April 2025

Decorating today
A NEW WARMER, SOFTER, RICHER SIDE
 CONTENTS

April

News Houses detract from the jaw-dropping Big

FASHION STYLIST HARRIET NICOLSON AT STELLA CREATIVE ARTISTS. ALL PRODUCTS CREDITED FROM

& v iews Apple views

COVER PHOTOGRAPHY FELIX SPELLER ART DIRECTOR & INTERIORS STYLIST HANNAH FRANKLIN

36 I TA L I A N A P A R T M E N T 84 K Y I V A PA R T M E N T Clever
M id-cent u r y nosta lg ia a nd design ideas and subtle touches
15 E V E R YO N E ’ S TA L K I N G contemporary twists feature in this turned a bijou flat into an amazing
A B O U T 3D-printed furniture, bold Milanese home and inspirational space
wallpaper borders, illustrative
vases, ruffles and pleats and more 4 4 PA R I S I A N PA D Symmetry,

22 BEHIND THE DESIGN

strong lines and luxe materials
combine in this Right Bank home
Decorat i ng
Giorgio Armani’s iconic Antoinette for a chic and sophisticated vibe
dressing table
PAGE 94 EXCEPT THE POTTERY VASE FROM RELIC LONDON

94 D E S E R T H A Z E Blush tones
54 LON DON FL AT A home in the for soothing schemes
26 HERO PIECE AlvarAalto’sbirch iconic Barbican building stays true
plywood relief is the perfect starting to its style while adding cosiness 104 CO LO U R D E CO D E D A few
point for a home office scheme and warmth hero pieces elevate this living room
into a cosy, opulent space
28 D E S I G N E R I N S I G H T We 64 L I S B O N H O M E Both a home
preview the latest collection of and a gallery space, this cleverly 107 L E T ’ S P L AY D R E S S - U P
paint colours from Farrow & Ball curated apartment blurs the line The key fabric and wallpaper trends
between furniture and sculpture you’ll be decorating with this year
32 LIVINGETC DESIGN,
– from chic checks to 3D texture
D I R E C TE D A lex Dauley 76 N E W YO R K APARTM E NT
d i s c u s s e s de sig n i ng a me d ia A caref ul balance of textures, 118 CU RTAIN CALL Bed curtains
room for empt y nesters at th is materials and colours doesn’t add instant softness and an extra
yea r’s WOW !house cosy feel to your space 
h

livingetc.com 7
CONTENTS

122 S P O T T H E D I F F E R E N C E 153 SECRET ADDRE SS BOOK tour in and around Istanbul, picking
The best design solutions for niches The brand to go to for pretty but his favourite spots
and narrow gaps around the home functional bathroom lighting
178 N E X T B I G T H I N G Ku r t
15 4 DESIGN FEATURE OF THE Alexander’s ceramics showcase
Sou rcebook MOMENT Pet-friendly solutions
for interiors to keep four-legged
extraordinary talent

friends and their owners happy

132 I C O N S R E I M A G I N E D
B&B Italia’s Tobi-Ishi dining table 160 D E S I G N N O T E S A ll the
A nd t he res t
vital aspects to consider when
135 G LOBAL OUTLOOK Design purchasing a front door 11 E DITOR ’ S LETTE R
news from the USA
164 A R C H I T E C T U R E N E W S
136 T H E S P O T L I G H T : W H AT Garden studios that maintain a
TO BUY NOW The hottest new connection to nature
pieces on our shopping list Subscribe
141 O N TH E R I S E Passementerie
artists reinterpreting the craft
L i fes t y le today
Clever 168 H O T E L H O T L I S T Idyllic 3 issues
summer getaways, from a Puglian
manor house to an Ibizan hotel for £5
149 I N T H E K N O W The latest 174 H I D D E N T R A I L S Designer MORE DETAILS ON P142

launches in kitchens and bathrooms Doruk Kubilay gives us a design

8 livingetc.com
 FROM
THE
EDITOR
Every designer I talk to at the moment is telling me of the
ways they’re using blush tones right now. Pinks, peaches, sandy
yellows, terracottas – soft shades that seem to bathe you in
light and warmth. This palette is making decor feel so rich.
Farrow & Ball’s colour curator Joa Studholme was practically
rubbing her hands with glee when she told me that cooler tones
were – to all intents and purposes – dead during our interview
on page 28. She made a compelling case for how we all need
more nostalgic shades right now, a sentiment we’ve carried into
our decorating story on page 94 and the cover. It has a haze to it
that reminds me of the soft focus imagery of the 1970s, yet still
The Herbie accent manages to feel exactly right for now.
table at Arteriors,
page 32
Another key theme for this year is around finding new ways
to make yourself happy, and how your home can facilitate
this. The designer Alex Dauley has suggestions for turning
your living room into a luxe palace to unwind in on page 32 –
think silk pyjamas as your loungewear wardrobe and you’ll
understand the vibe. And if you’re in London this month, please
Novogratz Ellis join me and a panel of design experts as we talk this theme
shade ceiling out. Our discussion is part of Design Centre, Chelsea Harbour’s
light from Made,
page 25 series Conversations in Design and will be on 13 March. Find
a little more information on page 167, with tickets available
at dcch.co.uk. I promise you’ll leave with plenty of decorating
inspiration and a little more joy in your heart.

Pip Rich
Executive Editor
@pip.rich

A beautiful sofa
from American Scan this QR
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12 livingetc.com
 C U RV E A P P E A L
All eyes might have been on Ron Arad’s
One Page armchair in the window of
Moroso’s flagship store in Milan last
April, but there was another new launch
we got seriously excited about: Patricia
Urquiola’s Gruuve sofa system. We’re
revisiting it now because, inspired by
the One Amazing Thing theory we
covered in last month’s issue – where
you add one hero piece to an otherwise
ordinary scheme and completely
transform its feel as a result – this
modular masterpiece, with its rounded,
low-slung profile, encompasses it so
perfectly. Designed to sit at the centre
of a room, it commands attention,
changing the flow of a space and
fostering a sense of conviviality that will
be so important to the way we design
in 2025 and beyond.

Gruuve system,
price on request,
Patricia Urquiola
for Moroso

ALL THE DESIGN HAPPENINGS – FROM 3D-PRINTED FURNITURE

TO FA R ROW & BA L L’ S FA B U LO U S N E W CO LO U R PA L E T T E
 E V E R YO N E ’ S TA L K I N G A B O U T. . .

3D -printed furniture
This digital production technique is creating some fascinating
forms – just look at these cutting-edge pieces

Rock solid
LEADING LIGHT
With its free-flowing silhouette,
The swirling shape of the Issey table lamp
by Fornice Objects commands attention. the Amorphous Solids shelf by
With a form inspired by the pleating of fabric,
the shade is printed from blue PLA and fixed Erik Olovsson has sculptural
to an aluminium base – it is just one of a appeal. Created using silica
series of designs from the studio’s founder
Chiara Ravaioli, whose 3D-printed ‘ceramic’ and phenol resin, the granular
forms are turning heads around the globe.
€450, Fornice Objects texture adds to its organic
aesthetic. Each item within the
collection is a direct translation
of hand-drawn motifs by the
designer. All are ethereal, with
a practical touch. £1682.36,
Erik Olovsson at 1stDibs

In form
Sustainability meets
style with the Arzachena
stool by Mediterranea
Design. The firm’s
collection of 3D-printed
furniture is made using
a PL A bioplastic –
resulting in elegant
FEATURE RODDY CLARKE

shapes and forms. This

stool references a famous
rock formation in the DIVIDE AND CONQUER
Sardinian town after Hanging screens are a great way to zone open-plan spaces, be it
which it is named and in a bedroom, home office or living area. Placed behind a bed, a
can be used both indoors sofa, or to create a private working area, the Nazka room divider
and out – what’s not to by Aectual is a stylish option that allows natural light to filter
love? £805, Mediterranea through thanks to adaptive formations that can open and close
Design at Curio depending on your preference. 3D-printed in 20 colours from a
bioplastic derived from plant oils. €558, Aectual

livingetc.com 17
 E V E R YO N E ’ S TA L K I N G A B O U T. . .

Wa l l p a p e r b o r d e r s
Yes, the border is back – and this new collaboration
shows why this blast from the past is totally modern

ON THE EDGE
Occupying the middle space between
wallpaper and plain paint, offering a
punch of the former’s pattern without
taking away from the latter’s minimalist
appeal, wallpaper borders have been
big news for a couple of years now –
but a new collaboration between
Dado Atelier and Birdie Fortescue has
brought the decorative detail right
to the fore of design conversation
again. Influenced by the architecture
and decorative arts of southern Spain,
the new collection – featuring three
borders and four small-scale papers
– combines dainty florals and
geometrics with contemporary
flourishes. Launching on 10 March, it
has us inspired to update our walls this
spring. Felipe border in Green, £79 a
roll, Dado Atelier x Birdie Fortescue
 E V E R YO N E ’ S TA L K I N G A B O U T. . .

Illustrative vases
Accessories never looked so beautiful or artful –
these deserve a prime spot at the table

NEW TRADITION Spring

Bringing art and function seamlessly together, this
vase is the perfect addition to the table – with or f l o ra l s
without a floral display. Titled Afrah, it is hand-painted
The Odina stoneware vase
by the Marrakech-based studio LRNCE, founded by
from Rose & Grey would
the Belgian designer Laurence Leenaert in 2013.
make a charming addition to
Celebrating the local creative community, the studio
any space in the home,
focuses on craft while bringing a contemporary edge
especially when filled with
to traditional techniques. A great gift for lovers of
a simple floral arrangement.
art and design. £235, LRNCE at A New Tribe
For added impact, try styling this
colourful beauty among a selection
of vases with one or two blooms in
each – the perfect touch of whimsy.
£24, Rose & Grey

COMMUNITY
SPIRIT
A founding member of the
Hackney-based workshop
co-operative Clay Collective,
ceramicist S ophie Alda is
passionate about the benefits of
shared resources and collaboration.
Her work explores the relationship
between sculpture, art and
functional design – the Rocket vase
seen here is hand-painted to order
and features her own illustration.
£65, Sophie Alda Studio

Cock ta i l hou r
Settle into the perfect armchair to enjoy
a drink at the end of the working day
Last year we highlighted the rise of the cocktail corner
FEATURE RODDY CLARKE

– a vignette carved out in a room for your evening tipple.

Trove by Studio Duggan’s Speakeasy chair is the ideal
companion to a side table for such a space. Inspired by
art deco design, it’s low slung with lacquered arms and
mohair upholstery – ticking off three interior trends in one.
From £5,100 in house mohair, Trove by Studio Duggan

20 livingetc.com
 BEHIND THE DESIGN

All is vanity
Each month, we look at the story of a favourite piece – this issue, it’s
Giorgio Armani’s incredible mother-of-pearl-clad Antoinette dressing table

S
o captivating was Armani/
Casa’s Antoinette vanity table
when it was introduced into
the fashion brand’s home offering in
2007 that we hoped we’d see more
iterations in time. Presented then as a
si ng u la r c yl i nd r ic a l for m clad i n
patinated linen and dark lacquered
wood, it untuck to reveal a curved-back
chair a nd a desk w ith a lu x urious,
iridescent acrylic interior. A backlit
mirror folded upwards to complete the
setup, transforming it from side table to
vanity area in moments.
Then, in 2023 in Milan, it formed
part of a collection that drew lines of
admirers waiting to catch a glimpse.
‘These are some of the most precious
pieces,’ says Giorgio A rmani of the
collection, ‘re-editions of now iconic
furniture, covered in mother-of-pearl
tiles arranged in a mosaic.’ This edition
has only 11 pieces. Why 11? To honour
the exclusive location in which it was
presented, the brand says: Palazzo Orsini
in Via Borgonuovo 11, or Giorgio Armani’s
Italian design headquarters and atelier.
Opened up, the interior of this latest
A ntoinette is clad in black maple –
a su r pr isi ng cont ra st that adds
polish – and the seat is in a moiré fabric,
referencing the designer’s sartorial
designs. ‘The strongest link between
Armani/Casa and my fashion is the need
to be f u nct iona l a nd com for t able
I N 2 02 3 I N M I L A N , I T FO R M E D PA R T
FEATURE ELLEN FINCH

without sacrificing luxurious materials O F A CO L L E C T I O N T H AT D R E W L I N E S O F

and a strong sense of style,’ says Giorgio. A D M I R E R S WA I T I N G TO C ATC H A G L I M P S E
The Antoinette is an example of the
brand’s innate timelessness and we can’t
wait to see its next iteration.

22 livingetc.com
 E V E R YO N E ’ S TA L K I N G A B O U T. . .

Ruffles and pleats

This season’s take on romantic design details is
structured and bold – on the catwalk and at home

Avalon 3 drawer chest,

£2,700, Trove by
Novogratz Studio Duggan
Ellis shade
ceiling light,
£90, Made

Pleated
rectangular Lindi aged brass The Tory Burch
cushion in and linen scalloped catwalk featured
Ochre, £90, floor lamp, £389, fancy ruffles and
Kate Colin Lights & Lamps slick structure
Design

Uma Wang
went for
all-out
ruffles at her
SS25 show

Holland slipcover
dining chair, £398,
Anthropologie

Albero small
pink vase,
£105,
Francesca
FEATURE AMY NEASON PHOTOGRAPHS (TORY BURCH)

Verardo at
VICTOR VIRGILE/GAMMA-RAPHO VIA GETTY IMAGES;

Artemest
(UMA WANG) RICHARD BORD/GETTY IMAGES

Blossom
portable light,
£489,
Original BTC

Box pleat
bench in Biscuit,
£825, Six The
Ruffle ceramic Residence
terracotta bowl,
from £95,
Rebecca Udall
 HERO PIECE

Art form
Alvar Aalto’s classic birch plywood relief has our
creative juices flowing for a very artistic workspace scheme

B E AUTI F U L 5
BAC K D R O P
Reissued by Artek and marking
the Finnish Design Shop’s 20th
anniversary, Alvar Aalto’s curvy
birch plywood relief is a stylish
talking point for those Zoom
work calls, without being too
distracting. Aalto experimental
wood relief in birch, £4,439,
Artek at Finnish Design Shop
4
FEATURE RORY ROBERTSON

1 SUPER BOWL 2 B E S E AT E D 3 LIGHT UP 4 DESK TIME 5 STORE IT

A dash of black is a Mixing woods is always Despite being made Straight from the era of So far the scheme has
welcome accent, and encouraged, and this from solid aluminium, Big Business, this 1980s texture – but add a
you can use this fruit oak chair with its flower this pendant matches design offers a glam punch of pattern with
bowl to store all sorts of motif taps into the the relief with its organic contrast. Oval glass this smart monochrome
snacks. Black onyx natural form of Artek’s form. Routa suspended desk by Luigi Massoni desktop storage box.
footed bowl, £1,875, Jia relief. Poppy chair, light in aluminium, €1,052, for Gallotti&Radice, Blanosy chequerboard
Jia at Abask €1,350, Deya SAAS Instruments £5,832.92, 1stDibs box, £30, La Redoute

26 livingetc.com
Walls and
woodwork in
Naperon; archway
in Kakelugn, both
from the new
Farrow & Ball
colour collection
 DESIGNER INSIGHT

In with the new

Farrow & Ball’s new colour launches always set the tone for how we’re going to be
decorating, and the brand’s Joa Studholme sees a very rich future for us all
FEATURE Pip Rich

W
h at c ome s f i r s t , t he pink and sometimes sunset orange, and buy paint from, but is filled with
(roughly) bi-yearly drop depending on the light. I can see it as a shades the brand doesn’t see as entirely
of new Farrow & Ball backdrop to rooms that make you feel relevant to now). ‘Etruscan Red is just
paint colours or our desire to decorate warm, the visual equivalent of holiday the earthiest red,’ Joa says, referring to
with them? It’s hard to tell – the brand’s sunshine on your back. ‘Really?’ Joa another of the reignited colours. ‘And,
colour curator Joa Studholme’s finger is asks, when I put my suggestion to her. in fact, it’s the first colour I ever bought,
so firmly on the style pulse that while she ‘Yes, I can see why you went that way. long before I worked at Farrow & Ball.
claims to be creating shades that the That was being asked for by the public – a It’s very good for little spaces like powder
public have been a sk i ng for, each shade that sat between our Red Earth rooms, especially with Tanner’s Brown
collection also manages to change and and Faded Terracotta. It has a familiarity as a dark trim. But I would say to use it
shape the direction of decoration. to it and it just makes your shoulders matt – its earthiness is better that way.’
Stiffkey Blue saw us embrace inky dark drop.’ Named after the leather apron O ver t he page, I’ve a sked fou r
shades in 2014, Sulking Room Pink worn by a farrier or cobbler, Naperon de sig ner s I ad m i re t o pick t hei r
ignited an enduring love for blush in 2018 pairs well with other zeitgeisty earthy favourites from this palette of 12, and
and now this new set is likely to build shades. ‘I’d pair it with Lichen, Sherbert explain how they would use them. It is
on and increase the way we all seem Lemon or Broccoli Brown,’ Joa says. clear these hues mark the start of a year
drawn to particularly luxuriant tones. Ah yes, Broccoli Brown, one of the of sumptuous colours and homes that
‘I feel people want colours that are three colours on this paint card that are wrap us up. ‘To my delight, it does seem
rich and like they’ve been there forever, actually not new but being pulled out like minimalism is currently dead,’
nothing too shiny and new,’ Joa says. of semi-retirement, plucked from the Joa says. ‘And that we’re all yearning
‘This collection is all inspired by little archive and back onto the brand’s main for something more maximalist, more
treasures from around the house, deeply colour card (the archive exists to request grounding.’ Sounds right, doesn’t it? h
pigmented but slightly muted, like
Duster’s yellow – inspired by a duster –
or Douter, which takes its name from the Walls, woodwork
and fireplace in
Victorian term for a candle snuffer.’ Reduced Green,
Douter, Joa predicts, is going to be this Marmelo and
Dibber, all
palette’s standout because ‘it’s the love Farrow & Ball
child of two of our most popular colours,
Green Smoke and Inchyra Blue, and has
that smokiness, that tarnish, of the inside
of an old brass candle snuffer’. She
suggests choosing it for rooms that you
use late at night. ‘I’d pair with old Farrow
& Ball favourite Mouse’s Back on the
floor and Reduced Green, from this new
palette, on the trim.’
For my money, I’m pred ic t i ng
Naperon as the star, a putty-like mix of
clay and terracotta, sometimes reading

29
 Colou r crush
Designers pick their favourite colour from the new Farrow & Ball palette and explain how they’ll use it

DOUTER
Chosen by Kate Guinness
Douter has a lovely depth to it: it’s not easily identified
as green or blue or grey but has characteristics of all
three. Because of this, I think it would work beautifully
with a variety of different colours, and would give quite
a different feel in each case. I can imagine a soft and
warm scheme, including Douter with Setting Plaster
or Scallop. Or a more vibrant one pairing it with some
of the other colours from the new range: Duster,
Marmelo or Naperon. Douter could work in modern
and period properties alike, and in a number of different
rooms. I’m immediately keen to paint my kitchen
cabinets in Douter, with warm plastery pink walls.

