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LUDO ROCHER
UNIVERSITY OF PENNSYLVANIA
THE FIRST SUTRA of Vatsyayana's KamasUtralThat means that in any period of life in which one of
pays homage, not only to kama, but to all three the elements of the trivarga is the primary one, the
components of the trivarga: other two should be natural adjuncts of it, and that,
under no circumstances, any one of the trivarga should
dharmarthakamebh vo namah ( 1. 1. 1). be detrimental to the other two.2 Again, later in the
same chapter:
adequately express the meaning of this sUtra. What artha eveha va sreyas trivarga iti tu sthitih / / (2.224)
Vatsyayana claims is that he pays homage to dharma,
artha, and kama, because they are the three There is a difference, though. Whereas the passages
topics which are "genuine, relevant" (prakrrta) to a dealing with the trivarga in the KamasUtra quite
sastra, i.e., to any sastra.
The fact that all three elements of the trivarga are
interconnected has been stressed elsewhere in the 2 Anvon-vanubaddha is more than "in such a manner that
they may harmonize together" (Burton), "eins an das andere
KamasUtra. In a sequence of sUtras which will be
anknupfend" (Schmidt), or "in such a way as to harmonize
discussed later in this article, and in which Vatsyayana
suggests that different aspects of the trivarga shall be
with each other" (Upadhyaya). Anubaddha clearly suggests
that one element is primary and the other one or two
the primary ones in different periods of a person's life
subordinate to it. Cf. L. Rocher: "The Technical Term
(kUlam vibha/ya), at the same time he emphasizes that,
throughout life, 'Anubandha' in Sanskrit Legal Literature," ABORI 35, 1955,
221-228. The commentator provides examples for the follow-
ing combinations: dharma ?arthanubaddha, ?kamanubad-
anyonyanubaddham parasparasyanupaghatakam tri-
dha, 'arthakamd-nubaddha; artha ? 'dharmdnubaddha; kdma--
vargam seveta (1.2.1).
nubaddha, Wdharmakamanubaddha; kama ?dharmdnubad-
dha, 'arthanubaddha, Wdharmdrthanubaddha.
3 With 1.2.51--and 1.2.1 mentioned earlier-compare, with
' References to the text of the Kamasitra are according
reference to the king, Artha-astra 1.7.3-5 (also 15.1.29- 30):
to the edition, with Ya~odhara's commentary, Jayamangala, dharmarthav irodhena kamamn seveta na nihsukhah stoat.
Kashi Sanskrit Series 29, Benares 1929. 1 will occasionallysamamn ix' trivarganh ani'onidnubaddham. eko hi' athi'dsevito
quote the translations by Richard Burton and F. F. Arbu-dharmdrthakmndanmni dtmdnam itarau ca pf-davati. The rela-
thnoth (1863; I use the Panther Book ed., London 1963), tion between the Kamasutra and Kautilya's Artha~dstra has
Richard Schmidt (Berlin 1907), and S. C. Upadhyaya (Bom-received much attention in the scholarly literature; it will only
bay 1961).
occasionally be referred to in this article. Cf., especially,
521
naturally fit into the general contexts, the verse from kama both the objection and its refutation contain
the Manusmrti stands all alone. It has no connection explicit-and comparative-references to the other
whatever with the preceding or following verses. Also, two. The objection (1.2.40-45), attributed to the
it is one of the few verses for which the footnotes in Arthacintakah,6 maintains that acts of kama are
Biihler's translation fail to refer to similar statements in contrary to (prat'anTka) the two principal goals in life:
other dharmasastra texts. dharma and artha (dharmiirthao oh pradhanavoh).
