VIOLA PART I VOL.

VIOLA SCHOOL
Volume 5
Viola Part
Revised Edition

AMPV: 1.00

© 2015, 2010, 1999, 1986 Dr. Shinichi Suzuki

Sole publisher for the entire world except Japan:
Summy-Birchard, Inc.
Exclusive print rights administered by Alfred Music
All rights reserved. Printed in USA.

Available in the following formats: Book (0249SX), Book & CD Kit (45021), CD (0545)

Book Book & CD Kit

ISBN-10: 0-7390-7131-9 ISBN-10: 1-4706-3030-3
ISBN-13: 978-0-7390-7131-1 ISBN-13: 978-1-4706-3030-0

The Suzuki name, logo and wheel device

are trademarks of Dr. Shinichi Suzuki
used under exclusive license by Summy-Birchard, Inc.
Any duplication, adaptation or arrangement of the compositions
contained in this collection requires the written consent of the Publisher.
No part of this book may be photocopied or reproduced in any way without permission.
Unauthorized uses are an infringement of the U.S. Copyright Act and are punishable by law.
 ACKNOWLEDGMENTS
The compositions in this volume were arranged for viola and piano by
Doris Preucil. The viola parts were edited by William and Doris Preucil with
the assistance of Suzuki Association of America Viola Committee members
Leroy Bauer, Louita Clothier, William Foster, Virginia Schneider, and
Elizabeth Stuen-Walker.

INTRODUCTION
FOR THE STUDENT: This material is part of the worldwide Suzuki Method®
of teaching. The companion recording should be used along with this publication.
A piano accompaniment book is also available for this material.

FOR THE TEACHER: In order to be an effective Suzuki teacher, ongoing

education is encouraged. Each regional Suzuki association provides teacher
development for its membership via conferences, institutes, short-term and
long-term programs. In order to remain current, you are encouraged to become
a member of your regional Suzuki association, and if not already included, the
International Suzuki Association.

FOR THE PARENT: Credentials are essential for any teacher you choose. We
recommend you ask your teacher for his or her credentials, especially those relating
to training in the Suzuki Method®. The Suzuki Method® experience should foster
a positive relationship among the teacher, parent and child. Choosing the right
teacher is of the utmost importance.

To obtain more information about the Suzuki Association in your region,

please contact:

International Suzuki Association

www.internationalsuzuki.org
 CONTENTS
Track
Page Numbers

Tonalization, S. Suzuki.......................................................................................................... 4

Position Etudes – 5th Position, S. Suzuki............................................................................ 4

Etude for Changing Strings, S. Suzuki................................................................................ 5

1 Sonata in G Major, B. Marcello/Preucil.............................................................................. 6

Largo................................................................................................................................ 6................ 1
Allegro.............................................................................................................................. 6................ 2
Largo................................................................................................................................ 7................ 3
Presto............................................................................................................................... 8................ 4

2 Country Dance, C. M. von Weber......................................................................................... 9................ 5

Practice Suggestions, D. Preucil........................................................................................ 10

3 Nina, G. B. Pergolesi........................................................................................................... 10................ 6

4 Spinning Wheel, N. Rubinstein........................................................................................... 12................ 7

5 Gigue, F. M. Veracini............................................................................................................ 14................ 8

Exercises for Shaping the Left Hand, S. Suzuki............................................................... 16

6 Suite I in G Major, J. S. Bach, (unaccompanied).............................................................. 18

Prelude........................................................................................................................... 18................ 9
Courante........................................................................................................................ 20.............. 10
Gigue.............................................................................................................................. 21.............. 11

7 Moto Perpetuo, C. Bohm.................................................................................................... 22.............. 12

8 Old French Dances, M. Marais.......................................................................................... 24

I. L’Argéable............................................................................................................... 24.............. 13
II. La Provençale......................................................................................................... 25.............. 14
III. La Matelotte........................................................................................................... 26.............. 15
IV. La Basque............................................................................................................... 27.............. 16

Tonalization – C major and minor scales and arpeggios, D. Preucil............................ 28

Shifting Studies, D. Preucil................................................................................................ 29

9 Concerto No. 3 in C minor, Op. 12, F. Seitz...................................................................... 30

I. Allegro risoluto......................................................................................................... 30.............. 17
6
6
1
Sonata in G Major
B. Marcello
Realized and edited by Doris Preucil
≥ 2
Largo
≥ ≤1 Ÿ 1 ≤
#
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4

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1

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