SCALLOP ( A B OV E )
Chosen by Andrew Jonathan Griffiths
of A New Day
I love a ‘dirty pink’, so Dead Salmon has
long been a favourite of mine and I can see
Scallop joining it as a go-to with its lighter
interpretation. It has a beautiful softness to
it, which means it can work very well as a
neutral or a backdrop to bolder colour, but
with enough depth that it can also carry a
room. It’s a shade that will pair deliciously
with wood tones, both light and dark, so it
becomes a lovely colour for a kitchen or
dining space, or anywhere you’re using
wood-framed artwork. We recently used
a mid-toned dirty pink across four floors of
a staircase in a Grade II-listed home, chosen
because it works just as well in a period
context as it does in the modern extension
that was added. I can see Scallop having
that same quality.

B ROCCOLI B ROWN ( B AC KG R O U N D)
Chosen by Dhilnawaaz Khan Trotman of DKT Interior Design Studio
I think this is an incredibly versatile in a Victorian property, accentuating the look to another level, evoking the
neutral. In a contemporary, minimally large windows, ornate cornicing and timeless elegance of a luxury Italian
designed space, it can take the lead a ceiling rose. This creates a dramatic villa. I’ve also tested it with Viola marble,
as a bold, moody statement. Pair it with backdrop that draws the eye upward and the result is absolutely stunning –
off-white linen, bouclé or wool fabrics and would allow a statement chandelier rich, sophisticated and full of character.
for soft textures, complemented by (like a Murano glass) to truly shine. The colours I’d pair with Broccoli Brown
sculptural walnut side tables, bronze This bold, earthy hue is perfect for depend on the space and mood I’m
hardware and travertine finishes on bringing new life to tired cabinets while creating. For a timeless look, I love
architraves, skirtings or a fireplace maintaining a sense of depth and combining it with the classic Skimming
surround. Alternatively, it’s a striking grounding – a quality that feels Stone, which works beautifully in any
choice in more traditional settings. For inherently suited to kitchen spaces. room. To add warmth and softness,
instance, it could be used on a ceiling Pairing it with Emperador marble takes Setting Plaster is a gorgeous choice.

30 livingetc.com
ETRUSCAN RED
Chosen by Tola Ojuolape
I love to colour drench and would probably
use this earthy tone as a singular colour for
walls and ceilings. If I had to pair it, I would
use it with a complementary colour like
Farrow & Ball’s Folly Pink or Ringwold
Ground. Both are lighter colours to
complement the deep, earthy palette. I love
working with Casamance fabrics and
something from its Haze or Marcel ranges
can work well as both are strong enough in
themselves to stand up to this paint colour.
What Etruscan Red does is create a warm
tactility. Paired with complementary tones
or contrasting fabrics, it can create a
beautiful space with depth and layers.
 Fu t u r e p e r f e c t
Interior designer Alex Dauley has a very smart vision for how her home
will look in just a few years and it’s a plan we can all be inspired by,
as she tells our executive editor Pip Rich

Alex’s sketch
of her Nucleus
Media Room for
WOW!house 2025
Pip Rich This is the first time a room time. Getting rid of tiles in the kitchen and
at WOW!house [Design Centre, Chelsea bathroom and replacing them with
Harbour’s annual installation] has poured finishes means no grout, and
focused on a space for empty nesters, therefore they’re much easier to keep
but that’s exactly what you’ve done. clean. Wood or stone walls are also easier
Why? And how is a home different when to maintain than painted surfaces – they
the kids have left? don’t scuff in the same way.
Alex Dauley Well, that’s going to be my PR How do you want people to feel as AD I’m working with AV brand Nucleus
life in a few years, and I’m looking forward they enter your WOW!house room? on that side of things and am blown
to the next stage, to being a bit more AD I’ve chosen the TV room because away by its products, creativity and
selfish and bold with how my home looks. my happy place is curling up with my professiona lism. T he tea m a re
It’s very family friendly right now, and I husband on the sofa, but I wanted to wonderful and their aspiration to make
want sumptuous, tactile materials, to not make it smart, like the pyjamas you’d our room the standout space of the event
be worried about sticky fingers touching wear in it would be cashmere. So I hope was music to my ears.
things, to go a lot more sophisticated. that people will feel transported into an PR I have to say I always really look
PR What materials encapsulate that aspirational world, see a space they could forward to WOW!house.
grown-up approach for you? look forward to owning, to see a way to AD I agree – it ’s such a wonderful
AD Marble, mohair, velvet. I’m going to feel a bit sexy and elegant even if all experience. As interior designers, we
have lots of warm brass, polished plaster they ’re doing is watch ing a nother usually have a brief and a budget and a
and limewash, things that are lighter in episode of Yellowstone. c l i e n t , a n d WOW ! h o u s e i s t h a t
colour as I won’t be so fearful of spills. I want PR What brands will you be including? opportunity for us to break free and be
natural materials, linen, silk, warm woods I ’m a lway s i nt r ig ue d t o s e e w ho our true creative selves without our
like walnut that have rich tones. Poured designers choose for WOW!house when normal parameters. So as a visitor, you’re
floors – I can see it now. You know, your they ’re decorating for themselves, seeing creatives in their element, getting
children leaving home is a massive wrench essentially, rather than a client’s wishes. the chance to be inspired by some of the
and there will be tears, but reinventing AD I’m going to Porta Romana for greatest minds in the industr y. It ’s
your home is a way to put a positive spin decorative lighting and Holland & Sherry always a stunning thing to see – and this
on what could be quite upsetting. for a custom rug I’ve designed myself. It’s year will be no exception.
PR Will there be any element of future- called Life’s a Journey, and will have
proofing the home? Is this a scheme you different terrains, different lengths of pile The Nucleus Media Room by Alex
could age into, do you think? to represent the ups and downs of life. Dauley is just one of a series of spaces
AD Absolutely. A lot of these choices are John Cullen is doing my overhead lighting by world-famous designers you can
very low maintenance, which will be good and my fabrics will be from Romo. see at WOW!house from 3 June to
if we go away a lot, and good as we get older PR What can you tell us about the tech? 3 July. Tickets are available to buy at
and don’t want to do housework all the A key part of a TV room! dcch.co.uk/wowhouse/tickets

Cross chair,
price on
WHAT request, Perfume
Ribbon
Bonaldo Bottle lamp,
CO M E S N E X T £1,932, Porta
Gesture rug
by Callidus
Empty-nest essentials Romana
Guild, price
inspired by Alex’s aesthetic on request,
Tai Ping

Herbie
accent
Diagramma coffee table, table, £1,198,
price on request, Minotti Arteriors

livingetc.com 33
 FRESH THINKING
We’ve discovered the key to taking
a neutral scheme in a fresher
direction, thanks to this Parisian
apartment (explored on p44) –
simply introduce a gentle wash of
colour here and there, and the whole
thing suddenly feels fresh and
interesting. Perhaps it’s the element
of the unexpected – even the softest,
most ‘natural’ green acts as a
disrupter in this space – or the hue’s
brightening effect: we just know we’ll
be giving our beigest schemes this
treatment going forward.

C R E AT I V I T Y A B O U N DS I N T H I S M O N T H ’ S L I N E- U P O F S T Y LI S H H O M E S –
CO M I N G TO YO U FRO M PA R I S , M I L A N , LO N D O N , L IS B O N , N YC A N D K Y I V
 One creative couple turned to the heavyweights of
Italian mid-century design to make a home that
honours the past but is firmly set in the present

PHOTOGRAPHY Helenio Barbetta/Living Inside

WORDS Anna Bisazza

36
48 livingetc.com
 HOUSES

DINING ROOM
Christian and Francesco
had been eyeing the perfect
bright red Carlo Scarpa
table since they lived in
their previous apartment.
‘But once we had finished
the renovations, we realised
we had exhausted our
budget and wondered if
we should opt for another
table that we liked less,’ says
Francesco. In the end they
agreed it was worth going
for a few months without
a table to end up with the
one they really wanted.
Orseolo table, Carlo Scarpa
at Cassina. Gaja chairs,
Kazuhide Takahama at
Cassina. NM07 stainless
steel stools, NM3. Cnosso
cup and Ganimede chalice,
both by Damiano Groppi

livingetc.com 37
 The dow n load
THE OWNERS
Couple Christian Frascaro
and Francesco Cristiano,
both creative consultants for
fashion and design brands.

THE PROPERTY
A one-bedroom apartment within a
1930s building designed by Giuseppe
Martinenghi, overlooking Milan’s
Stazione Centrale. A generous
entrance leads to a hallway that
takes you to the living room, which is
open to the dining room. Opposite
are the kitchen and bathroom,
while the bedroom is disguised
behind a flush-mounted door
off the entrance area.

38 livingetc.com
 HOUSES

LIVING ROOM
‘Christian prepared a series
of mood boards combining
paints, fabrics and materials,’
says Francesco of the
apartment’s revamp, the
heart of which is this space.
‘We had clear ideas for the
house: to create a timeless
atmosphere, without falling
into the trap of current
trends,’ explains Christian.
Shelf library system,
Frama. Sesann sofa,
Gianfranco Frattini at
Tacchini. Vintage chairs; in
Amoir Libre fabric, Dedar.
NM07 stools; NM02 coffee
table; NM01 bench (with
custom leather cushions), all
NM3. Papavero floor lamp
by Achille and Pier Giacomo
Castiglioni, Flos. Mirror
cabinet, Christian Frascaro
and Francesco Cristiano

livingetc.com 39
HOUSES

while the glimmer of diffused vintage lighting ref lects off

Stepping into the home a marble and onyx floor. As creative consultants in the fashion
and design industries, the couple are naturally pretty good at
of Christian Frascaro curating memorable imagery, but they also claim to be excellent
hosts, pampering their guests until the small hours with

and Francesco Cristiano lip-smacking nibbles and cocktails.

No detail is too trivial for the inseparable couple, who met just
over a decade ago in Italy’s style capital – now their adoptive city.
in Milan feels like an ‘From the very beginning we’ve been aligned on everything,
despite being very different. From what we want to eat to what
intoxicating awakening we feel like doing, all the way through the making of this home
which we did without the help of an architect or interior designer,’

of the senses. The says Christian, who is originally from Puglia. ‘We had already
created a beautiful first apartment, but it was much smaller,’
adds Francesco, a Neapolitan. ‘The challenge was to do it again
leather and tobacco on a larger scale. To prove that the first attempt wasn’t a fluke.’
The day they viewed this flat – in a 1930s building designed by

notes of Trudon’s Giuseppe Martinenghi, overlooking the Stazione Centrale –

Christian had already sketched in detail how they wanted the
home, including the patchwork design of the floor, inspired by
Ernesto scented Gio Ponti, the master of modern Italian design. ‘The corridor
is a transitional space all too often forgotten, so we decided to
candles meld with the turn it into the surprise element,’ says Christian, who goes on to
describe the countless hours spent with the marble dealer, trying

melodies of bossa nova; to put together the right combination of shapes and colours.
Refined mid-century Sergio Mazza lamps subtly illuminate
the dark chocolate of the hall walls, which spills onto the living
room ceiling through a widened entrance. The apartment’s
colour palette is a nod to film director Wes Anderson’s aesthetic,
while its forms were inspired by the eccentric Italian architect
Carlo Mollino. ‘Most of the furniture ranges from the 1930s to
the 1970s to stay true to the soul of the building’s era. We didn’t
follow any trends. We like the idea that it’s a timeless home,’ says
Francesco, adding that one of their rules is to hide any kind of
electronic equipment – or anything unnecessary.
In fact, they swear their creamy yellow kitchen always looks
as tidy as it does in the photographs. ‘You won’t ever see a Moka
pot on the counter; once used, it is stored in the cupboard,’ says
Christian. With its brushed stainless steel cabinets and minimal
Z-shaped walnut stools, this turns out to be a contemporary
version of his grandmother’s kitchen. Talking of inspiration,
the lucky flea-market find of Antonia Campi’s 1960s striped
sanitaryware sparked the butter-coloured finish in the bathroom.
‘Every room is different because we wanted each space to
be its own world, while still feeling connected,’ says Christian.
‘What we did was mix many pieces, as you would for a person’s
outfit. It’s definitely not about having a total look from one
brand; it’s more like someone who pairs their dad’s jacket with a
dress from their mum, that’s what makes it modern.’

