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TINIKLING

The document outlines various traditional Philippine folk dances, including Tinikling, Cariñosa, and Pandanggo sa Ilaw, highlighting their origins and cultural significance. It classifies these dances into categories such as courtship, festivals, mimic or imitative, and occupational dances. Additionally, it discusses the influence of Spanish colonization on Philippine dance culture and the inclusion of folk dances in modern education.

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Maricris Ocampo
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0% found this document useful (0 votes)
18 views1 page

TINIKLING

The document outlines various traditional Philippine folk dances, including Tinikling, Cariñosa, and Pandanggo sa Ilaw, highlighting their origins and cultural significance. It classifies these dances into categories such as courtship, festivals, mimic or imitative, and occupational dances. Additionally, it discusses the influence of Spanish colonization on Philippine dance culture and the inclusion of folk dances in modern education.

Uploaded by

Maricris Ocampo
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd
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 TINIKLING - is a traditional Philippine

folk dance which originated during the


Spanish colonial era.  LOCOMOTOR - walking, running ,
 CARIÑOSA – (Panay Island) meaning the jogging, hopping, leaping, sliding
loving or affectionate one) is a Philippine  NON – LOCOMOTOR – bending,
dance of Hispanic origin from the Maria swaying, stretching, twisting, turning,
Clara suite of Philippine folk dances, swinging
where the fan or handkerchief plays an  Subli Dance: Celebrating Festival -
instrumental role This festival dance traces its roots
 PANDANGGO SA ILAW - ( Oriental, during fiestas in Bauan, Batangas. It is
Mindoro) danced in couples, with performed during the month of May to
traditional clothes for both women and pay homage to the Holy Cross: Mahal na
men.The individual performing this Poong Santa Cruz. Subli comes from two
graceful dance is often referred to as the’ contracted Tagalog words subsub
pandanggera. meaning "to stoop" and bali meaning "to
 SPANIARDS/AMERICAN - Spaniards and break." Both girls and boys are barefoot.
Americans came, various tribes and/or
ethnolinguistic groups already have a STEPS:
dance culture of their own. Stooping down
 SPANISH COLONIZATION - European Mincing Steps
culture blended and was integrated in Change Step
local communities. Clicking of Castanettes
 MODERN ERA - included Philippine folk Girls take off hat
dances in the courses offered by most Hands doing the “bilao”
schools in the country.
 Sua-Ku-Sua: Dance of the Tausug of
CLASSIFICATION OF PHILIPPINE FOLK
Sulu - the Sua-Sua, or "pomelo tree
DANCE
dance," is one of the most popular
 COURTSHIP OR WEDDING - usually Philippine dances of the island of Jolo,
performed by couples or newlyweds Sulu. They were traditionally brave
together with the relatives of the bride warriors. At harvest time, pomelo fruits
and groom. are gathered in big boxes before they
 FESTIVALS - dances are performed are sent away.
during fiestas as a thanksgiving ritual for
a bountiful harvest or good fortune. STEPS:
 MIMIC OR IMITATIVE - the purpose of Walking Steps
these dances is entertainment. 3-step turn right
 OCCUPATIONAL DANCES - these Arms in reverse T-position
dances are performed to characterize Fans held sideward-downward
occupations of a certain locality.

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