Jstor 146728
Jstor 146728
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The American School of Classical Studies at Athens is collaborating with JSTOR to digitize,
preserve and extend access to Hesperia: The Journal of the American School of Classical Studies
at Athens
'The principal publications are: C. Waldstein and others, The Argive Heraeum, Boston and
New York (1902, 1905); C. W. Blegen, Prosymna, Cambridge (1937), and " Prosymna: Rema
of Post-Mycenaean Date," A. J. A., XLIII, 1939, pp. 410-444. Summaries of the earlier investig
tions are given in the introductory chapters of these works. In the present report we use the
following abbreviations:
A. H. = The Argive Heraeum.
Corinth, VII, i = S. S. Weinberg, Corinth, VII, i, The Geometric and Orientalising Pottery
(1943).
M. P. = A. Furumark, The Mycenaean Pottery (1941).
NC-H. Payne, Necrocorinthia (1931).
V. S. = K. F. Johansen, Les Vases Sicyoniens (1923).
2 Brief notices were published in B. C. H., LXXIV, 1950, pp. 315 f. and Americatn School o
Classical Studies, 69th Annual Report, 1949-50, pp. 35 f.
Hesperia, XXI, 3
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miniature pots, with a few terracotta figurines and other objects. Widening the
trench, he uncovered and collected a great many of these, but discovered that the
deposit was spread over an unexpectedly large area, and therefore halted the excava-
tion for the moment.
In order to recover the rest of the deposit and to determine its stratigraphical
relationships, it seemed desirable to resume and complete the task as soon as possible.3
Permission was readily granted by the Ministry of Education, and the enterprise was
undertaken jointly by the French and American Schools. P. Amandry represented
the former, J. L. Caskey and Mrs. Caskey the latter.
For cordial interest and support in the undertaking we would express warm
thanks to Professor A. K. Orlandos, Director of the Archaeological Service; to
Mr. J. Papadimitriou, acting Ephor of the Argolid who took part in the excavation
as our colleague and as representative of the Ministry of Education; to Mr. C.
Karouzos, Director of the National Museum, who gave generous assistance in con-
nection with the study of the material; and to Professor R. Demangel, Director at that
time of the French School in Athens.
The digging, which occupied only five days in September 1949, was remarkably
productive, yielding a multitude of the objects which P. Amandry had first seen in
the spring and providing useful evidence of the sequence of layers in this part of the
site. That was the limit of our undertaking, since the resources of both Schools were
engaged elsewhere in much larger and more pressing obligations. Even in the small
area of the sanctuary to which we restricted our attention there is more that could
profitably be done, and it was not without regret that we resisted a temptation to
expand the operation.
The present report comprises the contributions of two authors. P. Amandry
describes and comments upon the small bronze kouros (pp. 176 ff.) and the terracotta
figurines (pp. 184 ff.) which were found in this excavation; and for convenience his
notes on certain inscriptions from other parts of the site are also included as an
appendix (pp. 213 ff.). The rest of the article is contributed by J. L. Caskey.4 The
authors have consulted each other frequently but each assumes full responsibility for
his own part of the work. The retaining wall which first led to the deposits here
3 As it was, we were not quite quick enough: a few of the little pots, fruit apparently of some
clandestine digging, have found their way into private collections in Athens.
4I would offer special thanks to several colleagues for further assistance: to the staff of the
Agora Excavations in Athens, where the technical work on the pottery and other objects was done,
and especially to Miss Alison Frantz for taking many of the photographs; to Miss Ellen Kohler
for cleaning the bronzes; to Miss Marian Welker for making the drawings for Figures 2, 7-9 and
to Mrs. Norman Herz for making drawings for Figures 3-6, 10-13; to Miss Rebecca Wood for
drafting translations of Mr. Amandry's reports; and to other students of the American School
for help with the inventory. The material has been seen in our workrooms by numerous visiting
scholars, expert in Argive and Corinthian studies, who have given me the benefit of their
valuable comments.-J. L. C.
AREA EXCAVATED
Under the rich stratum of archaic objects we encountered here and there some
sherds of late Geometric ware, but no continuous or undisturbed deposits of that age.
The next clearly marked layer belonged to the Mycenaean period. It varied from 0.2,5
m. to 0.60 m. in thickness and held remains of house walls and large quantities of
broken pottery, most of which was datable to Late Helladic III A and III B. The
existence of still earlier remains, representing the Middle and Early Bronze Ages,
was attested by sherds recovered from small soundings in the northern part of our
area. Time did not allow investigation of these most ancient deposits, and we could
not ascertain whether they indicated general layers of debris from habitation on this
side of the hill or were merely pockets of rubbish that had come from the settlement
on the level ground above.
Although the archaic deposit claimed our principal attention, we made an effort
to isolate each stratum while digging and to preserve and store the objects in accord-
ance with the contexts in which they were found. In the following account the
periods represented are treated consecutively in chronological order: Early Helladic,
Middle Helladic, Late Helladic, Geometric, Archaic, Classical. In each section a brief
description of the ground, the architectural remains (if any), and the stratification,
is followed by a relatively extensive catalogue. Few of the objects are either rare or
beautiful, but their discovery in large numbers and in a series of layers gives them
considerable importance. For this reason, and because no further report of the ma-
terial is contemplated at present, it seems proper to list and illustrate a fairly generous
selection. We do not attempt, however, to provide an exhaustive or definitive com-
mentary; before that can be given, much new work must be done at the Heraion and
at other sites.
1, 2. Dark gray and black burnished wares. flake off; red, brown, or black, according to
The biscuit moderately coarse but firm in the conditions of firing. No. 3 is from the
texture. No. 1 is from the rim of a bowl. spout of a sauceboat, Nos. 4 and 5 from the
rims of plain rounded bowls, No. 6 from a
3-7. Slipped ware. The biscuit fairly soft, crude broad-mouthed jug. No. 7 is a ring-base
coated with semi-lustrous slip which tends to of an open vessel.
8, 9. Patterned ware. The biscuit firm, buff gray stone; the surface partially or wholly
to tan in color; linear decoration in slightly coated with dull brown or black wash, streakily
lustrous reddish-brown to dark brown or black applied. No. 10 bears an incised herringbone
paint. pattern; Nos. 11 and 12 are from the spreading
10-14. Coarse smeared ware. The biscuit rims of large jars; No. 13 from the rim of a
very uneven, tan, light gray, or greenish-gray deep basin, No. 14 a horizontal ledge-handle
in color, containing many fine particles of dark from the side of a large vessel.
The Middle Bronze Age, like the Early, was represented by potsherds only. These
came from deposits just below the Mycenaean layer, principally in Trench 1 and the
space between Trenches 1 and 2. They were found with indeterminate coarse wares,
and some of the Early Helladic sherds occurred at the same level. The principal
fabrics are illustrated by the following selected pieces (P1. 44):
15-20. Light gray Minyan ware, some bluish, 21-23. Yellow Minyan ware, some fine, some
some with a slight greenish tinge, all wheel- coarse and gritty. Nos. 21 and 23 are from
made and of good quality. Nos. 15 and 16 bear bowls with angular rims; No. 22 from a
traces of painted decoration, the former having stemmed vessel with horizontal grooves on the
bands in lustrous red-brown, the latter in a lower part of the body.
paint that has worn off; either may conceivably
24-29. Mattpainted ware. Clay yellowish-
have come from a Mycenaean vessel of buff
clay, which was burnt gray by accident, but
buff, greenish-buff, greenish-gray; linear pat-
terns in dull purplish-brown to black paint.
both seem to be of earlier Minyan fabric. Nos.
17-20 are from bowls or stemmed goblets with Nos. 24-26 are from cups with high-swung
angular shoulders and small flat vertical han- handles; No. 27 from a bowl with angular
dles. Also represented are bowls with splaying shoulder; No. 28 from a jar with incurving
rim, the inner side of the lip slightly concave rim; No. 29 from a closed vessel of uncertain
in profile. shape.
Traces of occupation in the Mycenaean period were discovered in almost all parts
of the area under investigation. The layer of debris, containing much broken pottery
and a few other objects, was 0.30 m. to 0.40 m. thick at an average and lay just below
the archaic deposit, or about 0.80 m. to 1.20 m. below the modern surface of the
ground. Architectural remains were slight, consisting of the foundations of a few
narrow walls (Fig. 1). These resemble the Mycenaean house walls that have been
discovered in other parts of the site,5 and indicate that several small buildings were
clustered along the terraced eastern slope. A path or narrow roadway may have
OBSIDIAN TERRACOTTA
6 These designations of the subperiods are used in their widely accepted sense. In the fol-
lowing catalogue we add references to Furumark's more detailed classification, which is indis-
pensable in typological studies, though its chronological application is not yet wholly substantiated.
concave cup-like headdress rises a plastic strip Recognizable shapes include stemmed cups,
which passes over the edge and continues down deep bowls, small three-handled jars, and stir-
the back. Painted decoration: cross on interior, rup-vases. About half the pieces are plain, the
band on rim, and series of hanging loops on other half being wholly coated with bright red
exterior of headdress; band on forehead, from or brownish-black slip or bearing decorative
which hang four strands on either temple; pro- patterns in lustrous red, brown, or black.
file of face outlined, eyes indicated by dots; The earliest vessels represented may be dated
series of marks on plastic strip, suggesting a stylistically to Late Helladic II, but the bulk of
braid; neckline and folds of dress indicated. the material belongs clearly to Late Helladic
III A and III B; none appears to be later than
33 (M 49.121). Fragment of body. H.
the end of the thirteenth century, insofar as our
0.028. Pinkish-buff clay, red lustrous paint.
present knowledge allows us to judge.
Spreading base and lower part of columnar
The following sherds are illustrated on Plate
body, widening above toward standard !4-shape. 44:
Three painted stripes descend to base.
36 Cup. Clay gray, apparently from acci-
34 (M 49. 122). Fragment of body. 0.022 dental burning; paint black. Spiral with broad
by 0.033. Pinkish-buff clay, reddish-brown border and solid center. L. H. I-II (M.P.,
lustrous paint. From side of 4D-shaped figure. Motive 46).
Bit of plastic strip (braid) preserved. Curving
painted lines represent drapery. 37 Stemmed cup. Clay buff; paint dark
brown. Part of rosette decorates one side of
ANIMAL the bowl, probably in the Ephyraean style. L.
H. II (cf. Korakou, fig. 75).
35 (M 49. 11). Pl. 44. Fragment. H. 0.041,
L. 0.06. Found near the Archaic stratum but 38 Cup. Clay gray at core, pinkish-tan at
apparently of Mycenaean fabric. Buff clay, surface, coated with buff slip; brownish-black
brown slightly lustrous paint. Much worn on paint. Coarse, irregular stippling on interior
right side. Chest flat; body, neck, and fore- and exterior. L. H. II (M. P., Motive 77:1;
legs cylindrical. Vertical and horizontal lines Mycenaean II A-B).
carelessly painted, possibly indicating trappings
39 Cup. Clay buff; paint dark brown. Rim
of a horse.
coated; close, regular stippling on exterior of
bowl. L. H. II-III A (M.P., Motive 77: 2;
POTTERY
Mycenaean II B-III A:2e).
Slightly more than a basketful of Mycenaean 40 Squat jug or alabastron (shape, M. P.,
sherds was recovered, the greatest number
fig. 11). Clay buff; paint brown to black.
coming from the continuous stratum associated
Horizontal bands at collar and side, continuous
with Wall H. Few joins could be made, and solid rock pattern in shoulder zone. L. H. II-
no vessels could be restored. Only samples III A. (M. P., Motive 32: 5; Mycenaean I-
need be recorded here since the fabrics repre- III B).
sented are all well known in the Argolid.