40 livingetc.com
K I TC H E N
As soon as they bought the
apartment, the couple had a
plan ready for the renovation
work, during which time they
scoured e-commerce sites
and second-hand shops to
find vintage objects. In the
kitchen, this deep-dive
research translates into
the almost-industrial steel
kitchen furniture paired with
the sculptural walnut stools.
Custom-designed kitchen,
Spotti Kitchen Studio.
Canaletto walnut Remy
stools, Armani Casa.
Artwork by Lucia Pescador,
Apalazzogallery. Vintage
1960s pendant lamp by
Sergio Mazza for Artemide
 T H E CO LO U R S O F T H E R O O M S – B U T T E R ,
C R E A M , CO COA , O L I V E G R E E N – W E C H O S E
T H E M T H I N K I N G BAC K TO T H E WO R KS O F
C A R LO M O L L I N O, A V I S I O N A RY FO R H I S T I M E ,
A N D TO T H E F I L M S O F W E S A N D E R S O N , W I T H
T H E I R D E SAT U R AT E D PAST E L S H A D E S

CORRIDOR
The marble and onyx
floor was designed by
Christian and Francesco
in homage to Gio Ponti,
a giant of 20th-century
Italian design.
Delta 1960s wall lights
by Sergio Mazza for
Artemide. Hill House 1
chair by Charles Rennie
Mackintosh, Cassina.
Artwork by Nicolae Prisac
 HOUSES

ENTRANCE Vintage 1960s Cervino

A cluster of aluminium sanitaryware by Antonia
wall sculptures add interest Campi. Rattan 9 Tabouret
to this corner. ‘We wanted stool by Charlotte Perriand,
the entrance to have an Cassina. Vintage 1960s
impact and a strong Lambda wall light by Vico
identity,’ say the couple. Magistretti for Artemide.
Vintage 1960s Narciso brass
Vintage Carrara marble mirror by Sergio Mazza.
Eros console, Angelo Vintage 1953 taps by
Mangiarott. Vintage Gio Ponti. Curtain in
Porcino lamp by Luigi Margaritas, Dedar
Caccia Dominioni for
Azucena. Polimpatto
wall sculptures by BEDROOM
Filippo Salerni Hidden behind a flush-
mounted door that is
camouflaged along the
hallway wall is the chartreuse
B AT H R O O M bedroom. For a colour-
Christian and Francesco drenched effect, the couple
had seen and liked the colour-matched the paint
1960s caramel-striped to the fabric chosen for
sanitaryware set by Antonia the bed and blinds.
Campi at an auction, so
when they found this set by Bench, NM3. Lesbo lamp
pure chance at a flea market by Angelo Mangiarotti for
some time ago, they couldn’t Artemide. Vintage 1960s
resist. They stored it in the hand-painted rice paper
basement of their previous Chinese screen; similar,
home, waiting for the right 1stDibs. Bespoke wardrobes,
chance to use it. Christian Frascaro and
Francesco Cristiano

livingetc.com 43
 French
POLISH
Organic curves, precise design and subtle
shots of soft pink all contribute to the
très-chic reno of this Parisian apartment

PHOTOGRAPHY Stephan Julliard

WORDS Ian Phillips

LIVING ROOM
‘I knew I wanted this sofa,’
says designer Sarah Dray of
the DS-600 from de Sede.
‘It’s a real statement.’
Chandelier; rug; Moon
bookcases, all Sarah Dray.
Coffee tables, Beije Avenue.
LC4 chaise longue by Le
Corbusier, Charlotte Perriand
& Pierre Jeanneret for
Cassina. Armchair by Olivier
Santini for Mojow. Vases (on
mantel) by Jaimal Odedra.
Ceramics (on table) by
Antoinette Faragallah, Martin
Stuer and Sandra Zeenni.
Sculptures (on cases) by
Jean-Pierre Bonardot, Pierre
Martinon, Léontine Furcy,
Chandler McLellan and
Thomas Lévy

44 livingetc.com
 HOUSES

livingetc.com 45
HOUSES

he Paris-based interior designer Sarah Among other things, Sarah extended the kitchen by enclosing a

t Dray has an obsession with neatness. ‘In

my own apartment, nothing is ever out of
place,’ she says. ‘When things are messy, it
makes me depressed.’
That fondness for
rigour is in evidence in the projects she
light well and created a number of well-aligned openings in
the reception rooms. ‘I don’t really like doors,’ she says. ‘The
more a space is free flowing, the better it is.’
She reinstated a number of typical
Haussmann-style features – not only the
wall mouldings, but also crenellated
creates. She confesses to a love of symmetry,
favours strong lines and likes for everything
The dow n load cornices, chevron parquet and marble
fireplaces. She also tends to favour a calm,
to be just so. This apartment located on the THE OWNERS soothing palette (ask her for one thing
French capital’s Right Bank is no exception. This Parisian apartment belongs to you’ll never find in her interiors and she
The entry hall features a stone floor laid Marie, a doctor, and her dentist replies ‘the colour red’). Pierre requested
husband, Pierre. The couple have
out in a strict, grid-like pattern. The pared- the pink primary bathroom and Sarah
three daughters – Manon, Louison
down panelling in the main reception responded by pairing an expressively
and Paloma, aged six to 13. They
rooms gives the walls a regular rhythm, and vei ned blush-toned ony x w it h a
asked Paris-based interior designer
the sinks in the primary bathroom are wonderfully textural travertine.
Sarah Dray to renovate their classic,
housed in an arched niche. And if there is Haussmann-style apartment.
The first piece of furniture to find its
one design detail she favours more than any way into the apartment was the striking
other, it is fluting. ‘It adds a sumptuous, THE PROPERTY four-metre-long curving De Sede sofa
bespoke touch,’ she explains. The 225m2 unit is situated in a in the living room. ‘For me, it brings
Before seeing this apartment, owner building dating from the early 20th extraordinary character to any space. It’s
Marie had previously visited dozens of century. It features a spacious entry like a work of art,’ declares Sarah. In the
others, but always alone. ‘My husband hall, off which is the kitchen, the dining room next door, she installed an
places great trust in me,’ she explains. ‘He dining room, the living room and a arrangement of dozens of custom ceiling
guest WC. Off a further corridor
always says he doesn’t need to see a place. lights made from alabaster – one of her
is the primary suite on one side
If I like it, then he’ll automatically like favourite materials.
and the three girls’ en-suite
it too.’ As fate would have it, they ended up Sa ra h’s approach to decorat i ng
bedrooms on the other.
checking out this one together. ‘On the day children’s rooms, meanwhile, is to not
of the appointment, Pierre’s alarm clock make them look too childish. Here, she
didn’t go off,’ she continues. ‘So he was fitted all three with open bathrooms.
still at home and I managed to persuade ‘That way, each of the girls can enjoy their
him to come with me.’ What they discovered own independence,’ explains Sarah. ‘Once
was not particularly prepossessing. There were old-school they close the door, it’s as if they have their own studio apartment.’
squat toilets and a plethora of stains from successive water Which, with a bit of luck, they keep nice and tidy.
leakages. As for the electrics, they were apparently ‘un drame!’
The gut renovation involved the space being largely reconfigured. sarahdray.com

46 livingetc.com
DINING ROOM
‘I wanted to give the
impression of a starlit
sky,’ says Sarah of the
custom ceiling lights
in alabaster and brass.
Metal and Calacatta Oro
table, Sarah Dray. 0414
chairs, Gallotti&Radice.
Bronze 1 dish (on table) by
Helle Damkjaer, Galerie
Carole Decombe. Painting
by Guy Leclercq, Galerie
Dutko. Still Life sculptures
by Martin & Dowling,
Mouvements Modernes
gallery. Console, AM.PM.
Vintage glass and metal
wall lights; similar, 1stDibs.
Flooring, Studio Parquet
 DINING AREA
‘I’m not a fan of using a
huge amount of colour,’
says Sarah. ‘I prefer to
keep the backdrop and
furniture neutral and add in
brighter bursts through
accessories and artwork.’
Artwork by Victor Vasarely.
Baba chairs, Emmanuelle
Simon. Alabaster
chandelier; leather and oak
bench, both Sarah Dray.
Travertine table,
Beije Avenue. Vintage
ceramic dish, KRD gallery
 HOUSES

K I TC H E N
‘The aim was for the
island to look like a bar
counter in a typical
French brasserie,’ notes
Sarah of the fluted
patinated metal design.
Worktop in Taj Mahal
marble, Marbrerie de
l’Emperador. Tap, Gessi.
Artwork by John Carter
and Jean-Pierre Le Bars,
both Galerie Wagner.
Ceramics and glassware
(on shelf), CFOC. Pitcher
and bowl (on worktop),
Geraldine Pinault

livingetc.com 49
HOUSES

ENTRANCE
HALL
‘I’m a real stickler for things
being aligned,’ says Sarah
of the rectilinear design
here. ‘It helps to draw your
eye through a space.’
Know Thyself II painting
by Aude Herlédan, 1831
Art Gallery. Sculpture by
Jean Touret, Galerie
Gastou. Marble flooring,
Marbrerie de l’Emperador

50 livingetc.com
 MAIN
B AT H R O O M
‘My goal was to create
a majestic space with
a real wow factor,’
explains Sarah. ‘I really
fell for this pink onyx
and as it’s translucent,
I chose to backlight it
for the sink unit.’
Taps, Gessi. Signature
Object 6 side table by
Daniel Berlin, Galerie
Maria Wettergren.
Travertine and pink
onyx, Marbrerie de
l’Emperador
MAIN
BEDROOM
‘I wanted to design a
bedhead that hugs the
mattress so you really feel
like you’re in a cocoon,’
explains Sarah.
Wall plaster, Signature
Murale. Alabaster ceiling
lights; marble bedside
table; rug, all Sarah Dray.
Bedhead and curtain in
fabrics by Dedar. Nocta_03
stoneware lamp by Denis
Castaing, Aurélien Gendras.
Bed linen, Lissoy
 HOUSES

CHILD’S
BEDROOM
‘This room belongs to the
oldest daughter, who
asked me to create
a decor that would be a
good background for her
Instagram photos,’ recalls
Sarah. ‘I chose to design a
wavy mirror that is a
homage to Italian
designer Ettore Sottsass’s
iconic Ultrafragola model.’
Vanity in oak and
Patagonia granite; Wave
mirror, both Sarah Dray.
Ceramic floor tiles, Bains
& Déco. Bed linen, Lissoy

livingetc.com 53
HOUSES

THE LIFE
ICON IC

This Barbican apartment taps into the London landmark’s

brutalist good looks, while forging its own warm identity

PHOTOGRAPHY Philip Durrant

WORDS Kate Jacobs

54 livingetc.com
DINING AREA
Every material chosen by
designer Olga Alexeeva,
pictured, contributes to
the cosseting aesthetic,
including a linen-like
paper on the walls.
Flamant Les Unis Linens
wallpaper, Arte. Bryant
table, Porada. Drop
chairs, Fritz Hansen.
Multi-Lite pendant light,
Gubi. Bespoke floor tiles,
Alma Leather. Curtains
in Florence fabric,
Prêt à Vivre
HOUSES

LIVING AREA
‘There’s a nice balance
of rough and smooth
textures in the “his
and hers” armchairs,’
says Olga. ‘They’re
positioned to enjoy
the views across the
Barbican lake.’
Maralunga sofa, Cassina.
Naro coffee table, Noho
Home. Maggiolina chair
and footstool, both
Zanotta. Wulff chair and
pouffe, both &Tradition

icture the scenario: your family home is in the country, but you’re a huge fan of the Barbican – the bold,
brutalist apartment and arts centre complex in the heart of London. Over time, the kids leave home
and suddenly there’s the chance to snap up a little one-bedroom pied-à-terre in the iconic development.
The design aficionado couple who now own this apartment jumped at the chance, well able to see past
its then green living room and pink-upholstered bedroom walls. They drafted in interior designer
Olga Alexeeva, of Black & Milk, to reinstate its design credibility. From the start, the renovation
was about staying true to the Barbican’s rugged yet minimalist aesthetic – retaining and reinstating all
the carefully considered original features – whilst layering in a sense of warmth and deep comfort.
‘We wanted to take this apartment back, so that it felt authentically “Barbican”, but also to add cosiness
through colour, texture and a thread of luxury,’ says Olga.
Major structural work was never going to be an option in this Grade II-listed architectural
treasure. ‘When you want to make changes to an apartment here, there are often a lot of regulations
about what you can do. My advice is to minimise the structural changes and concentrate on more
subtle interventions,’ advises Olga. She cleverly zoned the main space with furniture, creating a cosy
TV area, a space for soaking up the Barbican’s incredible views – with carefully chosen his and hers
armchairs, plus a bar cabinet – and a dining area off the kitchen, further zoned with olive green leather
floor tiles that provide a visual contrast with the warm-toned oak used elsewhere. ‘It was about
tackling the spatial challenges with substance,’ explains Olga.
Black & Milk used walnut panelling and joinery to further define the apartment, referencing the
dark, glossy walnut that originally featured in these apartments, but in a warmer tone and matt finish
for a softer, more contemporary look. Since this is a second home, storage space wasn’t an issue, but a
wall of custom-made cabinetry in the living rooms helps to define the space, with textured amber glass
panels that hide the TV when not in use. The same glass is used in the kitchen to create a sense of
cohesion within the small space. The material palette also includes stainless-steel detailing, glass
splashbacks and PaperStone cabinet doors. ‘You have to take an intuitive approach to get the balance
of materials and finishes just right,’ says Olga.
An earthy, tonal colour scheme adds to the sense of warmth and calm, with shades inspired by the
estate itself, including the burgundy kitchen cabinets, which match floor tiles used throughout the
Barbican. Each piece of furniture was chosen with comfort in mind, with a lot of time devoted to
tracking down just the right sofa, bed and armchairs. To complete the cosseting effect, a linen-like
textured wallpaper, in a soft putty shade, has been used throughout. ‘I love to use wallpapers like this:
they help with the acoustics, so they’re particularly good in apartments, and they create a soft, intimate
feel in a space,’ says Olga. ‘When you walk in now, it feels so sensory and relaxing – a magical place.’

blackandmilk.co.uk

56 livingetc.com
LIVING AREA
‘The earthy, tonal colour
scheme creates a warm,
soothing atmosphere,’
says Olga. Moving from
wallpaper to walnut
panelling helps to define
the different areas of this
open-plan space.
Anuel bar cabinet, Soho
Home. Petra table lamp,
Parachilna. Walnut stool by
Charles & Ray Eames, Vitra.
Rivet Box side table, Frama.
Modern rug, Nordic Knots.
Flamant Les Unis Linens
wallpaper, Arte. Ashridge
engineered oak flooring,
Ted Todd
 HOUSES

LIVING AREA
The wall of custom-made
cabinetry has brutalist-
inspired textured glass
panels that screen the
TV when not in use.
Custom walnut TV
cabinet, Black & Milk

livingetc.com 59
HOUSES

K I TC H E N
Olga has created a
beautifully balanced
edit of materials,
including an off-white
glass splashback and
cabinet doors in a
burgundy tone that
references the tiles
in the building’s
communal hallway.
Bespoke cabinet doors,
PaperStone. Satin
stainless-steel worktop,
Barazza. Acciaio tap,
Gessi. Bespoke painted
glass splashback,
Black & Milk

W E WA N T E D T H E A PA R T M E N T TO F E E L L I K E I T
WAS PA R T O F T H E BA R B I C A N , W H I L E L AY E R I N G
O N A S E N S E O F WA R M T H A N D D E E P CO M FO R T

60 livingetc.com
HOUSES

The dow n load

THE DESIGNERS
Under creative director Olga Alexeeva, interior
design studio Black & Milk takes a highly tailored
approach to each client’s home, but always with
a focus on cosy luxury. That’s evident in this
apartment, created as a central London pied-à-terre
for a couple to soak up the social and cultural
offerings of the capital.

THE PROPERTY
Part of the City of London’s iconic Barbican Estate –
a landmark of brutalist architecture – this apartment
is in Gilbert House, which straddles the Barbican
Lake on soaring concrete pilotis. A modest one-
bedroom flat, it features a galley kitchen, open-plan
living and dining areas, a bathroom and a laundry.

BEDROOM
The generously sized,
custom-made headboard
was inspired by vintage
tube seat upholstery to tap
into the London vibe.
Custom-made headboard,
Black & Milk; covered in
Diva, Pierre Frey. Bespoke
bedside cabinet, Black &
Milk. Bestlite BL7 wall
lamp, Gubi. Bespoke bench,
Black & Milk; made by
Lacaze London

62 livingetc.com
HOUSES

H A L LWAY
Instead of a classic
skirting board, Clio
and Olivier installed
marble – it provides an
unexpected, and lovely,
contrast to the wall.
C R E AT I V E WO R K
Site-specific ceramic
artwork (in niche)
by Conie Vallese.
Vintage Utö chair,
Axel Einar Hjorth;
similar, 1stDibs
Life and art come together in this Lisbon apartment that
acts as a home, studio and gallery for two designers

WORDS AND STYLING Marie Monrad Graunbøl

PHOTOGRAPHY Mikkel Tjellesen/Living Inside

64 livingetc.com
LIVING ROOM
‘I am the detail-oriented one,
while Olivier thinks more in
broad terms,’ says Clio. ‘An
obvious example is our latest
coffee table, where Olivier
got the idea into shape and
I completed the design in
all its details.’
Hélios sofa; Mimi coffee table;
Luis metal chair, all Garcé &
Dimofski at The Invisible
Collection. King Kong painting
(on back wall) by Pedro
Batista. Sculpture (on side
wall) by Tadashi Kawamata.
Artwork (on floor) by Conie
Vallese. Rug, Beni Rugs
HOUSES

t is perhaps no surprise to learn that Clio Dimofski and

Olivier Garcé used to work for the designer extraordinaire
Pierre Yovanovitch. Their Lisbon apartment, now used
both as a space in which to live and to show their own work,
contains many of the hallmarks associated with Pierre –
a grandiosit y of period details next to equally grand
but much more modern Design/Art furniture. But what
sets this apartment apart is that many of the pieces here
are designed by Clio and Olivier themselves, under their
st ud io na me of Ga rcé & Dimofsk i, a bra nd sold by
The Invisible Collection, or directly from out of this space.
‘We are a multidisciplinary design studio in the sense that we thrive on
working with many different projects and in many arenas,’ Clio says. ‘It is
always about the conversation between materials, form, intention, function.
We try not to put too many limitations on ourselves.’
In this apartment, that conversation is an interesting one. It’s a dialogue
between neutral backdrops and standout furniture, or between overtly
warm oxblood-coloured walls and the exceedingly luxe slither of marble-
patterned clinker that snakes around the edge of a room in the place
of a classic skirting. The space is a home, a gallery, a creative laboratory
and a daily workplace – and a continual exploration of how to immerse
yourself in design in new ways. But what unifies these approaches is
the skill in their editing, in the way the couple has pared back each room
so that what’s in it truly stands out. ‘Although we would never define
ourselves as minimalists, we always try to hold back a little,’ says Olivier.
The desire for a calm environment can be in part explained by what
The dow n load this apartment was borne out of – a ‘Version One’ that was created as a
THE PROPERTY mental and professional diversion while the pandemic raged and the world
A 200sq m three-bedroom apartment in a as they knew it had turned upside down. Clio and Olivier were living in New
19th-century building in Lisbon, Portugal. York during the lockdowns and bans on gatherings so, when they could, they
The floor plan has the shape of a square turned their one-bedroom apartment into a mini-gallery where customers
with the property’s staircase as the inner could visit for exclusive exhibitions of furniture and design objects from
centre, meaning that the apartment has names like Minjae Kim, Ian Felton and the Green River Project.
rooms facing out on all sides, with the ‘We did not expect that the interest in our small project would be so
living areas overlooking the street and the great, but it motivated us to continue and keep exploring what this more
bedrooms the internal courtyard.
personal and intimate way of curating, presenting and selling furniture,
art and design objects can do to people,’ says Clio. The upgraded ‘Version Two’
THE OWNERS
came about after a relocation to Lisbon, and the initiative is so successful
Designers Clio Dimofski and Olivier Garcé
that it has become their full-time job. ‘Our focus is on creating furniture
live here with their four-year-old daughter.
The apartment serves both as their
that can stand alone,’ Olivier says. Their studio manifesto is a guideline
private residence and as a showroom and we could all do well to try to live by. ‘What we do must be long-lasting,’
gallery, where the couple’s international adds Clio. ‘Both from a craftsmanship and an aesthetic point of view.’
customers can experience furniture
and art designed or curated by them. garce-dimofski.com