Not only is dharma-and artha-referred to in the They therefore lead to all kinds of undesirable results:
KamasUtra. Vatsyayana also establishes a relative contact with wicked people, unworthy enterprises,
hierarchy among the three elements of the trivarga. defilement, forfeiture of one's future, negligence,
Commenting on the initial sitra mentioned earlier rashness, distrust, etc. Many individuals attached to
Ya'odhara points out that in the compound dhar- acts of kama are known to have met with disaster.7
marthakamebh vah Vatsyayana intentionally fails to Following the argument that acts of kama are like
comply with a rule of the Astadhyayi (2.2.33: ajadyan- food-both kama and food are necessary to sustain the
tamr), according to which artha should have been body-, Vatsyayana subsequently claims that acts of
mentioned first in the dvandva compound. Whether or kama, far from being contrary to dharma and artha,
not the author was conscious of violating a rule of actually are their natural outcome (1.2.47: phalabhuitii
Panini's grammar, the fact remains that the Kamasutra, ca dharniarthayoh). Moreover, unlike the unqualified
i.e., a text on kama, opens with the word dharma. siddhantas on dharma and artha, at this point
Elsewhere in the text (1, ch. 2) Vatsyayana defines Vatsyayana admits (1.2.48) that the pursuit of kama,
dharma first, artha second, and kama last. The even as certain other activities, does involve risks
definitions are then followed by the unequivocal which one ought to be alert to. One does not refrain
statement: from cooking food simply because that might attract
beggars, nor does one refuse to sow barley just because
tesam samavaye piurvah pirvo garTyan (1.2.14).5 wild animals might eat a part of it.
In the discussion on the appropriateness of compos-
The important point here is, first, that the KamasUtra ing a treatise on kdma Vatsyayana introduces the
operates within the framework of the trivarga, and, opinion of Acaryas (1.2.18-21) that, of course, dharma
second, that even the Kamasutra places kama at a requires a Nastra because it is alaukika, and so does
lower level than artha and considers dharma to be the artha, because its success depends on the mastery of
highest of the three goals in life. the proper means (upayapratipatti). On the contrary
This impression is further confirmed by the fact that kama which, even among animals, comes naturally and
Vatsyayana is clearly on the defensive, both for the instinctively, does not require a Nastra. In this case
pursuit of kama generally, and for his writing a treatise Vatsyayana's answer (1.2.22-24) does not introduce
on it in particular. Differently from the discussions- the concepts of dharma and artha, but he does claim
each time with a negative purvapaksa and a positive that there is a difference between kama of animals and
siddhanta-on the necessity to practice dharma and humans: here too, humans have to acquire the proper
artha, in which the other two elements of the trivarga means of success and, therefore, need a sastra.
are not even alluded to, in the case of the pursuit of Far more revealing for Vatsyayana's views on the
trivarga and the place of kama within it are the final
J. Jolly: "Kollektaneen zum Kautillya Arthagastra," ZDMG 'lokas of the Kamasitra. Not less than four times
68, 1914, 345-359 at 351-354; Friedrich Wilhelm: "Die (7.2.53, 54, 57, 59) Vatsyayana makes it a point to
Beziehungen zwischen Kamasfitra und Arthagastra," ZDMG dispel the notion that the main purpose of the
116, 1966, 291-3 10.
Kamasfitra is to promote raga. On the contrary, he treasury, army, etc.; these are elements of artha;
composed his book therefore lokaviitrii is founded in artha.8
Strictly speaking the last sutra states that, "also
brahmacarVena parena ca sarnidhind (7.2.57). when it comes to a courtesan, (sil.. the most important
element of the trivarga is artha)." This is the interpreta-
tion of the commentary, followed by Schmidt. On the
other hand, since stitras 1.2.15-17 are meant to provide
exceptions-different exceptions-to sUtra 1.2.14 in
A person who truly understands the message of the
the cases of kings and courtesans, one might be
Kamasiitra knows how to control his senses:
tempted to consider Burton's interpretation (followed
by Upadhyaya): "Again, Kama being the occupation of
asya sFastrasla tativajio bhavativ eva jitendrivah (58). public women, they should prefer it to the other two."9
There is even a more far-reaching exception to the
Twice he insists that the Kamasiitra promotes not one superiority of dharma-and artha-vis-A-vis kama in
but all three elements of the trivarga: the Kamasiitra. I referred earlier to a sequence of
sUtras in which Vatsydyana advises his readers to pay
special attention to different elements of the trivarga in
dharmam artham (a kihmam ca . paiswati etasma
different periods (kalam vihhajvya)'0 of an individual's-
tattvaiah (53);
ideal-life span of one hundred years. Even though
raksan dharrndrthakamdnirm sthitimn svim lokavar-
these rules are prefixed with the proviso ani on ainuhad-
tinTm asva sastrasva tattvajniah (58).
dham parasparasranupaghatakam (1.2.1). the text
continues:
And, even as dharma-and artha-figure in the very
first siutra of the text they are given a place in its final
stanza: halve vidriigrahanadTn arthan kiiinam ca vauvane
sthavire iharniam moksanz (av 1.2.2-4).