Fragments of fine ware make up fully three- 41 Cup. Similar to No. 39; paint red. L.
H. II-III A.
fourths of the total, the rest being coarse
domestic ware of gritty texture. The fine ware 42 Cup. Clay light reddish-tan; paint or
is of excellent quality, generally buff in color, slip bright red with tinge of orange. Whole
some pieces verging toward yellow and green- surface coated, inside and out. L. H. III A
ish-yellow, some toward-pinkish-tan and brown. (cf. Prosymna, fig. 296, No. 715).
43 Cup. Clay buff; paint bright orange-red. black. Row of dots along edge of lip; on bowl,
Rim coated; spiral (?) on side. L. H. III A. Furumark's " Mycenaean III Flower (hybrid)."
L. H. III B. (M.P., Motive 18 B:44, 47;
44 Stemmed cup. Buff clay. Plain. Prob-
Mycenaean III B).
ably L. H. III A (cf. M. P., Type 264 or 272;
Mycenaean III: A: 1-III A: 2e). 50 Cup or deep bowl. Clay buff; paint red
to brown. Panelled zone with " triglyphs " and
45 Jar (?). Clay buff; paint fine red-brown.
semicircles (?) above broad horizontal bands.
Probably L. H. III A.
L. H. III B. (Cf. M. P., Motives 43, 75).
46 Jar (?). Clay grayish-buff; paint gray-
51 Jar (?). Clay buff; paint brown to
brown to black. Horizontal band, apparently
black. Zone with running spirals and filling
just below rim; series of disconnected spirals
ornament of hatched lozenges, above broad
on shoulder. L. H. III A-B. (Cf. M. P.,
horizontal bands. Probably L. H. III B. (M.
Motive 46: 53; Mycenaean III B).
P., Motives 46, 73: 16).
47 Conical rhyton (?) (M. P., Type 199).
52 Deep bowl. Clay pinkish-tan; paint deep
Clay buff; paint orange-red. Papyrus pattern.
orange. Lip coated; panelled zone with anti-
L. H. III A-B. (Cf. M. P., Motive 11: 31-39;
thetic spirals, hatching, and dotted rosettes. L.
Mycenaean III A: 2).
H. III B-C. (Cf. M. P., Motives 27, 50).
48 Cup. Clay buff; paint brown to black.
53 Closed vessel; jar or jug. Clay pinkish-
Rim coated; on bowl, Furumark's " Mycenaean
buff; paint orange-red. Broad horizontal band
III Flower (voluted)." L. H. III B. (M. P.,
and panelled zone with hatching and diagonal
Motive 18 A: 20, 21; Mycenaean III B).
(?) pattern. Probably L. H. III B-C (M. P.,
49 Cup. Clay grayish-buff; paint brown to Motives 55: 3, 75: 23; Mycenaean III C: 1) .
GEOMETRIC PERIOD
Fragments of Geometric pottery were found at many places in the excavated area,
but only in small numbers. They came not from a distinct stratum; so far as we could
determine, almost all lay just at the bottom of the Archaic deposit; none were associ-
ated with the Mycenaean layer.
Most of the pieces are of local Argive manufacture. The fine non-micaceous
clay is of a characteristic light tan or dusty buff color. Surfaces of the pots were
probably slipped, but the coating is not easy to distinguish. The glaze-paint is only
moderately lustrous at best, and sometimes fairly dull. Shapes represented include
broad open cups or bowls, amphorae, kraters (some probably with large pedestals),
a tubular stand ( ?), and what appears to have been a large openwork stand or other
piece of furniture. The fragments being few and unrelated, it is not possible to
reconstruct any shapes exactly. Most of the decorative motives are familiar from
other examples found in the Argolid.7 They indicate that this series in general is to
be assigned to the latter part of the eighth century.
7 E. g. A. H., II, figs. 42, 43, pls. LVI-LVIII; Muiller and Oelmann, Tiryns, I, pIs. XV, XIX,
XX; Frodin and Persson, Asine, figs. 218, 222.
port for a chair or table, possibly a portable Tan biscuit coated with orange-red slip. The
altar or pot-stand, made as if with wooden rim curves sharply inward. On the rounded
boards ca. 0.07 m. in width. There was a pro- shoulder is a pronounced thickening, probably
jecting piece at the left of the fragment as seen where a handle was attached, and a large horn-
in the photograph. The edges of the " boards" like projection. On upper surface of rim, a
are painted where exposed. On the upright reserved band with hatched meander pattern.
member, a twisting serpent, its body outlined
69 Rim of bowl or small krater. Th. of
on either side with rows of dots and bordered
wall 0.008. Light orange-tan biscuit and slip;
within each curve by an oval enclosing a dot;
paint black with a slightly metallic sheen. In-
the head, portrayed as if from above, is roughly
terior coated; reserved band on inner side of
diamond-shaped, with tassels (horns ?) at
lip; bands, vertical lines, and cross-hatched
either side; the eyes are shown as dots on a
panel on exterior. The fabric is not Argive,
reserved ground; the jaws are open, seen as if
and appears to be distinctly earlier than that of
from the side. Along the horizontal member
the pieces listed above; posibly Laconian (cf.
at the left are zigzags drawn in outline and
protogeometric and geometric wares from the
hatched.
Amyklaion, von Massow, Ath. Mitt., LII, 1927,
68 Rim and shoulder of bowl or deinos. pls. III, IX).
ARCHAIC PERIOD
8 Pieces similar to many of ours were recovered by the score in Waldstein's excavation
the Heraion, but the places of finding were noted only in a summary fashion. J. C. Hoppin,
was charged with the publication of the pottery, had to rely upon type and style as sole cr
for dating; his prefatory remarks show that he was aware of inadequacies in the presentat
(A. H., II pp. 57-58).
9 This and several of the following objects of metal and stone were tested for specific
hardness, and other qualities by Dr. Norman Herz, whom we would thank for his cooper
Complete analyses have not been undertaken.
pres. 0.14. Found in the archaic stratum- at the In the Heraion statuette these two transitions
level of the lowest course of the stepped re- are marked by a strong bulge at the hip (pre-
taining wall, R. served on the right side) and a swelling at the
Fragment of a statuette of a nude man, inside and the outside of the knee. The pelvis
broken at waist and ankles. Solid cast. Surface is, therefore, relatively larger 13 and the narrow-
in excellent condition. ing of the thigh toward the knee is less pro-
This fragment is comparable to the statues nounced, which augments the impression of
of Kleobis and Biton 10 and to no others. It massive power. The front of the thigh, almost
has their thick-set and massive proportions," completely flat in the statue of Kleobis, is
indicating that these are a characteristic of Ar- rounded in the statuette from the Heraion. Al-
give taste. The finding-place of the statuette though the rendering of the musculature has not
and its kinship with the two Delphic statues escaped from the older convention (which was
exclude any doubt that it comes from the shop to last throughout the entire sixth century), at
of an Argive bronze-worker. least it marks an advance over the statues of
Although its relationship with the athletes of Delphi. The muscle of the thigh is no longer
Polymedes is evident, various details point to indicated by two rectilinear and almost vertical
a more advanced stage of evolution for the grooves, but by a wide depression hollowed
H{eraion bronze. The contour of the body of diagonally from buttock to knee, below which it
Kleobis, seen from the front, presents from curves inward and flattens out. The stylization
chest to ankles a sinuous line of three convex of the knee, with the patella surrounded by a
curves (chest, thighs, calves) separated by two deep groove, conforms to archaic usage but is
depressions (waist and knees). The joining of less schematic than in the statue of Kleobis; 14
the legs to the body and the transition from the projection of the fibula is also less sharp. In
thigh to calf are still conceived in the daedalic the Heraion statuette the left leg is only slightly
style 12 and display no anatomical accuracy; advanced beyond the right, and the thighs are
excessive thinness of waist and knee results. joined almost to the knees. The beginning of
10 Cf. the reproductions of these statues in Fouilles de Delphes, IV, Album, pls. I, II (front
view, back and right profile); G. Richter, Kouroi, pL. XVIII, fig. 60 (front view), figs. 59, 6
(right and left profiles, from a cast); P. de la Coste-Messeliere and G. de Mire, Delphes, figs. 34
35 (front view).
"1Detailed measurements of the Heraion statuette: I. Height: from the break at the right ankle
to the upper bulge at the knee, 0.064; to the pubis, 0.115; to the bulge of the right hip, 0.137. II.
Breadth (front view): waist at the break, 0.042; greatest width of the two thighs together, 0.051;
calf, 0.02. III. Thickness (profile): waist at the break, 0.025; buttocks, 0.038; thigh, 0.031; calf,
0.022; ankle, 0.015. If the proportions of the statue of Kleobis are applied to the Heraion statuette,
its total height should be about 0.25 m.
12 Cf. for example the statuette from Dreros, B. C. H., LX, 1936, pl. LXIII B, where the
joining of the torso and the pelvis is still more schematic.
13 It is still, however, narrow in relation to the breadth of the thighs. This detail, which is not
peculiar to Argive art, is the more striking here since the rest of the anatomy is thick and massive.
The same applies to the buttocks, which are rendered in precisely the same manner in the statues
at Delphi and the Heraion. They are rounded in a pronounced projection, joined to the thighs with
no transitional passage, and little developed in height or width in comparison to the bulk of the legs.
14The sinuous line of the bulge above the patella, the treatment, differing for the inside and
the outside of the leg, of the extremities of the thigh muscles; and the modeling of the patella
all indicate that the Heraion statuette belongs to the group of the Apollo of Tenea rather than to
that of the Kleobis. Cf. P. Richer, Le Nu dans I1Art, PArt Grec, pp. 60-66, fig. 84.
a swelling, visible at the break of the right leg, then, to the second quarter, or rather toward
may indicate that the figure was booted, as K. the middle, of the sixth century, which makes
Rhomaios has observed of the Kleobis and it one of the latest objects discovered in the
Biton. archaic stratum in the excavations of 1949.
The Heraion statuette, then, is later by a Among the thousands of bronze ex-votos
generation than the statue of Kleobis. Accord- discovered at the Heraion, only four human
ing to G. Richter's classification, it belongs to figures have been counted thus far.'8 The sites
the Tenea group rather than to the Sounion of Mycenae, Tiryns and Epidauros have been
or Orchomenos groups. The date assigned to no more productive, and the greater number
it will depend on the dating of the kouroi of of the terracotta figurines from these various
Polymedes. These kouroi belong to the end excavations are too casually fashioned to give
of the evolution of " daedalic " sculpture and
a fair idea of Argive art in the archaic period.'19
the beginning of the development of " archaic " Moreover, the terracottas are all female figur-
sculpture; their dating is subject to the varia- ines or isolated heads; the kouros type is not
tions in the chronological systems that have represented. The definition of Argive style, at
been proposed for the seventh as well as for least for representations of nude male figures,
the sixth century. The Argive statues of Delphi is based on a very few documents,20 to which
have been dated to around 600,15 to the first the Heraion statuette must now be added. The
decade of the sixth century,'6 or to the second scope of the present report does not permit us
decade. The latest dating is the most prob- to take up the problems involved in the archaic
able.17 The Heraion statuette is to be dated, art of Argos.2' We must confine ourselves to
noting that the Heraion bronze proves that in chora is recorded with commentary and refer-
the first half of the sixth century Polymedes ences by T. J. Dunbabin in H. Payne, Pera-
was not an isolated figure, and that the tradi- chora (1940), pp. 148-156. Our phialai cor-
tion of a sculptural type with strongly marked respond with Dunbabin's later type, and should
characteristics was still alive in Argos towards be dated in the first part of the sixth century.
the middle of the century. It is from this that
73 (M 49. 64). Fig. 2. H. 0.023, D. 0.118,
the new document derives all its interest; but
Th. of wall ca. 0.0005. Lip thickened and flat
the rarity of Argive works preserved and the
on top. On outer surface of rim, band of tiny
quality of this fragment make us regret still
tangent circles made with puncheon and, below,
more keenly that the upper part of the figure
band of slanting strokes. On the side and bot-
was not found.
tom, a punched pattern of lotus with radiating
BOWL OR KETTLE petals, single dots between the tips. Two in-
cised lines around the central boss. Cf. A. H.,
72 (M 49.66). P1. 46. L., pres. 0.292.