66 livingetc.com
SNUG
The apartment’s smaller
living room is designed
as an intimate salon with
a selection of statement
furniture designed to
inspire conversation.
Vintage Lovö rocking
chair by Axel Einar Hjorth;
similar, 1stDibs. Sofa is
vintage Swedish; similar at
Retrospective Interiors.
Marble coffee tables,
Garcé & Dimofski at
The Invisible Collection.
Painting (behind sofa)
by Joe Henry Baker
 SNUG K I TC H E N DINING ROOM
The ridges in the striking As one of the few Semi-separate from the
sculptural fireplace double windowless rooms in the living room and with an
as shallow shelves on apartment, the couple leant entrance to the kitchen,
which to display art. into this with their choice this room exemplifies Clio
of a deep colour palette. and Olivier’s minimalist
Wooden chair (left), Minjae The high-gloss glazed approach to showcasing
Kim. Vintage Lovö rocking tiles nod to traditional Design/Art furniture.
chair by Axel Einar Hjorth; Portuguese craftsmanship,
similar, 1stDibs. Vintage while also reflecting light Table, Studio Haos. Vintage
Swedish sofa; similar, back into the space. 1960s chairs, Pierre Chapo;
Retrospective Interiors. similar, 1stDibs. Lacquered II
Eclipse sconce, Garcé & Ceiling lamp, Carl-Axel chair; fibreglass pendant
Dimofski at The Invisible Acking. Similar tiles, The light, both Minjae Kim. Lison
Collection. Diptyque II Mosaic Factory. Similar shelf; Moon wall sconces,
artworks by Pedro Batista paint, Red Earth by all Garcé & Dimofski at
Farrow & Ball. Similar The Invisible Collection.
units, Naked Kitchens Artwork by Pedro Batista

68 livingetc.com
HOUSES

DESK AREA
This is one of the
apartment’s smallest
spaces and it is the guest
room for visits from the
couple’s French family
but also doubles up
as an office.
Vintage 1932 desk, Axel
Einar Hjorth; similar,
1stDibs. Similar chair,
House of Finn Juhl.
Moon wall sconce,
Garcé & Dimofski at
The Invisible Collection

70 livingetc.com
MAIN
BEDROOM
The sleep space is –
just like the rest of the
apartment – furnished
with seemingly unfussy
elements that have been
chosen to complement
each other despite their
obvious differences.
Bed, Garcé & Dimofski at
The Invisible Collection.
Artwork by Alexander
Mignot. Oversize
bamboo pendant
lamp, Studio Haos
 HOUSES

MAIN
BEDROOM
The original details were
one of the main reasons
why the couple chose this
particular apartment.
Carl floor lamp, Garcé &
Dimofski at The Invisible
Collection. Assento
bullrush and metal
stool, Macheia Studio.
Vintage 1930s armchair
by Märta Blomstedt

livingetc.com 73
HOUSES

MAIN EN SUITE
Different types of locally
produced pastel marbles
frame the en-suite bathroom.
The ceramic work above the
tub that looks like a pool
ring – placed as a humorous
comment on the function of
the room – is by the French
artist Hugo Cantegrel.
Every Man For Himself
artwork by Hugo Cantegrel,
Galeria Foco. Similar pendant
light, Artemest. Similar bath
tub, Lusso. Yellow framed
print by Ronan Bouroullec

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HOUSES

H ig h
societ y
Perched above Manhattan’s
High Line, this apartment blends
punchy colours and soothing
hues in the chicest way

PHOTOGRAPHY Read McKendree/JBSA

STYLIST Katja Greeff
WORDS Karine Monié

76 livingetc.com
 DINING AREA
‘We positioned the dynamic
sculptural shape of the
mustard dining table with a
pendant above to set the
stage,’ says designer Lucy
Harris. ‘Your eye then moves
through the space out to the
amazing views of the High
Line and Hudson Yards.’
Tobi-Ishi table in Mustard,
Barber Osgerby at B&B Italia.
Scape chairs, Gestalt. 84.6V
light, Bocci at ddc. Vintage
candlestick, Illums Bolighus
at Chairish . Diiva bar stools,
Grazia & Co at Gestalt
 The dow n load
THE DESIGNER
Lucy Harris took on this project for an
American couple – he is an entrepreneur
and she was a lawyer. The owner was
so inspired by the design process, that
she left her law practice to start
training as an interior designer.

THE PROPERTY
Spread over 140 square metres, the
apartment features an open-plan
arrangement for the kitchen, dining and
living areas. There are two bedrooms,
two bathrooms and a study..

S T U DY
‘This is a fully immersive
colour and sensory
experience,’ says Lucy.
Malachite wallpaper,
Fornasetti at Cole & Son.
Marianne double wall lamp
by Wo & Wé. Custom daybed
and desk, Lucy Harris Studio;
daybed in Buckingham, Tibor.
Shogun table lamp, Mario
Botta at Artemide. Vintage
Scandia chair, Hans Brattrud
at Chairish; covered in Velvet
Lines in Tuile, Pierre Frey.
Custom Cosmic Yolk
rug, Aelfie
 HOUSES

ENTRANCE
‘This creates a wow
moment as you arrive in
the private elevator
to this spectacular
apartment,’ says Lucy.
f there is one thing to consider when Walnut Ripple bench, Cuff

i
looking for the perfect pied-à-terre, it is Studio; covered in hand-
marbled Stone Plume in
without a doubt the location. Situated in Starlit Night, Rule of Three
the Big Apple’s Chelsea neighbourhood, Studio at Alt for Living. Melt
mirror, Bower Studios. Rug,
this two-bed apartment fits the bill exactly. Breuckelen Berber
Its enviable position is adjacent to the
emblematic High Line, a 1.45-mile-long elevated public park
created in 2009 from a disused rail track originally built in the
early 1930s. Planted by the influential garden designer Piet
Oudolf, the High Line has since become a destination for both
New Yorkers and visitors alike.
The locale affords this apartment views over Hudson Yards,
with the 16-storey Thomas Heatherwick-designed Vessel in
clear sight. Nestled in a new build with floor-to-ceiling windows
from which to enjoy the incredible panorama, the apartment
has been transformed with eclectic yet contemporary-leaning
interiors, for a couple whose primary home is in the completely
different nature-filled environment of Utah, on the other side
of the country. ‘We wanted to create an escape from the city that
provides respite regardless of the bustle below,’ says its interior
designer Lucy Harris. Lucy – whose eponymous studio is based
in New York – was able to create this sense of a haven by her use of
curved shapes and a kaleidoscopic – yet chic – choice of colours,
ranging from rich to muted.
Growing up in a modernist house in New England with
artistic parents fostered Lucy’s appreciation for art and design at
an early age. Tackling a project on the High Line had been a dream
of hers since her student days and she used her artistic approach
to come up with a colour palette that is both bold and enveloping,
yet also calm and soothing. main requests from the couple. ‘She wanted all-encompassing
In the more public areas of the flat, soft hues, such as muted spaces with warm colours, and he wanted everything to be
ochre and dusty pink, set a subtly welcoming mood, while the “nappable”’, says Lucy.
striking mustard yellow dining table is a nod to what comes next. During the time that it took to complete the design – a little
The apartment’s private spaces, meanwhile, feature bold colours over a year – the homeowners reached an important personal
for a more immersive experience: here is where you find the deep milestone. ‘At the end of the project, the couple got married,’
indigo main bedroom, the terracotta guest bedroom and the says Lucy. ‘This was especially fun because the finishing date
emerald-green study. ‘The sky was the limit here,’ says Lucy. was planned in such a way as to coordinate with their wedding
‘This project was a true collaboration between our design team reception. They hosted the brunch for their family and friends
and the homeowners – one of whom has since begun an interior in their newly decorated apartment. It was exciting and romantic
design degree at Parsons! It was a real meeting of the minds.’ making the reveal come together for that.’
Among the biggest challenges in ensuring the on-paper eclectic
elements would blend seamlessly was in responding to the two lucyharrisstudio.com

livingetc.com 79
HOUSES

S E C O N DA RY
S E AT I N G
AREA
The homeowners
requested that all seating
be beautiful and
‘nappable’, so this space,
created for quiet
contemplation or rest,
reflects that idea.
Camaleonda seats, Mario
Bellini for B&B Italia. Marble
plinth Cube side table,
Menu. Custom Monarch
bench, Asa Pingree. Hawley
side table, Egg Collective.
Plinth and sculptural objet,
The Future Perfect

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P R I M A RY
S E AT I N G A R E A
Every design choice made
was made to ensure the
apartment was an escape
from the hustle and bustle
of the city below.
Pierre Augustin Rose 280 sofa
in Teddy mohair by Pierre Frey,
StudioTwentySeven. Ottoman,
Love House; in Prima Alpaca
Solid in Shadow, Sandra
Jordan at Holland & Sherry.
Concho coffee table, Yucca
Stuff. Custom sideboard,
USM. Bishop floor lamp, Coil
+ Drift. Custom rug, Carini
Carpets. Curtains in Sorrento
sheer in Luna, Coraggio
HOUSES

MAIN
BEDROOM
‘We wanted this space
to feel like a sanctuary,’
says Lucy.
Flora Duck wallcovering,
Bien Fait at The Pattern
Collective. Mae bed by
Adam Rogers; Triad
walnut side table
by Elizabeth Roberts,
both Radnor. Alto quilt,
Studio Ford. Cushion in
Limpopo in Acajou, Pierre
Frey. Aged brass, agate
and grey leather Talisman
1 pendant, Apparatus.
Suhana rug, The Citizenry

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HOUSES

SMALL BUT MIGHTY

This Kyiv apartment – renovated during the war and a symbol of
the resilience of the human spirit – is nothing less than a triumph

PHOTOGRAPHY Yevhenii Avramenko

WORDS Pip Rich

84 livingetc.com
LIVING AREA
A beautiful bespoke piece
of joinery divides this room
and the kitchen, and it offers
display and storage space
and a place for the TV.
Custom joinery, Mirzoyan
Studio. Sofa, Delavega.
Blink carpet, Zuiver. Slit
coffee table, Hay. Tung side
table, &Tradition. Artwork
by Alexander Kryzhanovskyi.
Verner Panton flowerpot
lamp, &Tradition
K I TC H E N
The streamlined nature of
the units helps them blend
into the apartment’s
open-plan living space.
Custom kitchen, Mirzoyan
Studio. Walls and
cabinets in NCS S
1505 Y20R, Avace
 HOUSES

t the time of
renovation, and of
this interview, the war in Ukraine was ongoing – we all
hope it has finished by the time you’re reading this. But
the threats to life and constant disruption didn’t
stop the Kyiv-based designer Nastia Mirzoyan’s desire
to create a calming space. ‘We faced challenges due to
regular power cuts, missile attacks and air raids,’
Nastia says. ‘Sometimes builders could not come to the
site, and sometimes they came and sat in a shelter for
hours. There were times when construction was halted
for months, and the budget was cut in half. Despite this,
we focused on delivering the project as planned,
working flexibly within the constraints.’
Designed for her client to rent out, the aim was to
create a space tenants could relax in and have friends over to – inspiringly, life goes on, even right now, H A L LWAY
in Ukraine. ‘The focus was on creating a functional and inviting environment,’ Nastia says. At a bijou ‘The green of the door
connects the interior to the
55 square metres, the apartment is small but bursting with ideas so much bigger than its floor plan. courtyard view, creating a
‘Colour is used to create focal points and add energy to the space,’ Nastia says. ‘For example, the red harmonious flow between
the outdoors and indoors,’
side table and blue pendant light bring life to otherwise neutral spaces. We used these colours says designer Nastia.
sparingly to maintain balance.’ Reflective surfaces are another clever trick, bouncing light back into Front door in S 5010-G30Y,
the space. The cabinets that help to create an entryway and shield the front door from the rest of the flat NCS Colour. Custom
mirrored cabinets, Mirzoyan
are covered in mirrored glass. ‘They expand the visual space and enhance the light,’ Nastia says. Studio. Floor made from
But most impressive of all is Nastia’s use of curves. The wall that separates the kitchen from the broken marble tiles sourced
from a local supplier; for
bathroom has been rounded off because ‘curves soften the overall aesthetic, balancing out the sharp similar, try Hereford Stone.
lines of furniture and architecture,’ Nastia says. ‘They create a sense of fluidity and openness, Doul ceiling lights, Aromas

contributing to the cosy, inviting atmosphere.’ That detail is complemented by the swooping coving
that loops across the ceiling – a contemporary take on Victorian cornicing that gives this flat a sense of
movement and life. ‘I wanted to emphasise the unity between the kitchen and living area, which are
otherwise visually divided by the wooden shelving unit,’ Nastia says. ‘The ceiling design helps
reinforce their connection, while also subtly marking the linear corridor zone within the open layout.’
It’s that subtlety of touch that makes this small home feel so spacious – the artful sense Nastia has
of knowing when to add detail and when to pull back.

mirzoyan.cc

livingetc.com 87
HOUSES

B AT H R O O M
‘Yes, this is a small space
but the patterned floor
adds texture without
overwhelming it,’ says Nastia.
Custom vanity (made from
local granite), Mirzoyan
Studio. Floor made from
broken marble tiles sourced
from a local supplier; try
Hereford Stone. Similar
wall tiles, Ca’ Pietra. Similar
shower fittings, ABI Interiors

COVING THAT LOOPS ACROSS THE CEILING IS A

CONTEMPORARY TAKE ON VICTORIAN CORNICING AND
GIVES THE FLAT A SENSE OF MOVEMENT AND LIFE
AND ALSO CONNECTS THE KITCHEN AND LIVING AREA

88 livingetc.com
DINING AREA
‘A single central leg was
used for the table to keep
the space feeling open and
airy,’ Nastia says. ‘This
allows for more visual flow.’
Custom table and joinery,
Mirzoyan Studio. Vintage
Giandomenico Belotti
dining chairs. Utzon
special edition ceiling
light, &Tradition. Similar
flooring, Havwoods

The dow n load

THE PROPERTY
A 55-square-metre one-bedroom
apartment in the centre of Kyiv, Ukraine,
with the high ceilings and monumental
facades typical of the Stalinist era in
which it was built.

THE DESIGNER
Local designer Nastia Mirzoyan, founder
of Mirzoyan Studio, who is known for her
modern interpretation of minimalism that
still manages to pack punches of colour.
HOUSES

BEDROOM
‘Dark walls create an
intimate feeling, ideal for a
sleep space. They promote
relaxation and a sense of
tranquillity,’ says Nastia.
Walls in S 5010-G30Y, NCS
Colour. Custom headboard,
Mirzoyan Studio. Gold
lantern pendant light,
Dutchbone Suoni. Bedside
table, Zuiver. For similar
bedding, try Heal’s

WE AIM TO CREATE CALM, UNCLUTTERED SPACES

THAT STILL FEEL WARM AND INVITING – CAREFULLY
SELECTING EACH ELEMENT ENSURES A PERSONAL FEEL
WHILE MAINTAINING A MINIMALIST ESSENCE

90 livingetc.com
 PRECIOUS GEMS
Colour, happily, has a real hold on
decorating this season – it’s a sure-fire
way to a joyful-feeling home after all.
Instead of pure, saturated brights,
however, which can feel too energetic
for spaces you want to unwind in, you
want colour that’s softened at the edges.
Paint & Paper Library has managed to
nail the balance with its Jewels capsule
collection, with eight paint shades
inspired by crystals, minerals and
stones. These are bold yellows, blues,
greens, pinks and reds, big enough to
pack a punch whether they’re being used
to envelop a room or as an accent colour
– but thanks to their natural inspiration,
they feel grown-up and restrained,
not primary and child-like. We honestly
love them all, but if we had to choose a
favourite, it would be between fresh,
punchy Peruvian Yellow and the warm,
rich Atlas, a deep burnt orange hue.

