DEVELOPMENT OF HAND BAG AND KID’S GARMENT FROM

SAREE WASTE FABRIC

19T620 INNOVATION PRACTICES

RAJAKEERTHANA S R 23T403
SANTHOSHKUMAR S 23T404
DEEPAK R 23T431

BACHELOR OF TECHNOLOGY

Branch: TEXTILE

TECHNOLOGY

of Anna University

APRIL 2025

DEPARTMENT OF TEXTILE TECHNOLOGY

PSG COLLEGE OF TECHNOLOGY

(Autonomous Institution)

COIMBATORE – 641 004

 PSG COLLEGE OF TECHNOLOGY
(Autonomous Institution)

COIMBATORE – 641 004

DEVELOPMENT OF HAND BAG AND KID’S GARMENT

FROM SAREE WASTE FABRIC

Bonafide record of work done by

RAJAKEERTHANA S R 23T403
SANTHOSHKUMAR S 23T404
DEEPAK R 23T431

BACHELOR OF TECHNOLOGY
Branch: TEXTILE TECHNOLOGY

Of Anna University

APRIL 2025

...……………………… …………………….
Dr. P. Senthilkumar Dr. G. Thilagavathi
Faculty Guide Head of the Department

Certified that the candidate was examined in the viva-voce

examination held on.……….

…………………….. ...………………..
(Internal Examiner) (External examiner)
 ACKNOWLEDGEMENT

We wish to express our sincere thanks to the management of PSG

INSTITUTIONS for providing the necessary infrastructure facilities for
carrying out this project work.

We would like to express our gratitude to Dr.K.Prakasan, Principal for

providing us an opportunity and ample facilities for carrying out our
project.

We express our sincere gratitude to Dr.G.Thilagavathi, Head of the

Department of Textile Technology, PSG College of Technology, for her
encouragement and support throughout the work

We express our heartfelt thanks to our faculty guide Dr.P.Senthilkumar,

Professor, Department of Textile Technology, for his constant
encouragement and guidance for carrying out this project.

We wish to thank all teaching and non-teaching staffs of PSG college of

Technology for their kind and patient help for the project.

iii
 SYNOPSIS
The textile industry generates significant waste, with discarded sarees

contributing heavily due to changing trends, wear, or cultural practices. Much of

this waste ends up in landfills, causing environmental harm. Upcycling saree

waste into products like handbags and kids' garments offers a sustainable

solution by reducing waste and promoting eco-friendly fashion. These items are

ideal for upcycling as they require minimal fabric, allowing efficient material use.

This study explores the process of transforming saree waste into stylish,

functional products while fostering sustainability and encouraging small-scale

entrepreneurship.

iv
 CONTENTS

Chapter Page
No.
Acknowledgement …………………………………….. (iii)
Synopsis………………….……………………………… (iv)
List of Figures……………………………………........
(vii)
List of Tables………………………………………….. (viii)
1. Introduction………………………………………….

