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Sonnet of Fidelity

The document discusses two poems by Vinicius de Moraes, focusing on themes of love and sadness. The first sonnet emphasizes fidelity and the poet's loyalty to love, while the second poem reflects the idea that true poetry arises from sadness and melancholy. Both works showcase Moraes' mastery of language and poetic forms, drawing comparisons to classical poets.
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0% found this document useful (0 votes)
12 views4 pages

Sonnet of Fidelity

The document discusses two poems by Vinicius de Moraes, focusing on themes of love and sadness. The first sonnet emphasizes fidelity and the poet's loyalty to love, while the second poem reflects the idea that true poetry arises from sadness and melancholy. Both works showcase Moraes' mastery of language and poetic forms, drawing comparisons to classical poets.
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Sonnet of Fidelity

I will be attentive to my love in everything

Before, and with such care, and always, and so much B

That even in the face of the greatest charm B

It delights me more my thought.


I want to live it in every vacant moment A

And in your praise I shall spread my song

And laugh my laugh and shed my tears B

To your grief or your happiness. A

And so, when you look for me later C


Who knows death, the anguish of those who live D

Who knows loneliness, the end of those who love

I can tell you about the love (that I had): D

Let it not be immortal, since it is flame

But let it be infinite while it lasts.

MORAES, Vinicius de. Op. cit. p. 77.

This is the most popular sonnet by Vinicius de Moraes. Written in


decasyllables, whose rhyme scheme

it is ABBA ABBA CDE DEC, has a central theme


the love. Right in the first quartet, the poet gives us

show your loyalty, saying that before everything,


will give attention to your love ('To everything to my love
I will be attentive". Using popular figures of speech.
like the pleonasm ('And to laugh my laugh, and to spill my'

cry), an antithesis ("Who knows death, anguish of

who lives") and the paradox ("But let it be infinite while


"dure"), the little poet, who even got married nine times.

sometimes, it resumes the main characteristics adopted

by Luís de Camões in his best sonnets

SADNESS AS AN ESSENTIAL CONDITION

FOR THE POETRY

To a little bird
For you to have come

In my window
Stick your nose in?

If it was for a verse


I am no longer a poet

I am so happy!

If it's for a prose

I am not Anchieta
I do not come from Assis.

Stop with the stories

Get out of here!


MORAES, Vinicius de. Op. cit. p. 97

In this poem, Vinicius de Moraes, using verses

smaller redondilhos or pentasyllables show us


that the poet lives on sadness. If he is happy, there is no

reason to write poetry. Poetry, therefore, does not

It is a rant, from which it is concluded that, for the

poet, the best poems are those sad, melancholic,


pessimists, pained, hence their preference for

certain elegies, like the "Desperate Elegy":


Someone who spoke to me about the mystery of Love

In the shadow—someone! Someone who would lie to me.

In smiles, while the rivers died, while

morriam
The birds of the sky! And more than ever

At the bottom of the flesh, the dream broke a cold cloister.

Where the lucid sisters in the white madness of the dawns

I am the thief of the veil and the frozen corpse of the sun!

Someone who would kiss me and make me stop

On my path—someone!—the desolate towers


Higher than the moon, where the virgins sleep

Your buttocks clenched in desire

Impossible for men—ah! they have cast their curse!


No one... not even you, swallows, who to be mine

You were a tall, dark woman with long hands...

Clothe me with peace?—they will no longer shut me in

chagas
To the burning kiss of ideals—I have lost myself

Of peace! I am king, I am tree


In the peaceful land of Autumn; I am a brother of the mist.

Wavy, I am an island in the ice, pacified!

And yet, if I had listened in my silence

a voice
From pain, a simple voice of pain...

MORAES, Vinicius de. Op. cit. p. 57.

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