Walls in Atlas
Architects’ Matt, £67
for 2.5ltr; architrave,
shutters and skirting
in Atlas Architects’
Satin; window in
Slate V Architects’
Satin, both £92 for
2.5ltr, all Paint &
Paper Library

TH E FA B R I C S , WA LLPA PERS AN D CO LO U RS THAT AR E H OT R I G HT N OW, A

N E W US E FO R CU RTAI N S AN D B I G G I N G U P U N US ED S PAC E S I N TH E H O M E
Wall in (far left) Waffle
Weave in Brick Red, Arte.
Gili pendant shade, Julian
Chichester. Vintage Terrazza
sofa, de Sede; covered in
Z Suede in Truffle, Tobacco,
Cognac, Tan, Saddle, Rust
and Brunello, Zinc Textile.
Lagune side table, Calligaris.
Vintage rock formation,
M.A.H. Window seat pad in
Lino RE in 834 by Etamine
at Zimmer + Rohde. William
large two-seat sofa by
Damian Williamson for
Zanotta at Aram. Lum floor
lamps by David Dolcini for
Porada. IO side table in
Ochre, L.Ercolani. Meduza
lamp by Sebastian Herkner
for Zanat at SCP. Console,
Edward Collinson. Objets
on console, see overleaf.
Composition in Red And
Black oil on panel (left) by
Petrus Ten Siethoff at Relic
London. Connection series
XII oil on board (right) by
Hannah Ludnow at M.A.H.
Zanzibar rug in Ochre, GP & J
Baker. Snak ottoman (just
seen), Alexandre Guillemai
at The Invisible Collection
(On model) Dress,
Zimmermann. Earring, YSSO  h
 D E C O R AT I N G

Desert haze The (soft) focus is on

blush tones for 2025 and
filtering their gentle haze
into schemes that soothe
and gently energise

PHOTOGRAPHY Felix Speller ART DIRECTOR & INTERIORS STYLIST

Hannah Franklin FASHION STYLIST Harriet Nicolson at Stella Creative Artists

livingetc.com 95
D E C O R AT I N G

MODEL AMELIA BACKMAN AT MRS ROBINSON HAIR AND MAKE-UP ARTIST CLAIRE RAY AT CAROL HAYES MANAGEMENT PRODUCER ISABELLA
CHARLESWORTH PHOTOGRAPHY ASSISTANCE JOSEPH BARRETT FASHION ASSISTANT LACIE GITTINS STYLING ASSISTANCE ALICJA ZOFIA
BIENIEK, SAM LANGLEY, ELLIS BROOKE MORGAN, AREESHA RICHARDS SET BUILD TIM WARREN SEAMSTRESS JUDITH HOFFMANN
Wall in Waffle Weave in Brick
Red, Arte. Connection series
XII oil on board (left) by
Hannah Ludnow at M.A.H.
Console, Edward Collinson.
Bark Oblong Budding vessel
by Julie Nelson at M.A.H. Two
terracotta sculptures by
Kristian Holmqvist at Relic
London. Meduza lamp by
Sebastian Herkner for Zanat
at SCP. Biomorphic wooden
sculpture by Kristian
Holmqvist at Relic London.
Conical Crescent Hand
stoneware by Julie Nelson
at M.A.H. Vintage Terrazza
sofa, de Sede; covered in
Z Suede in Truffle, Tobacco,
Cognac, Tan, Saddle, Rust
and Brunello, Zinc Textile.
Composition in Red And
Black oil on panel by Petrus
Ten Siethoff at Relic London.
Argonaute sculpture by
Argot Studio at M.A.H. Black
block, stylist’s own. Crane
Wife No.5 sculpture by Noe
Kuremoto at M.A.H. Ochre
Cupped Hand stoneware by
Julie Nelson at M.A.H. Earth
Baby vessel by Jess Murphy
at M.A.H. Rock formation,
M.A.H. Zanzibar rug in Ochre,
GP & J Baker. (On model)
Trench, blouse and shoes,
Alexander McQueen h

96 livingetc.com
 D E C O R AT I N G

Basongye dining table,

Sophie Dries at The Invisible
Collection. Loop dining
chairs, Fred Rigby Studio.
Bell Lamp pendant lights,
Caravane. Platter (left), The
Table. Aheste 22 vase by
Ayse Habibe Kucuk at M.A.H.
Organic terracotta sculpture
by Kristian Holmqvist at Relic
London. Mar floor lamp,
Arteriors. Bantham rug (left),
Neptune. Curtain in Fleur de
lin RE, Etamine at Zimmer +
Rohde. Ketch armchair,
Poliform. Mars pot (right);
Saturn pot (left) both by
Holly Dawes at M.A.H. Sand
Series 6 stoneware platter
(right) by Jo Modern Potter
at M.A.H. Rug (right), Beni
Rugs. (On model) Jacket
and trousers, Elie Saab.
Earring, Nada Ghazal.
Ring, Annabel B  h

livingetc.com 99
D E C O R AT I N G

Walls in Waffle Weave in

Brick Red, Arte. The Halstock
bed, Naturalmat; covered
in Solaire, Etamine at
Zimmer + Rohde. Bedspreads
in Rabane RE in 445,
Etamine at Zimmer + Rohde
and Demoiselle in Blush,
Casamance. Soren globe
pendant light, Pinch. Carciofi
stool, Laclaux at The Invisible
Collection. Coalescere
side table, Galvin Brothers.
Meduza lamp by Sebastian
Herkner for Zanat at SCP.
Painting, stylist’s own. Silk
Lines rug in Blush, Knots
Rugs. Curtain in Vauvert in
Natural, Designers Guild.
(On model) Dress, Issey
Miyake. Hat, Awon Golding.
Earring and ring, Alighieri h

100 livingetc.com
 D E C O R AT I N G

Teak and linen screens,

Graham and Green; covered
in Izmir, Osborne & Little.
Le Bambole armchair
(left), B&B Italia at Aram.
Biomorphic wood sculpture
by Kristian Holmqvist at Relic
London. Liquid stone side
table, Floris Wubben at SCP.
Orion coffee table, Lema.
Shoulder vase by Lucia
Fraser at M.A.H. Vintage rock
formation, M.A.H. Rug, Beni
Rugs. Ori sofa bed (bottom
left), Another Country;
covered in Foulard in
04, Osborne & Little.
Hasu chair (right), Lema.
Beni Ourain rug (right), SCP.
Curtain in Fleur de lin RE,
Etamine at Zimmer + Rohde

livingetc.com 103
 Colour decoded
Livingetc colour expert Amy Moorea Wong on a living room that
shows the power of a colourful hero piece – or two, or three…

A lounge in
designer Tali
Roth’s own home,
featuring pops of
colour against a
neutral, textured
background
 D E C O R AT I N G

Moments of colour flutter though this sofa by Mario Bellini (reupholstered in purple wool
space. The home of Tali Roth, principal and Bouclé by Dedar) waves out at us, like it’s having a
founder of New York and Melbourne-based design lovely time on holiday in a strange new land, adding
firm Studio Tali Roth, is a delicate, expert weaving a twist to keep us on our toes.
of pigment and natural shades, which somehow has
a sense of both the peaceful and the experimental. Colourful seating really lifts this space – FAMOUS,
take them away and it’s all a bit ‘meh’. Hide GRAHAM & BROWN
‘It’s a very thoughtful palette,’ muses Tali. ‘I wanted
it to feel super cool and calming and not stuffy or it with your hand and you’ll see what I mean; the
precious. It’s warm and cosy.’ room becomes a nice-but-not-so-noteworthy sea
of neutrals and nature tones. The boldly hued
Each surface is delicately deployed to furniture radiates not only pigment, but power and
create a homely yet elegant and exciting space – it’s punch. These pieces are here to mix things up, raise
a tutorial in texture. It all starts with the heavy some eyebrows, and they’re doing a great job. FRENCH TURQUOISE,
weave of the jute rug, which creates a rather rustic CRAIG & ROSE
feel and sets the tone for The painterly,
tactility as it greets us movement-filled
underfoot. Work your artwork (by Oscar Perry)
way up from there, and is heavy, its dark midnight
chunks of stone, timber blue a nd pu r ple tones
and glass catch the eye forming a backdrop that, LADY BUG,
and play w ith light in again, is something of a EARTHBORN
dif ferent ways, while surprise. It’s inky, moody,
various textiles – suede, stor my, t he d ia met r ic
mohair, linen, wool and opposite of the brig ht,
Bouclé (ca n you f i nd life-filled tones in the rest
t h em a l l?) – m i ng le of the room.
quietly, peacefully. MUSTARD,
The palette levels out NEPTUNE
It’s the most subtle so beautifully it’s like
and lovely texture every shade has been
that transforms this carefully weighed. The
room from standard room is split in two, the
into spa-like luxury. lowe r h a l f w a r m e r,
PHOTOGRAPHS (MAIN IMAGE) LILLIE THOMPSON STYLING JOSEPH GARDNER

Painted in a Venetian polished plaster with a slight earthier, more rugged, and full of pieces of interest
NATTERJACK,
lustre, the walls contrast with the flat matt ceiling and intrigue, the upper segment brighter, lighter, FENWICK & TILBROOK
adding the sleekness and under-the-radar opulence simpler, purer. While the neutrals dominate by the
to proceedings. Imagine the subtle, I-can-see-it- square metre, it’s the smaller, more intense areas
out-of-the-corner-of-my-eye gleam and how it and accents that have the most impact. The rich
changes around the room as the light moves; it’s tones of the seating are surreptitiously balanced by
enough to send a gleeful shiver down the spine. the small pieces of darkness dotted throughout the
space, which thread together and slot into the fabric
OXFORD BLUE,
The aubergine sofa is like that surprise of the room to give the deep shades a larger presence
DULUX
guest you end up inviting to stay. Does it ‘fit’? than we initially thought (even the shadows chip in).
Perhaps not. Does it work? We can all see, and Then there’s the artwork, which hides within it
sense, that it does. ‘The purple sofa is the unexpected colours that nod to the furniture, curtains and
wild card – I agonised over the colour,’ Tali says. ‘It cushion, tying everything together in a neat bow to
was the right choice because while it is unrelated, helpfully create a cool, chromatic equilibrium.
it’s also the perfect complement to the sandy gold
tones, a nd it absolutely cut s t h roug h t he SEASHORE,
Amy Moorea Wong is a design journalist and
CLAYBROOK
predictability of the space.’ The vintage Le Bambole author. @amy_moorea; amymoorea.com

livingetc.com 105
 We’re delighting in the punchy patterns and touch-me textures
that make up fabric and wallpaper houses’ SS25 collections –
these are the key trends you’ll be decorating with this year
WORDS Ellen Finch

In the
abstract
We see abstract patterning most years in
fabric and wallpaper design, but we were
struck by the way brands have combined it
with geometric detailing this season – just
take this tapestry by Dedar as an example.
With a palette inspired by a 17th-century
original and pattern by early 20th-century
Beowulf tapestry avant gardes, it’s rich with creativity. 
h
fabric in Moon Flower,
€338.40m, Dedar
 Check
mate
Since this classic pattern made a comeback
through the Playfulism trend, we’ve been
obsessed – it’s fun, it’s jaunty, it adds a
play f u l bent to a ny scheme, a nd it
encourages you to be a bit bolder with
colour. Give it a try – it lends itself well to
ever y thing from bright, poppy pinks
through to dark academia-coded oxblood.

Curtains in Velours
Vasa from the
Illusions collection,
£151m, Nobilis
 D E C O R AT I N G

Ziri fabric in Chia, Belo fabric in Shell,

£57m, Romo £98m, Larsen

Chairs in Tarot
in Lychee; drapes in
Tarot in Ochre, both
£124m, Kirkby Design

Lattice Velvet fabric

Terrazzo Scacchiera in 796, Paradise
fabric in Sienna, Found collection,
£92.40m, Camengo £271.90m, Travers h

livingetc.com 109
 Heady
florals
W hile f lorals for spring might not be
groundbreaking, at least these moody
patterns have a bit of edge. Use all the way
around the room if you’re embracing them
through wallcoverings (no feature walls
here, thank you) and opt for fabrics with
richer, heavier textures, like a jacquard.

PHOTOGRAPH TIM WARREN

Curtains in Grand
Thorpe in Lapis,
£140m, and
Torben in Galah
Pink, £150m; chair
in Fanfare in Flax
Flower, £130m,
The House of
Liberty by Liberty
 D E C O R AT I N G

Blostma Tapestry Where the Wildflowers

fabric, £236m, Grow in Dusk, £159 a roll
Zoffany (wallpaper) or £110m
(fabric), Divine Savages

Prataria in Galaxias
wallpaper, £140
for 2m roll,
House of Hackney

Tayrona Palm Mosaic

fabric in Cayenne Latte, Caspia fabric in
£150m, Johanna Ortiz Mulberry, £224m,
for Schumacher Kravet x Altuzarra
h 

livingetc.com 111
 3D
texture
Whether embossed or woven, the new way
to make your scheme sing is with texture
that seems to leap off the walls. We saw a
lot of metallics used in conjunction with
this trend – for a glam-luxe twist – or opt
for something like Lincrusta’s paintable
wallcovering, which can be made even
more impactful with a glossy finish.

Sensation
wallcovering
in Chalk and
Ivory, £214.30m,
Casamance
 D E C O R AT I N G

Le Jardin d’Aloès Lacy Longlegs

(Palimpseste) wallcovering in Stone,
wallcovering in £304lin m, Moooi
RM 1092 11, price
on request, Élitis

Rubra in Golden
Natural, from the
Melaky wallcovering
collection, from
£215lin m, Arte

Acanthus wallcovering, Light at Night

£399 a roll (unpainted), wallcovering in Solar,
Lincrusta x Morris & Co. £120m, Omexco h

livingetc.com 113
 Skinny
stripes
There’s always a space for candy stripes
in our homes, but right now we’re loving
all things skinny – especially when they’re
mixed and matched. A slimmer stripe is
a great way to introduce colour if you’re
normally averse to the concept, as you can
temper it with a neutral – we’re currently
obsessed with red and pink as a combo.

Drape in Asolo in Wild

Rose, £125m; headboard
in Obie in Mango, £64m;
bolster cushion in Tiva in
Russet, £70m; cushion in
Aron in Tuscan Pink with
Obie in Mango, £64m;
bedspread in Obie in
Tuscan Pink, £64m;
bench in Arbury in
Russet, £70m, all Romo
 D E C O R AT I N G

Taryn jacquard Conduit Stripe fabric

fabric in Ink, £46m, in Indigo, £50m,
Clarke & Clarke Designers Guild

Sofa in Glencoe in Jewel

Tones, £184m; cushions in
Linen Taffeta in Scots Pine,
£128m, all Madeaux by
Richard Smith

Artist’s Stripe
wallpaper in Sakura
& Astrantia, £140 Ocala Stripe indoor outdoor
for 2m roll half height, fabric weave in Mallard/
House of Hackney Chalk, £58m, Harlequin

livingetc.com 115
 Curtain call
Not just for windows any more – hang this home staple behind
your bed for instant softness or even privacy

FEATURE Olivia Wolfe

BIG SOFTIE
Interior designer Brittney Hart, one half
of New York-based studio Husband
Wife, loves styling curtains behind
beds. ‘We have used this strategy in a
couple of projects as it’s such a nice way
to add texture and warmth,’ she says.
But why stop at just the bed? Wrapping
the entire circumference of the room
can be just as impactful, and works
particularly well in modern spaces, like
in Husband Wife’s Steinway Tower
project shown here. It’s an easy way to
add privacy, but also softens the sharp
lines of most modern builds, instantly
making the space feel more comfortable
– not to mention, way more luxurious.
 D E C O R AT I N G

HIDE AND SEEK

In this project by Auckland and LA-
based architectural practice Fearon
Hay and interior designer Katie
Lockhart, curtains provide a functional
as well as aesthetic role, separating
the bed from the dressing area
beyond. Along with the extended
headboard, this system of
separation helps to do what sleep
experts always tell you to do –
keep the bed for rest and relaxation
and avoid distraction. It also allows
the focus to be on the view out of
the windows, rather than the storage
towards the back of the room. h
PHOTOGRAPHS (BIG SOFTIE) NICOLE FRANZEN; (HIDE AND SEEK) DAVID STRAIGHT

livingetc.com 119
D E C O R AT I N G

IT’S A WRAP
(AROU N D)
Fabric wrapped around the frame
creates a layered look to this
bed, part of a project by London
interior designer Pandora Taylor.
For those who shy away from wall-
to-wall curtain, this can also offer
a more minimalist approach to the
concept. The neutral striped fabric
is also directional, drawing the
eye down to the bed itself and
encouraging a feeling of cosiness.