II, pl. CXIV, 1975; pl. CXV, 1976, 1991.
Fragment of rim of fairly large vessel similar
to A. H., II, pl. CXVI, 1983, 1984. Lip 74 (M 49.65). Orig. D. ca. 0.15. Plain,
thickened. rounded, the lip turned outward.
Arcadian (e. g. by W. Lamb, Greek and Roman Bronzes, p. 88, n. 1; B. S. A., XXVII, 1925-1926,
pp. 133 ff.) in his Argive group has roused lively objections: H. Payne, op. cit., p. 171, n. 25; P.
de la Coste-Messeliere Au Mlusee de Delphes, p. 215, n. 6, and p. 216, n. 5.
Some have incised and punched decoration, X, pls. LXXVII-LXXIX.) Our piece cannot
clearly in imitation of the larger vessels. Many be dated independently but, being found with
of the same type are illustrated in A. H., II, the rest of the archaic deposit, is presumably
pls. CXIII-CXIV; cf. also Perachora, pl. 57. not later than the middle of the sixth century.
As a dedication it is parallelled by the pottery
76 (M 49. 75). P1. 46. H. originally ca.
lids of Corinthian style (p. 191), and the asso-
0.01, D. ca. 0.065. Mesomphalic. Around the
ciation with hydriai (p. 211) is of interest.
boss, a band of radiating lines, two rings of
dots, and a series of rays, all punched from 81 (M 49. 54). P1. 46. D. 0.025. Like No.
interior. Hole near rim. 80, in miniature.
77 (M 49. 80). D. ca. 0.06. Flattened; 82 (M 49. 55). D. 0.10. Much damaged by
nearly half missing. Mesomphalic, like No. 76; corrosion. Decorated with four concentric rings
radiating lines, single ring of dots. of punched dots.
Five miniatures with rings of punched dots
78 (M 49. 47). P1. 46. H. ca. 0.007, D. near the rim: Inv. M 49. 50-M 49. 53 per-
0.045. Part of rim missing. Plain. Tiny boss forated at center, M 49. 49 not perforated.
at center. Hole near rim.
83 (M 49. 73). P1. 46. D. 0.058. Specific
79 (M 49. 48). P1. 46. D. 0.032. Flattened. gravity 8. 66. Pierced projections at two oppo-
Like No. 78. site points on rim. Rosette and boss at center,
Another diminutive piece had a crimped or two rings of punched dots at border. Cf. A. H.,
fluted rim, like A. H., II, pl. CXIV, 1961, 1970. II, pl. CVIII, 1851.
DISKS MIRRORS
87 (M 49.83). Pl. 46. D. 0.022. Plain, 94 (M 49.107). Pl. 46. L. 0.102. Disk
round in section. head and five bulbs. Shaft round.
Twenty-five pins more or less nearly com- 99 (M 49. 90). L. pres. as bent 0.072.
plete and fragments of two or three times that Brass-colored. Like No. 97. Five grooves
many were recovered. Only a selection need be around shaft above flange.
recorded to illustrate the types, since this well-
known form is abundantly represented at the 100 (M 49.86). Pl. 46. L. pres. as bent
Heraion and other sites.22 For typology see 0.085. Specific gravity 8.47. Like No. 97.
A. H., II, pp. 207 Hf., pls. LXXVIII-LXXXIV. Bulb rounded-biconical.
22 C. W. Blegen, A. J. A., XLIII, 1939, p. 413, fig. 3, p. 439, fig. 27; A. Furtwnangler,
Olympia, IV, pl. XXV; Ch. Dugas, " Le Sanctuaire d'Alea Athena a Tegee," B. C. H., XLV,
1921, pp. 375 if.; R. M. Dawkins, Artemis Orthia, pls. LXXV, LXXXVI; H. Payne, Perachora,
pls. 17, 74-76; A. Furtwaingler, Aegina, pls. 114, 115; C. Blinkenberg, Lindos, I, pl. 12.
very similar piece, attached to a bronze disk tion, as elsewhere at the site (A. H., I, p. 61).
and much worn in the central opening, was All the pieces were heavily oxidised. By far
found at Olynthos and interpreted as a latch- the greatest number were from long bars, ap-
string plate (D. M. Robinson, Olynthus, X, pl. proximately square in section, from 0.005 m. to
LXXXII, 1248). Ours has volutes of a form 0.015 m. across, which are generally believed
assignable to the fifth century. It shows no to have been spits, 33EX oI, o3,8EXhTKo, of the type
signs of wear. dedicated by Pheidon. Other pieces found in-
clude disks, rings like washers, hooks, loops,
TUBE
and, apparently, blades of knives and chisels.
114 (M 49. 93). L. pres. as bent 0.188, D. None can be identified with certainty. A selec-
0.007. Broken at both ends. Made of strip of tion is illustrated on Plate 47, A-K. Cf. Pera-
bronze nearly 1 mm. thick, tightly rolled to chora, pl. 86 and pp. 187-190; Artemis Orthia,
form a pipe, the seam not soldered. pp. 391-393.
MISCELLANEOUS
STONE
SEALS
Among the hundreds of fragments of sheet
bronze recovered there are many which can- 119 (M 49.30). Fig. 4, P1. 47. D. 0.0155
not be explained or classified. Besides the to 0.0165, maximum Th. 0.0055. Dark slate-
pieces referred to above these include small gray magnetite. Specific gravity 5.2; hardness
strips with rivets (cf. A. H., II, pl. CV, 1831); 6. Lentoid, edge ground at top and bottom;
rectangular " coatings " with punched patterns, perforated from side to side. Possibly bezel
some folded or rolled (cf. A. H., II, pl. CII,
1754-1772), and sheets cut into decorative
patterns. No inscriptions were found.
IRON
120 (M 49.31). Fig. 5, P1. 47. Flat face
Fragmentary implements of iron were found 0.0245 by 0.0265, maximum Th. 0.0125. Dark
in great numbers in our small area of excava- purplish-brown serpentine, slightly soapy to the
TERRACOTTA
FIGURINES (by P. A.)
Forty fragments of archaic terracotta figur-
ines were discovered. Most of them are poorly
preserved and belong to the classes largely
represented in the finds from the Heraion it-
self, from Tiryns, from Epidauros and from
Perachora. It has seemed unnecessary, there-
fore, to mention them all.
FIGURINES OF ANIMALS
128 (M 49.28). P1. 48. Body of a seated so worn that no features are distinguishable
figurine. H. 0.08. The bottom of the garment (P1. 48).
and the two back legs of the throne are broken,
as are the head and the right half of the upper PLASTIC HEADS
body. Traces of two necklaces on the breast. 133 (M 49.22). PI. 49. Head and shoulders
of a female figurine fixed to the rim of a
129 (M 49.25). P1. 48. Body of another
stemmed cup or miniature deinos on a pedestal.
figurine in almost the same state of preser-
Total H. from foot of vase to top of head 0.13.
vation. H. 0.08.
H. of face 0.015. Depth of face from forehead
Fifteen fragments (M 49. 32 to M 49. 46) to ear 0.005. Diam. of mouth of vase about
must come from a large figurine of the same 0.055. Reddish-brown paint covers the entire
type. Several flat rods, 0.07 to 0.092m. long, surface of the vase.
probably made up the uprights and cross-bars The hair makes a fringe over the forehead,
of the throne.23 Two of these fragments de- and on each side of the face is parted into
three beaded locks, falling vertically on the
serve mention: left and twisted into a loose ringlet on the
right. Behind, the hair falls to the rim of the
130 (M 49. 32). P1. 48. L. 0.08. Nearly
vase in three large ringlets. A thick roll is set
cylindrical object ending in recurved projec-
like a crown on top of the head; a necklace
tions like fingers. Three rosettes and another
made of a roll of clay crosses the breast from
plastic element in relief. Probably the left arm
shoulder to shoulder.
and shoulder of the female figure, which had a
necklace hanging across the breast.24 134 (M 49.24). P1. 49. Head and shoulders
of a female figurine attached to a fragment of
131 (M 49. 34). P1. 48. Total L. 0.105, a vase. Total H. 0.068. H. of face 0.015.
total H. 0.09. Flat rod 0.03 wide and 0.015 Black paint, with traces of purple, on hair and
high, terminating in an animal (?) head, in- breast.
cised with striations and painted red on the The arrangement of the hair on the forehead,
upper surface. The wide-open jaws, whose to right and left of the face, and behind the
upper edge is broken, display a long tongue, head is the same as on the preceding example.
painted red like the inside of the mouth. This The crown on the head is less thick. Traces
head rests on a vertical support which seems of a necklace are visible on the breast. On the
to be modelled in the form of the head of a back are traces of the rim of the vase, which
bull whose horns turn backwards. At several is missing.
points traces of red paint are visible.
That these two figurines are from the same
Other objects found include a standing mould is proved by the identical dimensions, the
figurine (M 49.18) 0.052 high, coarsely hand- appearance of the faces, and the arrangement
modelled; the lower parts of two standing of the hair. The slight differences observable
statuettes, one cylindrical (M 49.19), the in the height of the crowns and in the modelling
other semi-cylindrical (M 49. 21); and a head of the large locks behind are due to the regular
made in a mold, 132 (M 49.27), 0.039 high, Argive practice of adding these parts, as well as
other decorative elements such as necklaces, large eyes and flat noses, belong at the end of
earrings, etc., by hand after the molding of the the daedalic style or immediately thereafter,
head.25 that is to say, about the first quarter of the
One would have no hesitation in attributing 6th century B.C.27 One may note the Argive
these two figurines to the same vase, be- taste for beaded locks 28 and ringlets 29 at a
cause of their similarity and because of the time when the other centers of daedalic art pre-
identical curvature of the attached rim, if the ferred the layered arrangement. The fringe of
color of the glaze were the same. Cases are not hair in an arc over the forehead is a trait com-
unknown in which part of a vase turned red mon to both Argive and Corinthian figurines.
in the firing and part black. If these two The two plastic heads from the Heraion, in
figurines did not decorate the same cup, they spite of their poor state of preservation, are
were at any rate affixed to two identical vases. interesting for several reasons.
