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The V50 is a versatile music synthesizer that features an eight-timbral 16-note polyphonic synthesizer, a built-in rhythm machine, and an eight-track sequencer, all designed to enhance musical creativity and performance. It includes a variety of sound effects, voice programming options, and MIDI capabilities, allowing for extensive customization and control over musical compositions. The device supports a wide range of performance features, including micro-tuning and real-time recording, making it suitable for both live performances and studio work.
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Save Yamaha_V50 For Later ‘The V50 brings all the essentials of
into ¢
verything you need for
creating, controlling, and performing
music.
Vith the V50 supporting your
musical creativity, main functions
are just a push of a button away; ac-
your inspir
The V50 puts an ent
a single unit—music
under your control
@ight-timbre 16-note polyphonic FM
ynthes
©G1-note velocity and pressure
keyboard
DSP (digital signal proc
with reverb and other editable
ack 16,000 note sequel
d track editing
chine with 61 PCM
Vo0—all-aroujnd music power!~~
Synthesizer section
The eight-timbral 16 note polyphonic synthesizer section of
the V50 has plenty of music-making power.
| a
4-operator 8-wave:
form FM synthesis technology, for dynamite sounds even
with just a single voioe—there's no need to cut your
polyphonic capabilities in half just to get a good sound.
‘And up to 300 voices can be available for instant selection;
100 presets, 100 user memories, and 100 more in an
optional RAM card.
Programming your own voices is easter than ever
before, with a Quick Edit feature that lets you make overall
adjustments in brilliance, volume, altack time, or release time.
‘The large LCD will be especially appreciated by serious pro-
grammers, for example allowing you to simultaneously view
ss
for an operator,
Since V50 voice data Is upwards compatible with the
XII and TXBIZ, you can take advantage of the thousands
of voices already existing for these instruments. Plus, new
parameters such as an extended ultra-low operator fre:
uency range, and negative keyboard level sealing have
been added, for even more versatility
Performance mode is where you assign the VSO to
fact as up to 8 independent instruments, each producing a
intone: A
andl being controlled
from its own area of the Keyboard (or by a different MIDI
channe). This allows you to program some amazing voic
stacks and splits as well. All sixteen notes of polyphony
are dynamically allo-
cated, 80 voioes not
being played by one instrument are available for the other
Instruments to use—meaning that you'll hear every note
of even those big two-handed chords, and your lavish or
chestrations will be played just the way you want them.
Specified instruments in a performance can use one
of the 18 micro tune a
scales. Bleven scales
such as Mean Tone, Werckmeister and Pythagorean are
preset, and two user-definable scales are also provided
You can play historical or non-western music using the
scale it was intended for, or perform your own experiments
in micro-tonality
One of three types of performance effect can be
selected for use in a performance memory. Pan allows you
to periodically shift the sound between left and right, as
determined by an LFO, note velocity. or note pitch
‘Transposed delay adds delayed and transposed notes to
a note, with control over delay, transposition, and feedback
Chord set assigns a four-note chord to be sounded by
a single note, with a different chord for each of twelve notes,
‘The built-in
es ee
processor) utilizes the same type of circuitry that made
Yamaha's studio signal processors famous. Thirty-two
types of effect are provided, including reverb. delay, early
reflection, distortion, multi-effect combination programs,
and even two types of digital equalizer. You have total con-
trol over individual DSP parameters like reverb time, delay,
room size, and LPF. Each voice memory can be given its
cown DSP settings, for just the right effect. In addition, the
DSP can be applied
to specified instru-
ments in a performance memory.
PRESET VOICES
Sins 7 wah
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Hy
Bee
BEF
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alg
Pe
A
7
3
i
EPRESET PERFORMANCES,
Te TexGuitar
pss Wbass |
aly tas
Pn ‘oto
V bras 1
Witeass 2
Hang
‘cms
Poaran “Wires
Salen
Twarmstas
vaMawa osc
Weald
seca ‘Dew
Tey Dragon |
x Meal Paps
‘wireano od Funk
eo Fugue Rk |
Dalai Saw |
Benth) Lain
Ear Tyo 50 Dem |
ViePins Tena
Ea
Sian
Bash seed
Rhythm section
The V50's rhythm machine utiiaes 61 PCM recorded sam
ples, ranging from traditional drum kit instruments to ga.
ted drums, timpani, latin percussion, glass crash, and other
special effects. Up to eight of these rhythm sounds can be
played at once, and
each of the 61
sounds has its own independent settings for volume, par
and MIDI note number. The DSP can also be applied to
rhythm sounds.
Rhythm instruments can be played from the V50's
velocity senskive keyboard (using one of the three prese
or two user-edited setups), or from rhythm patiers in a
riythm song. A rythm pattern is from one to four
ures long, and can use a time signature of 1/4—8/4,
/8—168, or 1/16—32/16, 100 preset rhythm patterns are
provided, and 100 of your own patterns c
You can create your
own rhythm patterns [aaa
by realtime recording (with looping and selectable quantize),
or using step recording with a graphic display of pattern
Volume changes can also be inserted, and by inserting
marks into a rhythm song, you can instantly jump to seven
different locations, such as a specific chorus or coda.
