CINE GEAR

NEWS
LOS ANGELES
UNIVERSAL STUDIOS
2025
 WELCOME TO
CINE GEAR EXPO
2025
JULIANE GROSSO
CO-FOUNDER OF CINE GEAR EXPO

Welcome to Cine Gear Expo LA 2025! to exhibits of top industry leaders like ARRI, of commitment—to revitalizing production
We gather once again, this time in the Sony, Blackmagic Design, RED, dozens in California, and to supporting those who
very heart of cinematic history—the Universal of lighting makers, as well as all types of bring stories to life. As the industry is evolving
Studios Lot—California’s filmmaking haven production support—you’ve come to the right rapidly, we reaffirm our belief that collaboration,
that has inspired generations of storytellers. place to get your hands on the latest tech and creativity, and community are what keep
Whether you're a seasoned pro, an emerging talk those in the know. cinema thriving.
filmmaker, or any media creator we are thrilled We are also about growth. This year, Whether you’re here to discover,
to welcome you to a weekend of innovation, our career-builder panels are bigger and reconnect, or reimagine, Cine Gear Expo 2025
education, and inspiration. more targeted than ever. From cutting-edge invites you to keep exploring, collaborate
Since 1996, Cine Gear Expo has conversations on AI workflow and virtual boldly, and celebrate deeply. And together let’s
championed the evolving art and science of production, to panels on cinematography, keep the California Dream alive.

Complex Color Workflows.

storytelling. Now in 2025, we celebrate not just lighting, post, and more, you’ll find valuable
the future of the creative arts but also the place insights whether you're starting out or leveling Warmly,
where it all began. Hollywood has always been up. We’re proud to present the Dialogue with Juliane Grosso

Managed.
synonymous with dreams, and this year’s theme, ASC Cinematographers panel, where top Co-Founder & CEO, Cine Gear Expo
California Dreaming calls on us to reflect on lensers share wisdom from set to screen. And
what it truly means to bring plentiful production don’t miss our women's tract with “Behind the
back to California—where stories breath and Lens: Women Documentary Cinematographers”
cameras roll under the golden sun. panel, a powerful spotlight on visionaries
Get ready to immerse yourself. Cine Gear shaping today’s non-fiction work.
Expo 2025 sprawls across the famous Universal We cap it off in true Hollywood fashion
Lot, with installations nestled in iconic locations by celebrating our own dream team—with
like Courthouse Square, Stage 34, and through the California Dreaming Award presentation
the avenues of New York, into the storied to Dean Cundey, ASC, CSC, the Karl Kresser
studios and theaters of filmmaking legend. You Heart of the Community Award going to beloved
can walk the streets where “Back to the Future” George Mooradian, ASC, and the Visionary
was filmed—then hear Dean Cundey, ASC, Award honor going to Alice Brooks, ASC who
CSC, share memories of shooting that very film, lifted our spirits with “Wicked”. These honorees
at our “Back to the Backlot” experience in Stage embody the Cine Gear spirit of innovation and
34 that’s been transformed into a time-traveling artistry. Look for them mingling on the show
tribute to the beloved classic. grounds and engaging in panels and events.
From the Film Series and other screenings This year Cine Gear 2025 is a statement

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 CINE GEAR EXPO 2025
KARL KRESSER HEART OF THE COMMUNITY AWARD

GEORGE MOORADIAN, ASC

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George Mooradian, ASC, is an accomplished tor. Zsigmond encouraged him to move to Abel Ferrara, Warren Beatty, Michael Tolkin,
cinematographer whose unique visual style Hollywood and pursue a ten-year plan, jump- and Mario Van Peebles. Whether in televi-

Industry Partners
is rooted in a rich tapestry of global experi- starting his professional career. Mooradian sion, features, or high-definition formats, his
ences and artistic influences. Born into the worked his way up through the camera de- craftsmanship consistently blends aesthetic
first Armenian family in Atlanta, Georgia, partment, gaining formative experiences elegance with technical innovation.
Mooradian’s creative journey began under with master cinematographers like Vittorio An ASC and AMPAS member, George
the starlit skies of Southern drive-in theaters. Storaro on Dick Tracy, and others including is also a dedicated educator and mentor,
However, it was a family trip to the Montreal Juan Ruiz-Anchia ASC, Michel Brault, Boyan often integrating student interns into his pro-
Expo that became the true spark—exposing Bazelli ASC, Donald M. Morgan ASC, and ductions. He’s a frequent collaborator with
him to Czech cinema and the National Film Chris Menges ASC. Schneider, Tiffen, Clairmont, and Panavision to
Board of Canada, ultimately redirecting his ac- Mooradian’s first major feature as cin- push the boundaries of cinematographic tech-
ademic path from economics at the University ematographer was Prisoner of Rio with Polish nology and has taught at Art Center College of
of Georgia to film at Ohio University. director Lech Majewski. Other notable works Design in Pasadena.
At Ohio, Mooradian studied under Dr. include Crazy as Hell (HD 24P, directed by Mooradian credits his artistic sensitivity in
Joseph Anderson, a pioneer in Japanese cin- Eriq La Salle), The Circle (a feature shot in part to his mother, an Ikebana practitioner and
ema and cinema verité, who deeply influenced a single continuous take), and the cult sci-fi early female aviator, and to his travels that in-
his commitment to exploring the human con- thriller Retroactive, which won top prizes at stilled a deep appreciation for primitive art and
dition through film. Post-graduation, George festivals in Sitges, Portugal, and Belgium. His cultural storytelling. His influences span the
embarked on an epic two-year journey across work has screened internationally and gar- music of Cesaria Evora and Femi Kuti to the
Europe, Africa, India, Southeast Asia, Japan, nered numerous accolades, including seven evocative works of Goya. He currently resides
and South America—filming along the way. His Emmy nominations and one win. His 1970 short in Los Angeles with his wife Visi, a talented still
20-month road trip across South America, in Images earned a Golden Eagle Award in New photographer and designer, and their four chil-
particular, forged his sensitivity to light, color, York, and Orange, Orange received Gold at the dren: Milena, Pablo, Rachel, and Robert.

SCAN FOR EXPO FLOOR PLAN

and rhythm that still defines his visual language. Houston Film Festival. Through a career spanning continents,
At the Maine Photographic Workshops, Known for his expertise in the anamor- formats, and genres, George Mooradian, ASC,
he met legendary cinematographer Vilmos phic format, Mooradian has worked globally remains a storyteller of depth and humanity—
Zsigmond, ASC, who became an early men- with directors such as Francis Ford Coppola, always seeking the soul within the frame.

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 CINE GEAR EXPO 2025
CALIFORNIA DREAMING AWARD

DEAN CUNDEY, ASC, CSC

Cinematographer Dean Cundey, ASC, CSC man within him bloomed, as he entertained Where the Red Fern Grows. collaboration, this time with director Robert educational documentary, “The Face: Jesus Dean Cundey is widely known for his warmth,
has been the man behind the camera on some his family and friends with fool-the-eye tricks In 1976, Cundey collaborated with up-and- Zemeckis. Together they eventually made in Art”, along with his son Visual Effects generosity and the many ways he gives back to
of the most iconic films of the last half century. accompanied by his always dry wit. Instilled coming filmmaker John Carpenter and together Romancing the Stone, the Back to the Future Supervisor Christopher Cundey. Other films the community. Throughout his busy career, he
With nearly 50 films shot in California alone, his with confidence in public speaking and perfor- they crafted the legendary Halloween. The trilogy, Death Becomes Her, and the live-action the cinematographer lensed in the new millen- has freely and consistently mentored young film-
images and his life have exemplified the the mance, it's no surprise he was drawn to the massive success of this genre-defining horror meets animation groundbreaker Who Framed nium include, What Women Want, Garfield, The makers, actively supporting their dreams, and
California dream. visual magic of filmmaking. feature propelled Cundey and Carpenter into Roger Rabbit, for which Cundey received an Holiday and Home Again. Embracing new tech- he humbly and kindly continues to do so. He has
Born and raised in Alhambra, California, After dabbling in a few other pursuits young worldwide acclaim. From there, the team worked Oscar® and BAFTA nomination. nology Cundey joined the Star Wars universe taught at UCLA, USC, AFI, Chapman University,
Cundey enjoyed a warm childhood under the Dean attended UCLA film school where he on other classics including The Fog, Escape The 1990s were just as monumental. Cundey on the blockbuster streaming series The Book Cal State Northridge, UC Riverside and The ASC
orange trees of Southern California. A happy learned from the late, great Oscar-winning cin- from New York, The Thing, and Big Trouble in joined forces with director Steven Spielberg on of Boba Fett and The Mandalorian. Master Classes all over the world.
and curious youth, his life took an unexpected ematographer James Wong Howe, ASC (Hud). Little China. During the 1980s, Cundey added Hook and the monster-hit Jurassic Park, fol- Over the decades Cundey has received A lifelong Californian, Mr. Cundey is currently
turn when he received a magic kit for his tenth Before photographing some of the biggest box Halloween II, and Halloween III, Psycho II, Project lowed by his work with director Ron Howard on countless honors, none more cherished participating in a feature-length documentary
Christmas. For his next birthday, he got a office hits of his generation, Cundey began his X, and Road House to his growing resume. Apollo 13. His string of family classics included than the 2014, Lifetime Achievement Award encompassing the legacy of his fifty-plus year
better magic set, and then every Christmas career lensing a variety of low-budget, inde- By 1984, the sought-after Cundey The Flintstones, Casper, and The Parent Trap. from his peers at The American Society of movie making career, along with a book—now
he’d get a new effect or illusion. The show- pendent, films including the celebrated classic, embarked on another historic creative In 2001 Dean picked up an Emmy for the Cinematographers. being produced in the Golden State.

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CINE GEAR EXPO 2025
VISIONARY AWARD IN CINEMATOGRAPHY

ALICE BROOKS, ASC

Alice Brooks, ASC is a cinematographer Howard. Other work includes Miranda’s In The sets her apart in the industry. As a filmmaker,
who has photographed award-winning feature Heights for Warner Bros., which was directed Brooks continues to push the boundaries of
films, television shows, and commercials. Her by her frequent collaborator, Jon M. Chu. Both visual storytelling, bringing her unique per-
newest feature project is Universal’s Wicked films’ cinematography received widespread spective and expertise to every project she
(nominated for 10 Academy Awards), directed critical acclaim. undertakes.
by Jon M. Chu and produced by Marc Platt. Brooks is known for her powerfully de- Brooks is a member of the prestigious
The sequel, Wicked: For Good, is set to be re- signed camera movement, dynamic lighting, American Society of Cinematographers and
leased in November 2025. and her ability to capture emotionally resonant serves on the ASC Board of Governors. She
Currently, Brooks is working on the highly- moments with a keen eye for detail. is also a member of the Academy of Motion
anticipated conclusion to the Spider-Verse Her journey into filmmaking began at a Picture Arts and Sciences and on the USC SCA
saga, Spider-Man: Beyond the Spider-Verse young age, inspired by her childhood experi- Dean’s Alumni Leadership Council. In 2022, she
directed by Bob Persichetti and Justin K. ences as an actor on commercial film sets in received the Hollywood Critics Association’s
Thompson and produced by Sony Pictures New York City. Her fascination with camera Artisan on the Rise award. In 2025, Brooks
Animation and Columbia Studios. This is set work led her to the USC School of Cinematic received numerous awards nominations for
to be released in June 2027. Arts in Los Angeles, where she honed her Wicked, including Best Cinematography in the
Brooks previously shot tick, tick…BOOM! craft. Drawing inspiration from art, music, Theatrical Feature Film category at the ASC
for Netflix and Imagine Entertainment, directed dance, and the cinematography of the greats, Awards and Best Cinematography at the Critics
by Lin-Manuel Miranda and produced by Ron Brooks has developed a distinctive style that Choice Awards.

