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Rajesh Hamal Edit

The document presents a narrative set in a late 90s village in Nepal, focusing on Shankar Joshi and his daughter Jwala as they await a letter from the famous actor Rajesh Hamal, which symbolizes hope for Jwala's recovery of her voice. As the story unfolds, Jwala navigates her daily life, her relationship with her mother Chandika, and her interactions with the mysterious Bichari, who is creating scarecrows. The themes of aspiration, family dynamics, and the influence of cinema are woven throughout the scenes.

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0% found this document useful (0 votes)
39 views29 pages

Rajesh Hamal Edit

The document presents a narrative set in a late 90s village in Nepal, focusing on Shankar Joshi and his daughter Jwala as they await a letter from the famous actor Rajesh Hamal, which symbolizes hope for Jwala's recovery of her voice. As the story unfolds, Jwala navigates her daily life, her relationship with her mother Chandika, and her interactions with the mysterious Bichari, who is creating scarecrows. The themes of aspiration, family dynamics, and the influence of cinema are woven throughout the scenes.

Uploaded by

aashmaneupane998
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd
You are on page 1/ 29

1. Ext.

A Tree with a Shade – Day

It’s a village from the Far West of the late 90s in Nepal. The graveled
road is not busy at all, it's quiet, and we see something moving, it’s a
rickshaw, leg peddled one. A voice fades in.

SHANKAR
When you were too young,
I took your mother to a cinema hall for the first time to watch Rajesh
Hamal’s Movie.
She admired me and said I resemble the hero’s character in her real
life.
That’s when I realized every one of us has a hidden hero within
ourselves.

SHANKAR JOSHI, 40, and his daughter, JWALA JOSHI, 11, with Thai
cut hair, arein shades of a tree, where Shankar is narrating the story.
Shankar has a closed envelope in his hand. The Rickshaw stops nearby
and the Rickshaw driver starts peeing in a bush. There is a poster for a
new movie on each side of the rickshaw where we can see the
superstar, Rajesh Hamal. Shankar points towards the Rickshaw.

SHANKAR
The man in the poster is Mr. Rajesh Hamal
If you had a voice, it would be as powerful as his.
(Pointing an envelope)
The day Mr. Rajesh Hamal reply this letter,
I will assume you got your voice back.

Jwala is excited. Shankar smiles at Jwala. Jwala stares at the poster of


Rajesh Hamal. After a while, we can hear CHANDIKA JOSHI, 35,
Shankar’s wife, shouting at them.

CHANDIKA (O.S)
I got two works done,
What made you guys longing here for this long?

Chandika appears on the screen. Shankar Replies.

SHANKAR
Bauwa isn’t in the post office,
We will be back once he is here.
Chandika goes towards the house. The Rickshaw Puller pulls the
Rickshaw out. Shankar and Jwala are in the shade waiting for Bauwa to
arrive.

TITLE: MA RAJESH HAMAL

2. INT. JWALA’S HOUSE – MORNING

The Disturbing sound of a crow. In a shadow, someone is doing some


artwork. It’s JWALA, 23, who is sketching something in her hand. She is
lost in her own world. Jwala has now grown up, a long hair girl.
Chandika seems furious. She shouts out loud.

Chandika (O.S)
It’s been three days since I asked BICHARI to bring the scarecrow,
He didn’t show up yet. Can you go visit him today?

Jwala looks out from the window. Chandika continues.

Chandika
Jwala, I am talking to you!

Jwala exits the room. Chandika is working in a field full of mazes,


somehow damaged by the monkeys or other wild animals. Jwala is
there.

Chandika
Bring the rope!
It’s in my room.

Jwala goes to Chandika’s room and scans all around, finding a rope but
Jwala’s eyes stop at a door that led to another room that looks closed
for years. She stares at the door. Chandika speaks!

Chandika (O.S)
Where are you lost now?

Jwala rushes out with a rope in her hand.

3. Ext. Jwala’s House – Day

Jwala passes the rope to Chandika. Chandika ties the damaged maze’s
plant to the rope. Jwala is standing still. Chandika looks at Jwala.

