0% found this document useful (0 votes)
103 views6 pages

Indian Dance

The document outlines various Indian dance forms, categorizing them into classical and folk styles. It details eight classical dance forms recognized by the Sangeet Natak Academy, including Bharatnatyam, Kuchipudi, Odissi, Kathak, Mohiniyattam, Kathakali, Sattriya, and Manipuri, along with their origins and key exponents. Additionally, it highlights the significance of these dance forms in cultural rituals and their evolution over time.

Uploaded by

aspirant110037
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
103 views6 pages

Indian Dance

The document outlines various Indian dance forms, categorizing them into classical and folk styles. It details eight classical dance forms recognized by the Sangeet Natak Academy, including Bharatnatyam, Kuchipudi, Odissi, Kathak, Mohiniyattam, Kathakali, Sattriya, and Manipuri, along with their origins and key exponents. Additionally, it highlights the significance of these dance forms in cultural rituals and their evolution over time.

Uploaded by

aspirant110037
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 6

Indian Dance Forms

Two types:
1. Classical Dance Forms: have particular steps that needs to be performed in
CLASSICAL DANCE particular events (mostly performed in temples)

C
2. Folk Dance Forms: no particular steps defined, they are performed in particular
rituals

SS

SS
Classical Dance For exam purpose
I

Total: 8 -> recognised by Sangeet Natak Academy
·
Somewhere mentioned as 9 -> By Ministry of Culture
L
R

R
8 + Chhau Nritta: pure dance
Nritya: expressive dance (pure dance +
Origin -> Natya Shastra written by Bharat Muni
-

expression)

A

A
It is called as 5th Veda
Bharatnatyam also known as:
Abhinaya Darpan -> Dances madras, movements, expressions
A
-

Dasiattam and Sadir attam

,*
Written by Nandikeshvara
RM

RM
Symbolises Fire Origin
Classical dance of Tamil Nadu
1. Bharatnatyam Earlier, was performed by Devadasis in
S -

s
-
Made from three words: Bhav, Raag and Taal temples Last Devadasi: Shrimati Muthukannammal
-

I
It is the oldest classical dance of India
~
Performed solo (single person)-> Known as
“Ekaharya”
PA

PA
I
Old names of Bharatnatyam: Sadir, Thevarattam,
Parathaiyat,dr Attam

E Krishna Iyer and Rukmini Devi Arundale->Pushed
for name Bharatnatyam

Forms of dance: Revived by E. Krishna Iyer
1. Shaivite (majorly) - Shiva (Masculine)
In 1910, was banned by Britishers
2. Vaishnavite -> Vishnu (Feminine) - Found in Natya Shastra

-
Description in -> Silappathikaram
Silappathikaram
(by: Ilango Adigal) -
Associated with Kalakshetra style
↓ ↓
by
Love story between
&
Manimegalai
Kovalan and Kannagi and Madhavi
Composed during 2nd Sangam Manimekalai (story of daughter of Kovalan and Madhavi)
Music
Father: Purandar Das
Tamil text composed during 2nd


Exponents of Bharatnatyam Movements/style
Stages of dance:
& Hindustani Carnatic
sangam: Tolkappiyam

Alarippu Kathak Bharatnatyam, Kuchipudi, Mohini, Kathakali
Performed in Carnatic music
TRICK 1 I
Jatiswaram
·
Shabdam Queen: M. S Subbulakshmi (Bharat Ratna:
↑ Varnam 1998; Ramon Magsaysay Award: 1974)

C
·
Padam
-
Tillana
&
Mangalam Symbolises Earth

SS

SS
Carnatic music Yakshagana was
Padma Bhushan 1956 - performed here in earlier
1st women to be nominated in 2. Kuchipudi times
Pandanallur style
Rajya Sabha
Founder of Kalakshetra
Kaiakshetra Dance Classical Dance of Andhra Pradesh (Krishna District)

t
Bharatnatyam
School
R

R
Odissi Known as Bhagavata Mela Dance in Tanjore, Tamil Nadu
Alarmel Velli
Rukmini Devi Arandale Created Bharat
Leading figure Nrityam
in Bharatnatyam
I
Modern form: Tirtha Narayanayati
u
-