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 DOP VAN DYKE SCORES
HIT WITH HOCKEY
COMEDY SHORESY

Toronto-based Cinematographer Brett Van iting; my goal coming in was to maintain visual The cinematographer even took the lenses
Dyke (Heartland, Jann, Carter) stepped into consistency while subtly enhancing the look.” for a spin in the rink himself. “In earlier sea-
the rink for beloved Canadian hockey comedy The shift to hot summer exteriors offered sons, the camera was never actually moving
Shoresy Season 4 as the show dove into its a good chance to sprinkle something new into on the ice, so I was the first one to push shoot-
summer break arc. From Letterkenny creator the Shoresy style. “In past seasons, Shoresy ing on ice itself instead of from the sidelines.”
Jared Keeso, Shoresy’s heart-warming hilarity is has tended towards a greater depth of field. Shooting on ice is no easy feat. While skate-
propelled by the manic energy and colorful per- I wanted to pull it back just a little — give the specific dollies exist, the show went for a more
sonalities that make up the Sudbury Blueberry show my little stamp with a little shallower literally hands-on approach, with Van Dyke op-
Bulldogs, Senior AAA campaigns at last. Fast- depth of field,” says Van Dyke. The team de- erating and skating along with the action. “The
paced and rich with salty dialogue, Van Dyke cided to integrate a set of Supreme Primes trick is to skate up to speed, then glide. When
entered Season 4 with the beloved show’s because they would cut well with the Zeiss you skate with a camera, you have to skate up-
look already established. The cinematographer Compact Zooms already in place. right, using a shorter stride so you don’t propel
chose Zeiss Supreme Primes with the ARRI Mini Seasons 3–4 are directed by former stunt yourself forward by leaning.
LF to accommodate the needs of the new “out coordinators Dan and Sean Skeen, whose ex- Capturing the exceptional kinetic feeling
of the rink” season, adding his mark to the proj- pertise in action is immediately recognizable in depends a lot on keeping the operator’s center
ect while keeping the look consistent. the show’s fast-paced, often gag-based dyna- of gravity in their control. Van Dyke donned an
Shoresy is shot on location in the actual mism. “This new season was going to feature Easy Rig to keep the balance while operating
town of Sudbury, Northern Ontario. Season a lot of Steadicam work, and the Supremes on the ice.
4 features a break from hockey season (al- seemed like an obvious choice for that,” says Shoresy Season 4 is already being received
though the show returns to the ice several Van Dyke. The lightweight Supremes were per- with open arms and celebration from its rabid
times since titular character Shoresy is also a fect for the exactingly timed shooting style of fanbase. “If you play beer league hockey, this
referee), deep diving to follow its raucous char- Shoresy. “Something special about Shoresy is show is really in your wheelhouse. The jokes
acters as they mesh into local life. “I've shot that scripts have music beats written in. Jared can resonate with anyone, but I think hockey
a number of other series where I've come on Keeso (showrunner) will add timecode to ex- as the vehicle for comedy is paramount,” con-
to the show after the look has already been plain what is happening at every beat, and we cludes Van Dyke.
established,” explains Van Dyke. “Shoresy has shoot most things at 60fps.” The camera has Shoresy is available to watch on Hulu in the
such a distinct tempo to the timing and the ed- to be nimble to keep up. US and Crave in Canada.

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 PHOTOS: Jon Borg / © 2024 FOCUS FEATURES LLC

Canadian/British Director of Photography, seasoned deep-sea divers as they battle the

Ian Seabrook is one of the best when it comes elements and impossible odds to save a crew
to underwater cinematography. With credits mate trapped 300ft/100m below.
spanning blockbusters Indiana Jones and the A veteran of three decades of filmmaking,
Dial of Destiny, Batman v Superman, Jungle Seabrook knows that countering the unex-
Cruise, and Emmy-Award winning The Rescue, pected is always part of his job. The underwater
Seabrook is at the forefront of his field. For portion of production was slated to shoot at
both underwater and surface-based narrative Malta Studios, home to the largest exterior tank
work he relies on Astera, for safe, instantly con- in Europe–the Deep Tank. With a 35ft diameter
trollable results. On the 2025 Focus Features and depth down to 36ft, the Deep Tank would
film Last Breath, he chose Astera to help navi- be home to the film’s three submerged sets, the
gate unexpected challenges below the surface. most important of which being the diving mani-
Last Breath is a narrative feature length ad- fold where Chris Lemons (Finn Cole) becomes

IAN SEABROOK ILLUMINATES aptation of a 2019 documentary by the same

name.“When I saw the documentary, there
trapped. In order to capture the right look and
honor the story’s tense drama, they had to first

THE UNDERWATER WORLD were sequences that held such tension, I was
transfixed,” describes Seabrook. “I said to Alex
get the lighting just right.

OF LAST BREATH Parkinson (director of the Last Breath docu-

mentary and feature adaptation) that for this TESTING THE WATERS
narrative version, we must endeavor to achieve
the same.” Shooting in Malta and Scotland, this The Malta Studios tanks draw water directly
international, predominantly underwater pro- from the Mediterranean Sea. Sometimes even
duction was Parkinson’s first narrative feature. tiny jellyfish can make their way in along with
Starring Woody Harrelson, Simu Liu and Finn the water, creating a lively, controlled ocean-en-
Cole, the nail-biter true-story follows a team of vironment, that occasionally borders on murky.

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 manifold–where the divers work and where Frankenstein’s monster or some cold, dormant a believable flame flicker for the gag.” Baker pro-
the incident the film is based on, takes place. beast. In conjunction with Lighting Programmer grammed each Helios Tube with a unique flicker
These structures are scattered throughout the Adam Baker, I designed a pattern for the vari- that changes intensity as the flare dies, adding
world’s ocean floors and provide a station for ous Titan Tubes rigged to the set so that the to the verisimilitude of the effect. The moment
commercial divers to perform working tasks. structure’s boot up would be simultaneously the red illumination snuffs out in the depths,
For the film, the set was comprised of an 11m visually compelling and realistic.” makes for a heart-stopping image.
x 6.5m overhead structure, complete with a Exercising creative license (real subsea The compact tubes proved handy in other
complex array of densely rigged pipes, gauges structures prioritize function over artistry and ways. “The Helios Tubes are portable enough to
and tanks. are often blasted with light), the crew rigged be mobile,” he explains, “allowing a competent
In Last Breath, the divers, played by Simu the Titan Tubes to look like work lights nestled underwater gaffer or electrician to swim along-
Liu and Finn Cole, exit the safety of the diving into the set’s architecture. side the camera while rolling, augmenting for fill
bell, and descend to the darkness of the sea light.” This allowed Seabrook to deftly lead or
floor to begin their work assignment, illumi- follow talent as they traversed the depths.
nated only by their diving helmet lights and light LEADING WITH LIGHTING “I tend to use Astera on every shoot,” says
coming from an underwater ROV, which tracks Seabrook. “They are just so versatile and user
the diver’s whereabouts. As they make their While Titan Tubes proved integral for lighting friendly.” Underwater cinematography is an
way to the manifold, a supply cable is deployed Last Breath, Astera’s smaller 21.7" x 1.7"/550mm especially challenging art and even the most
from the vessel on the surface, which once x 43mm Helios Tubes also played an important skilled diver/cinematographer has to be con-
connected provides power and illumination to role. During one tense scene, a flare is set off stantly juggling creative intent with the harsh
the workstation, that in real world conditions underwater. “We used a bank of Helios Tubes environment and the safety of the cast and
are lit similarly to construction sites, with overly clumped together and turned them on to ‘flicker’ crew. For Seabrook, Astera offers one less
bright work lights. “In designing the lighting for mode to augment the light of the flare. Their abil- thing to worry about.
the sequence, I wanted this to mimic the effect ity to remotely change the color temperature Last Breath from Focus Features is now
of an electrical storm, akin to the awakening of and intensity plus the intermittent mode, created showing internationally in theaters.

FILM COMPETITION
FINALIST
SCREENINGS
Clarity is a major a consideration underwa- cally pitch black. “This presented a problem–the light can severely cut into an allotted maximum
ter and any dive tank is apt to get cloudy after a tank in Malta does not have a cover or a retract- of six one-hour dives per night. With the im-
crew of 15 people have spent the day working. able roof. Daylight was unavoidable.” The crew provised lighting grid, Seabrook introduced an
Upon arriving in Malta, Seabrook determined considered using lifts to cover the tank but ruled ambient source that could be adjusted fixture
that the particulate matter was too dense for it out because high winds in the Malta summer by fixture, creating enough visibility without los-

FRIDAY, JUNE 6
the planned scenes. “What happens to the would quickly bring down any above-ground so- ing the sense of ocean expanse.
light when natural particulate is illuminated? lution. Instead, ever practically-minded Seabrook Given that an RF signal would not reach the
It blooms", he explains, “The initial clarity and and crew pivoted to shooting at night. filming depth, by default all light fixtures needed
visibility were too low. I made the decision to
clean the tank. We brought a clarifying system
There was just one significant obstacle–the
cast and crew still needed some light to work
to be cabled to ensure dependable illumina-
tion. Thanks to Astera's native programming, 11:15 AM
in from the United Kingdom and introduced a Lighting Programmer/Board Operator Adam
MAIN THEATER
by. “Working with gaffer, Aaron Keating, a con-
chlorine routine. cept was devised to submerge the overhead Baker could easily adjust intensity from the sur-
“Following the notion that we would attack light. We decided to rig dozens of Titan Tubes face. “Once submerged and the fixtures were
the clarity of the water, we decided not to use on pipe rigs.” wired in, I would aim the camera at the lighting
diffusion or soft boxes on the lights, because I Comprised of 8 pixels which can be indi- truss then point with my hand, to adjust either
was proposing to shoot at a 4-stop and needed vidually colored, flashed and programmed from up or down. He was always watching the moni- Come enjoy the finalists in
the exposure,” Seabrook elaborates. the Astera App, the baton-shaped Titan Tube tors at the surface so as to know right away Cine Gear’s 2025 Film Series competition in three categories:
is a highly controllable and versatile LED light- what I wanted. Having the multitude of Astera
Student Shorts, Music Videos/Commercials, and Independent
ing solution. Each 40.7" x 1.7"/1035mm x 43mm fixtures and never encountering any problems
LIGHTING FOR THE DEPTHS Titan Tube was housed in waterproof, pres- with them during the shoot was alleviating.” Shorts. Tickets will be available for purchase at the door.
sure resistant (down to 100ft) casings from
Last Breath takes place 300ft/100m below sea the UK-based Underwater Lighting Company.
level, during a violent storm. “These divers are so The low-heat generating Titan Tubes do not re- THE DIVING MANIFOLD
deep that there would be no light source from quire cooling gel, fans, or dry ice to keep them
the surface at all.” Water absorbs and scatters functioning for hours. This proved an important The major submerged set piece in Last Breath
light to such a degree that at 300ft it’s practi- bonus for underwater work, where replacing a is an underwater subsea station–the diving

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 CHEF’S TABLE:
10 YEARS OF DELICIOUS
CINEMATIC INNOVATION

For 10 years, Chef’s Table has been more 2011 documentary, Jiro Dreams of Sushi, which of his country’s culinary history, McGinn and
than just a food show. The Netflix Original inspired early episodes. But for McGinn and Bricker took a set of vintage Super Baltars on
has set the bar for a whole genre of cinematic cinematographer collaborator Adam Bricker, a road trip across Russia. The soft, nostalgic
documentary filmmaking, from concept and ASC, the push to expand their visual style feel of the lenses subtly amplified Vladimir’s
capture to storytelling and style. As evidenced started with a 2017 episode about Vladimir journey into the past. Says Bricker, “It taught
by the most recent season, Chef’s Table: Mukhin’s Moscow restaurant White Rabbit, us that the expressive power of lens and gear
Legends continues to push boundaries, driven where the duo experimented with intercutting choice from the narrative world applied equally
by many of the same filmmakers who were two distinct visual languages. to documentary work.”
there at the beginning. “We shot our restaurant-based scenes on An episode in Italy with pastry chef Corrado
“There’s always been a cinematic reference Leitz SUMMICRON-C lenses, giving us clean, Assenza was the first time the duo made the
point for us,” said executive producer and elegant, modern images,” said Bricker. Then, unorthodox decision to utilize Steadicam
director Brian McGinn, citing David Gelb’s seeking to portray Vladimir’s own exploration to capture vérité documentary material,

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 inspired by the elegant moving camera of the kitchen or scene work in the field at 24fps. geometrically striking tile backdrops. With
Paolo Sorrentino’s films Il Divo and La Grande Subsequent “takes” capture key moments in revolutionary seafood chef Ángel León in
Bellezza. They have continued that style of slow motion at 48 or 96fps, allowing the team Spain, the duo conceived of a symphony where
shooting in each of their episodes since. to heighten individual moments and bring the León’s dishes appeared to float on water.
For Legends, the pair collaborated on audience into the emotional headspace of “We’re constantly trying to surpass our last
an episode featuring British celebrity chef the chef. A final pass captures any relevant best idea,” said Bricker.
Jamie Oliver. For over 25 years, Oliver has macro detail moments utilizing an Easyrig and The food symphony for Oliver’s episode
been a household name in the UK and abroad diopters. is constructed to resemble the behind-the-
thanks to his wildly popular cookbooks and Within this relatively firm framework, scenes of a cookbook photoshoot, complete
groundbreaking TV series. Bricker and McGinn Bricker is constantly looking for choices and with food styling tools and prop tabletops.
decided this was the moment to incorporate opportunities to raise the cinematic stakes. As the camera whirls around Oliver’s plated
large format capture for the first time, choosing This includes extensive location scouting and dishes, bright white strobe lights flash,
RED V-Raptor cameras and Leitz ELSIE lenses. sun mapping, often turning off fluorescents evoking not only the chef’s prolific career as
“That combination gave us an incredibly elegant in busy kitchens in favor of natural daylight a cookbook author but also his level of tabloid
and cinematic look that perfectly matched the through windows. “I’m always looking for celebrity. “Seeing behind the curtain of Jamie's
scale of Jamie’s impact,” said Bricker. cinematic ways to support the story beats and world was at the heart of the whole episode.
McGinn added, “We knew we’d include elevate the emotion and shape of each scene,” To reflect that in the symphony was a natural
quite a bit of archival footage from Jamie’s said Bricker. goal,” said McGinn.
career. The large format modern images One of the trademarks of the series is Now ten years into Chef’s Table, the
created this wonderful juxtaposition between what each Chef’s Table episode builds toward. team is quick to acknowledge the nature of
Jamie’s TV past and our present-day material.” “The music swells, the dish title cards appear, documentary filmmaking that keeps them
From a narrative perspective, Chef’s Table and you see the finished plates in montage,” coming back. “You can never be perfect,
follows a traditional three-act structure, telling said McGinn. They refer to this part of the but the challenge keeps you going, pushing
each chef’s story in the style of the hero’s show as the “food symphony,” and capture it yourself and striving to get better. I’m proud
journey. The spine of the storytelling is based with additional tools customized to the visual of how far the show has evolved over the
on a robust outline and captured via interviews, language of each episode. past decade. We have grown so much as
with the duo shooting three to four separate For a BBQ-centric episode with Lennox filmmakers,” said Bricker. McGinn added, “And
two-camera sit-downs with the chef over the Hastie in Sydney, they shot the finished dishes of course, the lifestyle isn’t bad — eating at the
course of each nine-day shoot. For verité, by crackling firelight. A pizza episode starring world’s greatest restaurants with your friends.”
a single camera on Steadicam begins by world-renowned pizzaiolo Franco Pepe found The new season of Chef’s Table: Legends
following the preparation of the ingredients in Bricker and McGinn commissioning custom, is available to stream now on Netflix.