There was constant exchange of ceramic Among the many Argive terracotta figurines,
products between the Argolid and Corinth. most of which have crudely hand-modelled
Protocorinthian and Corinthian vases have been heads and have no stylistic or chronological
found in great numbers at the Heraion of significance,30 heads made in a mould are on
Argos, while an important group of Argive the whole later than the daedalic period, and
terracottas comes from the Heraion at Pera- for the most part are not to be dated earlier
chora.26 But the Argive origin of the two figur-
than the second half of the 6th century.31 The
ines studied here cannot be doubted. The daedalic schools of Corinth, Laconia, Crete and
hand-modelling in coarse strips of clay of the Rhodes are represented by a far greater num-
crown, locks of hair, and necklace is enough to ber of mould-made heads.
establish this; furthermore, the grayish-tan clay Examples of plastic heads used as ornaments
is not Corinthian. on vases are particularly numerous at Corinth,
Although the surface is very worn, the two where they appeared most frequently on Pro-
heads have certain characteristics which permit tocorinthian aryballoi and Corinthian pyxides.32
their classification and approximate dating. The The same use of plastic heads is attested at
nearly rectangular faces, still very flat, with Sparta and in Crete,33 and in other centers of
25 Cf. R. J. H. Jenkins, B. S. A., XXXII, 1931-1932, p. 27; Perachora, I, no. 238 ff., pp. 242
pIs. 109-110.
26 Cf. H. Payne, J. H. S., LIV, 1934, p. 173; Perachora, I, p. 196.
27 Classes B and C of Jenkins, op. cit., p. 38.
28 Cf. the statues of Kleobis and Biton; a terracotta head from Argos: Jenkins, op. cit., p. 26,
pl. 12, 1.
29 The same arrangement, though more carefully executed, occurs in the locks on the back of a
head of about the same date from the Heraion: Jenkins, op. cit., pl. 12, 2 and 2a. On the ringlet
coiffure in the art of the 7th and 6th centuries, cf. P. Amandry, Syria, XXIV, 1944-45, p. 158, n. 7.
30 Cf. Jenkins, op. cit., p. 24.
31 In Jenkins' classification, loc. cit., the first phases of the daedalic style are represented by four
heads only (pp. 24-26; the head from Aegina mentioned there is reproduced by Jenkins, Dedalica,
pl. I, 2), and the last phase of this style is represented by seven pieces (pp. 27-28). In class C
(first third of the 6th century) six heads are cited (pp. 28-30).
32 Cf. Payne, Necrocorinthia, pp. 232-240, pls. 47-48; Perachora, I, pp. 240-241, pls. 107-108;
G. E. Mylonas, A. J. A., XLIV 1940, pp. 188-189; D. A. Amyx, Univ. of California Publ. in
Classical Arch., I, 9, 1943, pp. 213-215, pl. 32.
33 Artemis Orthia, p. 95, fig. 65, p. 98, fig. 70g, pp. 147-148, pls. VII-VIII, XXVIII, 5, XXIX,
5, 7; E. A. Lane, B. S. A., XXXIV, 1933-1934, pp. 118, 126, 145, 156, pls. XXXI d, f, XXXIII;
P. Amandry, B. C. H., LXII, 1938, pp. 322-329; D. Levi, Early Hellenic Pottery of Crete, p. 15.
art.34 The cup from the Heraion furnishes the 137 (M 49. 6). L. 0.048, D. at end 0.045,
first certain example for Argos, so far as I D. at center 0.027. Pinkish-buff clay. Ends
know, of attached vase ornament in the form flat.
of a human figure.35
This decoration indicates that the stemmed 138 (M 49. 124). Found in dump but prob-
cup is to be dated in the beginning of the sixth ably contemporary. L. 0.046, D. at end 0.043,
century B.C., whereas by its shape alone the D. at center 0.025. Light greenish-buff clay.
Ends flat.
vase might have been dated to the submy-
cenaean period.36 It is possible that in the
139 (M 49. 2). P1. 47. L. 0.043, D. at end
Argolid, the great center of Mycenaean culture,
0.03, D. at center 0.018. Pinkish-tan clay. Ends
traditions of the Mycenaean period may have
rounded.
been maintained longer than elsewhere, at least
in ordinary pottery.37 140 (M 49.7). L. 0.054, D. at end 0.033,
D. at center 0.021. Light tan clay. Ends
WHORL rounded.
34 Cf. the information given by G. E. Mylonas, op. cit., p. 188, n. 3. The origin of the vase
in Berlin reproduced by F. R. Grace, Archaic Sculpture in Boeotia, fig. 44, is questioned: cf.
D. A. Amyx, op. cit., p. 229, n. 55.
35 A plastic head from Perachora, Perachora, I, p. 248, no. 270, pl. 109, is considered, with
some probability, to be Argive; it was attached by the neck, like the Heraion heads, and thus did
not decorate a pyxis. In Argive pottery the little vases decorated with animal protomes may be
cited: infra, Nos. 243-245; A. H., II, p. 98, fig. 34.
36 Unless we admit that the shape of the vase is inspired by that of bronze cauldrons set on a
support. As in the little vases mentioned in the previous note, plastic heads may have been fixed
on the rim of a vase in the manner of the animal protomes on bronze cauldrons.
3 P. Demargne, La Crete Dedalique, pp. 341-342, expresses his surprise that Mycenaean sur-
vivals in the Argolid are not more important than they appear to be, among the pieces that are
known at present.
147 (49. 90). P1. 50. Fragment of shoulder 152-154 (49.93-95). P1. 50. Numerous
of moderately large vessel. Buff clay; black fragments, chiefly of small and miniature ves-
paint. Fine horizontal lines. sels. Early and Middle Corinthian.
Fig. 7. No. 155. Early Corinthian Round Aryballos. Design Developed (1: 1).
the handle. Pinions and principal divisions quatref oil pattern of late type (cf. NC, fig. 54,
marked by incised lines. Six large purple dots h). Possibly of local Argive manufacture.
along breast; broad line at center of each wing.
The bird's feet crowd out most of the rosette CONICAL OINOCHOAI
served.
0
BROAD-BOTTOMED OINOCHOAI
167 (49. 151). P1. 50. D. at base originally 171 (49. 80). P1. 52. H. without knob 0.02,
ca. 0.07. Buff-tan clay; black paint with added D. 0.15. Knob and chips missing. Buff clay;
purple and white. Early Corinthian. Cf. Pera- traces of black paint and added purple, mostly
chora, pl. 33, 14; NC, Nos. 665-667. lost. On top, rays around knob and broad zone
with lion, panther, two goats feeding, and filling
LIDS ornament of incised rosettes. Drawing hasty
but competent. Early or Middle Corinthian.
Fragments of a score of lids of Corinthian
fabric were found. A few are trefoil, designed 172 (49.81). P1. 52. H. without knob
to fit the mouths of oinochoai. The greater 0.016, D. 0.124. Knob and chips missing. Buff
number are of the common flat type, slightly clay; black paint with added purple. Linear
Fig. 9. No. 169. Fragment of Early Corinthian Lid. Design on Upper Surface (1:1)
pattern. In the main zone are four groups of and large dotted rosette; below band, floral
five vertical panels divided by incised lines, the
pattern. Late seventh or early sixth century.
second and fifth panel purple in each group; For similar design cf. oinochoe from Nisyros,
and a lone purple panel completes the field. Clara Rhodos, VI-VII (1932-33), p. 509, fig.
Early Corinthian. 36.
ARGIVE
173 (49.82). P1. 52. Fragment. H. with
knob 0.035, D. ca. 0.066. Buff clay; brownish- Of the pots that made up the Archaic deposit
black paint. Linear patterns. Early Corinthian. by far the greater number were of local manu-
facture. The shops which produced them have
174 (49. 152). P1. 52. Buff clay; red paint.
not been discovered, but it would not be sur-
Early Corinthian or Protocorinthian.
prising to learn that they were near the sanctu-
175 (49. 153). P1. 52. Buff clay; black ary, where their products could be offered
paint with added purple. Early Corinthian. conveniently for sale to visitors. Few of the
pots appear ever to have been used; almost
176 (49. 154). P1. 52. Conical knob. Gray-
all indeed are miniatures that could serve no
ish-buff clay; black paint.
household purposes.
177 (49. 155). P1. 52. Flanged knob. Buff In the following catalogue, shape is used as
clay; red paint. the principal factor in classification. The wares
might be subdivided into many groups if one
STOPPERS
made close distinctions among the colors of the
clay, the fineness and coarseness of the biscuit,
178 (49. 126). P1. 52. H. 0.047, D. pres. the treatment of the surfaces, and the types of
0.036. Chips missing. Buff clay; traces of decoration; but these differences are not of
paint, apparently black with added purple. Rays primary significance, and to take account of
descend from top. Designed for mouth of them under many separate headings would ob-
oinochoe (cf. V. S., pl. XIX, 4), but too large scure the facts that are of interest. Therefore
for our largest. Probably Early Corinthian. we divide the wares into only two groups, list-
179 (49. 156). P1. 52. H. 0.007, D. 0.018. ing in one series of pots of types which always
Buff clay; black paint. Bevelled disk, to fit or frequently bear painted patterns or are wholly
mouth of a miniature oinochoe. coated, and in another 'those whose buff or tan
surface is left unpainted (the " Argive Mono-
EAST GREEK OR CYCLADIC
chrome " fabric).
ally very fine, sometimes gritty and rather cluding the coarser pieces, no trace of paint has
porous. Very few of the pieces are carefully been preserved.
made; most are hastily turned, on the wheel or
181 (49. 122). H. 0.015, D. 0.059. Chalky
in the hand, and there are many irregularities.
orange-tan clay, unpainted. Pan-shaped. Hand-
The paint, which appears in shades of red,
made.
orange, brown, and black, is rarely lustrous;
added red, purple, and white, in the Corinthian 182 (49. 123). H. 0.018, D. 0.069. Chalky
manner, are always dull. Incised lines occur light buff clay; orange-red paint. Pan-shaped.
very seldom, impressed patterns scarcely at all. Band on flat rim, cross on interior. Wheel-
Many of the shapes are familiar in other made.
parts of the Greek world and are particularly
typical of Corinth. Indeed a few of the pieces 183 (49.65). P1. 53. H. 0.018, D. 0.046.
listed below may have been made in Corinthian Tan clay, light red paint. Small hole near rim.
shops; when in doubt (and even those experts Cross on interior. Handmade.
who are most familiar with Corinthian clay 184 (49. 128). P1. 53. H. 0.02, D. 0.054.
sometimes hesitate to speak), we have tended Buff clay, unpainted. Reflex handles at rim.
to call the pot local and Argive. The very Handmade.
number of the pieces, and the slightness of the
gradations among them, indicate that this is the 185 (49. 129). P1. 52. H. 0.025, D. 0.058.
only prudent course to follow until more exact Tan clay; black paint. Reflex handles at rim.
methods of testing the fabrics can be applied. Crosses on interior and exterior. Handmade,
crude.
SHALLOW DISHES OR SAUCERS
186 (49. 156). P1. 53. Fragment of bottom
Miniature vessels of this sort, which served with cross-hatching of lines in black paint on
as votive offerings and perhaps as toys, were interior and exterior. Handmade.
more or less common in all ages but especially
in the Geometric and Archaic periods.38 They BOWLS
38A. H., II, pp. 96 f.; Schliemann, Tiryns, pl. XXVII b; Fr6din and Persson, Asine, fig. 2
P. E. Legrand, "Antiquites de Trezene," B.C. H., XXIX, 1905, p. 310; Corinth, VII, i, Nos.
14, 15, 50; C. Dugas, " Le Sanctuaire d'Alea Athena a Tege'e," B. C. H., XLV, 1921, fig. 48, Nos.
215, 216, fig. 61, No. 241.
RALATHOI
Six miniature examples: four wholly coated
Four small or miniature examples with solid with brownish black paint, one with light red,
sides and fragments of another with a network one decorated with bands and strokes of red-
of triangular openings. All wheel-made. Cf. dish-brown. The following are typical:
A. H., II, pp. 124-125; Corinth, VII, i, Nos.
195 (49.161). P1. 53. H. 0.033, D. 0.052.