Chandika
What are you waiting for?
Go visit Bichari’s place and ask him to bring the scarecrows!

Jwala stands still awkwardly there. Chandika continues!

Chandika
Didn’t you listen?

Jwala slowly walks out. She is feeling uncomfortable going.

4. Ext. Bichari’s Cottage – Day

Jwala is taking her step slowly. She is scared to go. After walking for a
while, she sees the cottage and stops. She is in a dilemma if she shall
go.

The cottage is in the middle of the field. It’s the only house there.
There are few female scarecrows and in the middle of the scarecrow,
there is Bichari, who looks mysterious, a bald hair, a messy, oversized
dressed up, eyeliner in the eyes. His hands are full of colors; mixed.
Bichari sees Jwala, standing still near his cottage. Jwala is scared. Jwala
tries to communicate in her sign language from the distance itself.

JWALA
When will the scarecrow get ready?

Bichari finds it hard to understand. He assumes and points out to the


scarecrows.

BICHARI
Scarecrows in your field?

Jwala nods in agreement. Bichari continues.

BICHARI
It will take some more time to finish!
I will get it installed in the evening!

Jwala looks at the scarecrows around.

BICHARI
Get going now!

Jwala rushes out of the place. Bichari picks one of the heads from the
ground and gets into his cottage. There is one scarecrow getting ready.
He installs the head in that scarecrow and takes a few steps back.
Bichari is blushing at the scarecrow.

BICHARI
I have made you the most beautiful woman in the world.

Bichari waits a moment and continues to talk.

BICHARI
Are you mad at me?
Common, Please Talk to me.

He pauses for a moment.

BICHARI
I got you!
You probably want a name before you start talking!
I will find the most beautiful name in the world for you!

Bichari slowly walks toward a bed near the scarecrow, picks up the
packet of his Ganja, fills it up, and starts puffing.

5. Ext. Road – Day

It’s a highway, covered by the jungle all around. A truck is passing by.
HANSHA UPRETI, 30, is driving the truck. The truck is decorated with
Rajesh Hamal’s photos all around. A man is writing the accounts.
Hansa is enjoying the music from Hamal’s film yet speaking to the man
writing accounts.

HANSHA
Tire—20, Gear Box Problem, Break Pump, Clause Plate, Noodles.
I think it's enough.

The man completes the account and hands it over to Hansha.

The MAN
It's 600 In total.

Hansa looks at the account and keeps it aside. The Man is bored with
the music. He has his own cassette; He pulls out Hansha’s Cassette
and tries to play his. Hansa restrictsthe man to play the music.

HANSHA
Stop that Hindi Music.
The man stops the music and replays Hansha’s Cassette. The Man is
looking around at the photos.

The Man
Who is the guy in the poster?

Hansha Suddenly stops the Truck. Looks at the man furiously.

HANSHA
Get off the truck!

The man is surprised.

The Man
What happened?

Hansha pushes the man out of his truck.

HANSHA
This truck is not for those who don’t even know Rajesh Hamal.

The man is still in shock. Hansha closes the door and heads away alone
enjoying the music.

6. Ext. Under Construction Temple – Day

It’s an under-construction temple in the middle of the jungle. Jwala


along with BHUNTE,9, BIRKHE,8, and other kids are playing nearby.
KUMAR CHAUDHARY, 26, is cycling. Bhunte tries to catch up with the
speed of the cycle to get on but Kumar denies it.

KUMAR
Get lost

Bhunte tries to disobey Kumar and struggles to get on.

KUMAR
I have already warned you!
Mind it!

Bhunte gets upset and stands by the road. Kumar looks at the other
kid.

KUMAR
I am off to the market to get new films,
Please do come to watch!
Kumar takes a turn to go.

BHUNTE
bring the one with a nice heroine.

Kumar ignores him and speeds up the cycle.

