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Waltz N°2

The document contains sheet music for 'Vals N°2' by Dimitri Shostakovich, arranged for clarinet in B♭ and soprano saxophone, with a tempo marking of 200 beats per minute. It includes various musical notations and instructions for performance. The arrangement is adapted by Oswaldo J.V.

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vasquezjosue1278
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© © All Rights Reserved
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0% found this document useful (0 votes)
39 views12 pages

Waltz N°2

The document contains sheet music for 'Vals N°2' by Dimitri Shostakovich, arranged for clarinet in B♭ and soprano saxophone, with a tempo marking of 200 beats per minute. It includes various musical notations and instructions for performance. The arrangement is adapted by Oswaldo J.V.

Uploaded by

vasquezjosue1278
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Clarinete en Si♭ VALS N°2 Andrea Giuffredi

Dimitri Shostakovich

 = 200  
Trans. y Adapt. Oswaldo J.V

   
Solo

                  


Saxofon

      
Todos

       

            
  
 
                 
33

          
                    

44

           
                    
      
55

     

        
               

   
           
66

          
                     

          
       
74


         
            

84

                 
  
95

                  
  
     
106

         
    
      

116
              
2


       
127


         
               
              
138

            
 
                    
174

  

               
  

185

        
                       
  
196

 

    
  
   
                   
           
207

             

            


            
      
216
Saxofón soprano VALS N°2 Andrea Giuffredi
Dimitri Shostakovich

 = 200  
Trans. y Adapt. Oswaldo J.V


  
Solo

                  


Saxofon

      
Todos



              
               
    
 
33

 
  
                 

44

          
                    
      
55

     

        
               

   
           
66

          

                    
             
74


                  
   
84

                
   
95

                  
  
     
106

            
          
116
              
2


       
127


         
               
              
138

            
 
                    
174

  

               
   
185

         
                       
  
196

 
    
                              
207

                     

       


            

      
216
Saxofón Alto VALS N°2 Andrea Giuffredi
Dimitri Shostakovich

 = 200 
Trans. y Adapt. Oswaldo J.V

      
      
Solo
Saxofon


    
             
     
    
14

     
         
                

25 Todos

      


       
             

34


 
                    
45

           
                      
    
56

 
                             
          
67

                   
         

75


   
                 
  
85

                  
  

96
    
                    
2

 
107

           
        

118

                 
       

129

                 
                   
140

             
                
  
175

    
                
186

           
                   
      
197

 
                            
    
                  
208

     


          
   
   
217
Saxofón Tenor VALS N°2 Andrea Giuffredi
Dimitri Shostakovich

 = 200  
Trans. y Adapt. Oswaldo J.V


  
Solo

                  
Saxofon

               
Todos


                              
33

    

 

78
Trompeta en Si♭ 1 VALS N°2 Andrea Giuffredi
Dimitri Shostakovich

 = 200  
Trans. y Adapt. Oswaldo J.V

   
Solo

                  
Saxofon

               
Todos


                               
33

     

           
      
44

 
          
 
                      
55

  

     

   
               

   
           
66

               

        
                    
74

           


                 
   
84

                 
  
95

               
    
   
106

         
    
     
117
              
2

 
       
128


       
                  
                
139


                               
175

     

          
       
186

 

          
 
                      
197

         


                   
           
208

                


    


  

 
      
 
   
216

     
Trombón VALS N°2 Andrea Giuffredi
Dimitri Shostakovich
Trans. y Adapt. Oswaldo J.V

               Saxofon


             
 = 200
 
Solo

 
                                

10

                            

20 Todos


                                  

29

                                 

37


                               

46

                               

56

                                  
                  
66

                                


          
74

                               

83
                               
2


93


                             

103

                               

113

                               

123

                               

133

                     


      
143

 

                 
      
153

                 
           
               

164

                                    

174

                               



183
                               
3


193

                                
        
203

                                  
          
212


   

220

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