148-150, 169; Perachora, pl. 30, 12, 19-23, pl.
Part of rim and handle missing. Buff clay,
31, 6.
wholly coated with slightly lustrous brownish-
190 (49.74). P1. 53. H. 0.045, D. at rim black paint, some of which has been lost. Flat
0.093. Fine buff clay; black paint, reddish on disk base; lower sides gently convex, sharply
interior, with bands of added white. Flaring drawn in at shoulder, above which is flaring
base, the under surface slightly concave; sides offset rim. Two small handles, horizontallv
curve outward to overhanging rim. Interior attached, project and rise slightly from shoulder.
and lip coated; exterior plain. Wheel-made.
191 (49.62). H. 0.039, D. 0.085. Greenish- 196 (49.162). P1. 53. Like No. 195 but
gray clay. Like No. 190 but simpler. smaller and squat, with flat bottom.
39 A. H., II, p. 133; Muller and Oelmann, Tiryns, I, fig. 40; C. W. Blegen, "Excavations at
Nemea," Art and Archaeology, XXII, 1926, pp. 131-133; Dugas, Delos, XVII, pls. LV, LVIII,
Nos. 87-109; etc.
at home in the seventh and sixth centuries, as with single row of dots, second zone with three
well as later. rows of dots suggesting checkerboard pattern;
197 (49.132). P1. 53. H. 0.032, D. 0.05. bottom like No. 200. Cf. Perachora, pl. 30, 25.
One handle and part of rim missing. Light buff
OINOCHOAI
clay; black paint, much worn. Disk-like base;
sides slightly convex; arched horizontal handle. Only two miniature examples of the p
Interior and base coated; vertical lines on rim, trefoil oinochoe were noted:
horizontal bands on body. Wheel-made. Pos-
202 (49. 163). P1. 53. H. to top of ha
sibly imported from Corinth.
0.067, D. of body 0.053. Part of handle
198 (49.130). Pl. 53. H. 0.018, D. 0.03. sing. Pinkish-tan clay; exterior coated
One handle and part of rim missing. Tan clay, light orange-brown paint, worn. Well fo
brownish-black paint. Decoration like that of trefoil rim, cylindrical collar neck, low
No. 197 but cruder. Handmade. body, flat base. Wheel-made.
body is nearly conical and is drawn in sharply Four examples, of varying contours, all
at the shoulder, above which is a relatively high trefoil rims:
concave rim. The upper part of the handle is
flat and horizontal, not rising above the rinm. 204 (49. 53). P1. 54. H. to top of han
0.089, D. 0.075. Light greenish-yellow
199 (49. 73). P1. 53. H. 0.053, D. at black glaze paint with three bands of
shoulder 0.059. One handle restored. Grayish- red, much worn. Flat handle. Body swell
buff clay; black paint partly worn off. greatest diameter near the bottom, then
tracts to low ring base.
ROUND ARYBALLOI
then pierced with four holes, one at the middle of added purple. High-swung flattened handle;
and three symmetrically at the edge, to form a concave collar-neck; rounded shoulder and tall
sort of strainer. body, tapering slightly to flat bottom.
HYDRIAI
This heading is used loosely to include seven
small jugs or pitchers, five of which certainly, Not less than 475 miniature three-ha
two probably, had plain round horizontal rims. vessels were found nearly enough com
be counted individually, and at a mos
208 (49. 165). H. to rim 0.079, D. 0.087.
servative estimate half that many aga
Like No. 205 but cruder.
represented by smaller fragments. Th
209 (49. 166). H. of body 0.055, D. 0.07. gory thus makes up more than 50 per
Narrow neck and round handle missing. Pink- all the pots recovered from the Archaic d
ish-tan clay; brown-black paint with bands of local and imported, decorated and mon
added purple and white. Body globular. together.
With few exceptions the vessels were
210 (49. 167). H. of body 0.045, D. 0.064. made, and some are very crude indeed.
Broad neck and round handle missing. Like glance they appear monotonous, but cl
No. 209. spection and analysis reveal a not inco
able variety of form and decoration;
211 (49. 114). P1. 54. H. 0.068, D. 0.05.
mass-production of humble, inexpensive
Handle and part of rim missing. Light pinkish-
like these the Argive craftsman, as G
tan clay; wholly coated with glaze paint of poor
any, showed his impatience of standar
quality, mottled red and black, much worn.
We shall not attempt to classify them he
Baggy shape like that of Nos. 204, 207, though
types are local, and a new nomenclatur
relatively taller. Wheel-made.
not be applicable elsewhere. The distin
212 (49. 168). P1. 54. H. 0.06, D. of rim features are the handles, one set verticall
0.043, D. of body 0.053. Part of handle mis- rim to shoulder, the other two horizon
the sides of the body.
sing. Tan clay; red-brown paint. Disk base,
ovoid body, broad flaring neck, handle swing- Almost all are wheel-made, though a
ing up from rim. Paint on handle and lip; or so resemble those of the handmade
three groups of three vertical strokes on chrome fabric (p. 205). The clay is fai
shoulder. Wheel-made. Like some of the much refined; in some instances it is baked
commoner hydriai (infra) but lacking the side firm, in others it has become soft and
handles. In color the biscuit is light tan or bro
buff, with a few variations toward ye
213 (49.77). P1. 54. H. to rim 0.125, D. or greenish-gray or white and toward
0.08. Restored; fragments missing. Clay varies brown and red-brown. Slip was rarely
from light pinkish-tan to greenish-gray; paint applied. The paint is black, brown, or bro
from dull reddish-brown to black; three bands red and is only slightly lustrous at be
a few cases the pattern is enlivened by bands semi-lustrous glaze paint, which was applied
of added red or purple. with a brush. In six instances this was fired
In nearly 90 per cent of the total number red, in 18 black, though, the ingredients were
the body is roughly ovoid, its greatest diameter presumably the same.
coming well above the mid-point, the lower All the rest of the pots in the present group
sides tapering in a convex curve to the base. bear linear patterns of a simple sort. These are
Next commonest (ca. seven per cent) is a composed of horizontal bands, short vertical
globular body of spherical or depressed spheri- strokes, zigzags and wavy lines, and rows of
cal shape. A few of the vessels are piriform, dots; occasionally there are fields of dots, dotted
with greatest diameter below the mid-point. rosettes, quirks, crosses, and rays. Decoration
Finally there are some with broad mouth and of this sort occurs rarely on the neck (which
squat contour, jars rather than hydriai except in a few instances is wholly coated), more
for the persistent appearance of the three char- commonly on the body. The latter was often
acteristic handles. The bases of more than 80 divided into three zones, one on the shoulder
per cent are flat disks projecting slightly in a above the handles, a second at the level of the
torus; very rarely the center was pressed up to side-handles and the lower end of the vertical
leave a standing ring. Less than one-fifth of handle, the third on the side of the pot below the
the total have plain flat bottoms; and these handles. One or another of these zones might
pots usually, though not invariably, have a be left blank, or the first and second, or the
broad neck and mouth. The necks, clearly set second and third, might be combined. Rarely
off from the shoulder, are of three general one or more of the zones were divided into
types: A, flaring outward in a slight curve, panels. Bands occur not infrequently on and
often with a plain unmoulded rim (ca. 60 per inside the rim. The handles are generally
cent); B, more or less concave, tapering inward marked with straight or wavy lines, occasionally
from the shoulder and then curving out sharply with dots; on one flat handle there is an X
to a thickened rim (ca. 30 per cent); C, ap- in a reserved space between horizontal lines.
proximately cylindrical, curving outward at The best of these little pots have pleasing
the top to a thickened rim (ca. 10 per cent). qualities, their contours trim, the patterns neat
In a very few instances there is a narrow and restrained; and there is a certain humorous
ledge at the base of the neck. The handles are charm about reproductions of familiar objects
normally round in section or slightly flattened. at miniature scale. More praise they do not
One of them runs out and curves down to the deserve. They are works of mediocre craft,
shoulder, rising little if any above the level of made at a time when artists were producing
the rim (contrast the Late Corinthian type, works of much greater excellence.
NC, fig. 188). The side-handles, often crudely Hydriai of the same sort were recovered by
fashioned, are set horizontally, low on the the score in Waldstein's excavations, but the
shoulder; a few project straight outward and a finding places are not recorded and few are
few stand almost upright, but the greater num- illustrated in the publication.40 At other sites
ber rise obliquely. the hydriskai seem always to have been of dif-
Twenty-four of the hydriai are completely or ferent form.41 Closer parallels come, surpris-
almost completely coated on the outside with ingly, from late Mycenaean times.42
The following are typical of the present lot: 226 (49.104). P1. 55. H. 0.072, D. 0.064
to 0.07. Two handles missing. Orange-tan
215 (49.22). P1. 54. H. 0.072, D. 0.055.
clay; wavy band in red paint. Wheel-made but
Intact. Buff-tan clay; red-brown paint.
very crude and irregular.
216 (49.26). P1. 54. H. 0.088, D. 0.072.
227 (49.29). Pl. 55. H. 0.098, D. 0.078.
Chips missing. Buff clay; paint brown to black,
One handle missing. Tan clay, possibly slipped
with two stripes of added purple.
black paint. Flat vertical handle.
217 (49. 169). H. 0.079, D. 0.071. Bits 228 (49.30). P1. 55. H. 0.092, D. 0.078.
missing. Like No. 216. Chips missing. Buff clay; paint red-brown to
black, with stripes in added purple. On
218 (49. 101). P1. 54. H. 0.085, D. 0.07.
shoulder, zone with row of dots.
Tan clay, the surface apparently coated with a
thin wash of lighter color; light brown paint. 229 (49. 170). P1. 55. H. to neck 0.039,
Handle rises slightly above level of rim. D. 0.045. Neck and handles missing. Like No.
228; diminutive.
219 (49. 108). P1. 54. H. 0.057, D. 0.049.
One handle missing. Grayish-buff clay; wholly 230 (49.31). Pl. 55. H. 0.09, D. 0.07.
coated with brownish-black paint. For the Intact. Buff-tan clay; dark brown paint.
shape cf. the miniature amphora No. 235.
231 (49.27). H. 0.073, D. 0.061. Intact.
220 (49.17). P1. 55. H. 0.095, D. 0.085. Buff clay; light brown paint. Narrow neck;
Side-handles and most of rim missing. Light squat body; concave base.
tan clay; paint brown to red. On front in 232 (49. 110). H. 0.063, D. 0.053. Handles
upper zones, zigzags, dot-rosette, dependent missing. Buff clay; brown paint with added
rays; X on top of flat vertical handle. purple.
221 (49. 109). P1. 55. H. 0.092, D. 0.082. 233 (49. 111). H. pres. 0.041, D. 0.043.
One handle missing. Light grayish-tan clay; Rim and handles missing. Pink clay; deep red
black paint. Cluster of dots on front of paint. Handmade.
shoulder.
234 (49.18). H. pres. 0.09, D. 0.072. Two
222 (49.24). P1. 55. H. 0.074 D. 0.074. handles and rim missing. Tan clay; orange-
One handle and bit of rim missing. Buff-tan brown paint.
clay; red-brown paint. High shoulder.
AMPHORA
somewhat lustrous black paint. Pronounced Fragments of one large vessel and one
ridge on shoulder; body very squat. miniature:
225 (49.19). P1. 55. H. 0.052, D. 0.052. 236 (49.171). P1. 53. Handle plaque. W.