7. Ext. Road – Day

It’s an empty road, Kumar’s cycle is parked on a side. The truck shows
up and stops by the cycle. The cycle is blocking Hansha’s way. Hansha
looks around and blows the horn out. Kumar is cleaning his hand and
feet in the field. Hansha Blows the horn again. Kumar looks back to the
truck, ignores it, and starts washing his face. Hansha Blows the horn
again. Kumar crosses the bridge to get near the truck. Hansha blows
the horn harder when he sees Kumar. Kumar doesn’t pace up his
speed. Hansha is getting irritated. Kumar approaches his cycle and
makes way for the truck. Hansha moves out murmuring at Kumar.

8. Ext.Int. Under construction Temple – Day

Each kid is either getting support from the wall or sitting in the corner
of the room. Everyone is standing and singing. MAYA, 7, is dancing in
the middle. Maya stops when the other stops singing.

MAYA
Now, it’s Bhunte.

Maya replaces Bhunte’s spot. Bhunte goes dancing. Everyone is


looking at Bhunte. They all look happy. Bhunte is ready to dance. Kids
start singing and clapping. Jwala is clapping. She tries to sing but
couldn’t. She focuses on the lips of the kids and tries to copy them.
Slowly the sound fades away. Jwala is in focus. Jwala gets emotional.
Bhunte disturbs.

BHUNTE
Now, It’s Jwala.

Jwala shudders. Bhunte replaces Jwala’s spot. Everyone starts singing


but Jwala stands still. Jwala is in the middle and is a bit shy. She is just
standing still. Birkhe speaks out.
BIRKHE
Why are you here If you don’t want to play?

Everyone starts singing once again. Jwala doesn’t dance. Kids are
getting bored. In the meantime, they listen to a truck blowing its horn.
Everyone except Jwala runs after the truck. Jwala is alone in the
temple.

9. Int. Jwala’s House – Day

Chandika is doing some makeup. She tries to fit the wig in her hair.
Jwala comes to the house andwatches Chandika’s activities from a
distance.

Chandika
Where were you lost?
Did you talk to Bichari?

Jwala nods in agreement. Chandika continues her makeup.

Chandika
None knows when will you get back once you go out!

Jwala looks Chandika for a while. Jwala shifts her eye to the slipper
being kept by the door outside the room. She slowly grabs the slipper
and hides them in the cowshed. Chandika gets out of the room and
starts searching for the slippers. She looks towards Jwala’s room.

Chandika
Did you hide it?

Jwala hides in the cowshed. Chandika is searching Jwala around.

Chandika
I am getting late. Return it now.

Jwala doesn’t respond. Chandika wears the old slippers and goes. Jwala
comes out once Chandika is gone. In the meantime, somewhere near a
piece of music is heard. Jwala rushes to her room and tries to dance to
the music.

10. Ext. Near to A CANAL – DAY

BIJAY, 43, is cycling. After a while, he stops by a huge tree. There is


Chandika on the other side of the tree. Bijay stands on the opposite
side.
CHANDIKA
Where do you get lost time and again?

BIJAY
I am working on the case same, The Army is being a burden

CHANDIKA
Are Maoist and Armed Police creating hurdles?
BIJAY
Why would they? Did you finalize Jwala’s matter?

CHANDIKA
I am going to meet some people tomorrow,
It would be easy for us to get married once she is done.
I am pleading the same to God.

Both of them get quiet for a moment. Bijay Speaks.

BIJAY
I am also trying my best; I only keep imagining us being together.

CHANDIKA
I am waiting for the same day, But I am afraid the villagers get to know
about us.

Bijay interrupts Chandika in the middle.

BIJAY
It’s You and Me,
I damn care about society.

Chandika smiles.

Chandika
We shall go visit Pokhara once we are married,
I really want to see Fewa Lake.

Bijay smiles too.

BIJAY
Do you know how to swim? Else you will get drowned!

CHANDIKA
Just imagine how beautiful it would be, you and me,
Enjoying the view of Fewa Lake and Mt. Fishtail while boating

BIJAY
You missed one thing

CHANDIKA
What?
BIJAY
The Romance

CHANDIKA
Stop the nonsense!

