0% found this document useful (0 votes)
148 views5 pages

Cha Cha Duet

The document appears to be a musical score for a Latin Jazz duet titled 'Cha Cha' composed by Christopher Norton. It includes various musical notations and instructions for performance. The score is structured with sections labeled 'Primo' and 'Secondo,' indicating parts for different performers.
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
148 views5 pages

Cha Cha Duet

The document appears to be a musical score for a Latin Jazz duet titled 'Cha Cha' composed by Christopher Norton. It includes various musical notations and instructions for performance. The score is structured with sections labeled 'Primo' and 'Secondo,' indicating parts for different performers.
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 5

Cha Cha


   
Latin Jazz duet

           
Christopher Norton

        
  



     

                    

    


Primo

     
                       

     

      
Secondo

 


              
 
      
 
5

 
 
              


1

 
             
         

 
   
2

  
 


 
2     
               
   
8

    
                      


  
1 cresc.

 

          
  
 
    
  
 
  
       

2 cresc.

     
  
 


       
 
     
      
       
2

     

11

    
    
             

 
   


1

     
               

  
2

       


                 
         
 
14

      
 
           
cresc.

   
1


           

   
  
                

 
       
  
2 cresc.


      


             
        
      
    

17

          
                 


1

 
   
   

        
         

   
  
    
  

 

    
     
2

             

                  
     
  
3

   
       
21

  
                       
    


1

     
     
      
            
 
 
       
2

       


                  
               
  
24

  
  
           
              
   
silent


1

   
    
   
         
         
 
   
     
2 silent

           


                   
 
       
 
28

      
                           


1

       
                         

   
      
2 

   

        
       
4

          
  
32

 
   
 
                     


1 cresc.

     
       
       
                   
 
  
           
2 cresc.

     

  


       
         
         
         

36

     
    
      
 
      
        


1

     
                

   
2 

        


   
            
        
 
39

 
                  


1

      
                

  
2

     
 

           
          
 
 5

  
42

         
     

  
cresc.

  
1

     


     
    
 

   

  
     
 

  
      
 
       
  

      
      
2 cresc.

         


    
  

    
45

    
   
3 

    
1



 
 

    
  
 
3


  
 

 
2

   
 

You might also like