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 NEWS RELEASES NEWS RELEASES
ANTON/BAUER CALZONE ANVIL CASES LEITZ CINE THALIA 65 20MM SECOND REEF
Anton/Bauer, leading provider of safe and reliable power for the Calzone Cases celebrates 50 years as the world's #1 manufac- Leitz Cine expands the THALIA 65 family of extra-large format The Full Frame Coral Anamorphic Lenses combine 1.5x squeeze
film and television industries, will also showcase its most popular turer of custom fabricated ATA flight cases at Cine Gear 2025. lenses with a new ultra-wide 20mm. Built for 65mm film and digi- cylinders with a true oval iris to achieve a classic 2x anamorphic
power solutions for on-set and on-the-go needs. Anton/Bauer Since 1952, Anvil Cases have protected entertainment industry tal formats, the 11 focal lengths (20mm-180mm) in the THALIA look while maximizing the use the sensor. These robust, easy-to-
debuts EDEN, a 2.5kWh mobile power station engineered for equipment with an extensive range of protective solutions includ- 65 family are based on Leica’s S medium format glass, which is maintain lenses have an aesthetic organic image, refined flares,
film, television, and demanding outdoor shoots. Built to deliver ing standard and custom ATA cases, flypacks, rackmount cases, known for its incredible portraiture, rich color and beautiful skin and extreme close focus. Integrated lens metadata makes them
dependable grid power on demand, EDEN offers rapid recharg- monitor lift cases and waterproof Pelican and SKB cases with tones. The full set of Leitz THALIA 65 primes are incredibly dy- future proof. The IB/E Optics Raptor Scope FF. The first new
ing, flexible output options, and whisper-quiet operation—making custom foam inserts. Joining forces, Calzone Anvil has special- namic with 3 macro lenses (24, 55, and 120mm) as well as the scope system in 20 years. It has both S35 mode with T 4.0 and
it ideal for remote locations or noise-sensitive sets. For power- ized in protecting cameras, lenses and production equipment unique, soft focus Thalia-T 90mm. THALIA 65 lenses include /i FF mode with a T 5.6 and offers unlimited pan, tilt and roll, and an
ing lights, monitors, or camera systems, EDEN ensures uninter- for professionals worldwide. The company's latest innovation, technology and have swappable mounts between PL and LPL. image rotation compensator. Use the dedicated lenses or others
rupted, dependable workflow. the EverLite series, features ultra-lightweight plastic corrugated (M, PL, LPL, EF). The Bun-G-Ring is an innovative solution for
boxes designed for laptops, monitors, iPads, cameras, lenses quickly and securely attaching filters to camera lenses – without
and accessories. These boxes represent the continuous com- the need for tape. This durable and universally compatible tool
mitment to engineering excellence that has made Calzone Anvil saves time and protects valuable equipment on set, making it the
the trusted choice for major studios, rental houses and produc- ideal choice for industry professionals in film and camera work.
tion companies. Visit Calzone Anvil Cases at Cine Gear to ex-
plore the complete product line that protects your cameras and
ASTERA lenses. Discover why entertainment professionals trust Calzone
Astera showcases innovations in LED lighting, including debuting Anvil Cases for equipment protection to safeguard the industry's MATTHEWS STUDIO EQUIPMENT
the new QuikPunch battery-powered LED PAR spot engineered most valuable gear. From the biggest to smallest, Matthews, the Original Hollywood
for professionals who need a fast, focused, and versatile light. Grip Company presents grip and rigging solutions of all sizes.
With a 5" Fresnel, it delivers a sharp, high-intensity beam or a At CineGear you'll look up at the Air Climber® modular grip and SMALLHD
wide, soft wash, maintaining clean optical performance without lighting stand that reaches 25 feet with 200-lb max payload. SmallHD, Emmy® Award-winning innovator of monitoring solu-
color shift or multiple shadow issues. Also featured is the Qui- Two of these compact, air-propelled, easy traveling hoists will tions from production to post, returns to Cine Gear Expo LA with
kSpot, a battery-powered, zoomable spotlight offering an adjust- be raised to hold a 20' expanse of truss rigged with lights and powerful new tools for on-set precision. The new Quantum 27
able beam angle from 13° to 60º, free of color shift and multi- cameras using Matthews Grid Clamps and Grip Rail. On top monitor brings post-grade color accuracy to the field in a com-
shadows. Its compact design and wireless control options make CHIMERA LIGHTING you'll see Litemover, universal remote head, with new adapters pact 27-inch package—featuring a quantum-dot OLED panel,
it an efficient go-to tool for big events and media productions. to accurately position most popular lighting fixtures. Also show-
Chimera Lighting has been Empowering Creators with Precise, intuitive rotary dials, and a lightweight design that’s engineered
LunaBulb, the cinema quality lightbulb-look-alike that works with ing Middle MAX™ Menace Arms in a tandem goalpost setup us-
World-Class Lighting Solutions for over 45 years. Designed and to meet the needs of DITs and DPs on set. New to SmallHD’s
AC sockets, offers flicker-free, natural-looking light. Further ing MAX 720 Pipe Adapters supporting an array of lights. With
handmade in Colorado, Chimera’s Lightbanks, POP Banks, and premier Ultra monitor line is the Ultra 10, a weather-resistant,
control over light output and beam shaping is achieved with the similar Academy Award-winning capabilities as the MAX Menace
Octas deliver soft, controlled light for today’s most advanced shock-hardened monitor, in the sweet spot between the Ultra
LunaReflector, LunaDiffusor, LunaLens, LunaSnoot, and Luna- Arm®, Middle Max is cargo-van-compatible. Going small? For
fixtures. Our Panel Frames offer an ultra-lightweight, easy-to- Bright and on set production monitors. For wireless workflows,
Shade accessories. Astera's popular Titan, Helios, and Hyperion precision tabletop and miniature work, new MICROgrip system–
assemble system for diffusing, reflecting, and blocking light on SmallHD and Teradek combine to unveil the Ultra 10 Bolt 6 RX,
Tubes will be on display, all compatible with the AsteraApp and is the most extensive array of Matthews solutions for holding and
set or on location. Also featured is the Dinkum Systems prod- with integrated Bolt 6 receiving built right in.
DMX for seamless wireless control. securing tiny set pieces. www.msegrip.com
uct line—rugged, flexible arms and clamps designed for quick
and secure mounting of cameras, microphones, lights, and
more. With tool-free adjustability and self-customizable lengths,
Dinkum Systems products are ideal for creators on the move.
Whether you’re working in filmmaking, content creation, or pho-
ATLAS LENS CO. tography, Chimera’s trusted, professional-grade tools help shape NANLUX/NANLITE
Atlas Lens Co. presents Mercury Series - GROUP 3 at CineGear
and control your light with precision and consistency. Experience
At Booth S3009, NANLUX/NANLITE will showcase their latest
STUDIO CARTS
Perfect Lighting with Chimera’s studio-proven solutions, proudly Studio Carts is rolling out fresh gear and upgrades to make
LA 2025. Three new, wider focal lengths expand this incredible LED lighting solutions, including spotlights like the Evoke 5000B,
supporting image-capture professionals worldwide. Buy once, your on-set workflow smoother than ever. Meet the Lil’ Duz-All
set of Universal Anamorphic lenses introducing 24mm, 27mm, panel lights like the PavoSlim series, and tube lights like the Pa-
light for a lifetime. www.chimeralighting.com Cart — a shorter version of our popular Micro Duz-All Cart, de-
and 32mm. All three lenses are T2.2, with a close focus of 18 voTube II 6XR. Spotlights deliver precision and intensity, panel
inches (0.5m) All Mercury Series lenses work great with any lights offer soft and even illumination, while tube lights provide signed specifically to fit in tighter spaces and shorter vans with-
camera system, delivering a wide variety of aspect ratios - from flexible and creative lighting options. These fixtures address a out compromising utility. Alongside it is the all-new Micro 4x4
16mm film, through cinemascope delivery on new 65mm digital wide range of production needs from filmmaking to commercial Cart, a compact version of our Mini 4x4 Cart that still delivers
cameras. Group 3 Mercury lenses will begin delivering to cus- and broadcast setups. Visitors can test the lights in person and big when it comes to storage and accessibility. For our Astera
tomers this Summer. Mercury Series feature full-frame coverage,
IB/E OPTICS explore new features such as the Evoke 5000B’s powerful out- users, we’ve developed the Astera Power Box Holder and the
a 1.5x squeeze ratio, dynamic geometric optical personality, and The world premiere of the brand new IB/E Optics 70mm lenses. put, integrated all-in-one design, and adjustable balance rail; the 8-Slot Titan Rack, both of which mount seamlessly onto any of
warm vintage tones. In addition to the Group III focal lengths, all Come check it out. The IB/E Optics Raptor Scope FF. The first PavoSlim’s ultra-slim, easy-to-install profile; and the PavoTube II our carts equipped with the ½-inch bar. And for crews on the go,
of the lenses from the Mercury Series and the entire Orion Se- new scope system in 20 years. It has both S35 mode with T 4.0 6XR’s lightweight build and pixel-level control for dynamic light- we’re now offering Van & Truck Conversion Upgrades — includ-
ries family will be available to test at our booth #S3067. Free and FF mode with a T 5.6 and offers unlimited pan, tilt and roll, ing effects. NANLUX/NANLITE team members will be available ing custom installs like E-track systems and bulkheads to help
hats, mini-slates, and other exclusive Atlas Merchandise will be and an image rotation compensator. Use the dedicated lenses or on site to present the products, share lighting techniques, and you transform your vehicle into a fully functional mobile work-
available. others (M, PL, LPL, EF). answer any questions from attendees. space. Ready to level up? Let’s build your perfect setup.