2. Literature Review…………………………………..

2.1. INTRODUCTION TO TEXTILE WASTE AND 3

SUSTAINABILITY

2.2. UPCYCLING SAREE WASTE FOR FASHION AND 3

ACCESSORIES

2.3. ADVANTAGES OF UPCYCLING SAREE WASTE 5

2.4. CHALLENGES IN UPCYCLING SAREE WASTE 5

2.5. TEXTILE WASTE MANAGEMENT IN UPCYCLING 5

2.6. ECONOMIC AND ENVIRONMENTAL IMPACT 6

3. Objectives…………………………………………… 7

4. Materials and Methods………………………………

v
 8

4.1 METHODOLOGY 8

4.2 MATERIAL AND MACHINES

4.3 SAREE FABRIC PARAMETERS 10

4.4 TRASH ANALYSIS 10

4.5 STITCHING AND FABRIC REINFORCEMENT 11

4.6 PATTERN DEVELOPMENT AND CUTTING 11

4.7 SEWING AND ASSEMBLY 12

4.8 FABRIC TESTING METHODS 12

4.9 DURABILITY AND FUNCTIONALITY TESTING 13

4.10 PACKAGING AND SUSTAINABILITY 13

4.11 MARKETING AND PRODUCT LAUNCH 13

4.12 TESTING STANDARDS 14

4.13 PROCESS SPECIFICATION 14

4.13.1 HAND BAG 14

4.13.2 KID’S GARMENT 15

4.13.3 COMMERCIAL PRODUCT SPECIFICATIONS 17

4.13.4 PRODUCT SPECIFICATIONS 18

5. Result and Discussion……………………………………. 19

5.1. COMMERCIAL PRODUCTS 19

5.2. PRODUCTS

19

5.3 FABRIC SUITABILITY AND DESIGN SELECTION 20

5.4 PERFORMANCE AND USER FEEDBACK 20

vi
 5.5. ECONOMIC AND ENVIRONMENTAL IMPACT 20

5.6 CHALLENGES AND LIMITATIONS 21

5.7 MARKET POTENTIAL AND FUTURE SCOPE 21

6. Conclusions………………………………………………... 22

7. Scope of Future Work……………………………………. 23

Bibliography………………………………………………… 24

vii
 LIST OF FIGURES

Figure No. Title Page No.

4.1 METHODOLOGY 8

4.2 WASTE SAREE FABRIC 9

4.3 SHUTTLE LOOM 9

4.4 SEWING MACHINE 9

4.5 KID’S GARMENT PATTERN 17

5.1 HAND BAG (COMMERCIAL PRODUCTS) 19

5.2 KID’S GARMENT (COMMERCIAL PRODUCTS) 19

5.3 HAND BAG (PRODUCT) 19

5.4 KID’S GARMENT (PRODUCT) 19

vii
i
 LIST OF TABLES
Table No Title

Page No

4.3 SAREE FABRIC PARAMETERS 10

4.12 TESTING STANDARDS 14

ix
 CHAPTER 1
INTRODUCTIO
N
The increasing concern about textile waste and environmental
sustainability has led to the emergence of upcycling as a viable solution. Sarees,
often discarded due to wear and tear, changing fashion trends, or cultural
practices, contribute significantly to textile waste in India. However, these
sarees, typically made from high-quality fabrics like silk, cotton, and synthetic
blends, possess remarkable potential for reuse. By transforming this waste into
functional products such as handbags and children's garments, this initiative
promotes sustainable fashion, reduces waste, and adds economic value to
discarded materials.

1.1 BACKGROUND OF THE WORK

India is one of the largest producers and consumers of sarees, with
millions of sarees discarded annually. Due to their intricate designs, vibrant
colors, and rich textures, sarees offer a unique opportunity for repurposing.
However, much of this waste ends up in landfills, contributing to environmental
degradation. The traditional concept of “upcycling” has been practiced in Indian
households for generations, where old sarees were repurposed into quilts, pillow
covers, and other household items. Building on this legacy, this project seeks to
upscale the practice by developing marketable products like handbags and kids'
garments, giving these fabrics a new purpose while reducing waste.

1.2 SIGNIFANCE OF THE WORK

a. Environmental Impact
 Reduces textile waste and landfill burden.
 Lowers carbon footprint by minimizing the production of virgin
materials.
b. Economic Empowerment
 Provides livelihood opportunities to artisans, especially women
in rural communities.
 Encourages small-scale entrepreneurship through
sustainable product
development.
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c. Preservation of Cultural Heritage
 Revives traditional craftsmanship by incorporating indigenous
textiles into modern products.
 Promotes cultural sustainability by preserving the essence of saree
designs in contemporary fashion.

2
1.3 OVERVIEW OF THE WORK
a. Fabric Collection and Sorting
 Waste saree fabric is sourced from households, textile industries,
and garment recycling units.
 Fabrics are carefully inspected for quality, durability, and design
potential before use.
b. Design and Development
 Innovative designs for handbags and children's garments are
developed, focusing on aesthetics and functionality.
 Prototyping ensures that the products meet durability and comfort
standards.
c. Production Process
 Skilled artisans are engaged to craft the products using sustainable
methods.
 Techniques such as patchwork, embroidery, and fabric layering
enhance the visual appeal and uniqueness of each product.
d. Quality Control
 Rigorous quality checks ensure that the final products meet industry
standards.
 Emphasis is placed on durability, safety (for kids' garments), and
aesthetic appeal.
e. Marketing and Distribution
 The finished products are marketed through local artisan fairs,
online platforms, and sustainable fashion outlets.
 Awareness campaigns and storytelling about the upcycling
process create a unique value proposition for conscious
consumers.