Padma Subramanyam
A

A
Meenakshi Sundaram Pillai -
Also, Kuchipudi Disciple: Sidhyendra Yogi (Vaishnavite)
Mirnalini Sarabhai, Mallika Sarabhai Developed dance drama
Bala Saraswati Kathakali Exponents of Kuchipudi Bhama Kalapam (story of
RM

RM
Yamini Krishnamurthi Kuchipudi Satyabhama, the charming
Leela Samson TRICK jealous wife of Lord Krishna)
Shanta Dhananjayan/VP Dhananjayan
Sonal Mansingh Odissi
Revived by: Balasaraswati and
Ragini Devi
Sonal Mansingh: youngest recipient of Padma Vibhushan
PA

PA
I

Elements
Ganesha Vandana
Some other exponents: Some Brahman families perform this ancient

:
Exponents: Jatiswaram
Rama Vaidyanathan dance since ages Shabdam
Raja Reddy
~

-
Meenakshi Chittaranjan Tanjore Nattuvanars (families) Kalapam
I Radha Reddy
Narthaki Nataraj Style: Padam
I
Padmaja Reddy Tarangam (the dancer dances on a rim of a
Urmila Satyanarayanan Pandanallur I
Bhavana Reddy brass plate)
Vazhuvoor
Kalakshetra
I
Yamini Reddy
Melattur
-
Yamini Krishnamurthy -> Padma Shri and Padma Bhushan awardee
Tanjore "
Mallika Sarabhai 3 Kuchipudi + Bharatnatyam
Exponents of Kuchipudi
Exponents of Odissi
TRICK 2
TRICK 2

C
Elements

SS

SS
&

Mangalacharan
-

Batu Nritya
Shagun Bhutani Pallavi
Vempata Chinna Satyam
I

Gangadhar Pradhan I
Tharijham
Aparna Satisham Madhabi Mudgal
-

Moksha
Lakshmi Narayan Shastri
R Oddisi

R
Vendantam Satyanarayan -> Padma Shri awardee Bijayni Satpathy
Swapna Sundari Sanjukta Panigrahi
Shobha Naidu Sudhakar Sahu
A

A
Kuchipudi Sutapa Talukdar
Halim Khan
RM

RM
Symbolises Water
4. Kathak
3. ·
Odissi
Oddissi -


Classical dance of Uttar Pradesh
I Classical dance of Odisha -
Name originated from “katha” meaning “story”

Only classical dance to feature Persian elements
Exponents of Odissi

:
·
Performed in Thumri music
PA

TRICK 1

- or Pankaj Charan

Das
PA Gharanas:
Banaras
performed in Urdu ghazals
Mughals patronised this
dance

Last Nawab of Awadh

-
Father of Odissi

.
3 gharanas
Modern form of Odissi Jaipur Wajid Ali Shah
Exponents: I Leela Mohanty
-
Lucknow:
Founders Elements: Amad, Thaat, Tukra, Paran, Jugalbandhi, Tarana,
Kelucharan Mohapatra Lucknow
Jaipur: Bhanuji Founder: Ishwari Prasad
:
Sujata Mohapatra Niharika Mohanty Banaras
Raigarh Janaki Prasad
Chattisgarh
Kramalaya Ghat, Bhaav

2007: Padma Vibhushan


Exponents of Kathak Exponents of Mohiniyattam

TRICK TRICK

C
Kalka Bindadin Gharana (Lucknow)

SS

SS
Mohini Mohiniyattam VN Menon Revived the
=>

Padma Vibhushan, >


1984/1986
~

1986
- Gopi - Gopika Verma dance form
Birju Maharaj, Lacchu Maharaj, Achhan Maharaj Kan Kanak Rele
- Dance school: Kalashram, 1998
Shovna Narayan Suna Sunanda Nair
Sitara Devi Jay Jayaprabha Menon
Kamini Asthana, Nalini Asthana
R Radha Radha Dutta

R
Narayan Prasad, Kalka Prasad, Ishwari Prasad Krishna Pallavi Krishnan Revival of the dance form
Vidhya Gauri Akhbar Amma Kalyanikutty Amma
Kumudni Lakhia
A