PHOTOGRAPH ASTRID TEMPLIER

120 livingetc.com
Spot the difference
Making use of niches like understairs spaces, landings and narrow gaps can be
tricky, but these designs show what’s possible with a bit of imagination

FEATURE Ellen Finch

LOU NG E LOVE R
Clever architectural planning means
that the new landing of this extended
home also doubles up as a snug, just a
few steps up from the open-plan kitchen
and dining room. ‘We incorporated the
snug as a key part of this redesign as
we knew that it would positively add
to the spaces around the kitchen,’ says
Johan Hybschmann, partner at London
architecture studio Archmongers. ‘The
raised floor created extra storage
under the rug, which meant that we
could avoid adding it under the
staircase, which we much prefer as a
design principle. It leaves the staircase
as a clearly defined element in the room.’
 D E C O R AT I N G
PHOTOGRAPHS (LOUNGE LOVER) JIM STEPHENSON; (UP AND OVER) ALEXANDER JAMES

U P AN D OVE R
‘The joinery in this space was here when the client took us on, and even though it wasn’t the most elegant design, we decided that the cost of
replacing it would have been too high, especially with sustainability in mind,’ says Sophie Pringle, creative director at Pringle & Pringle. ‘Because
of the clean, contemporary design of the joinery, we decided to paint it in with the walls to give it a new lease of life and to help the space feel
bigger. The joinery to the left was designed by us and means that there is connectivity and a nice flow between the two rooms. It also makes
the joinery around the door feel more purposeful to have it continued on both sides.’ h

livingetc.com 123
 C H I L D F R I E N D LY
Think outside the box for that awkward understairs space and turn it into a mini playroom, à la Melbourne architecture and interior design studio
WOWOWA. ‘The big windows, pocket garden, open treads and perforated balustrade all made it possible to create a small playroom for two
boys under the stairs in this tiny Victorian terrace,’ says director Monique Woodward. ‘The sunken lounge-style carpeted nook felt like a joyous
nook to chat to people in the kitchen beyond. It’s possible to look over the bench and into the space to create connection but separate togetherness
within the home. The rich colours also give it a cosy, cubby feeling. The open treads capitalise on the void above and give grandeur.’

124 livingetc.com
 D E C O R AT I N G

CLEAN CUT
The client for this project by design
consultancy Space A wanted a
bath and shower in this space, but
hated the idea of combining the
two into one unit. ‘Once we had
placed the bath, the end of it
naturally worked for the shower
area,’ says co-founder Amelia
Hunter. ‘It made sense to use the
wall above the other end of the
bath for shelving for toiletries
and to display bits and bobs. We
used the same marble for the
bath frontage, top and shower
sides to make a homogeneous
form. It was important that
the shower felt part of the room
and not a bolt-on.’  h
PHOTOGRAPHS (CHILD FRIENDLY) MARTINA GEMMOLA; (CLEAN CUT) BROTHERTON - LOCK

livingetc.com 125
 T U C K E D AWAY
For this bedroom, which expands into the eaves of the house, the area under the sloping part of the roof was transformed into a nook for a desk,
positioned neatly under the window. ‘The main challenge in this bedroom was to maximise storage wherever possible,’ says Emma Shone-Sanders,
designer and founder of Design & That Studio. ‘We incorporated a cupboard under the eaves, added wall panelling behind the bed and integrated
a hidden cupboard within the niche. Open shelves above the desk are useful; the sloped wall was also panelled and finished with a stained oak
desktop and shelf. The details wrap around the room, creating a cohesive look. The compact yet efficient design feels both cosy and practical.’

126 livingetc.com
 D E C O R AT I N G

MIND THE GAP

Windows can interfere with built-in
furniture, leaving an awkward gap
between where the joinery ends
and the window. But something as
simple as shelving or a narrow desk
can bring a sense of purpose to this
space. In this project by interior
designer Lizzie Green, a floating
worktop under the window ledge,
paired with a comfortable armchair
and a wall light, creates an elegant
space for getting ready, working
or simply a moment of reflection
– and it’s a chance to add character
through accessories across an
expanse that’s otherwise taken
up by wardrobes. h
PHOTOGRAPHS (TUCKED AWAY) ELLEN HANDCOCK; (MIND THE GAP) CHRIS SNOOK

livingetc.com 127
 T O B O L D LY G O
Turning the space under a traditional straight staircase into a cloakroom is a common design choice, but sister-led design duo Sascal Studio
took the space a step further with a bold redesign. ‘The space was a very sad cloakroom, which we wanted to transform into a vibrant and
interesting space,’ says co-founder Caroline Stemp. ‘Small, awkward spaces are a great opportunity to use bold colours and patterns as they
will immediately transform and elevate the room. The wallpaper we used in this cloakroom is called Knurl Brick from Howe at 36 Bourne Street.
It’s perfect for creating an impact in a small space as the pattern repeat is on the smaller side.’

128 livingetc.com
 D E C O R AT I N G

GOOD HOOD
The space either side of an extractor
fan can often go to waste, but not
so in this kitchen from London’s A
New Day Studio. ‘The aged brass
extractor hood is an integral part
of the overall look and feel of the
space and sits centrally in the
room,’ says founder Andrew
Griffiths. ‘We wanted it to feel bold
and purposeful, so we built display
shelves either side to create one
consistent visual line across that
kitchen elevation to elongate the
look rather than break it up with
a hood and empty spaces either
side. The shelving also helps soften
the feel of the kitchen, styled with
decorative objects or plants.’ h
PHOTOGRAPHS (TO BOLDLY GO) ANGUS WILLIAMS; (GOOD HOOD) ANNA STATHAKI

livingetc.com 129
D E C O R AT I N G

PHOTOGRAPH CHRIS WHARTON

DRINKS ON US
The space under the staircase in this project by London’s Fraher & Findlay was the perfect spot for a home bar. ‘As the staircase is a framed
view at the end of the sitting room, it would form a lovely visual backdrop to the spaces,’ says director Lizzie Fraher. ‘The stairs sit in the double-
height space and so we wanted to design something that would support a social activity within it.’ Lit with under-shelf lighting and wall lamps,
the bar is a clever way to brighten up an otherwise dark and purposeless niche – and it gives this level a new, more sociable role, fit for hosting
friends or relaxing with a tipple after a long day, all without taking up extra floor space.

130 livingetc.com
 NO WIRES
CROSSED HERE
You’ll have seen the recent boom in
portable lights – lightweight lamps
that are easy to move around as you
need them, and aid a life of flexible
living. But step forward the new
wireless lamp, which luxe lighting
atelier Visual Comfort & Co has
embraced. With this lamp, it’s the bulb
that’s rechargeable, not the lamp
itself, meaning you get lights that are
substantial in form yet won’t have
unsightly wires that will trail off the
edge of a table. And this is just phase
one – these bulbs will soon(ish) be
working for a series of the brand’s
ceiling lights, allowing you to fix a
pendant anywhere with no electrician
required. The future’s bright…

Lineham cordless
accent lamp
in alabaster,
£619, Visual
Comfort & Co

T H E H O M E WA R E W E ’ R E COV E T I N G , T H E A RT I S TS O F F E R I N G A
M O D E R N TA K E O N PA S S E M E N T E R I E , A TO P TA B L E A N D M O R E
 4

132 livingetc.com
 SOURCEBOOK

Icons reimagined: Tobi-Ishi table

A DESIGNER INTERPRETS A CLASSIC PIECE
T H RO U G H A FR E S H L EN S – H ER E , SCOT T M A D D U X
S E T S T H E S C E N E W I T H A B & B I TA L I A G E M

open corner. The design company Dzek

creates original architectural products
guided by nature and develops materials
in collaboration with important designers,
1 T H E TA B L E such as FormaFantasma, who designed this
range. The tiles are glazed with volcanic
Our clients were fortunate enough to have ash, which gives them their unique colouring
and surface texture. The column creates a
been able to buy the Tobi-Ishi table with the stunning contrast with the soft, custom
designed sheers draped behind it.
purchase of the property from the former
owners of the house. Because it’s the perfect 4 TH E P E N DANT
size for the space and looks so good from afar, The pendant light above the dining table,
sourced from Via Antica in Brussels, is
with its fluid lines and sculptural base, we more than just illumination – it’s an
architectural punctuation mark. Its
were, of course, more than happy to keep sculptural form introduces a sense of
movement, offsetting the solidity of
it. The table, designed by Edward Barber the Tobi-Ishi table below. The uplighting
and Jay Osgerby for B&B Italia, is a real from this particular piece creates a soft
glow that balances the strength of the form
contemporary classic – it has a sculptural that you see during daylight.

presence and an ability to anchor a space with

5 T H E C U R TA I N S
both grace and gravitas. B&B Italia has Part of our Maddux Creative x Yarn Collective
collaboration, the design of these sheers
long been a benchmark for progressive, was based on a feature wall from a previous
architectural furniture, materiality and project. They’re scaled to add soft diffusion
and rhythmic visual interest to the long
craftsmanship – we particularly love the expanses of floor-to-ceiling windows, so
they’re perfect for contemporary schemes
brand’s continuing editions of design classics, such as this one. Curtains play a fundamental
role in modulating light, softening
such as the Camaleonda by Mario Bellini. architectural lines and adding movement.

6 TH E S I D E BOAR D
The sideboard is from Schmid McDonagh,
who we discovered at The Decorative Fair
2 THE CHAIRS in Battersea. They have a shop on Church
The dining chairs, sourced through Street and are one of our favourite London
Vinterior, offer a retro 1980s aesthetic in dealers. We were drawn to the clean lines
the manner of Tobia Scarpa. The black of this vintage Austrian cabinet, as well
lacquer legs give a dark rhythm, which we as to its warm honey wood tones and
3 loved in combination with the buff coloured pink mottled marble top. It serves as a
leather. The simple forms of these chairs sit counterpoint to the more precise and
nicely with the sculptural table and the architectural elements in the space,
warm, earthy tones of the room. We often ensuring the room doesn’t slip into
turn to Vinterior for its exceptional breadth feeling too polished.
of well-preserved vintage and collectible
design, allowing us to introduce pieces with
aesthetic integrity and an inherent sense
7 T H E TA B L E L A M P
PHOTOGRAPH RICARDO LABOUGLE

of history – elements that elevate a space We sourced this lamp from our friends at
beyond pure styling into something more Atomic Antiques, local to our studio in
resonant and lived-in. Shoreditch. They always have such a
wonderful selection of vintage and retro
lighting, with textural shades of impactful
3 THE TILES scale – and at great prices, too! This lamp
This once-square column was stripped and helps shape the room, casting shadow and
reimagined as a striking cylindrical feature. contrast in a way that adds depth and
We tiled the column in this particular mixture atmosphere. Lighting should never be an
of tones to make a warm and present feature afterthought; it’s what gives a room its
of the architectural element in an otherwise energy and presence.

livingetc.com 133
 SOURCEBOOK

Global outlook: interiors report

O U R N E W YO R K E D I TO R K E I T H F L A N AG A N U N COV E R S T H E A M E R I C A N
L A U N C H E S A N D D E S I G N N E W S M A K I N G WAV E S O V E R H E R E T O O

1 HIGH DESIGN 1
Times Square isn’t exactly on any design
enthusiast’s map. And that was just part
2
of the challenge for Brooklyn’s Home
Studios, tasked with designing its first
commercial space, Charlie Fox, a three-
storey dispensary (recreational cannabis
is legal in NYC) in the tourist district.
Bringing a cosier vibe to a place where
the scale of most shops is larger than
life, the studio channelled old-world
apothecaries (think wooden shelving
and custom joinery) and boutique hotels
(corduroy-upholstered banquettes and
a marble-topped bar) with warm neutral
tones and soft lighting – a bright spot for
the brightest spot in New York.

2 BRIGHT IDEA
My new go-to spot for meetings and 3
meet-ups opened last spring, but the
space itself never gets old. Tucked in
Tribeca, Quarters blends a bar, gallery
and ever-changing concept store in one
ambient space. Ambience is the key word:
Brooklyn’s lighting studio In Common
With turned two f loors (a third is in
the works) of a 19th-century loft into a
PHOTOGRAPHS (HIGH DESIGN) BRIAN W. FERRY; (BRIGHT IDEA) WILLIAM JESS LAIRD

series of perfectly lit rooms with a lived-

in, art deco feel. Totally relaxed and
replete with rotating vintage and curated
furniture alongside the studio’s own
brilliant pieces (including new forays 4
into furniture), almost everything can be
purchased. And, after a drink (or three) at based Memòri Studio and potter Houda I’m just as surprised as you. Symbol,
their handsome bar – called The Bar at El Oman, a rustic series of clay sconces. which built its reputation on record
Quarters – you’ll be tempted to buy it all. Working with skilled craftswomen in consoles and vinyl cabinets, just launched
northern Morocco’s Rif Mountains, the its first home collection filled with
3 C L AY T I M E hand-built forms each have beautifully understated pieces with appealingly
I’m a sucker for anything handmade. simple features and textural finishes, bold lines. After trying out its furniture
When I spot a slight trace of the human guaranteed to inject natural tones and at a recent pop-up, its couches and
touch on an object, I’m drawn to it like a artisanal flair into your home. armchairs in particular have my number,
flame. And so on a recent visit to Roll with extra-wide proportions that beg
& Hill’s Soho showroom, I was almost 4 SURPRISE HIT you to sink in and never leave, I found it
guaranteed to adore the lighting brand’s Has a vinyl-focused storage brand hard to get out of these supremely comfy
new four-part collection with Marseille- designed the perfect lounge furniture? seats. This brand, to me, is one to watch.

livingetc.com 135
 The spotlight: what to buy now
AN EDIT OF THE BE AUTIES ON
TEAM LIVINGE TC ’S SHOPPING LIST

HEADS UP
South African and Amsterdam-
based furniture brand Lemon has a
100% track record with its launches
– we’ve fallen in love with its new
designs every single time. The latest
collection of nautical-inspired
headboards, by South African
designer Yaniv Chen, is no exception
– using rich, lacquered timbers and
mother-of-pearl borders, these are
beautifully layered pieces that we’d
love in our own spaces. Aquarama
headboard by Yaniv Chen in Bird’s
Eye Maple, from £6,007, Lemon

FEATURE ELLEN FINCH

136 livingetc.com
 SOURCEBOOK

Catch the wave

We love the playful, surrealist-inspired shapes of Atkin and Thyme’s
new furniture collection. Aptly named Dali, the chest of drawers and
bedside table feature layers of undulating waves that give the pieces
extra dimension. Dali chest of drawers, £899, Atkin and Thyme

SHELF LIFE
Moebe does smart, multifunctional pieces really
well, and that certainly goes for the brand’s new
mirror with a shelf – a product that does what it
says on the tin, with a mirror frame made of FSC-
certified oak. The construction is component-
based, so you can choose which side you want
the shelf to fit – and thanks to its compact nature,
it works perfect in bedrooms or dressing rooms
to store your most important jewellery or
accessories. Mirror with a shelf, £335, Moebe

SITTING PRETTY
If you can’t have a super-soft, super-fluffy
accent chair in a bedroom, where can you have
it? This characterful piece is part of H&M
Home’s Spring 2025 collection, inspired by
warm minimalism but with an expressive side.
This particular chair combines some of the
biggest interiors trends of the moment –
high-pile texture and chunky legs – and would
be perfect at a dressing table or filling an empty
corner. Just don’t cover it up with clothes.
Lounge chair, £299.99, H&M Home  h

livingetc.com 137
SOURCEBOOK

BED TIME
Your bed is your biggest and best chance to
experiment with shape and style in the bedroom,
and Naturalmat’s new launch, Ebford, is a natural
showstopper. Featuring a tall, curved headboard
and a frame with no sharp corners, the design is
fully upholstered in a fabric of your choice. The
headboard is padded with recycled denim –
offcuts from jeans factories – giving the piece a
sustainable bent too. Ebford bed upholstered in
Organic House Linen, from £1,370, Naturalmat

Fo o d f o r
SIDE BY SIDE
thought
If you’re already a Ligne Roset fan, Let us introduce you to Flots, the new
venture from interior designer Sophie
PHOTOGRAPHS (FOOD FOR THOUGHT) CHRIS JAMES

you might notice some similarities

van Winden of Owl Design and textile
bet ween th is st yl ish bedside artist Josie Mond-James of Studio Mond.
Dyed using locally foraged materials or
table and the Marechiaro shelf food waste, the colours of the sculptural
cushions change depending on what’s
system – and rightly so, because in season, just like your food choices.
Cushions, from £175, Flots
this new table takes its inspiration
– and its name – from the curved
and slatted modular shelv ing.
Ma rech ia ro bed side t able,
£1,610, Ligne Roset

138 livingetc.com
 SOURCEBOOK

On the rise: passementerie artists

M E E T T H E M A K E R S C A R V I N G T H E I R O W N PAT H O N T H E D E S I G N S C E N E –
THEY’RE THE NAMES WE’LL BE SEEING MORE OF IN THE FUTURE

LAURA CASAŇAS MAYA creativ it y has a lways been a n colourblocked and curvy tubular frame.
Passementerie – the art of ma king encou ragement . ‘[T hey] t ravelled Meanwhile, her Crete lamp designs
decorative trimmings – has the potential extensively, learning various ceramic (top lef t) have been inf luenced by
to be pigeonholed as having a ‘trad’ techniques,’ she says. traditional trims: a reinterpretation of
aesthetic. But Laura Casañas Maya, the Laura entered into passementerie the Crete braid, if you like.
FEATURE RORY ROBERTSON PHOTOGRAPHS (CRETE LAMPS) JEANNE CANTO;