3
 CHAPTER 2
LITERATURE
REVIEW

2.1. INTRODUCTION TO TEXTILE WASTE AND SUSTAINABILITY

2.1.1 The Global Textile Waste Problem
 The fashion and textile industry generates approximately 92 million tons
of waste annually. Around 85% of textiles end up in landfills or
incineration, contributing to soil and water pollution.
 Traditional fabric disposal methods release harmful chemicals and
greenhouse gases. The adoption of sustainable practices such as
recycling, upcycling, and repurposing is necessary to combat the issue.[1]

2.1.2 Saree Waste as a Sustainable Resource

 Sarees are an integral part of South Asian culture and are made of high-
quality silk, cotton, chiffon, georgette, and synthetic blends. Discarded
sarees often retain rich colors, intricate embroidery, and durable fabric,
making them valuable for repurposing.
 Traditional weaving and dyeing techniques used in sarees make them
ideal for premium upcycled fashion products. Upcycling saree fabric into
handbags and kids' garments contributes to circular fashion and zero-
waste initiatives.[1]

2.2. UPCYCLING SAREE WASTE FOR FASHION AND ACCESSORIES

2.2.1 Upcycling as a Sustainable Approach
 Upcycling is the process of creatively reusing old materials to create
higher-value products. Unlike recycling, upcycling retains the original
fabric quality and reduces the need for resource-intensive processes like
dyeing and weaving.
 Benefits of upcycling saree waste include
o Reduction in water and chemical usage.
o Lower carbon footprint compared to virgin fabric production.
o Preservation of cultural heritage and traditional textile techniques.[2]
2.2.2 Handbag Production from Upcycled Saree
Fabric Characteristics of Saree Fabric for
4
Handbags
o Saree fabric is lightweight yet durable.
o The diverse colors and patterns create unique, artisanal handbags.

5
 o Many sarees feature handwoven silk or embroidered designs,
making them visually appealing.
Handbag Design Techniques
o Patchwork: Combining different saree fabrics to create vibrant
patterns.
o Quilting: Layering multiple saree fabrics for durability and aesthetic
appeal.
o Fabric Reinforcement: Lining with canvas or interfacing for added
strength.
Market Demand for Upcycled Handbags
o Consumers are increasingly seeking handmade, eco-friendly,
and ethical fashion accessories.
o The rise of sustainable fashion brands has driven demand for
unique, upcycled products.
o Upcycled handbags cater to the market segment looking for
affordable luxury and artisanal craftsmanship.[3]

2.2.3 UPCYCLED KIDS’ GARMENTS FROM SAREE FABRIC

Why Saree Fabric is Suitable for Kids' Garments
o Silk and cotton sarees are soft, breathable, and hypoallergenic.
o Traditional saree prints offer vibrant and aesthetically appealing
designs for kids' wear.
o Saree fabrics are often stain-resistant and durable, ideal for children's
clothing.
Garment Types Developed from Upcycled Sarees
o Dresses and Frocks: Repurposed silk and cotton sarees make
elegant dresses for formal occasions.
o Shirts and Kurtas: Lightweight saree fabric can be turned into
casual or ethnic- wear shirts.
o Lehenga Sets: Traditional sarees can be transformed into kids’ festive
attire.
o Rompers and Jumpsuits: Breathable cotton sarees are perfect
for toddler wear.[3]
Challenges in Kids’ Garment Development from Sarees
o Need for fabric strengthening and lining in delicate materials.
o Ensuring non-toxic dyes and skin-friendly materials.[3]

6
2.3. ADVANTAGES OF UPCYCLING SAREE WASTE
2.3.1 Environmental Benefits
Reduces fabric landfill waste and incineration-related pollution.
Lowers demand for virgin fabric production, saving resources like water
and energy. Contributes to sustainable development goals (SDGs) related to
responsible production and consumption.[4]

2.3.2 Economic and Social Impact

Employment Opportunities: Upcycling initiatives create jobs for artisans,
tailors, and small-scale entrepreneurs. Affordable Sustainable Fashion: Provides
an economical alternative to high-end designer wear.
Cultural Preservation: Encourages the use of traditional weaving and
embroidery techniques. Empowerment of Women Entrepreneurs: Many upcycling
businesses are run by women, providing financial independence.[4]