Gegenstanden des Artha. Und in der Jugend mit der The second means of acquiring wealth is a universal
Liebe." Im reifen Alter mit Dharma und Erlbsung." one: inheritance. The first alternative is more interesting
It is indeed clear that, syntactically, vidvcgrahanaddin in that it lists four distinctive activities which are
arthdn belong together, all the more so because of the recognized in the dharma?astras as the lawful occupa-
definition of artha elsewhere in the Kamasiltra: tions for the brahmana, ksatriya, vaigya, and gidra,
respectively.'4 I have described elsewhere'5 how, except
*~id X bahhn~ih iran l apas~udhan X abhhndo apskaram itra- in cases of emergency, in the dharmagastras the
dlndni atjanarn ar/itasVa vivardhanain arthah ( 1.2.9). occupations (vrtti) and rules of behavior generally are
strictly associated with-and different for-the several
However unusual it may be to have vidka or vid'cgra- varnas. Here again, while explicitly'6 operating within
hana included under artha, the first period of life as the framework of the four varnas, the Kamasfitra goes
envisaged by Vatsyayana encompasses the time of against the grain of the dharmaiastras insofar as it lays
hrahmnacari'a. Elsewhere in the text (1.4.1) Vatsyayana down uniform rules for all householders, irrespective
again makes it clear that his treatise on kama addresses of their varnas. It even includes in its audience the
itself to a man who is grhitavidva "having acquired the householder of the AUdra class, leaving unanswered the
necessary learning"' 12 and gacrhapatvyam adhigamva question how a ACidra can have completed his hrahma-
"having advanced to the stage of a householder." carva and become grhltavidya prior to engaging in the
Finally, since a man does not necessarily live the ideal activities prescribed by the KamasUtra.
life span of one hundred years (1.2.1: Kat -iur vai Even though Vatsyayana means to lay down uniform
puru.yah), Vatsyayana is willing to relax the strict rules for householders of all varnas,'7 he introduces
repartition of the three goals of life, however with one restrictions of his own. In the first place, he addresses
exception: himself solely to those householders who are nagarakas.
Burton translated nagaraka as "citizen"; Schmidt: "der
anit iatvabd diuso 'athopapadanm vC seveta. hrahma- Elegant"; Upadhyaya, incorporating a passage from
(arsvam eva t1e d vidvX grahanat ( .2.5-6). the commentary: "a refined and educated gentleman (a
poor man cannot adopt the role of a refined and
In other words, even though Vatsydyana deviates educated gentleman)." Recognizing the well-to-do and
from a basic principle of dharmaiastra in that he urbane ndgarakas as a separate class of people and
assigns different elements of the trivarga as the primaryprescribing special rules for their behavior is, of course,
ones at different stages of life, he does so plainly within
totally foreign to the dharmaiastras. The term is,
the framework of the diramas established by the however, well known in other branches of Sanskrit
dharma texts. The Iuvan he has in mind is one who has literature. Pdnini even devotes a separate rule to it:
completed his period of brahmacarya on the one
hand,'3 and who is not yet sthavire, i.e., vanaprasthye,
14 The term nirvesa is rare in the dharmagastras. It occurs
on the other.
in a verse attributed to Brhaspati (13.34): artizans who
work cooperatively shall take their nirvega proportionately
* * *
to their individual labor. An identical verse appears in the
Sukranitisara (4.794). The variant form nirvista occurs-
In the sUtra mentioned earlier (1.4.1), in which
only-in the Gautamasmrti (10.40-42), in connection with
Vdtsyayana lays down that he addresses himself to
specific ways of acquiring wealth for the four varnas,
individuals who have reached the status of house-
in addition to the general one, inheritance: brahmanasiadhi-
holders, he also enumerates the means by which they
kamn labdhamn ksatrivasva vijitam nirvistam vaiwasuidraioh.
should assure their livelihood:
Even though the correspondence is not verbatim, the close
verbal relationship of the Kamastitra, not with the Manusmrti-
pratigrahajav akravanirvegadhigatair arthair anvaavga-
Vatsyayana refers to Manu as the composer of the dhar-
lair uhhavair va.
maiastra (1. 1.6)-but with the Gautamasmrti, is intriguing.
