From Romeo + Juliet

O Verona CRAIG ARMSTRONG arr. PHILIP HARPER

Dramatico q = 80 A A Tempo


rit.

               
Soprano Cornet in Eb           
ff sost.


            
  
Solo Cornet I.II in Bb          
ff sost.

               

           

T
Solo Cornet III.IV in Bb
ff sost.
             
Repiano Cornet in Bb            
ff sost.
             
2nd Cornet in Bb            
ff sost.

             

AC

      
3rd Cornet in Bb  

ff sost. pp

          
           
Flugelhorn  

ff sost. pp

                                      
Solo Tenor Horn         
ff sost. pp
 
1st Tenor Horn 

                                       
  
ff sost. pp
         

2nd Tenor Horn           

   
ff sost.

       
       
 
1st Baritone   
ff sost. pp

         
      
  
  
TR
2nd Baritone


ff sost. pp

                
    
1st Trombone
ff sost.


   

     
    
    
2nd Trombone 
ff sost.

    
       
   
Bass Trombone
   
       
ff pp
          

1st Euphonium         
ff sost.

               
    
2nd Euphonium        


ff sost.
EX

        
     
   
Bass in Eb
   
ff pp

    
    

        

pp
Bass in Bb
ff   

 
      




 

      
 
Timpani
p ff pp

 
       
Floor tom
Percussion I          
p ff


Clash Cyms (if possible)

      
Tam tam
Percussion II           
p ff pp

  
   
   

 
B.D.
Percussion III            
p ff mp pp

Music by Paul Hooper, Marius De Vries, Craig Armstrong © Copyright 1996 TCF Music Publishing Inc. EMI Music Publishing Ltd (Twentieth Century Fox)
This arrangement © Copyright 2018 TCF Music Publishing Inc. All Rights Reserved. International Copyright Secured. Used by Permission of Hal Leonard Europe Limited.
Published by Wright & Round Ltd, Gloucester, UK © 2019, All Rights Reserved. International Copyright Secured.
2


8

 
Sop. Cnt.       
pp

                          

Solo Cnt. I.II     
pp

       

T
Solo Cor. III.IV

      
Rep Cnt.   
pp
 
1.
2nd Cnt.        
pp

         

AC
3rd Cnt. 
       

Flug.    


S. Hn.        

1st Hn.        

 

2nd Hn.       


pp

               
1st Bar.        
pp pp pp


                
2nd Bar.     
TR
 
pp pp pp

1st Tbn.        

2nd Tbn.        


  
B. Tbn.      

       
1st Euph.               

pp pp pp pp
   
2nd Euph.   
              
 

EX


pp pp pp pp

Eb Bass       
              
pp pp pp
   
                 
 
Bb Bass



pp pp pp

Timp.               


Perc. I        


Perc. II          
p

Perc. III               
8
 3

B
 







 







 







 








Sop. Cnt. 
ff
                            
   
Solo Cnt. I.II
ff
                            
   

T
Solo Cor. III.IV
ff

                                 
Rep Cnt. 
ff

               
Both
2nd Cnt.                 
ff

AC
  

        
3rd Cnt.      


ff
                                 
Flug.  


ff
                  
S. Hn.                  
ff
     
1st Hn.   
ff
     
2nd Hn.   

 
ff
              
1st Bar.    
ff

  


TR
2nd Bar.              
ff
               
1st Tbn.     
ff

              
2nd Tbn.   
ff


              
B. Tbn.    
ff
                                 
1st Euph. 
ff sub.
                            

2nd Euph.    
EX


ff sub.
  
Eb Bass              
          

ff
  
Bb Bass      
   
    


ff

        
Timp. 






 


ff sub.
   
Perc. I          
ff sub.

Perc. II      
ff sub.
   
Perc. III             
ff sub.
15
4
C

19
               
Sop. Cnt.                 

                         
Solo Cnt. I.II   

        
marc. quasi trombe
              
    

T
Solo Cor. III.IV
marc. quasi trombe

     
Rep Cnt. 
marc. quasi trombe

                        
2nd Cnt.    
marc. quasi trombe

   

 

AC
3rd Cnt.
            
 
marc. quasi trombe

      

        
Flug.   

    
S. Hn. 
 
   
   
  

         

1st Hn.        

     

2nd Hn.
          

                 

1st Bar.    

    
TR
2nd Bar.                

            
1st Tbn.        

           
2nd Tbn.        

     
  
         
B. Tbn.   

                           
1st Euph.  

                       
2nd Euph.     
EX

   
              
Eb Bass
        

    

     
Bb Bass       

  
          
   
Timp. 

    
Perc. I                       

 
Perc. II       

   
Perc. III               
19
 5

Rall. second time (to end)

 

23

  
 
Sop. Cnt.     

  
 

Solo Cnt. I.II    

                
                   

T
Solo Cor. III.IV

                         
Rep Cnt.      



                          


2nd Cnt.  

  

AC
3rd Cnt. 
            



   
     
Flug.                

    

   
S. Hn.   


   
  
1st Hn.  

   

 
2nd Hn.  

            
    

1st Bar.  
 
  
TR
2nd Bar.                

           
  
1st Tbn.    

          
 
2nd Tbn.     

           
   
   
B. Tbn.  

    
   
 
1st Euph.    

   
 
  
   
EX

2nd Euph.

 
  
Eb Bass       

 
 
  
Bb Bass
    

  

     


 
  
Timp.   

 
 
 
  
Perc. I              
 

   
Perc. II   


   
 
       
Perc. III       
23