2.4. CHALLENGES IN UPCYCLING SAREE WASTE

2.4.1 Fabric Fragility and Durability
Some saree fabrics like chiffon, georgette, and net are delicate and require
reinforcement. Need for specialized techniques like interlining, double-layer
stitching, and backing with stronger materials.[5]
2.4.2 Consumer Awareness and Market Demand
Educating consumers on the benefits of upcycled fashion.
Overcoming societal preference for brand-new vs. repurposed fabrics.
Encouraging brands to highlight sustainability and ethical fashion messaging.
[6]

2.5. TEXTILE WASTE MANAGEMENT IN UPCYCLING

2.5.1 Recycling and Reusing Methods
Material Recycling: Saree fabric is shredded and rewoven into new
textiles. Thermal Recycling: Recovering energy from discarded fabric
materials. Chemical Recycling: Breaking down fibers for reuse in new textile
production.
2.5.2 Zero-Waste Fashion Strategies
Zero-Waste Pattern Cutting: Designing patterns that utilize every inch of
fabric. Small Accessories Development: Using leftover fabric for scrunchies,

7
headbands, and pouches. Home Décor Applications: Converting excess fabric
into cushions, wall hangings, and table runners.[6]

8
2.6. ECONOMIC AND ENVIRONMENTAL IMPACT
2.6.1 Cost-Effectiveness of Upcycling
Studies reveal that upcycling saree waste reduces production costs
compared to manufacturing new fabrics. A cost-benefit analysis by Roy et al.
(2020) found that upcycled handbags and children's garments can be priced
competitively while ensuring profit margins.[7]
2.6.2 Reduction in Environmental Footprint
Upcycling minimizes textile waste and lowers carbon emissions associated
with new fabric production. Research by the United Nations Environment
Program (2021) emphasizes that sustainable textile practices can significantly
reduce water pollution and energy consumption.[8]
2.6.3 Growth of Sustainable Fashion Market
Consumer interest in sustainable fashion is rising, particularly among eco-
conscious buyers. The Global Sustainable Fashion Market Report (2022) projects
that the sustainable fashion industry will grow by 10% annually due to increasing
environmental awareness.[9]
2.6.4 Challenges in Commercialization
Despite the growing demand for upcycled products, challenges include
consumer skepticism, lack of standardization, and limited scalability. Research
by Jain and Kapoor (2021) suggests that marketing strategies emphasizing
ethical sourcing, craftsmanship, and sustainability certifications can enhance
consumer trust.[10]

Based on the above findings, it is evident that utilizing saree waste fabric
can be an effective approach for developing handbags and kids' garments.
Therefore, it is essential to explore the potential of saree waste fabric in creating
these products and analyze their performance and appeal.

9
 CHAPTER 3
OBJECTIVE
S
 To develop a hand bag and kid’s garment from saree waste fabric.

 To study the sustainability aspects of developed handbag and kids garment.

1
0
 CHAPTER 4
MATERIALS AND METHODS
4.1 METHODOLOGY

Figure 4.1 Methodology

1
1
4.2 MATERIALS AND MACHINES

 The vibrant handbag and adorable kids' garments purchased

from the local market.

 The material is upcycled as handbag and kids' garment, crafted

from waste saree fabric, make for a unique and eco-friendly

purchase.

Figure 4.2 Waste Saree Fabric

Figure 4.3 Shuttle Loom Figure 4.4 Sewing Machine

1
2
4.3 SAREE FABRIC PARAMETERS

Saree waste fabric parameters are analyzed based on GSM (Grams

per Square Meter), thread count, tensile strength, and shrinkage. The

fabrics used are primarily cotton, silk, polyester blends, and georgette.

TABLE 4.3 SAREE FABRIC PARAMETERS

4.4 TRASH ANALYSIS

Saree waste fabric may contain threads, embroidery work, beads, and small
fabric trims.

These elements are removed in the sorting and cleaning process before further
use.

 Total fabric weight taken = 500 grams

 Trash weight (threads, beads, sequins, etc.) = 40 grams

 Usable fabric weight = 460 grams

Trash Percentage Calculation:

1
3
4.5 STITCHING ANDFABRIC REINFORCEMENT

The saree fabric, especially silk and georgette, requires reinforcement for

making handbags and kids' garments. Interfacing, fusing, and lining are applied to

enhance durability.