Two handles and parts of rim missing. Tan 0.058, projection from rim 0.035. Handle was
clay; wavy band in orange-red paint. Jar shape. attached below extreme edge of plaque. Red-
dish-tan clay, coated with brownish black glaze 242 (49. 173). H. 0.023, D. 0.048. Buff
of poor quality; four bands of dull red and, clay; undecorated. Plain incurving rim.
apparently, one of white, added on top of rim.
DEINOI WITH ANIMAL PROTOMES
237 (49.172). Handles of miniature, one
shown on P1. 53. Original height of krater Three diminutive deinoi are precisely like
estimated 0.06. Arched handle attached below those of the preceding group in shape but each
outer edge of small plaque. Pink biscuit with had three small plastic heads of animals, pre-
buff surface; red-brown paint. Bands on rim, sumably cows, rising and looking outward from
neck, and shoulder; strokes on handle. the shoulder. These miniatures are humble
versions of the great bronze vessels that bore
DEINOI heads of griflins or other monsters. Miniatures
like ours are not rare in the Argolid.44
Eighteen miniatures were found complete or
nearly complete and there were fragments of 243 (49.121). P1. 56. H. to rim 0.026, D.
three or more others.43 They range between 0.044. Tan clay, unpainted. Two of the heads
0.023 and 0.035 in height and between 0.043 are intact, one was broken off but seems to join.
and 0.061 in diameter. Almost all have a small Each consists of an elongated muzzle and two
rim, flat on top and projecting outward slightly large ears or horns curving forward.
to form a ledge. The bottoms are usually
244 (49.119). P1. 56. H. to rim 0.025, D.
rounded, sometimes flattened, rarely quite flat.
0.043. Almost identical with No. 243. One
In two there is a small hole in the shoulder
head missing.
just below the rim (cf. the Dishes, p. 194).
Two are handmade, the rest roughly turned 245 (49.120). H. to rim 0.029, D. 0.042.
on the wheel. Eight bear simple painted pat- Almost identical with No. 243. Heads missing
terns: bands, wavy lines, dots. The following
In addition, there are three heads (M 49. 8,
are characteristic:
M 49. 12, M 49. 20) that belonged to other
238 (49. 43). H. 0.024, D. 0.043. Tan clay; vessels of the same type; two considerably lar-
brown paint. Pierced below rim. Wavy band ger, one slightly larger, than those listed above.
on shoulder. One bears traces of brown paint, another has
remains of a white coating.
239 (49.42). P1. 56. H. 0.033, D. 0.047.
Tan clay; red-brown paint. Pronounced rim. STEMMED DEINOS WITH HUMAN PROTOMES
Wavy band on shoulder.
A small deinos, similar to those listed above
240 (49. 149). P1. 56. H. 0.032, D. 0.053. but mounted on a tall hollow pedestal and
Grayish-tan clay; black paint, with trace of dull bearing plastic figures of women's heads on
purple on rim. Flat bottom. Narrow bands and the shoulder, is discussed under Terracotta
row of dots on shoulder. Figurines, No. 133 (p. 185).
local manufacture and somewhat different from Buff clay, red-brown paint. Pyxis only; similar
the normal flat-bottomed Corinthian type. to No. 248.
SQUAT PYXIDES
PLASTIC VASE
Two examples, low and broad, designed for Fragment of one example:
flat lids; apparently an Argive type.
251 (49.176). P1. 53. H. pres. 0.046, D. of
248 (49.150 a, b). Fig. 10, P1. 56. Pyxis rim 0.036. Pinkish-tan clay; glaze paint mottled
(a): H. 0.023, D. 0.058. Lid (b): H. 0.011, brown and black, with added purple. Rim,
D. ca. 0.062. Half of lid missing. Pinkish neck, and handle are those of an aryballos.
Immediately below, the body widened in an
irregular shape (longer from front to back
than from side to side) where we may guess
that there was probably a woman's head. On
top of rim, a petal rosette. On back of handle,
a palmette with incised divisions.
POMEGRANATE (?)
Tref oil inside the rims of pyxides (cf. No. 248, fig.
10).
Two complete examples and fragments of at
least five others, in shape and size resembling 257 (49. 56). P1. 56. H. 0.01, D. 0.051.
No. 168, which is listed above as Corinthian. Buff clay; orange-red paint. Three horizontal
One or more of the present group may also with fine spiral groove from center to rim.
have been made in Corinth, but the fabric 258 (49. 179). H. 0.009, D. 0.062. Pinkish-
appears to be Argive. The paint, black, brown, buff clay, apparently with thin white coating
or red, covers most of the upper surface and on upper surface; concentric rings in dull red.
in some instances part of the lower also. These
lids are too big for any of the oinochoai found 259 (49.180). H. pres. 0.015, D. 0.076.
with them; they were probably dedicated by Knob missing. Soft buff clay; concentric ring
themselves, a part in token for the whole. in brown and black paint, dotted checkerboar
patterns in brown filling the zones.
253 (49. 58). P1. 52. H. 0.03. Intact. Pink
clay; orange-red glaze paint. For Powder Pyxides
45 In A. H., II, pp. 99-100, Hoppin records " a special class of hand-made undecorated vases,"
but dates them far too early. See also E. Pfuhl, Malerei und Zeichnung der Griechen, par. 75
(" Monochrome argivische Gattung "), with bibliography; remarks on " lekythoi," K. F. Johansen
V. S., pp. 22-23; P. N. Ure, Aryballoi and Figurines from Rhitsona, pp. 18-19; H. Payne, Per
chora, pl. 14, 3 and p. 63; S. S. Weinberg, Corinth, VII, i, Nos. 16-18, 51, 66, 81, 89-96 (al
Geometric); R. S. Young, Hesperia, Suppl. II, p. 86, No. XVII 22; C. Dugas, Delos, XVII, pl
LXIV, 1-12, and pp. 115-116; Delos, X (Les Vases de L'Heraion), pl. XLV, No. 539, and remar
on the related group, pp. 153-155.
4 In our collection are a few fragments of oinochoai in a dark gray ware which seems identical
to the buff in all but color. I assume that the fabric was in fact the same and that it was turned
dark by being fired under reducing conditions. Mr. Dtunbabin has shown me more numerous pots
of this sort from Perachora, not yet published.
Is it not possible that a perfume or some other pleasing and magical liquid was exported
from Argos, originally and over a long period of time, in simple containers of this type?
probability that imitations or kindred vessels Coarse dark tan clay; surface smoothed. Flat-
were made elsewhere. tened bottom, globular body, concave neck,
In the following catalogue we list representa- flaring rim, high-swung handle roughly rect-
tive examples of all the shapes noted. angular in section with groove along outer edge.
Handmade.
BOWLS
ROUND ARYBALLOS
Four miniature examples, all handmade.
Three examples:
262 (49.148). P1. 57. H. 0.033, D. 0.061.
Fairly coarse buff clay. Two vertical handles 268 (49.64). P1. 57.' H. 0.056, D. 0.055.
stuck against the rim and sides. Part of rim missing. Buff clay with gray core;
Similar: several fragments, one with trace smooth surface, pared. Handmade. The hole
of horizontal handle at rim. in'the neck was cut with a hollow cylindrical
punch, which left a plug of clay inside.
263 (49.182). P1. 53. Fragment of irregu-
lar rim with plastic decoration. Very small ves- 269 (49.137). H. 0.06, D. 0.058. Buff
sel, possibly a cup. clay; smooth surface. Handmade.
48 Cf. C. Dugas, B. C. H., XLV, 1921, p. 401, fig. 51, No. 226 (Tegea). There is anothe
presumably from the region of Tanagra, in the museum at Schimatari.
271 (49. 144). P1. 57. H. 0.06, D. 0.068. bottom, more like the squat-conical type. Cf.
Intact. Yellowish-buff clay; surface pared and A. J. A., XLIII, 1939, p. 424, fig. 12, No. 1231.
smoothed.
281 (49.7). H. 0.073, D. 0.065. Handle
272 (49. 12). P1. 57. H. 0.047, D. 0.055. missing. Buff clay; surface pared and smoothed.
Intact. Buff clay; surface pared and smoothed. Body roughly piriform, tapering to wide neck.
Bottom slightly concave.
With Round Rim
273 (49. 139). P1. 57. H. 0.048, D. 0.052.
Intact. Soft buff clay. Two small knobs on Eighteen examples recorded. In this type the
shoulder under spout. base is slightly flattened, the body approximately
spherical or slightly depressed. Necks are short
274 (49. 138). H. 0.041, D. 0.037. Handle and usually narrow. Most of the handles are
missing. Surface pared and smnoothed. flat and curve downward to the shoulder, but
at least one is nearly round in section and rises
With Round Rim above the rim.
Nine examples recorded. This group re-
282 (49. 1). P1. 58. H. 0.097, D. 0.092.
sembles the preceding in all respects except
Intact. Buff clay; surface pared and smoothed.
that the rim was left round, not pressed up at
Cf. examples from Geometric context, Corinth,
the sides to form a trefoil outline.
VII, i, Nos. 51, 66, 89 (there called aryballoi).
275 (49. 10). P1. 58. H. 0.053, D. 0.05.
283 (49. 146). H. 0.068, D. 0.065. Intact.
Chip missing. Buff clay; surface pared and
Buff clay with particles of brown matter; sur-
smoothed. Rim rises slightly toward front;
face pared and smoothed.
handle makes wider curve than most.
284 (49. 8). P1. 58. H. 0.053, D. 0.056.
276 (49. 183). P1. 58. H. 0.058, D. 0.057.
Intact. Clay as in No. 282, worn. Squat body,
Chips missing. Buff clay; surface pared and
broad mouth, handle curving above rim.
smoothed. Neck longer than the average.
285 (49. 188). P1. 58. H. 0.032, D. 0.038.
277 (49. 184). P1. 58. H. 0.055, D. 0.056.
Handle and part of rim missing. Pinkish-tan
Intact. Grayish-buff clay. Broad rim.
clay with buff slip. Squat, with broad mouth.
278 (49. 185). H. 0.04, D. 0.042. Handle
and part of rim missing. Buff clay. HYDRIAI
286 (49.6). P1. 58. H. 0.055, D. 0.055. 298 (49. 143). P1. 59. H. 0.04, D. 0.04.
Chips missing. Buff clay; surface pared and Intact. Light tan clay.
smoothed. Horizontal handles set upright,
299 (49. 141). P1. 59. H. 0.039, D. 0.035.
pressed against shoulder of pot, not open.
One handle missing. Buff clay; surface pared
287 (49.189). H. 0.053, D. 0.055. Chip and smoothed.
missing. Buff-tan clay. Like No. 286; one
handle open. Miscellaneous
292 (49. 5). P1. 58. H. 0.07, D. 0.07. Bits 303 (49. 197). P1. 59. Fragment; D. of rim
missing. Light tan clay. Surface pared. 0.05. Tan clay. Incised linear decoration on
inner side of rim, and on neck, handles, and
293 (49. 9). H. 0.066, D. 0.063. Intact.
plastic ridge around shoulder.
Soft buff clay. Short concave neck.
304 (49. 4). P1. 59. H. 0.085, D. 0.07. Bits
294 (49. 193). H. to neck 0.052, D. 0.07.
missing. Coarse buff clay. Raised base and
Neck and handles missing. Red clay with
roughly cylindrical neck.
brown slip, coarse.
SURFACE DEPOSITS,
The topmost layer, which covered the Archaic deposits, was made up of brown
earth firmly packed. It was about 0.50 m. thick in most places but fully 1 m. thick
at the brow of the terrace, along the east side of the area excavated. It appeared that
the ground had never been occupied after the Archaic objects had come to rest here.