A
Founder of Keral Kalyanam, 1952
Aditi Mangal Das VN Menon: Revived the dance form
Kumkum Dhar Shows: win of good over evil
Roshan Kumar >
-
Performed in temples after Sevakali
RM

RM
-
Face is green coloured:
session
=> green represents strength
6. Kathakali
Symbolises Air
-
-
Vocal performance is in Hindi

5. Mohiniyattam ·
Classical Dance of Kerala
associated with Lord Vishnu Performed by a Male
-
-
I
Associated with term “Mohini” It is based on the epics of Ramayan and Mahabharata
-
Dance form of Kerala ↑

Forms
PA

PA
Solo dance form performed by a female Elements

.
-

Kalaripayattu:
References seen in ancient text: Vyavaharmala 1. Natyam :
Kelikottu
martial dance
Thodayam
↓ 2. Nritham


Purappadu
Written by: Mazhamangalam 3. Nrithyam · Tiranokku
M
Narayanan
Namboodiri
Namputiri 4. Sangeetam Ilakiyattam
:
No abrupt jerks
5. Vadya Kalasam
Forms:
M Order: Kalasam
S
-

and dance
Tevitichyattam - Used of facial expressions and colours 24 hand gestures
Nangai Natukam
performance is
Elements Af
very smooth Meaning This dance form
24 hand gestures Cholkettu Padam Saptam
Dasiyattam
Al
↑ - -

I Katha (story), Kali represents win of


Jatiswaram Tillana
·

(performance) God over evil


Padavarnam Slokam
Exponents of Kathakali
-
8. Sattriya
-

TRICK
I
Milena Salvini Bal Milena na mile Kuch Gopi ki Kali mil jaye

Dance form of Assam -> Vaishnavite form

P.V. Balkrishna -
Included in year 2000

Kunchu Kurup -
Father: Srimanta Shankaradeva (Vaishnava)

C
- Gopi Nath I
Themes are related to Lord Krishna
↑ Kottakal Nandakumaran Nair -
Assam’s music -> Borgeet
(Presentation of Ankiya
I
Mrinali Sarabhai /
Ankiya Naat dance - Bhaona Naat)

SS

SS
↓Modified version
7. Manipuri Sattriya


I
Dance form of Manipur -> Introvert type of dance form Dance numbers: Chali, Jhumura, Nadu Bhangi
Based on Vaishnavism
R

R
Vaishnavite form of dance
: Also known as ManipuriForms
-
No theatre components
Raas Leela

Forms:
Raas Leela Sankritana Thang ta Exponents of Sattriya
A

A
-

1. Jagoi: shows feminine aspect


↑Radha and Krishna
2. Cholom: showsJagoi and Cholom
masculine aspect Martial Dance Jatin Goswami

·
W

b
V
Profounder: Rajarshi Pung (drum) is used I
Bhupen Hazarika -> awarded Bharat Ratna in 2019
RM

RM
↑ I

BhagyaPerformed
Chandra bytoMeitei
performtribe
dances ↑
Guru Ghanakanta Bora I
Masculine ↑
Indira Bora highest Civilian Award
-
Monogram Dutta
Exponents of Manipuri
W
Dance form to be refashioned as a theatre art and to be exhibited widely both at home
I
Jhaveri sisters and abroad: Bharatnatyam
PA

PA
- Bimbavati Devi
↑ Nirmala Mehta I
Yamini Krishnamurthy: Resident dancer of Tirumala Tirupathi Devasthanam
~ Guru Bipin Singh -> Title given: Hanjaba >
- By Manipur King
↑ Charu Mathur Guru Sashadhar Acharapakkam awarded Padma Shri in 2010 for his contribution in

-
- Devyani Chalia Chhau Dance
I
Aluna Kabuini
KADAMB Centre for Dance in 1964 founded by Kumudini Lakhia
~
National Nritya Shiromani Award 2022 awarded to Aparna Satheesan for Kuchipudi

-
Famous personality of Bharatnatyam: Padma Subramanyam

C
SS
R
A
RM
PA

You might also like