In the meantime, Chandika sees BAUWA coming the way, cycling. The
chain breaks down. Bauwa stops his cycle. He sees Chandika and Bijay.
Chandika runs away without even seeing Bijay. Bijay rushes out to this
cycle and moves. Bauwa tries to act as if he has seen nothing. Both
Bijay and Chandika are gone. Bauwa is busy with his broken cycle
chain.

11. Ext. Courtyard – Day

Bichari is walking in the middle of the paddy field and arrives at Jwala’s
courtyard. Bichari scans the courtyard for the perfect spot to install the
scarecrow. He sees Jwala taking a bath in the handpump. Bichari
ignores it and gets his job done. He looks towards the Jwala again.
Jwala is scrubbing her chest. We can see some sexual desire in
Bichari’s eye. He stars at Jwala. Jwala pours water into her body. Bichari
runs away from the field.

12. EXT. INT. BICHARI’S Cottage – DAY

Bichari gets into his cottage running. He stops in front of the scarecrow
and looks at it from bottom to top. He slowly takes his hand to the face
of the scarecrow. He slowly touches the face and goes backside to the
scarecrow. His hand shifts to the scarecrow’s chest now. He starts
foreplaying the scarecrow.

BICHARI
I got a name for you! Jwala.

Bichari hugs the scarecrow.

13. Ext. Random House – Day


Chandika is coming with a bag full of household things. Hansha is
cleaning up his truck. Some kids are playing in the back of the truck.
Chandika looks at the truck and takes her own way. An old man joins
Hansha.

OLD MAN
Is this of our big brother BATTEKAJI?

Hansha nods in agreement.

OLD MAN
The ex-driver was from the eastern part of Nepal.
Where are you from?

HANSHA
Eastern itself. It's called JHAPA.

OLD MAN
You look like Rajesh Hamal.

Hansha smiles. The old man exits. Hansa goes to the back of the truck
where the kids are playing.

Hansa
Done dare to break anything!

Kids run away. Hansa continues cleaning.

14. EXT. INT. JWALA’S HOUSE – EVENING

Chandika is in the house. She looks for Jwala and goes towards Jwala’s
room. She opens the door and sees Jwala being dressed up in
Chandika’s old Saree. Jwala shudders seeing Chandika in her room.
Chandika smiles at her.

CHANDIKA
I would have got a new one for you if you had asked.

Jwala is a bit confused.

CHANDIKA
You look pretty. I will get a new one for you tomorrow.

Jwala looks happy. Chandika hands a packet of food that she brought
from the market.
CHANDIKA
Why is your hair so messy?
Come on, I will get it combed.

Chandika picks a comb and sits on a bed. Jwala sits on the ground near
Chandika. Chandika starts combing the hair. Jwala is enjoying the food.
Jwala is happy to see Chandika caring for her.

CHANDIKA
You look too pretty.
Jwala looks happy.

CHANDIKA
I Shall find a groom for you now!

Jwala denies it and she seems to be shy. Chandika looks at Jwala again.

CHANDIKA
or shall I get married?

Jwala laughs. Chandika laughs in return. The mother-daughter is having


a good time.

15. INT. JWALA” S HOUSE – NIGHT

The room is dimly lit. Chandika is trying to find a key to a room that
looks to be closed for ages. She finds the key and gets into the room.
Jwala can hear all the sounds Chandika is making. Jwala tries to sleep
but can’t.

16. EXT. JWALA’s HOUSE – DAY

Jwala is getting the dishes done in a hand pump. Her neighbor,


DEVIKALA, is coming with a sickle and stops by the house.

DEVIKALA
What are you up to Chandika?
Can you manage to join me to harvest sugarcane?

Jwala sneaks towards Devikala.

CHANDIKA (O.S)
I am going to the market.
Wait a minute!

Chandika comes outside.


CHANDIKA
I don’t think I can for today!
Shall I join from tomorrow?

DEVIKALA
Done! Come to the field tomorrow!

Devikala moves. Chandika leans toward Jwala.


CHANDIKA
Get your food in time!
And don’t leave the house

Chandika goes near to Jwala and hands a money.

CHANDIKA
There is everything in the house itself,
This is just for an emergency!