 Handbag Lining Material: Cotton canvas / PU leather

 Kids’ Garment Lining Material: Soft cotton/muslin

 Interfacing Type: Woven fusible / non-woven fusible

Tests Performed

 Fabric compatibility with adhesives (Heat Bond Test)

 Seam strength testing

 Machine wash durability test

4.6 PATTERN DEVELOPMENT AND CUTTING

 Saree waste fabric is sorted based on texture, design, and strength.

 Pattern drafting is done using software like AutoCAD or manual paper

patterning.

 Cutting techniques: Hand cutting, rotary blade cutting, and laser cutting for
precision.

 Pattern placement is optimized to reduce fabric waste.

Handbag Components

1. Outer Fabric – Cut from saree material

2. Inner Lining – Reinforced with cotton or synthetic material

3. Handles/Straps – Fabric-covered rope or leather substitute

4. Closures – Zippers, buttons, or magnetic locks

Kids' Garment Components

1. Main Body – Saree fabric

2. Lining – Soft cotton/muslin

3. Fasteners – Elastic, buttons, or zippers

4. Decorative Elements – Lace, embroidery, or appliqué

1
4
4.7 SEWING AND ASSEMBLY

After cutting, the fabric is stitched using industrial sewing machines and

handcrafted techniques for embellishments.

 Handbags: Double-stitched seams for durability.

 Kids' Garments: Soft seams to prevent skin irritation.

 Embroidery and embellishments: Traditional handwork added for aesthetic

appeal.

Stitching Techniques Used

 Lockstitch: For durability

 Overlock Stitch: For seam finishing

 Topstitching: For aesthetic appeal

4.8 FABRIC TESTING METHODS

4.8.1 Fabric Thickness

The thickness of the fabric is measured to ensure suitability for handbags

and garments. Measured using a fabric thickness meter, the thickness of saree

fabrics typically ranges from 0.3 mm to 1.2 mm.

4.8.2 Mass Per Unit Area

Measured as per ISO 9073-1:1989(E) standard.

 Handbag fabric (after reinforcement): 150 - 250 g/m²

 Kids' garment fabric (after lining): 80 - 120 g/m²

4.8.3 Porosity of Fabric

Porosity is measured using the formula

High porosity is preferred for kids' garments, whereas low porosity is

better for handbags to improve strength.

1
5
4.8.4 Liquid Absorptive Capacity

Absorption is crucial for kids' garments to ensure comfort. Testing is done

using the ISO 9073-6 standard.

 Handbag fabric absorption: Low (10-20%)

 Kids' garment fabric absorption: High (50-70%)

4.9 DURABILITY AND FUNCTIONALITY TESTING

4.9.1 Handbag Tests

 Load-bearing capacity: 5 kg - 10 kg (determined via weight tests)

 Zipper and button strength: 1000-cycle durability test

 Water resistance test for linings and coatings

4.9.2 Kids' Garment Tests

 Wash durability: 10 wash cycles at 40°C

 Tear resistance test using tensile testing machine

 Colorfastness test under UV exposure

4.10 PACKAGING AND SUSTAINABILITY

 Handbags: Eco-friendly packaging using cotton pouches or recycled paper

boxes.

 Kids' Garments: Wrapped in organic cotton bags with eco-friendly tags.

 Branding: Use of sustainable labels and biodegradable tags.

4.11 MARKETING AND PRODUCT LAUNCH

 Target Audience: Sustainable fashion enthusiasts, eco-conscious

parents, handmade product lovers.

 Sales Channels

o E-commerce platforms (Etsy, Amazon Handmade, Instagram Shops)

o Boutique stores and exhibitions

1
6
 4.12 TESTING STANDARDS

The following standards are followed for handling and kid’s garment

development. Table4.12 shows the testing standards.

4.13 PROCESS SPECIFICATION

4.13.1 Hand Bag

These are the needed requirements and machine used in hand bag making
process.

4.13.1.1 Machines Used

• Plain shuttle loom

• Sewing machine

4.13.1.2 Raw Materials

• Waste saree

• Non-woven (canvas)

4.13.1.3 Fabric Specification

• Viscose fabric

• Non-woven - Canvas (for compartment and stiffness)

4.13.1.4 Canvas Used For

• For the Hand Bag stiffness, we use canvas

• Canvas is a compact, firm, heavy, plain wave fabric made with cotton fiber.

• It gives stiffness and support to the materials.

1
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 • Length:12 inch

• Width:10 inch

4.13.1.5 Shuttle Loom Specifications

• Type – Non-Automatic Machine.