www.cinegearexpo.com www.cinegearexpo.com
 NEWS RELEASES EXHIBITOR LIST
&
MAPS
TERADEK WAVE CENTRAL
Teradek, manufacturer of high-performance broadcast and cine Wave Central proudly announces the NANO IP, a game-changing
video solutions, shows its latest innovations in wireless monitor- advancement in wireless broadcast technology that empowers
ing, livestream, and production workflows at Cine Gear Expo LA. users to fully remotely control cinema cameras over IP networks.
The all-new CTRL.5 gives camera teams intuitive wireless control Built around a compact yet powerful IP Mesh module, the NANO
over RED® and ARRI systems, while flexible Bolt 6 V-Antennas IP eliminates the need for traditional infrastructure by forming
offer rugged durability and reliable performance on busy sets. self-healing wireless mesh networks with seamless auto-dis-
Teradek TV premiers Teradek TV Local–a streamlined way to covery. This breakthrough allows operators to manage camera BOOTH COMPANY NAME S3043 FLANDERS SCIENTIFIC 015 PANYAN
S3084 ABS PAYROLL 062 FOMA SYSTEMS GMBH S3205 PATONA INTERNATIONAL S.L.U.
monitor camera feeds over a closed local-only network using settings, monitor feeds, and execute full remote control—from S3015 A.C. AMERICAS (USA) INC. 808 FOX STUDIO LOT 540 PELICAN PRODUCTS INC
Serv 4K or any Teradek encoder. Perfect for producers, script iris and focus adjustments to tally and intercom—entirely over an S3061 ACT ENTERTAINMENT / AC POWER DISTRIBUTION 032 FUJIFILM NORTH AMERICA CORPORATION S3005 POMFORT GMBH

supervisors, and agency clients, Teradek TV Local expands the ad-hoc wireless network. Whether in live production, cinematic S3039-7 ACT LOCAL 532 GEAREACH (HONG KONG) COMPANY LIMITED S3257 POWER GEMS
S3202 ALDN CO., LTD 062 GECKO-CAM GMBH 063 PRESTON CINEMA SYSTEMS, INC
use case for its production focused live-feed and instant-record- shoots, or remote broadcast environments, the NANO IP deliv- S3039-1 ALLIANCE OF WOMEN DIRECTORS 912 GENTREE S3039-9 PRODUCTIONHUB
ings review platform. ers unprecedented flexibility and efficiency. With intuitive local S3203 ALL SET ON SET 707 GFM - GRIP FACTORY MUNICH S3217 PROFOTO
002 ANA 733 GL OPTICS 046 PROGRADE DIGITAL
configuration and robust web-based management, the NANO IP
608 ANTARI LIGHTING & EFFECTS USA S3091 GODOX P + S TECHNIK CINE OPTICS GMBH
streamlines camera operations in the field. It’s the future of wire- 822 ANTON BAUER 301 GO ON TOP 201 QNAP INC.
less camera control—portable, scalable, and ready for the most S3219 APUTURE 212 GPI PRO SYSTEMS/APEX CINEMA GEAR 060 RED DIGITAL CINEMA
S3051 ARCHI ENTERPRISES INC. 321 GYRO STABILIZED SYSTEMS 502 RENTAL TRACKER INC.
demanding creative workflows. S3249 ARRI 073 HAMMER CAMERA CRANES S3053 RIEDEL COMMUNICATIONS INC
935 ASC-AMERICAN CINEMATOGRAPHER 921 HAWK-WOODS S3044 RIEGL USA
S3067 ATLAS LENS CO. 510 HOLLYLAND TECHNOLOGY 204 RIZON TRUCK USA
S3039-7 AUTODCP S3097 HOT ROD CAMERAS 043 ROBOCUP

THE LOS ANGELES FILM SCHOOL S3014 AVENGER 062 IB/E OPTICS GMBH 018 RONFORD BAKER ENGINEERING CO LTD

WOODEN CAMERA
S3005 AWESOME PIXELS GMBH & CO. KG S3039-4 ICG MAGAZINE/ICG LOCAL 600 S3095 RST VISIONS IN COLOR
027 BACKSTAGE EQUIPMENT 607 IGNITE DIGI S3241 RUPIXELS, INC.
Since opening in 1999, The L.A. Film School has established an 031 BAND PRO FILM AND DIGITAL AND 16X9 INC 205 INDIPRO TOOLS CORP 101 SAMYS CINEMA/SAMYS CAMERA
expansive program catalog designed to prepare the next gen- Wooden Camera introduces a robust line of Elite Handheld Ac- 062, 017 INDUSTRIAL METAL SUPPLY CO 013 SCHNEIDER OPTICS

eration of creative professionals for a future in the entertainment cessories, including camera crossbars, handles, and extensions 061, S3075 INNER CIRCLE DISTRIBUTION 731 SCRIPTATION
S3005 BAVARIAN PAVILION 010 INSTA360 062 SECOND REEF GMBH
industry. Students can choose from more than 18 undergraduate designed for comfort, endurance, and speed during all-day hand- S3005 BEBOB FACTORY GMBH 522 INTELLIEVENT 721 SERVICE VISION BIS SL
degrees, including animation, audio production, digital filmmaking, held shoots. On display will be featured new accessories for the 045 BIT PART LLC 105 IRONGLASS S3259 SGPS/SHOWRIG
S3099 BLACKMAGIC DESIGN 526 JIADE ENERGY TECHNOLOGY�ZHUHAI�CO., LTD. 604 SHENZHEN 7ARTISANS PHOTOELECTRIC
entertainment business, film production, graphic design, media Blackmagic URSA CINE 12K/17K and Fujifilm GFX ETERNA 55.
106 BLACK MULE INC S3201 JIAN CHENG TECHNOLOGY INC. TECHNOLOGY CO., LTD.
communications, writing for film and TV, and music production. These meticulously designed offerings are engineered to en- S3055 BLACKOUT LIGHTING CONSOLE 701 J.L. FISHER, INC 019 SHENZHEN BESTVIEW ELECTRONIC CO. LTD.
Additionally, its extensive alumni network features professionals able better power distribution, airflow-aware rigging, and modu- 202 BLKBRD LLC 331 JUNGLE POWER S3045 SHOTDECK
096 BOSMA USA INC. 203 KINEFINITY INC. 518 SIGMA CORPORATION
working in film, TV, music, and animation. This award season, The lar mounting flexibility for the new builds. Also, for the first time S3001-2 BRITISH CINEMATOGRAPHER S3243 KINO FLO 931 SIRUI USA LLC
L.A. Film School saw 91 alums credited on nominated projects at Wooden Camera features the 12G-SDI Distribution Amplifier, S3207 CALIFORNIA FILM COMMISSION 025 KIPON LLC 740 SISU CINEMA ROBOTICS

the Grammys, Emmys, Oscars, and Golden Globes, with alums supporting 4K up to 2160p with electrically isolated outputs and 702 CALZONE ANVIL CASES S3057 KONDOR BLUE LLC 822 SMALLHD
061 CAMADEUS FILM TECHNOLOGIES S3041 KOTO ELECTRIC NORTH AMERICA, INC. 004 SMALLRIG TECHNOLOGY (HK) LIMITED
credited on 34 major award-winning projects. www.lafilm.edu universal mounting options. 963 CANON USA 401 KRANE CARTS 706 SMARTSYSTEM SRL
082 CANVAS GRIP INC 506 LEE FILTERS USA S3039-6 SMPTE
938 CARL ZEISS SBE, LLC 704 LEICA GEOSYSTEMS S3509 SONY ELECTRONICS INC.
602 CARTONI USA 538 LEITZ CINE GMBH 108 STEADYGUM SL
816 CHAPMAN/ LEONARD STUDIO EQUIPMENT 089 LIGHTSTAR S3011 STRADA
S3073 CHECKERS SAFETY S3035 LINDSEY OPTICS L.L.C. 078 STUDIO CARTS
712 CHIMERA LIGHTING S3243 LITE GEAR 927 STYPE & BROTHERS
S3005 CHROSZIEL GMBH S3013 LITEPANELS S3225 SUMOLIGHT
717 CINETICA 092 LOTUS Q INC. 917 SUNBELT RENTALS FILM & TV

THE TIFFEN COMPANY ZEISS 023

061
CINTEGRAL
CMOTION GMBH
S3208
S3014
LUX ANGELES STUDIOS
MANFROTTO
S3086
051
SWISSON
TECHNOCRANE S.R.O.
S3251 CONSCIOUS INTEGRATIONS MANFROTTO/AVENGER 913 TELESCOPING CAMERA CRANES, INC
Tiffen presents innovations for Steadicam® and Steadicam Volt® ZEISS will showcase its latest innovations in cine optics at Cine 102 COOKE OPTICS S3253 MARTINI 822 TERADEK
Systems, plus new filter families for motion and still imagery. In Gear Expo LA, including the the new Supreme Zoom Radiance 729 CORE SWX 712 MATTHEWS STUDIO EQUIPMENT 620 THE LOS ANGELES FILM SCHOOL

honor of its recent Academy Award® for Steadicam Volt, Tiffen lenses. This trio of purpose-built T2.9 zooms—15-30 mm, 28-80 S3001-3 CREATIVE HANDBOOK 608-1 METAL TOYS 024 THE TIFFEN COMPANY
822 CREATIVE SOLUTIONS 042 MID49 959 TILTA INC.
previews Volt 3, now with 3-axis electronically assisted stabili- mm, and 70-200 mm—features the same T* blue coating as the S3252 CUSTOM SYNC SLATES 613 MILLER TRIPODS 071 TK LENSES
zation. Also displaying Steadicam Axis and the world premiere popular Supreme Prime Radiance lenses, delivering consistent S3052 DADCO, LLC. 007 MRMC S3223 TMB
S3212 DEDOLIGHT CALIFORNIA, INC 050 MUTINY 319 TOKINA CINEMA USA
of a new model being added to the Axis line, built for heavier flares and warm color rendition. Also on display will be the Nano
403 S3083 MYCASEBUILDER S3255 TRP WORLDWIDE
payloads. Axis and M-Series Steadicams will be ready for hands- Primes, a set of six high-speed T1.5 lenses designed specifically 048 DEHAVEN CAMERA 065 MYT WORKS, INC. 516 TRUE LENS SERVICES LTD
on demos. Also debuting, new Dark Contrast filters, reduce high- for full-frame mirrorless cameras. Compact and lightweight, they 309 DFI RENTALS S3009 NANLUX/NANLITE 040 V35 PROJECT
S3206 DIODEDIODE LED SCENIC 044 NAUTICAM S3054 VILTROX
lights without darkening shadows or introducing color shift. Also are an ideal everyday tool for cinematographers at any stage of 085 DRIVINGPLATES.COM 056 NEBTEK 086 VOCAS PRODUCTS
see the newest rage, Glow™ Filter Series–including Soft Glow™, their careers. Visitors can explore the complete ZEISS cine lens 014 DZOFILM 1019 NETFLIX 524 WAVE CENTRAL

Black Soft Glow™, and Golden Glow™ which soften digital sharp- portfolio, including the Supreme Primes, Supreme Prime Radi- S3211 ENVIRONMENTAL LIGHTS / CITY THEATRICAL 945 NISI FILTERS USA INC 404 WESTERN DIGITAL
S3077 ETC 607 NODO FILM SYSTEMS S3001-1 WOMEN IN MEDIA
ness while maintaining contrast and adding a controlled halation ance, Compact Prime CP.3/CP.3 XD, and the Lightweight Zoom S3037 FIILEX 822 OCONNOR 822 WOODEN CAMERA
effect. Also showing Fusion Filters, which combine variable ND or LWZ.3 for Super 35. ZEISS will also present its CinCraft eco- S3039-3 FILM AND DIGITAL TIMES 047 ON SET HEADSETS S3017 XELMUS
739 FILMOTECHNIC S3221 OPTICA MAGNUS S3074 XHL SYSTEMS LLC
circular polarizers with various diffusion choices in a single filter, system, including CinCraft Scenario, a flexible real-time camera
039 FILMTOOLS 076 OSRAM 054 YAEGERPRO MYCG
along with the extended line of popular Tiffen filters. tracking system for VFX and virtual production. 103 FIRST ENTERTAINMENT CREDIT UNION 061 PANTHER GMBH 939 ZERO OPTIK