Jwala cleans her hand and takes the money.

CHANDIKA
Get the house swiped once you are done here!

Chandika moves.

CHANDIKA
Go to Mr. Goberdhan’s house in the day!
He has invited us for the offering!

Jwala continues with the dishes. Chandika is gone.

17. EXT. GOBERDHAN’S HOUSE – DAY

There are a number of people eating including Bhunte and his child
gang. Bauwa lies there in the same line. Jwala arrives at the house and
sits on the ground next to Bhunte. Bauwa points at the stool and asks
Jwala to take it.

BAUWA
Get that stool!

Jwala takes the stool and sits next to Bauwa.


BAUWA
Shreedhar, get some for her.

Some rituals are being practiced. Jwala looks at Bauwa. The performers
are gifting a cow to the priest.

JWALA
Why are they doing this?

Bauwa takes out a pencil and paper from the bag and hands it to Jwala.

BAUWA
Write the things! Whatever you want to ask! I will never get you.

Jwala starts writing and shows it to Bauwa. She has written, “Why is
the cow being served?”

BAUWA
It is the Hindu mythology; Vaitarani.

Jwala sees a priest taking a cow with him.

BAUWA
Do you remember? We did the same for your father too!

Jwala nods in agreement. Bauwa continues.

BAUWA
He was the only poet in this area. He was too close to me.
He always had a dream of recording his poem in the Voice of Mr. Rajesh
Hamal.

Bauwa looks at Jwala.

BAUWA
Do you know Mr. Rajesh Hamal?

Shreedhar is there with a plate of food for Jwala. Bauwa gets up to


clean his hand. Jwala leaves the food there on the ground and follows
Bauwa.

BAUWA
Your father had written a poem expressing his happiness on your birth.
He sent it to Mr. Rajesh Hamal to recite and record.
He followed with the number of letters later on but was always
unanswered
I even suggested he go visit him in Kathmandu!
But what can a man do?
He left us early before he could fulfill his dream.

Jwala hurriedly writes in a notebook “Has my father crossed the


Vaitarani?”. Bauwa looks at Jwala in confusion.

BAUWA
It is said that man’s desires need to get fulfilled to cross the Vaitarani.
I don’t know if he has his desires fulfilled if he has crossed the
Vaitarani!
Bauwa takes the notebook and the pen.

BAUWA
Let’s not focus on the past now,
You have the food and go home.

Bauwa goes toward his cycle. Jwala sees the priest taking the cow.
When she looks back at the food. A black dog is eating her food.

18. EXT. ROAD – DAY

Jwala is walking on the road. She is a bit emotional. After walking for a
while, she stops and looks towards the empty huge field. There is
Shankar in the distance along with a wooden door. Shankar is looking
at Jwala. The door is opened. Shankar tries to throw a stone across the
door but it doesn’t get across and falls down near to Shankar himself.
He tries multiple times but the stone doesn’t go much further. Shankar
starts staring up into the sky.

19. INT. KITCHEN/SHANKAR’S ROOM – DAY

Jwala is trying to find a key to Shankar's room (the closed room). She is
searching for it everywhere in the room. Finally, she finds a key and
opens the door. She is inside the room for the first time after ages. The
room is fully decorated with posters of Rajesh Hamal’s photos and
movie posters. Jwala glances at the posters.

SHANKAR (V/O)
How was the first day in your school dear,
What did you learn?
Nothing!
Come I will teach you!

She spots the flute nearby. Jwala goes near the flute.
SHANKAR (V/O)
Do you want to play it?

Jwala hands the flute and goes towards the bed to sit. Jwala starts
cleaning the flute.

SHANKAR (V/O)
There is nothing more beautiful than the sound of your flute.

Jwala smiles and blows the flute which does not sound good.

SHANKAR (V/O)
Can you find me?