Rhode Island School of Design furniture ‘absorbed by its intricacy and rich visual And what’s on her workbench now?
graduate-turned passementerie artist, language’. She is inspired by the work of ‘I’ve recently started exploration and
whose recent Passementerie Series Sheila Hicks, Elizabeth Ashdown and research for my next series. It doesn’t
reinterprets the craft to modern-looking Matthew Ronay. For her own pieces, like have an official name yet, but I refer to it
tubular steel coffee bases with clear glass the Cordage tables (top right), she has as the cloud project, because it makes me
tops and lovely lamps, casts a new and mastered the technique of cord piping, feel quite light.’
a ltogether contempora r y lig ht on where cord is couched down onto a
(PORTRAIT AND CORDAGE TABLES) IVAN LANZ

centuries-old techniques. ground material – in this case, the brightly @melinda_loopy

‘I remember, when I was a young girl,
my g randmother’s apar tment w ith
tassels holding back draped curtains,
T H E L I V I N G E TC T E A M R E C O M M E N D S
and sofas with trimmings with fringes,’
Laura says. Laura’s creative inspiration ELIZABETH ASHDOWN JESSICA LIGHT WILLIAM STORMS
UK-based passementerie East London-based Jessica Working from Brooklyn,
is rooted in her love of colour – she cites artist Elizabeth combines crafts handwoven and William curates rugs, wall
traditional and endangered made-to-order couture-like hangings and sculptures,
animated films as a particularly keen
passementerie skills with passementerie in dramatic plus decorative trims made
influence – and the ‘endless possibilities a modern aesthetic. Her combinations of colours. from cotton, jute, leather,
recent collab with Samuel & Her tie-backs and rosettes copper, and cigarettes (yes,
of combining it [...] in unexpected ways’. Sons is an energetic splash are an interior designer’s you read that correctly).
A longside th is, her g ra ndpa rent s’ of colour. @ashdowntextiles dream. @jessicalightwares @william_storms

livingetc.com 141
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142 livingetc.com
3 ISSUES
*
F OR £ 5
 T H E H E AT I S O N
Bathroom showrooms are so often
cold, dull and clinical – but not so for
C.P. Hart’s Waterloo base, which
showcases some of the brand’s ranges
through a colourful room set from
Matthew Williamson. It has all the
warmth typical of the designer’s work,
combining textured pink walls with
multicoloured tiles in earthy hues,
fluted and stone finishes, coloured
glass accents and vintage Murano
lights. It’s a real blueprint for a
bathroom that feels warm, cosseting
and a pleasure to spend time in – we’d
recommend popping in to experience
it in person if you can.

Buto bespoke
Galiano vanity with
marble top, £4,717;
Petra washbasin, price
PHOTOGRAPH ANNA STATHAKI

on request; Cromie
tiles, £3 per tile; Buto
bespoke mirror, £1,667;
Venezia basin mixers
with Nice spout and
Fantini Venini Murano
glass handles, price
on request, all available
at C.P. Hart

N E W S E ASO N , N E W PROJ EC T ? FRO M FRO NT DOO RS AN D GAR DEN STU DIOS

TO S MART KITCH EN AN D BATH ROO M B U YS , G E T THAT U P G R ADE GOI N G
 CLEVER

IN THE KNOW

Kitchens & bathrooms

T H E L AT E S T L O O K S , L A U N C H E S A N D I D E A S E X C I T I N G U S N O W

TA L L O R D E R
Splinterworks’ new outsized hammock baths are the
antidote to cold knees, allowing the tallest of bathers to fully
submerge. Styled on the British brand’s original hammock
baths but deeper and wider, there are two new models
to tempt. King Pagoda is a fabulous freestanding affair,
on a chunky pedestal, while King Hamaca is an impressive
suspended tub. Both come in custom colours and finishes.
King Pagoda bath, from £38,500, Splinterworks

C O R E VA L U E S
Featuring 4D ceramic technology developed by Iris Ceramica,
SapienStone’s latest drop, Silver Wave 4D, is a rock-solid surface
engineered to authentically replicate natural stone. Even sink
cut-outs and draining grooves deliver a seamless appearance.
This is the ultimate low-maintenance worktop we’ve been waiting
for. SapienStone 4D Silver Wave, from £650sq m at Cullifords

Make
PHOTOGRAPHS (TALL ORDER) MALCOLM MENZIES

a stand
Put your basin on a pedestal
– literally – with Kast’s first
foray into freestanding. The
concrete alchemists have
nailed it yet again with Orme,
a mix-and-match proposition
that allows up to three colour
choices, in 28 drop-dead
shades, per piece. The
pedestal can be ridged or
smooth, and the vanity shelf
is optional. Customisation
never looked so good. Orme
concrete basin, £6,000, Kast h

livingetc.com 149
CLEVER

Fe e l i n g f l u s h
We’re well drilled in the sensory benefits of bagging
quality ‘touchpoints’ for the bathroom but the toilet flush
is so often overlooked. And by overlooked, we mean made
from plastic. Disappointing. This flush plate in brushed
brass from Aston Matthews is really rather lovely to use,
and its unlacquered finish means a patina will develop in
time. Compatible with any Sigma (GTS) concealed cistern
from Geberit. Acme water-saving dual flush plate in solid
brushed brass, £629.85, Aston Matthews

C E L E B R AT E C U R V E S
What’s hotter than fluted finishes in the kitchen? Ginormous pillowy curves.
Antipodean designer Annika Rowson’s Corian-clad island for her showroom
revamp is ‘sculptural yet playful – and a little bit Jetsons’. High-statement
curves, she says, are set to dominate. ‘I’m designing more sculptural forms
and it’s exciting to see,’ she says. ‘The unique shape of this island stops people
in their tracks, prompting them to say “wow”, before running their hands over
the curves.’ Exhaust Cascade 19 pendant chandelier, £5,668, Buster + Punch

ALL TH E LOVE
There’s a lot to love about Elica’s newest
addition, which combines multiple cooking
appliances in one unit with a single control
panel. It’s called LHOV, which stands for Hob,
Oven and Ventilation, but also the ‘love’ that
chief design officer Fabrizio Crisà has put into
its conception. Innovations include automatic
extraction, not just from the hob but also inside
the oven. It’s also wider than a standard built-in
oven, providing ample space. Plus, it features
voice control for hands-free convenience.
LHOV 3-in-1, from £7,000, Elica
PHOTOGRAPHS (CELEBRATE CURVES) GINA FABISH

SHUT THE DOOR

Wet rooms are great - and sleek - but if you want spacious and chic
yet enclosed showering Rutland London’s new collection of framed
shower enclosures has got you covered, or rather encased, in style.
Handmade to order in Hampshire, the enclosures feature solid brass
frames – choose from 35+ brassware finishes – and low-iron glass.
Bespoke sizes on request. Wesley brass recessed shower door, from
£11,253, Rutland London

150 livingetc.com
 CLEVER

SECRET ADDRESS BOOK

Splash-proof lighting
T H I S B R I T I S H B R A N D ’ S P R E T T Y B A T H R O O M L I G H T S TA P I N T O T H E
D E S I R E F O R B AT H I N G S PA C E S F I L L E D W I T H D E C O R AT I V E F L O U R I S H E S

Blossom
linear wall
light, £429,
Original BTC

ORIGINAL BTC
Once upon a time, good-looking
lighting for the areas of your home
prone to splashes – kitchens and
bathrooms, that is – was few and far
between. But thanks to the design
world’s pivot to a more decorative
approach to these spaces, we’ve seen
a wealth of new options enter the
market. And Original BTC is leading
the way with its handmade pendants
and wall lights with an IP44 rating,
meaning it can withstand the odd
splash. The linear wall light from the
brand’s new Blossom range is one of
those pieces – we adore its subtle
elegance, with a frilly flourish that
makes it feel much more special than
bathroom lighting used to be. Bravo!

livingetc.com 153
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D E S I G N F E AT U R E O F T H E M O M E N T

Pet project
A S F O U R - L E G G E D F R I E N D S R I S E T O F A M I LY
M E M B E R S TA T U S , H O M E O W N E R S S E E K S T Y L I S H
A N D B E S P O K E S O L U T I O N S F O R C O H A B I TA T I O N

FEATURE Keith Flanagan

Our homes often overflow with creature home – was once the extent of bespoke
comforts, and lately those comforts solutions for canines and felines. But
extend to our households’ most beloved new features are often front, centre, and
creatures. In a new era of pet parenthood, increasingly interactive, speaking to
ow ners incorporate animal-driven the recent changes in dynamics (not to
features without compromising style. mention increases in pet ownership in
Reducing clutter from extra furniture, general) we have with our furry friends.
anything from built-in food bowls to
bespoke litter stations and doggy spas ‘This kind of design reflects a broader
elevate the pet experience to new levels. trend: people are prioritising elegant
solutions that integrate their pets’ needs
‘My own cat is treated as a member of into their homes while maintaining
the family – and many of our clients’ pets visual and functional harmony,’ says
are thought of in the same way,’ says Fiona Ginnett, co-founder at London’s
Ben Ridley, founder of Architecture for Hølte. ‘It ’s about creating a home
L ondon , w ho m ade p et s a pr i me that works for everyone – two-legged
consideration in recent projects. ‘We or four-legged!’
have clients whose children have left
home, and now their pets are finally As homeowners spend more money
getting the appropriate amount of time and time with their pets, a little extra
and money spent on them!’ attention on design goes a long way,
too. Here are a few custom ideas that
The classic and unsightly dog or cat flap are redefining pet-centric architecture
– located at the very perimeter of the in the modern home. h

NAP NOOK
For style-driven homeowners, furniture designed for pets can
often clutter a space. To maintain aesthetics in this London
extension, designers seamlessly and discreetly integrated a ‘cat
PHOTOGRAPH SARA HIBBERT

house’ in the underutilised base cabinets. ‘This design solved

several challenges: it provided the cat with a private, functional
hideaway, preserved the sleek aesthetic of the kitchen, and offered
a practical solution for the homeowners,’ says Fiona Ginnett. ‘It’s
easy to access and clean, and it blends beautifully into the
cabinetry. These kinds of tailored solutions elevate a design,
making it work for everyone in the household while maintaining
visual cohesion.’
PROJECT BY Hølte

livingetc.com 155
 G R E AT C R AT E
Kennels aren’t always the prettiest
objects, which means they are often
jettisoned to less visible places in
the home (think garages or utility
closets). But in this Dallas home, a
well-crafted crate was installed right
off the kitchen, beautifully built into
stylish millwork; painted metal doors
match other elements throughout
the space, like black diamond floor
tiles, tying it all together. ‘We wanted
the crate to be chic and discreet, by
designing it to be a part of the
millwork storage cabinet,’ says
designer Erin Sander. ‘We loved how
the crate contrasts very nicely with
the hardware on the cabinetry.’
PROJECT BY Erin Sander Design

 CLEVER

2
PHOTOGRAPHS (GREAT CRATE) NATHAN SCHRODER; (1) YHLAA STUDIO; (2) TIMOTHY KAYE; (3) BUILDING NARRATIVES

1 P L AY A R E A
In a Taiwan apartment suited for both cats and dogs, Aoda Interior
Design Co. unleashed a variety of tricks. A dynamic island TV
wall gives dogs circular movement (freedom to run around), while
vertical sisal wrapped climbing posts and up-high nooks and
platforms give cats space away from canine pals. Designers
stress the importance of pet-friendly materials: anything from non-
toxic paint to durable flooring keeps pets safe and happy.
PROJECT BY Aoda Interior Design Co.

2 D O G GY S PA
Some owners create washing stations with handheld shower wands
for muddy paws. ‘We would recommend placing a dog bath
near a back or side entrance, or even in the garage,’ says Sally
Knibbs, founder and director, Sally Caroline. ‘This enables easy
access from a walk to then wash your pup before walking further
through the home.’ For a pug, Sally opted for a lifted tub (so owners
could stand up), but for larger breeds she recommends placing
the shower on the floor in a low tub to help keep in the water.
PROJECT BY Sally Caroline

3 A L L E Y C AT
Gone are the days of the unattractive cat flap: say hello to the
sleek cat tunnel. For a family with two cats who love basking in
the garden, architects were tasked with creating a passage
with openings inside and outside the home for easy access. ‘We
therefore designed a bespoke cat tunnel, with the entrance
imagined as an oversized cartoon mouse hole,’ says architect Ben
Ridley. ‘This leads to a cat flap within the wall construction.’
3
PROJECT BY Architecture for London
h

livingetc.com 157
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KITTED OUT
For a young couple with two cats,
boldly coloured laundry room
joinery pockets a built-in litter box,
ensuring the unsightly container
is tucked well out of sight. Front-
facing doors allow the owners to
pop open the cubby for cleaning,
while a sneaky opening on the side
is a ‘private’ entrance for their feline
friends. ‘If designing for cats, be sure
to check their height and width and
tuck access doors away as much
as possible,’ recommends interior
designer Kim Kneipp. ‘Access for
humans needs to be considered
first, as must be the view of what
you can see through any cut outs.’
PROJECT BY Kim Kneipp Studio

PHOTOGRAPH LISA COHEN

158 livingetc.com
Door made by Bill
Wisnowski. Design
by Studio Louis Lin
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DESIGN NOTES

Front doors
T H E E X P E R T S O N W H AT Y O U N E E D T O K N O W B E F O R E
INVESTING IN THIS KEY ELEMENT

FEATURE Amy Moorea Wong

THE TICK LIST entrance that will create a big cold area
When stepping over the threshold into if there’s no insulation within the door.’ Door, Velfac.
Design by
the realm of front door design, before you Archmongers
do anything, think about the practical NO COMPROMISES
details; there are a lot of them. ‘Explore Let it be known: front doors are not the
the ways a door opens: other tha n area to skimp on. Choose the highest
swinging on standard butterfly hinges, qua lit y component s a s much a s
doors also pivot, slide into a pocket, pos sible, a nd t hat i nclude s t hose
slide on tracks, stack on one end, bi-fold f inishing touches. ‘Don’t sk imp on
to two ends. How a door opens plays ironmonger y and locks – any thing
a major role in how one experiences from the finish applied to the metal,
the action of passage,’ says Louis Lin, through to the working elements of
principal of New York-based interior the hinge or lock mechanism – as over
design firm Studio Louis Lin. ‘Also, time they will break down and need
determine the appropriate weight for maintenance,’ says Niall Ma x well,
the door – doors can be made with solid director of architectural firm Rural
material, hollow-core, or any percentage Office in Carmarthen. ‘Visit a specialist
combination in between, and a front high street ironmonger to get advice –
door may benefit from a solid build, not they can advise on suppliers and styles
only for better insulation and sound to fit your budget.’ It may seem a lot
attenuation purposes, but also for the of effort, but as the front door is the first
psychological comfort from the tactile thing people see of your home, it will
experience. Think about privacy – you set the tone for what’s to come inside.
need the right balance of opacity versus
PHOTOGRAPHS (MAIN) LOUIS LIN; (ARCHMONGERS) FRENCH+TYE

transparency. And don’t forget safety:

always have the door swing inwards, so
you can push out an intruder if need be.’ BACK TO BASICS
Sometimes, the uncomplicated things are the best, and a front door stripped
K E E P T H E H E AT down to the minimum is all you need. ‘Keep the design of the door as simple
Come winter, a badly designed door as possible,’ advises Johan. The door on an aluminium-clad house he worked
could pose a real issue, and create a patch on in London was created by Danish manufacturer Velfac, and features an
of negativity and discomfort inside ultra-pared back handle, lock, letter plate, door viewer (spyhole) and
the home (not to mention increased kick plate, while the metal-framed, painted timber door body takes on a
heating bills). ‘Make sure that the door less-is-more approach and is slightly slimmer than standard. ‘Think of
is insulated and as airtight as possible,’ longevity,’ says Johan. ‘A front door has to be relevant in its design for 50+
says Johan Hybschmann, co-founding years. Here, it really complements the raw aluminium cladding and black
partner of London-based architecture walls of the house.’ It also ties in with the green window frames.
h 
studio A rchmongers. ‘People of ten
forget, but it ’s a large surface in an

livingetc.com 161
CLEVER

ON THE DOWN LOW colour creates a sense of calm and we

Design by Not all doors need to stand out – in fact, wanted a peaceful atmosphere to begin
Rural Office
some are designed to blend into the from the moment people arrive.’
house, the surrounding environment or
both. ‘The door (left) is intentionally IN THE SWING
discreet, not drawing attention to itself Hinges play a vital role in the life of a
and instead allowing the roof to be the front door, making sure that it fulfils its
main attraction,’ says Niall Maxwell of most basic function of opening and
a home he worked on in Surrey, which closing, and so cannot be overlooked.
follows Arts and Crafts tradition. Made ‘I love a well-engineered pivot hinge,’
from locally sourced sweet chestnut says Louis Lin. ‘My favourite? The
cladding, the door is the same timber System M+ by Frits Jurgens. It doesn’t
as the cladding that su r rou nds it , just pivot open a door, but also holds
making it almost invisible, while the position at specific angles, has damper
wood ref lects the nature around the control for door adjustment, speed
building for an under-the-radar feel. control for movement refinement and
latch control to ensure soft and secure
COLOUR STORY latching. Each function is fine-tuned,
‘Don’t be afraid to use a statement paint and the quality and design really sets
colour – it can add character to your the user experience apart.’
entrance,’ says Gail Taylor, co-founder
and creative director of London interior PA R C E L D R O P
practice Th2 Designs. On her ow n Who uses your front door the most? Your
London home, originally a Victorian local delivery person, probably, which is
gatehouse, the front double doors are affecting how doors are being designed.
pa i nt e d i n t he r ef r e sh i ng pa s t el ‘Nowadays, it’s about parcels and postal
blue-green tone of Sea Green by M&L deliveries, and finding a way of dealing
Paint and Paper. ‘The house is surrounded with larger objects,’ says Niall Maxwell.
by a beautiful garden, so we chose an ‘With most of our new-build projects,
orga nic hue that complements the we now design a specific parcel drop to
g reener y a nd work s well w ith the reflect changes in door habits – if you
immediate surroundings. The front have space, it’s worth thinking through
door is the first impression you get; the what could work best for your household.’
PHOTOGRAPHS (RURAL OFFICE) JIM STEPHENSON;