www.cinegearexpo.com www.cinegearexpo.com
 EXPO HOURS SCAN FOR ONLINE MAP
FRIDAY, JUNE 6, 10AM - 7PM
SATURDAY, JUNE 7, 9AM - 5PM
www.cinegearexpo.com www.cinegearexpo.com
Backlot Stages 30/31
BOOTH # COMPANY 078 STUDIO CARTS 607 IGNITE DIGI BOOTH # COMPANY
002 ANA 082 CANVAS GRIP INC 607 NODO FILM SYSTEMS S3001-1 WOMEN IN MEDIA
004 SMALLRIG TECHNOLOGY (HK) LIMITED 085 DRIVINGPLATES.COM 608 ANTARI LIGHTING & EFFECTS USA S3001-2 BRITISH CINEMATOGRAPHER
007 MRMC 086 VOCAS PRODUCTS 608-1 METAL TOYS S3001-3 CREATIVE HANDBOOK
010 INSTA360 089 LIGHTSTAR 613 MILLER TRIPODS S3005 AWESOME PIXELS GMBH & CO. KG
013 SCHNEIDER OPTICS 092 LOTUS Q INC. 620 THE LOS ANGELES FILM SCHOOL S3005 BEBOB FACTORY GMBH
014 DZOFILM 096 BOSMA USA INC. 701 J.L. FISHER, INC S3005 CHROSZIEL GMBH
015 PANYAN 101 SAMYS CINEMA/SAMYS CAMERA 702 CALZONE ANVIL CASES S3005 POMFORT GMBH
017 INDUSTRIAL METAL SUPPLY CO 1019 NETFLIX 704 LEICA GEOSYSTEMS S3009 NANLUX/NANLITE
018 RONFORD BAKER ENGINEERING CO LTD 102 COOKE OPTICS 706 SMARTSYSTEM SRL S3011 STRADA
019 SHENZHEN BESTVIEW ELECTRONIC CO. LTD. 103 FIRST ENTERTAINMENT CREDIT UNION 707 GFM - GRIP FACTORY MUNICH S3013 LITEPANELS
023 CINTEGRAL 105 IRONGLASS 712 CHIMERA LIGHTING S3014 AVENGER
024 THE TIFFEN COMPANY 106 BLACK MULE INC 712 MATTHEWS STUDIO EQUIPMENT S3014 MANFROTTO
025 KIPON LLC 108 STEADYGUM SL 717 CINETICA S3015 A.C. AMERICAS (USA) INC.
027 BACKSTAGE EQUIPMENT 201 QNAP INC. 721 SERVICE VISION BIS SL S3017 XELMUS
031 BAND PRO FILM AND DIGITAL AND 16X9 INC 202 BLKBRD LLC 729 CORE SWX S3035 LINDSEY OPTICS L.L.C.
032 FUJIFILM NORTH AMERICA CORPORATION 203 KINEFINITY INC. 731 SCRIPTATION S3037 FIILEX
039 FILMTOOLS 204 RIZON TRUCK USA 733 GL OPTICS S3039-1 ALLIANCE OF WOMEN DIRECTORS
040 V35 PROJECT 205 INDIPRO TOOLS CORP 739 FILMOTECHNIC S3039-3 FILM AND DIGITAL TIMES
042 MID49 212 GPI PRO SYSTEMS/APEX CINEMA GEAR 740 SISU CINEMA ROBOTICS S3039-4 ICG MAGAZINE/ICG LOCAL 600
043 ROBOCUP 301 GO ON TOP 808 FOX STUDIO LOT S3039-6 SMPTE
044 NAUTICAM 309 DFI RENTALS 816 CHAPMAN/ LEONARD STUDIO EQUIPMENT S3039-7 ACT LOCAL
045 BIT PART LLC 319 TOKINA CINEMA USA 822 ANTON BAUER S3039-7 AUTODCP
046 PROGRADE DIGITAL 321 GYRO STABILIZED SYSTEMS 822 CREATIVE SOLUTIONS S3039-9 PRODUCTIONHUB
047 ON SET HEADSETS 331 JUNGLE POWER 822 OCONNOR S3041 KOTO ELECTRIC NORTH AMERICA, INC.
050 MUTINY 401 KRANE CARTS 822 SMALLHD S3043 FLANDERS SCIENTIFIC
051 TECHNOCRANE S.R.O. 403 DEHAVEN CAMERA 822 TERADEK S3044 RIEGL USA
054 YAEGERPRO MYCG 048 DEHAVEN CAMERA 822 WOODEN CAMERA S3045 SHOTDECK
056 NEBTEK 404 WESTERN DIGITAL 912 GENTREE S3051 ARCHI ENTERPRISES INC.
060 RED DIGITAL CINEMA 502 RENTAL TRACKER INC. 913 TELESCOPING CAMERA CRANES, INC S3052 DADCO, LLC.
061 CAMADEUS FILM TECHNOLOGIES 506 LEE FILTERS USA 917 SUNBELT RENTALS FILM & TV S3053 RIEDEL COMMUNICATIONS INC
061 CMOTION GMBH 510 HOLLYLAND TECHNOLOGY 921 HAWK-WOODS S3054 VILTROX
061 PANTHER GMBH 516 TRUE LENS SERVICES LTD 927 STYPE & BROTHERS S3055 BLACKOUT LIGHTING CONSOLE
062 FOMA SYSTEMS GMBH 518 SIGMA CORPORATION 931 SIRUI USA LLC S3057 KONDOR BLUE LLC
062 GECKO-CAM GMBH 522 INTELLIEVENT 935 ASC-AMERICAN CINEMATOGRAPHER S3061 ACT ENTERTAINMENT / AC POWER DISTRIBUTION
062 IB/E OPTICS GMBH 524 WAVE CENTRAL 938 CARL ZEISS SBE, LLC S3067 ATLAS LENS CO.
062 SECOND REEF GMBH 526 JIADE ENERGY TECHNOLOGY�ZHUHAI�CO., LTD. 939 ZERO OPTIK S3073 CHECKERS SAFETY
063 PRESTON CINEMA SYSTEMS, INC 532 GEAREACH (HONG KONG) COMPANY LIMITED 945 NISI FILTERS USA INC S3074 XHL SYSTEMS LLC
065 MYT WORKS, INC. 538 LEITZ CINE GMBH 959 TILTA INC. S3075 INNER CIRCLE DISTRIBUTION
071 TK LENSES 540 PELICAN PRODUCTS INC 963 CANON USA S3077 ETC
073 HAMMER CAMERA CRANES 602 CARTONI USA S3083 MYCASEBUILDER
076 OSRAM 604 SHENZHEN 7ARTISANS PHOTOELECTRIC TECHNOLOGY CO., LTD. S3084 ABS PAYROLL
S3086 SWISSON
S3091 GODOX
S3095 RST VISIONS IN COLOR
S3097 HOT ROD CAMERAS
S3099 BLACKMAGIC DESIGN

Stage 32

BOOTH # COMPANY
S3201 JIAN CHENG TECHNOLOGY INC.
S3202 ALDN CO., LTD
S3203 ALL SET ON SET
S3205 PATONA INTERNATIONAL S.L.U.
S3206 DIODEDIODE LED SCENIC
S3207 CALIFORNIA FILM COMMISSION
S3208 LUX ANGELES STUDIOS
S3211 ENVIRONMENTAL LIGHTS / CITY THEATRICAL
S3212 DEDOLIGHT CALIFORNIA, INC
S3217 PROFOTO
S3219 APUTURE
S3221 OPTICA MAGNUS
S3223 TMB
S3225 SUMOLIGHT
S3241 RUPIXELS, INC.
S3243 KINO FLO
S3243 LITE GEAR
S3249 ARRI
S3251 CONSCIOUS INTEGRATIONS
S3252 CUSTOM SYNC SLATES
S3253 MARTINI
S3255 TRP WORLDWIDE
S3257 POWER GEMS
S3259 SGPS/SHOWRIG
S3509 SONY ELECTRONICS INC.

SCAN FOR ONLINE MAP

PREMIER DAY 1
SEMINARS FRIDAY, JUNE 6
EXHIBITS, SEMINARS & SCREENINGS: 10AM - 7PM

11:15PM - 3:15PM Film Series Finalist Screenings 2:15PM - 3:05PM Netflix Presents
MAIN THEATER THEATER 2
Come enjoy the finalists in Cine Gear’s 2025 Film Series competition in three categories: The Future of Power on Set
Student Shorts, Music Videos/Commercials, and Independent Shorts. This forward-looking panel explores how emerging technologies—like solar, battery storage, and
hydrogen power units —are reshaping power on set. This conversation will bridge creative, technical,
and operational perspectives to examine what’s working today and what’s coming next.

11:15AM - 12:05PM Cine Gear Presents 2:15PM - 2:50PM Cine Gear and Universal
THEATER 2 Cutting Edge: Women Who Shape the Story STAGE 34 Alice Brooks, ASC Wicked Q&A
Join a powerhouse panel of award-winning women editors as they pull back the curtain on the art of Your attendee pass gets you in—just don’t be late, only 200 seats!
storytelling through the edit. From feature films to streaming series, these trailblazers discuss their
creative process, collaboration with directors, and how they navigate a traditionally male-dominated
field. Discover how their unique voices and sharp instincts shape the emotional core, rhythm, and
impact of the stories we see on screen. A must-attend for aspiring editors and cinephiles alike.

Moderator: Maura Corey | Panelists: Kate Amend, Inbal Lessner, Michael Lynn Deis, Lillian Benson
3:15PM - 4:05PM SONY Presents
MAIN THEATER

11:30AM - 1:30PM Cine Gear and Universal presents

STAGE 34
Back to the Backlot 3:15PM - 4:00PM Cine Gear and Universal presents
Go Back To The Future with the Universal Production Experience on Stage 34 celebrating Universal’s STAGE 34
world class services across the US and UK. Chat with Universal staff and learn how to accelerate
Dean Cundey, ASC, CSC Back to the Backlot Discussion
your production across the globe! Your attendee pass gets you in - just don’t be late, only 200 seats! Moderator: Ferguson Sauve-Rogan

12:15PM - 1:05PM ACT Entertainment Presents

THEATER 2 Getting to Know grandMA3 4:15PM - 5:05PM Digital Cinema Society presents
ACT Academy invites you to get hands-on with the grandMA3 console! This session will offer an THEATER 2
overview of the grandMA3 hardware and software capabilities, how they are used in a Film or TV Focus On Cine Lenses From the Buyer’s POV
environment, as well as the core concepts behind controlling today’s most complex and capable DCS will once again hold our popular examination of the Cinema Lens market at Cine Gear Expo with
lighting fixtures. Focused on how to get from your first showfile to your first live playback, this an eye towards investing. See what’s new from top lens manufacturers as they discuss the latest
session breaks down the grandMA3 platform into approachable pieces for new learners as well as trends in Cine Optics and see what’s the right lens for you.Participants include: Angénieux, Atlas,
seasoned lighting professionals. Panelist: Amanda Gouglemann ARRI, Canon, Cooke Optics, DZO Film, Fujinon, Laowa, Leitz, Sigma, and ZEISS

1:15PM - 2:05PM Sigma Presents

THEATER 2 Sigma: Crafting Cinema’s Next Chapter 4:30PM - 5:30PM Cine Gear and Universal presents
Join us for the exclusive unveiling of Sigma’s new lineup of cine lenses—a collection born from
COURTHOUSE Meet and Greet with Dean Cundey, ASC, CSC
Japanese craftsmanship engineered to elevate the art of visual storytelling. Experience captivating
SQUARE
reels and behind the scenes footage, and hear firsthand insights from Sigma cine ambassadors.
Discover how Sigma’s new cine lenses deliver stunning sharpness, rich color reproduction, and
cinematic character that redefines what’s possible behind the lens.

www.cinegearexpo.com ALL PANELISTS SUBJECT TO AVAILABILITY ALL PANELISTS SUBJECT TO AVAILABILITY www.cinegearexpo.com
PREMIER DAY 1 DAY 2
SEMINARS FRIDAY, JUNE 6 SATURDAY, JUNE 7
EXHIBITS, SEMINARS & SCREENINGS: 10AM - 7PM EXHIBITS, SEMINARS & SCREENINGS: 9AM - 5PM

5:15PM - 6:05PM Blackmagic Design presents 10:15AM - 11:05AM Aputure presents

MAIN THEATER MAIN THEATER
The Immersive Workflow A Lifetime of Visual Storytelling with Team Deakins
Blackmagic Design’s Mike Smollin and Dave Hoffman will discuss production through post for Moderated by American Cinematographer Magazine
workflows for immersive filming. Building off the two’s experience with the new Blackmagic URSA Join legendary cinematographer Sir Roger Deakins and collaborator James Deakins for an intimate
Cine Immersive camera, they will walk through how to take advantage of shooting 8160 x 7200 conversation on their creative partnership and decades of visual storytelling. Presented by Aputure
resolution per eye with pixel level synchronization at 16 stops of dynamic range, and will also talk and moderated by American Cinematographer, this panel explores Team Deakins’ journey—from
through the immersive post production process and how to show and work with immersive footage on Roger’s early days in Torquay to their work on some of cinema’s most iconic films. Featuring stories
and off set. Panelists: Mike Smollin and Dave Hoffman and insights from their new book Reflections: On Cinematography, join us for a rare look into a
singular career. Panelists: Sir Roger Deakins ASC, CBE, BSC, and collaborator James Deakins

5:15PM - 6:05PM RED presents

THEATER 2 Look up: Superman’s Henry Braham, BSC Wants Someone to Talk To… 10:15AM - 11:05AM IATSE Local 600 presents
THEATER 2
RED Digital Cinema hosts a conversation with Henry Braham, BSC, the award-winning Virtual Lighting for Virtual Production
cinematographer of Superman. Braham will discuss his part in bringing a director’s cinematic vision
Virtual environments, large and small, are opening new creative options for shaping and blending
to the screen. Known for The Instigators, The Suicide Squad and Guardians of the Galaxy Vol. 2 & 3,
light from the virtual world to augment the more traditional real-world approaches to set lighting.
Braham brings a fresh approach to the Man of Steel with his interpretation of James Gunn’s dynamic,
Join ICG Local 600 Directors of Photography as they discuss the techniques and technology they
immersive sequences to create a redefined superhero storytelling. Moderated by Naida Albright, this
are using to leverage the merger of ray-traced and real to efficiently achieve their artistic looks and
discussion will delve into Braham’s collaborative process.
address situations that would require larger scale solutions in the physical world. Moderator: Michael
Chambliss – Asst. Western Region Director & Production Technology Specialist, ICG IATSE Local 600

