(Engineering and architecture in the second
half of the nineteenth century)
3rd Year Architecture
2015/2016 Second Semester
Architecture in the Late of 19th c.
Architecture in the Late of 19th c.
Classical Revival Style
• Identifiable Features
• Formal symmetrical design, usually
with center door
• Front facade columned porch
• Full height porch with classical
columns
• Front facing gable on porch or main
roof
• Decorative door surrounds, columns,
or sidelights
• Rectangular double hung windows
• Roof line balustrade
Architecture in the Late of 19th c.
Modern Rational Style
• The Modern Movement of architecture
represents a dramatic shift in the design of
buildings.
• Based on the use of the new man-made
materials, steel & metal – frame construction.
• Elevator helped America to invent the
skyscraper
• Use of concrete & glass to create functional
buildings with clean lines & without
decoration.
Common Themes of Modern Architecture
• The notion that "Form follows function", a dictum
originally expressed by Louis Sullivan, meaning that
the result of design should derive directly from its
purpose.
• Simplicity and clarity of forms and elimination of
"unnecessary detail“.
• Visual expression of structure (as opposed to the
hiding of structural elements).
• Use of industrially-produced materials; adoption of
the machine aesthetic.
• A visual emphasis on horizontal and vertical lines.
LOUIS SULLIVAN,
Guaranty
(Prudential)
Building, Buffalo,
1894–1896.
Louis Sullivan, Carson, Pirie, Scott Building (Chicago),
1899-1904
The Robie House (1910) in Chicago by Frank Lloyd Wright.
It is agreed, we refuse to duplicate
handmade works, historical style
forms, and other materials for
production.
- Peter Behrens, 1907
Rejection of historical and handmade artefacts
– they are to be replaced by new technologies
and materials.
Ornament is a waste of the energy of
labour, and therefore a waste of health…
Today it also means squandered material
and squandered capital…
The modern person, the person with
modern nerves, does not need ornament,
on the contrary, he detests it.
- Adolf Loos “Ornament and Crime” 1908
Less is more.
- Mies van der Rohe
Architects and designers
approached design by methods that
reduced all unnecessary elements.
Early modernism
• Modern architecture as primarily driven
by technological and engineering
developments.
• Modernism is a matter of taste,
• A reaction against eclecticism and the
lavish stylistic excesses
of Victorian and Edwardian architecture.
Modernism
A break from the past
and a search for new expression.
A faith in new technology and
aesthetics
to solve problems of society.