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Silent Hill 2 - Promise

The document is a musical score for 'Promise' from the Silent Hill 2 OST, composed by Akira Yamaoka and arranged by C-SasLe. It includes various musical notations and instructions for performance. The score is structured with measures and tempo markings, indicating the rhythm and flow of the piece.

Uploaded by

Odeylis B. Bravo
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
29 views5 pages

Silent Hill 2 - Promise

The document is a musical score for 'Promise' from the Silent Hill 2 OST, composed by Akira Yamaoka and arranged by C-SasLe. It includes various musical notations and instructions for performance. The score is structured with measures and tempo markings, indicating the rhythm and flow of the piece.

Uploaded by

Odeylis B. Bravo
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Promise


Silent Hill 2 OST Composer : Akira Yamaoka
Arrangement : C-SasLe

       
 = 90


                             
   


 

   
        
5


      
         
   


               

  
9

 
     
                  

   


  
                
13

 
     
                  

   


               
17

   
     
                    
 

       
2

       
21

   

                             


 


     
  
25

     
          

 
   


    
        
29


     
            
   



   
        
       
33


     
            
   



       
         
  
 
 
  
37


     
      
 
   

        
3

            
  
41

  

                             


 


                        
   
45


       
            
 


       
            

49

           
    
                   

                   


   
   
      
        
    
53

      
    
                            

                  


         
                    
  
58


               
          

                  

 
     

          
     
4

       
62

  
                   
                 
          


                  
     
                   
66

               
         
                  


                               
   
                
70

                   
                 
           


 
  
                 
       
74

          
   
         
                      
   

 

                  


 
       
             

78

      
   
                     
  

                    

5

    
82

     

         


    

86 Rall. poco à poco

        
                     
    



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