6:15PM - 8:30PM Cine Gear presents

MAIN THEATER Screening of The Sugarland Express (1974)
A restoration by Universal Pictures in 2024. Special thanks to Steven Spielberg for his oversight of
10:15AM - 11:05AM Profoto presents
the 4K restoration of this film. Based on a true story, a desperate mother attempts to reunite her THEATER 1
Creative Light Shaping for Cinema
family by any means necessary including helping her husband escape prison, kidnapping a Texas
state trooper and leading the police on a wild chase across the state in an effort to save her son from Faster. Lighter. Brighter. Join Profoto for the screening of the short film Creative Light Shaping for
adoption. A Film By Steven Spielberg | Rating: PG Cast: Goldie Hawn, Ben Johnson, Michael Sacks, Cinema, featuring Eric Koretz (DP Ozark, Special Ops: Lioness), followed by a conversation and Q&A
William Atherton, Gregory Walcott, Louise Latham with Eric Koretz, Bianca Halpern (DP), and Andrea Sachs (Gaffer) on shaping light with purpose,
using the new standard of LED lighting. This isn’t just a panel — it’s a creative rethink of what
cinematic lighting can be when tools elevate vision. Panelists: Eric Koretz (DP Ozark, Special Ops:
6:15PM - 7:05PM RED presents Lioness), Bianca Halpern (DP), and Andrea Sachs (Gaffer)

THEATER 2 Savoring 10 Years of Cinematic Cuisine on Chef’s Table

The Emmy-nominated Chef’s Table filmmaking team— Creator David Gelb, Executive Producer
Brian McGinn and Cinematographers Adam Bricker, ASC and Will Basanta —reflect on a decade
of capturing the visual feast of Netflix’s groundbreaking series. From mouthwatering close-ups to
11:15AM - 12:05PM Blackmagic Design presents
storytelling through texture and light, they’ll explore how cinematic techniques have evolved, shaping
MAIN THEATER Shooting with the Blackmagic URSA Cine 17K 65
how audiences experience food on screen. Moderated by: Naida Albright. Panelists: Creator David
Cinematographers Blake McClure, ASC and John Brawley, ACS discuss their experiences shooting
Gelb, Executive Producer Brian McGinn and Cinematographers Adam Bricker, ASC and Will Basanta
large-format imagery using Blackmagic Design’s new URSA Cine cameras. Blake is currently shooting
HBO’s new untitled Steve Carell series with the URSA Cine 17K 65, while John is filming season three
of Shrinking with the URSA Cine 12K LF. From image quality and format to the functionality of the
7:00PM - 10:00PM Cine Gear presents camera in production environments, the two will share their experiences shooting with the URSA Cine
COURTHOUSE VIP Party - By Invitation or Purchase
line of cameras. Panelists: Blake McClure, ASC and John Brawley, ACS
SQUARE

www.cinegearexpo.com ALL PANELISTS SUBJECT TO AVAILABILITY ALL PANELISTS SUBJECT TO AVAILABILITY www.cinegearexpo.com
PREMIER DAY 2
SEMINARS SATURDAY, JUNE 7
EXHIBITS, SEMINARS & SCREENINGS: 9AM - 5PM

11:15AM - 12:05PM SOC presents 12:30PM - 2:00PM American Society of Cinematographers presents
THEATER 1 The Making of The Studio
MAIN THEATER
Dialogue with ASC Cinematographers
Join the Society of Camera Operators for The Making of The Studio—a behind-the-scenes look at Join George Mooradian, ASC, as he moderates this panel discussion filled with formal and informal
one of today’s most innovative new shows. A Camera Operator Mark Goellnicht, SOC, Jesse Cain, conversations and questions from the audience. Panelist: Patrick Cady, ASC | Sam McCurdy, ASC,
Ronin Camera Operator, Lucas Deans, 1st AC, and Christopher Thrasher, Dolly Grip will share how BSC | Karl Walter Lindenlaub, ASC | Attila Szalay ASC, CSC, HSC | Roberto Schaefer, ASC
creative collaboration brought this standout series to life. Clips will be screened and key scenes
discussed, offering insight into the on-set strategies and problem-solving that shaped this fresh and ASC President Mandy Walker, ASC, ACS will introduce the ASC seminar panelists.
dynamic production. Panelists: Mark Goellnicht, SOC, A Camera Operator | Jesse Cain, Ronin Camera
Operator | Lucas Deans, 1st AC | Christopher Thrasher, Dolly Grip

1:15PM - 2:05PM ACES presents

THEATER 1
11:15AM - 12:05PM Cine Gear presents Color Management That Can Up Your Game!
THEATER 2 Behind the Lens: Women Documentary Cinematographers Join us for a lively discussion as filmmakers and technologists share their experience with the
Academy Color Encoding System (ACES) and their thoughts on the latest ACES 2.0 release. Learn
This panel discussion will be a deep dive into the careers of top documentary DPs – discussing how ACES can elevate your color management workflow experience — from on-set production
creative process, working with different directors, and finding their own unique style. Panelists: Chloe through VFX, color and archiving — using tools you are already familiar with. Panelist: John Daro,
Weaver | Emily Topper | Jenna Rosher | Nausheen Dadabhoy | Shana Hagan, ASC CSI – Senior Digital Colorist, Water Tower Color | Lynette Duensing – Senior Colorist, Instinctual LLC |
Patrick Renner – Co-Founder, Pomfort

11:30AM - 1:30PM Cine Gear and Universal presents

STAGE 34
Back to the Backlot 2:00PM - 3:00PM Cine Gear and Universal presents
Go Back To The Future with the Universal Production Experience on Stage 34 celebrating Universal’s STAGE 34
Dean Cundey, ASC, CSC Back to the Backlot Discussion
world class services across the US and UK. Chat with Universal staff and learn how to accelerate
your production across the globe! (Moderated by Ferguson Sauve-Rogan)

12:15PM - 1:05PM Alliance of Women Directors + Scriptation presents

THEATER 1
Directing Genre TV
2:15PM - 3:05PM OWC presents
THEATER 2
Go behind the scenes with AWD Icon Members + directors Mary Lou Belli, Morenike Joela Evans, and Glide, Camera, Action: High Stakes Aerial Cinematography
Rosemary Rodriguez, along with cinematographer Ana M. Amortegui, as they break down the unique Gliding high over the the French Alps, against all odds cinematographer Jon Pears delivered
demands of directing genre television. From action choreography to visual effects, these trailblazing breathtaking footage shot on Atlas Mercury Anamorphics Lenses and captured it all on OWC media
creatives will share how they prep, shoot, and collaborate to bring bold, cinematic visions to life – and and storage. Join us to learn how to make magic in near-impossible scenarios and gather tactical
the tools they use to make it happen. lessons on how to improve your films, and push your creativity further. Panelists: Jon Hoeg, Dir.
Marketing Communications, OWC, Dan Kanes, CEO and Product Manager, Atlas Lens Co., Jon Pears,
Cinematographer
12:15PM - 1:05PM ACT Entertainment presents
THEATER 2 Getting to Know grandMA3
ACT Academy invites you to get hands-on with the grandMA3 console! This session will offer an
3:15PM - 4:05PM SONY Presents
overview of the grandMA3 hardware and software capabilities, how they are used in a Film or TV MAIN THEATER
environment, as well as the core concepts behind controlling today’s most complex and capable
lighting fixtures. Focused on how to get from your first showfile to your first live playback, this
session breaks down the grandMA3 platform into approachable pieces for new learners as well as
seasoned lighting professionals.

www.cinegearexpo.com ALL PANELISTS SUBJECT TO AVAILABILITY ALL PANELISTS SUBJECT TO AVAILABILITY www.cinegearexpo.com
PREMIER DAY 2
SEMINARS SATURDAY, JUNE 7
EXHIBITS, SEMINARS & SCREENINGS: 9AM - 5PM

3:15PM - 4:05PM RED presents 4:15PM - 5:45PM Cine Gear presents

THEATER 2 Mastering the Frame: RED & ShotDeck in Conversation with Don Burgess, ASC
THEATER 1 The Lost Legacy of Tony Gaudio - Followed by Q&A by The Tony Gaudio
Join RED and ShotDeck for an in-depth discussion with legendary, Oscar-nominee Don Burgess, ASC, Foundation for Cinematic Arts
whose groundbreaking work on films like Forrest Gump, Cast Away and Aquaman has set a visual
Gaetano “Tony” Gaudio was an Italian photographer with a dream of making movies in America. He
standard in modern filmmaking. Moderated by ShotDeck Founder and revered filmmaker Lawrence
honed his craft, revolutionized cinematography techniques, and became sought after to frame and
Sher, ASC, and RED’s Naida Albright, this conversation explores Burgess’ approach to storytelling, his
light the screen icons of Hollywood’s Golden Age, earning an Academy Award® for his efforts in 1937.
collaboration with directors, and the evolving technology shaping the industry. With curated ShotDeck
He was one of the first Italians to win this prestigious award, and the first to win for cinematography.
images, this session delves into the artistry behind some of cinema’s most iconic visuals. Moderators:
Seventy-five years later, his descendants in Los Angeles begin the search for that long-missing and
Lawrence Sher, ASC & Naida Albright | Panelists: Don Burgess, ASC
precious statuette. In the quest to find Tony’s lost Oscar®, they uncover the fascinating career of a
forgotten visionary and create a love letter to everyone who has ever dreamed of making movies.
Panelists: Gino Gaudio, Mary Reid Gaudio, Gavin Glynn, Antonia Carlotta, Jonathon Kuntz

3:15PM - 4:05PM ASC presents

THEATER 1 Visual Storytelling Using AI
A live demo of how creative industry professionals might utilize AI as part of their arsenal of tools to 5:10PM - 5:55PM Cine Gear presents
tell compelling stories, and recognizing when other established techniques may be more effective. THEATER 2
A Survival Guide for Cinematographers in Turbulent Times: An unfiltered
Participants: Ellenor Argyropoulos (Director and AI content creator), Michael Goi, ASC, ISC (Chair, conversation about everything that nobody talks about
ASC AI Committee) What do you do when the phone stops ringing, fear sets in, and it feels like everyone else is sprinting
ahead? How do you balance making a living with staying connected to the kind of projects that matter
most to you? Join award-winning cinematographer Natasha Braier, ASC, ADF in conversation with
moderator and cinematographer Danna Kinsky, WIC for a candid discussion on navigating uncertainty,
redefining success, and building a career grounded in your unique creative voice. This is a candid
4:15PM - 5:05PM Aputure presents exploration of the inner journey every cinematographer faces but few openly discuss — the doubts,
MAIN THEATER Why Eyes Lie: An Introduction to Lighting Color Science challenges, and breakthroughs that shape a creative career. You’ll leave with fresh perspective,
practical insights, and a renewed sense of connection to a community of artists forging their own paths.
Come for a challenge, leave with solutions. This color science seminar calls for the end of color
control confusion—at least, from a lighting perspective! The dawn, then proliferation, of color-
changing LED lighting also brought unintended consequences: forced color choices, loss of
direct color control, unforeseen technical barriers, and simply, frustration. Come for color science
foundations to inform your technical lighting decisions on set to express your creative vision in all of
your projects. Panelists: Tim S. Kang, Principal Engineer, Imaging Applications
5:15PM - 6:05PM Kondor Blue and CRATERR presents
MAIN THEATER Hollywood, Hacked: Creators, Cameras, and the Content Revolution

The playbook has changed. The new era of Hollywood does not just happen on the studio lot—it’s
being shaped by independent filmmakers, creators, DIY whizzes, and passionate storytellers. Join
4:15PM - 5:00PM Cine Gear presents creators, brands, and partners leading the charge as they explore how content is being made in new
THEATER 2 Epic Format, Gothic Vision: The Cinematography of SINNERS ways—where trust-fueled collaborations and unbridled creativity have driven a year of wildly diverse
productions and widely viewed content. Step inside the new era of Hollywood—raw, collaborative, and
Cinematographer Autumn Durald Arkapaw, ASC and 1st AC Ethan McDonald join moderator already in motion.
Christian Anton (IMAX) for an in-depth conversation unpacking the bold visual language of Ryan
Coogler’s genre-bending vampire epic SINNERS. Durald Arkapaw made history as the first female
cinematographer to shoot in 5-perf and 15-perf IMAX 65mm, pushing the boundaries of large-format
storytelling in a groundbreaking fusion with Ultra Panavision 70. This panel will include a detailed
breakdown of select scenes revealing how bespoke lenses, hybrid formats, and creative risk-taking
shaped the film’s hauntingly stunning aesthetic and technical ambition. Moderator: Christian Anton,
Social Creative Director of IMAX Panelists: Autumn Durald Arkapaw, ASC, Ethan McDonald, 1st AC

www.cinegearexpo.com www.cinegearexpo.com
 EXHIBITOR DIRECTORY A-C
A.C. Americas (USA) Inc. - Booth S3015 ANA - Booth 002 Atlas Lens Co. - Booth S3067 Blackmagic Design - Booth S3099
565 Orwell Street 1740 Raiders way 6933 San Fernando Rd. 2875 Bayview Dr
Mississauga, Ontario L5A 2W4 Henderson, Nevada 89052 Glendale, California 91201 Fremont , California 94538
Canada United States United States United States
aclighting.com anacorp.com Atlaslensco.com blackmagicdesign.com

