RULE OF
. THIRD
In this image, the pavilion's roof and its supporting
pillars are roughly centered, but the top of the pavilion
aligns closely with the upper horizontal line of the grid.
This helps to naturally draw the viewer’s eye towards
it.
LEADING RULE OF
LINES ODDS
The lines on the
In the provided
pavement lead 3
2 image, there are
MAIN SUBJECT the viewer's eyes 1
three visible people,
straight towards
which aligns with
the pavilion in the
the rule of odds.
distance. This
The odd number of
naturally draws
people creates a
attention to the
sense of balance
pavilion as the
and visual interest
focal point of the
image.
SYMMET
RY
The reflection of the trees, buildings, and sky in the
water creates a mirror image. This is a classic
example of vertical symmetry. Both sides of the
image are visually balanced with similar elements,
creating a sense of order and harmony.
FILL THE
FRAME
The subject (red flowers) fills
the entire frame, drawing the
viewer's attention directly to
the flowers without any
distractions. This technique
creates an immersive and
detailed view of the subject.
LEAVE NEGATIVE
SPACE
The single leaf is placed in the
frame with a significant amount
of empty space (the pavement)
around it. This use of negative
space emphasizes the leaf and
creates a minimalist and
contemplative feel.
PATTERN AND
TEXTURE
PATTERN: The design of the
building features a repetitive
geometric pattern of diamond-
shaped sections. This repetition
creates a visual rhythm and
leads the viewer's eye across
the image.
TEXTURE: The pavement in the
foreground has a distinct, rough
texture with visible lines and
separations between the tiles. FRAME WITHIN THE
This adds depth and interest to
the lower part of the image. FRAME
Backgroun
d
Midground
CENTERED
Foregroun
d
COMPOSITION
FOREGROUND
INTEREST ABOVE EYE
LEVEL
ISOLATE THE
SUBJECT SIMPLICITY AND
MINIMALISM
BREAKING THE
PATTERN
USE BLACK AND
WHITE