FIRST IMPRESSION
Good looks play their part on a front door, too. ‘Guests are often wowed by the
strong graphic nature of the door design at first glance,’ says Louis Lin, of
the showstopping oversized front door (see previous spread) he designed
for a 1950s mid-century modern house in New Jersey, which features a duo
(TH2 DESIGNS) PAUL MASSEY

of cut-out curves in reclaimed beech and glass slats. ‘Because of the scale,
the door operates on a pivot hinge, which further adds to the drama as it
becomes a piece of kinetic art.’ Made by master woodworker Bill Wisnowski,
Design by Th2
Designs. Door the thin strips of glass and timber not only make a visual statement, but
painted in Sea also provide privacy, while allowing enough light to flood into the entrance.
Green, M&L
Paint and Paper

162 livingetc.com
 ARCHITECTURE NEWS

Garden studios
T H E S E S PA C E S A R E G E T T I N G M O R E S O P H I S T I C AT E D B Y T H E
M I N U T E – H E R E A R E A F E W T H AT C A U G H T O U R AT T E N T I O N

FEATURE Ellen Finch

IN TUNE
In a London garden such as this, a
studio works best when it blends in
with the plot – it makes it feel more
spacious and avoids the eye being
drawn to yet another building.
Wilkinson King Architects used a
pergola in black charred timber to
form a boundary between the
garden and the studio itself, while
trellised sliding screens help to hide
away the interior and provide privacy
– with the exception of that large,
circular window, allowing views
across the garden to the main house.
 CLEVER

ECO THINKING
A self-build project by Commonbond Architects, this studio
was designed to explore the potentials of hempcrete, a
breathable material that sequesters carbon. It’s not just an
exercise in sustainability, though: the studio is a permanent
space, grounded in and integrated with the garden via
a perennial flower border, which can be viewed from the
desk inside as the interior was sunken a metre into the
ground. There are even ‘fox windows’ at low level that provide
glimpses into the wildlife beyond the garden – a whimsical
way to maintain a connection to nature

AHEAD OF THE CURVE

Skirting around three birch trees at the end of a Stoke
Newington garden, this project – called the Birch Pavilion by
its creator N4 Architecture – uses green cladding externally to
blend in with its leafy surroundings. Inside, birch plywood
joinery, cork ceilings and microcement flooring offer a
low-maintenance, minimalist palette of materials; fan-like
beams align with the birch trees outside.

SUPER
SLICK
Designed in tandem with a
timber-clad side and rear
extension on the ground
floor of the main arts
PHOTOGRAPHS (IN TUNE) DAVID GRANDORGE; (ECO THINKING) JAMES RETIEF;

and crafts-style Thames

Ditton home, this garden
s t u d i o d e s i g n e d by
(AHEAD OF THE CURVE) JOSHUA PAGE; (SUPER SLICK) FRENCH+TYE

Matthew Giles Architects

mirrors the facade of the
main building with a pale
concrete plinth and dark
timber cladding. Matching
louvres provide privacy
for the studio, which
acts as a spare bedroom,
of fice and general
entertainment space.

livingetc.com 165
 ADVERTISEMENT FEATURE

Fully adjustable
and with a range
of attachments
available, the
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The hot seat

W H O S A I D FA M I LY F U R N I T U R E H A D TO B E B O R I N G ? L E M O P L AT I N U M , T H E
NEW HIGH CHAIR FROM CYBEX, IS ST YLISH THROUGH AND THROUGH

Parents will know that aesthetics and children’s paraphernalia with a transparent tray that allows your child to sit with you
don’t always go hand in hand. In fact, if you’ve got a growing at the table. From there, the Lemo Platinum’s seat board and
family, maintaining a cohesive interiors scheme can be tricky – footrest are easily adjustable (you can even do it with one hand!)
between extra furniture, toys and all of the other kit that comes so you can continue to adapt the chair as your child grows.
with kids, practicality so often wins out over your creative efforts.
Thankfully, there are brands out there pushing for better – and P O L I S H E D LO O K
Cybex is leading the way. Its design-forward range of car seats, If we’re honest, what really made this chair catch our eye is
strollers and carriers is a stylish solution for those who want the way it can be integrated seamlessly into a contemporary
child-friendly equipment with a bit of flair. Now, the brand’s scheme. After all, Cybex counts interior design as a key part of
new high chair launch, Lemo Platinum, offers a flexible solution its brand DNA – and it shows through the attention to detail in
to mealtimes – and one that looks smart, too. the Lemo Platinum. Made from high-quality beech wood, it has
a sleek frame with soft, rounded edges – and in a choice of black
G R OW W I T H YO U or white, it’s designed to fit with almost any scheme. Plus, that
At the core of Lemo Platinum’s design is versatility. Rather than signature curved seat isn’t just for show – it’s angled to create a
something throwaway, it’s made to be used over and over as your gentle tilt that encourages a natural sitting position for your
child grows – and can even be used by adults. How? Start by using child from the outset. Cybex has thought of everything – and
it with the Platinum Bouncer, a softly curved piece that can be this piece will be a family favourite for decades to come.
attached to the Lemo Platinum or used on its own. Next is the
Baby Set, for children from around six months old, which comes For more information, visit cybex-online.com

166 livingetc.com
 IN GOOD CHEER
It’s London Design Week this
month and the showrooms at
Design Centre, Chelsea Harbour
will be showcasing their latest
launches in a burst of joy to propel
you into spring. Our own executive
editor Pip Rich will be hosting a
talk on the subject of ‘Happy
Homes’ with interior designers
Ellen Cumber of Golden Design
and Margot Tsim, along with
Casamance’s Jonathan Stachowiak.
They will be sharing a host of
new ways you can put a smile into
your style – book tickets for the
event on 13 March at 3pm and find
out more about Conversations in
Design at dcch.co.uk.

Fabric (on panel), Zinc

Textile at Romo. Cana
wallpaper (on box),
Casamance. S-Contract
chair, Shepel’. Fabric
over chair, Karin Sajo
at Casal at Houlès.
Rug sample, Armadillo
at The Specified

A D E S I G N E R ’ S G U I D E TO I S TA N B U L , S U M M E R H O L I DAY I N S P O A N D A
C ER A M I C I S T T H AT P U T S S U S TA I N A B I L I T Y AT T H E H E A RT O F H I S WO R K
 H OT L I S T
Summer’s in our sights with these getaways – all of
which promise a design-led local experience
 LIFESTYLE

Meliá Casina Cinquepozzi

IBIZA, SPAIN PUGLIA, ITALY

IN A SENTENCE IN A SENTENCE
Meliá is known for its luxury minimalism, and the hotel chain’s Launching this spring, the one-of-a-kind Casina Cinquepozzi
new launch is no exception – peaceful, soothing and as connected is a manor house set on a 40-acre estate of farmlands and
to Ibiza’s natural beauty as much as to the nightlife and beaches. vineyards – the owners are even bottling their own organic rosé.

DE SIG N DOWN LOAD DE SIG N DOWN LOAD

Expect a traditional, clean, white Ibizan palette with plenty of Founded by a Neapolitan-Nigerian couple, the manor has a
natural touches. The pared-back interiors make it even easier to breezy, coastal Italian vibe. Amongst the beautifully restored
admire the Mediterranean surroundings and spectacular features, you can see the sparkling decorative touches of jewellery
sunsets – especially when you do it from the rooftop bar and pool. designer Thelma West, one half of the duo, who has infused the
property with richness and moments of surprise in each room.
O N TH E (S PA ) M E N U
C U LT U R E C O R N E R
FEATURE ELLEN FINCH AND PIP RICH

Guests can enjoy treatments inspired by Thai techniques and

book onto a yoga session, but it’s the outdoor water circuit that’s Perhaps the most special thing is the hotel’s Artist’s Residence,
the real draw – one of a kind in the island’s hotel scene, Meliá says. which will host chefs and creatives for collaborative projects.

HOTEL HIGHLIGHT IN THE AREA

For the hotel’s first season, it partnered with social impact Puglia’s ‘best kept secret’, Putignano is less than 10 minutes away
company Gravity Wave to remove three tonnes of plastic from and its small but busy centre is charming. It’s known for its
the Mediterranean – and Meliá Ibiza will use the waste to create Carnevale celebrations, but be sure to visit Palazzo del Bali – once
new pieces for the hotel. We love a holiday with a sustainable spin. home to the Knights of Malta, now a museum and art gallery. h

livingetc.com 169
 LIFESTYLE

Bayou Villas DELICE

PENINSULA, TURKEY

IN A SENTENCE
This new hotel on the Turquoise Coast is perfectly positioned
– enjoy the sea views from your own villa and have everything
brought to you by a personal assistant, or head into town and
explore the impressive historical sights.

DE SIG N DOWN LOAD

There are 14 one- or three-bedroom private villas, each with
access to private heated pools, a sun terrace and the hotel’s lounge
bar and restaurants. The interiors are as modern as you’d expect
from a contemporary luxury hotel – all natural wood and stone,
PHOTOGRAPHS OZAN ÇELIK, @OZANPHOTO

white-washed exteriors and immaculate blue-tiled pools.

ON THE MENU
The villas sit within the five-star Anda Barut Collection, so you’ll
have access to all the amenities – including seven à la carte
restaurants (from Turkish to Indian to Italian food) and five bars.

IN THE AREA
The Delice Peninsula is home to some of the world’s ancient
wonders – Halicarnassus in Bodrum and Ephesus, near Izmir.
h

livingetc.com 171
LIFESTYLE

La Ferme
PARIS OUTSKIRTS, FRANCE

IN A SENTENCE
This woodland retreat is a slice of French country life with a
luxe twist, marrying the rural vibes of a British estate with the
very French, very refined tastes of its owners, Paris Society.

DE SIG N DOWN LOAD

La Ferme is five minutes from Abbaye des Vaux-de-Cernay, a
12th-century former Cistercian abbey and the main hotel. You’ll
find quaint bedrooms with forest views – designed by Corinne
Sachot, whose work includes CoCo at the Opéra Garnier.

ON THE MENU
Based on Paris Society’s iconic restaurant, Bambini, La Ferme’s
PHOTOGRAPHS ROMAIN RICARD

own version – La Trattoria – is a place to enjoy classic Italian

dishes. Betty’s Bar has three cosy lounges and a piano.

TH E FA R M E XP E R I E N C E
During your stay, you’re welcome to help care for the chickens,
rabbits, goats and donkeys roaming the estate. There are also art
studios, a cinema room and a spa with heated outdoor pool –
less of a farm experience, yes, but we did say there was a luxe twist.

172 livingetc.com
 DA I LY I N S P I R AT I O N
AT L I V I N G E TC .CO M
PHOTOGRAPH MARY WADSWORTH

ALL THE STYLE , TRENDS AND INTERIORS INSIGHT

YO U N E E D T O S TAY A H E A D O F T H E C U R V E
F O R WA R D -T H I N K I N G I D E A S F O R E V E R Y R O O M
T O K I C K- S TA R T YO U R N E X T P R O J E C T
P LU S D E S I G N N E WS , E XP E R T A DV I C E ,
S H O P P I N G A N D T H E L AT E S T I N N O VAT I O N S
 (Clockwise, from left)
Doruk Kubilay; Istanbul
Museum of Modern Art;
Arkestra restaurant; Anna
Laudel Gallery at Zai
Yaşam Bodrum; Diseno

H idden
TRAILS
Join us for a design tour of a city – this issue, Turkish
designer Doruk Kubilay, founder of Studio Lugo, shares
where to find inspiration in and outside of Istanbul

ISTANBUL MUSEUM ARKESTR A

OF MODERN ART Etiler, Dilhayat Sk. No:28, 34337
Kılıçali Paşa, Tophane İskele Cd. Beşiktaş/İstanbul
No:1/1, 34433 Beyoğlu/İstanbul Michelin-starred Arkestra is my favourite
Istanbul Modern is one of my most Istanbul restaurant. The brainchild
cherished art spots in the cit y, and of local designer Tayfun Mumcu, it is
Turkey’s first modern and contemporary housed in a former residential villa from

ART) CEMAL EMDEN; (ARKESTRA) ALI YAVUZ ATA COURTESY OF ARKESTRA

a r t m u s e u m . No t o n l y d o e s t h e the 1960s, reinvented through retro- ZAI YAŞAM BODRUM
FEATURE GILDA BRUNO PHOTOGRAPHS (ISTANBUL MUSEUM OF MODERN
institution act as a bridge bet ween futuristic decor. Chef Cenk Debensason Çırkan, Halide Edip Adıvar Cd.
Turkey’s artistic legacy and the world, combines flavours from different cultures No:7, 48400 Bodrum/Muğla
but it also brings creative works from into a tantalising reinterpretation of If you have time for a weekend detour
different geographies to Istanbul. Modern European cuisine. out side of Ista nbul, I recom mend
visiting Bodrum. It’s a beautiful city with
ÇUKURCUMA DISENO crystalline waters, chic beaches and
Firuzağa, 34425 Beyoğlu/İstanbul Huzur, Skyland İstanbul, countless opportunities to enjoy the sea
Located in the Beyoğlu district in the Cendere Cad. No:114, 34396 and summer to the fullest. Among its
city’s European side, Çukurcuma – Sarıyer/İstanbul open-air spaces, Zai Yaşam Bodrum is one
Istanbul’s design district – houses a When it comes to design, Diseno is my of my favourites. A multisensory location,
variet y of shops, including antique go-to destination in Istanbul. Thanks to it seamlessly merges gastronomy, music,
stores, vintage clothing boutiques, art its unique curation and atmosphere, it cinema, theatre, literature and art. It
galleries and the stuck-in-time Museum is both a great shopping hotspot for features a modern library and hosts
of Innocence. It is also home to our our interior design projects and an exhibitions, classical and jazz concerts,
office, Studio Lugo, giving you another invaluable source of inspiration for as well as workshops designed to cater
reason to visit the area during your trip. designers like me. for truly unique experiences.

174 livingetc.com
LIFESTYLE

Small Reef
jar, £100

(Above)
Small Earth
jar, £100;
(left) Kurt
handcrafts
each piece

Nex t Pit fired

vase, £140

BIG THING
Our favourite designers pick a name on their radar that
ought to be on yours, too – this month, Lee Broom
shines the spotlight on ceramicist Kurt Alexander

BOWLE D OVE R be alive with texture and detail, other

I discovered Kurt Alexander through areas are smooth and simple, creating a
t he Gre en Gr ad s prog r a m me , a n wonderful juxtaposition.
amazing initiative set up by the iconic I also really like his message. So often
design journalist Barbara Chandler to with sustainability the conversation is
suppor t desig n g raduates creating quite one-sided, about how the production
things sustainably. His work stood out, is carbon-neutral for example. But his
his bowls and vases are so different ocean-inspired work tells the story of
from everything else. coral bleaching and the erosion of the
What appealed to me is how vigorous underwater environment, a key narrative.
his pieces are, and by that I mean that I’ve just started to talk to him about
PHOTOGRAPHS CATHERINE

they command your attention with their commissioning a piece for my showroom
DINELEY PHOTOGRAPHY

eye-catching ornamentation. His bowls in New York. It will complement my

show remarkable restraint. Often, when own – much more streamlined – work.
young desig ners happen across a n I’ve not seen any newcomers like him
unusual technique they’ll feel compelled before – his talent is extraordinary.
to cover their whole work with it. But for
Kurt, while parts of his vessels seem to kurtalexanderceramics.co.uk

178 livingetc.com
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