Five Paths to Domination


Frans Absil

1. C to D with L-R transformations only


  
           
1 2 3 4

  
Andante  = 78


Piccolo

      
       

Flute 1

    
 
             

Oboe 1

         
 
    
     
Cor Anglais


          
  
  
         
Clarinet in B♭ 1


 
                               
  

Bassoon



         
Horn in F 1
 

         
Horn in F 2
 
  
                      
Trumpet in B♭ 1
     

  
                      
   
  
Trumpet in B♭ 2

      
           


 
Trombone 1


    
Tuba
    

  
          


Harp

   
     
  


     
   
Harp



         


Violin I

      

  
Violin II


      
     

Viola

  
            

 
Violoncello

                                    
GD CD Em7D GD



Contrabass

©2020 F.G.J. Absil, www.fransabsil.nl

5 6 7

       
        

Picc.

   
      
       

Fl. 1

   
      
       

Ob. 1

          
     
   

C. A.

       
    
 


   
Cl. in B♭ 1

              
        

Bsn

  
     

    
Hn in F 1


    
      
 
Hn in F 2


                
  
 
Tpt in B♭ 1

  
                
 
 
Tpt in B♭ 2

   
     

Tbn 1

   
      


Tba


      
     
      
      
  


  


      
Hp

   
      
   

Vln I

   
         

Vln II

        
   

Vla

  
         


Vc.


             
Bm D D G

        
Cb.

 
2. C to D with compound transformations through Bb


     
1 2 3 4 5 6 7 8

            
Allegro  = 144

   
 
 
Flute 1

           
     
 
 
Oboe 1

             
           
    
 
Clarinet in B♭ 1

           
                                     

 
Bassoon



    
                      
    
 
Horn in F 1

        
  

Horn in F 2

       
Horn in F 3
    



 
         
    
     
 
Glockenspiel


      
               



 
Violin I

            
         
 
Violin II

 
                                     
        
 
Viola

                                
             
 
Violoncello

           

GD CD Em7D Gm D

            
pizz.


 
Contrabass
4 C to D with compound transformations through Bb

       
9 10 11 12 13


Fl. 1     

      
      
Ob. 1
 

      
      
Cl. in B♭ 1
 


      
           
Bsn
 

 
Hn in F 1           

  
Hn in F 2         

    
Hn in F 3
     

     
Glock.       

     
  
Vln I     

     
Vln II       

                
Vla
      

                

  
Vc.  


           
B  D D G

 
Cb.

 3. C to D with compound transformations through Cm


     
          
Allegretto  = 68

 
1 2 3

  



Flute 1

 
                    

Flute 2

 
                  

Oboe 1

                    
 

Oboe 2

Cor Anglais     

         
    
        
Clarinet in B♭ 1


         
   
       
Clarinet in B♭ 2

       
                


Bassoon
    

   
 


Horn in F 1

        
    
  
Horn in F 2


        
   
   
Horn in F 3


   
Trumpet in B♭ 1 

   
Trumpet in B♭ 2 
        
            





Trombone 1

        
         
    




Trombone 2

        
      

Violin I

            


Violin II

 
               

  
Viola

    
                                     

Violoncello


           
GD CD E7D

               

Contrabass
6 C to D with compound transformations through Cm

 
            
 
4 5 6

Fl. 1    
          
Fl. 2         


Ob. 1                    


Ob. 2                    

      
     
  
C. A.


                   

Cl. in B♭ 1

         
         
Cl. in B♭ 2

      
                 
 
Bsn

 
        
Hn in F 1
     

        
           

Hn in F 2


        
         
  
Hn in F 3

  
        


Tpt in B♭ 1


           
       
Tpt in B♭ 2

  
     
         
 
Tbn 1

     
         
  
 
Tbn 2

    
         
       
Vln I
 

            
Vln II     
      

             
Vla       
                
  
            
Vc.        

              
Gm D Cm E Dm7 BD D

          
Cb.

 C to D with compound transformations through Cm 7

7 8

    
Fl. 1    

  
Fl. 2    


     

Ob. 1


Ob. 2      

C. A.   

   
Cl. in B♭ 1
  

  
   
Cl. in B♭ 2

  
     
Bsn
     

  
Hn in F 1 

    
Hn in F 2
    

    
Hn in F 3
    
       


Tpt in B♭ 1

       


Tpt in B♭ 2

  
Tbn 1       

  
      
Tbn 2

 
     
Vln I       

      
Vln II     
 
  
             
 
Vla

  
            
 
 
Vc.


       
G

  
Cb.
  
 
4. C to D with compound transformations through F#/Gb


          
       
Allegro  = 120 1 2 3 4 5

         
 
Piccolo

                         
 
 


Clarinet in B♭ 1

                           


   
       
pizz.


 
Violin I

      
                                         
pizz.

  
  
Violin II

 
      
                                
 
     
    
pizz.

   
Viola

        
             

                          
pizz.

  
Violoncello

     
         
GD CD E maj7D F C D G

                            
        
Contrabass


 
6

Picc.    


   
Cl. in B♭ 1


 
Vln I     


Vln II     


Vla     


Vc.
    

   
Cb.
 
 

5. C to D with compound transformations through Cb/B

                     
   
1 2

     
 = 58

Largo espressivo

    
                  
Piccolo

            
     
                  
Flute 1

            
     
              
   
Oboe 1

            
     
                 
Clarinet in B♭ 1

              
    




Bassoon

   
             



Horn in F 1

  
             

Horn in F 2

         
         

Trumpet in B♭ 1

            
      
 
Trumpet in B♭ 2

             
    
Trumpet in B♭ 3

         
         

Trombone 1

          


        

Trombone 2

             
     



Bass Trombone

         
Tuba
          
 
                
         


   
     
Glockenspiel

            
   
         
Xylophone




   
        
                  


        
Harp

              

          
       

  
           
Violin I

               
         
         
Violin II

    
                  
 
 
                
Viola

          
         

Violoncello



GD CD E maj7D

            
     

Contrabass
10 C to D with compound transformations through Cb/B

         
          
3 4

          
Picc.          

                    
             
Fl. 1      

                   
          
Ob. 1          

                    
             
     
       
Cl. in B♭ 1

            
       
Bsn

  
           

Hn in F 1

 
Hn in F 2           

      
Tpt in B♭ 1         
  
  



 
 

 
  
Tpt in B♭ 2

          
Tpt in B♭ 3
 
      
        
  
Tbn 1

    
Tbn 2        
       
    
B. Tbn   
        
Tba
       
            
      
                     
Glock.

              
  



Xyl.

 

   
          

     
       
Hp


          
                    
Vln I          

                  
                 
  
Vln II 
        
                     
Vla          
      
              
       

Vc.

   
BD D G

       
Cb.
    