No architectural remains were encountered.
Potsherds of various dates were found in this earth: a few fragments of My-
cenaean wares, Geometric and Archaic pieces in considerable numbers, and nearly a
basketful of black glazed fragments which include Attic and provincial wares of the
late fifth and fourth centuries B.C. Of pieces datable to later ages there were almost
none: one or two small sherds of Hellenistic wares, and the foot of a Knidian wine
jar which Miss Virginia Grace assigns to a period not earlier than the second century.
Some thirty per cent of the total are fragments of coarse undecorated wares that
cannot be dated with accuracy. As noted in the preceding catalogues; a few of the
bronze objects that were found just at the top of the Archaic stratum and appear to
be somewhat later than the rest of that deposit (e. g. Nos. 107, 113) may perhaps
belong properly to the debris of the final period.
On the basis of this rather inconclusive evidence it seems most reasonable to
suppose that the latest stratum was the result of filling or dumping which occurred
in the latter part of the fourth century, and that only an occasional sherd was dropped
on the hillside thereafter.
Many, if not most, of the pots that can be recognized were dedications, some
having the name or initial of Hera scratched upon them. They offer several interesting
and somewhat tantalizing problems, and point to the need of a systematic study of the
distribution and influence of late classical Attic wares in regions like the Argolid. The
present group of sherds is obviously inadequate as material for a study of that sort
and does not require exposition in detail. A few representative pieces are set forth
in the following list 4 and are illustrated on Plate 59:
315. From side of bell-krater or other open barian costume: possibly an Amazon, or an
vessel. Th. of wall 0.007. Glaze on interior is Arimasp among griffins, or a dancer like the
fine, hard, fired light red; on exterior good one appearing on a bell-krater from Al Mina
black, but mottled dark brown in patches. A bit (Beazley, J. H. S., LIX, 1939, pp. 23-25, fig.
of drapery is preserved at left; the end of a 60). Very coarse relief lines. Probably Attic.
staff, presumably a raised thyrsos, at right; Early fourth century.
meander and checkerboard below. The thyrsos
317. From side of bell-krater, near rim. Th.
is bordered by strong relief contours. Attic;
of wall 0.006. Clay light buff. Interior glazed
not far removed from the Semele Painter. Late
black, but with narrow horizontal reserved band
fifth or early fourth century. Cf. Bell-krater,
which is painted pink. Exterior apparently
Athens 1442: Beazley, ARV, p. 851; Metzger,
coated with thin orange-buff slip, over which
Les representations dans la ceramique attique
traces of fairly heavy miltos wash are visible
du IVe siecle, pl. XXII.
on reserved areas. Sherd preserves part of
316. From side of open ( ?) vessel. Th. of head and left shoulder of satyr crowned with
wall 0.006. Interior coated with thick but dull ivy. A band in red, apparently with added dots
black glaze, suggesting that the pot may have in white, encircles the head. There are no relief
had a contracted mouth, like a pelike, rather contours. Probably Corinthian, though the
than the wide opening of a bell-krater. On draftsmanship is reminiscent of highly compe-
exterior, body and left leg of a figure in bar- tent Attic work. End of fifth century. Cf. P.
49 I am indebted to Mr. Cedric Boulter, Mr. Peter Corbett, and Miss Lucy Talcott for going
over these sherds with me and making many comments and provocative suggestions. They had not,
however, the leisure to pursue a thorough investigation of the material, and may not share any of
my responsibility for errors and omissions. J. L. C.
Corbett, Hesperia, XVIII, 1949, pl. 76; W. vertical lines in black; red wash and black
Hahland, Vasen un Meidias, pl. 23 b. rings on under side of base. Fifth century.
318. From side of small open vessel. Th. 323. From base of skyphos of Attic type.
of wall 0.0045. Dull grayish-tan biscuit. In- Profile, Fig. 12. Th. of wall 0.0035. Biscuit
terior glazed black. On exterior, a pair of bare grayish-buff. Black glaze streakily applied on
feet appear above the draped knees of a seated interior and exterior. At left, bit of drapery
figure. Traces of preliminary sketch; no relief and lower end of staff or thyrsos. At right,
contours. Place of origin uncertain; not Attic. handle-ornament. Red wash on under side of
base. Place of origin uncertain. Early fourth
319. Fragment of lamp of Type 23 A.5" century.
H. pres. 0.028. Wholly coated with black glaze,
mottled reddish. On the rim, graffito: BE
- (hepa). Attic. Late fifth or early fourth
century.
50 In the revised classification of Greek lamps from the Athenian Agora now being prepared
by R. H. Howland.
fired dark red-brown. Reserved areas show 328. Fragment of base and lower side of
coating of light red wash. On under side of closed vessel, perhaps a squat lekythos. Th. of
base, graffito: B. wall 0.005. Grayish-tan biscuit. Exterior coated
with black glaze of poor quality. Panels of
326. Base of Corinthian skyphos. D. of
base 0.036, Th. of wall 0.0015. Buff clay. A vertical ribbing on side of body. Rough groove
spiral of black glaze survives on the interior. on resting surface of ring-base. Not Attic;
On exterior, most of black has peeled off but Argive? Probably fourth century. For a
parts of draped male figures can be made out on similar arrangement of ribbing cf. D. M.
either side, where reserved areas preserve thick Robinson, Olynzthus, XIII, pl. 190, 521 B.
miltos wash.
329. (Not illustrated.) Handle and part of
327. Fragment of foot of large bell-krater.
rim and wall of black glazed skyphos of Attic
Th. of wall 0.008 to 0.01. Pinkish-buff clay.
Red wash on recessed band at top of vertical shape. Line of impressed palmettes just under
face and on under side of foot; the rest glazed rim; below them, vertical ribbing. Not Attic;
black. Corinthian. place of origin uncertain. Late fifth century.
SUMMARY
Conclusions to be drawn from the material that has been described at consider-
able length in the preceding pages may be summarized briefly.
Our small excavation of 1949, an international enterprise that was carried out
in the happiest and most harmonious spirit of cooperation, produced a number of
interesting results, two of which may fairly claim some archaeological importance.
In the first place, we are able to set forth in appropriate sequence the pottery and other
objects that were recovered from a series of superposed and chronologically successive
layers; and secondly, we have a surprisingly large collection of archaic ex-votos,
among which are an excellent though fragmentary bronze statuette and objects of
several other types that were previously not well known. The interest of these dis-
coveries is heightened, furthermore, by their association with one of the greatest
sanctuaries of ancient Greece.
51That the region around the Heraion had been occupied in Neolithic times was clear
established in the course of Professor Blegen's excavations (Prosymna, pp. 22-29).
52 Purely in speculation one might guess that they were girls or even quite young children
with whom the toy-like miniatures would be in keeping. Mr. Papadimitriou suggests with reaso
that there may be a connection between the hydria and the rites of the Water of Freed
(Pausanias, II, 17, 1 ) .
53 This observation has been made by Mr. John Cook, and is strongly supported by the objects
from an heroon at Mycenae, which he will publish shortly.
54 In general the closest parallels to our material, in publications now available, are from Tegea
(Dugas, B. C. H., XLV, 1921, pp. 335 ff.) and from the " South-east Deposit " at Perachora
(Payne, Perachora, pp. 98 ff.).
APPENDIX
--] T8a
av] wev
End of the fifth century or first half of the fourth century B.C.
II. (P1. 60). Fragment of a base of black limestone, broken on all sides except
the upper surface (where the trace of a recess for the feet of a statue is visible).
Maximum height 0.225. Maximum length 0.30. lVJaximum depth 0.28. Height
of letters 0.015. Space between lines 0.009. Ruled.
Between the North Stoa and the Second Temple.
IIT - -
III. (P1. 60). Fragment of a base of black limestone, complete on the right
and on the lower surface.
Maximum height 0.19. Maximum length 0.35. Maximum depth 0.30. Height
of letters 0.035; height of omicron 0.022. Space between the lines 0.012. Ruled.
In the western part of the North Stoa.
--0-
IV. (P1. 60). Base of grey limestone, preserved on all faces, with three cuttings,
0.04 to 0.045 m. deep, on the upper surface, for the feet of a tripod.
Height 0.295. Length 0.80. Depth 0.615. Letters not deeply cut, and partially
effaced. Remnants of two lines can be distinguished. Height of letters 0.022; height
of omicron 0.018. Space between the lines 0.012.
In front of the bases located between the North Stoa and the Northeast Stoa
(A. H., I, pl. XII), to the northeast of the Second Temple.
Face A TOIAIIOT
NOIENIKA
vacat
-]TEoq A&Fwv [vno] q A - - -
5 vacat
- - -]os KX4Eo8a&8a3 I ---
vacat
1 The second X of LrpaTrvos is exactly in the middle of the inscribed face and falls betwee
the T and the p of -- -]rrpaTretSaFs].
2 Here I use the suggestions of J. Pouilloux.
3 For this Argive name, the most recent information and a bibliography are given by J. Ma
cade, B. C. H., LXXIII, 1949, pp. 141-142. (Cf. M. Mitsos, 'ApyoAtXcV 7rpoxoroypaOta, 1952, p
163-164).
-- -] oOcrEvEo 'ApaXvaa [s - - -
vacat
10 vacat
Face B OH
traces of letters ?
---Oy]8oqKovra---
--- EKaTov OTP - --
5 vacat
---] vos Av
vacat
-- e Q1 N -- -
Characters of the end of the fourth century or the first half of the third
century B.C.
VI. (P1. 60). Fragment of grey limestone, found in 1949 to the east of the
North Stoa. Taken to the Epigraphical Museum in Athens: Inv. EM 13137.
Broken everywhere but at the bottom and on the back. Maximum height 0.27.
Maximum length 0.33. Thickness 0.115. Height of letters and space between the
lines 0.008. Ruled. The last inscribed line is 0.11 m. from the bottom of the stone.
The lowver part of the block forms a slightly raised band 0.05 m. high.
No trace of letters on the reverse.
EA,
vacat
-- -] vo Av,iAfid8ag 'EXcaF ['V ---
vacat
5 vacat
- - -S AVKCT&a8a loXI ta K---
- - i.qt] 8a MOKXag lloo-i8ao&v V A ---a
vacat
IKATANTIMAN
10 -- -],j,i&8a MoKXag lloo4Saov 0'pog Ev AaO[---
Script the same as in No. V.
The quality of the material (chalky, brittle limestone), the thickness of the block,
the characters and the arrangement of the text leave no doubt that fragments V and
VI belong to the same slab or to two identical slabs. The fragment published in 1911
by 0. Walter, which has since disappeared, must also belong to the same series.'
Fragment V occupied the upper part of a slab, as is proved by the unruled space
above the first line and by the traces in lines 1 and 2 of face A of a formula differing
from the text which follows. Fragment VI, on the other hand, comes from the lower
part of a slab. According to the drawing published by 0. Walter, the lost fragment
might be set to the right of fragment V, since the fourth line inscribed on each
permits the restoration $rtXE'XELtOV.5 But the arrangement of the incised lines
the first inscribed line on the lost fragment does not agree with that on fragment V.
The relief band at the bottom of fragment VI proves that the slabs were recessed
like stelae. The inscribed lines on the reverse of fragment V exclude the possibility
that the stelae were placed against a wall. The text takes the form of a number of
paragraphs, each mentioning the name of a person, his patronymic, his phratry, and
his place of origin. The vacant lines (V, A, lines 3, 5, 7; V, B, lines 5, 7; VI, lines 2,
8) probably indicate that the second line of each paragraph did not extend as far as
the preserved portion of the slab. The two vacant lines after line 8 of V, A and line
3 of VI are more difficult to explain. The sketch of the vanished fragment seems to
indicate that the text was arranged in columns.
