Restoration Hymn Medley

Connie Stauffer

O Ye Mountains High


Expressive 

                       
 
 
     
     
 

                 
  
5

        

           
     

  
     
8

          
     
    
          
      



                            
12

         
            
      
    

This arrangement copyright 2021 by Connie Stauffer

941 East Village Way, Alpine, UT 84004
Making copies for non-commercial use makes me happy!
This and other Connie Stauffer music may be downloaded free at:
http:/www.conniestauffermusic.com
2
Restoration Hymn Medley

                      
 
16

          

   
           
       


                               
20

 

               
       

 
      
        
24

      

         
    


 
                                
28

 
 
              
     
They the Builders of the Nation
 
      
  
32

  
Andante ( = 80)

           
    
           
   
 Restoration Hymn Medley 3

36

       
             
    
          
    

 
         
40

       
        
               
          
 

     
                 
44

         
       


              
rit.

     
   
 
             
48

     
    

            
      

       
     
53

             

 
      
            
    
                
 
57

 


            

  
4

        
           
Restoration Hymn Medley
 
61

  
            

    
  

 

              

            
65

  
 
       
           

    
     
  

         
                     
69

    
      
           
          

An Angel from on High
Andante ( = 80)
      

                 
73

          
 
           
 

   
       

            
              
77

   
 
         
       
  
 Restoration Hymn Medley 5

   
     
   
           
81

          
 
        
      
   
     
  
 
                 
85

           
 
     


             
 
                  
              
89

 
   

  
          
                 

                 
        
95

   

 

       
            
     
                     
     
100

  

        
          
 
  
6

       
Restoration Hymn Medley

           

105

      
      
    
     
         
   

     
    
109

                      

     
       
    
 
  
For the Strength of the Hills

               
113

   
                

           
         
     
 
              
          
118

      
 
         
      
 
     
          
122

             
                 
      
 
 
      
    
    
Israel, Israel, God is Calling

        
      
126

        
   
            
  
RH

       
 
 
Restoration Hymn Medley 7

        

131

     

     
    
 
       
  
    
 
135

             

  
                
          
  
     


               
139 3
3

      
            
 
molto rit.

       
 

     Moderato
     
( = c. 108)
    
143

  
  
The Spirit of God

         
     
        
        

           
           
148


    
     
     
   
154

         
           
    
       
         
  
    
8
Restoration Hymn Medley
        
160

  
    
       
RH


RH

  
    
    
        
       
165

    

 
    

   
       
 
               
170

          
    
    

        
    
 

      
175

           
      

          
rit. a tempo

         
    
  
180
The Day Dawn is Breaking

        
            
        
     







       
187

            
        
         
      

  
Restoration Hymn Medley 9

  
194

  
          
      
  
        
     
  
    
      
           
200

             


           
        
 

             
204


                  
   

        
         

    

     
208

            
        
            
          


  
215

 
                
   
       
      
    
    
   
  
222

        
            
            
     
        
10

             
Restoration Hymn Medley

226

                       

   
  
   
             
     

   
     
                 
230

 
   tranquillo

        
               
molto rit.

   
          
  

    
Beautiful Zion, Built Above

         
235

 
   
                   
    
    
       
       
          
241

       

              
 
     

   
 

              
247

   
                        
        
 

                  
253

    
      
       
         
  
  
Restoration Hymn Medley 11

      
259

      
   
                    

     

                     
264

          


   

   
   
        
      
 

        
    
270

    
       
                
 
    
      

 
              
276

    
  
   
           
 
   
   
    

                 
281

     
     
       
     
   

 
   


     
287

          
      

  

   
RH


      
   
12
Restoration Hymn Medley

             
293

      
    
 
            
    

      
  
 


          
299

  
   
   
 
                    
rit.

   


     
304

     

                
  
    
   
  
308

    
 
   
               
     
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