Jwala goes towards the bunk of the dresses, selects the one, and wears
it. She now finds the Tunk in the corner of the room, opens it, and a
cassette player is there, brings it out, and plays it. We can hear a poem
in Shankar’s voice, it gets shut down in a few seconds. Jwala tries to on
it again. But it doesn’t. She tries to find batteries and other cassettes in
the trunk but she ends up finding a dairy. She opens the diary. On the
very first page, it is written “If my daughter ever had a voice it would
be as powerful as Rajesh Hamal”. Jwala turns to the next page. There is
a poem written entitled “The Birth of my daughter”. Jwala gets
emotional. She turns the page on. Jwala gets up and goes towards the
poster area where she finds the photos of her father as well and she
stares at those photos with eyes full of tears.

20. EXT. JWALA’S HOUSE – DAY

Jwala is somewhere around the house trimming her hair to the shorter
one she had during her childhood.

21. EXT. UNDER-CONSTRUCTION TEMPLE – DAY

Jwala is in the temple with a newly cut hairstyle, carrying out the
Cassette player by her side. Bhunte along with other kids are playing in
the temple area. Everyone is amazed to see Jwala in her new look.

MAYA
Why did you cut the hair?

BIRKHE
You look so good.

BHUNTE
You look like the heroine, Karishma.
Bhunte smiles at Jwala. Birkhe notices the cassette player.

BIRKHE
Let's play music in your player and dance.

Jwala replies in her sign language.

JWALA
It needs to get repaired.

22. EXT. ROAD – DAY

Jwala is leading the group of kids. They are heading somewhere.

23. EXT. THE REPAIR SHOP – DAY

Two street musicians are singing and playing Sarangi. Few people are
standing by the side and watching them play. The group of kids runs
towards the musicians. Bhunte and Jwala are in the shop. The
mechanic is repairing one radio, and Bhunte passes the player to the
mechanic.

BHUNTE
Uncle, please repair this one too.

The mechanic takes the player and sees it.

MECHANIC
It will take some time,
You can leave it here and come back tomorrow!

Jwala speaks in her sign language to Bhunte. Bhunte translates it to


the mechanic.

BHUNTE
If you make it today, we will pay more!

The mechanic looks at Bhunte in irritation.

MECHANIC
I need to finish the earlier one first.

Meanwhile, a small kid comes running and talks to the Mechanic.


KID
Your cowshed caught fire!

MECHANIC
How?

KID
I don’t know how, please come fast

Jwala and Bhunte look at mechanic. The mechanic is about to close the
shop. Jwala snatches the player immediately and heads back.

24. EXT. Sugarcane Ground –

Jwala is sitting on the corner of house chewing the Sugarcane.


Looking at Chandika, she is turning her eyes around, and then she sees
bhunte passing by. He hesitates. There are four or five pieces of
sugarcane that have been cut from him.
There is a belgium, one of which is burning and one of the pots is not
coming back.
Chandika brings a gage of sugarcane right infront of her and starts
cutting into small pieces. Other gages 39 is also visible.
There are two young men, 35,37 cutting the sugarcane with swords
Devi kala

Chandika assist the situation of market, how busy is it?

Chandika went to the bazaar, after that, someone was afraid.

chandika did not hide anything.

Devi kala
She laughed.Devi kala felt awkward and gave work. Devikala, who was
waking up all the time, slowly ran away from the people.

Devikala

She looks at everyone and speaks All the houses in the village said that
Golly Star's shoes have been left.

Chandika
She spoke thoughtfully. Did Chandika say that she left them?

Debikala

She believes that she is from the forest. She said yes. She left the shoes and
went to one side of the house.
Calling Chandika Jwala! The woman of this district is looking at this.

Devi kala Chandika

saying that Devi kala has gone! The girl took you till the end of the day.
chandika looked at a glimpse of Devikala and looked at the flame. Then
devikala calms down after listening to Chandika's words

At that very moment, people wearing Maobadi dresses are holding and
thrashing a villager. At that time, a person looking over there says, "I'm
going to do something." Very visible

25. EXT- Kumar’s House – Day


There is a white one-storied house next to a two-storied house. In front of the
door of that one-storied house, which is covered with mud, there is a Kumara
wearing old fashioned potato glasses, and behind him a boy is standing.

