FLOWERING OF THE RENAISSANCE                  089
CONTEXT                                                                                                          A powerful dynasty
                                                                                                                         1434 Cosimo de’ Medici returns from
Florence and the Medici                                                                                                  exile in Venice and assumes power in
                                                                                                                         Florence. He funds many public building
                                                                                                                         projects in Florence, earning him the title
                                                                                                                         pater patriae (father of his country).
Often called “the cradle of the Renaissance”,       scholar, and collector of antiquities, he
                                                                                                                         1444 Having amassed a fortune as a
the city of Florence was home to many of the        maintained relative political stability and
                                                                                                                         condottiere (mercenary commander),
innovations and cultural achievements of the        patronized major artists.                                            Federico da Montefeltro becomes Duke
15th century. Despite the plagues of the               Science and art came together in one of the                       of Urbino, establishing a cultured “ideal
mid-14th century, which had devastated its          lasting legacies of the Renaissance – perspective.                   city” that attracts scholars and artists
population, Florence was the most prosperous        A mathematical system for representing three-                        including Alberti and Piero della Francesca.
city in Italy, with its own gold currency, the      dimensional space on a flat surface, linear                           1469 Lorenzo de’ Medici assumes
florin. Developments in architecture, science,       perspective was developed by the Florentine                          power in Florence. He rules until his
art, philosophy, and literature thrived there as    architect Filippo Brunelleschi and fellow-architect                  death in 1492, when his son Piero
                                                                                                                         succeeds him.
politicians, architects, artists, and scholars      and writer Leon Battista Alberti. While
exchanged and explored ideas.                       mathematics was the basis of linear perspective,                     1494 French troops under Charles VIII
  Although technically a republic, 15th-century     it also underpinned the ideal of beauty that                         invade Italy, beginning a period of warfare
Florence was dominated by a single family –         found expression in quattrocento painting. The                       that lasts until 1559. The Medici are
                                                                                                                         expelled from Florence.
the Medici, who were great patrons of classical     ancient idea of “divine proportion” was revived
learning and the arts. A wealthy family of          at this time, and mathematical ratios (based on                      1498 The influential preacher Girolamo
bankers and merchants, they gained power            the human body) were used to create architecture                     Savonarola, an outspoken critic of the
                                                                                                                         Medici and of Church corruption, is
through political astuteness rather than force.     and paintings with harmonious proportions that                       executed in Florence for heresy.
They ousted rival ruling families the Albizzi and   were thought to echo the God-given geometry
                                                                                                           KEY EVENTS
                                                                                                                         Savonarola’s preaching about the
the Strozzi in 1434 and remained in power until     of the universe. Quattrocento artists, including                     role of art influenced many artists
exiled in 1494, later returning to power in 1512.   Paolo Uccello and Piero della Francesca, were                        including Botticelli, Fra Bartolommeo,
Lorenzo de’ Medici, known as Lorenzo the            fascinated by mathematical perspective, and                          and Michelangelo.
Magnificent (1449–92), played a pivotal role         Piero wrote treatises on both perspective
in Renaissance Florence: diplomat, poet,            and the science of optics.
                                                                                                                         THE MOST GLORIOUS
                                                                                                                         CITY, RENOWNED
                                                                                                                         FOR ITS WEALTH,
                                                                                                                         VICTORIES, ARTS
                                                                                                                         AND ARCHITECTURE,
                                                                                                                         ENJOYED SALUBRITY
                                                                                                                         AND PEACE
                                                                                                                         Unknown
                                                                                                                         Description of Florence, inscribed on a fresco
                                                                                                                         by Domenico Ghirlandaio
                                                                                                          Quattrocento Florence
                                                                                                          This bird’s-eye view shows Florence dominated by
                                                                                                          the huge Cathedral dome designed by Brunelleschi.
                                                                                                          Alberti wrote that it was “a structure so immense ...
                                                                                                          that it covers all Tuscans with its shadow”.