Basso continuo

Magnificat D. Marco Uccellini (1603 -1680)

            
 
tutti
7
   
               
  
13

           


Sinfonia

  
18

         
6
  


23

  
6

            

27

   
6
       
32

       
  

   
37

      
7

   

 
42

         
  

solo
47

      
    
6
 
52

     
6 6 6

   
 
57
  
      
   
62
   
       
6
    

   
67

     
 
72
    
        
  
     
   
77

  
  
tutti
    

82

         

     6 
87

        
 
 
Sinfonia

           
92

   
   
6 6

 
   6 
               
97

          
6

 
    
Sinfonia

      
102

     
   
6

   
   
   76
108

            
  
tutti
2
   
    
114

     
43

 
119

             
Sinfonia


124
 
  
6 43

      

129

           
134

     
        
139

     
    
Sinfonia

    
145

        


     
150

       


    
155

   
     
160
     
   
6

   

   
165

       

3
     

170

         

    
175

           

     
180

      
6

  

    
185

   
6 6
           
   
  
Sinfonia

  
191

    
6

    
196 
   3 
       
4

  
6 6
    
201   
      
 6        43    
   

207
       
   
43

 
43 43
 

213
  765
   
  
43 6 343

   
     

    
219

              
    

       
224

                
Sinfonia

4
 
         
229

               
tutti

  
235

           
       

  
6


6

            
241

   
5

  
5 6


 
247

             

  
252

      


257

  
43

    
263

    
43 4 3

    

   
269

      
 

274

   
6 6

     
279
   
       
6

  
tutti

  
  
284

    
4 3

 
5
 

289
      6
     


                 
Sinfonia

294

      
6 6

     

             
             

299
6 6

   
 
  
304

   
6 76 43

       
         76     
       
310 6

  
76 5


316
 6
 
      
        
5

        
    
tutti

        
322


 
43

   

                             
327

  

               
331 Adagio

    
               
336

                     
           

                             
341

 

6
 
                  
345

   
  

         
349

                
6


tutti
354

     
                
6 6 6

piano
360
      
              
  
 
                
366

       
372

  6    
            
 
6

     
tutti
378
  
  