'5 See L. Rocher: "Caste and Occupation in Classical India:
The Normative Texts," Contributions to Indian Sociology
' Unless ca after kdmaTna implies anuvrtti of arthdn: kdmamn.s. 9, 1975, 139-151.
[arthaii] ca vauvane. 16 Cf. 3.2.1: sarvavarnikam.
'2 Cf. 3.1.2: .srutavdn. I7 Cf. Jayamangald ad 1.4.1: calurvarnivanm grhasthani
3 See below for the time for women to study the Kamaslitra.
adhikriia idan .sadstratn.
(cf. 1.3.12). Even though Vatsyayana goes on to defend being considered more respectable than the former.
his original position-women are familiar with the Even though the dharmasastras recognize the paunar-
practice (pravoga) of kama, and practice is based on bhava "the son of a punarbhui" as one of the normally
the ?astra ( 1.3.5) , the ensuing discussion is, at best, eight-kinds of sons, the punarbhhi is obviously in
ambivalent, and ends up stressing women's knowledge violation of other principles of dharma'astra, such as
of the sixty-four subsidiary viedi'.s rather than the eternal faithfulness to her previous husband (e.g.,
?astra itself. Manu 5.160-161), etc.; she is therefore a far less
in any case, Vatsyayana does provide the ncivaka desirable wife than the kany a'. Vatsyayana simply
with a female counterpart: na cika. Differently from the defines the punarbhui8 as a widow who seeks remar-
single24 ndivaka the Kdmasuitra distinguishes three typesriage:
of na ikk.s, using a terminology which is well known to
the dharma~astras:
vidhava tv indrivadaurha/i'Id atura hhoginamn guna-
ve.si'indm purusadhigame ratir vrtti.sca sargat. ratitah certain specific conditions." Even (api; repeated 1.5.20:
pfrav'artanam wsxatThavikanm krtrimnam artharthani. parastriYam api) a married woman can be a navika,
tad api svahhavikavad ruPpayet (6.1 . 1-3). but there have to be different reasons for it (ani'aka-
ranava!at) than those that prevail in the case of the
It is clear that Vatsyayana ranks at the same level other three types: offspring or pleasure.33
three types of women who are, in the eyes of the In other words, even in the kama~astra adultery is
dharmasastras, very different. Even though the Kama- placed at a different level than kama with the other
sutra, like the dharmasastras, praises most highly three kinds of nalikds. Vatsyayana devotes not less
kama with an ananivapu-rva (1.5.1), and even though than fifteen sUtras (1.5.6-20) to enumerating the
kama with a punarbhui is attributed to her being reasons (karana) for which a man is allowed to seduce
indrii adaurbalvad atura (4.2.39), the overriding, com- a married woman. This list of reasons, which is too
mon criterion for Vatsyayana's list of three na v'ikas is long and detailed to reproduce here, appropriately
that these women, at the time of their relationship with concludes with the sUtra:
the na vaka, are not attached to another man. Kama
with married women raises, even for Vatsyayana, a iti sihasik lam na kev'alaml ragad eva iWi paraparigra-
different set of problems. hagan anak arandn i ( 1.5.2 1).
Adultery is, of course, strongly censured by the
dharmagastras.3' The same idea is reflected in the
It is one of the best specimens to illustrate the extent to
Kamastitra:
which the KamasUtra occasionally emulates the "Mach-
iavellian" tendencies of the Artha~astra;34 more than
most other passages in the KamasUtra it justifies
[kamah] . .. paraparigrhita-su . .. .pratisiddhah (1.5.2).
Winternitz's description of Vatsyayana as "the Indian
Machiavelli of love."35
types of na-vikas the Kamasuitra continues: true union in marriage is the one between two members
of the same varna.36 Here again the KamasUtra operates
within the categories of the dharma texts:
anm akaranava.sat paraparigrhhtapi paksiki caturfhTti
Gonikdputrah (1.5.5).
forms: brahmana, prajapatya, arsa, and daiva, "depend- makatvat "because it is based on affection,"45 the very
ing on local customs" (desavrttisatmat).42 He also first reason is sukhatvat "because it leads to happiness"
alludes (3.5.29) to the fact that the gandharva form is (comm.: sukhahetutvat).
madhvama "middlemost, average." Yet, the text (3,
ch. 5) only deals at length with the gandharva marriage,
then (3.5.24-27) briefly describes-without mention- * * *