The two fragments are too badly mutilated to let us determine the nature of the
text. The remains of lines 1 and 2 of V, A are difficult to interpret. The words rtnkav
(VI, line 9), 0y80orKovTa (V, B, line 3), and EKarov (V, B, line 4) suggest that a
statement of payments was recorded on the stone. Several texts of Argos or of the
Heraion mention sums of money: inventories, lists of contributions or of offerings,
manumissions of slaves.6 It is impossible to choose among these various possibilities.
Although the general meaning of the text escapes us, the interest of the two
fragments lies in the additions and corrections that they enable us to make in the list
of Argive phratries and places.
The name of the phratry of the ALFcOt0rtot is established. This name is nowhere
preserved entire. The text I. G., IV, 529, gives in lines 20 and 21 A FCov- and AFCV-,
and the text I. G., IV, 553, gives in line 8 -vvo-t-. Since the names of members of
Argive phratries most frequently terminate in -as and sometimes in -EVs, the restora-
40est. Jahresh., XIV, 1911, p. 142, no. III. Mr. 0. Walter informed me that he left the
fragment in the wall where it had been reused; it was no longer there in 1949.
5 On the name of this place, the reading of which is not quite certain, cf. W. Vollgraff,
Mnemosyne, XLIII, 1915, p. 366, A, line 8 and p. 367.
6 For example: I. G., IV, 530; B. C. H., XXXIII, 1909, pp. 455-458, no. 23. Mr. W. Vollgraff
suggests to me, purely as an hypothesis, another interpretation. The stone may have been a list
of victors in a contest; the letters ENIKA (V, A, line 2) and IKA (VI, line 9) would be the
remnants of forms of the verb vwaiv or a dialectal word of the same root. In this hypothesis, Tqua"
could designate a prize of honor (cf. Hesychius, S. V. VTIA . . . aVTCKTtCFl 4 Kvp'a).
hvXXEv15 presents a problem. AVKO0-65ag is not the name of a man, as has been believed
up to the present, but that of a phratry. M. Guarducci has noted 15 that the use of
the tribe name hvXXEvl applied to the president of the assembly is exceptional, and that
it is in contrast with the formula employed in line 45, where the name of the president
of the ,&Xa is accompanied by the mention of his phratry only. For the presidency
of the assembly, was the indication of the phratry, supplemented by that of the tribe,
sufficient, just as the mention of the tribe holding the prytany sufficed at Athens?
Fragment VI testifies to the existence of a place called IIoXELEta (line 6) and
confirms that of one called lloo-8aov (lines 7, 10).16 The letters which follow this
name, Ev AaO-, undoubtedly carried a topographical specification. Because of the
identical length of name and patronymic, the same individual of the tribe of the
MSKXca must be meant in both instances. What does the insertion of the word
add in line 10? It appears not to have reference to boundaries.17 In one inscription
from Argos 18 the word o'pos occurs ten times, each time accompanied by the name
of a place in the nominative; but the interpretation of this text is uncertain.
It is impossible to restore the patronyrnics of which only the last letters remain.
One can conclude at most from the shifted position of the name of the phratry in the
text V, A, line 8, as compared with those in lines 4 and 6, that the name of the indi-
vidual or of his father was particularly long; in addition to KXE0o-r0EV, the name
'E1E8o0-O&V1 is attested at Argos (Syll.3, 704 E, line 8; 826 B II, line 10).
The lists of phratry and place names established by W. Vollgraff in 191619
should be brought up to date. The name of the phratry of the AtFwv5o-vvot is n
in its correct form; the fragments from the Heraion acquaint us with the phratries
of the Av/.y6a&a and the AVKCOIatLa; an inscription of the fourth century from Ep
dauros has revealed the existence of the phratry of the AEVKVp&aU (rather than
Evi'vpia&)20 and has confirmed the existence of the phratry of the KEpKa6a.
VII. (P1. 60). Ten fragments of a base of bluish marble, all in the Epigraphical
Museum in Athens, can be regrouped as follows:
A. EM 13136 and 587 and 597 and 596 and 13141. Maximum height 0.50.
Maximum length 0.56. Maximum thickness 0.14. Part of the bearing surface is
preserved. First line inscribed 0.075 m. from the upper edge.
B. EM 619 and 611 and 605. Maximum height 0.35. Maximum length 0.21.
Maximum thickness 0.09. Upper right corner of the base.
C. EM 603 and 590. Maximum height 0.30. Maximum length 0.32. Maximum
thickness 0.15. Very small part of the left lateral surface preserved, at 0.14 m. from
the sign <.
Fragments 13136 and 13141 were picked up on the site of the excavations at the
Heraion, the first in 1949, the second around 1930 (deposited since then in the
museum at Nauplia, it was recognized by M. Mitsos, after comparison with the other
fragments, as belonging to this group, and was taken by him to the Epigraphical
Museum in Athens in 1950). The eight other fragments, according to their inven-
tory numbers, come from the excavations of 1892; fragments 587 and 590 were
published separately in I. G., IV, under the numbers 534 and 536; the others seem
to have remained unpublished.
Height of letters 0.03 to 0.036. Space between lines 0.016 to 0.02. Ruled.
The total length of the base was about 0.65.
The statue of Hadrian was set up at the Heraion in the seventh year of his
tribunician power, i. e. in A.D. 123. The statue in the sanctuary of Asklepios at Epi-
dauros was not erected until the following year (I. G., IV2, 606).
The two first letters of line 2 are missing; the third is an 0 or an Ql, the fourth
is surely an N. According to the usual formula, one would expect OEov in this position
(as in line 3, OEOV NEpova). OECov being excluded, the restoration EoEv seems to be
required. Except that Tpatavovi is normally accompanied by OEM, the title can only
apply to Hadrian; but the emperor was not deified during his lifetime.30 Unless we
30 The title of EoAs applied to a living emperor is exceptional: cf. G. Daux, B. C. H., LII, 1
p. 61, note 1; G. Klaffenbach, Mus. Helveticum, VII, 1949, p. 223. L. Perret, Titulature imp,eri
postulate an error on the part of the stone-cutter, the word OEov remains unexplained.
In lines 8 and 9 the restoration a' v6 [Xv a' r] 6hv ['ApyEt] Wv seems too short; never-
theless it is not to be dismissed. In this case, however, the N preserved in the third
space of line 8 would be the last letter of a title of Hadrian, placed at the end of the
list, after the mention of his third consulate; but the emperor did not receive the
cognomina of 'OAXv41nto and llaVEXX4vMos until after 129; o KVPtOg is improb
this place, and a'pwC-ios is rarely used.3'
In lines 9 and 10 the restorationT [Ov &cvTr o MT'] pa K[cat OLKur7T 7V], based on the
text of the dedication of the statue of Hadrian at Epidauros, also seems too short.
The name of Hera or of her sanctuary can as easily be recognized in the traces of
letters in line 10.
The length of the inscription, and consequently the height of the base, cannot be
determined. They depend on the number and extent of the considerations listed, on
the basis of which the Argives justified their honoring of the emperor.32
d'Hadrien (1929), cites two examples of the epithet REO's coupled with the name of Hadrian before
his death, in an inscription from Thrace, I. G. Rom., I, 785, after A.D. 129, where the word is
moreover restored, and in an inscription of Asia Minor, I. G. Rom., IV, 751, of A.D. 136-137, where
the expression Owiot 1,cfacrroi designates Hadrian and his adopted son L. Aelius Caesar. An insc
tion from Thasos, B. C. H., LII, 1928, p. 61, no. 14, in which Hadrian bears the title of REO'S
'OAv'7rptos, may date before his death; but it is in any case later than A.D. 129.
31.Cf. L. Perret, op. cit., p. 28, note 1. On the other Greek surnames of Hadrian: ibid., p. 31,
note 1.
32 Perhaps Hadrian acquired some title to the recognition of the Argives by financing various
public works; some inscriptions, badly mutilated, commemorate certain of these donations, whose
objects remain uncertain: W. Vollgraff, B. C. H., LXVIII-LXIX, 1944-1945, pp. 397-401, nos. 8
and 9; S. E. G., XI, 340-341; on the nature of these works, cf. the observations of R. Paribeni,
Dioniso, 1947, pp. 314-316. If, in text no. 8, one grants that the letters I H furnish an indication
of the date [S&w/AapXuKz3 fovata] s ', i. e. A.D. 124, one hesitates to restore 7raTT 7raTpt8o, since this title
was not officially accepted by Hadrian until A.D. 128, and its mention before that date was excep-
tional: cf. L. Perret, op. cit., pp. 62-73. (Cf. W. Volgraff, Mnemosyne, 4th ser., IV, 1951, pp.
193-203).
-.~~~~~~~~~~~~~~~~~~cW M#~~~
~~~~ ~~~~~~~4~4
68
Middle He
4 ~ ~ ~ ~ ~ ~
32. Head of Mycenaean 35. Fragment of Mycenaean Animal Figurine (1:1) Mycenaean
Female Figurine (1 :1)
~~~~~~~~~~~~~~~~~~~7v8
17~~~1
310
75J87 8910
98 100 , _92 - -|
218 81113
135 Whorl (2 1)
122 (1:1)
* t~~~~~~~~~~~
Terra-cotta Figurines
JOHN L. CASKEY AND PIERRE AMANDRY: INVESTIGATIONS AT THE HERAION OF ARGOS, 1949
133 1
.s~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~o.
1 33
134 1
Plastic
JOHN L. CASK
68 (1:2)
69 (1:2)
1 ~~~~145 146
141
Protocorinthian
JOHN L. CASKEY AN
:~~~~~~:
7,.-.
142 (1:1) 149 (1:1)
15 (12'5 12 6 12
_~~~~~~PoooitinadCrnha ae
JONL AKYAD IREAADY INETGAIN AT TH HEAO OFAGS14
188 (2:5)
161 (1:2) 166 (1:2) 180 (1:2)
~ ~ ~ ~ ~ ~ 174 7
w~~~~~~~~isofCrnha n rieFabi (c. 1:2)
\ 0 0 : 4 ; ~~~~~~~~~~~~~~~~263
250 ~~~251 D: 252;: 308
JOHN L. CASKEY AND PIERRE AMANDRY: INVESTIGATIONS AT THE HERAION OF ARGOS, 1949
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~.0 -' X - 17
215 (1:2)
216 (1:2)
213 (1 :2)
JOHN L. CASKEY AND PIERRE AMANDRY: INVESTIGATIONS AT THE HERAION OF ARGOS, 1949
222 (1:2)
223 (1:2)
227 (1:2)
.~~~~~~~~~~~~~~~~~~.
~~~~~~
244 (1:1) 243 (1:1)
255 (1:2)
260 (1:2)
JOHN L. CASKEY AND PIERRE AMANDRY: INVESTIGATIONS AT THE HERAION OF ARGOS, 1949
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ .k
262 (1:1) 268 (1:1)
I AI
| , . . _ : .. . , X~ ~ ~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~: -
302 (1:2)
11 _~~~~~~~~~~~~~~~~~~~I-
323 324
321 322
I II~~~~~~~~~~~~~~~~~~~~~~~~~~I
V VI
IV -?-
IV (Top view)
JOHN L. CASKEY AND PIERRE AMANDRY: INVESTIGATIONS OF THE HERAION OF ARGOS, 194