Jala Bhunte's Maya Gopu are also there, all four of them are smiling and
looking at Jwala, they say,

bhunte

When you met rajeshHamal, if he replied 'hey', don’t be exhausted and too
surprised. You must not be unconscious .'I'm doing this for you.

Everyone is smiling and maya is speaking at the same time.

Maya
Hi, I look at Rajesh Hamal's eyes and look at him.
Gopu is on extereme thoughts.

Gopu
I am thinking what do the rajesh hamal eat . do he ate meal as us

Jwala is ashamed by listening their discussions kumar speaks seeing them


Kumar
Let's watch Tamun movie Don't wait for them to come. That man won't enter
the house after giving five rupees. Maya won't leave the house after
giving money. Jwala won't enter the house after giving ten rupees. To
Tulke Kumar He continues to look in shock.

Kumar says, look at the words that have been given to you!" My bicycle in
the mud, my walk! I have been watching that leaf bicycle ever since! Tulke
looks at Kumar and shakes his mouth saying yes with a smile.
Kumar looks at Tulke and says, "Kumaraja, look at me!" Tulke goes inside

26. EXT- Kumar House-Day

Next to a two-storied house is a small one-storied house.


In front of the door sits a young man wearing glasses and a boy behind him.
It's coming. The face of the person who came before Kumar is like how far
the people are.

Jla, Bhunte, Maya, Gopu also appeared behind .He looks at the flame and
says that it has been seen

Bhunte
I met Rajesh Hamal. By doing this sit l (Bhunte speaks while giving body
movements)
Everyone is smiling and Maya is speaking at the same time.

Maya
Hi, I look at Rajesh Hamal's eyes and look at him. Gopu speak with in
extereme thoughts .

Gopu

I thought, what does Rajesh Hamal eat? Oh, he eats rice.I asked that. Jwala is
happy to hear them. Kumar looks at Jwala and says.

Kumar
Don't skip watching the movie
They come. That man does not touch me after giving five rupees. Maya does
not touch me after giving money.If you have ten rupees, you will not enter
the house after rubbing five threads. Everyone looks at the group behind me
and says l

Kumar
I became a hero
Tulke looks at Kumar in surprise

Kumar
This question is given as a gift, Tulke! with my bicycle
My mouth is clean! That leaves the bicycle ever since! Tulke looks at Kumar
and shakes his mouth saying yes with a smile.
Kumar looks at Tulke and says, "Kumaraja, look at me!" Tulke goes inside

26. INT: Kumar’s House-Day

On the 14 inch sized TV the dialogue of deuta movie “ Shankar hu Shankar


Hu” conversational scenic replays.
There’s a Television and VCR desk cassette on the southern wall of furnished
room. 17 or 18 numbers of people are beside .within that mass, jwala is also
there enjoying movie. On the corner Kumar is enjoying too . Due to summer
season and no well furnished air conditioned room people staying there up
are in sweats , they are not able to face each other due to dark . moreover
on case, the movie stops to replay.

Sudden movie stops and kumar goes by checks the cassette and finds out
that there is a problem on it. He try to mends cassettes again and again
but couldn’t . Even the masses around tries to elevate it but they fails to do .
people starts to provoke him alike by saying

Kumar

What you did? It was already on good condition . on the way of making you
destroyed more

Kumar
It should be taken to maintance center or market . may not be possible to
mend from here
Al though we tried a lot

Human 1 stands and says


Human 1
Always a same problem better buy a new desc

Human 2 stands and says


Human 2

Always a same obstacle lets go from here and never returns on a shitty place

Kumar
Please have a patience and control your anger . I am trying best to mend it
so far. Its working . it will work

Jwala is even disappointed and stares at kumar


Kumar
Why those big eyes? Why you staring me ?
Jwala speaks in silence
And says give me my money

Kumar
Why in the need of money it will be replayed soon. It will work

Jwala

No way give me ( on silence)


Bhuntes are overlooking inside scenario staying beside a door

Kumar
I never know what you mean just move

Kumar
I may hit up this girl please move behind .