• Shedding- Negative Tappet motion.

• Picking- Over picking.

• Let-Off-Negative motion.

• Take-Up Motion-Mechanical [7 Wheel take up]

• Weft stop motion- side weft fork motion

• Loose read warp protection motion.

4.13.1.6 Sewing Machine Specifications

• Type of stitch: Lock stitch

• Machine Type: single needle lock stitch.

4.13.1.7 Measurement For Hand Bag

• Length: 12 inches

• Width :10 inch

• Handle Length: 50 inches

• Handle Width: 2 inches

• Seam Stitch: 1 inch

4.13.1.8 Process

• Pattern Making

• Marking

• Laying

• Cutting

• Stitching

1
8
4.13.2 KID’S GARMENT

These are the needed requirements and machine used in kids

garment making process.

4.13.2.1 Machines Used

• Plain shuttle loom

• Sewing machine

4.13.2.2 Raw Materials

• Waste saree

• Non-woven (canvas)

4.13.2.3 Fabric Specification

• Viscose fabric

• Non-woven - Canvas (for compartment and stiffness)

4.13.2.4 Shuttle Loom Specifications

• Type – Non-Automatic Machine.

• Shedding- Negative Tappet motion.

• Picking- Over picking.

• Let-Off-Negative motion.

• Take-Up Motion-Mechanical [7 Wheel take up]

• Weft stop motion- side weft fork motion

• Loose read warp protection motion.

4.13.2.5 Sewing Machine Specifications

• Type of stitch: Lock stitch

• Machine Type: single needle lock stitch.

1
9
 4.13.2.6 Process

• Pattern Making

• Marking

• Laying

• Cutting

• Stitching

Figure 4.5 kid’s garment pattern

4.13.3 COMMERCIAL PRODUCT SPECIFICATIONS

These are the commercial product specifications

4.13.3.1 Hand Bag

• EPI = 68

• PPI = 56

• Warp count = 44 Ne

• Weft count = 39 Ne

• Warp crimp = 6%

• Weft crimp = 10%

• Warp cover factor =10.25

• Weft cover factor = 8.96

• Fabric cover factor =15.93

2
0
 4.13.3.2 Kid’s Garment

• EPI= 56

• PPI = 48

• Warp count = 36 Ne

• Weft count = 40 Ne

• Warp crimp = 10%

• Weft crimp = 14%

• Warp cover factor = 9.3

• Weft cover factor = 7.3

• Fabric cover factor =14.18

4.13.4 PRODUCT SPECIFICATIONS

These are product specifications

4.13.4.1 Hand Bag and Kid’s Garment

• EPI = 56

• PPI = 48

• Warp count = 36 Ne

• Weft count = 40 Ne

• Warp crimp = 10%

• Weft crimp = 14%

• Warp cover factor = 9.3

• Weft cover factor = 7.3

• Fabric cover factor =14.18

2
1
 CHAPTER 5
RESULTS AND DISCUSSION
5.1. COMMERCIAL PRODUCTS

 The vibrant handbag and adorable kids' garments purchased

from the local market.

Figure 5.1 Hand Bag Figure 5.2 Kid’s Garment

5.2. PRODUCTS

 The material is upcycled as handbag and kids' garment, crafted

from waste saree fabric, make for a unique and eco-friendly

purchase.

2
2
Figure 5.3 Hand Bag Figure 5.4 Kid’s Garment

2
3
5.3 FABRIC SUITABILITY AND DESIGN SELECTION

The selection of saree waste fabric played a crucial role in determining

the functionality and aesthetic appeal of the developed products. Silk and cotton

blends were chosen for kids' garments due to their softness and breathability,

ensuring comfort and safety for children. On the other hand, synthetic and

sturdier fabrics were ideal for handbags, offering strength and durability to

withstand daily use. However, variations in fabric quality and thickness required

adjustments during stitching and finishing to maintain consistent product

quality.

5.4 PERFORMANCE AND USER FEEDBACK

The performance of the developed products was evaluated through

durability tests and user feedback. Handbags were tested for load capacity and

seam strength, with reinforced designs performing well under stress. Similarly,

kids' garments underwent multiple wash tests and maintained their shape and

color, indicating good durability. Customer feedback highlighted the unique and

vibrant designs of the products, with many appreciating the eco-conscious

appeal and functionality of the items.