Riiythm song editing functions allow you to insert,
lelete and copy parts, and also give a name to the song,
Up to eight separate rhythm songs can be held in memory,
and played back together with the sequencer songs.
note position. Individual notes of individual instruments in
a pattern can have their own accent setting. which can be
edited fre —e
provided to clear instruments from a pattern
hese patterns can be arranged to form a rhythm
song of up to 999 parts, In addition to patterns, a song
can contain begin and end repeat marks with a specified
number of repetitions (nested if desired). Tempo changes
can be inserted, and allow you to specify the time requited
for the change, making smooth accelerandos or rtardandos.
RHYTHM VOICES
a os a cosh aM Aas
Boe] Fw a
BOS Fin (Be in 2 MR Taneen
eS
a ce Co ec
2 ER oc
SDA] 8 (lope imp eat
es EE
POS] F Tn! QM) coos BaOee
i ec eo
CESequencer section
‘The eight-track sequencer is the perfect sketch pad for your
musical ideas, or can function as the control center that
drives a live performance, The memory will hold approxi-
mately 16.000 notes in eight separate songs for instant
selection and playback, ensuring that tightly-paced stage
sets will be smooth and trouble-free.
Realtime recor-
SE 2:
just as you play them, and records aftertouch, pitch bend,
modulation wheel, and program changes as well. In real-
time recording, you have a choice of Replace or Overdub,
modes, Punch-in recording allows you to re-record
selected measures instead of redoing an entire track.
Minor mistakes can also be corrected using the step
recording mode,
ao
you a graphic display of individual note positions and
lengths, and shows program changes as well. Step record
ing mode also allows you to record complex parts or
chords that would be impossible for human hands to play.
‘Simply press a note length button and play a key. The note
will be entered at the cursor position. Editing notes is just
as easy.
‘operations makes
it easy to put a
song together. Tracks can be mixed down or quantized,
and specified measures can be deleted or inserted from
all tracks. Measures in a track can be copied, erased, or
removed (With the option of removing only specified
controllers, pitch bend, of aftertouch data).
Sinoe each track of the sequencer has its own trans
mit channel setting, you can control external MIDI tone
generator modules and synthesizers in addition to the V50's
cown tone generator. The V50 sequencer can serve as the
master timing source for other sequencers, or synchronize
itself to an external sequencer or rhythm machine.
‘The V50 sequencer can use sequence data from the
QXSFDIQXS sequencers, and also from the sequencer built
into the ¥S200/B200 (via memory card),
Utility functions
‘The card slot will accept commercially available ROM
cards, and allows you to use an optional RAM card
(MCD32 or MCD64) to store your own voice, performance,
or rhythm pattern and rhythm song data for instant access.
In addition to saving and loading synthesizer, se-
quencer and rhythm data, the 720 Kbyte disk drive
will function as an ae |
all-purpose MIDI
ing you to store any
type of bulk data on disk.
A full complement of MIDI functions makes the V50_
an ideal master controller for any setup. In addition to in-
dependent settings for receive and transmit channels, local
on/off allows you to disconnect the V50's keyboard from
the internal tone generator. Control changes, aftertouch,
and pitch bend received on a specified global channel
can affect each instrument in a performance memory, for
‘compatibility with advanced devices such as MIDI guitar
controllers. A program change table lets you specify which
voices or performances will be selected in response to in
‘coming program change messages.
MIDI transmission capabilities are equally advanced,
and you can assign the front panel data entry slider to
twansmit any MIDI control change. Bight different velocity
response curves can be selected (including reverse veloci
ty), allowing you to adjust Keyboard sensitivity to respond
to fit your playing style, and you can also set a fixed value
to be transmitted regardless of playing velocity
DIGITAL SYNTHESIZERSPECIFICATIONS
‘esyattester section Tera memory: 6Kbyte apoxmeely 16000 noes)
eyboant ‘te 100, ‘Rythm section
‘elt and pressure sete ‘ne generation: PEAL
"oe genera: 4-oprtrB-lgrtm FM, 8 seb wos Palyheny: 8 mes
Palyhory: 16 nus maximum simotanens. st ne py. Ineral merory: 10 peset pater
‘S.wice multisite 100 ier pater
Tera memory: 100 eral voces ‘omnes
100 pet ves Dial eas: 2 types (parameters programmable ir ech woe
100 inal perfranoes anipsh
100 peset performances Teinas ‘OUTPUT LMONO, OUTPUT R, VOLE FC FS,
12.8 types 4 ech perfrmanne ets STARSTOR MDI IN, OUT, THR BREATH
(iy an, cor) ‘OONTROL, PHONES
2 mio ting ote, a) Dis 4 eharacter 2 tne, backit
Program change able Power consumption: 25 W
sysem setup over regimens: USA an Gnadan mode 120 V 60 Ha
‘esequencer section (General mode; 220—240 V 50 He
‘acs ‘8 maximum 18 note poyphortock, maximum 22 Dimesions
note tal phony al tris) (wxe0xth 1002 mm 326 x98 mm (9-12" x 12-78" 3-78")
Sones: 8 Wet: 112 Ke 4B 11 0)
Reson ‘92th nt ternal cick)
‘86th me CID lc)
Sd me wor
OPTIONAL ACCESSORIES
a |
McD 32, MCD 64 ‘YFD 20D Lat00 Ks10
Memory Card Floppy Disk Keyboard stand
‘Ssciatone subject a change wihout nat
a YAMAHA
PBST Searels ey
re rts