Jwala stands up and bring a stick that’s hanging near the door and starts to
eradicate him with a voice on silence. She starts to ask her money in return

Kumar
Its not easy for you to hit me. If you can do it ( he laugh at silence)

They starts to have a discuusion . and the tv that’s beside falls down with a
great noise .jwala had stick on her hand and after seeing those broken ceast.
She start to feel exhausted and ran away from there

27 EXT; Teel land –Day


She is running ahead on road with exhaustion on face . her hands are
scrumbling and minds are heavy unconscioused. She starts to search the
place where she can be safe and have a hide for a while so that other people
can’t reach her .
28. EXT; land – Night
Along with chandika kumar the villagers of around 10 or 12 people are
walking on path with carrying a lamps and lights . with a light distance they
reach a field ( Tori baari)
at that time one man speaks
Human 1
Just saw ranning over here

Kumar
Once while a fighting saw hiding a like

Every people on a field starts in searching a jwala . only chandika was


dipressed where as kumar was in anxious mood while searching her.

Human

May be its taken by demons that we hear

Chandika get embarrassed . human 3 speaks

Human 3
Before there was a ritual of preaching blood ? why not to start
up of . needed to start off from today?

Human 4

In aggressive mood starts screaming whats the relation is ? better to kill off ?
where the house is ?

Chandika speaks ignoring the other people opinion


Chandika

Just stop all these shits please!

Human 1
Its already a late night where she might have gone? She may visit home
during night.

Human 2
I do have work in home. I am thinking to go. I don’t have
patience to wait her a like.

Only chandika remains in search of jwala whereas others keep moving


forward towards their own destination. Kumar speaks in aggressive way to
chandika
Kumar

He indicates signals to make the clear understanding

Chandika
The money that I lend from you I will return soon don’t worry

Chandika starts searching for a jwala .kumar even got stroke on a things like
a horror materialistic. Kumar becomes afraid of that and he leaves that place
by scrumbling. Ultimely by the huge efforts chandika finds jwala and she
even scold her badly .

29 EXT: INT; House ( night)


Room is full of lights. chandika in anger mood she urges to hold hand of
jwala and she lock her in a room . she starts looking a boxes what’s inside
and She finds a Shankar photo and tears into pisces and she stays on chair
side by of her bed .

30. INT: Room –Night

On a dark room jwala is there in emotional mood. Lots of roaring sound of


rats and cats has already disrupt the things that were kept over there. Jwala
is scraed listening those sounds. Jwala reisde near a rat with a table lamp
and grabs it on her hand. She is happy playing with it and looks cheerful .

31 ENT: Shankar room –Night

Chandika staying in bed busy on enjoying a bidi near by there’s a table


lamp . on the sudden with a heavy thoughts inside she starts to burst . after
having those bidis she open the room slowly where she had locked jwala .
moreover she listens some murmuring sound and opens the door.

Chandika
Who is this?
Bijay was there and starts to say it was he . he was carrying a bag . even
chandika starts to support reverse and starts to say how the late ongoing
tasks are ?

Bijaya

I had gone to jaley kakas byarayck


Chandika
How is he?
No idea
Chandika becomes silence and bijay tries to modify his words on next level

Bijaya
What about daughter?

Chandika
There will be fixation on tomorrow
Bijay
I will also be visiting to talk

Chandika remains silent and try to change the mode of talk by giving the
saree as a gift
Bijaya

This is for the daughter too he says by carrying out a box from his bag

They both hug each other for a while and he returns a back .

32 EXT : Random House – Morning

Bauwa on cycle stead on a (random house)


Bauwa
Anybody at home? There’s a letter side by .may be its for your dad
Boy inside a room “Kapure” returns a back and says

Kapaurey
Who send the letter to buwa ?

Bauwa opens the letter and says dilli dhwaz letter


Kapurey takes the letter and starts saying one person was infected with
ECOE .countrys system is alike . take it as a last symbol of your father
essence . by saying this he move to his direction.

33 Ext : Road: Day

Jwala with cassette she is busy on searching a maintainance shop. Seeing


jwala bauwa stops and conversation hold on alike
Bauwa
Jwala!
Jwala looks at him and goes near by

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