ABS Payroll - Booth S3084 Antari Lighting & Effects Usa - Booth 608 AutoDCP - Booth S3039-7 Blackout Lighting Console - Booth S3055
7530 N Glenoaks Blvd. Ste 100 1247 Enterprise Court 710 S Myrtle Ave #233 17 Birch Dr.
Burbank, California 91504 Corona, California 92882 Monrovia , California 91016 Nanuet, New York 10954
United States United States United States United States
abspayroll.com Antari.com autodcp.com blackout-app.com

Blkbrd LLC - Booth 202

ACT Entertainment / AC Power Distribution - Booth Anton Bauer - Booth 822 Avenger Grip - Booth S3014 3607 W Pacific Ave
S3061 8 Mason Resolution Road Burbank, California 91505
250 S. Flower St. Irvine, CA 92618 Ashby De La Zouch United States
Burbank, California 91502 United States Leicestershire LE65 1DW Blkbrd.film
United States United Kingdom
actentertainment.com manfrotto.com
Aputure - Booth S3219 Bosma Usa Inc. - Booth 087
634 W Broadway 195 Contractors St.
Act Local - Booth S3039-6 Glendale, California 91204 Awesome Pixels GmbH & Co. KG - Booth S3005 Livermore, California 94551
710 S Myrtle Ave United States United States
Monrovia, California 91016 aputure.com bosmausa.com
United States Backstage Equipment - Booth 027
actlocalfest.org 1015 N Hollywood Way
Archi Enterprises Inc. - Booth S3051 Burbank , California 91505 British Cinematographer - Booth S3001-2
111 - 998 Harbourside Drive United States Premier House
Aldn Co., Ltd - Booth S3202 North Vancouver British Columbia V7P 3T2 backstageweb.com 13 St Pauls Square
A-132, 218 Hyangdong-ro, Deogyang-gu Canada Birmingham West Midlands B3 1RB
Goyang-si, Gyeonggi-do axionsupports.com United Kingdom
Korea 10545 Band Pro Film And Digital and 16x9 Inc - Booth 031 britishcinematographer.co.uk
South Korea 3403 W Pacific Ave
aladdin-lights.com Arri - Booth S3249 Burbank , California 91505
3700 Vanowen St United States California Film Commission - Booth S3207
Burbank , California 91505 bandpro.com 7080 Hollywood Blvd. Suite 900
All Set On Set - Booth S3203 United States Hollywood, California 90211
9733 Russian Hill St arri.com United States
Las Vegas, Nevada 89141 bebob factory GmbH - Booth S3005 film.ca.gov
United States
emp10.com ASC-American Cinematographer - Booth 935
1782 N Orange Drive Bit Part Llc - Booth 045 Calzone Anvil Cases - Booth 702
Hollywood, California 90028 224 W 35th St 1242 E. Edna Pl
Alliance Of Women Directors - Booth S3039-1 United States Suite 500 Pmb 497 Covina, California 91724
United States theasc.com New York, New York 10001 United States
allianceofwomendirectors.org United States calzoneanvil.com
bitpart.com
Astera Distribution Limited - Booth S3063
Room 1120, Landmark North 39 Lung Sum Avenue Camadeus Film Technologies - Booth 061
Sheung Shui, N.t. Black Mule Inc - Booth 106
Hong Kong 513 San Luis Rey Road
astera-led.com Arcadia, California 91007
United States
Black-mule.com

www.cinegearexpo.com www.cinegearexpo.com
 EXHIBITOR DIRECTORY C-F
Canon USA - Booth 963 Cineo Lighting - Booth S3244 Creative Handbook - Booth S3001-3 Diode Led Scenic - Booth S3206
1 Canon Park 3225 N Nevada Street 17631 Ventura Blvd. Suite 320 885 Trademark Dr Suite 200
Melville, New York 11747 Chandler, Arizona 85225 Encino, California 91335 Reno, Nevada 89521
United States United States United States United States
usa.canon.com cineolighting.com creativehandbook.com diodeled.com/scenic

Canvas Grip Inc - Booth 082 Cinetica - Booth 717 Creative Solutions - Booth 822 Drivingplates.com - Booth 085
15801 Stagg St Dachauer Strasse 195 8 Mason 15307 159th Ln SE
Van Nuys, California 91406 Munich Bayern 80637 Irvine, California 92618 Yelm, Washington 98597
United States Germany United States United States
canvasgrip.com cinetica.org cs.inc drivingplates.com

Carl Zeiss Sbe, Llc - Booth 938 Cintegral - Booth 023 Custom Sync Slates - S3252 DZOFILM - Booth 014
1 N Broadway 5625 Radford Ave P.O. Box 424 6f., Building One, Xinwuxia Industrial Park, No.32,
White Plains, New York 10601 Los Angeles, California 91607 Star, ID 83669 Cuibao Rd., Baolong St., Longgang Dist. Shenzhen
United States United States United States ShenZhen
zeiss.com/cine cintegral.tech customsyncslates.com China 518116 ��
dzofilm.com

Cartoni Usa - Booth 602 cmotion GmbH - Booth 061 DADCO, LLC. - Booth S3052
10663 Burbank Blvd 28300 Constellation Rd Environmental Lights / City Theatrical - Booth S3211
North Hollywood, California 91601 Valencia , California 91355 11235 W Bernardo Ct Suite 102
United States Conscious Integrations - Booth S3251 United States San Diego, California 92127
cartoni.com Chatsworth, California 91311 dadco.io United States
United States Environmentallights.com
Conscious-integrations.com
Chapman/ Leonard Studio Equipment - Booth 816 Dedolight California, Inc - Booth S3212
12950 Raymer St. 130 E Prospect Ave. Etc - S3077
N. Hollywood, California 91605 Contract Services - Booth S3033 Burbank, California 91502 3031 Pleasant View Rd
United States 2710 Winona Avenue United States Middleton, Wisconsin 53562
Chapman-Leonard.com Burbank, California 91504 dedolightcalifornia.com United States
United States etcconnect.com
csatf.org
Checkers Safety - Booth S3073 Bavarian Pavilion c/o Bayern International GmbH -
620 Compton St Booth 062, 061, S3005 Fiilex - Booth S3037
Broomfield, Colorado 80020 Cooke Optics - Booth 102 Rosenheimer Str. 143C 1689 Regatta Blvd
United States 4131 Vanowen Pl. 81671 Munich Richmond, California 94804
checkers.justrite.com Burbank, CA 91505 Germany United States
United States bayern-international.de fiilex.com
Cookeoptics.com
Chimera Lighting - Booth 712
1067 Telleen Ave. DeHaven Camera - Booth 048 Film And Digital Times - Booth S3039-3
Erie, CO 80516 USA Core SWX - Booth 729 5162 West Jefferson Blvd 500 E 83rd St.
+1-303-444-8000 91 Commercial St. Los Angeles, California 90016 New York, New York 10028
chimeralighting.com Plainview, New York 11803 United States United States
United States dehavencamera.com fdtimes.com
coreswx.com
Chrosziel GmbH - Booth S3005
DFI Rentals - Booth 309 Filmotechnic - Booth 739
3610 S San Pedro St 17500 S Denver Ave
Los Angeles, California 90011 Gardena, California 90248
United States United States
dfirentals.com filmotechnic.la

www.cinegearexpo.com www.cinegearexpo.com
 EXHIBITOR DIRECTORY F-J
Filmtools - Booth 039 Gentree - Booth 912 Hammer Camera Cranes - Booth 073 Industrial Metal Supply Co - Booth 017
1400 W Burbank Blvd, # 655 Bucheon Techno-Park 403-803 440 E. Easy St. Unit 3 8300 San Fernando Rd
Burbank, CA 91506 Pyeongcheon-ro Bucheon-Si Gyeonggi-do 14502 Simi Valley, California 93065 Sun Valley, California 91352
United States South Korea United States United States
filmtools.com gentree.co.kr Hammercameracranes.com industrialmetalsupply.com

First Entertainment Credit Union - Booth 103 GFM - Grip Factory Munich - Booth 707 Hawk-woods - Booth 921 Inner Circle Distribution - Booth S3075
6735 Forest Lawn Drive Fuerholzener Strasse 1 Hawk-woods Fairwood In Est Unit 8, Fairwood 3300 Davie Road Suite 105
Hollywood, California 90068 Eching Bayern 85386 Ashford TN23 4FB Davie, Florida 33314
United States Germany United Kingdom United States
firstent.org gripfactory.com hawkwoods.co.uk icd-usa.com

Flanders Scientific, Inc. - Booth S3043 GL Optics - Booth 733 Hollyland Technology - Booth 510 Insta360 - Booth 010
6215 Shiloh Crossing Suite G 2 of 21 Building, 1111 of Chang Sheng Qiao Rd, Hong 4 Executive Cir #120 2323 Main St Unit 16
Alpharetta, Georgia 30005 Guang, Pi Du district, LIAN DONG U GU CHENG DU, Si Irvine, CA 92614 Irvine, California 92614
United States chuan, China 611743 United States United States
flandersscientific.com glopticsusa.com hollyland.com Insta360.com

FoMa Systems GmbH - Booth 062 Go On Top - Booth 301 Hot Rod Cameras - Booth S3097 Intellievent - Booth 522
Oskar-Sembach-Ring 11 Lauf Bavaria 15316 Vanowen St 722 N Mariposa St 560 Fremont St.
Germany 91207 Van Nuys, California 91406 Burbank, California 91506 Monterey, California 93940
foma-systems.com United States United States United States
GoOnTop.com hotrodcameras.com Intellievent.com

Fox Studio Lot - Booth 808

10201 West Pico Boulevard, Los GODOX Photo Equipment CO., Ltd. - Booth S3091 IB/E Sales - Booth 062 Ironglass Inc - Booth 105
Los Angeles, California 90064 4th Floor of Building 1, 1st to 4th Floor of Building 2, 4th 4366 Auburn Blvd 113
United States Floor of Building 3,1st to 4th Floor of Building 4, Sacramento, California 95841
foxstudiolot.com Yaochuan Industrial Zone, Tangwei Community, Fuhai ICG Magazine/IATSE Local 600 - Booth S3039-4 United States
Street Bao’an District Shenzhen 518103 7755 Sunset Blvd ironglassadapters.com
China Hollywood, California 90046
Fujifilm North America Corporation - Booth 032 godox.com United States
200 Summit Lake Dr icgmagazine.com J.L. Fisher, Inc - Booth 701
Valhalla, New York 10595 1000 W. Isabel St
United States GPI PRO Systems/Apex Cinema Gear - Booth 212 Burbank, California 91506
fujinon.com 721 S. Glasgow Avenue Ste. A Ignite Digi - Booth 607 United States
Inglewood, CA 90301 114 Grove Rd. jlfisher.com
United States Glenorchy TAS 7010
GECKO-CAM GmbH - Booth 062 gpiprosystems.com Australia
ignitedigi.com.au Jiade Energy Technologyzhuhaico., Ltd. - Booth 526
Jiade Technology Industrial Park #9 The 7th Dingwan
Geareach (Hong Kong) Company Limited / LAOWA - Gyro Stabilized Systems - Booth 321 Road Sanzao Town, Jinwan District,
Booth 532 400 Crown Point Circle Indipro Tools Corp - Booth 205 Zhuhai City, Guangdong Province, 519040 China
3/f, Pylon Tower,, 12-16 Fui Yiu Kok St, Grass Valley, California 95945 159 New Hyde Park Road blbattery.com
Hong Kong United States Franklin Square, New York 11010
laowacine.com/ gyrostabilizedsystems.com United States
indiprotools.com Jian Cheng Technology Inc. - Booth S3201
1016 S Lawson St Suite B
City Of Industry, California 91748
United States
gvmled.com

www.cinegearexpo.com www.cinegearexpo.com
 EXHIBITOR DIRECTORY J-O
Jungle Power - Booth 331 LEE Filters USA - Booth 506 Lux Angeles Studios - Booth S3208 MyCaseBuilder - Booth S3083
C2 2a Westall Road 2237 N Hollywood Way 1377 N Serrano Ave 510 E. 31st St.
Springvale VIC 3171 Burbank, California 91505 Los Angeles, California 90027 Paterson, New Jersey 07504
Australia United States United States United States
jungle-power.co leefiltersusa.com luxangelesstudios.com mycasebuilder.com