5.5. ECONOMIC AND ENVIRONMENTAL IMPACT

The use of saree waste fabric significantly reduced production costs

compared to using new raw materials, making the approach cost-effective.

Additionally, this initiative contributed to a reduction in textile waste by

repurposing discarded fabric, aligning with sustainable development goals. The

estimated 30-40% reduction in textile waste highlights the potential

environmental impact of adopting such upcycling practices on a larger scale.

2
4
5.6 CHALLENGES AND LIMITATIONS

Despite the positive outcomes, certain challenges were encountered

during the project. One of the major challenges was the inconsistency in fabric

texture and quality, which required modifications to maintain product standards.

Moreover, scaling up production presented difficulties due to the unpredictable

supply of saree waste fabric, making it challenging to ensure a consistent flow of

raw materials for large-scale manufacturing.

5.7 MARKET POTENTIAL AND FUTURE SCOPE

The positive response from consumers highlights a growing interest in

sustainable fashion and eco-friendly products. With increasing awareness about

environmental concerns, there is strong potential for scaling the production of

handbags and kids' garments made from saree waste fabric. To expand this

initiative, future efforts should focus on establishing reliable sourcing channels

and improving quality control processes to meet larger market demands.

2
5
 CHAPTER 6
CONCLUSION
The development of handbags and kids' garments from saree waste fabric

aligns with the growing need for sustainable and eco-friendly textile applications.

By repurposing saree waste, this project successfully transforms discarded

materials into value-added products, reducing textile waste and promoting

circular fashion. The handbags crafted from saree waste fabric demonstrate

durability, aesthetic appeal, and functional usability, making them a viable

alternative to conventional bags. Similarly, kids' garments made from saree

waste fabric retain the comfort, breathability, and unique design elements of the

original material, ensuring sustainable and stylish clothing options. Through

various processing techniques such as fabric selection, reinforcement, stitching,

and finishing, the saree waste fabric has been effectively utilized to create high-

quality end products. The study confirms that repurposing saree waste fabric

significantly contributes to environmental conservation while maintaining market

demand for innovative, sustainable products.

2
6
 CHAPTER 7
SCOPE OF FUTURE
WORK
This project opens up several opportunities for further research and

development in the field of sustainable fashion and textile upcycling. Future work

can explore the following areas:

 Blending saree waste fabric with other sustainable fibers: Investigating the

potential of blending saree waste fabric with other natural or recycled

fibres to enhance durability, texture, and functionality.

 Advanced finishing techniques: Exploring various finishing treatments to

improve fabric strength, water resistance, and aesthetic appeal for

handbags and kids' garments.

 Development of new product lines: Expanding the scope to include

additional fashion and lifestyle accessories such as scarves, cushion

covers, and soft toys using saree waste fabric.

 Integration of eco-friendly dyes and printing techniques: Researching natural

dyeing and sustainable printing methods to enhance the visual appeal and

eco- friendliness of the products.

 Consumer market analysis: Conducting studies on consumer acceptance,

market trends, and the commercial viability of handbags and kids'

garments made from upcycled saree fabric.

 Scaling up production: Developing efficient manufacturing techniques to

scale up production while maintaining sustainability and cost-

effectiveness.

 Life cycle assessment (LCA): Performing an LCA to quantify the

environmental benefits of repurposing saree waste fabric compared to

traditional textile production.

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 BIBLIOGRAPY
1. Fletcher, K. (2014). Sustainable Fashion and Textiles: Design Journeys.
Routledge.

2. Niinimäki, K. (2013). Sustainable Fashion: New Approaches. Aalto University.

3. Gwilt, A. (2020). Fashion Design for Sustainability. Bloomsbury Visual Arts.

4. Kadolph, S. J. (2010). Textiles. Pearson Education.

5. Scott, R. A. (2015). Textiles for Protection. Woodhead Publishing.

6. Wang, Y. (2006). Recycling in Textiles. Woodhead Publishing.

7. BIS Standards (2019). Indian Standard for Recycled Textiles and

Sustainable Practices.

8. McDonough, W., and Braungart, M. (2002). Cradle to Cradle: Remaking

the Way We Make Things. North Point Press.

9. Sen, A. (2017). Sustainable Fashion in India: Crafting Ethical and

Eco-friendly Designs. Springer.

10.UNEP Report (2020). Sustainable Consumption and Production in the

Textile Value Chain.

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