Kinefinity Inc. - Booth 203 Leica Geosystems - Booth 704 Manfrotto - Booth S3014 Nanlux/Nanlite - Booth S3009
Rm 1-6, Bldg #1, Enji West Park, No.1, Fuwailiangjiadian, 5700 Wilshire Boulevard # 650 Dongli Section, Highway 324, Chenghai
Haidian District Beijing 100142 Los Angeles, California 90036 Shantou Guangdong 515829
China United States Martini - Booth S3253 China
kinefinity.com Entertainment.leica-geosystems.com 4216 Ventura Canyon Ave nanlux.com
Sherman Oaks, California 91423
United States
Kino Flo - Booth S3243 Leitz Cine Gmbh - 538 trymartini.com Nauticam - Booth 044
2840 North Hollywood Way Am Leitz-park 2 Wetzlar Hesse 35578 2303 N. Andrews Ave
Burbank, California 91505 Germany Fort Lauderdale, Florida 33311
United States leitz-cine.com Matthews Studio Equipment - Booth 712 United States
chauvetlighting.com 4520 W Valerio St nauticam.com
Burbank, California 91505
Kipon LLC - Booth 025 Light Widow LLC - Booth 12 United States
21287 Se 42nd Ln 50633 Highway 6 msegrip.com NEBTEK - Booth 051
Issaquah, Washington 98029 Glenwood Springs, CO 81601 3007 South West Temple Suite K
United States United States Salt Lake City, Utah 84115
kipon.com lightwidow.com Metal Toys - Booth 608 United States
98 Hagimachi Nijusseikigaoka nebtek.com
Matsudo Chiba 2710086
Kondor Blue LLC - Booth S3057 Lightstar - Booth 089 Japan
2070 S Lynx Place 2f A Zone, Building 12, No. 12, 5th Kechuang East Road Netflix - Booth 1019
Ontario, California 91761 Beijing Economic-technological Development Area 5808 W. Sunset Blvd., 11th Floor
United States Beijing Beijing 100023 Mid49 - Booth 042 Los Angeles, California 90028
Kondorblue.com China 1205 Castle Street Suite 100 United States
en.lightstar.net.cn Dallas, Texas 75208
United States
Koto Electric North America, Inc. - Booth S3041 mid49.com Nisi Filters Usa Inc - Booth 945
7401 Laurel Canyon Boulevard, Unit 29 Lindsey Optics L.L.C. - Booth S3035 12304 Santa Monica Blvd Ste 200
North Hollywood, California 91605 104 E Ave K4, Suite K Los Angeles, California 90025
United States Lancaster, California 93535 Miller Tripods - Booth 613 United States
koto-usa.com United States 13603 Ne 109th Way Nisiopticsusa.com
lindseyoptics.com Vancouver, Washington 98682
United States
Krane Carts - Booth 401 millertripods.com NODO Film Systems - Booth 607
37359 Industry Way Lite Gear - Booth S3243
Murrieta, California 92563
United States MRMC - Booth 007 OConnor - Booth 822
kranecarts.com Litepanels- Booth S3013 8 Mason
Irvine, CA, 92618
Mutiny - Booth 050 United States
LANY411 Llc - Booth S3039-8 Lotus Q Inc. - Booth 092 25 Harvey Road Unit 2 ocon.com
1806 Hammerlin Avenue 4742 N 24th Street Ste 358 Phoenix Bedford, New Hampshire 03110
Winter Park, Florida 32789 AZ 85016 United States
United States United States mutiny.store On Set Headsets - Booth 047
lany411.com lotusqinc.com 1771 Robson St
Vancouver British Columbia V6G 1C9
Canada
onsetheadsets.com
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 EXHIBITOR DIRECTORY O-S
Optica Magnus - Booth S3221 Preston Cinema Systems, Inc. - Booth 063 Riedel Communications Inc - Booth S3053 Saniset Fleet - Booth 1011
145 S Glenoaks Blvd., PMB 2017 1659 11th Street, Suite 100 25702 Rye Canyon Road Unit A 1149 North Gower Street #203-2
Burbank, CA 91502 Santa Monica, California 90404 Santa Clarita, California 91355 Hollywood, California 90038
United States United States United States United States
opticamagnus.com prestoncinema.com riedel.net/en sanisetfleet.com

OSRAM - Booth 076 ProductionHUB - Booth S3039-9 RIEGL USA - Booth S3044 Schneider Optics - Booth 013
129 Portsmouth Ave 1806 Hammerlin Avenue 14707 W Colonial Dr 5990 Sepulveda Boulevard, Suite 420
Exeter, New Hampshire 03833 Winter Park, Florida 32789 Winter Garden, Florida 34787 Van Nuys, California 91411
United States United States United States United States
Osram.us/entertainment productionhub.com rieglusa.com schneiderkreuznach.com

P + S Technik Cine Optics GmbH - Booth 062 Profoto - Booth S3217 RIZON Truck USA - Booth 204 Scriptation - Booth 731
Landsvägen 57 2429 S. Peck Road 23823 Malibu Road Suite 50-281
Sundbyberg Stockholm 17265 Whittier, California 90601 Malibu, California 90265
Panther GmbH - Booth 061 Sweden United States United States
profoto.com rizontruck.com Scriptation.com

Panyan - Booth 015

4 / F, No.13 Jinsheng Street, Pingnan Industrial Zone, ProGrade Digital - Booth 046 ROBOCUP - Booth 043 Second Reef GmbH - Booth 062
Sanxiang Township Zhongshan Ca 90292 6862 Santa Teresa Blvd 8181 Catalpa Ave
China San Jose, California 95119 California City, California 93505
panyanfilm.com United States United States SERVICEVISION BIS SL - Booth 721
progradedigital.com TheRoboCup.com RIOS ROSAS 20
CORNELLA DE LLOBREGAT
Patona International S.L.U. - Booth S3205 Barcelona 08940
Untere Giesswiesen 17 QNAP Inc. - Booth 201 Ronford Baker Engineering Co Ltd - Booth 018 Spain
Hilzingen Baden-Württemberg 78247 168 University Pkwy Unit 5 Kingley Park servicevision.es
Germany Pomona California 91768 Kings Langley Herts WD4 8GW
patona.com United States United Kingdom
qnap.com ronfordbaker.co.uk SGPS/ShowRig - Booth S3259
2855 Coleman St,
Pelican Products Inc - Booth 540 North Las Vegas, Nevada 91423
23215 Early Avenue RED / ASCEND Specialty Camera - Booth 051 Rst Visions In Color - Booth S3095 United States
Torrance, California 90505 1130 Fayetteville Road Southeast 8655 Tamarack Avenue sgpsshowrig.com
United States Atlanta, Georgia 30316 Los Angeles, California 91352
pelican.com United States United States
ascendspecialtycamera.com rstvisions.com Shenzhen 7artisans Photoelectric Technology Co., Ltd.
- Booth 604 601-602 ChuangYi Building, Minle Industrial
Pomfort GmbH - Booth S3005 Park shenzhen Guangdong 518131 China
RED Digital Cinema - Booth 060 Rupixels, Inc. - Booth S3241 7artisans.com
94 Icon 4787 San Feliciano Dr
Power Gems - Booth S3257 Foothill Ranch, CA 92610 Woodland Hills, California 91364
26320 Diamond Pl., Suite 180 United States United States Shenzhen Bestview Electronic Co. Ltd. - Booth 019
Santa Clarita, California 91350 red.com/ Rupixels.com 5f, Building 24, Longbi Industry Area, Bantian Town,
powergems.com Longgang District, Shenzhen
Shenzhen Guangdong 518129
Rental Tracker Inc. - Booth 502 Samys Cinema/Samys Camera - Booth 101 China
12481 Tejas Court 431 S Fairfax Ave desview.com
Rancho Cucamonga, California 91739 Los Angeles, Califronia 90048
United States United States
rentaltracker.com samys.com

www.cinegearexpo.com www.cinegearexpo.com
 EXHIBITOR DIRECTORY S-V
ShotDeck - Booth S3045 Sony Electronics Inc. - Booth S3509 Technocrane S.r.o. - Booth 053 TMB - Booth S3223
13428 Maxella Ave #251 16535 Via Esprillo Podnikatelska 19 Pilsen 30100 527 Park Avenue
Marina Del Rey, California 90292 San Diego, California 92127 Czech Republic San Fernando, California 91340
United States United States supertechno.com United States
shotdeck.com sony.com Tmb.com

Telescoping Camera Cranes, Inc - Booth 913

Sigma Corporation - Booth 518 Steadygum Sl - Booth 108 7056 De Celis Pl Tokina Cinema USA - Booth 319
15 Fleetwood Ct. 19, Londres St Van Nuys, California 91406 5912 Bolsa Ave Suite 202
Ronkonkoma, New York 11779 San Juan de Aznalfarache Sevilla 41920 United States Huntington Beach, California 92649
United States Spain Tccranes.com United States
sigmaphoto.com steadygum.com Tokinacinemausa.com

Teradek - Booth 822

Sirui Usa Llc - Booth 931 Strada - Booth S3011 8 Mason Trp Worldwide - Booth S3255
20 Commerce Court 4400 W. Riverside Drive Ste. 110-429 Irvine, CA 92618 710 Jessie Street
Verona, New Jersey 07044 Burbank, California 91505 United States San Fernando, CA 91340
United States United States United States
sirui.com strada.tech trpworldwide.com
The Los Angeles Film School - Booth 620
6353 Sunset
Sisu Cinema Robotics - Booth 740 Studio Carts - Booth 078 Hollywood, California 90028 True Lens Services Ltd - Booth 516
2120 W Braker Lane Ste P 11274 Goss. St. United States Glass House, Dawsons lane
Austin, Texas 78758 Sun Valley, California 91352 lafilm.edu Barwell Select LE9 8BE
United States United States United Kingdom
sisucinemarobotics.com studiocarts.com truelens.co.uk/
The Tiffen Company - Booth 024
90 Oser Avenue
SmallHD - Booth 822 Stype Norway AS - Booth 927 Hauppauge, New York 11788 Ugreen - Booth 542
8 Mason Gardermovegen 89 Nannestad 2030 United States 10900 NE 8th St, STE 610
Irvine, CA, 92618 Norway Tiffen.com Bellevue , Washington 98004
United States stype.tv United States
nas.ugreen.com
Third Law Productions, Llc - Booth
Smallrig Technology (hk) Limited - Booth 004 Sumolight - Booth S3225 1732 Victory Blvd
35th Floor, Building A, Hongrongyuan North Station Colditzstrasse 33 Glendale, California 91201 V35 Project - Booth 040
Center, Shenzhen, Guangdong Province, China Berlin Germany 12099 United States 9552 6th Ave NW
Shenzhen Guangdong 518000 Germany platepros.com Seattle, Washington 98117
China sumolight.com United States
smallrig.com v35project.com
Tilta Inc. - Booth 959
Sunbelt Rentals Film & TV - Booth 917 1901 W Magnolia Blvd
SmartSystem Srl - Booth 706 1799 Innovation Point Burbank, California 91506 Viltrox.inc - Booth S3054
Via del Commercio, 22f Fano (PU) Fort Mill, South Carolina 29715 United States 8601 Dunwoody place Ste 336
61032 Italy United States tilta.com Sandy Springs, Georgia 30350
smartsystem.com sunbeltrentals.com United states
viltrox.com
TK Lenses - Booth 071
SMPTE - Booth S3039-6 Swisson - Booth S3086 5/2 Sawatdikan 2 Soi 6
2419 East Harbor Blvd Suite #34 Bangkok Nongkham 10160 Vocas Products - Booth 086
Ventura, California 93001 Thailand Larenseweg
United States tklenses.com 121 Hilversum
swisson.com North Holland 1221CL
Nederland
vocas.com

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 EXHIBITOR DIRECTORY W-Z SPONSORS
Wave Central - Booth 524
99 Garden Parkway Dr. Suite C GOLD
Carlisle, Pennsylvania 17013
United States LONDON SQUARE INDUSTRY PARTNERS
wavecentralrf.com
MEET-UPS
Meet fellow creatives to exchange ideas, share
Western Digital - Booth 404 insights, and explore today’s most relevant topics.
5601 Great Oaks Pkwy
San Jose, California 91103 11:00am Women Creators

United States 12:00pm Gaffers & Grips

wdc.com
1:00pm VFX & Virtual Production

2:00pm Post-Production

Women In Media - Booth S3001-1 3:00pm Sustainability in Production

womennmedia.com
4:00pm Emerging Filmmakers

Local 600
International Cinematographers Guild

Wooden Camera - Booth 822

8 Mason
Irvine, CA, 92618
United States
SILVER
Xelmus - Booth S3017
S. Timoshenko 2a
Kharkiv Kharkivska 61124
Ukraine MEDIA PARTNERS
xelmus.com

XHL Systems LLC - Booth S3074

5900 Balcones Dr, Ste 100
BRONZE
4 GLOBES
Austin, Texas 78731 2 COLOR TEMPS
United States 1 LIGHT
xh-light.com

ICG
MAGAZINE
YaegerPro MYCG - Booth 049
1526 W Industrial Park Dr HYBRID
Covina, California 91722
United States SUPPORTING
Yaegerpro.com

Zero Optik - Booth 939

Glendale, California 91204
United States
zerooptik.com
TUNGSTEN DAYLIGHT

POWER BEAMS
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